It’s 10/10 #02: New songs from @pete80s, #EricZava @DJMirkoB & @GorashDaniel, @finis_mundi_, @Iliramusic, @Boye_Sigvardt, @JeanorJuan & @FoxandCharm, @EleriAngharad92, @BLRofficial, @TimmyTrumpet @BlissNEso & @LeeFields12, and @Showtek & @LeonSherman in an @ATrak remix

10/10 #02

10/10 (or tenoutoften) is my new feature where I write about 10 hot and fresh songs in no particular order, for your kind consideration and attention.

I will also continue to write individual blog posts about certain songs.  That does not mean that songs in the 10/10 lists are any less than those featured individually. 

Writing 10/10 features means I will be able to cover more songs in one shot than I’ve been able to do recently.  So you get to learn about more new music that I hear but don’t always get a chance to write about. 

tenoutoften

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  • PETER WILSON, “Like Dynamite”

The Australian singer who so aptly brought us a different kind of “Verona” with UK singer Sean Smith returns with a two song EP, the better of which is “Like Dynamite”.  It’s a complete throwback to mid-80’s danceable modern rock, with particular and welcome reference to New Order’s “Bizarre Love Triangle”.  Peter’s voice really flourishes in this setting and it’s a lot of fun!

  • ERIC ZAVA, DJ MIRKO B and DANIEL GORASH, “Even In Confusion”

Another song that might take some of its cues from 80’s new wave is “Even In Confusion” by Italian producers Eric Zava and DJ Mirko B with singer Daniel Gorash on vocal.  Don’t even think Italodisco with this one.  It’s delightful melodic house music that could be a real surprise to club DJ’s.  The echoey vocal reminds me of early 00’s ATB records and totally suits the song.  “Even In Confusion” is memorable and will definitely get you dancing!

  • FINIS MUNDI, “Right Now?”

Accompanying his recent album release Everything After is the single “Right Now?” by Swedish producer Finis Mundi.  This is sophisticated deep house for the late night time which could happily accompany songs by Bobby Nourmand or Faithless into the wee hours.  It’s definitely atypical of the dance music from Sweden and taps much more into UK or Chicago/New York house rhythms for deep, dark effect.

  • ILIRA, “Do It Yourself”

Breaking out of Germany is the effusive pop sound of Switzerland-raised Kosovo-Albanian singer Ilira with “Do It Yourself”.  The production for this song is a hybrid US/UK bounce back to about six years ago – think Miley Cyrus meets Icona Pop.  Like songs from that time by both artists, “Do It Yourself” is a potent anthem for young women.  It’s very distinct and has the potential to cut through a lot of other samey-sounding pop of today with its splash of a few years ago.

  • BOYE & SIGVARDT, “Ganja Fiyah”

You’ll recall the unique song “Astronauts” by Danish producers Boye & Sigvardt (with MAGNÜSand UHRE) which I wrote about a few years back.  After a few releases with American label Big Beat, the lads (Christian and Christian) have been trying out a variety of dance styles, and “Ganja Fiyah” is an unexpected trip into fun deep house with striking bass beats and explosive synths.  Fans of Don Diablo, Afrojack and Armin van Buuren will definitely dig this one.

  • JEAN JUAN and FOX & CHARM, “Strangers”

Dutch producer and Soave label head Jean Juan unleashes his second single under his new moniker called “Strangers”, this time in collaboration with Mexico-based Turkish producers Fox & Charm.  It’s exotic-sounding deep house that will cause instant reaction when dropped mid-set.  “Strangers” is full of propulsive rhythms and an appealing vocal that go down pretty easy.  Jean Juan says he’s just getting started and I’ll look forward to what’s next!

  • ELERI ANGHARAD, “Earthbound” (acoustic)

Although she classifies herself as a Country artist but hails from Wales, Eleri Angharad has a lot of pop potential if the acoustic version of the title track from her recent album is any indication.  She could easily ride the wave of popularity created by the likes of Kacey Musgraves and Maren Morris, though she definitely has her own take on her craft.  In fact the vocal on “Earthbound” reminds me a lot of California duo Bahari’s contribution to electronic sensation Illenium’s “Crashing”, so I could visualize her in that setting as well.  Recording acoustically is not recommended unless you can really prove yourself and Eleri has no problem instilling her appealing personality into this performance.

  • BLR, “Méduse”

Dutch producer BLR returns to Tiesto’s AFTR:HRS label – he was the first artist signed back in 2016 – with the enchanting “Méduse” and its seductive French vocal.  You can definitely expect a dark, hypnotic trip that has late 70’s/early 80’s retro appeal that will recall music from the likes of Cerrone or Patrick Juvet.  “Méduse” will definitely be a force on the dance floor with the clock strikes 12!

  • TIMMY TRUMPET, BLISS N ESO, and LEE FIELDS, “High”

You may have already heard, but Australian producer/DJ Timmy Trumpet is set to be part of the European Space Agency that’s linking dance music with space travel!  You can hear all about that right here, but in conjunction with that announcement is the release of Timmy’s latest single “High”.  While “Freaks” continues to be played everywhere at events and on dance music radio worldwide, “High” goes back to Timmy’s jazz and R&B roots, featuring veteran US soul singer Lee Fields as well as reknown Aussie/American hip hop trio Bliss N Eso.  The blend of influences remind me of early 90’s mixes that incorporated all of those styles as well as house music, and Timmy and team successfully update that sound with “High”.

  • SHOWTEK and LEON SHERMAN, “Listen To Your Momma” (A-Trak remix)

You can’t keep a good song down and I’m a big believer of remixes to help good songs reach greater heights.  “Listen To Your Momma” by Showtek and Leon Sherman was actually released in 2015, but it’s such a fun song with an inspired vocal that a bevy of remixes have now surfaced.  The best of the bunch is from A-Trak, who recently woke us all up with the praise to to the house music gods and stern advice for DJ’s with Todd Terry in “DJ’s Gotta Dance More”, which was #1 for several weeks on my personal chart.  With it’s big bounce and plenty of vinyl scratching, A-Trak’s remix of “Listen To Your Momma” should make headway to clubs and festivals all over the world this year.

 

 

 

 

 

#BILLCSTop30 #559, April 15/19

The top of the chart appears relatively unchanged, but the bottom of the Top 10 is all abuzz as a few songs soar, and four debuts add to the pleasures.

I can’t get enough of “i’m so tired…” by Lauv and Troye Sivan, such that I think they should record another song together.  It would be the perfect follow up until Lauv’s forthcoming album is ready.  “i’m so tired…” is locked in at #1.

The only new entry to the Top 5 belongs to Nashville’s Mokita.  The pensive “London” advances 6-4, while the singer/songwriter gets his 3rd chart entry with the bubbly and knowing “Kiss And Tell” at #26.  Watch out for Mokita, his music is absolute fire right now!

“Love” by Simon Curtis rises 8-6.  I can’t wait to hear what Simon has coming next, and as gorgeous and soulful that “Love” might be, I want something more hard-hitting and danceable next 🙂

The fastest riser on the chart is by UK/Germany production duo M-22 with “White Lies”, which catapults 23-7, with definite eyes on #1 in the coming weeks.  I saw the duo drop the song at Miami Music Week and with those deep house vibes, courtesy of some influence from Inner City’s “Good Life”, “White Lies” simply can’t miss!

In a darker but somehow uplifting vein is “Go Ahead” by L.A.’s Mahalo featuring vocalist  MŌZ.  It climbs 13-8 and follows the now-departed “In My Arms” for a 5th Top 10 song here for Mahalo 🙂

In any other week a 24-9 leap would be the fastest riser, but in direct competition with M-22’s “White Lies” is another brilliant new dance song, “Good Things” in its disco edit by Cedric Gervais and Just Kiddin’ featuring vocalist Kyan.  “Good Things” just brims with fun and energy and like “White Lies” is bound to be one of my favourite songs of the year.

The Top 10 isn’t done yet if Sam Smith and Normani have any say in the matter.  “Dancing With A Stranger” climbs 14-10, becoming his first Top 10 since “Too Good For Goodbyes”.

Just outside of the Top 10 there’s “Black Gasoline” bubbling under and rising 17-11 for Italy’s Mark Mendy and featuring some irresistible vocalizing by Australia’s Beamish Brothers (Ben and Jeremy).  

We find another, more famous set of brothers moving up 19-15.  It’s those Jonasei with “Sucker” still keeping fans happy in the shadow of the new, quieter single “Cool”.

There’s so much great dance music always coming from The Netherlands, and “Enlighten Me” by DubVision and SYZZ is no exception.  This rollicking foot-fest climbs 26-18.

NYC singer/songwriter Matt Beilis enters the Top 20 with his Maroon 5-ish “Chemistry Or Chemicals” moving up 22-19.

Disco dancing is alive and well with the clubland enthusiasm of “Let’s Go Dancing” by UK producers Horse Meat Disco and NYC vocalist Amy Douglas, which jumps 25-21.

Ever-prolific Illenium moves up 27-22 with the softer, almost Country-flavoured (in a “The Middle”/”This Feeling” kinda way) “Crashing” featuring California duo Bahari on vocals.

The highest debut belongs to Belgium’s Felix De Laet, or Lost Frequencies as you better know him.  Featuring vocalist Flynn, “Recognise” packs a punch when it slams right into its great chorus at the :25 mark.  “Recognise” bows on the chart at #25.

German producers and musicians Saxity have been to the Top 10 twice, with “Brothers” and “You Found Me”.  They’re back and wanting to party hard with “Weekend” at #27.  I just love all of the instrumentation that the song has to offer in the background, which makes it sometimes seem like it really wanted to be an Earth, Wind & Fire record in disguise 😛

The final debut is a reprise of a collaboration between another German producer, Final DJs and US-based Welsh multi-talent Bright Light Bright Light.  The strut-worthy house of “Wild” arrives at #28 following their #11 charting song from a few years ago called “Lost In Feelings”.

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

L.A.’s @weareMako pushes boundaries with futuristic rock-electronica of “Coyote”

MAKO, “Coyote”

When I last saw Mako – L.A.-based singer/songwriter/producer Alex Seaver – in concert over a year ago, he tipped me off after the show that his next releases would be much more adventurous and progressive.  And while he’s been busy scoring the video game series League Of Nations and collaborating with the likes of Illenium and The Glitch Mob, there was nothing to prepare me and his fans for “Coyote”.  The dance/pop of “Smoke-Filled Room” and “Breathe” now has to make room for a new futuristic, intense and emotional side of Mako.  “Coyote” is a dark song that you might find amping up a critical scene in a movie rather than on the dance floor.  It’s challenging but draws you in, allowing you to expect the unexpected without being polarized.  Mako has a dedicated fan base that I think will easily embrace “Coyote”.  I’d also definitely pitch the song to fans of Illenium, Odesza, Rufus Dü Sol and others who continue to successfully test the waters with songs and styles that stimulate and instigate your attention.  Like other performers such as Lemaitre, I must remind you that Mako is also a rock band led by Alex and there is prominent guitar and other live instrumentation amid the electronics in “Coyote” too.  Check out the animated lyric video above.

Published in: on April 15, 2019 at 9:35 pm  Leave a Comment  
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“Love Me Less” is classy pop with an edge and new from @MAXmusic and @QuinnXCII

MAX and QUINN XCII, “Love Me Less” 

By early 2018, MAX’s “Lights Down Low” become The Song That Could – it went platinum in the US and reached #20 on the Billboard Hot 100 two years after its release.  I was delighted to be a very early supporter of the song (and singer, back to 2015) and watch its ongoing success and the growth of the singer himself in the process.  Between 2016 and 2018, MAX was featured as a vocalist on countless dance and electronic songs, many of whom you can find written up in these blog pages.  And his energetic, personable concerts have now made him a major draw at festivals.  

So “Love Me Less” is a new chapter for MAX.  I don’t think I would be remiss in thinking that NYC’s Hell’s Kitchen’s Angel is targeting the same audience as Ariana Grande with this song.  It’s edgy pop that sparkles with a fluid interlude from Quinn XCII that fits just right.  MAX can unleash all in a song when given the opportunity, but here he is totally on point.  And of the video above – the expression “If life gives you lemons, then make lemonade” comes to mind.  MAX had throat surgery earlier this year that must have been so scary.  But he has completely recovered and we’ll be hearing a lot more new MAX songs this year 🙂

Published in: on April 13, 2019 at 9:21 pm  Leave a Comment  
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It’s a happy-go-lucky throwback – and instant Graduation Song for 2019 – for @itsPapaYamusic with “Yesterday”

PAPA YA, “Yesterday”

Every once in a while L.A. duo Papa Ya grace us with a new, cheery slice-of-life song.  This year we have the wistful bop “Yesterday”, obviously written with a past love in mind.  But with a delightful video of home movies and a summery synth melody, “Yesterday” also has Graduation Song 2019 written all over it and to me should be marketed as such!  This is a no-brainer, feel good, singalong in whose lyrics anyone can see themselves.  Do yourself a favour and stream and download “Yesterday” and remember where you read about it!

Published in: on April 13, 2019 at 9:21 pm  Leave a Comment  
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“Never Growing Up” is emotional, feel good deep house from France’s @MathieuKoss with vocal by @AloeBlacc

MATHIEU KOSS and ALOE BLACC, “Never Growing Up”

French producer Mathieu Koss teams up with much respected vocalist Aloe Blacc for “Never Growing Up”.  Playing off the chorus of children’s voices, “Never Growing Up” is a whole lotta fun thanks to its bright video.  While Aloe’s vocal postulates on life, the universe and everything, Mathieu partakes in spray paint art and silly string with a group of kids who want to add lots of colour to their surroundings.  It has a similar theme to Swedish House Mafia’s “Don’t You Worry Child” and should do well on the club circuit with lots of potential for pop crossover.  I’m also choosing to highlight “Never Growing Up” in the shadow of the recent release of Avicii’s “SOS”, which also features Aloe’s vocal – Aloe of course was the uncredited vocalist and co-writer of Avicii’s massive “Wake Me Up!”.

Published in: on April 13, 2019 at 9:21 pm  Leave a Comment  
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Introducing “10/10″#01: @bDavidsonmusic @missMollyMoore @RadCatmusic @itsDylanMatthew @SleepyTom @Lights @Saxity @Cookin3burners @HenriPurnell @Revelriesmusic @FinalDJs @BrightLightx2 @TheDriverEra @Fambamusic @itsLostBoy

Introducing… 10/10 #01

10/10 (or tenoutoften) is the name of my new feature when I will write about 10 hot and fresh songs in no particular order, for your kind consideration and attention.

I will also continue to write individual blog posts about certain songs.  That does not mean that songs in the 10/10 lists are any less than those featured individually. 

Writing 10/10 features means I will be able to cover more songs in one shot than I’ve been able to do recently.  So you get to learn about more new music that I hear but don’t always get a chance to write about.  I think that’s pretty fair 🙂

So let’s move on to #01:

 

tenoutoften

tenoutoften 01

 

  • BEN DAVIDSON, “No One Knows”

Scottish singer Ben Davidson has a beautiful, rich tone to his voice that could make an encyclopedia sound melodic.  “No One Knows” is the title song from Ben’s album from last Fall which followed attractive singles “The Chain”, “Fallin’ In” and “Learning To Let You Go”.  But “No One Knows” bests them all with a warm story of dedication to a special person. The song just gets better as it moves along, leaving with a finish that resonates like fine cognac after a good meal.

  • MOLLY MOORE featuring KEENAN CHARLES, “Vibes”

Continuing to stretch the boundaries between pop, rock and dance music, L.A.-based singer/songwriter Molly Moore follows up “Be Here Now” with something completely different.  “Vibes” captures the cool of L.A. with an edgy, soulful sound that is accentuated by the flowing emcee work of Keenan Charles. It’s not every day that you reacquaint yourself with your high school prom date and ask him to contribute to your record but Molly has done just that and it’s an indelible if sometimes subdued release.

  • RAD CAT and DYLAN MATTHEW, “Show Off”

It’s been a while since I wrote about Christian Ariza, the San Diego producer otherwise known as Rad Cat.  “Show Off” is a bouncy, familiar-sounding feel good track with hip hop vibes marrying happily with electronica and a catchy vocal from Dylan Matthew.  I’ll pitch this one to fans of The Knocks who will enjoy the funky rhythm.

  • SLEEPY TOM and LIGHTS, ” Amateur”

Vancouver’s Sleepy Tom has steadily released top notch dance music since his breakout hit “Be Right There” with Diplo.  This time he takes a cue from fellow Canadian producer Felix Cartal and enlists another Canuck, Lights, for her vocal on “Amateur”.  As with Felix’s “Love Me”, Lights is definitely the star of the show, perhaps even more so here, as her tones fill the loud speakers easily at chorus time.   Sleepy Tom’s slick synths and production will help keep you glued to “Amateur”.  And then there’s the Sleepy Tom video game, a clip of which you can check out below.

  • SAXITY, “Weekend”

Mr. Stan Sax and Koni, the saxophonist/guitarist/producers behind Saxity, return to help make Springtime brim with enthusiasm for the good weather and partying when it’s all about the “Weekend”.  Stellar musicianship helps make this new dance anthem go down really smooth, making it an easy add for club DJ’s.  Unleash this one on the dance floor and watch people move!

  • COOKIN ON 3 BURNERS with HENRI PURNELL and REVELRIES, “Force Of Nature”

Taking its cue from “This Girl”, the monstrous worldwide hit a few years back by Kungs and Cookin on 3 Burners which is still heard positively everywhere, “Force Of Nature” is a wicked blend of old school soul and house music.  For it was the unique sound of Australian trio Cookin on 3 Burners that anchored “This Girl” (a variation of a song they recorded about 10 years ago), and that retro 60’s lounge style from that song pervades “Force Of Nature”.  Partnering in the mix are Germany’s Henri Purnell and Emirati/Netherlands-based duo Revelries, who have both acquitted themselves well with Top 5 songs on my personal chart (“Silent Games” and the current “Don’t Think Twice”, respectively).

  • FINAL DJs and BRIGHT LIGHT BRIGHT LIGHT, “Wild”

Its wonderful to see the pairing of Germany’s Sebastian Stuetz, aka Final DJs, and long time fave Bright Light Bright Light (Rod Thomas) continue with their latest single together called “Wild”.  It’s got a classic house groove that will simply command you to move and convince you to go as “Wild” as the title says. Very rarely does Rod make an appearance on another record and he flourishes beautifully here as in his own songs like “New York Pretty” or “Love Part II”.  The duo’s earlier single “Lost In Feelings” landed at #11 on my chart during its release.

  • THE DRIVER ERA, “Feel You Now”

The Driver Era is the alt.rock offshoot of popular family band R5 that consists of brothers Rocky and Ross Lynch.  Ross, of course, is a current star of Netflix’s “Chilling Adventures of Sabrina”.  The L.A. based, Colorado-born duo fit easily into these rock trappings, possibly much better than you think.  I saw R5 perform in concert two years consecutively and there’s no denying the talent, which also led to Ross being heard in other songs like electronic duo Tritonal’s “Feel The Love”.  “Feel You Now” is powerful and anthemic, reminiscent of music from yesteryear such as by INXS or even Grand Funk Railroad (take a listen to “Closer To Home” for example).

  • FAMBA, “Swear To God”

After emerging on the dance music scene about three years ago with songs like the fun ‘n funky “Right Here Right Now” (for Armada Deep) and “Vibe” (for Tipsy/Epic Norway), Halifax’s Famba signed to Sony Canada and got attention with remixes such as for fellow Canadians like Tyler Shaw.  Currently, you can hear Famba’s “Wish You Well” (featuring vocalist Trove) on every single pop music station in Canada, and I think its next stop will be to conquer the USA. Following that song up in the meantime is “Swear To God”, a powerful electronic release that steers away from the pop of “Wish You Well” for a memorable house track that is more apt to follow up Loud Luxury’s “Body” as the next big dance hit from Canada.

  • LOST BOY, “Help”

California singer/songwriter/musician Lost Boy (aka Dillon Deskin) returns with an endearing song with a gritty rhythm called “Help”.  Strange things happen to our hero in his video (above) for the song so if the lyrics aren’t convincing enough to give him a hand or three, then the video will definitely do it.  “Help” is a rare breed, wanting to connect with you and make you dance at the same time.  This sends Lost Boy in more of a direction that currently works for fellow artists like Bryce Vine and will definitely work well in a club setting.

 

 

 

 

French producer @Kidswaste provides a gentle electronic escape with “Sleeping Pills” featuring US singer @Kolesongs

KIDSWASTE and KOLE, “Sleeping Pills”

“Sleeping Pills” is an idyllic, uplifting escape of just under 4 minutes from French producer Kidswaste (otherwise known as Quentin Beauvois), who opened up recently for DROELOE on a few of their North American tour dates.  “Sleeping Pills” features the gentle voice of US singer Kole, as well as a subdued, easy-to-take, percolating rhythm.  Kidswaste keeps us entertained with a lot going on within “Sleeping Pills”, including a few brief symphonic-sounding synth highs that really help tie the song together.  His penchant for gorgeous melody though is what anchors “Sleeping Pills” and will lead to repeated plays.

Published in: on April 3, 2019 at 10:16 pm  Leave a Comment  
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UK singer @SeanSmithsolo’s “Do Or Die” is fanciful, urgent danceable pop

SEAN SMITH, “Do Or Die”

UK singer Sean Smith mixes it up a bit from his recent releases with “Do Or Die”.  This time he veers into fanciful but urgent danceable pop that would sound just fine on the radio.  It’s got some old school 80’s vibes, such as a softer but encouraging vocal during the chorus, and and production that makes me think of British bands of the day like Cutting Crew and T’Pau.  But it’s Sean’s expressive voice that is the draw, ever-convincing to have us join in on the fun.  “Do Or Die” is another solid release that will continue to develop the singer’s following outside of his native England.

Published in: on April 3, 2019 at 10:16 pm  Leave a Comment  
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#BILLCSTop30 #558 – April 1/19

No April Fool’s anything here folks 😛 As an aftermath to my Miami visit from the past few days, the new chart is beginning to look like an echo of my Dance Roundup blog posts that preceded my trip.  So there are four debuts as well as a new #1 as Spring has kicked off its dancing shoes 🙂

One of the delights of 2019 has been the unexpected pairing of L.A.’s Lauv with Troye Sivan for “i’m so tired”, which ascends to the top this week.  It’s Lauv’s first time at #1 and Troye’s second following “My My My!” just over a year ago.  What’s even better about this release is that it seems so genuine and good-natured, qualities that you can’t just hide in a song.

With it’s sinewy guitar hook and top notch vocal by Oktavian, “Don’t Think Twice” by Revelries and Sam Smyers moves up a notch to #2.  And like “i’m so tired” (although it has distribution by AWAL), “Don’t Think Twice” is an independent release by Revelries, the Netherlands-based Emirati producers.

Following 2016’s “Light” (#4), “lift me from the ground” becomes Dutch producer and musician San Holo’s second Top 5 hit here from his recent release called album1.  Check out Italian producer Flyboy’s jaunty take on the song, above.  It has a different vibe about it but plenty of bounce.  Also check out San’s new single “Lead Me Back”, below.

“Love” by Simon Curtis (12-8, above) and “Sweet But Psycho” by Ava Max (11-9, below) are newcomers to the Top 10 in this chart.  It’s Ava’s first time but Simon is a veteran with 16 Top 10’s including 3 features, 7 of which were number ones (one a feature).  He also happened to have charted in the Top 10 in the guise of one half of Wrathschild with “Fall Into Love” (#8) five years ago this week.

“Take Me Away” is irresistible classic house from England’s Maff Boothroyd, which advances 16-12.  Waste no time and bust those moves on the dance floor with this one!

The fastest riser on the chart is “Go Ahead”, the dark but somehow encouraging new deep house single from producer Mahalo and vocalist MŌZ, climbing 20-13.  Love that bass synth hook!

I had the pleasure of meeting French producer KRONO in Miami last week, and he’s working on more new songs.  “Perfect Strangers” featuring singer PIOTR has a soulful Maroon 5 pop vibe and moves up 22-16.

Even though they don’t really sound alike, the songwriting behind “Black Gasoline” by Italy’s Mark Mendy with Australia’s Beamish Brothers on vocals reminds me of US/South African band Kongos.  There’s a similar pattern for storytelling here which works well with a stylish alt.electronic backdrop.  “Black Gasoline” rises 23-17.

Those Jonasei have one of the catchiest and best sung pop hits right now with “Sucker” and it climbs up 25-19.

I got to do my fair share of dancing during Miami Music Week, and songs like “Let’s Go Dancing” by UK producers Horse Meat Disco (who also played during MMW) and singer Amy Douglas keep that inspiration happening.  It moves up 29-25.

The highest debut of the week was also tweeted out during Miami Music Week.  Using the synth melody from house classic “Good Life” by Inner City as its basis, UK/German production duo M-22 rework it as “White Lies”, which arrives at #23.

I must also say I was taken totally aback when I heard “Good Things” (Disco edit) by MMW performer Cedric Gervais and Just Kiddin featuring vocalist Kyan.  Its feel good rhythms help it arrive at #24.

Dutch producers DubVision and SYZZ create a sparkling melody sung by a fantastic but uncredited male vocal with “Enlighten Me” which bows at #26.

The last debut at #27 keeps the chart entries flowing for electronic dance music sensation Illenium with “Crashing” featuring US duo Bahari.  This one’s about ‘crashing’ at someone’s place and makes a fine love story with Illenium’s intense backdrop.  Illenium has been on the chart steadily since October 29, 2018 with three different songs, the most recent of which, “God Damnit” (#4), departs after 9 appearances.

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂