#BILLCSTop30 #546 – October 15/18

The Ides of October are upon us already, and that means Summer favourites are departing the chart.  To replace them though, there’s no shortage of great tunes.  There are three debuts and a brand new #1!

The Top 10

  • Calgary’s Kiesza gets her first #1 on this chart with the season-appropriate “Phantom Of The Dance Floor”, featuring Quebec opera singer Philippe Sly, in only its third appearance on the chart.  It’s a fun song and an even more fun, manic video.  Spread the news about this one kids as people are missing out.  It’s also the first #1 by a Canadian since this year at this very time when Loud Luxury and Nikki’s Wives held court with “Show Me”.  Benny Benassi & Sofi Tukker’s “Everybody Needs A Kiss” slides to #2, still one of my faves of the year, and it will hang around for a while.
  • Another song that I can’t stop playing is “Verona” by Australia’s Peter Wilson and England’s Sean Smith.  It advances 9 to 4 this week, and the combination of 80’s musical flavour/production, great storytelling, and fine singing make “Verona” the total package!
  • Philadelphia’s N i G H T S get their second Top 5 hit with “Eyes”, following last year’s totally different “P A R T Y”.  Give these guys some time and they will make their mark, with so many songs up their sleeves.

  • Both “High On Life” by Martin Garrix and Bonn (above), and “All For You” by Years and Years (below), finally break into the Top 10 after a lot of patient waiting for some of my favourites to depart.  “High On Life” climbs 11-7 and “All For You” is up 12-8.  

  • “Vacant Love” by Caden Jester and Blake Rose hits another new peak, climbing 10-9.

  • Norway’s Jesper Jenset gets his second Top 10 as featured vocalist in Gromee’s “One Last Time” (above), which climbs 13-10.  He’s also featured in Lost Kings’ new single “Drunk As Hell” which you can check out below in its amusing Simpsons-ish looking video.

Movin’ On Up

  • It’s sort of peaked already but “Rise” by Jonas Blue and Jack & Jack (above) has been slowly making its way up my chart.  It climbs 15-11 this week.  Jack & Jack recently dropped their new song “No One Compares To You” (below).

  • Netherlands-based producers Revelries also continue to climb with their latest original “Infinitum”, featuring Australia’s Beamish Boys on vocals.  It rises 14-12.
  • The fastest riser on the chart is “Loyal” by Odesza, up 24-14.  This should be no surprise; it’s one of the most intriguing and unpredictable songs on the chart with a soulful female vocal (sample or no?) that drives it home.

  • Also making a significant leap is PLS&TY’s “Down For Me” in its club-ready Morgan Page extended mix, climbing 21-15.

  • Though it made a small move two weeks ago, “Soldier” by Sidney Samson & GWise is hardly done, and jumps 27-22.

3 Debuts

  • It took a few spins for me to really dig this record, but now there’s no stoppin’ me playing it!  My fellow Canadian A-Trak is back with a fun, inspiring original called “DJ’s Gotta Dance More”, made even more genuine with legend Todd Terry on vocals!!  This song is a MUST for every club DJ.  It’s classic, reverent house with a great message.  It bows at #24.  A-Trak was last on the chart as part of the trio with Kimbra and Foster The People’s Mark Foster in 2012 for “Warrior” (#10), a freebee at the time courtesy of Converse.
  • Mercer returns to the chart after his #1 “Satisfy” with “Fireworks”, a 70’s retrotastic song I’ve been playing for months that is re-released as part of French producer’s new EP Neo Disco, along with another new song “Monte Carlo”.  “Fireworks” arrives at #25.

  • The Chainsmokers are also back making a collaboration with Country singer Kelsea Ballerini work so well with “This Feeling”.  Their other recent single “Side Effects” failed to resonate with me, sounding too much like other dance pop on the charts.  “This Feeling” premieres at #26.

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

 

“Your Love” is big-sounding deep house with retro flavours from NYC’s @MishaKmusic

MISHA K, “Your Love”

Continuing to be a regular name to watch on the club and festival circuits is NYC’s Misha K.  Like a growing number of producer/DJ’s these days, Misha K is also a trained musician on piano, born into a family of Russian classical musicians.  So a steady ear-catching melody is a given, but what drives “Your Love” home is its simple chorus of only a few, but big-sounding, synth notes.  Surrounding it all is an uncredited soulful vocal that seems to be borne out of early 2000’s British or Chicago house music.  Misha K is already a known protégé with the best of them – lately Hardwell and especially Galantis – so “Your Love” is definitely a big attention-getter for clubs.

Published in: on October 9, 2018 at 9:55 pm  Leave a Comment  
Tags: , , , , , , , , ,

“The End” by breakout trio @DMAsmusic gets a dark deep house remix by fellow Aussie @YvngJalapeno

THE DMA’s, “The End” (Yvng Jalapeño remix) (free DL)

Australian trio is definitely on the breakout, currently selling out UK tour dates in support of their album For Now.  Their song “The End” is given a dark, deep house remix from fellow Aussie Yvng Jalapeño, which puts the song somewhere between Twenty-One Pilots and The Presets.  Disco beats trade places with big synths at times, which are in compelling contrast to a pleading, sometimes effectively isolated vocal about to face the inevitable.  But Yvng Jalapeño has a strong flair for what will work in a club setting, and his remix of “The End” can definitely fill a late night room with pulsating, intense sounds that capture the bleak tone of the song so well.  You can get Yvng Jalapeño’s remix of “The End” for free using the Soundcloud link above.

L.A. producer @PatrickReza nicely captures the @Illeniummusic vibe in remix of “Crawl Outta Love”

ILLENIUM and ANNIKA WELLS, “Crawl Outta Love” (PatrickReza remix) (free DL)

I like it when remixes enhance the original song more than when they switch it up and make it into something else, which sometimes is a hit-or-miss surprise.  So when L.A.’s PatrickReza got the green light from Illenium himself to tackle “Crawl Outta Love”, he did it with reverence and restraint.  “Crawl Outta Love” is one of many people’s favourite songs from the much-admired Illenium album Awake.  Patrick focuses on augmenting the melody and complementing the vocal throughout.  But wait for the crunchy breakdown which he leaves till the last minute of the song, keeping both the original vibe of the song and adding a bit more dirty, playful flavour for clubs.  Ultimately both Patrick’s and Illenium’s fans should be more than happy with this tasty remix!  Download it for free at the link above.

Published in: on October 6, 2018 at 7:37 pm  Leave a Comment  
Tags: , , , , , , , , , ,

Rising producer @Trivectamusic dishes out welcome trance flavours in potent dubstep of “Axis”

TRIVECTA, “Axis”

Florida-based producer Trivecta has been garnering attention this year for his varied exploration of dubstep outside of its now-conventional boundaries.  His latest single “Axis” is a prime example of this, incorporating very welcome trance flavours while keeping the breakdowns creative and the beats huge.  I could picture “Axis” in the soundtrack to a video game, as well as the heads bobbing to it at festivals.  “Axis” is made to be big and aggressive and loud and proud, and will continue to afford Trivecta the growing attention in club and festival circles.

Published in: on October 6, 2018 at 7:37 pm  Leave a Comment  
Tags: , , , , , , , , ,

The Netherlands’ #Ronko returns to embrace his inner warrior with fiery variety in his EP “Ronin”

RONKO, Ronin (EP)

The Netherlands-based producer Ronko is a veteran returning in a new guise and with fiery warrior intent with the songs in his new EP Ronin.  Of course, the title is a reference to his Japanese roots – a ronin is a warrior without a lord or master.  So dance clubs need to be on guard for the variety within from the man who was one of Martin Garrix’s teachers and early remixers previously known as Haverklap.  The best of the four seriously short songs within are “Round House Kick” (above), which channels some 70’s Giorgio Moroder influence into contemporary house.  “Sakura” is a top notch, dramatic instrumental to round out the EP, which also features the even-briefer “Bun It Up” and the dancehall inspired “Riddim Kick”.   Overall it’s a diverse return for Ronko which is already getting attention worldwide from tastemaker DJ’s.

Published in: on October 6, 2018 at 7:37 pm  Leave a Comment  
Tags: , , , , , , , , ,

#BILLCSTop30 #545 – October 1/18

And the new music keeps on coming, making for what’s turning out to be a faster moving chart in years.  Very few songs this year have attained the maximum chart run of 10 appearances (20 weeks) – only 14, including this chart’s “Pink Lemonade” by James Bay, but they will be joined next chart by The Him and Parson James’ “Broken Love”.

The Top 10

  • “Everybody Needs A Kiss” by the dynamic team of Benny Benassi and Sofi Tukker is snug at #1 for a second appearance, but it’s being challenged by several songs below vying to take its place in two weeks.  I’m honestly surprised this one hasn’t been much bigger at dance clubs!

  • Tony Moran and Jason Walker have their best chart showing yet as the Victor Dinaire/Bissen remix of “I’m In Love With You” climbs to #2.

  • The gorgeous melody and riveting beats of “Tim” by Arty allow the lovely tribute to Avicii to rise 7-3.

  • The prolific Philadelphia duo N i G H T S move up 9-6 with “Eyes” (above), but have released yet another single, their 4th since “Eyes”, called “Paradise” (below).

  • The one to watch on the chart is the fastest riser, perfectly timed for Hallowe’en, “Phantom Of The Dance Floor” by Kiesza featuring Quebec opera singer Philippe Sly.  Everyone in the video above is having a blast.  We so needed this campy injection of fun right now 🙂
  • Another one to watch is “Verona”, featuring compelling vocals, both solo and together, by Australia’s Peter Wilson and England’s Sean Smith.  It climbs 15-9, becoming Sean’s second trip to the Top 10 after last year’s “Magic” (#7).
  • And it’s a first time visit to the Top 10 for L.A. producer Caden Jester with “Vacant Love”, up 11-10, and featuring the voice of Blake Rose.

Movin’ On Up

  • These past few weeks have seen the arrival of the video for “All For You”, the third single from Palo Santo by Years & Years, and the song climbs 14-12.  I look forward to seeing Olly, Mikey, and Emre for the third time on Friday October 5 in Toronto at The Phoenix!!
  • The Netherlands-based Emerati production duo Revelries moves up 18-14 with their original “Infinitum”, featuring Australia’s Beamish Boys on vocals.  

  • It recently got to #1 on Billboard’s Dance Club Play chart – “Rise” by Jonas Blue featuring You Tube stars Jack & Jack, rises 19-15.

  • Florida’s PLS&TY has his first original on the chart, and in its Morgan Page remix, “Down For Me” is definitely tailored for clubs, climbing 28-21.
  • The delightful short story of “Voice Mails” by L.A.-based producer Kooky, is no flash in the pan, moving up 30-23.

Three Debuts

  • The Highest Debut of the week belongs to acclaimed, Grammy-nominated Seattle duo Odesza with their first appearance with the huge sounds of “Loyal” at #24.  It’s a fan favourite that Odesza has had in their set for some time now.  However they’ve replaced a Marvin Gaye sample with a soulful, vibrant female vocal – not sure if it’s a sample or an original recording.  After a lot of thinking, I thought it might have been an excerpt from Cheryl Lynn’s 1979 disco smash “Star Love” but alas it’s not!  Guesses, anyone?
  • Next up is established Nova Scotia production duo Botnek with “Days Of Disco” at #25, which also sounds like it uses a sample of the telephone ringing right out of disco days’ “Doctor’s Orders” by Carol Douglas, but that doesn’t appear to be so.  In any case the song is insanely catchy and will liven up any dance club set!

  • The third and final debut belongs to The Knocks, who released their second full album this past week, New York Narcotic.  Equally as entertaining as their 2016 debut 55, the song from Narcotic that bows on the chart is “Goodbyes” featuring none other than Method Man – he’s the second rap voice, the first is of course The Knocks’ own Mr. JPatt!  “Goodbyes” is The Knocks’ 6th chart appearance. They’ve been to #1 before with 2015’s “Kiss The Sky” featuring Wyclef Jean.

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

 

UK producer @officialAevion offers up some tribal house for clubs with “Wild Safari”

AEVION, “Wild Safari”

At only 21, British producer Aevion arrived on the dance music scene around the same time as Martin Garrix but with a somewhat different dance music bent, which has been championed by many of the best DJ’s around the world.  His latest, the melodic “Wild Safari”, does indeed want to treat you to the mystique of a safari, including various animal sounds, and it’s a lot of fun for the dance floor.  While it might mix well with tropical dance tracks, “Wild Safari” has chanting tribal effects which will make club goers participate even when the music’s off.  But it’s also about big, solid rhythms which will keep your feet happy right till the end.

Published in: on September 27, 2018 at 9:05 pm  Leave a Comment  
Tags: , , , , , , , , ,

“Blackout” is a big techno-house speaker-shaker from @ChocolatePuma and @Firebeatz

CHOCOLATE PUMA and FIREBEATZ, “Blackout”

Dutch legends Chocolate Puma and Firebeatz are huge festival and club draws unto themselves, so it makes total sense for them to pair up again on “Blackout”, even if it’s for a brief 2:18 (which can only mean that remixes are much needed!).  If there’s any style that’s made strides in dance music in 2018 it’s the influence of 90’s techno.  “Blackout” is a helluva speaker-shaker meant for big crowd moments in dance clubs, and it only takes two minutes for a song to create defining moments for club goers.  Hence the need for multiple remixes here.  “Blackout” is powerful stuff and sometimes ya just gotta let the masters do it at their best!

Published in: on September 25, 2018 at 10:27 pm  Leave a Comment  
Tags: , , , , , , , , , ,

#BILLCSTop30 #544 – September 17, 2018

The new chart is a little more than shaken ‘n stirred!  While there are 5 debuts to keep things rolling, there’s also a new #1 song – one of the more interesting charts to come along in a while if I do say so myself!

The Top 10

  • Both Benny Benassi and Sofi Tukker obtain their first #1 on the chart with “Everybody Needs A Kiss”, up from 4 two weeks ago.  It’s got such a familiar sound yet it’s not like anything else out there, and it’s begging for another collaboration soon!  They send The Him and Parson James’ long-running “Broken Love” to #2 after 4 appearances (8 weeks) at #1.

  • Tony Moran and Jason Walker are back in their comfort zone – the Top 5 – for a third time with “I’m In Love With You”, which advances 6 to 4.

  • “Casually” by Miami-based Alyx Ander and Dutch duo Redondo with vocalist Maria Z. closes in on the Top 5, moving up 8-6.

  • One of the most glorious instrumentals of the year in tribute to Avicii, “Tim” by Arty climbs 11-7.  You can also find “Tim” on Armin van Buuren’s newly released State Of Trance – Ibiza 2018 compilation.
  • One song that slides under your skin neatly and stays there is the R&B ballad “Eyes” by Philadelphia duo N i G H T S, which moves up 13-9, becoming their second Top 10 entry following last year’s different and droll #3 “P A R T Y”.

  • Australian singer/actor/dancer Keiynan Lonsdale – both Kid Flash from TV’s “The Flash” and Bram from “Love, Simon” – grabs his first Top 10 entry with the irrepressible “Preach”, which rises 12-10.

Movin’ On Up

  • “Vacant Love” by L.A. producer Caden Jester and featuring an outstanding and engaging vocal by Blake Rose breaks through and heads towards the Top 10, climbing 16-11.
  • I’m thrilled that “All For You” is the third official single from Years & Years’ Palo Santo album, that I will be most happy to hear in concert next month!  “All For You” jumps 18-14.
  • The fastest riser on the chart is the only debut from the last chart.  “Verona” absolutely commands your attention with it’s story and compelling vocals by Peter Wilson and Sean Smith.  Moving up 24-15 out of the gate is not to be messed with – watch where this one goes in the coming weeks!  Check out a video of a live performance in England by the lads below – so good live, you know why they recorded together!

  • Also making its presence known is the infectious “One Last Time”, a Poland-Norway collaboration from producer Gromee and vocalist Jesper Jenset, who has major Shawn Mendes appeal here with his singing.  “One Last Time” rises 23-16.

  • The soulful, deep hurts of “The Pain I Feel” send UK singer Marlon Percy and UK/France producer collaborators LoFrames 25-20.  And it’s all set to a tidy, winning house rhythm and you’ll find yourself swaying away!

  • Not to worry about the slow start for “I Don’t Dance (Without You)” by Norway’s Matoma with Enrique Iglesias on lead vocals and Jamaica’s own Konshens with an enjoyable vocal breakdown.  It makes up for it by moving 26-22 with no sign of slowing down yet.

5 Debuts!

  • One of the most outrageously enjoyable videos this year is from Calgary’s Kiesza and what should by all rights be a comeback single for her, “Phantom Of The Dance Floor”.  Those gorgeous operatic tones are from Quebec’s Philippe Sly, and the video is eye-popping, perfectly in time for Hallowe’en!  “Phantom” bows at #23 and is Kiesza’s first lead appearance on the chart – she last appeared in 2015 in a feature on the gorgeous #3 alt.rock ballad “Pain Told Love” by Tribe Society.

  • Ariana Grande returns with one of her finest vocal performances with “Breathin” from the highly-acclaimed Sweetener album.  It flies onto the chart at #24.  It will have to best the #6 peak of “Into You” two years ago.

  • I rarely write about a song twice but “Down For Me” by PLS&TY is just sooo gooood in its original version (above) and in the amped up Morgan Page extended mix (below).  So in turn it arrives at #28 on the chart.  Florida-based producer PLS&TY appeared on the chart late last year as a remixer for SAINT WKND & MAX’s #8 “Survive”.

  • One major dance veteran gets his chart debut and that is Dutch producer Sidney Samson with his potent, kick ass techno-house of “Soldier” in partnership with GWise, and it premieres at #29.
  • And from a dance veteran to a mystery newcomer we have at #30 “Voice Mails” by L.A.-based producer Kooky.  The song exudes charm amid a beautiful melody that carries the relationship story of two individuals between their two voice mail messages.  It’s very touching and will garner immediate reaction in clubs or on dance music radio, and deserves a shot!

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂