It’s 10/10 #08: @GarethEmery @WinandWoo @KyanPalmer @ChetPorter @AWonderland @JessieReyez @Dzekomusic @Kiesza @MattFaxmusic @TheHim @SuperDuper808 @MadisonMalonem @JerinJamesmusic @iamDeverano

For the first time since January, I bring you my 10/10 feature!!

In 10/10 (or tenoutoften) ,  I write about 10 hot and fresh songs in no particular order, for your kind consideration and attention.

I continue to write individual blog posts about certain songs.  That does not mean that songs in the 10/10 lists are any less than those featured individually.  In fact my recent #1 “Shivohum” by Tritonal & Henry Dark, was included in a previous 10/10!

Writing 10/10 features means I can cover more songs in one shot.  So you get to learn about more new music that I hear but don’t always get a chance to write about. 

tenoutoften

  • GARETH EMERY and ANNABEL, “You’ll Be OK”

British electronic dance producer Gareth Emery says “You’ll Be OK” is the best song he’s released to date.  And he has many reasons to say that, for it’s a gorgeous song with trance-drenched synths and some big, frenetic beats.  It’s also actually a personal story about being on a plane he thought would crash, and based on a letter he was writing to his wife at the time.  Its video above has an emotional ‘life flashing before your eyes’ story as a result.  “You’ll Be OK” has many soft and peaceful moments, which hit home a little more knowing this information.  Vocalist Annabel personifies it all with her rich and gentle voice, and it’s extremely appropriate as a backdrop to what’s going on in the world right now.  “You’ll Be OK” is an amazing follow up to Gareth’s current hit “Yesterday” and is culled from his forthcoming album called The Lasers.

  • WIN & WOO and KYAN PALMER, “Sleepwalking”

American dance producers Win & Woo continue with a series of songs released through Armada that portray how much better they keep getting at their craft.  “Sleepwalking” features Arizona-born, L.A. based singer Kyan Palmer, who has been gracing other electronic dance records over the past few years with his R&B-influenced style.  “Sleepwalking” is a big, bouncy, fun record that can easily ignite a set at a key point in the evening at a dance club.  It also has big potential for dance music radio airplay.

  • CHET PORTER and ALISON WONDERLAND, “Bummed”

We’re all “Bummed” that his upcoming club tour was cancelled, but we’ll just get more time to enjoy the unconventional sound of “Bummed”, Torontonian Chet Porter’s collaboration with Australian electronic producer Alison Wonderland.  “Bummed” has an early 80’s DIY new wave vibe about it that’s utterly charming, complete with old school drum machine sound.  Chet and Alison collaborated on a song that suits their voices and has plenty interesting that’s going on within.  Go deeper and you’ll find all of those delightful melodic flourishes that you get inside every Chet Porter song.  “Bummed” is a both a refreshing surprise and a winner.  Definitely play it alongside Porter Robinson’s new music for starters.

  • THE HIM, “Freestyle Scientist”

It looks like Dutch producers The Him have been immersed in late 90’s techno-house, if “Freestyle Scientist” is any indication.  It’s an extremely playful departure from the duo’s pop-leaning deep house tracks which have graced these blog pages (and my personal chart) many times in the last four years.  Brace yourself this one.  Add some early Chainsmokers-flavoured synth vibes into the mix and it looks like “Freestyle Scientist” could be the start of a new musical era for The Him. Check out the trippy video above.

  • JESSIE REYEZ, “Love In The Dark” (Dzeko remix)

Award-winning Canadian singer/songwriter Jessie Reyez has a Canadian radio hit with her latest single “Love In The Dark”.  And with her recognition earlier this year as a Grammy nominee, you can bet that the song will garner attention stateside as well.  It’s amped up for clubs by fellow Canadian and esteemed electronic dance producer Dzeko.  He puts just the right kind of propulsion behind the deep house rhythms, and you’ll wonder why it wasn’t a dance track in the first place.  Club DJ’s will want to showcase this remix of “Love In The Dark” in a mid-evening set for immediate reaction.

  • SUPER DUPER, “All On You”

Hailing from Nashville’s vibrant music scene, which includes a lot of electronic dance music, is Super Duper (aka Josh Hawkins) who definitely pushes some interesting boundaries in “All On You”.  The song honestly starts out like nothing special, with a distorted vocal and a rather uneventful lead in.  But Super Duper totally shifts the rhythm and feel of the song just after the first minute, and “All On You” grabs you with a sudden WTF magnetic force.  The beats kick in and you immediately start having flashbacks to songs like M83’s “Midnight City”.  “All On You” now has you completely under its spell and so it succeeds rather well in a roundabout way.  Super Duper’s latest is released by the Fader label and is currently being featured on every major streaming platform. Remixes could help push “All On You” further.

  • MATT FAX, “Light On”

French producer Matt Fax eloquently captures the current rise of old-style trance and techno vibes in his latest release, the instrumental “Light On”.  This percolating track will sit nicely next to tracks by Gabriel & Dresden or Above & Beyond in a late night trance set.  Matt keeps the atmospherics working and ever changing which makes “Light On” a synth-filled feast for the ears.

  • KIESZA, “All Of The Feelings”

Calgary’s Juno Award-winning Kiesza has brought us many fine vocals since coming back to the music scene as an independent artist after suffering a life-altering accident.  “All Of The Feelings” is one of those feel-good, vibrant songs that has ‘hit’ written all over it, and many people would hear this as a return to the pop/dance style that brought us “Hideaway” back in the day.  We’ve seen how versatile Kiesza can be with her songs, most of which are original co-writes.  “All Of The Feelings” may skew a more commercial slant but it’s such a well-written and performed release that no one should quibble.  And you can see her perform it in the video above.

  • MADISON MALONE, “Fragile Heart 1”

L.A.-based singer/songwriter Madison Malone dazzles us with her pitch perfect voice on “Fragile Heart 1” from her unique album called I & II (that’s One and Two).  The highly listenable album consists of five songs each recorded in two different versions, all of which work pretty well because the songs themselves are so strong.  But it’s “Fragile Heart 1” that stands out – kind of what could happen if a minimalist Rufus Wainwright song somehow transformed into one with Sarah McLachlan inspiration.  “Fragile Heart 1” is emotional and vulnerable but still very hopeful.  Madison has made herself known at festivals like SXSW and on a recent US tour, so definitely keep your eyes and ears out for her.

  • JERIN JAMES and DEVERANO, “Birds And Bees”

Jerin James is a new name to the dance music biz though he is hardly a newcomer, having previously recorded under another name and had other roles in the industry.  “Birds And Bees” is all about atmospherics and vocals, and even if the song overall to me is a bit familiar and what I would call ‘much ado about nothing’, it works quite well.  The dramatic, sophisticated production is enhanced by Deverano’s stylish and often far-reaching vocal – he’s graced a number of dance records and always gives them a big lift when they need it.  “Birds And Bees” is a compelling start for Jerin James.

A new supplement to the 10/10 feature is my new Spotify playlist called the BILLCS Viral Weekly.  Check it out below as it contains some of the songs in this 10/10 blog post!

 

It’s 10/10 #07: @Hunternoneon @saxity @francescoyates @revelriesmusic @mahalo_dj @shuhandz @brendanreilly @mattfaxmusic @listentoTrove @spencerbarnett @deepchillsmusic @wearefury @micahthezealot @garethemery @nashmakesmusic @linneyofficial

10/10 #07

The 10/10 feature is back!! In 10/10 (or tenoutoften) ,  I write about 10 hot and fresh songs in no particular order, for your kind consideration and attention.

I continue to write individual blog posts about certain songs.  That does not mean that songs in the 10/10 lists are any less than those featured individually. 

Writing 10/10 features means I can cover more songs in one shot.  So you get to learn about more new music that I hear but don’t always get a chance to write about. 

tenoutoften

tenoutoften 07

  • HUNTER and ROSHIN, “I Don’t Forget” (extended mix)

Toronto’s Hunter Siegel is known for his many No Neon club shows and for being a respected producer, DJ and remixer.    2020 brings us his latest EP I Might Forgive, I Don’t Forget, and its lead track “I Don’t Forget”, in partnership with newcomer and fellow Canadian Roshin, is a memorable, pounding, gritty deep house club banger.  It’s dark and haunting and is an easy centrepiece around which club DJ’s can build a set.  If you like music by Faithless, The Chemical Brothers, and Bobby Nourmand then “I Don’t Forget” is for you, particularly in its extended mix above.

  • SAXITY, “Forget Me Nots”

The German production duo Saxity returns and brings some long lost Patrice Rushen back to “Forget Me Nots”.  That’s because the melody of the song is long associated with its smash sample in Will Smith’s “Men In Black”.  But that was 1997 and 23 years later an uncredited female vocal in classic R&B style gives this great song new life amid the usual classy Saxity production including the requisite spiffy sax solo.  “Forget Me Nots” is a great and overdue cover choice!

  • FRANCESCO YATES, “I Got You”

My fellow Scarborough, Ontario native singer/songwriter/guitarist Francesco Yates offers a silky smooth retro-flavoured ballad in “I Got You”.  As I’ve seen several times in concert, Francesco can rock it out with the best of them but also kills it with a soft, romantic song, which we haven’t really heard since his 2014 debut on “Honey I’m Home”. And there’s a brilliant soulful falsetto as well that brings shades of Justin Timberlake at his best.  Like “Honey”, “I Got You” is tender and sincere and may be a welcome throwback to the Francesco Yates sound that most people got acquainted with in the first place.  Don’t let this one slip through the cracks.

  • REVELRIES, BOYBOYBOY and WILL CHURCH, “Fall-Out”

2019 brought us my favourite Revelries release thus far with the infectious “Don’t Think Twice” (featuring Oktavian) reaching #2 on my chart and finishing at #11 for the year.  Spicing it up with some funky touches and a staccato kind of rhythm, “Fall-Out” is a bit softer but a grower alongside other songs by the Netherlands-based Emirati production duo like “Naked” or “Handle”.  “Fall-Out” is a collaboration with production trio Boyboyboy and England-based German-born singer Will Church.  There’s a lot of instrumentation in the mix and with the mystique of Will’s vocal and a compelling melody, it all gels together nicely.

  • MAHALO & SHUHANDZ and BRENDAN REILLY, “Sweet Spot”

Coming off of his biggest record to date last year called “So Cold”, L.A.-based producer Mahalo continues to be busy making great music like his new one “Sweet Spot”.  Never one to get fixed with similar melodies and beats, “Sweet Spot” has an airy, jazzy quality about it in partnership with fellow L.A. based producer Shuhandz and a dreamy vocal by England-based American singer Brendan Reilly.  If you recognize Brendan’s voice then you’re a fan of Disclosure’s Grammy-nominated Caracal album, where he was featured in “Moving Mountains”.  “Sweet Spot” is a tidy mix that ends before you know it in just under three minutes.  Club DJ’s with a soft spot for jazzy vibes will take to this one.

  • MATT FAX and TROVE, “Animal”

“Animal” is an atmospheric release by French producer Matt Fax with vocals by one of Australia’s favourite go-to voices for dance music, Trove, known most recently for his work on Famba’s Canadian radio hit “Wish You Well”.  “Animal” has seductive, dark qualities about it, that keep getting richer until Trove’s vocal stops entirely.  And that’s when an extended coda takes over, which DJ’s will absolutely love for mixing purposes.  Though only just into his 20’s, Matt Fax has been working with all of the best labels for European house so 2020 could be the year where we hear much more original music from him.  “Animal” definitely amps up the intrigue and Trove’s vocal glides beautifully through it all.

  • SPENCER BARNETT, “I’m Fine”

Spencer Barnett is a talented L.A. teen with massive pop appeal if his latest single “I’m Fine” is any indication.  It’s the title track of his latest EP in which Spencer sings to justify why he’s okay, whereas the sullen melody may convince you otherwise.  Its moodiness captures the complex sentiments of today’s teens who were too young when One Direction peaked about 6 years ago, which makes him an instant draw for the lovelorn and heartsick among them.  His indie charm is proving successful so far though with a club date coming up in February in NYC.  So I think we’ll be hearing more from young Mr. Barnett in the coming year.

  • DEEP CHILLS and NOT FAMOUS, “Backfire”

Italy’s Deep Chills spreads his tropical vibes into the winter months for us with the savvy mix of pop and dance genres in “Backfire”.  The song features a delightful vocal by L.A. singer/songwriter Not Famous and a memorable bridge and chorus that will waste no time turning into a singalong.  Deep Chills doesn’t make you forget that the song at its production roots is a dance record so you can waste no time busting a few moves as well.  “Backfire” is a playful and bright release that deserves your attention.

  • WE ARE FURY and MICAH MARTIN, “Echoes”

“Echoes” is the hard-hitting recent single from Vancouver production duo We Are Fury from their two-song EP called Dusk, which also features the compelling instrumental, “Resistance”.  Taking cues from Illenium and Seven Lions and other progressive-minded producers, Stuart and Joachim bring Iowa singer Micah Martin on board for alt.rock atmospherics that will transport you back to the mid-2000’s heydays of My Chemical Romance and Linkin Park.  “Echoes” will be a force unto itself in a live set in the same way that Illenium’s “Blood” (from Ascend) leaves audiences spellbound.  We Are Fury definitely brings all of the goods with “Echoes”.

  • GARETH EMERY & NASH and LINNEY, “Yesterday”

Melodic dance music has a fascinating way to draw you in, and through its various iterations in the sub-genres of dance music, I hope that it will always be present.  After his return with Ashley Wallbridge for last year’s album Kingdom United, UK producer Gareth Emery continues in 2020 with the beautiful “Yesterday”.  Working with newcomer and fellow UK denizen NASH, they take a few cues from early 80’s electronic music by employing the lovely voice of American singer Linney, who is no stranger to dance music and recalls vocalists like Maggie Reilly and Annie Haslam.  “Yesterday” flows and pours out a positive message about leaving behind what should stay in the past.  It keeps you locked in for its just over 3 minutes, and then of course wanting more. 

Australia’s @Parralox gets it oh so right with reverent cover of Propaganda’s 1985 electronic classic “Duel”

PARRALOX, “Duel”

When not creating innovative original music, Australia’s John von Ahlen and his project Parralox can also create cover versions of classics and lesser known songs from the 80’s and 90’s that come within a few steps of the originals.  On Parralox’s latest album Holiday ’19, along with especially faithful covers of The Human League’s hits “Human” (a #1 in 1986) and “Heart Like A Wheel” (Top 30 in 1988), Parralox tackles “Duel”.  It’s much respected (and often thought to be untouchable) electronic classic from 1985 by the German duo Propaganda and their album A Secret Wish, still heralded to this day, and originally released by Trevor Horn’s ZTT label, which also brought us Frankie Goes To Hollywood.  The vocal for the song by Louise Love is spot-on, and John and team keep the utter essence of the song intact, down to the Fairlight synths and harmonies.  There are a few friendly digressions, and hearing “Duel” receive such a delightful update is simply a treat. 

Published in: on January 12, 2020 at 11:55 pm  Leave a Comment  
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Australian producers @TwoCanmusic return with pop-house track “Gonna Be” featuring Dutch vocalist Martyn Ell

TWO CAN and MARTYN ELL, “Gonna Be”

“Gonna Be” is a well done new song featuring a familiar mix of acoustic guitar and other instrumentation along with the synths that fuel its house-lite rhythm.  Two Can are brothers Myles and Oscar from Melbourne, Australia, who have probably made their brand known more as remixers (Viceroy, BØRNS) as well as festival/club regulars in Oz.  They release original music infrequently but “Gonna Be” has a refreshing appeal thanks to the earnest voice of Dutch singer Martyn Ell, who reminds me a lot of Norway’s Jesper Jenset.  “Gonna Be” is glistening ear candy that should not go unnoticed.

Published in: on November 2, 2019 at 6:09 pm  Leave a Comment  
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Canada’s @itsVincent_ and Australia’s @itsNaderi are out to dazzle with progressive and dubsteppy “Wasted Time”

VINCENT and NADERI, “Wasted Time”

There is plenty of room for more progressive house sounds next to people like Illenium, ZHU, Dabin, Ekali and Said The Sky, and “Wasted Time” by Winnipeg’s Vincent and Sydney’s Naderi.  It’s an inspired collaboration, with pristine production. Once upon a time, Vincent was known as XVII, and since then has remixed the likes of Bazzi and Alessia Cara, while steadily releasing original songs over the past few years.  And you’ll remember that Naderi not only has numerous A-list remixes under his belt, but worked on the Grammy-winning Skin album by his countrymate Flume.  The song sometimes stays in one place too long with emphasis on an ear-ringing, echoey vocal.  But it more than makes the most of its 2:36 when it shifts gears and heads into some infectious dubstep territory.  “Wasted Time” is quite an earful for the progressive-oriented and will throw down well in the midst of a heavier set of songs.

Published in: on October 24, 2019 at 8:56 pm  Leave a Comment  
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Australia-based producer #Latchmere returns with the many moods of his new dance EP “Rule The World”

LATCHMERE, Rule The World (EP)

It was just about two years ago that UK-born, Australia-based producer Latchmere dropped the very fine but overlooked EP “Lovedrunk”, which contained a couple of positively amazing house tracks in “Need Your Heart” – a #1 house zinger on my chart – and “Monster”.  Latchmere – aka Shaun Galvin – took a sidestep after Lovedrunk to record under another name (which I shan’t reveal but I wrote about this alias, too) to showcase his indie singer/songwriter side, sometimes quite successfully. 

With Latchmere’s return back to electronic music, Rule The World is an intriguing if moody set of songs that don’t propose to fit into any dance sub-genres easily.  Opener “You Were Right” is a tight blend of pop and house that focuses on when you’re wrong about something but can’t do anything about it – except maybe dance the night away.  “I Was Wrong” is a sullen-sounding instrumental ‘answer’ to “You Were Right” that veers towards the progressive side of electronica.  “Fired Up” is a Latin flavoured groovin’ fiesta of deep house.  But it’s the title song that is perhaps the most accessible, featuring a heartfelt, sparse-sounding vocal that goes a cappella to draw you into its chorus: “What does it take to rule the world around you?”  “Rule The World” has a lovely, gentle mid-section which Latchmere lets simmer until the chorus arrives again.  I might be wrong but I think Latchmere used his own vocals on this EP unlike the previous one, and quite successfully too.   

Rule The World shares the pains of the head and the heart, and fuses them all together with synths and beats for the good of body and soul.

Published in: on September 6, 2019 at 9:00 pm  Leave a Comment  
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Australia’s @YvngJalapeno reinvents “Not At All” by @Jayceeoh @StaffordBros and @Waka_Flocka_F

JAYCEEOH, STAFFORD BROTHERS and WAKA FLOCKA FLAME, “Not At All” (Yvng Jalapeño remix)

Australian producer Yvng Jalapeño goes all out to impress this time with his reinvention of “Not At All” by veteran producers and fellow Aussies the Stafford Brothers and L.A.’s Jayceeoh, along with Atlanta rapper Waka Flocka Flame.  He takes a pretty slamming hip hop/electro track and turns it inside out and sideways.  Oh the song still goes really hard but in a Matrix kind of way 🙂 it’s kind of like anti-gravity trap and dubstep rolled all into one.  Waka Flocka Flame’s potent vocal in the original is now used as a startling and haunting effect.  “Not At All” is a busy track and not for everyone.  I have heard remixes before by Jvng Jalapeño but this one truly brings it and is meant to be played really loud.  Club DJ’s who want to keep their audience guessing will have fun with this one.  “Not At All” is also available in three other remixes should you wish to compare.

“Don’t Break My Heart Again” is delightful Europop-flavoured dance music from Australia’s Peter Wilson @Pete80s in a @Stormby_music edit

PETER WILSON, “Don’t Break My Heart Again” (Stormby edit)

Australia’s Peter Wilson is on a roll after last year’s duet of “Verona” with UK singer Sean Smith and this past Spring’s “Like Dynamite” with “Don’t Break My Heart Again”.  Perhaps a too straight-forward pop song in its original mix, the song is elevated in a number of remixes particularly by Matt Stormby, who spins and whirls it straight onto the dance floor.  Neither the edit nor the club edit send the song over the top, keeping Peter’s urgent vocal front and centre.  Its European flavour definitely has 1984-1985 inspiration and the retro appeal is definitely complimentary to its classic overall pop sound, which would fit in very well with EuroVision (just sayin’…).

Drift away on the dance floor to the positive vibes and dirty disco of “Dreamer” by Australia’s @Throttle

THROTTLE, “Dreamer”

It might take a few listens to draw you in, but the easy-going and positive vibes of “Dreamer” by Australian producer Throttle (aka Robbie Bergin) are completely infectious.  After getting to spend a bit of time chatting with Throttle after seeing his show in Toronto in June, I was waiting for this one… so in his first release for Monstercat, he takes a slightly different direction from past songs (including collaborations with Oliver Heldens and Galantis).  Throttle concocts an atypical warm and fuzzy ‘dirty disco’ synth sound and then drops a steady beat behind it for you to groove away.  With a brief, uncredited vocal to set the tone, you can bet when “Dreamer” is played at festivals that big crowds will simply cheer.  Dance songs don’t always need to be bangers and “Dreamer” is a prime example of one that works out strategically when a bit less can mean a lot more.

Published in: on August 2, 2019 at 8:54 pm  Leave a Comment  
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Australian producers @Feenixpawl make for a wondrous pairing with NYC’s @RicoandMiella in “Play With Fire”

FEENIXPAWL x RICO & MIELLA, “Play With Fire”

After offering up trancey vibes with MarLo recently in “Lighter Than Air”, veteran Australian duo and Grammy nominees Feenixpawl take on progressive house with “Play With Fire” which features the always listenable team of NYC’s Rico & Miella.  In some ways the sound is kind of a throwback to about 2013-14 when Zedd emerged with “Clarity” and “Spectrum”.  It goes pretty big and stays there but Miella’s voice does not get lost in the song.  Rather, you wait and be intrigued by what is a romantic story.  After other well-done collaborations and some worthy original releases a few years back that I wrote about, Rico & Miella fit perfectly into Feenixpawl’s plan, and “Play With Fire” is a vibrant centrepiece that should work well in clubs and at festivals.