Florida electronic music producer @Trivectamusic makes Toronto club debut, new song with @Woolimusic @Excision @JulianneHope “Oxygen”

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EXCISION, WOOLI, TRIVECTA and JULIANNE HOPE, “Oxygen”

Tampa, Florida electronic music producer Trivecta (aka Sam Dobkin) easily won over Toronto dubstep fans with his alternately hard hitting and melodic style at Revival Bar last night, where he opened for dubstep master Wooli.  His set slammed super-hard at times – in anticipation of the headliner of course – but transitioned quite well and often into more melodic tones that he has been known for through some of his originals as well as his remixes.  Trivecta, like many other producers in the genre these days, is also a musician, and whipped out his guitar a few times to the utter delight of the invested audience.  Among the highlights in his set were a remixes of songs by “his buddy Gavin” Dabin with “Alive”, “Without You My Love” by Seven Lions, and the song that easily received the best crowd reaction, “Fractures” by another of his pals, Illenium (listen below).  The club was also worked up when he played Above & Beyond’s “Sun & Moon”, and when he brought out his guitar again to his own “Break Me”.  All in all, Trivecta was definitely pumped up by the audience’s warm embrace and it was an entertaining set.

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Trivecta also is part of a new release on Excision and Wooli’s EP “Evolution”, which arrived yesterday.  “Oxygen” is a heartwarming slice of emotional electronica that definitely plays to the style of Illenium’s recent Ascend album.  Featuring a touching vocal by co-writer Julianne Hope, the song alternates dramatic synths with softer moments that will appeal to fans who enjoy Illenium’s “Crashing” and other similar songs.  Check it out above.

 

Duo #RØGUENETHVN team up with Canadian producer @EQRIC_music and vocalist #Jessia for “Take You Away”

RØGUENETHVN and EQRIC with JESSIA, “Take You Away”

“Take You Away” is mainly a deep house track that relies on a lot of crunchy production and  a bold vocal by singer Jessia to hold its own.  Production duo RØGUENETHVN pair up with Canadian EQRIC to keep the beats heavy and consistent, but there are a few steps into trap, trance, and drum ‘n bass that create a clever mix.  Brought to you by the Strange Fruits family, “Take You Away” is definitely a banger that will definitely make you bounce, and a follow up from RØGUENETHVN and EQRIC would be most welcome.

Published in: on August 22, 2019 at 11:09 pm  Leave a Comment  
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Can’t go wrong with a dance record called “Get Funky”, courtesy of @Krydermusic and @djFastEddie

KRYDER & FAST EDDIE, “Get Funky”

Cue up the late 80’s hip hop rhythm and vibes and you should likely find “Get Funky” in your favourite club DJ’s playlist sometime soon.  It’s already supported by just about every big producer/DJ – Hardwell, Cedric Gervais, and the list goes on – which is great news for this collaboration between UK producer Kryder and Chicago’s Fast Eddie.  “Get Funky” milks that famous Bobby Byrd and James Brown sample from “It Takes Two” but amps up the pace, which should create some interesting dance moves from club patrons.  And at festivals, “Get Funky” will definitely make those big crowds bounce.  The song is simply a lot of fun, but with substance and creativity to set it above the average.

Published in: on August 9, 2019 at 10:27 pm  Leave a Comment  
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#BILLCSTop30 #567 – August 5/19

As a bunch of Spring favourites are now on their way to departing from the chart, the big question is: Which song will succeed Illenium & Jon Bellion’s “Good Things Fall Apart” at #1?  The emotional electronic song of summer nails its 4th appearance (8th week) at the top, making it the longest running song at #1 since A-Trak & Todd Terry’s “DJ’s Gotta Dance More” at the start of the year.  And with his tour on deck, Illenium’s released two songs within the last two weeks which warrant your ears – “Takeaway” with The Chainsmokers and Canadian singer Lennon Stella, and “Blood”, with vocalist Foy Vance.  Both are below.  Illenium’s third album “Ascend” arrives on August 16.

With all songs ranking 4-11 on the rise, there are many current challengers for #1 in two weeks.  Most obviously, Timmy Trumpet’s “World At Our Feet” (above) stays at #2, while Halifax’s Famba also remains at #3 with “Swear To God” (below).

“Higher Love”, Kygo’s retake of Whitney Houston’s 1990 cover of the Steve Winwood hit that was not released in most of the world, glides 9-4, as it becomes a UK Top 10 hit as well as a dance club hit in North America.

Then, we go out of order to look at the Fastest Riser on the chart which is very #1 worthy indeed.  “Push” by Ukrainian dance music group Kazaky soars 21-8 and will appeal to anyone who enjoyed the dark electronic music of the early 90’s by the likes of Depeche Mode.

Three other songs rise into the Top 10:  Eric Sharp & Zhao’s “Monday Blues” (above) climbs 12-7 to match the peak of their song “The Thirst” about two and a half years ago.  Manila Killa’s “Atypical” (also above) steps into the #9 spot, while Showtek have their first Top 10 since 2013’s #1 “Cannonball (Earthquake)” with the A-Trak remix of “Listen To Your Momma” (14-10, below), featuring British singer Leon Sherman.

It’s easily relateable to anyone who hears it, and EMAN8’s “Time” breaks through the middle of the chart to climb 18-11, from the multi-talented singer/songwriter’s album Emanate.

Also well on their way toward the Top 10 are Italy’s Eric Zava & DJ Mirko B with singer Daniel Gorash on “Even In Confusion” (above) up 19-13, as well as Sam Dickinson’s winning and thoughtful “All We Are” (also above) climbing 20-14, and Avicii’s “Tough Love” (below), from the posthumous TIM album, rising 27-19 and featuring vocalists Agnes and Vargas & Lagola.

The three debuts are earmarked for much play throughout the rest of the summer.

Canada’s Loud Luxury returns to the chart, this time bringing fun singer Bryce Vine with them, for “I’m Not Alright”, which arrives at #26.  It’s the first appearance for Andrew and Joe since their last entry “Body” got to #2 in early 2018, and their 4th entry overall.

L.A.-based Simon Curtis follows up the #6 “Love” with more music for your heart and head, “Graduate”, which bows at #27.  It’s Simon’s SEVENTEENTH song to appear on the chart since “Delusional” (which reached #1) arrived at the end of 2009.

And at #28 is the debut entry for both producers/remixers Midnight Kids and vocalist Jared Lee with “Those Were The Days”.  Midnight Kids are Kyle Girard and Dylan Lee (son of Tommy Lee and my fellow Canadian, Pamela Anderson).

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

“Flicker” and “Escalus” are a winning pair of progressive, dark deep house songs from NYC-based brothers @weareAnden

ANDEN, “Flicker” and “Escalus”

When I heard Anden’s tight DJ set mainly consisting of dark and progressive dance music back in March in Miami, I knew that any upcoming releases would likely be career bests from their output over nearly the last three years.  The talented brothers Cuppernull (Pete and Tom) have definitely found a unique niche which will endear them to fans of 90’s and 00’s artists like Delirium and BT, but their influences go back much further.  “Flicker” could easily be both a club and festival favourite with its driving rhythm, nuanced uncredited vocal, and bright synth work.  Club DJ’s could definitely have fun with their lighting system to jibe with the the tone and of course title of the song.  “Escalus” is an even more progressive deep house effort that recalls the late Robert Miles’ 90’s work.  It’s also a throwback to the mid-80’s in its use of a sample of a Robert F. Kennedy speech that recalls a similar impact of Paul Hardcastle’s 1985 hit “19”.  All in all, “Flicker” and “Escalus” are two of Anden’s more attractive and creative works, and they are best heard in their extended versions up top.

Published in: on August 3, 2019 at 10:35 pm  Leave a Comment  
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Drift away on the dance floor to the positive vibes and dirty disco of “Dreamer” by Australia’s @Throttle

THROTTLE, “Dreamer”

It might take a few listens to draw you in, but the easy-going and positive vibes of “Dreamer” by Australian producer Throttle (aka Robbie Bergin) are completely infectious.  After getting to spend a bit of time chatting with Throttle after seeing his show in Toronto in June, I was waiting for this one… so in his first release for Monstercat, he takes a slightly different direction from past songs (including collaborations with Oliver Heldens and Galantis).  Throttle concocts an atypical warm and fuzzy ‘dirty disco’ synth sound and then drops a steady beat behind it for you to groove away.  With a brief, uncredited vocal to set the tone, you can bet when “Dreamer” is played at festivals that big crowds will simply cheer.  Dance songs don’t always need to be bangers and “Dreamer” is a prime example of one that works out strategically when a bit less can mean a lot more.

Published in: on August 2, 2019 at 8:54 pm  Leave a Comment  
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#BILLCSTop30 #566 – July 22, 2019

Trying to get through all of the songs I hear every two weeks is always worth it because some of them ultimately become new favourites.  And while #1 is a lock again, other songs rise up to challenge perhaps for the next few charts.  There are three striking debuts, one by a veteran dance group in comeback mode.

Illenium and Jon Bellion continue to reign supreme at #1 with “Good Things Fall Apart”, making it the emotional soundtrack for an intense summer of music.  And now Illenium and The Chainsmokers are tweeting about another collaboration which this time will include my fellow Canadian Lennon Stella, who is touring with the ‘Smokers this Fall.  I’ll watch to see what becomes of these promo teases!

Timmy Trumpet’s anthem “World At Our Feet” soars 7-2 to challenge “Good Things Fall Apart” for #1.  Like many electronic dance music artists, Timmy was performing at Tomorrowland in Belgium this past weekend.

Halifax’s Famba climbs 6-3 with “Swear To God”, as the song inches towards becoming his second Top 10 radio hit in Canada.  

MAX holds for a 4th appearance (8 weeks!) at #4 with “Love Me Less” (above) featuring Quinn XCII.  This song, like “Lights Down Low”, has a lot of lasting power, and I’m hoping MAX’s light-hearted new single “Acid Dreams” (featuring hip hop performer Felly) will do similarly.  Take a listen below!

A smashing trio indeed land in the Top 10 for the first time.  Mark Ronson & YEBBA move up 11-8 with “Don’t Leave Me Lonely” (above), while Kygo & Whitney Houston have the Fastest Riser on the chart 16-9 with the timely cover of Steve Winwood’s “Higher Love” (below).  And Switzerland’s Luca Hãnni moves 15-10 with his Eurovision entry that ended up fourth overall, “She Got Me” (also below).

Making short work of climbing up the chart is “Monday Blues” by L.A.’s Eric Sharp with vocalist Zhao, which sails 18-12.

“Time” is easily my favourite song on EMAN8’s debut album, also called Emanate.  It moves up 22-18 for the L.A. based singer/songwriter, also currently on release with Molly Moore as Cosmos & Creature with “The Wonder”, about which I recently wrote.

“Even In Confusion” is sophisticated European deep house from Italy’s Eric Zava and DJ Mirko B featuring singer Daniel Gorash, and climbs 23-19.

Sam Dickinson’s thoughtful and bubbly “All We Are” is well on its way to becoming the biggest release for Sam yet.  From his new EP From The Glass House Pt. 2, “All We Are” rises 26-20.

The Highest Debut on the chart belongs to comeback kids Kazaky, the Ukrainian dance group led by Artur Gaspar that has now expanded to five members.  With their big heels in full effect and amazing choreography in their new video, “Push” arrives at #21.

Bowing at #27 is the gorgeous posthumous release by Avicii featuring fellow Swedish singer Agnes as well as long time friends and producers Vargas & Lagola called “Tough Love” from the album TIM.  While it’s bittersweet to hear, TIM is a fine album that was done right and featuring all kinds of talent including Imagine Dragons, A R I Z O N A, Joe Janiak, and Bonn.  “Tough Love” is only Avicii’s second appearance on the chart, following 2013’s “Addicted To You”, while Agnes marks her third entry but her first since 2011.  Her song “Release Me” got to the top in early 2009.

Veteran producers Kenny Summit and Eric Kupper land at #28 with “Give Me Love”, a 90’s flavoured dance track for the late night club crowd featuring vocalist Amy Douglas.  Eric recently helped Parralox to #11 with his remix of “Paradise” featuring Marcella Detroit, while Amy featured on Horse Meat Disco’s “Let’s Go Dancing”, which reached #14.

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

Listen to @Khrebtomusic take no prisoners with the crunch of “Droppin’ Acid”

KHREBTO, “Droppin’ Acid”

Russian producer Khrebto had Tiësto at ‘hello’ when the superstar slid “Droppin’ Acid” into one of his sets this past Spring and long before release.  Now we have the song all to ourselves, and it’s a fun but crunchy trip into the pounding bangers of the wee hours.  Taking trance-like influences from when Tiësto himself was emerging, “Droppin’ Acid” has retro appeal while still remaining cutting edge.  The song is actually about crushing it in a club after digging through crates for the right tunes.  It’s definitely one for the DJ’s who I’m sure will be more than glad to spin it at length.

Published in: on July 19, 2019 at 4:05 pm  Leave a Comment  
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#BILLCSTop30 #565 – July 8/19

There’s a lot happening on the new chart.  And it’s a bit of a strange week, because most of the debuts from two weeks ago don’t move up very much, except one, which is the Fastest Riser on the chart.  That’s because a number of long-term favourites are still very much in play up near the top of the chart, and they’ve created a bit of a roadblock which will ease over the next month.  But two classic singers reappear on the chart along with a strong independent release on the rise.

Not about to let go of #1 anytime soon is “Good Things Fall Apart”, the definitive slice of emotional electronica which seems to have increased in popularity this year, by Illenium and singer/songwriter Jon Bellion.  

Nashville’s Mokita has a song about reconciling his feelings for a past relationship called “Kiss And Tell” (above) that advances to #3, which is where his previous song “London” peaked a couple of months ago.  And he’s followed up “Kiss And Tell” with a gentle new electronic pop song called “ICLYA”, which stands for “I Can’t Love You Anymore” (below).

Canadian producer Famba has his second solid radio hit locally with “Swear To God”, and it becomes his second Top 10 song on this chart, moving 11-6.  “Right Here Right Now” got to #2 back in late 2016.

A number of veteran dance producers are releasing some of the best music of their careers this year, and Australia’s Timmy Trumpet is one of them.  The compelling “World At Our Feet” (above) climbs 13-7.  Check our Danny Avila’s spot-on remix below.

Another producer making his Top 10 debut on the chart is France’s Kidswaste, with vocalist KOLE, with the slight melodies of “Sleeping Pills” climbing 12-10.

The next song is definitely competing with other strong songs from Mark Ronson’s Late Night Feelings album, including songs featuring Lykki Li and Camila Cabello.  But it’s “Don’t Leave Me Lonely”, featuring the stunning YEBBA, which takes hold of this chart and moves up 17-11.

Manila Killa recently announced another leg of his 1993 tour, which will actually stop this time in Toronto at the Velvet Underground in October 🙂  In the meantime “Atypical” (featuring GiGi) climbs up a few more notches 16-13.

Breaking through all six of the new entries from two weeks ago to become the Fastest Riser is “Monday Blues”, the super cool house track from L.A.’s Eric Sharp and vocalist Zhao.  It soars 25-18.

Also making a big move is “Even In Confusion” by Italy’s Eric Zava and DJ Mirko B featuring singer Daniel Gorash, rising 28-23.  Mirko previously appeared on the chart at the top of 2017 with “#Bomber” (#17) with Beatmarthz.

The Highest Debut at a stellar #16 is “Higher Love”, the cover of the 1986 #1 hit by Steve Winwood as recorded by Norway’s Kygo, who was given the opportunity of working with archive tapes from the estate of Whitney Houston to bring her classic voice, circa 1990, to a new audience.  It’s a timely release for its message; Arista Records wouldn’t include it in the I’m Your Baby Tonight album at the time because they wanted her to get away from recording cover versions, and the original was still fairly fresh at the time.  But bravo to Kygo and those on the estate who trusted him to represent the singer well – which he does perfectly 🙂  Strangely, it’s Kygo’s first appearance on this chart.  Last year’s “Remind Me To Forget” with Miguel should have charted but I didn’t hear it till well after it peaked.  Whitney only appeared three times on the chart in her lifetime, with “It’s Not Right But It’s Okay” and “My Love Is Your Love” (both #9) in 1999, and the underrated duet with Enrique Iglesias, “Could I Have This Kiss Forever” (#15), in 2000.

After reaching #5 on this chart late last year with “Wild Sun”, UK singer/songwriter Sam Dickinson is back with the hearfelt “All We Are” at #26.  This one is receiving regular BBC radio play and hopefully its audience will grow with each spin.  Like with “Higher Love”, the message is extremely timely.  It’s from Sam’s new EP From The Glass House Part 2.  “All We Are”, like “Wild Sun”, is also available on an EP of a variety of remixes for your dancing pleasure.

The third debut is from a performer who last appeared on this chart in 2003, which to date has been her only appearance.  That’s Celine Dion, whose new song “Flying On My Own”, is nothing short of inspiring and bows at #29.  Her previous entry on the chart?  Her cover of Cyndi Lauper’s “I Drove All Night”, which in its Hex Hector remix version reached #16. Watch the live performance of “Flying On My Own” above.

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

Sweden’s @DimitriVangelis and @Wymanofficial go big and majestic with Toronto’s @Dzekoofficial in “The King”

DIMITRI VANGELIS & WYMAN and DZEKO, “The King”

“The King” is definitely an intriguing instrumental release that will go a long way at festivals.  Swedish duo Dimitri Vangelis and Wyman truly go big and majestic with this one in partnership with my fellow Torontonian, the Juno Award-nominated Dzeko (whose set I got to see back in March in Miami).  “The King” could easily be a set opener, with its sweeping start which leads into a minute and a half of solid A+ trance… and then it comes to a halt, taking its well-paced time to build up again after 40 seconds or so.  If this wasn’t done so right, the audience could easily bail on the song, but one could visualize some kind of royal making his or her pointed and quiet walk, only to raise his/her hands to let the proceedings recommence.  And so, let the crowd go wild for the rest of the song’s 3:29.  “The King” is one unique song for the electronic dance music world so be prepared to hear it all summer and into the winter festival months.