#BILLCSTop30 #570 – September 16/19

Right now I have so many favourites out there.  Just a little insider information – I have a new music playlist of about 60-70 that includes these 30, which I play regularly during the week.  To keep track of my submissions and new songs I want to hear, I have a Spotify playlist – at least for those songs on Spotify.  So I’m usually always checking something out that’s new in the week when I’m not writing!  

The new chart has a lot of smaller moves and songs holding steady that I enjoy, but in two weeks that’s likely all to change, with so many new faves waiting in the wings.

Ukrainian dance group Kazaky hold tight at #1 with the Depeche Mode-influenced “Push”.  The song doesn’t sound like much out there right now, which makes its 80’s and 90’s influences all the more refreshing.

So what is wrong with US radio?  “Higher Love” by Kygo and Whitney Houston should be one of the year’s biggest hits, as it is worldwide, particularly in England, where, like on this chart, it has reached #2.  The dance music crowd loves it though and it is topping dance charts everywhere.  Check out the recent video for the song above.

The cool synths of “Monday Blues” by Eric Sharp and Zhao allow it to continue to move up a notch to #3.

“Tough Love” by Avicii, Agnes and Vargas & Lagola climbs 9-5.  It’s both Avicii and Agnes’ second Top 5 on this chart.  Avicii got to #3 in 2013 with “Addicted To You”, while Agnes reached #1 back in 2009 with “Release Me”.

Canadians Loud Luxury lands in the Top 10 for the 4th time with “I’m Not Alright” (12-8, above) with US vocalist Bryce Vine, while Australian producer Throttle gets his first – outside of his #1 remix of Troye Sivan’s “My! My! My!”  – with the thoughtful “Dreamer” rising 13-9 (below).  Also below, you can check out Throttle’s latest release “Japan”.

 

The fastest riser on the chart belongs to US production duo Midnight Kids with “Those Were The Days”, which soars 18-10.  In the past few weeks, vocalist of the song, Jared Lee, posted a video of him singing the song live in the studio accompanied simply by piano, always a true test to find the great singers behind the complex production of many songs.  Check out the original above, and the acoustic version below.

The deep bass beats of “Give Me Love” continue to climb the chart for producers Ken Summit and Eric Kupper with vocalist Amy Douglas.  The throwback to late 90’s club music rises 16-12.

Another thoughtful song with a really terrific vocal and honest lyrics is “Graduate” by singer/songwriter/author Simon Curtis.  It moves up 17-13.  I can’t tell you how I love that Simon is back making great music after a protracted absence.

All of the previous five debuts move up steadily, and are still led by the fun OKJAMES remix of “Like Like” by UK indie singer/songwriter Lostchild.  It moves up 23-19.

Right behind it is the song that uses a Finnish acapella performance to sample and form its key hook.  It’s called “Run Wild” by L.A.-based producer PLS&TY, and it rises 24-20.

The chart had room for three debuts, and they changed a number of times when creating the chart.  While there are a slew of fantastic new songs that will help last out the year, the three that premiere have all actually been on release for a number of weeks.

First up at #27 is British singer/songwriter Benedict Cork with “Breaking Hearts”, which I have been playing for months and richly deserves more attention as the highest debut.  Benedict has one of those instantly likeable, pristine voices that can make short work of just about any song.  And this original quickly gets stuck in your head.

Next up is the first entry by TheKnocks in 2019, the fun charmer that is “Awa Ni”, featuring singer Kah-Lo, which arrives at #28.  “Awa Ni” appears to be an expression of praise in Kah-Lo’s native Nigerian.  The song’s lyrics have an interesting disconnected train of thought about them, but it all comes together as summery, festive, and joyous. It’s also The Knocks’ 7th entry since 2012.  The prolific duo have released another four singles since “Awa Ni” first appeared in July.

The last debut is a dark and progressive song for late nights that club DJ’s will totally dig.  It’s “Flicker” by NYC-based producers (and brothers) Anden at #29.  Pete and Tom previously appeared on the chart back almost three years ago as remixers of Satchmode’s “Undertow” (#12).

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

 

 

 

Australia-based producer #Latchmere returns with the many moods of his new dance EP “Rule The World”

LATCHMERE, Rule The World (EP)

It was just about two years ago that UK-born, Australia-based producer Latchmere dropped the very fine but overlooked EP “Lovedrunk”, which contained a couple of positively amazing house tracks in “Need Your Heart” – a #1 house zinger on my chart – and “Monster”.  Latchmere – aka Shaun Galvin – took a sidestep after Lovedrunk to record under another name (which I shan’t reveal but I wrote about this alias, too) to showcase his indie singer/songwriter side, sometimes quite successfully. 

With Latchmere’s return back to electronic music, Rule The World is an intriguing if moody set of songs that don’t propose to fit into any dance sub-genres easily.  Opener “You Were Right” is a tight blend of pop and house that focuses on when you’re wrong about something but can’t do anything about it – except maybe dance the night away.  “I Was Wrong” is a sullen-sounding instrumental ‘answer’ to “You Were Right” that veers towards the progressive side of electronica.  “Fired Up” is a Latin flavoured groovin’ fiesta of deep house.  But it’s the title song that is perhaps the most accessible, featuring a heartfelt, sparse-sounding vocal that goes a cappella to draw you into its chorus: “What does it take to rule the world around you?”  “Rule The World” has a lovely, gentle mid-section which Latchmere lets simmer until the chorus arrives again.  I might be wrong but I think Latchmere used his own vocals on this EP unlike the previous one, and quite successfully too.   

Rule The World shares the pains of the head and the heart, and fuses them all together with synths and beats for the good of body and soul.

Published in: on September 6, 2019 at 9:00 pm  Leave a Comment  
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#BILLCSTop30 #569 – September 2/19

September marks a big change-up on the new chart.  Not only is there a new #1 which more people need to discover, there are five new entries.  And it was a tough decision as to which songs debuted as there is quite a line-up of chart-worthy recent releases.  So while leaves will begin to tumble and the cooler air sets in where I am in Toronto, the music on the chart is free-flowing and most deserving of your attention!

It’s Ukrainian dance ensemble Kazaky who reign supreme on the chart now with “Push” and its stunning video (above).  It’s rare that you will see such physical choreography, and much of it danced in stilettos, so these guys must be so disciplined and committed.  Plus it’s a great song with early 90’s Depeche Mode all over it married with modern synths.

Kygo’s redux of Whitney Houston’s 1990 recording of “Higher Love” climbs to #2.  I must say I’m calling out radio in North America for not supporting such a great record.  The rest of the world indeed has much better taste these days, and so do dance clubs, where it’s already been a #1 hit.

“Time” is my favourite song from the Emanate album by EMAN8 (Brandyn Burnette). He’s been in my Top 10 numerous times over the last five years, but “Time” rises 9-6, his first time this high on the chart since “Run” got to #4 a little over a year ago.

Three songs climb into the Top 10, and they are Sam Dickinson’s joyous “All We Are” (11-7, above – all of Sam’s charted songs have reached the Top 10!), Avicii’s “Tough Love” (13-9, also above) and Italian musical mirth-makers Eric Zava & DJ Mirko B with “Even In Confusion” (12-10, below).

There’s lots of activity immediately below the Top 10, as the dark and mysterious deep house of “Alone Again” (above) by Mahalo and Polish producer Milkwish climbs 16-11.  Right behind is Loud Luxury and Bryce Vine with their huge Canadian radio hit that deserves to spread worldwide, “I’m Not Alright” (below), moving up 18-12.

The fastest riser on the chart is the highest debut from two weeks ago, “Dreamer” by Australian producer Throttle, which soars 22-13.  I’m hoping this is Throttle’s breakout record – dance music radio really needs to jump all over its refreshing sound.

The other debuts from the last chart also make progress.  Nashville duo Apollo LTD have one of my favourite albums of the year called Out Of Body, and their song “On The Way Up 2.0” (above) rises 24-20.  Then the unexpected dream team of Tiësto, Jonas Blue and Rita Ora move up 26-21 with “Ritual” (below).

The highest of five premieres this week belongs to England’s Lostchild with the charming and fun “Like Like” in its OKJAMES remix arriving at #23.  Lostchild reached #5 last year with the equally engaging “Blacklist”, so watch for great things for “Like Like”.  Both OKJAMES remix and the video for the original version of the song are above.

Someone else who is no stranger to this chart is Florida-born producer PLS&TY, whose latest engaging single “Run Wild” bows at #24.  Its repeated sample of a Finnish acoustic song is infectious and refreshing.  The Morgan Page of PLS&TY’s “Down For Me” got to #6 last year.

Chicago’s Win & Woo make their debut on the chart as lead performers with possibly their best single to date so far, which is the biting “Here U R”, featuring and co-written by singer Sara Skinner.  It arrives at #26.  Win & Woo’s other chart appearance was in 2016 providing a good-natured remix of Brandyn Burnette’s “Made Of Dreams” (#5), which I still play a lot.

Australia’s Peter Wilson returns to the chart after getting to #2 last year with Sean Smith in the unique duet called “Verona”.  It’s the Stormby edit of “Don’t Break My Heart Again” that bows at #27 from the EP of remixes for the song.  You’ve also seen Stormby on this chart before, with one of my favourite remixes of this decade, Kaden’s “Black Light”, which got to #1 in 2013.

The fifth debut will keep the heat of the summer continuing, in music anyway.  It’s the soulful, lazy melody of “Poolside Vibe” courtesy of two gents usually known as producers, Pretty Sister (Zak Waters) and MarcLo (Marc Lomax of The Monsters & The Strangerz collective), entering at #29.

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

It’s 10/10 #5: @nikkiswives @hellbergmusic @aloeblacc @youngbombs @thediscofries @ryshepherdmusic @brucewiegner @partypupils @MAXmusic @differentheaven @rose_annabrown Alex Mali @mainlymali @weareFlightSchl @laurellmusic

10/10 #05

It’s been a while, but the 10/10 (or tenoutoften) feature is back!  In it,  I write about 10 hot and fresh songs in no particular order, for your kind consideration and attention.

I continue to write individual blog posts about certain songs.  That does not mean that songs in the 10/10 lists are any less than those featured individually. 

Writing 10/10 features means I can cover more songs in one shot.  So you get to learn about more new music that I hear but don’t always get a chance to write about. 

tenoutoften

tenoutoften 05

  • NIKKI’S WIVES, “Girls Just Want To Have Fun”

Fans of the Cyndi Lauper classic may be certainly taken aback by how Canadian trio Nikki’s Wives interprets “Girls Just Want To Have Fun”, but don’t be worried, it’s a slowed-down version that will snuggle up to you.  I was fortunate to see the band perform it live back in the Spring, and the audience ate it up.  Nikki’s Wives taps into the lyrics of the song, wrestles emotion from the gleeful setting, and gives the song a completely different point of view.

  • HELLBERG & ALOE BLACC, “Punching In The Dark”

Swedish producer Hellberg is back with his best release since last Fall’s “Headlights” (with Leona Lewis).  His way to craft a seamless melody jibes so well with the graceful, invested vocal Aloe Blacc provides in “Punching In The Dark”.  Aloe has been popping up everywhere lately, from singing on fine songs from Avicii’s “SOS” to Mathieu Koss’ “Never Growing Up” to Lost Frequencies’ “Truth Never Lies”.  “Punching In The Dark” is anthemic without being overpowering, and you’ll find it stuck in your head more often than not.

  • YOUNG BOMBS, “Don’t Let Them”

Martin and Tristan started off 2019 with a big bang after signing to Astralwerks, home of Halsey and Illenium, and watching their first single “Starry Eyes” become a club and dance radio hit.  The Vancouver producers followed it up with two singles already, the more recent “Loyal”, an emotional electro-ballad, as well as the tropical-tinged “Don’t Let Them”.  They’re both solid, but “Don’t Let Them” has an edge for me with its celebratory vibe amid encouraging lyrics making you think twice about letting people walk all over you and to take a stand instead.  It’s guaranteed to make you bounce and feel so good!

  • BRUCE WIEGNER, “Malicious”

Philly bred, L.A.-based Bruce Wiegner is a new name to get to know as a singer/songwriter/producer with his third solo single “Malicious”.  The song is a sophisticated, melodic electro-pop delight, playfully calling out a former lover amid vibrant synths and percussion.  Backed with a killer funky groove, “Malicious” may very well cause a spontaneous singalong, so don’t say you weren’t warned.

  • PARTY PUPILS and MAX, “Bite My Tongue”

Although his name doesn’t appear on the artwork, I need to point out right away that MAX is the vocalist on “Bite My Tongue” by his fun side project with his very talented buddy Ryan Siegel, Party Pupils.  Fans have seen Ryan supporting MAX in his solo shows where they often add a few Party Pupils performances that truly energize the crowd.  “Bite My Tongue” allows MAX to sink into that comfortable, soulful place where he has ventured successfully on earlier singles like “Wrong” and “Ms Anonymous”, this time set in an appetizing house setting to which dance club DJ’s should direct their attention.

  • DIFFERENT HEAVEN and ROSEANNA BROWN, “Strangers”

Spanish producer Different Heaven (and pro-gamer aka Alvaro Perea) will brighten up your day with a story about falling in love, and wanting to become “Strangers” again just to feel what it’s like all over again.  “Strangers” is instantly likeable and most of us will identify with it.  Sung with vigor by Roseanna Brown, “Strangers” has a dynamic hook which will sell it home to you if the lyrics and melody somehow don’t grab you.  It’s perfectly suited for dance music radio play anywhere.

  • ALEX MALI, “Start It Up”

Alex Mali is a relatively new R&B/pop singer from Brooklyn whose music has quickly been getting traction throughout the US.  That’s not at all surprising, with a voice that is as convincing as Normani and pointed lyrics that recall a less complex H.E.R.  What’s most attractive about Alex’s voice is her sweet tone, which prevails throughout “Start It Up”.  The song is about what you feel you should do when you think you might get hurt before a potential relationship even begins.  This can be frustrating when your heart tells you that someone might be ‘the one’, in the way that past lovers were not, and your head tells you otherwise.  Despite a tough topic, the melody is soothing and the song goes down easy.  It’s from Alex’s new EP Sweet & Sour, and check out the video for “Start It Up” above.

  • DISCO FRIES, “Family Affair”

After the smashing #1 dance club hit “Concrete Heart” which they recorded with Vassy, New York City’s Disco Fries (otherwise known as Nick and Danny) are back this time on Spinnin’ with “Family Affair”.  It’s a pumped up house take on the Mary J. Blige classic from 2001 but this time with uncredited male vocals. “Family Affair” is such a recognizable song and one that needs to be covered in the right way.  Disco Fries put it on a pedestal, not taking too many production liberties with it, and make their version shine, and club play reaction will be instantaneous.  I look forward to seeing “Family Affair” follow “Concrete Heart” up the dance charts.

  • FLIGHT SCHOOL and LAURELL, “Come & Go”

Toronto production duo Flight School (Guillaume and Conor) surprised everyone in Canadian music land earlier this year by scoring a highly rare out of the box Top 20 national radio hit, after winning an iHeart Radio contest, with “Figure It Out”.  The likeable, rough-around-the-edges sound of “Figure It Out” has been succeeded by the more enigmatic deep house of “Come & Go”.  One of the co-writers of the song with Flight School is its singer Laurell, who won a Juno Award as the vocalist of Nick Fiorucci’s “Closer”, and has recorded with other prominent dance producers like Ummet Ozcan, Quintino, and Steve Void.  Her rich and captivating performance should help guarantee “Come & Go” more radio play and garner attention from outside of Canada.  “Come & Go” is international in its accessible dance flavours and sound.  Check out the video above.

  • RYAN SHEPHERD and HEATHER JANSSEN, “Who’s Gonna Love U”

“Who’s Gonna Love U” is a stylish slice of deep house from Canadian producer Ryan Shepherd, whose music has been featured in this blog a number of times over the past few years.  Whereas a number of Ryan’s songs have slammed hard and were tailored for clubs and festivals, in his latest for Armada, “Who’s Gonna Love U” should easily find favour on the radio.  Canadian singer/songwriter Heather Janssen’s voice is alternately delicate and alluring, all the while delivering a strong message to a previous lover – “who’s gonna love U if I don’t love U, nobody else could”.  Some spicy remixes could also help “Who’s Gonna Love U” get the green light from club DJ’s too.

 

 

 

 

 

 

#BILLCSTop30 #568 – August 19/19

As the ides of August pass by, a close battle for the top on this new chart did not change too much. 

For with the arrival of his new album Ascend, Illenium along with vocalist Jon Bellion once again take #1 with “Good Things Fall Apart”.  That makes it 5 appearances – 10 weeks – at the top, which has only been achieved by one other record in this decade, and that is “I Wanna Be (Free)” by Brandyn Burnette (now recording as EMAN8, and in the chart at #9 with “Time”), my #1 song of 2015.  After listening to Ascend, I am very lost for words and it needs another go through.  But it’s an outstanding record sonically, musically, and lyrically, with many fine collaborations.  

That means that “World At Our Feet” has another close call for #1 but stays at #2 for a 3rd appearance for Australia’s Timmy Trumpet.  Still, it’s a true favourite of mine for ’19.

Unless “World At Our Feet” succeeds “Good Things Fall Apart” at #1, then it should be Push by Ukrainian dance music group Kazaky that gets there next.  “Push” would sound great next to any late 80’s or early 90’s Depeche Mode song, and it climbs 8-3.  And watch the video to see what these five guys do with choreography and huge stiletto heels!

The cool, relaxed vibe of “Monday Blues” helps send this dance track up 7-5 for L.A. producer Eric Sharp and vocalist Kenny Zhao.  Play it after “Cola” by Camelphat and Elderbrook and you’ll see what I mean.

Showtek and Leon Sherman’s “Listen To Your Momma” (A-Trak remix) continues its journey into the Top 10 landing at #8.

Sam Dickinson’s beautiful and affecting “All We Are” will become the UK singer/songwriter’s fourth Top 10 entry on this chart in two weeks, but for now it climbs 14-11.  Sam has a new single coming called “Diamond Skin” and Pt. 3 of his EP trilogy From The Glass House.

Cutting loose through the middle with a lovely orchestral hook is “Tough Love” by Avicii featuring Swedish chanteuse Agnes plus Avicii’s long time collaborators Vargas and Lagola.  It rises 19-13.

It was never an issue if “Alone Again” by Mahalo and Milkwish would leave the lower 10, it was just a matter of time, amid fierce competition on the chart.  “Alone Again” rises 21-16.

Right behind “Alone Again” again is “Flying On My Own” by Celine Dion, which also makes its presence known, climbing 22-17.

The Fastest Riser on the chart is “I’m Not Alright” by Canadians Loud Luxury with vocalist Bryce Vine.  It’s one for the lazy, hazy end of summer days and moves up 26-18.

The Highest Debut belongs to Australian producer Throttle with “Dreamer” at #22.  This one’s a real grower and you pick up the sincerity in the song as you hear it more.  Plus it’s got a knockout beat to keep you grooving.  It’s also a rare appearance on this chart for Canadian dance music label Monstercat, which previously charted with Hellberg’s “Synchronize” (#8) in 2016.  “Dreamer” is Throttle’s second appearance on the chart following his playful take on Michael Bublé’s “My Kind Of Girl” (#21) in 2017, but don’t forget he also had a #1 remix with Troye Sivan’s “My! My! My!”.

The next new arrival is at #24, Nashville duo Apollo LTD’s “On The Way Up 2.0” from their wonderful album Out Of Body.  These guys know how to write songs and put together an album that flows from song to song.  The “2.0” in the title does signal a new version of a previous single that perhaps sounded initially too much like an Imagine Dragons kind of song.  Keeping the anthemic appeal intact, “2.0” takes the song down a few notches and lets us bask in its fine melody and great vocal.

The third debut will become an easy go-to record for me.  It’s “Ritual”, a collaboration of Tiësto, Jonas Blue and Rita Ora, which arrives at #26.  While Tiësto and Jonas Blue are no strangers to the chart, it is Rita Ora’s first entry and definitely one of her best vocals.  The hook in “Ritual” is just insane and had me singing along right away.

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

Can’t go wrong with a dance record called “Get Funky”, courtesy of @Krydermusic and @djFastEddie

KRYDER & FAST EDDIE, “Get Funky”

Cue up the late 80’s hip hop rhythm and vibes and you should likely find “Get Funky” in your favourite club DJ’s playlist sometime soon.  It’s already supported by just about every big producer/DJ – Hardwell, Cedric Gervais, and the list goes on – which is great news for this collaboration between UK producer Kryder and Chicago’s Fast Eddie.  “Get Funky” milks that famous Bobby Byrd and James Brown sample from “It Takes Two” but amps up the pace, which should create some interesting dance moves from club patrons.  And at festivals, “Get Funky” will definitely make those big crowds bounce.  The song is simply a lot of fun, but with substance and creativity to set it above the average.

Published in: on August 9, 2019 at 10:27 pm  Leave a Comment  
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#BILLCSTop30 #567 – August 5/19

As a bunch of Spring favourites are now on their way to departing from the chart, the big question is: Which song will succeed Illenium & Jon Bellion’s “Good Things Fall Apart” at #1?  The emotional electronic song of summer nails its 4th appearance (8th week) at the top, making it the longest running song at #1 since A-Trak & Todd Terry’s “DJ’s Gotta Dance More” at the start of the year.  And with his tour on deck, Illenium’s released two songs within the last two weeks which warrant your ears – “Takeaway” with The Chainsmokers and Canadian singer Lennon Stella, and “Blood”, with vocalist Foy Vance.  Both are below.  Illenium’s third album “Ascend” arrives on August 16.

With all songs ranking 4-11 on the rise, there are many current challengers for #1 in two weeks.  Most obviously, Timmy Trumpet’s “World At Our Feet” (above) stays at #2, while Halifax’s Famba also remains at #3 with “Swear To God” (below).

“Higher Love”, Kygo’s retake of Whitney Houston’s 1990 cover of the Steve Winwood hit that was not released in most of the world, glides 9-4, as it becomes a UK Top 10 hit as well as a dance club hit in North America.

Then, we go out of order to look at the Fastest Riser on the chart which is very #1 worthy indeed.  “Push” by Ukrainian dance music group Kazaky soars 21-8 and will appeal to anyone who enjoyed the dark electronic music of the early 90’s by the likes of Depeche Mode.

Three other songs rise into the Top 10:  Eric Sharp & Zhao’s “Monday Blues” (above) climbs 12-7 to match the peak of their song “The Thirst” about two and a half years ago.  Manila Killa’s “Atypical” (also above) steps into the #9 spot, while Showtek have their first Top 10 since 2013’s #1 “Cannonball (Earthquake)” with the A-Trak remix of “Listen To Your Momma” (14-10, below), featuring British singer Leon Sherman.

It’s easily relateable to anyone who hears it, and EMAN8’s “Time” breaks through the middle of the chart to climb 18-11, from the multi-talented singer/songwriter’s album Emanate.

Also well on their way toward the Top 10 are Italy’s Eric Zava & DJ Mirko B with singer Daniel Gorash on “Even In Confusion” (above) up 19-13, as well as Sam Dickinson’s winning and thoughtful “All We Are” (also above) climbing 20-14, and Avicii’s “Tough Love” (below), from the posthumous TIM album, rising 27-19 and featuring vocalists Agnes and Vargas & Lagola.

The three debuts are earmarked for much play throughout the rest of the summer.

Canada’s Loud Luxury returns to the chart, this time bringing fun singer Bryce Vine with them, for “I’m Not Alright”, which arrives at #26.  It’s the first appearance for Andrew and Joe since their last entry “Body” got to #2 in early 2018, and their 4th entry overall.

L.A.-based Simon Curtis follows up the #6 “Love” with more music for your heart and head, “Graduate”, which bows at #27.  It’s Simon’s SEVENTEENTH song to appear on the chart since “Delusional” (which reached #1) arrived at the end of 2009.

And at #28 is the debut entry for both producers/remixers Midnight Kids and vocalist Jared Lee with “Those Were The Days”.  Midnight Kids are Kyle Girard and Dylan Lee (son of Tommy Lee and my fellow Canadian, Pamela Anderson).

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

“Flicker” and “Escalus” are a winning pair of progressive, dark deep house songs from NYC-based brothers @weareAnden

ANDEN, “Flicker” and “Escalus”

When I heard Anden’s tight DJ set mainly consisting of dark and progressive dance music back in March in Miami, I knew that any upcoming releases would likely be career bests from their output over nearly the last three years.  The talented brothers Cuppernull (Pete and Tom) have definitely found a unique niche which will endear them to fans of 90’s and 00’s artists like Delirium and BT, but their influences go back much further.  “Flicker” could easily be both a club and festival favourite with its driving rhythm, nuanced uncredited vocal, and bright synth work.  Club DJ’s could definitely have fun with their lighting system to jibe with the the tone and of course title of the song.  “Escalus” is an even more progressive deep house effort that recalls the late Robert Miles’ 90’s work.  It’s also a throwback to the mid-80’s in its use of a sample of a Robert F. Kennedy speech that recalls a similar impact of Paul Hardcastle’s 1985 hit “19”.  All in all, “Flicker” and “Escalus” are two of Anden’s more attractive and creative works, and they are best heard in their extended versions up top.

Published in: on August 3, 2019 at 10:35 pm  Leave a Comment  
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Chicago’s @WinandWoo will wow you with the haunting deep house of “Here U R” with vocalist Sara Skinner

WIN & WOO and SARA SKINNER, “Here U R”

For so many years, Chicago’s Win & Woo (Austin and Nick) have been releasing consistently great dance music that has afforded them to appear at numerous festivals, including this current weekend’s Lollipalooza.  Their latest release, the haunting “Here U R”, is a positive step in a slick deep house direction that will wow their fans.  Co-written by vocalist Sara Skinner, “Here U R” is a pungent recap of the helplessness you feel when a relationship has gone stagnant.  The songs lyrics do not beat around the bush, and are matched by a dark melody with rich synth work, especially the deep base undercurrent that makes the song even more memorable.  I’m glad that Armada has released “Here U R” as Win & Woo are now due for some next level attention.  Check it out at the link above.

Published in: on August 3, 2019 at 10:35 pm  Leave a Comment  
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“Out Of Love” (with @AC15music and @theSamuelKnight) and “Love Like This” (with @Svrcinasongs) are two top notch dance releases from @KoniOfficial

KONI & AC15 and SAM KNIGHT, “Out Of Love”

KONI and SVRCINA, “Love Like This”

It’s always a treat to keep up with the latest in high quality independent dance music releases from German producer and guitarist Koni, whether his solo projects or those of his other production group Saxity.  Every release from Koni sounds fresh and is almost always undertaken with a variety of collaborations that span around the world.

“Out Of Love” is emotional dance pop that wouldn’t sound out of place on pop radio, even next to, perhaps, the latest by Midnight Kids and Jared Lee called “Those Were The Days”.  “Out Of Love” pairs Koni with new Dominican Republic producer AC15 and the singer is Sam Knight, a Minneapolis born talent-on-the-rise.  The result is a tightly woven and affecting song deserving of your attention, which you can hear above.

Equally of note is “Love Like This”, more of a deep house effort, this time featuring Nashville vocalist Svrcina (sur-cee-na).  Her fine, consistent vocal is offset by a potent tropical-flavoured deep house rhythm that slows down with a change up to a more celebratory, carnival kind of vibe, before the key beats return.  Check it out at the above link.