It’s 10/10 #04: @DJSAVI @TarynManning #TobiasBergson @MichaelShynes @AdnanVeron @ShayceOpal @PaulHofficial @BenedictCork @weareApolloLTD @Beticalmusic @KenSummit @EricKupper @AmyDouglassings @ValenciaJamestw #Homestead

10/10 #04

10/10 (or tenoutoften) is back and is once again this blog’s new feature where I write about 10 hot and fresh songs in no particular order, for your kind consideration and attention.

I continue to write individual blog posts about certain songs.  That does not mean that songs in the 10/10 lists are any less than those featured individually. 

Writing 10/10 features means I can cover more songs in one shot .  So you get to learn about more new music that I hear but don’t always get a chance to write about. 

tenoutoften

tenoutoften 04

  • SAVI & TARYN MANNING, “Bring Me Back To You”

“Bring Me Back To You” is a future house fan’s delight from L.A. producer SAVI and long time dance club favourite, singer/actress Taryn Manning (“Orange Is The New Black”, “Hawaii Five-O”).  This Strange Fruits release is a well-produced mix to keep dancers on the floor, with a nice trappy mid-section that draws you back into the latter part of the song.  It’s great to hear Taryn in this slightly different, more progressive setting, so with her track record on the charts – two #1’s “Send Me Your Love” (with Sultan + Shepard) and “GLTCHLFE” – club DJ’s will easily fit “Bring Me Back To You” to their mid-evening Saturday night sets.

  • TOBIAS BERGSON & MICHAEL SHYNES, “Keep Trying”

“Keep Trying” is one of those positive slices of deep house music that’s destined to be a crowd pleaser.  Brought to you by the new Dutch label Diepgraven, Austria’s Tobias Bergson surrounds the lyrics with bright sounds and a riveting rhythm to allow the fine voice of US singer Michael Shynes to anchor the song.  This one’ll getcha in the same way that Armin van Buuren & Trevor Guthrie’s “This Is What It Feels Like” or Dave Edwards & Mark Asari’s “That’s What We’re Made Of” created timeless, effortless good vibes.

  • ADNAN VERON & SHAYCE OPAL, “Without You”

Anytime is the perfect time for romance in “Without You”.  Adnan Veron is a new producer out of Indonesia and he’s got a fantastic British singer named Shayce Opal to carry the song for him.  It’s a delightful combination of stunning high vocal notes with mid-tempo electronica, and it lilts along at a comfortable pace with wistful lyrics setting the tone.  “Without You” is a gorgeous Neon Fruits release that deserves attention.

  • PAUL HETHERINGTON, “Touch”

Australian producer and vocalist Paul Hetherington follows up his first release in a number of years called “When I Lost You” with the atmospheric and taut “Touch”.  The song seems to take cues perhaps from 80’s new wave and late 90’s and 00’s pleasures from the likes of fellow Aussies Darren Hayes and Savage Garden.  Paul crafts an intriguing and memorable melody while the provocative synth beat throbs along.

  • BENEDICT CORK, “Funny How Things Change”

It came out a little while ago now but I don’t want “Funny How Things Change” by British singer Benedict Cork to slip away without notice, in the same way that I immediately latched on to YEBBA’s “Evergreen” in late 2017.  This is indeed a happy marriage of a wonderful new voice and a splendid song, which Benedict co-wrote.  He has a radiant tone that immediately impresses and cuts through the lyrics like butter.   Benedict Cork is definitely one singer to put on your list. In fact he’s released another song since “Funny” called “Breaking Hearts” so I’ll have to get to that one soon too.

  • APOLLO LTD, “Misfits”

Nashville duo Apollo LTD returns with “Misfits”.  It strikes you instantly with an urgent vocal and a snappy melody with well thought out words to which anyone can relate.  It has a slightly soulful backdrop that could have found its way out of a 70’s Boz Scaggs or Steely Dan record, but mainly “Misfits” is a solid, contemporary pop release that stands out.

  • BETICAL, “Runnin'”

French brothers Max and Martin, aka Betical, offer up late night deep house grooves with “Runnin'”.  It’s a bit different from their more recent releases but should have no problem drawing folks out on to the dance floor with its atmospheric vocal and booming house beats.  The song hopes to strike a chord with the younger crowd about being independent and free-thinking.  DJ’s might find themselves making “Runnin'” a go-to for late hot summer nights.

  • KENNY SUMMIT, ERIC KUPPER and AMY DOUGLAS, “Give Me Love”

“Give Me Love” has one mission – to make you groove long and hard.  This is big sounding deep house at its best thanks to US producers Kenny Summit and Eric Kupper featuring the classic, soulful voice of NYC’s Amy Douglas, who most recently appeared on Horse Meat Disco’s “Let’s Go Dancing” (which got to #14 on my personal chart).  There’s simply no denying the power of a song like this in dance clubs.  It draws heavily from 90’s house – a nice companion piece in my opinion in fact to its namesake late 90’s classic by Alcatraz.

  • VALENCIA JAMES, “Flames”

Australia-based, NYC-bred singer/songwriter Valencia James is a newcomer with a fierce voice to remember in her debut single “Flames”.  It’s a powerful song with an expressive and compelling vocal that uses the imagery of playing with fire when a relationship is about to be permanently damaged.  There’s no doubt when you hear Valencia James that you will think of another very famous NYC vocalist – Lady Gaga.  “Flames” is a great introduction to Valencia James and I’m sure we will be hearing much, much more from her.

  • HOMESTEAD, “Runaway”

“Runaway” was a nice surprise to come my way as the debut single from two super and talented fellow Canadians calling themselves Homestead, producer/guitarist Liam DeBoer and vocalist Joël, who previously reached #12 on my personal chart with 2016’s “You Fucked Up”.  This alt.rock flavoured dance track has a hypnotic melody led by Joël’s at times unique and mysterious-sounding vocal.  I haven’t figured out what it’s all about but “Runaway” is chock full of interesting imagery and warrants multiple listens.

 

#BILLCSTop30 #553 – January 21/19

In this new chart, there’s somewhat more movement and four debuts, but in the coming weeks you’ll be seeing the chart shed many of its favourites from late 2018.

Nonetheless, this time around you’ll still find A-Trak and Todd Terry up top with “DJ’s Gotta Dance More” for a 3rd appearance (6 weeks) at #1, with former #1 “Loyal” by Odesza hanging tight right behind.  But that’s where things start to change up.

Mahalo and Le:Blanc’s perky bop “In My Arms” becomes Mahalo’s 4th Top 5 placing song up 8-3 on this chart,  Illenium holds on to #4, albeit with a different song this time, with “God Damnit” in a pairing with Call Me Karizma climbs 9-4, as “Crawl Outta Love” slips down to #18.

The only artist from Luxembourg to ever grace this chart is producer White Chocolate, and his contemporary take on disco, “Mister Love”, moves 14-8.  Right behind is the effervescent pop/dance of “Play” by Jax Jones and Years & Years, climbing 15-9.  

The fastest riser on the chart is the fantastic new song by Steve Void featuring Andy Marsh called “Closure”, which soars 19-10. 

 

Keep your eyes on these relative newcomers in the next month or so.  NYC-based singer/songwriter Ryan Gibeau has the enlightening “Flying Away” moving up 22-16, while The Him’s anthemic “Look At Us Now” looks like another winner rising 23-17.  “Bite My Tongue” by Australia’s Sam Bluer (27-19) has a unique charm, while Stephen Puth’s “Sexual Vibe” (28-21) knows exactly what it wants.  Molly Moore’s great vocal helps define the urgency of “Be Here Now”, moving up 25-22.

As Revelries’ “Naked” departs the chart, it’s immediately replaced by what is likely the Netherlands-based Emirati lads’ best of the most recent trio of releases to date.  In collaboration with Sam Smyers and featuring a commanding vocal by Oktavian, “Don’t Think Twice” has the highest debut on the chart at #20.

It’s everywhere and especially in the UK where it’s been #1 for almost a month – soon to be replaced by Ariana Grande methinks – it’s American singer Ava Max at #25 with “Sweet But Psycho”.  Right behind it is a gentle love song for the colder months that could be a pop breakthrough for R3HAB with “All Into Nothing” at #26 in partnership with Nashville singer Mokita. 

And last but hardly least at #30 is “Paradise” by Parralox featuring singer Marcella Detroit.  It’s the flashy house mix by Eric Kupper that reinvents the song to make it fresh.  “Paradise”.  It’s the fourth entry for Australia’s Parralox (aka John von Ahlen and friends), whose previous three songs all reached the Top 10, particularly 2015’s “Aeronaut” (#4).

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

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“Paradise” by @Parralox featuring @MarcellaDetroit is reinvented as a chic deep house track by remixer @EricKupper

PARRALOX featuring MARCELLA DETROIT, “Paradise” (Eric Kupper remix)

Sometimes you can’t just let go of a great song with a fantastic vocal.  Such is the case with Parralox’s “Paradise”, originally a mid-tempo pop/dance track for the Aussie production project featuring the fabulous Marcella Detroit, who most of you know as one half of 90’s duo Shakespear’s Sister (1992’s “Stay”) but has an otherwise storied pop music career.  The song arrived on Parralox’s 2017 album Subculture, but John von Ahlen is wise to make the song into much, much more, this time through release on Energise Recordings.  So almost two years later, we have a package of several remixes, which is led by chart-meister Eric Kupper’s chic deep house remix.  “Paradise” simply sounds like it was intended to be a strutting house thumper like this, with the refrain of “the time has come to let you go” resonating much bolder this time around for dance club goers.  With Eric coming off of yet another Billboard #1 remix of Ariana Grande’s “Breathin”, his remix of “Paradise” spells great things for Parralox and hopefully another opportunity to partner with Marcella on a future track.  Mix this one in with Jessie Ware’s “Overtime”, another of my current favourites, and watch dance floor bliss in motion!

Published in: on December 28, 2018 at 9:44 pm  Leave a Comment  
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