#BILLCSTop30 #571, September 30/19

Rounding out September and as we sail into the Autumn months, I’m definitely one guy who isn’t looking for dreary, downtempo music.  And as such, the top of the new chart stays the same – at least the Top 3.  Gradual change is afoot, which means that songs on the rise outside of the Top 10 will soon make their presence felt.  Four new entries by artists who have all previously appeared on the chart also make it interesting!

So it’s the mesmerizing pulse of “Push” (above) by Ukrainian dance group Kazaky that continues up top for a third appearance (six weeks), and I still cannot endorse its amazingly choreographed video enough!  “Higher Love” by Whitney Houston in a Kygo reboot remains at #2, while L.A. producer Eric Sharp and vocalist Zhao also stay put at #3 with the cool house of “Monday Blues”.

The power of Avicii continues as “Tough Love” (above), featuring Agnes and Vargas & Lagola, climbs 5-4.  

My fellow Canadians Loud Luxury arrive in the Top 5 moving up 8-5 with “I’m Not Alright”.  Featuring Bryce Vine on vocals, the lads had a great appearance with James Corden last week, above.

New to the Top 10 are Simon Curtis’ “Graduate” (13-9, above), with one of Simon’s finest vocals in recent years – it’s only Simon’s 17th appearance in the Top 10 as lead or featured act!! – as well as the power trio of producers Ken Summit and Eric Kupper with vocalist Amy Douglas for the bassy 90’s house of “Give Me Love” (12-10, below).

Looking to make inroads in the Top 10 next week is “Like Like” by UK indie singer/songwriter Lostchild, currently on a brief tour in the US.  The brilliantly fun OKJAMES remix soars 19-11 (above, video of its original version below).

Australian singer Peter Wilson is looking splendid on the chart in the Stormby edit of “Don’t Break My Heart” which rises 22-16.

Right behind are the hedonism delights of “Poolside Vibe” (above) by Pretty Sister and MarcLo, gliding 24-17.  The prolific pair of producers renown have since released two similarly-themed tunes, “New Fire” and “Tequila” (both below) which you should check out to keep the summer vibes going.

UK singer/songwriter Benedict Cork breaks into the Top 20 with his fabulous voice in “Breaking Hearts” (27-20).

Not far behind, The Knocks and Kah-Lo’s ode to everything positive, “Awa Ni” (above), moves up 28-22, while NYC-based producers and brothers Anden climb 29-23 with “Flicker” (also above), totally tailored for the NYC nightlife.

Leading the four new entries is the more-than-dynamic pairing of talents from completely different decades who sound so natural together.  Reminiscent of Pet Shop Boys’ own previous meet up with Dusty Springfield is the new connection to Years & Years in “Dreamland”, which bows at #21.  I can’t be more excited to hear what PSB and Y&Y might continue to concoct together.  “Dreamland” is an amazing start!  It’s Years & Years’ 8th chart entry.

MAX returns to the chart after the #4 success of “Love Me Less” (now available in various remixes and also featuring one with Kim Petras) with the enticing “Acid Dreams”, featuring rapper Felly, bowing at #24.  Check out the colourful, eye-popping video above, which also features MAX’s wife Emily.  It’s MAX’s 8th chart entry, too.

Toronto’s Ryan Shepherd is back with his third chart entry and the slick house of “Who’s Gonna Love U”, which features singer/songwriter Heather Janssen.  It arrives at #26.

After scoring a #1 Billboard Dance Club Play chart entry with Vassy called “Concrete Heart” not long ago, Nick and Danny, aka The Disco Fries, land on the chart with their retooling of Mary J. Blige’s “Family Affair” at #27.  It’s fast, furious and fun!

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

 

 

 

#BILLCSTop30 #570 – September 16/19

Right now I have so many favourites out there.  Just a little insider information – I have a new music playlist of about 60-70 that includes these 30, which I play regularly during the week.  To keep track of my submissions and new songs I want to hear, I have a Spotify playlist – at least for those songs on Spotify.  So I’m usually always checking something out that’s new in the week when I’m not writing!  

The new chart has a lot of smaller moves and songs holding steady that I enjoy, but in two weeks that’s likely all to change, with so many new faves waiting in the wings.

Ukrainian dance group Kazaky hold tight at #1 with the Depeche Mode-influenced “Push”.  The song doesn’t sound like much out there right now, which makes its 80’s and 90’s influences all the more refreshing.

So what is wrong with US radio?  “Higher Love” by Kygo and Whitney Houston should be one of the year’s biggest hits, as it is worldwide, particularly in England, where, like on this chart, it has reached #2.  The dance music crowd loves it though and it is topping dance charts everywhere.  Check out the recent video for the song above.

The cool synths of “Monday Blues” by Eric Sharp and Zhao allow it to continue to move up a notch to #3.

“Tough Love” by Avicii, Agnes and Vargas & Lagola climbs 9-5.  It’s both Avicii and Agnes’ second Top 5 on this chart.  Avicii got to #3 in 2013 with “Addicted To You”, while Agnes reached #1 back in 2009 with “Release Me”.

Canadians Loud Luxury lands in the Top 10 for the 4th time with “I’m Not Alright” (12-8, above) with US vocalist Bryce Vine, while Australian producer Throttle gets his first – outside of his #1 remix of Troye Sivan’s “My! My! My!”  – with the thoughtful “Dreamer” rising 13-9 (below).  Also below, you can check out Throttle’s latest release “Japan”.

 

The fastest riser on the chart belongs to US production duo Midnight Kids with “Those Were The Days”, which soars 18-10.  In the past few weeks, vocalist of the song, Jared Lee, posted a video of him singing the song live in the studio accompanied simply by piano, always a true test to find the great singers behind the complex production of many songs.  Check out the original above, and the acoustic version below.

The deep bass beats of “Give Me Love” continue to climb the chart for producers Ken Summit and Eric Kupper with vocalist Amy Douglas.  The throwback to late 90’s club music rises 16-12.

Another thoughtful song with a really terrific vocal and honest lyrics is “Graduate” by singer/songwriter/author Simon Curtis.  It moves up 17-13.  I can’t tell you how I love that Simon is back making great music after a protracted absence.

All of the previous five debuts move up steadily, and are still led by the fun OKJAMES remix of “Like Like” by UK indie singer/songwriter Lostchild.  It moves up 23-19.

Right behind it is the song that uses a Finnish acapella performance to sample and form its key hook.  It’s called “Run Wild” by L.A.-based producer PLS&TY, and it rises 24-20.

The chart had room for three debuts, and they changed a number of times when creating the chart.  While there are a slew of fantastic new songs that will help last out the year, the three that premiere have all actually been on release for a number of weeks.

First up at #27 is British singer/songwriter Benedict Cork with “Breaking Hearts”, which I have been playing for months and richly deserves more attention as the highest debut.  Benedict has one of those instantly likeable, pristine voices that can make short work of just about any song.  And this original quickly gets stuck in your head.

Next up is the first entry by TheKnocks in 2019, the fun charmer that is “Awa Ni”, featuring singer Kah-Lo, which arrives at #28.  “Awa Ni” appears to be an expression of praise in Kah-Lo’s native Nigerian.  The song’s lyrics have an interesting disconnected train of thought about them, but it all comes together as summery, festive, and joyous. It’s also The Knocks’ 7th entry since 2012.  The prolific duo have released another four singles since “Awa Ni” first appeared in July.

The last debut is a dark and progressive song for late nights that club DJ’s will totally dig.  It’s “Flicker” by NYC-based producers (and brothers) Anden at #29.  Pete and Tom previously appeared on the chart back almost three years ago as remixers of Satchmode’s “Undertow” (#12).

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

 

 

 

#BILLCSTop30 #566 – July 22, 2019

Trying to get through all of the songs I hear every two weeks is always worth it because some of them ultimately become new favourites.  And while #1 is a lock again, other songs rise up to challenge perhaps for the next few charts.  There are three striking debuts, one by a veteran dance group in comeback mode.

Illenium and Jon Bellion continue to reign supreme at #1 with “Good Things Fall Apart”, making it the emotional soundtrack for an intense summer of music.  And now Illenium and The Chainsmokers are tweeting about another collaboration which this time will include my fellow Canadian Lennon Stella, who is touring with the ‘Smokers this Fall.  I’ll watch to see what becomes of these promo teases!

Timmy Trumpet’s anthem “World At Our Feet” soars 7-2 to challenge “Good Things Fall Apart” for #1.  Like many electronic dance music artists, Timmy was performing at Tomorrowland in Belgium this past weekend.

Halifax’s Famba climbs 6-3 with “Swear To God”, as the song inches towards becoming his second Top 10 radio hit in Canada.  

MAX holds for a 4th appearance (8 weeks!) at #4 with “Love Me Less” (above) featuring Quinn XCII.  This song, like “Lights Down Low”, has a lot of lasting power, and I’m hoping MAX’s light-hearted new single “Acid Dreams” (featuring hip hop performer Felly) will do similarly.  Take a listen below!

A smashing trio indeed land in the Top 10 for the first time.  Mark Ronson & YEBBA move up 11-8 with “Don’t Leave Me Lonely” (above), while Kygo & Whitney Houston have the Fastest Riser on the chart 16-9 with the timely cover of Steve Winwood’s “Higher Love” (below).  And Switzerland’s Luca Hãnni moves 15-10 with his Eurovision entry that ended up fourth overall, “She Got Me” (also below).

Making short work of climbing up the chart is “Monday Blues” by L.A.’s Eric Sharp with vocalist Zhao, which sails 18-12.

“Time” is easily my favourite song on EMAN8’s debut album, also called Emanate.  It moves up 22-18 for the L.A. based singer/songwriter, also currently on release with Molly Moore as Cosmos & Creature with “The Wonder”, about which I recently wrote.

“Even In Confusion” is sophisticated European deep house from Italy’s Eric Zava and DJ Mirko B featuring singer Daniel Gorash, and climbs 23-19.

Sam Dickinson’s thoughtful and bubbly “All We Are” is well on its way to becoming the biggest release for Sam yet.  From his new EP From The Glass House Pt. 2, “All We Are” rises 26-20.

The Highest Debut on the chart belongs to comeback kids Kazaky, the Ukrainian dance group led by Artur Gaspar that has now expanded to five members.  With their big heels in full effect and amazing choreography in their new video, “Push” arrives at #21.

Bowing at #27 is the gorgeous posthumous release by Avicii featuring fellow Swedish singer Agnes as well as long time friends and producers Vargas & Lagola called “Tough Love” from the album TIM.  While it’s bittersweet to hear, TIM is a fine album that was done right and featuring all kinds of talent including Imagine Dragons, A R I Z O N A, Joe Janiak, and Bonn.  “Tough Love” is only Avicii’s second appearance on the chart, following 2013’s “Addicted To You”, while Agnes marks her third entry but her first since 2011.  Her song “Release Me” got to the top in early 2009.

Veteran producers Kenny Summit and Eric Kupper land at #28 with “Give Me Love”, a 90’s flavoured dance track for the late night club crowd featuring vocalist Amy Douglas.  Eric recently helped Parralox to #11 with his remix of “Paradise” featuring Marcella Detroit, while Amy featured on Horse Meat Disco’s “Let’s Go Dancing”, which reached #14.

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

It’s 10/10 #04: @DJSAVI @TarynManning #TobiasBergson @MichaelShynes @AdnanVeron @ShayceOpal @PaulHofficial @BenedictCork @weareApolloLTD @Beticalmusic @KenSummit @EricKupper @AmyDouglassings @ValenciaJamestw #Homestead

10/10 #04

10/10 (or tenoutoften) is back and is once again this blog’s new feature where I write about 10 hot and fresh songs in no particular order, for your kind consideration and attention.

I continue to write individual blog posts about certain songs.  That does not mean that songs in the 10/10 lists are any less than those featured individually. 

Writing 10/10 features means I can cover more songs in one shot .  So you get to learn about more new music that I hear but don’t always get a chance to write about. 

tenoutoften

tenoutoften 04

  • SAVI & TARYN MANNING, “Bring Me Back To You”

“Bring Me Back To You” is a future house fan’s delight from L.A. producer SAVI and long time dance club favourite, singer/actress Taryn Manning (“Orange Is The New Black”, “Hawaii Five-O”).  This Strange Fruits release is a well-produced mix to keep dancers on the floor, with a nice trappy mid-section that draws you back into the latter part of the song.  It’s great to hear Taryn in this slightly different, more progressive setting, so with her track record on the charts – two #1’s “Send Me Your Love” (with Sultan + Shepard) and “GLTCHLFE” – club DJ’s will easily fit “Bring Me Back To You” to their mid-evening Saturday night sets.

  • TOBIAS BERGSON & MICHAEL SHYNES, “Keep Trying”

“Keep Trying” is one of those positive slices of deep house music that’s destined to be a crowd pleaser.  Brought to you by the new Dutch label Diepgraven, Austria’s Tobias Bergson surrounds the lyrics with bright sounds and a riveting rhythm to allow the fine voice of US singer Michael Shynes to anchor the song.  This one’ll getcha in the same way that Armin van Buuren & Trevor Guthrie’s “This Is What It Feels Like” or Dave Edwards & Mark Asari’s “That’s What We’re Made Of” created timeless, effortless good vibes.

  • ADNAN VERON & SHAYCE OPAL, “Without You”

Anytime is the perfect time for romance in “Without You”.  Adnan Veron is a new producer out of Indonesia and he’s got a fantastic British singer named Shayce Opal to carry the song for him.  It’s a delightful combination of stunning high vocal notes with mid-tempo electronica, and it lilts along at a comfortable pace with wistful lyrics setting the tone.  “Without You” is a gorgeous Neon Fruits release that deserves attention.

  • PAUL HETHERINGTON, “Touch”

Australian producer and vocalist Paul Hetherington follows up his first release in a number of years called “When I Lost You” with the atmospheric and taut “Touch”.  The song seems to take cues perhaps from 80’s new wave and late 90’s and 00’s pleasures from the likes of fellow Aussies Darren Hayes and Savage Garden.  Paul crafts an intriguing and memorable melody while the provocative synth beat throbs along.

  • BENEDICT CORK, “Funny How Things Change”

It came out a little while ago now but I don’t want “Funny How Things Change” by British singer Benedict Cork to slip away without notice, in the same way that I immediately latched on to YEBBA’s “Evergreen” in late 2017.  This is indeed a happy marriage of a wonderful new voice and a splendid song, which Benedict co-wrote.  He has a radiant tone that immediately impresses and cuts through the lyrics like butter.   Benedict Cork is definitely one singer to put on your list. In fact he’s released another song since “Funny” called “Breaking Hearts” so I’ll have to get to that one soon too.

  • APOLLO LTD, “Misfits”

Nashville duo Apollo LTD returns with “Misfits”.  It strikes you instantly with an urgent vocal and a snappy melody with well thought out words to which anyone can relate.  It has a slightly soulful backdrop that could have found its way out of a 70’s Boz Scaggs or Steely Dan record, but mainly “Misfits” is a solid, contemporary pop release that stands out.

  • BETICAL, “Runnin'”

French brothers Max and Martin, aka Betical, offer up late night deep house grooves with “Runnin'”.  It’s a bit different from their more recent releases but should have no problem drawing folks out on to the dance floor with its atmospheric vocal and booming house beats.  The song hopes to strike a chord with the younger crowd about being independent and free-thinking.  DJ’s might find themselves making “Runnin'” a go-to for late hot summer nights.

  • KENNY SUMMIT, ERIC KUPPER and AMY DOUGLAS, “Give Me Love”

“Give Me Love” has one mission – to make you groove long and hard.  This is big sounding deep house at its best thanks to US producers Kenny Summit and Eric Kupper featuring the classic, soulful voice of NYC’s Amy Douglas, who most recently appeared on Horse Meat Disco’s “Let’s Go Dancing” (which got to #14 on my personal chart).  There’s simply no denying the power of a song like this in dance clubs.  It draws heavily from 90’s house – a nice companion piece in my opinion in fact to its namesake late 90’s classic by Alcatraz.

  • VALENCIA JAMES, “Flames”

Australia-based, NYC-bred singer/songwriter Valencia James is a newcomer with a fierce voice to remember in her debut single “Flames”.  It’s a powerful song with an expressive and compelling vocal that uses the imagery of playing with fire when a relationship is about to be permanently damaged.  There’s no doubt when you hear Valencia James that you will think of another very famous NYC vocalist – Lady Gaga.  “Flames” is a great introduction to Valencia James and I’m sure we will be hearing much, much more from her.

  • HOMESTEAD, “Runaway”

“Runaway” was a nice surprise to come my way as the debut single from two super and talented fellow Canadians calling themselves Homestead, producer/guitarist Liam DeBoer and vocalist Joël, who previously reached #12 on my personal chart with 2016’s “You Fucked Up”.  This alt.rock flavoured dance track has a hypnotic melody led by Joël’s at times unique and mysterious-sounding vocal.  I haven’t figured out what it’s all about but “Runaway” is chock full of interesting imagery and warrants multiple listens.

 

#BILLCSTop30 #553 – January 21/19

In this new chart, there’s somewhat more movement and four debuts, but in the coming weeks you’ll be seeing the chart shed many of its favourites from late 2018.

Nonetheless, this time around you’ll still find A-Trak and Todd Terry up top with “DJ’s Gotta Dance More” for a 3rd appearance (6 weeks) at #1, with former #1 “Loyal” by Odesza hanging tight right behind.  But that’s where things start to change up.

Mahalo and Le:Blanc’s perky bop “In My Arms” becomes Mahalo’s 4th Top 5 placing song up 8-3 on this chart,  Illenium holds on to #4, albeit with a different song this time, with “God Damnit” in a pairing with Call Me Karizma climbs 9-4, as “Crawl Outta Love” slips down to #18.

The only artist from Luxembourg to ever grace this chart is producer White Chocolate, and his contemporary take on disco, “Mister Love”, moves 14-8.  Right behind is the effervescent pop/dance of “Play” by Jax Jones and Years & Years, climbing 15-9.  

The fastest riser on the chart is the fantastic new song by Steve Void featuring Andy Marsh called “Closure”, which soars 19-10. 

 

Keep your eyes on these relative newcomers in the next month or so.  NYC-based singer/songwriter Ryan Gibeau has the enlightening “Flying Away” moving up 22-16, while The Him’s anthemic “Look At Us Now” looks like another winner rising 23-17.  “Bite My Tongue” by Australia’s Sam Bluer (27-19) has a unique charm, while Stephen Puth’s “Sexual Vibe” (28-21) knows exactly what it wants.  Molly Moore’s great vocal helps define the urgency of “Be Here Now”, moving up 25-22.

As Revelries’ “Naked” departs the chart, it’s immediately replaced by what is likely the Netherlands-based Emirati lads’ best of the most recent trio of releases to date.  In collaboration with Sam Smyers and featuring a commanding vocal by Oktavian, “Don’t Think Twice” has the highest debut on the chart at #20.

It’s everywhere and especially in the UK where it’s been #1 for almost a month – soon to be replaced by Ariana Grande methinks – it’s American singer Ava Max at #25 with “Sweet But Psycho”.  Right behind it is a gentle love song for the colder months that could be a pop breakthrough for R3HAB with “All Into Nothing” at #26 in partnership with Nashville singer Mokita. 

And last but hardly least at #30 is “Paradise” by Parralox featuring singer Marcella Detroit.  It’s the flashy house mix by Eric Kupper that reinvents the song to make it fresh.  “Paradise”.  It’s the fourth entry for Australia’s Parralox (aka John von Ahlen and friends), whose previous three songs all reached the Top 10, particularly 2015’s “Aeronaut” (#4).

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

“Paradise” by @Parralox featuring @MarcellaDetroit is reinvented as a chic deep house track by remixer @EricKupper

PARRALOX featuring MARCELLA DETROIT, “Paradise” (Eric Kupper remix)

Sometimes you can’t just let go of a great song with a fantastic vocal.  Such is the case with Parralox’s “Paradise”, originally a mid-tempo pop/dance track for the Aussie production project featuring the fabulous Marcella Detroit, who most of you know as one half of 90’s duo Shakespear’s Sister (1992’s “Stay”) but has an otherwise storied pop music career.  The song arrived on Parralox’s 2017 album Subculture, but John von Ahlen is wise to make the song into much, much more, this time through release on Energise Recordings.  So almost two years later, we have a package of several remixes, which is led by chart-meister Eric Kupper’s chic deep house remix.  “Paradise” simply sounds like it was intended to be a strutting house thumper like this, with the refrain of “the time has come to let you go” resonating much bolder this time around for dance club goers.  With Eric coming off of yet another Billboard #1 remix of Ariana Grande’s “Breathin”, his remix of “Paradise” spells great things for Parralox and hopefully another opportunity to partner with Marcella on a future track.  Mix this one in with Jessie Ware’s “Overtime”, another of my current favourites, and watch dance floor bliss in motion!

Published in: on December 28, 2018 at 9:44 pm  Leave a Comment  
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