US producers @itsCrystalSkies continue with consistent melodic approach to electronic dance music with “Collide”


“Collide” is the title song from the US production duo Crystal Skies’ latest EP. Britian and Aaron are definitely on a roll with a variety of melodic results in the EP to keep their increasingly large fan base very happy. Although the heavier, future bass-driven “Requiem” comes close, and “This Moment” features a beautiful vocal by now-regular Gallie Fisher, it’s “Collide” that stands out the most on the EP. It’s a neat companion piece to Porter Robinson’s latest music with its dreamy vocal approach which leads up to some brilliant big synths and beats. Though perhaps not as razor-sharp as last year’s Constellations EP, Crystal Skies consistently prove themselves to be leaders of their genre who grow with each release.

Meet producers Denis Palesso and FALCO with dark deep house vibes of “Falling Down”

DENIS PALESSO and FALCO, “Falling Down”

“Falling Down” nicely captures the aftermath of a crazy evening when you’ve teetered over the edge and know it. It’s brought to you courtesy of an intriguing pairing of Belarus electronic dance producer Denis Palesso and young Portuguese producer FALCO. Little is available online about Denis, who has been releasing music that has been picking up listeners over the years. FALCO however in two short years has picked up support from veterans like Hardwell and has seen releases on a number of the major dance labels. Together they mesh well and “Falling Down” is a quirky but memorable slice of deep house that’s worthy of your attention.

Published in: on October 5, 2020 at 9:19 pm  Leave a Comment  
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It’s “10/10” #15!: @chriswallace101 #BewareTheBear & @SeanSmithsolo @HotelGaruda @Lawsonofficial @SamDickinson @BrandonColbein @JayB1rdmusic & @ChandlerBlase @Mollydotmusic @TheTrustedband @theTysonKelly

Surprise! It’s 10/10 – Edition 15!! 

This is the first 10/10 post since August.

In 10/10,  I write about 10 hot and fresh songs in no particular order, for your kind consideration and attention.

I continue to write individual blog posts about certain songs.  That does not mean that songs in the 10/10 lists are any less than those featured individually, and they are not listed in any particular order.  Songs by Bright Light Bright Light and Pawl & Discrete that were featured in edition #14 debuted yesterday on my personal chart 🙂

Writing 10/10 posts means I can cover more songs in one shot.  So you get to learn about more new music that I hear but don’t always get a chance to write about. 

  • CHRIS WALLACE, “Daydreaming”

L.A. based singer/songwriter Chris Wallace has been busy regathering his many fans, and a number of new ones too, after resurfacing this year after several years’ absence on the recording scene, though he continues to be a sought-after songwriter (such as for The Vamps). “Daydreaming”, his most recent release, is a certified bop, guaranteed to make you groove and revel in all those things you long to do. It’s delightfully straight-forward and guaranteed to offer you a great time.

  • BEWARE THE BEAR and SEAN SMITH, “Wishing On The Water”

“Wishing On The Water” is British singer/songwriter Sean Smith’s second collaboration with Portsmouth duo Beware The Bear, following last year’s “Show Me Love”, which ended up receiving international attention when featured in the TV show “MotherFatherSon”. “Wishing On The Water” is definitely a smooth, radio-ready pop song which takes a few spins before you latch onto its hook. Sean sounds wonderful in this more uptempo setting, and I’ll direct this one to the enjoyment of fans of Bastille and Coldplay.

  • HOTEL GARUDA, “Leave You”

I’ve been enjoying all four songs from Hotel Garuda’s latest EP This Tension, but have zeroed in on the playful-sounding positivity of “Leave You”. The man known otherwise as Aseem Mangaokar has taken a break from the deeper house vibes, which I’ve had the pleasure of hearing in concert, in favour of a highly danceable but more pop-flavoured sound, likely the result of working with a number of different contributing producers and writers. Despite its title, “Leave You” is about not wanting to leave someone, and the high level of energy is definitely in the spirit of loyalty, companionship, and love.

  • LAWSON, “Four Letters”

The engaging British quartet who were stars in their native country have returned this year after a four year absence with a number of solid new songs, and even performed online a few weeks ago to the delight of their fans. “Four Letters” is probably the best of these new songs, and it’s also exceedingly familiar, with a hook that is like a companion to their previous hit “When She Was Mine”. This all works wonderfully well, and in particular vocalist/songwriter Andy Brown is at his best here.

  • SAM DICKINSON, “Nothing’s True”

UK indie singer/songwriter Sam Dickinson continues to preview his much-awaited second full album Off Script, due in October, with “Nothing’s True”. This album is full of assorted soulful, danceable pop songs, and this new one does not disappoint. Taking big cues from 70’s and 80’s disco and UK soul, “Nothing’s True” contains a sharp vocal and some excellent guitar work which make this one stand out in Sam’s growing repertoire.


“Mean To Me” by California-based singer/songwriter Brandon Colbein is a fascinating new song about staying in a flawed relationship when you don’t know what else to do about it. It’s catch line is “I let you be mean to me because of what you mean to me” – and that’s a real dilemma when you may be choosing your idea of love over your own well-being. Some people stick it out in that relationship and succeed; others do not. Brandon often zeros in on affecting topics that have different perspective. The song features one of his best recent vocals, and you can find other songs that he’s written, but not recorded himself, through recent releases by Zayn, Liam Payne, Hayley Kiyoko and Kehlani, among others.


“Storm” is an atmospheric, quieter lyrical slice of electronica from California producer Jay Bird and featuring the gentle voice of Chandler Blasé. It continues Jay Bird’s transition into a producer and performer whose music will appeal to fans of Illenium, Crystal Skies, Said The Sky, etc. more than many of his previous songs. The song is sung from the perspective of a lost lover who knows that her special someone will be out there for her whether or not she makes it through her “storm”. Its hopeful message will definitely resonate with listeners and the music is solid and restrained.

  • MOLLY., “Paradise”

“Paradise” serves as a song of reassurance for many people whose mental health has taken its toll during the pandemic. Molly. is a new singer/songwriter and guitarist from Lancaster, England whose vocal tones are reminiscent of Florence Welch and Sigrid, while taking cues from classic songs by the likes of Fleetwood Mac. “Paradise” is a refreshing earworm which should bring the singer attention thanks to tight songwriting bridged by her spot-on vocal.

  • THE TRUSTED, “Wild Love”

The Trusted are a new four piece outfit from Southend-On-Sea, England who have a lot going on in their new EP Love And Suicide. All of the songs go by quickly with boundless energy and charismatic vocals by Tom Cunningham. The Trusted reminds me more of bands from the American alt.rock scene than from the UK. Nevertheless, I’m drawn to “Wild Love”, the song that concludes the EP, which stands out as the sum of all its best parts along with its relateable escapist theme. The Trusted are definitely one band to watch and I’m sure will deliver the goods in concert.

  • TYSON KELLY, “Am I Ever Gonna See You Again”

Tyson Kelly is a California-based indie singer/songwriter to watch with his new EP Plastic Rockstar. Taking cues from music of The Beatles and Talking Heads and spilling it into translation to the 2020’s is a challenge, which makes the EP fun to hear. “Am I Ever Gonna See You Again” tells the familiar road story of a fan falling for a rock star while on tour – which means, essentially, a one-nighter. The saga is in stark contrast to the upbeat, sometimes soulful vibe of the music, which even has Beach Boys qualities about it. Tyson is the son of renown songwriter Tom Kelly (Madonna’s “Like A Virgin”, Whitney Houston’s “So Emotional”), so his evident talents are in his blood, and he has appeared as John Lennon in Broadway’s “Let It Be”. His solo songs do break away from a Beatles-ish sound and, while some of the songs in the EP sometimes sound over-exaggerated and perhaps try too hard, he comes off as an affable original performer.

#BILLCSTop30 #597 – September 28/20

This week, the BILLCS Music Blog turns 11! And this week I will be working on a new project that will support the blog and chart, and a great deal of new music and artists, if it all works out. So watch for more news on that front.

In the meantime, the new chart had four new entries while the upper region continues to look similar to the past four weeks of music.

What will Joel Corry do next for dance music, following the success of “Lonely” and “Head & Heart”, which continues at #1 on my chart for a third appearance (six weeks). Collaborating with co-writer and singer MNEK was definitely a blessing, and I hope they will reteam in the future. In the meantime, who will be next?

“Dancing Next To Me” by Greyson Chance is a dance anthem for anyone who’s been cheated or denied their opportunity to be with someone of mutual attraction. It moves up 3-2.

Greyson or the song at #3 seem poised to challenge “Head & Heart” in two weeks. And that song is “Undo My Heart” by Karen Harding & Digital Farm Animals, climbing 4-3. This one can go side-by-side with the likes of “Nobody’s Supposed To Be There” or “Un-break My Heart” in my books!

Also moving up from 6-5 is “Naked” by another dream team, which is British producer Jonas Blue and NYC singer/songwriter MAX. Both artists had huge events this past week. Jonas performed the virtual show Electronic World this past weekend; long-time fave and chart veteran MAX released his new album Colour Vision, and performed all of the songs virtually (and solo, where there are usually collaborators). Check out MAX’s amazing song with BTS’ Suga called “Blueberry Eyes” below.

UK indie singer/songwriter Benedict Cork has more new music this week just ahead of the release of his new EP Piano Tapes Vol. II. “One Last Song” continues its upward movement, rising 10-8. Watch for “Wild One” on Wednesday!

Giiants obtain their second Top 10 on my chart with their latest single “Waiting For You”, which climbs 13-9. They previously reached #3 with “Small Talk”. And of course two of the members, Cam and Adam, also recorded as DATABOY, who had three #1’s here in the last decade.

The Fastest Riser on the chart, for the second time in a row, is a blazing instrumental that will make you get out of your seat and move! That is mission accomplished for “House Is Happiness” by Germany’s Stan Sax, which soars 18-10!

L.A.-based trio Fames have a catchy winner with “scared of the dark”, which moves up 25-20.

“We Are Home” by Florida-based singer/songwriter Lauren Mayhew and Moroccan producer Mariline moves up a brisk 27-22. It’s also the second entry on the chart for indie dance label Tipsy Records!

The Highest Debut on the chart is the first entry for Sweden’s Pawl & Discrete with the irresistibly infectious, snappy house track “Type Like That”, which arrives at #24. It’s also the first release on the chart for dance label LoudKult.

Returning for the first time to the chart as a solo artist since 2011 is Sweden’s Agnes Carlsson with “Fingers Crossed” at #26. She of course was part of Avicii’s belated but amazing “Tough Love” last year, which got to #3. Agnes’ “Don’t Go Breaking My Heart” was her last solo entry, which reached #7, but her first entry in 2009, “Release Me”, went to #1.

Debuting on the chart are the brothers Lynch, Ross and Rocky, aka The Driver Era, with the beautiful “Take Me Away” at #27. When she was a pre-teen, my daughter was a big fan of Ross’ TV show from early last decade, “Austin & Ally”, and I became acquainted with his music and additional talent by taking her to a couple of shows by his family band R5. Since then Ross has developed quite a resumé as an actor – I watch him in episodes of “The Chilling Adventures Of Sabrina” – and as a singer, even recording with the likes of dance producers Tritonal a few years ago. The Driver Era is a cool alternative pop/rock project that deserves to flourish.

The fourth new entry is by another one of my chart veterans, Bright Light Bright Light, who has been going strong in my music world since 2010! With the recent release of his fourth album Fun City, there is so much great music from which to choose, but the unbridled anthemic joy of “It’s Alright, It’s OK” resonates with me and it arrives at #28. It’s a collaboration with a trio of talented women from Montreal called Caveboy. The first single from Fun City, “This Was My House”, peaked at #5 this past summer.

A reminder that the music from my chart and blog are featured regularly on the new online radio station Radio GTA. You can hear their Big 20 on Wednesday evenings with ‘The Musicman’ James Rogers and listen for songs from the chart too 🙂 Scroll down the station’s main page to listen to lots of variety from across the decades!  I’m the new music consultant for the station so you can expect even more in 2020 🙂  You can start by joining Radio GTA’s new interactive Facebook group too!!

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

Want to see what I’ve been listening to and charting for the past 22 years?  Rummage through the BILLCS Top 30 Archive (where you can click on the link within) when you have a chance!! 

“Tinseltown In The Rain” is a gorgeous, wistful #BlueNile cover by pop/electronic producers @MattMancid and @ColorTheory

MATT MANCID and COLOR THEORY, “Tinseltown In The Rain” (original and Big Rhythm mixes)

One doesn’t come along very often, but “Tinseltown In The Rain” is a classic example of a song that combines delightful synth work and rhythms with a wistful melody, courtesy of two pop/electronic producers, Germany’s Matt Mancid and California-based Color Theory (aka Brian Hazard). The song also conjures up images of Hollywood besieged by rain pouring down on all of the glamourous folks we associate with its yesteryear. It’s no surprise that it’s a bit reminiscent of an 80’s Alan Parsons-kind of release, but it’s actually an inspired cover of a track by Scotland’s acclaimed The Blue Nile from their 1984 album A Walk Across The Rooftops, and Color Theory’s engaged and passionate vocal totally nails it. “Tinseltown In The Rain” therefore is not to be overlooked, either in its original slower version or the powerful Big Rhythm mix, both designed for dancing. Matt Mancid and Color Theory last appeared together on my personal chart with “Headphones” back in late 2013, which quickly shot to #1. Could “Tinseltown” do the same?

Among the treasures in @BrightLightx2’s new album Fun City is “Good At Goodbyes”, a potent duet with @Erasureinfo’s Andy Bell


A week ago, Bright Light Bright Light’s fourth album Fun City was released, and today it ranked as the #1 album on the UK Dance Chart. Despite its title, and while the album has ‘fun’ at its core, with several upbeat dance tracks, there are also a number of learned-life stories, as one can often expect from the unique perspectives of Rod Thomas. Having toured with Erasure in the past few years, it’s still incredible to hear the amazing Andy Bell in duet with Rod on “Good At Goodbyes”. Whether his voice is intended to be that of a past lover or an inner-conscience, Andy’s vocal offsets Rod’s lead story-teller just beautifully. The song keeps you on edge about a guy who’s trying to be strong after a relationship has ended, while resigning himself to his memories and sadness with lack of closure. Fun City has many other glorious collaborations including those with Sam Sparro, Brendan Maclean, Jake Shears, KAYE and several others who you should get to know. It also includes the previous diverse singles “This Was My House” (which reached #5 on my personal chart), “Sensation”, “I Used To Be Cool”, and “It’s Alright, It’s OK”.

“Heaven In The Heartbreak” is an impressive, emotional dance club track by Norway’s @Dunisco and British singer/songwriter Richard Judge @RJudgeofficial

DUNISCO and RICHARD JUDGE, “Heaven In The Heartbreak”

Primarily known as a remixer, Norway’s Dunisco (aka Mats Gulbrandsen) returns with his first new music in two years with the guitar-flavoured house track “Heaven In The Heartbreak”. Its vibrancy is carried by a classic song structure and melody, and the song was co-written by its singer, England’s Richard Judge. You’ll recognize his voice immediately from Robin Schulz’s huge European hit “Show Me Love”, and since then he’s been a go-to for dance records by Sam Feldt, Kungs, Benny Benassi, among others. The tight production, the winning story and vocals make “Heaven In The Heartbreak” a must for dance music fans who will only imagine how powerful the song will sound in clubs once they reopen.

Published in: on September 24, 2020 at 11:25 pm  Leave a Comment  
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“Chasing Feelings” by UK dance producer @JeromePriceuk and singer @CallyRhodes continues the recent flurry of major dance club bangers

JEROME PRICE and CALLY RHODES, “Chasing Feelings”

I don’t like to overuse terminology, but I know a huge club banger when I hear one. To follow up songs like “Rain On Me” by Lady Gaga and Ariana Grande, “Head & Heart” by Joel Corry and MNEK, and “Undo My Heart” by Karen Harding and Digital Farm Animals (all currently on my personal chart), is “Chasing Feelings”. Although Jerome Price is already well-established in his native UK and Europe thanks to remixes of Tim Berg’s “Seek Bromance” and Justin Bieber’s “Where Are You Now”, as well as “Now You’re Gone” (featuring Zara Larsson) and other remixes for Jonas Blue and Troye Sivan, the pandemic put a pause on his (and others) transition to the rest of the world. So the Perfect Havoc label wisely follows Joel Corry’s smashes with “Chasing Feelings”, a co-write with fellow Brit, singer Cally Rhodes. It’s a warm and fuzzy deep house track that recalls other similarly flavoured songs by Mahalo and Alesso. But yes, it is also a slamming banger that will immediately call your attention.

Published in: on September 17, 2020 at 4:31 pm  Leave a Comment  
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“Getaway” is tight, emotional pop/dance from Halifax’s @djDezza and vocalist EMME

DEZZA and EMME, “Getaway”

“Getaway” is the title song from the 6-track EP by Halifax producer Dezza. The EP also contains “Carry Me”, a current favourite of mine featuring singer/songwriter Mike Schmid that resides at #7 on my personal chart. Dezza’s songs seem to need a listen or two to grab you, but he has the winning ability to concoct tight ear-grabbers with his co-writers. Such is the case with “Getaway”, co-written with singer EMME, whose vocal brings both fragility and desperation to the lyrics. Like with “Carry Me”, the melody of “Getaway” is more geared towards pop than a heavier deep house track, which I’m sure will continue to open doors for Dezza, who is currently signed to Tritonal’s Enhanced label. The 6 tracks include extended versions of the EP’s three songs, which also include the more progressive “Tilt Shift”.

Published in: on September 17, 2020 at 4:31 pm  Leave a Comment  
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#BILLCSTop30 #596 – September 14/20

The new, post-surgery chart is here, and will hopefully serve as stimulation for more blog posts in the coming weeks, since I could only manage to craft a handful before my surgery last week.

I think it’s increasingly important to point out that almost half of this chart is comprised of songs either released independently by the artists themselves, or released independently without a major label distributor. It’s critical for me to continue to write about these artists and performers on these labels’ rosters because they are making as solid recordings as the major label releases. You really owe it to yourself to incorporate discovery into your listening time so you don’t miss out on these and other performers.

It shouldn’t be a surprise that none of the Top 3 songs have changed. Joel Corry and MNEK’s irresistible “Head & Heart” (above) gets a second appearance at #1, while Victor Perry’s beautifully earnest and emotional “What I Deserve” (below) and “Dancing Next To Me” by Greyson Chance hold at second and third.

With two consecutive dance bangers at #1, is there room for a third? “Undo My Heart” by England’s Karen Harding and Digital Farm Animals puts that case forward as this huge dance record soars 10-4.

I will have words about Canadian producer Dezza’s latest release called “Getaway” later in the week. In the meantime, “Carry Me”, featuring co-writer Mike Schmid on vocals, climbs 11-7. Dezza, among other artists such as Matt Fax, has announced a 40-artist new music compilation which you can pre-order called Colorscapes Volume 2.

The hard-hitting, futuristic banger by Australia’s Fisher called “Wanna Go Dancin'” (above) moves up 12-9, while UK indie singer/songwriter Benedict Cork gets his second Top 10 with “One Last Song” (below) rising 16-10. Benedict’s “Breaking Hearts” reached #3 last year.

Inching closer to the Top 10, up 15-11, are the wacky antics of Greece’s The Prince Karma with “Superstar” and its “Night at the Roxbury”-inspired video.

The Fastest Riser on the chart is one that should immediately put you on your feet to groove with all of its marvelous saxophone playing. It’s by Germany’s Stan Sax called “House Is Happiness”, which vaults 27-18.

If you haven’t delved deeper into Troye Sivan’s latest EP beyond the interesting singles that preceded it, you owe it to yourself to soak in its meltworthy title song, which is “In A Dream”. It moves up 26-21.

The Highest Debut of two belongs to new L.A. trio Fames with their big earworm called “scared of the dark”. It arrives at #25.

The second debut will wrap you up in a big progressive electronic hug. “We Are Home” is the latest from Florida singer/songwriter Lauren Mayhew in collaboration with new Moroccan producer Mariline, and bows at #27.

A reminder that the music from my chart and blog are featured regularly on the new online radio station Radio GTA. You can hear their Big 20 on Wednesday evenings with ‘The Musicman’ James Rogers and listen for songs from the chart too 🙂 Scroll down the station’s main page to listen to lots of variety from across the decades!  I’m the new music consultant for the station so you can expect even more in 2020 🙂  You can start by joining Radio GTA’s new interactive Facebook group too!!

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

Want to see what I’ve been listening to and charting for the past 22 years?  Rummage through the BILLCS Top 30 Archive (where you can click on the link within) when you have a chance!!