It’s 10/10 #02: New songs from @pete80s, #EricZava @DJMirkoB & @GorashDaniel, @finis_mundi_, @Iliramusic, @Boye_Sigvardt, @JeanorJuan & @FoxandCharm, @EleriAngharad92, @BLRofficial, @TimmyTrumpet @BlissNEso & @LeeFields12, and @Showtek & @LeonSherman in an @ATrak remix

10/10 #02

10/10 (or tenoutoften) is my new feature where I write about 10 hot and fresh songs in no particular order, for your kind consideration and attention.

I will also continue to write individual blog posts about certain songs.  That does not mean that songs in the 10/10 lists are any less than those featured individually. 

Writing 10/10 features means I will be able to cover more songs in one shot than I’ve been able to do recently.  So you get to learn about more new music that I hear but don’t always get a chance to write about. 

tenoutoften

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  • PETER WILSON, “Like Dynamite”

The Australian singer who so aptly brought us a different kind of “Verona” with UK singer Sean Smith returns with a two song EP, the better of which is “Like Dynamite”.  It’s a complete throwback to mid-80’s danceable modern rock, with particular and welcome reference to New Order’s “Bizarre Love Triangle”.  Peter’s voice really flourishes in this setting and it’s a lot of fun!

  • ERIC ZAVA, DJ MIRKO B and DANIEL GORASH, “Even In Confusion”

Another song that might take some of its cues from 80’s new wave is “Even In Confusion” by Italian producers Eric Zava and DJ Mirko B with singer Daniel Gorash on vocal.  Don’t even think Italodisco with this one.  It’s delightful melodic house music that could be a real surprise to club DJ’s.  The echoey vocal reminds me of early 00’s ATB records and totally suits the song.  “Even In Confusion” is memorable and will definitely get you dancing!

  • FINIS MUNDI, “Right Now?”

Accompanying his recent album release Everything After is the single “Right Now?” by Swedish producer Finis Mundi.  This is sophisticated deep house for the late night time which could happily accompany songs by Bobby Nourmand or Faithless into the wee hours.  It’s definitely atypical of the dance music from Sweden and taps much more into UK or Chicago/New York house rhythms for deep, dark effect.

  • ILIRA, “Do It Yourself”

Breaking out of Germany is the effusive pop sound of Switzerland-raised Kosovo-Albanian singer Ilira with “Do It Yourself”.  The production for this song is a hybrid US/UK bounce back to about six years ago – think Miley Cyrus meets Icona Pop.  Like songs from that time by both artists, “Do It Yourself” is a potent anthem for young women.  It’s very distinct and has the potential to cut through a lot of other samey-sounding pop of today with its splash of a few years ago.

  • BOYE & SIGVARDT, “Ganja Fiyah”

You’ll recall the unique song “Astronauts” by Danish producers Boye & Sigvardt (with MAGNÜSand UHRE) which I wrote about a few years back.  After a few releases with American label Big Beat, the lads (Christian and Christian) have been trying out a variety of dance styles, and “Ganja Fiyah” is an unexpected trip into fun deep house with striking bass beats and explosive synths.  Fans of Don Diablo, Afrojack and Armin van Buuren will definitely dig this one.

  • JEAN JUAN and FOX & CHARM, “Strangers”

Dutch producer and Soave label head Jean Juan unleashes his second single under his new moniker called “Strangers”, this time in collaboration with Mexico-based Turkish producers Fox & Charm.  It’s exotic-sounding deep house that will cause instant reaction when dropped mid-set.  “Strangers” is full of propulsive rhythms and an appealing vocal that go down pretty easy.  Jean Juan says he’s just getting started and I’ll look forward to what’s next!

  • ELERI ANGHARAD, “Earthbound” (acoustic)

Although she classifies herself as a Country artist but hails from Wales, Eleri Angharad has a lot of pop potential if the acoustic version of the title track from her recent album is any indication.  She could easily ride the wave of popularity created by the likes of Kacey Musgraves and Maren Morris, though she definitely has her own take on her craft.  In fact the vocal on “Earthbound” reminds me a lot of California duo Bahari’s contribution to electronic sensation Illenium’s “Crashing”, so I could visualize her in that setting as well.  Recording acoustically is not recommended unless you can really prove yourself and Eleri has no problem instilling her appealing personality into this performance.

  • BLR, “Méduse”

Dutch producer BLR returns to Tiesto’s AFTR:HRS label – he was the first artist signed back in 2016 – with the enchanting “Méduse” and its seductive French vocal.  You can definitely expect a dark, hypnotic trip that has late 70’s/early 80’s retro appeal that will recall music from the likes of Cerrone or Patrick Juvet.  “Méduse” will definitely be a force on the dance floor with the clock strikes 12!

  • TIMMY TRUMPET, BLISS N ESO, and LEE FIELDS, “High”

You may have already heard, but Australian producer/DJ Timmy Trumpet is set to be part of the European Space Agency that’s linking dance music with space travel!  You can hear all about that right here, but in conjunction with that announcement is the release of Timmy’s latest single “High”.  While “Freaks” continues to be played everywhere at events and on dance music radio worldwide, “High” goes back to Timmy’s jazz and R&B roots, featuring veteran US soul singer Lee Fields as well as reknown Aussie/American hip hop trio Bliss N Eso.  The blend of influences remind me of early 90’s mixes that incorporated all of those styles as well as house music, and Timmy and team successfully update that sound with “High”.

  • SHOWTEK and LEON SHERMAN, “Listen To Your Momma” (A-Trak remix)

You can’t keep a good song down and I’m a big believer of remixes to help good songs reach greater heights.  “Listen To Your Momma” by Showtek and Leon Sherman was actually released in 2015, but it’s such a fun song with an inspired vocal that a bevy of remixes have now surfaced.  The best of the bunch is from A-Trak, who recently woke us all up with the praise to to the house music gods and stern advice for DJ’s with Todd Terry in “DJ’s Gotta Dance More”, which was #1 for several weeks on my personal chart.  With it’s big bounce and plenty of vinyl scratching, A-Trak’s remix of “Listen To Your Momma” should make headway to clubs and festivals all over the world this year.

 

 

 

 

 

#BILLCSTop30 #559, April 15/19

The top of the chart appears relatively unchanged, but the bottom of the Top 10 is all abuzz as a few songs soar, and four debuts add to the pleasures.

I can’t get enough of “i’m so tired…” by Lauv and Troye Sivan, such that I think they should record another song together.  It would be the perfect follow up until Lauv’s forthcoming album is ready.  “i’m so tired…” is locked in at #1.

The only new entry to the Top 5 belongs to Nashville’s Mokita.  The pensive “London” advances 6-4, while the singer/songwriter gets his 3rd chart entry with the bubbly and knowing “Kiss And Tell” at #26.  Watch out for Mokita, his music is absolute fire right now!

“Love” by Simon Curtis rises 8-6.  I can’t wait to hear what Simon has coming next, and as gorgeous and soulful that “Love” might be, I want something more hard-hitting and danceable next 🙂

The fastest riser on the chart is by UK/Germany production duo M-22 with “White Lies”, which catapults 23-7, with definite eyes on #1 in the coming weeks.  I saw the duo drop the song at Miami Music Week and with those deep house vibes, courtesy of some influence from Inner City’s “Good Life”, “White Lies” simply can’t miss!

In a darker but somehow uplifting vein is “Go Ahead” by L.A.’s Mahalo featuring vocalist  MŌZ.  It climbs 13-8 and follows the now-departed “In My Arms” for a 5th Top 10 song here for Mahalo 🙂

In any other week a 24-9 leap would be the fastest riser, but in direct competition with M-22’s “White Lies” is another brilliant new dance song, “Good Things” in its disco edit by Cedric Gervais and Just Kiddin’ featuring vocalist Kyan.  “Good Things” just brims with fun and energy and like “White Lies” is bound to be one of my favourite songs of the year.

The Top 10 isn’t done yet if Sam Smith and Normani have any say in the matter.  “Dancing With A Stranger” climbs 14-10, becoming his first Top 10 since “Too Good For Goodbyes”.

Just outside of the Top 10 there’s “Black Gasoline” bubbling under and rising 17-11 for Italy’s Mark Mendy and featuring some irresistible vocalizing by Australia’s Beamish Brothers (Ben and Jeremy).  

We find another, more famous set of brothers moving up 19-15.  It’s those Jonasei with “Sucker” still keeping fans happy in the shadow of the new, quieter single “Cool”.

There’s so much great dance music always coming from The Netherlands, and “Enlighten Me” by DubVision and SYZZ is no exception.  This rollicking foot-fest climbs 26-18.

NYC singer/songwriter Matt Beilis enters the Top 20 with his Maroon 5-ish “Chemistry Or Chemicals” moving up 22-19.

Disco dancing is alive and well with the clubland enthusiasm of “Let’s Go Dancing” by UK producers Horse Meat Disco and NYC vocalist Amy Douglas, which jumps 25-21.

Ever-prolific Illenium moves up 27-22 with the softer, almost Country-flavoured (in a “The Middle”/”This Feeling” kinda way) “Crashing” featuring California duo Bahari on vocals.

The highest debut belongs to Belgium’s Felix De Laet, or Lost Frequencies as you better know him.  Featuring vocalist Flynn, “Recognise” packs a punch when it slams right into its great chorus at the :25 mark.  “Recognise” bows on the chart at #25.

German producers and musicians Saxity have been to the Top 10 twice, with “Brothers” and “You Found Me”.  They’re back and wanting to party hard with “Weekend” at #27.  I just love all of the instrumentation that the song has to offer in the background, which makes it sometimes seem like it really wanted to be an Earth, Wind & Fire record in disguise 😛

The final debut is a reprise of a collaboration between another German producer, Final DJs and US-based Welsh multi-talent Bright Light Bright Light.  The strut-worthy house of “Wild” arrives at #28 following their #11 charting song from a few years ago called “Lost In Feelings”.

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

L.A.’s @weareMako pushes boundaries with futuristic rock-electronica of “Coyote”

MAKO, “Coyote”

When I last saw Mako – L.A.-based singer/songwriter/producer Alex Seaver – in concert over a year ago, he tipped me off after the show that his next releases would be much more adventurous and progressive.  And while he’s been busy scoring the video game series League Of Nations and collaborating with the likes of Illenium and The Glitch Mob, there was nothing to prepare me and his fans for “Coyote”.  The dance/pop of “Smoke-Filled Room” and “Breathe” now has to make room for a new futuristic, intense and emotional side of Mako.  “Coyote” is a dark song that you might find amping up a critical scene in a movie rather than on the dance floor.  It’s challenging but draws you in, allowing you to expect the unexpected without being polarized.  Mako has a dedicated fan base that I think will easily embrace “Coyote”.  I’d also definitely pitch the song to fans of Illenium, Odesza, Rufus Dü Sol and others who continue to successfully test the waters with songs and styles that stimulate and instigate your attention.  Like other performers such as Lemaitre, I must remind you that Mako is also a rock band led by Alex and there is prominent guitar and other live instrumentation amid the electronics in “Coyote” too.  Check out the animated lyric video above.

Published in: on April 15, 2019 at 9:35 pm  Leave a Comment  
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Introducing “10/10″#01: @bDavidsonmusic @missMollyMoore @RadCatmusic @itsDylanMatthew @SleepyTom @Lights @Saxity @Cookin3burners @HenriPurnell @Revelriesmusic @FinalDJs @BrightLightx2 @TheDriverEra @Fambamusic @itsLostBoy

Introducing… 10/10 #01

10/10 (or tenoutoften) is the name of my new feature when I will write about 10 hot and fresh songs in no particular order, for your kind consideration and attention.

I will also continue to write individual blog posts about certain songs.  That does not mean that songs in the 10/10 lists are any less than those featured individually. 

Writing 10/10 features means I will be able to cover more songs in one shot than I’ve been able to do recently.  So you get to learn about more new music that I hear but don’t always get a chance to write about.  I think that’s pretty fair 🙂

So let’s move on to #01:

 

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  • BEN DAVIDSON, “No One Knows”

Scottish singer Ben Davidson has a beautiful, rich tone to his voice that could make an encyclopedia sound melodic.  “No One Knows” is the title song from Ben’s album from last Fall which followed attractive singles “The Chain”, “Fallin’ In” and “Learning To Let You Go”.  But “No One Knows” bests them all with a warm story of dedication to a special person. The song just gets better as it moves along, leaving with a finish that resonates like fine cognac after a good meal.

  • MOLLY MOORE featuring KEENAN CHARLES, “Vibes”

Continuing to stretch the boundaries between pop, rock and dance music, L.A.-based singer/songwriter Molly Moore follows up “Be Here Now” with something completely different.  “Vibes” captures the cool of L.A. with an edgy, soulful sound that is accentuated by the flowing emcee work of Keenan Charles. It’s not every day that you reacquaint yourself with your high school prom date and ask him to contribute to your record but Molly has done just that and it’s an indelible if sometimes subdued release.

  • RAD CAT and DYLAN MATTHEW, “Show Off”

It’s been a while since I wrote about Christian Ariza, the San Diego producer otherwise known as Rad Cat.  “Show Off” is a bouncy, familiar-sounding feel good track with hip hop vibes marrying happily with electronica and a catchy vocal from Dylan Matthew.  I’ll pitch this one to fans of The Knocks who will enjoy the funky rhythm.

  • SLEEPY TOM and LIGHTS, ” Amateur”

Vancouver’s Sleepy Tom has steadily released top notch dance music since his breakout hit “Be Right There” with Diplo.  This time he takes a cue from fellow Canadian producer Felix Cartal and enlists another Canuck, Lights, for her vocal on “Amateur”.  As with Felix’s “Love Me”, Lights is definitely the star of the show, perhaps even more so here, as her tones fill the loud speakers easily at chorus time.   Sleepy Tom’s slick synths and production will help keep you glued to “Amateur”.  And then there’s the Sleepy Tom video game, a clip of which you can check out below.

  • SAXITY, “Weekend”

Mr. Stan Sax and Koni, the saxophonist/guitarist/producers behind Saxity, return to help make Springtime brim with enthusiasm for the good weather and partying when it’s all about the “Weekend”.  Stellar musicianship helps make this new dance anthem go down really smooth, making it an easy add for club DJ’s.  Unleash this one on the dance floor and watch people move!

  • COOKIN ON 3 BURNERS with HENRI PURNELL and REVELRIES, “Force Of Nature”

Taking its cue from “This Girl”, the monstrous worldwide hit a few years back by Kungs and Cookin on 3 Burners which is still heard positively everywhere, “Force Of Nature” is a wicked blend of old school soul and house music.  For it was the unique sound of Australian trio Cookin on 3 Burners that anchored “This Girl” (a variation of a song they recorded about 10 years ago), and that retro 60’s lounge style from that song pervades “Force Of Nature”.  Partnering in the mix are Germany’s Henri Purnell and Emirati/Netherlands-based duo Revelries, who have both acquitted themselves well with Top 5 songs on my personal chart (“Silent Games” and the current “Don’t Think Twice”, respectively).

  • FINAL DJs and BRIGHT LIGHT BRIGHT LIGHT, “Wild”

Its wonderful to see the pairing of Germany’s Sebastian Stuetz, aka Final DJs, and long time fave Bright Light Bright Light (Rod Thomas) continue with their latest single together called “Wild”.  It’s got a classic house groove that will simply command you to move and convince you to go as “Wild” as the title says. Very rarely does Rod make an appearance on another record and he flourishes beautifully here as in his own songs like “New York Pretty” or “Love Part II”.  The duo’s earlier single “Lost In Feelings” landed at #11 on my chart during its release.

  • THE DRIVER ERA, “Feel You Now”

The Driver Era is the alt.rock offshoot of popular family band R5 that consists of brothers Rocky and Ross Lynch.  Ross, of course, is a current star of Netflix’s “Chilling Adventures of Sabrina”.  The L.A. based, Colorado-born duo fit easily into these rock trappings, possibly much better than you think.  I saw R5 perform in concert two years consecutively and there’s no denying the talent, which also led to Ross being heard in other songs like electronic duo Tritonal’s “Feel The Love”.  “Feel You Now” is powerful and anthemic, reminiscent of music from yesteryear such as by INXS or even Grand Funk Railroad (take a listen to “Closer To Home” for example).

  • FAMBA, “Swear To God”

After emerging on the dance music scene about three years ago with songs like the fun ‘n funky “Right Here Right Now” (for Armada Deep) and “Vibe” (for Tipsy/Epic Norway), Halifax’s Famba signed to Sony Canada and got attention with remixes such as for fellow Canadians like Tyler Shaw.  Currently, you can hear Famba’s “Wish You Well” (featuring vocalist Trove) on every single pop music station in Canada, and I think its next stop will be to conquer the USA. Following that song up in the meantime is “Swear To God”, a powerful electronic release that steers away from the pop of “Wish You Well” for a memorable house track that is more apt to follow up Loud Luxury’s “Body” as the next big dance hit from Canada.

  • LOST BOY, “Help”

California singer/songwriter/musician Lost Boy (aka Dillon Deskin) returns with an endearing song with a gritty rhythm called “Help”.  Strange things happen to our hero in his video (above) for the song so if the lyrics aren’t convincing enough to give him a hand or three, then the video will definitely do it.  “Help” is a rare breed, wanting to connect with you and make you dance at the same time.  This sends Lost Boy in more of a direction that currently works for fellow artists like Bryce Vine and will definitely work well in a club setting.

 

 

 

 

Weekend Dance Roundup Part 2: @DubVisionmusic & @SYZZmusic @PLSandTYbased & @GANZgvnz & #Nevve @TheHim & @Lootemusic @iamAlanWalker, @SabrinaAnnLynn, and @Farrukoofficial @Ekalimusic & @L-1788 @ArminvanBuuren & @BonnieMcKee @SultanShepard & #CarlaMonroe @Goldroom @Robokidmusic @Kremerkmusic

Following up yesterday’s Part 1, here’s the second part of my Weekend Dance Music Roundup, I’m featuring 10 more new dance music releases, in no particular order, some of whom are by performers you may see at Miami Music Week.

  • Dutch brothers DubVision and fellow Dutch production duo SYZZ positively sparkle with the high energy of “Enlighten Me”.  This is a zesty 2:37 dance track that will have you chanting the urgent chorus and feeling great afterwards.  It’s one of DubVision’s very best tracks and the partnership with Syzz is well worth repeating.  A festival fist pumper for sure.

During Miami Music Week, DubVision play at Firebeatz and Friends on Tuesday March 26 and at Ultra Music Festival on Saturday March 31.

  • One of my favourite songs last year was the Morgan Page extended mix of PLS&TY’s “Down For Me”.  The Florida producer returns in collaboration with Dutchman Ganz for “Motives”.  The song starts off rather unassumingly but gradually builds to a feverishly emotional state by the minute mark, thanks to the signature voice of go-to dance music singer Nevve.  This is one of her best and most committed vocals that rides the sometimes hard-hitting future bass production later in the song.  Sway away and enjoy!
  • Norway’s Alan Walker has crafted something totally unexpected with “On My Way”.  Harkening back to three years ago when “Faded” astounded everyone, Alan employs the sharp voice of star-on-the-rise Sabrina Carpenter (currently in the Billboard club chart Top 10 with “Sue Me”) for a song that’s totally suited to her.  It begins with R&B flavour that you might associate with Rihanna, then drifts off to the islands with a vocal break from Puerto Rico’s Farruko.  By the end you’ll feel like you’ve been on a bit of an adventure so check it out!
  • Also with tropical flavours but with a more relaxed, summery vibe is “Tell Your Friends”, the latest from blog favourites The Him.  Steven and J have brought aboard American duo Loote for effortless give ‘n take vocals which make the song simply breeze by with its appealing synth-peppered bounce.

The Him plays Spinnin’ Sessions at Spinnin’ Hotel on Wednesday March 27 and Klingande’s Playground Pool Party on Sunday March 31 during Miami Music Week.

  • A new and potent instrumental is brought to you courtesy of Mexican producers Kremerk called “Nowhere”.  Premiered recently by Nicky Romero, “Nowhere” doesn’t hold back any punches with its lively synths and creative, progressive production which sometimes recalls Afrojack.  Its relentless pace doesn’t give up for a second of its 2:46 length.
  • It’s been out for about a month, but “Ruin” by the one-of-a-kind collaboration of Ekali and 1788-L delivers in just about every way possible.  Highly inventive and drawing heavily from trap and dubstep, “Ruin” is one song that will neither tire you out with an overabundance of effects, nor will you tire of its frequent changes of pace.  There’s a beautiful, underlying melody amid the experimentation, and these guys just make it all sound even more fascinating as the song progresses.  While it might not be for everyone, “Ruin” should become a centerpiece in sets by both performers.

1788-L plays no less than four events during Miami Music Week on Thursday March 28 (twice, including Brownies & Lemonade Miami), Friday March 29 and Saturday March 30.

  • From his recent 8 song release RK1, Boston’s Robokid has a real grower with “Everything Around You”.  Co-produced by the enigmatic Kid Froopy – you’ll remember 2017’s “Drive Slow” – “Everything Around You” happily marries early-to-mid 2000’s alt.influences of bands like Blink 182 and All-American Rejects with simmering electronics and a taut vocal arrangement that helps make the chorus so memorable.  
  • L.A.’s Goldroom offers up a different kind of slice of life with “Cocaine Girl”.  Its lazy west coast vibe is the perfect foil for a story in which the subjects just seem content to live a dreamy, carefree life.  Its uncomplicated-sounding synth arrangement recalls 80’s Depeche Mode and there are some nice acoustic guitar touches as well.  
  • After dazzling us recently with their instrumental “American Beauty” (based up on the score of the movie of the same name), Sultan + Shepard continue but this time with a solid house banger in “Deeper”.  It packs even more of a wallop thanks to the presence of the killer voice of Carla Monroe – she of MK’s “17” fame.  “Deeper” has the potential to be yet another huge club smash for my Canadian brethren.

Sultan + Shepard play Mixmash Takeover on Thursday March 28 and Armada Invites Miami on Saturday March 30 during Miami Music Week.

  • And what would this year’s Miami Music Week be without a new song from the master who is Armin van Buuren?  Departing from the anthemic humour of “Blah Blah Blah”, Armin brings a delightful song full of longing, powered by the voice of none other than “American Girl” herself, Bonnie McKee.  You wouldn’t expect Bonnie in this setting and Armin weaves some intense synths and beats around her gracious presence.  Armin has a long history with me, going back to 2003’s haunting “Yet Another Day”, and 16 years later continues to deliver the heat amid many talented contemporaries. 

Armin van Buuren plays Ultra Music Festival on Saturday March 30 and Sunday March 31.

 

 

#BILLCSTop30 #557 – March 18/19

The lack of blog posts hardly means I’ve stopped listening to new tunes, and in particular the 30 songs in my chart 🙂  The blog posts will come, but in the meantime it’s a mainly feel-good kind of chart with two new entries.

For a third appearance at #1 (6 weeks), it’s “Closure” by Dutch producer Steve Void with vocalist Andy Marsh and its outstanding and memorable video. 

Challenging next week will be current #2 “i’m so tired…” by Lauv and Troye Sivan, which is finding its greatest favour in the UK where it’s headed for the Top 10 this week.  

And #3 is also in contention is “Don’t Think Twice” by Netherlands-based Emirati production duo Revelries and US producer Sam Smyers with US-based Dutch vocalist Oktavian.  Revelries has yet another release later this week with Henri Purnell and Cookin On 3 Burners called “Force Of Nature”, so watch for it!

Sweeping into the Top 5 as the Fastest Riser on the chart twice in a row is the celebrated collaboration of Dimitri Vegas & Like Mike, Armin van Buuren and W&W with the insanely catchy “Repeat After Me”.  What a crowd pleaser 🙂

Stephen Puth joins brother Charlie in obtaining a Top 5 hit on my chart with “Sexual Vibe” climbing 7-5.  I’m predicting big things for Stephen too!

Australia’s Sam Bluer moves up 9-7 with “Bite My Tongue”.  I really think a collaboration with Troye Sivan is in order, don’t you?

The other newcomer to the Top 10 is by Nashville’s Mokita.  “London” (above) is a gorgeous miss-you song with one of the warmest lyrical hooks I’ve hard in ages.  Mokita has a new one that I’ll preview here until its proper blog post.  It’s called “Kiss And Tell” (below).

“Love” by Simon Curtis advances 17-12 and is eyeing the Top 10 – no strange place for this week’s birthday boy Simon, it’s just missed him for the last three years since the reboots of “8bit Heart” (#1) and “Super Psycho Love” (#3) 😀

Also moving upward is Parralox’s latest “Paradise”, a redux of a single from a few years back with a new vocal by Marcella Detroit and a heavenly house remix by Eric Kupper.  It climbs 16-13.  Parralox was last in the Top 10 in 2015 with #4 “Aeronaut”.

The biggest mover of the last chart’s new entries belongs to the deep house of Mahalo’s “Go Ahead”, featuring an infectious chorus and a potent vocal by MŌZ.  It rises 26-20. Go ahead, take that risk!!

New entry #1 is a bit of a surprise – “Sucker” by The Jonas Brothers at #25.  The Jonasei, as I like to call them 😛 , previously charted in 2008 with “S.O.S.” (#15), but Joe has charted solo and with DNCE, and Nick’s “Chains” also made its presence known in the interim.  But “Sucker” is simply a very good pop song, with all the right chops, and is highly deserving of its success.

New entry #2 at #29 is the out-and-out inspiring disco of “Let’s Go Dancing” by UK producers Horse Meat Disco featuring the enthusiastic vocal of US singer Amy Douglas.  This one’s nothing fancy and with one aim – to make you dance your ass off.  It shall succeed 🙂

The chart will return in two weeks after my visit to Miami Music Week!!

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

 

 

 

 

“Gone My Way” by @MorganPage and @PexLmusic brings a decade of dance full circle

MORGAN PAGE and PEX L, “Gone My Way”

Progressive house producer Morgan Page continues to be on fire with his latest release “Gone My Way”, this time paired with Spain’s Pex L, for Armada, which comes out racing on the heels of his remix of worldwide pop hit “Sweet But Psycho” by Ava Max.  “Gone My Way” happily brings a decade of different dance music styles together in one song, from the infectious basslines of progressive house from earlier on, to more sophisticated, futuristic bounce of 2019 and beyond.  A well-chosen but uncredited female vocal also figures prominently in the vibe of “Gone My Way”.  This one has the potential to be one of Morgan’s bigger records, and you can catch the producer in action at Miami Music Week in the Armada Invites Miami showcase on Saturday March 30.

Published in: on March 13, 2019 at 10:49 pm  Leave a Comment  
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Record Roundup: @dawncalltwitt @subsetsmusic @ayellemusic @snowmassmusic @monamoua @odesza @chetporter @keyrouzmusic @henripurnell @beticalmusic @sikdope

While I haven’t been writing as of late for one reason or another, including being away for a week, you can bet that I have kept listening to submissions I’ve received and other songs that have caught my attention.  Some songs will get their own blog posts but here are six that are definitely worth your attention 🙂 :

Ahhh those vocals, that atmosphere!

DAWNCALL & SUBSETS and AYELLE, “Ghost”

“Ghost” covers a lot of bases, pairing relative newcomers Israel’s Dawncall with the UK’s Subsets to create an attentive, eerie, seductive song that showcases UK singer Ayelle’s crisp and captivating vocal, recalling her recent work with Taska Black.  It’s definitely one for club DJ’s to offer up after a big, loud set heading into the wee hours.

SNOWMASS and MONA MOUA, “Wait For Me”

Everyone’s favourite Chicago snowman/producer returns with a similarly progressive track to his previous release “Crossfire”, also featuring the unique voice of Mona Moua.  It’s a taut and always interesting production that goes really big and then equally quiet at times, always keeping your ears peeled for something unexpected.

All about the remix

ODESZA and WYNNE & MANSIONAIR, “Line Of Sight” (Chet Porter remix)

Hey if my fellow Torontonian Chet Porter is going to resurface with something new – even if it’s not his own song – then why not make it with a glowing official remix of “Line Of Sight” from Odesza’s Grammy-nominated A Moment Apart.  As always, for this fan favourite, Chet zeroes in on the melody and transforms its hook from anthemic trap to electronic synth bliss that soars for miles…

HENRI PURNELL and PARULA, “Mama Say” (Anthony Keyrouz remix)

Lebanese producer Anthony Keyrouz adds some magic to “Mama Say”, a fine pop song in its own right by German producer Henri Purnell featuring vocalist Parula.  He pitches down the vocal a bit and adds a percolating rhythm and Latin-sounding guitar work to conjure up images of the sunny Mediterranean countryside, taking the song in a slightly different but most welcome European folk-infused direction.

Who needs words anyway?

BETICAL, “Strangers”

French producers Betical bring a lot of intrigue to the fore with “Strangers”.  With a heavy, dark atmosphere laid out with future bass rhythms, “Strangers” is perfect for late night spins with lots of flashing lights which will augment the echoing vocals that are appropriately layered deeper into the mix.

SIKDOPE, “Rave”

From the Moe Shalazi stables comes Polish producer Sikdope with “Rave”.  It’s a bouncing, fun, progressive tip of the hat to all fans of raves and their music.  Play this one for a huge crowd and it’s guaranteed to make everyone respond, so it has future festival fave written all over it.  

#BILLCSTop30 #556 March 4/19

The new chart is ready to roar with all of the songs charging up the chart, especially those breaking through and into a very busy Top 10.  And just to add fuel to it all, four more songs debut to challenge in the coming weeks.  Over 2,200 songs have appeared in the BILLCS Top 30 since its inception in 1998!!

But it’s “Closure” by Steve Void and Andy Marsh that secures #1 for a second appearance.  It’s a hard song to get out of your head, matched by a memorable, heartfelt video.  “Closure” is release #100 for Steve’s Strange Fruits label and he reported that it’s already received over 4 million plays.  Well-deserved – a very special song indeed.

Racing up 6-2 is the incredibly likable “i’m so tired…” (above) by new best buds Lauv and Troye Sivan.  We’ll have to see in two weeks if “Closure” stays put again, but for now you can check out the MNEK remix for “i’m so tired…” below!

Moving up impressively to #3 is “Don’t Think Twice” by Revelries and Sam Smyers featuring singer Oktavian.  It’s also a strong contender for the top so we’ll have to see if there’s room for it eventually.  “Twice” is Revelries second Top 10 here following last year’s “Infinitum” and it’s also Oktavian’s too – he was featured on The Him’s #2 “Balance” from 2016.

I love finding singers with fantastic voices and great potential.  Such is the case for NYC-based singer/songwriter Ryan Gibeau with “Flying Away” from his fine indie album Quiet Fall.  It climbs 9-6.

“Sexual Vibe” (above) by Stephen Puth is such an ear-charmer, and it rises 12-7.  Puth the Younger already has a new song and video out called “Half Gone” – check it out below.

The Him’s “Look At Us Now” (above) moves up 10-8.  The prolific duo – recently added to the Miami Music Week Spinnin’ Hotel gig roster – offers up another new tune “Tell Your Friends”, featuring Loote, below.

Young Australian Sam Bluer gets his first Top 10 entry with “Bite My Tongue”, a great companion to Troye Sivan’s “My My My!”, and moves up 11-9.

San Holo fan favourite “lift me from the ground”, featuring Sofie Winterson, breaks out of the middle of the chart and climbs 15-10.

The fastest riser on the chart is a must for upcoming festivals and when you have star power such as Dimitri Vegas & Like Mike, Armin van Buuren, and W&W creating the song, then how can it be anything but?  “Repeat After Me” charges up the chart 19-13.

“Love” is Simon Curtis’ gorgeous first song to appear on the chart since reduxes of earlier songs “8bit Heart” and “Super Psycho Love” rebooted in 2016. The more sophisticated “Love” is off to a good start, up 22-17.

Right behind is “London” by Nashville’s Mokita, who is also up at #15 with R3HAB for “All Into Nothing”.  This heart-fluttering love song climbs 24-18.

And the fun “Take It Off” by L.A. duo Two Friends rises 27-21 as the guys wind down their “With My Homies” tour.

Leading the debuts is French production team KRONO with the soulful “Perfect Strangers” for Tipsy Records at #25 featuring a winning vocal by PIOTR.

L.A.-based producer Mahalo has his second concurrent chart entry with the catchy future bass of “Go Ahead” featuring vocalist MŌZ.  It arrives at #26, as Mahalo’s other charted release “In My Arms” slips from 2-4.

I love me some danceable alt.pop/rock and Italy’s Mark Mendy delivers it with “Black Gasoline” at #26.  It features Australia’s Beamish Brothers on vocals; they charted late last year with Revelries on the previously mentioned “Infinitum” (#10).

The fourth debut at #27 is “Chemistry or Chemicals” by Matt Beilis, a busy singer/songwriter from NYC who occasionally appears on dance music releases.  This is his first solo appearance; he previously charted with Electric Bodega with “Rest Of My Life” (#4) in 2016.

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

 

Is it summer yet? So the effervescent “Don’t Let Me Go” by @konimusic, Tom Bailey and Ane might have us believe

KONI, TOM BAILEY and ANE, “Don’t Let Me Go”

It’s been a while since we heard from German producer Koni – one half of Saxity – so here he’s back with his first 2019 release, “Don’t Let Me Go” with British producer/singer Tom Bailey (not he of The Thompson Twins) and vocalist Ane.  Ever-reliable, Koni and friends have concocted a pristine production which will instantly transport you somewhere warm and relaxing for some romance.  “Don’t Let Me Go” is unassuming but immensely appealing and effervescent deep house, a song that definitely deserves a wider audience.  Bring on the summer – “Don’t Let Me Go” definitely has me as an early believer!

Published in: on February 22, 2019 at 11:08 pm  Leave a Comment  
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