#BILLCSTop30 #608, March 1/21

We now get to leave the short blah’s of February behind in favour of a longer, and hopefully Spring-flavoured March.  And along with this comes changes in musical flavours, as older favourites depart and new ones arrive.  This edition of the BILLCS Top 30 has a new number one song and three debuts, all by artists who have appeared on the chart before.

And one of the lead artists at #1 has been there before – twice in fact.  Multiple Juno Award-winning production duo Loud Luxury get their third number one in collaboration with Toronto’s Frank Walker and vocalist/songwriter Stephen Puth with the deep house of “Like Gold”, which follows previous #1’s “Fill Me In” (with Ryan Shepherd) and “Show Me” (with Nikki’s Wives).  And it’s just in time too as Loud Luxury have a new release coming soon!  

Two challengers for the top reside at #3 and #4.  The hefty punch and bounce of Rina Sawayama’s “Lucid” (above) allows it to move 4-3, while the ever-inventive Faithless climbs 7-4 with “Synthesizer” (featuring Nathan Ball, below) from their album All Blessed.

“Tell Me” by UK artists Bobby Harvey and Danny Dearden glides swiftly into the Top 10, up 13-7.  “Tell Me” is one slice of deep house that gets under your skin and between your ears pretty fast.  Also pay attention to Danny’s latest with Ethan James called “Dial My Number”, below.

French producer Wizzay – still a teenager – is not one to be underestimated as witnessed by his solid electronic dance EP Who I Am? which features “Hooked” (which I previously wrote about last year) as well as “Jealous”, which climbs 17-11.  The vocals on “Jealous” are not credited, but by a singer/songwriter who figures as part of a group currently in the Top 10.

The fastest riser on the chart is the incredibly prolific dance producer Mahalo with “Not Watching Anymore”, soaring 21-12.  Among the songs that Mahalo has released in 2021 so far, check out his latest “Got That Love” below.  And he streamed a terrific set in episode one of “The Mahalo Show” on February as well which you can watch on You Tube.

Southern California electronic producer Jay Bird is making waves with “Escape” (featuring Chrxstal Sarah), which climbs 23-17.  He’s quickly followed it up with a song of a completely different bent called “Let Me Go” (featuring Shiah Maisel), which you can hear below.

Victor Perry’s latest delight called “Stories” is off to a brisk start, as the collaboration with German producers Cal1 and L’essay moves up 27-19.

The rest of the debuts from two weeks ago are all setting footprints on the chart as they move up 7 places:  The weird and wondrous “Space Melody” by VIZE and Alan Walker and friends (28-21, above); the charming and sultry “blue” by NYC indie singer/songwriter Reigen (29-22, below); and Toronto singer, dancer and choreographer D!XON with the lovely “Arms Around Me” (30-23, also below).

Something new for Spring by Porter Robinson is just what we need right now. Although his album Nurture hasn’t surfaced yet, you can expect a huge splash when it does.  Porter has been curating its website for most of this past year, and the soothing and hopeful “Look At The Sky” is another good lead in as the Highest Debut at #24.   In fact, “Get Your Wish”, which reached #1 for two appearances (4 weeks), arrived on this chart a year ago almost to the day!

Next up is the fun and frisky “Boys” by Florida singer/songwriter Lauren Mayhew and NYC-based electronic dance producer INViDA.  It blasts on to the chart at #25, following Lauren’s #6 song from last year “We Are Home” (with Mariline).  This is INViDA’s first appearance on the chart.

The third debut belongs to Martin Garrix who has gone outside of the box with the more progressive alternative electronica of “Pressure”, which features Tove Lo on vocals.  It arrives at #27 and is Tove Lo’s first appearance on the chart, though she was uncredited on Alesso’s “Falling”, which reached #4 in 2017. It’s Martin’s 9th appearance on the chart since “Animals” led the way and got to #1 back in 2014.

A reminder that the music from my chart and blog are featured regularly on the online radio station The New Radio GTA. You can hear their Big 20 on Wednesday evenings with ‘The Musicman’ James Rogers and listen for songs from the chart too 🙂Scroll down the station’s main page to listen to lots of variety from across the decades!  I’m the new music consultant for the station so you can expect even more 🙂  You can start by joining Radio GTA’s new interactive Facebook group too!!

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

 

 

 

 

 

#BILLCSTop30 #607 – February 15/21

Change is afoot at the top of the chart, as new songs make inroads, and recent favourites start to run their course.  My chart is totally based on my opinion, there is no science or method to the chart – what I currently enjoy most is at the top, and I’ve been pleased to share my list with you online for 23 years.  The only rule I’ve had in place is that songs drop off after 10 appearances (20 weeks), to help keep the chart fresh, unless the song starts climbing back upward, which has only happened once (Adele’s “Rolling In The Deep” managed 11 appearances and peaked at #2).

Swedish production duo NOTD get their first #1 with vocalist Catello with “Nobody”, which also recently topped the US dance airplay charts for 5 weeks.  Also contributing to the songwriting were Sandro Cavazzo, noted for his work with Avicii, and Victor Thell of Smith & Thell.  NOTD is the first Swedish act to top my chart in over 8 years, since Swedish House Mafia did it in 2012 with “Don’t You Worry Child”!

Swiftly moving up to second place is “Like Gold” by Loud Luxury & Frank Walker featuring vocalist/co-writer Stephen Puth.  Loud Luxury have two #1’s to date on my chart – their rework of Craig David’s “Fill Me In” with Ryan Shepherd, and “Show Me” with fellow Canadian group Nikki’s Wives, while their greatest overall success, “Body” (featuring brando) also got to #2. Will “Like Gold” become their third #1?

Charging into the Top 5 is Japanese-British sensation Rina Sawayama with the Lady Gaga-inspired “Lucid”, moving up 9-4.  Will “Lucid” become her first chart topper?

UK dance legends Faithless obtain their first Top 10 on my chart just shy of 22 years, since “God Is A DJ” (which bowed on this chart in March 1999), with “Synthesizer”, featuring vocalist Nathan Ball, which climbs 11-7.  It’s from their recently released album All Blessed.

Any of the songs ranking 11-14 could find their way into the Top 10 in two weeks.

Rising 14-11 is the dark and mysterious “Sinnerman” (above) by veteran UK producer Hot Since 82 featuring singer/songwriter Ed Graves, from the album Recovery.  The joy of finding synergy and harmony with someone is reflected in “All About You” (also above) by The Knocks and Foster The People, which moves up 15-12.  The dazzling collaboration of Illenium, Toronto’s Dabin, and fellow Canadian Lights is hard at work in “Hearts On Fire” (below), which climbs 18-14.  But the Fastest Riser on the chart belongs to UK producer Bobby Harvey with fellow UK vocalist Danny Dearden for the intense and emotional deep house track “Tell Me” (also below), which soars 21-13.

Out of the songs that debuted two weeks ago, two move up seven places on the chart.  Mahalo’s US dance hit “Not Watching Anymore” (above) rises 28-21, while SoCal electronic dance producer Jay Bird’s personal best to date called “Escape” (featuring Chrxstal Sarah, below) climbs 30-23.

The first of four debuts belongs to Victor Perry, in collaboration with German producers Cal1 and l’essay for the soft and lovely “Stories”, which arrives at #27.  Victor is just finishing off a long run on the chart with “Fantasy” (#25), which peaked at #3.  “Stories” is also a very welcome follow up to last year’s “What I Deserve”, which got to #2 behind Joel Corry & MNEK’s “Head & Heart”.

Next up at #28 is the quirky delight “Space Melody” by Germany’s VIZE and Sweden’s Alan Walker, partnering this time with fellow producer Edward Artemyev and vocalist Leony.  VIZE reached #2 last year with the infectious “Never Let Me Down”, while Alan Walker gets his third appearance on the chart, one of which of course was “Faded”, which peaked at #3.

Also making his third appearance on the chart is NYC indie pop-dance-soul singer/songwriter Reigen with the dark and dreamy “blue” at #29.  Both of Reigen’s other songs have reached the Top 10, with “Come Back To Me” climbing to #2 and his cover of The Cranberries’ “Dreams” peaking at #10.

Making his debut on the chart is Toronto R&B/pop singer/dancer D!XON with “Arms Around Me” at #30.  Be sure to check out its diverse and well-choreographed video above, which totally suits the bold and sexy vibe of the song.

A reminder that the music from my chart and blog are featured regularly on the online radio station The New Radio GTA. You can hear their Big 20 on Wednesday evenings with ‘The Musicman’ James Rogers and listen for songs from the chart too 🙂Scroll down the station’s main page to listen to lots of variety from across the decades!  I’m the new music consultant for the station so you can expect even more 🙂  You can start by joining Radio GTA’s new interactive Facebook group too!!

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

 

 

 

#BILLCSTop30 #606 – February 1/21

It’s been a long January, particularly for those of us in lockdown or with stay-at-home orders, but we will all get through it, and thank goodness for the shortest month of the year, February!  While some long-lasting favourites depart and will move down the chart in the coming weeks, there’s no shortage of great music to succeed them!  Edition 606 has four new entries and lots of movement particularly in the Top 10.

“Give It Back” (above), the powerful house banger by The Disco Fries, Giiants and Allison Park obtains a third appearance (six weeks) at #1.  Looking to replace it are either NOTD and Catello’s “Nobody” (steady at #2, below) or “Like Gold” (also below) by Loud Luxury, Frank Walker and Stephen Puth, which charges 11-4 and is the Fastest Riser on the chart.  It’s also Loud Luxury’s fifth Top 5 on this chart, and Stephen’s second (“Sexual Vibe” peaked at #5 two years ago).  

 

This is quite an amazing Top 10, with new peaks from Francesco Yates’ “Late Night Love” (5-3, his personal best on the chart), Jerome Price and Cally Rhodes’ deep house zinger “Chasing Feelings” (6-5), 2020 carryover “Chew On My Heart” by James Bay (9-6, above), and Why Don’t We’s “Fallin’ (Adrenaline) (8-7, below).

Karen Harding gets her second Top 10 with “Let’s Get Together”, this time in partnership with Scotland’s Illyus & Barrientos (12-8), following last year’s #1 “Undo My Heart”.

Soaring into the Top 10 for the first time is Japanese-British sensation Rina Sawayama with the heavily Lady Gaga inspired “Lucid” climbing 15-9.

Lastly, Oliver Heldens and Party Pupils both land in the Top 10 for the first time too with “Set Me Free” (14-10) featuring vocalist and one half of Party Pupils, MAX.  It’s MAX’s 9th Top 10 on this chart, either as a solo or featured artist!

Three unique dance tracks by British artists make other waves on the chart as they move up.

“Synthesizer” has a cruel and droll sense of humour about it, but the riveting new song by dance phenoms Faithless and vocalist Nathan Ball climbs 16-11.

Another veteran dance producer, Hot Since 82, is going gangbusters on the chart with “Sinnerman” rising 20-14, featuring vocalist/songwriter Ed Graves.

Watch for “Tell Me” by producer Bobby Harvey and vocalist Danny Dearden to break out further in two weeks.  For now, “Tell Me” moves up 27-21.

I, like the rest of the world, cannot resist the many charms of Olivia Rodrigo’s “Drivers License”.  The heartfelt and beautifully produced ballad bows on the chart at #25.

L.A. based dance producer Mahalo has become a mainstay on the chart over the past few years, and I usually appreciate his darker, deep house tracks.  One of those is “Not Watching Anymore”, which arrives at #28 and becomes his 9th chart entry.

I’ve written about a few Indian producers, or those of Indian descent over the years.  The first one to be born in India to appear on this chart is DJ Shaan, with vocalist Londin Thompson, with the pop-flavoured dance track “By Heart”, which arrives at #29.  Other producers of Indian descent to appear on the chart in the past include Spirix (born in the USA) and Panjabi MC (born in England).

At #30 is the new winner from SoCal producer Jay Bird, about whose music I’ve written these past few years.  His songs haven’t appeared on the chart till now, and that has all changed with his new personal best for me called “Escape”, featuring an outstanding and soulful vocal by Chrxstal Sarah.

A reminder that the music from my chart and blog are featured regularly on the online radio station The New Radio GTA. You can hear their Big 20 on Wednesday evenings with ‘The Musicman’ James Rogers and listen for songs from the chart too 🙂 Scroll down the station’s main page to listen to lots of variety from across the decades!  I’m the new music consultant for the station so you can expect even more in 2021 🙂  You can start by joining Radio GTA’s new interactive Facebook group too!!

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

#BILLCSTop30 #605 – January 18/21

2020 favourites are gradually departing the chart to make room for what’s new and fresh. There are five debuts on the new chart, a few that have been waiting through the heavy holiday period to find their way onto the chart.  There’s lots of great music coming in January alone, so the competition for future charts will be particularly fierce.

“Give It Back” by NYC producers The Disco Fries and L.A. production trio Giiants with vocalist/songwriter Allison Park continues its reign at the top.  This one leads the way in the ‘dance banger’ department for me right now, though there are other fun ones further down the chart.

Could “Nobody” by Norway’s NOTD and Catello be the one to succeed “Give It Back” at #1?  Currently experiencing one of the longest stays at #1 on US dance radio in recent memory, I hope “Nobody” is also promoted to pop radio.  It climbs 6-2.

“No One But You” (above), the quiet, beautiful R&B/pop ballad by Toronto’s Justin Nozuka with UK singer/songwriter Mahalia climbs 5-4 from an upcoming EP that will be released in the Spring.  Justin’s latest peaceful and tranquil new single is “summer night 08” – check out the video below.

Like “Bad Decisions”, “Late Night Love” by Toronto’s Francesco Yates has long-lasting power.  This funky, soulful, naughty jam climbs 7-5 to match the peak of “Bad Decisions”.

With the release of their album The Good Times and the Bad Ones, L.A. quintet Why Don’t We arrive in the Top 10 with the rollicking “Fallin’ (Adrenaline)”, moving up 11-8.

Also new to the Top 10, somewhat belatedly, is “Chew On My Heart” by James Bay, which rises 12-9.  James was last in the Top 10 with 2018’s “Pink Lemonade”, which peaked at #2.

Karen Harding is well on her way to having two Top 10’s in a row on this chart. Following last year’s #1 “Undo My Heart”, “Let’s Get Together”, a collaboration with Scottish producers Illyus and Barrientos, zips up the chart 17-12.

The fastest riser on the chart is by the venerable, influential dance group Faithless.  They’ve returned after a long absence with a new album called All Blessed, and “Synthesizer”, featuring singer Nathan Ball, soars 24-16.

With its rather obtuse, mythical-sounding lyrics and futuristic production, Deadmau5 looks to have his biggest hit to date with “Bridged By A Lightwave”, featuring the commanding vocal of Kiesza, up 25-19.

Another innovative production that throws back hard to 90’s techno is “Sinnerman” by England’s Hot Since 82 featuring vocalist/songwriter Ed Graves. From Hot Since 82’s new album Recovery, “Sinnerman” climbs 27-20.

The highest debut is by a performer who effectively replaces himself on the chart.  Illenium’s “Nightlight” (#8) departs in favour of new single “Hearts On Fire”, a collaboration with Canadian producer Dabin and Juno Award winning singer/songwriter Lights.  Also coming in various remixes, “Hearts On Fire” charges on to the chart at #22.  It’s Illenium’s 8th chart entry since 2018.

Premiering on the chart is young French producer Wizzay with the punchy house track “Jealous” at #25 from his debut EP “Who I Am?”.  Chart trivia: The uncredited vocalist on this track also appears elsewhere on this chart as part of a group of producers…

His history on this chart has spanned almost 20 years. In fact, the first time he appeared on the chart, it wasn’t even under his own name.  “Feel Something” by dance music veteran Armin van Buuren arrives at #26.  His first appearance on this chart was in 2002 with the classic “The Sound Of Goodbye” (#4) under the name Perpetuous Dreamer, before Armada Records released its first record.  “Feel Something” marks his 8th appearance under his name, with guest vocals by 2019 Eurovision winner Dutch singer/songwriter Duncan Laurence (“Arcade”).

Brits both, producer Bobby Harvey and vocalist Danny Dearden make their debuts with “Tell Me” at #27.  It’s one of my favourite deep house tracks that had to wait a little longer than usual to premiere on the chart.

At #28 is the fun alt.rock track by Toronto’s grandson called “Dirty”.  The Juno Award nominee reached #1 for three appearances (six weeks) last Spring as the vocalist/co-writer of Whethan’s “All In My Head”. 

A reminder that the music from my chart and blog are featured regularly on the online radio station The New Radio GTA. You can hear their Big 20 on Wednesday evenings with ‘The Musicman’ James Rogers and listen for songs from the chart too 🙂 Scroll down the station’s main page to listen to lots of variety from across the decades!  I’m the new music consultant for the station so you can expect even more in 2021 🙂  You can start by joining Radio GTA’s new interactive Facebook group too!!

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

 

Loaded with hooks: “Tell Me” by UK producer @iamBobbyHarvey and singer @DannyDeardenuk

BOBBY HARVEY x DANNY DEARDEN, “Tell Me”

“Tell Me” in its original version may only be 2:30, but it’s completely loaded with hooks, courtesy of UK producer Bobby Harvey and singer Danny Dearden.  Bobby makes the 90’s-tinged deep house bass flavours friendly enough for radio – which remind me of Gusto’s “Disco’s Revenge” – and they are stretched out in the Extended Mix in the EP.  Danny is on a bit of a streak after the rollicking recent “Can’t Stop Me Now” (which I wrote about in the Spring) and especially his work with Michael Calfan on “It’s Wrong” and the more recent “Could Be You”, which I even heard in a local department store!  His urgent vocal distinguishes itself from the bassy grooves and “Tell Me” melds together beautifully.

Published in: on November 6, 2020 at 10:49 pm  Leave a Comment  
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It’s 10/10 #11!: @YEBBASmith @Kseniasolo #VIZE & Tom Gregory @tgofficialmusic @DannyDeardenuk @thehim & @ambervanday Axel Mansoor @iamaxelm @Spencermusic @Xaverius Funk @djDWaynemusic @Melyzofficial @Brigsounds

A week or after the last one and I’m back with an 11th edition of “10/10”!  

I’ve just had a week where a slew of fantastic music was released.  I’ve had to continue to be selective with what I write about since my daytime job continues to keep me busy in the home office during the week.

In 10/10 (or tenoutoften) ,  I write about 10 hot and fresh songs in no particular order, for your kind consideration and attention.

I continue to write individual blog posts about certain songs.  That does not mean that songs in the 10/10 lists are any less than those featured individually, and they are not listed in any particular order. Three of the six debuts on my most recent chart were featured in the 10/10 blog feature.

Writing 10/10 posts means I can cover more songs in one shot.  So you get to learn about more new music that I hear but don’t always get a chance to write about. 

  • YEBBA, “Distance”

“Distance” is a song many of us have been waiting for by YEBBA, the Grammy-award winning, rising singer from Arkansas who has already worked with Mark Ronson, Ed Sheeran, Sam Smith, A Tribe Called Quest, Stormzy, and Maroon 5’s P.J. Morton.  From her stunning indie solo debut in 2017 with “Evergreen” (which got to #4 on my chart), the musical red carpet was laid in waiting, and now YEBBA continues to walk that walk with “Distance”.  It’s a beautiful, laid back song, just perfect for these times in doors, that somehow fuses styles of Sade and Adele with the less likely soulful ones of long ago faves like Deniece Williams or Stephanie Mills.  And talk about an amazing vocal!! It’s also her solo major label debut for RCA, with an album coming.  Indulge in this one – I’m sure the album will be full of other gems!

  • KSENIA, “Fire With Fire”

Poised to break out with a powerful voice is Russian singer Ksenia.  Her recent single “Fire With Fire” also packs a memorable punch as a song, for what is a great vocalist without a great song?  Comparisons to JoJo or Demi Lovato are apt; her voice flows with such ease from note to note.  The acoustic moments sung over piano work as well as those with full instrumentation.  We’ll definitely be hearing much more from Ksenia in a big way!

  • VIZE and TOM GREGORY, “Never Let Me Down”

German producers VIZE have been fortunate to find major name support out of the gate since starting in 2018, with popular remixes for the likes of Sam Feldt (the much played “Post Malone”), Timmy Trumpet (last year’s excellent “World At Our Feet”), Alan Walker, Felix Jaehn, and Afrojack!  Together with British singer/songwriter they may just have an electric dance Song of the Summer of 2020 with “Never Let Me Down”.  The song is built around an insanely basic and instantly memorable hook.  The overall results are extremely polished, playful and well-sung.  “Never Let Me Down” could be a surprise breakout all over and is a must for dance music radio airplay.

  • DANNY DEARDEN, “Can’t Stop Me Now”

British singer Danny Dearden has been primarily known over the last few years as a songwriter or as a featured vocalist, working with dance producers such as Michael Calfan and Dario G.  “Can’t Stop Me Now” is a big step forward as a solo record for Danny through Sony.  And what’s fantastic is that the original co-write is such a no-brainer of an earworm, with a few undeniable hooks that leap out at you from your speakers.  The team he’s working with knows what sounds good, and at a later date I think that remixes will help this one resonate with club DJ’s.  “Can’t Stop Me Now” is a great start for a singer/songwriter with huge potential.

  • THE HIM and AMBER VAN DAY, “Tragic”

Games dramatic people play is the topic of “Tragic”, the latest release from Dutch producers The Him, following the wacked-out techno of “Freestyle Scientist”.  British singer Amber Van Day convincingly and stylishly recounts how well she saw through a previous flame before ditching him as someone who deemed himself to be “Tragic”.  It’s a fast eye-opener and perfect subject matter for the dance floor.  The Him seem to be on an appealing retro tip, once again offering up synths and effects that are cool throwback to the beginning of the last decade.

  • AXEL MANSOOR, “Cold Sweat”

“Cold Sweat” is a slightly more sultry new release from L.A.-based, Emmy Awards-nominated singer/songwriter Axel Mansoor.  It dropped a few weeks ago on the eve of his appearance as a contestant on NBC’s “Songland”, where he got to work with songwriter-to-the-stars Ester Dean (and perform for H.E.R.!) to polish up his great song “Scary”.  I’m hoping that delightful song receives a release, but in the meantime “Cold Sweat” is a fine new song with some witty lyrics recounting a tense situation in a rather calm and collected manner.  The record has a well-balanced mix of acoustic and band instrumentation, and features one of Axel’s best vocals.

  • SPENCER SUTHERLAND, “Help”

Part of watching a number of online festivals and performances over the past several weeks for me is always discovery.  Spencer Sutherland is a singer from Ohio who has performed with Ariana Grande and Zendaya, and also auditioned for the UK edition of The X-Factor a few years back.  He gave an outstanding acoustic performance in Elvis Duran’s recent online festival, and his latest release is “Help”.  It starts off as an unassuming vocal track that draws you in immediately – and then the bigger production kicks in to showcase his potent voice.  Spencer has a Sam Smith-calibre falsetto that is also a highlight in “Help”.

  • XAVERIUS FUNK, “Wicked” (D-Wayne remix)

I’m never gonna turn my back on a solid electronic banger with pop appeal.  Such is the case with the infectious 2-Dutch release “Wicked” by well-known Dutch producer Xaverius Funk, whose music has been supported by many of the biggest names in the biz including Hardwell and Steve Aoki.  “Wicked” also has the bonus of being remixed by another established Dutch producer, D-Wayne.  It’s a big and bouncy number that pulls out some retro vibes from dance music of the earlier part of the last decade that really make it work.

  • MELYZ, “Bad Together”

Could you ever be in a relationship where you’re “Bad Together”?  New British singer Melyz describes her thoughts about such an arrangement in this sly new original song.  Fortunately she places most of the could-be-lurid story up front, leaving lots of room for a dark melody, punctuated by a few well-placed effects, and deliberate rhythm to take hold.  Melyz rises above the song itself with a smart and seductive vocal delivery.

  • THE BRIG, “You Know”

“You Know” is a fun, rock-flavoured dance track from Russian producer The Brig.  He appears to have an established following in Europe over the past 5 years or so with a heavier dubstep style.  “You Know” strays from that path, and revvs you up with guitars and synths, then catches you off guard with the casual interjections of the title by a female voice throughout.  “You Know” is also a good one to play up loud in the car.