It’s “10/10” #14!: @brightlightx2 & @caveboymusic @weareApolloLTD #Calvo @egzodmusic @HVNNIBVL @KidBloomusa @KiNGMALAmusic @Pawl_official & #Discrete @SteveVoidmusic #KaiStevens & @EmilyMcsings

It’s 10/10 – Edition 14!! 

This is the first 10/10 post since June.

In 10/10,  I write about 10 hot and fresh songs in no particular order, for your kind consideration and attention.

I continue to write individual blog posts about certain songs.  That does not mean that songs in the 10/10 lists are any less than those featured individually, and they are not listed in any particular order.  Songs by Yello and Jazz Mino that were featured in edition #13 are currently moving up on my personal chart 🙂

Writing 10/10 posts means I can cover more songs in one shot.  So you get to learn about more new music that I hear but don’t always get a chance to write about. 

  • BRIGHT LIGHT BRIGHT LIGHT and CAVEBOY, “It’s Alright, It’s OK”

“It’s Alright, It’s OK” is the fourth preview from Bright Light Bright Light’s upcoming fourth album called Fun City. This time collaborating with the noted all-women Canadian trio Caveboy, the song is a reassurance for anyone who is having trouble with their identity that everything will work out in the end if you just be yourself. It’s another joyous delight from NYC-based Wales-born Rod Thomas, more of a pop/house workout like the initial single “This Was My House”, full of great synth work and vocals that truly compliment each other. “It’s Alright, It’s OK” is also available on an EP chock full of remixes.

  • APOLLO LTD, “Patient”

The Nashville duo of Jordan and Adam produced one of my favourite albums of 2019 called Out Of Sight, which demonstrated a range of different styles, from ballads to anthems. Apollo LTD are back with “Patient”, more anthem-styled power pop as a plea to the singer’s partner to help him be patient to get through whatever troubles are ailing him. It’s a logical successor to songs from Out Of Sight like “On The Way Up 2.0” which dazzle your ears with seamless production and vocals. Why a major label has not yet snatched up Apollo LTD for their roster is a mystery. The duo consistently provides well-written, quality songs that deserve radio exposure. Check out the new lyric video for “Patient” above.

  • HVNNIBVL, “Worth It”

Now based out of Los Angeles, Buffalo NY singer/songwriter HVNNIBVL quickly follows up his cheery slice-of-life single “Who’s Gotcha” with “Worth It”. Like “Who’s Gotcha”, “Worth It” sends positive vibes in your direction, particularly aimed at people with depression or anxiety whose condition constantly makes them ask themselves if they are good enough. Everyone has their moments in life, so it’s time to step out and shine. “Worth It” is self-produced and showcases HVNNIBVL’s great voice to the max. Sometimes the synth effects are too razzle dazzle to me for this kind of song, and less can often be more. But “Worth It” will certainly move HVNNIBVL more steps forward and I’ll happily be listening for the next one.

  • KID BLOOM, “Blood Sugar”

The L.A.-based singer/songwriter follows up “Wounded/Surrounded” (featured in my 13th “10/10” blog post) with “Blood Sugar”, which is also the title of his recently released EP. After a long relationship, thoughts and feelings always linger, and in Kid Bloom’s take, it’s like being inside your blood. So he sings about emotional entrapment set to a bass synth rhythm which pulsates like whatever is stuck inside his head. His invested vocal and an arrangement that shakes the mix loose of its dark trappings from time to time all make “Blood Sugar” a captivating listen.

  • CALVO, “Broke In Amsterdam”

German producer/DJ Calvo’s latest single “Broke In Amsterdam” has caught my ear with its shiny production that creates a delightful pop/dance confection. Co-written with the always amazing Daniel Volpe, “Broke” is a happy slice-of-life story reminiscing about younger days where life seemed more carefree. It’s just the kind of tonic we need to help us continue to get through these strange times. Calvo has numerous listeners in Europe, who have brought his song stream tally into the 50 million range. Perhaps “Broke In Amsterdam” will expand that audience further into North America.

  • EGZOD, “Ride The Wave”

“Ride The Wave” continues the evolution of Florida-based electronic dance producer EGZOD, about whom I’ve written several times since he arrived on the scene in 2016. More than around 20 million streams later, EGZOD – otherwise known as Carlos Carvalho-Martins – can shift flawlessly between the heaviest trap/dub step and much lighter fare, the latter applying to “Ride The Wave”, which I would call ‘mid-summer beach pop’. The spry uncredited female vocal is appealing and distinct, while EGZOD weaves more harmonies into this song than usual. “Ride The Wave” has some bold singalong moments and washes down as easy as gliding into shore from one of those waves. Watch for EGZOD’s new EP The Revolution next month!

  • KAI STEVENS and EMILY McNALLY, “Hero”

As Summer-themed tunes ride out the last sunsets of the next month, the arrival of a softer song or two for Autumn is always becoming the new season. Kai Stevens is a 17 year old producer and multi-instrumentalist from NYC who has emerged over the last year with songs that keep getting better and better. While this release is nowhere in the league of big productions by Illenium or other similar artists, “Hero” strikes the emotional chords that you would find in the progressive ‘sad boi’ electronica sub-genre. It’s sung by another young New Yorker, Emily McNally, whose graceful and delicate voice is compelling and convincing amid the bigger synth breaks within. “Hero” is a promising song most deserving of electronic dance music fans’ attention.

  • FETS, FORMAL CHICKEN & STEVE VOID, “Pushing On”

Don’t let the billing fool you – I think that “Pushing On” is entirely a Steve Void production. The talented young Dutchman has produced quite a variety of house and dance/pop releases on his Strange Fruits label over the past few years, and he has even opened his own restaurant! While he’s been mainly dabbling in covers of late, “Pushing On” is a brisk, deep house update of a more obscure 2014 track by Germany’s Oliver $ & Jimi Jules. It’s slick and goes down easy, with pitched-down vocals giving it qualities you’d normally find in a soulful UK house track.

  • PAWL & DISCRETE, “Type Like That”

“Type Like That” is a snappy, tautly-produced house single in a partnership between two Swedish producers, Pawl and Discrete. In tandem with direct support from LoudKult Records owner Lucas Estrada, with whom he has also recorded, Pawl’s music has acquired over 20 million streams across platforms since he emerged five years ago. Discrete is newer to the genre, having released an EP and a few singles thus far. But the guys have released one super-catchy, sultry song in “Type Like That”, which is a good bookend with last year’s release by Revelries and Oktavian called “Don’t Think Twice”. The song-writing here is spot on, calling out a long line of so-and-so’s who all behave the same, hence “you’re just a type like that”. This one will stick with you with repeated listens, so don’t say you weren’t warned!

  • KiNG MALA, “sugarblind”

KiNG MALA is the moniker for L.A.-based singer/songwriter Areli Castro, and her music will appeal to fans of Ashe, Bishop Briggs and Maty Noyes. It’s complex alt.rock with a tough exterior (“Mala” means ‘bad bitch’ in Spanish, hence “King Bad Bitch”), underneath which you will find infectious hooks and melodies that will take older fans back to the time of heyday of Kate Bush and Siouxsie Sioux. KiNG MALA is relatively new on the scene, with “sugarblind” her third single release and most streamed one to date. Great talent takes time to develop, so she is definitely one to watch in the coming years, and alt.rock radio should welcome her unique style.

“Everyday” is @Trivectamusic’s new 4-song EP that helps reshape and refine dubstep and melodic bass

TRIVECTA, Everyday (EP)

After successful collaborations and tours with the likes of Seven Lions, Wooli and Excision, as well as well-received remixes for Illenium and Dabin which have garnered millions of streams, Tampa’s Trivecta (aka Sam Dobkin) helps refine and reshape dubstep and melodic bass in his new four song EP Everyday. 

There are elements of both sub-genres present, but not as heavy on record as in concert, where I’m sure the songs will be amped up to please fans and showcase Trivecta’s fluid guitar work.  Aside from the instrumental opener “The Feeling Of It All”, any of the songs in Everyday are well suited for big festival sets.  “Leave It All Behind” (featuring vocal by co-writer Fagin) may not strike you immediately until its chorus, but draws you into its message deeper with each listen.  “Wasteland” keeps you hanging on the edge with European-sounding intensity before its big emotional drop three quarters through.  And the title song, quieter and more melodic than the rest thanks to vocal and songwriting assists by Rico & Miella, could find favour with fans of The Chainsmokers or Martin Garrix. 

Everyday is a solid EP that will not only broaden Trivecta’s musical landscape, but will also bring newcomers further into the dubstep and melodic bass fold.

Published in: on May 18, 2020 at 10:14 pm  Comments (1)  
Tags: , , , , , , , , , , ,

It’s 10/10 #9: @BrightLightx2 @MonsieurAdi @SIRPAUL @Biicla @nodisco_mp3 @TafariAnthony @Alice_Triskel #AEORO @Sistek_official @DJSHADESmusic @Tonnermusic

Are you ready for another 10/10 feature, so soon after the last one a week and a half ago?

In 10/10 (or tenoutoften) ,  I write about 10 hot and fresh songs in no particular order, for your kind consideration and attention.

I continue to write individual blog posts about certain songs.  That does not mean that songs in the 10/10 lists are any less than those featured individually.  In fact my recent #1 “Shivohum” by Tritonal & Henry Dark, was included in a previous 10/10, and others are currently on my personal chart too.

Writing 10/10 features means I can cover more songs in one shot.  So you get to learn about more new music that I hear but don’t always get a chance to write about. 

  • BRIGHT LIGHT BRIGHT LIGHT, “This Was My House” (original and Monsieur Adi remix)

Many of us have been waiting for our fix of new music from Wales-born, NYC-based Bright Light Bright Light (Rod Thomas).  He’s been a fixture in my blog and on my chart for the last 10 years, and consistently brings us beautifully sung songs with every release. 

“This Was My House” (above) is from his forthcoming album Fun City, and in the song BLx2 wears some key influences proudly.  Musically, this one is all about early fun and vibrant 90’s dance pop – songs by Madonna, Mariah, CeCe Peniston, Robin S., to name a few.  Lyrically, it’s another astute observation about the demise of a relationship where “it’s cold outside but I can brave the weather” before returning to his house, “a place that I was not supposed to fear” – and I can totally relate to it. 

Heartbreak always sounds great on the dance floor and BLx2 – along with Madonna’s noted, fabulous backup vocalists Niki Haris (herself also featured prominently on pop and dance hits by Natural Selection (“Do Anything”), Snap! (“Exterminate!”), and The Perry Twins’ “Bad Bad Boy”) and Donna DeLory (Madonna even sang back up and co-produced her 1993 dance hit “Just A Dream”!) – moves on to the after party in full force.  Also, a big welcome back to producer Monsieur Adi, who lends his sophisticated sheen to the ultra-club-friendly remix (below).

  • SIRPAUL, “Out Of Our Minds”

NYC-based singer/songwriter/producer SIRPAUL has been away from the dance music scene for much too long, with his last album release in 2016.  So it’s wonderful to hear a return that is as chipper and feel good as “Out Of Our Minds”.  His distinct vocal simply speaks for itself, and the 80’s-flavoured melody and beats are refreshing.  Long-time fans may miss the sexy and sensual side of SIRPAUL that has been showcased so well on previous releases, but “Out Of Our Minds” is a charming, welcome, and noteworthy reboot.

  • BIICLA and MODENESS, “Deeper”

Dark and moody, “Deeper” by Russian electronic producer Biicla and vocalist MODENESS uses some interesting methods to draw you in.  The hook is in the synth melody, and usually these kind of repetitive hooks can grate on me. But because Biicla showcases it and then pulls it back and reworks it as kind of a musical underpadding that soaks it up and lets the song evolve.  MODENESS has a kind of gritty, guy-next-door quality with his singing, which helps make “Deeper” a song to remember.

  • nodisco., “Moonlight In My Bedroom”

Hailing from my city of Toronto is another promising DIY talent who calls himself nodisco. with one of a few of his recent single releases, “Moonlight In My Bedroom”.  The song is set when the singer reads a breakup note in the setting of the title.  It’s a wistful, retrospective song and nodisco. has a soulful, Charlie Puth-like voice which is instantly appealing.  He also knows his way around a pop song and with its clever hook, “Moonlight In My Bedroom” more than sustains its three and a half minutes.  

  • TAFARI ANTHONY, “Centerfold”

Another Torontonian, R&B singer Tafari Anthony (his first name is pronounced “ta-far-eye”), joins that city’s flourishing cadre of soulful talents – think The Weeknd, Daniel Caesar, Jessie Reyez, Alessia Cara – with his rich and expressive voice.  “Centerfold” is a no holds barred call-out to the gal who shows her true colours while feeling that she should always be the centre of attention.  Tafari’s voice compares to a Seal-meets-Terence Trent D’Arby likeness, with many influences obviously from other, longtime classic performers.  With Michael Bublé praising him and performances with singers like MAX in his repertoire, Tafari Anthony has the makings of a breakout happening, and “Centerfold” is a worthy song to help make that happen.

  • ALICE TRISKEL, “Conquer”

Alice Triskel is a new singer from Barcelona who is out to slay the electronic dance music genre with her powerful and compelling songs.  She’s released several singles during the last year or so, and her voice has the command of a Florence Welch and the lustre of a Kristine W.  Sometimes the songs go a bit over the top with aggressive production, but “Conquer”, released late last year, offers probably the best balance.  Its interesting story helps show off Alice’s range, and the production breaks away from the vocal showcase with some lovely melodic breaks and flourishes.  With her obvious talents, Alice Triskel should be able to navigate her way through the busy electronic music scene with songs that easily make you stop in your tracks.

  • AEORO, “Slippery”

“Slippery” is a fanciful slice of romantic pop from Florida-based singer/songwriter/ producer AEORO.  I’ve already written about her exploring gentle pop (“Crushing On You”) and being a bit of a rocker chick (“Babe’s A Rockstar”).  And while she explores to find her best brand among all of the different DIY styles, what will always draw you back to her music is that voice.  Dress it up however you like, but her pitch-perfect tones and resonance always shine through the song itself.  Add AEORO’s fun, free-spirited personality to the talents and the potential here is endless.  “Slippery” is a warm, welcome hug waiting just for you.

  • SISTEK and TUDOR, “No Fair Game”

Love may as well be a battlefield when the rules keep changing.  Such is the basis of “No Fair Game” by Chilean producer Sistek with newcomer vocalist Tudor.  “No Fair Game” is a solid electronic alt.pop release that tells it like it is – buddy, you’re f**cked if you crawl back to that person – when you’ve been burned one too many times.  Tudor’s knowing vocal sings that truth while Sistek lays an uncomplicated melody underneath that will have you swaying.

  • SHADES and JUSTIN KIM, “IDK”

Sometimes in relationships there are circumstances where you just shake your head and don’t know what to say, and usually feel badly for it.  In this case that means ‘I don’t know’, stylized as “IDK” by NYC producers SHADES and new vocalist Justin Kim, from the duo’s new album Carousel.  It’s a change of pace for SHADES, who are returning with original music after a number of notable remixes a few years back for songs by The Chainsmokers, XYLØ, Grace Vanderwaal and others, and they spice up the song with some interesting synths and effects.  “IDK” is brooding electronic alt.pop that puts a lot of focus on Justin’s vocal as you wonder if the subject really does know what to say or not, which leads to a bit of an unexpected but satisfying conclusion.  

  • TONNER, “Criminal”

Tonner is a new singer/songwriter currently based in Orlando, Florida.  “Criminal” is a well-written slice of softer alt.rock, all about when you find out that your special someone is not who she says she is.  In this case, Tonner calls her out in the first minute of the song, and the rest of it reconciles what’s going on as the singer will have to move on without her.  Tonner mixes it up, gradually inflicting more emotion into his otherwise warm vocal, and there’s a slick, jazzy guitar playing the notes of sweet heartbreak along the way.

 

 

 

Outstanding remixes reboot “Tongue Tied” by @mahalo_dj @discokillerz and @EMAN8 and “Naked (With My Headphones On)” by @RatCity and @Kiesza

MAHALO, DISCO KILLERZ and BRANDYN BURNETTE, “Tongue Tied” (Danny Quest and Frank Pole remixes)

RAT CITY and KIESZA, “Naked (With My Headphones On)” (Tungevaad, VIDA and Blinkie remixes)

I’m a firm believer that in some cases official remixes can improve on a good song’s success.  Here we have two cases that clearly support what I believe.

L.A.-based Mahalo is extremely prolific and with a song like “So Cold” becoming such a major dance radio hit last year, it’s important that every release since that one must stand out.  Despite the talent in partnership with Disco Killerz and EMAN8 (billed as Brandyn Burnette), two remixes of “Tongue Tied” actually add more to enhance the original song.  Florida’s Danny Quest pumps up the rhythm with an arrangement that enhances Brandyn’s vocal (above).  And Italy’s Frank Pole lends a Eurohouse vibe that will assuredly draw dancers to the club floor (below).

“Naked (With My Headphones On)” is such a strong song by Norway’s Rat City with my immensely talented fellow Canadian Kiesza singing it, and it has endured through social media since its release last Fall.  A trio of remixes is definitely helping to reboot the song’s infectious appeal.  Norway’s Tungevaad brings a European trance flavour to the proceedings in a shorter, tighter version of the song (above).  London’s Blinkie offers similar sped up trance-y vibes while newcomer ZIDA focuses on Kiesza’s vocal and strengthens the pop appeal of the song (both are below).

If you checked out and loved the originals of “Tongue Tied” and “Naked (With My Headphones On)” then do yourself a favour and listen to the remixes too!

Florida electronic music producer @Trivectamusic makes Toronto club debut, new song with @Woolimusic @Excision @JulianneHope “Oxygen”

trivecta20190913

EXCISION, WOOLI, TRIVECTA and JULIANNE HOPE, “Oxygen”

Tampa, Florida electronic music producer Trivecta (aka Sam Dobkin) easily won over Toronto dubstep fans with his alternately hard hitting and melodic style at Revival Bar last night, where he opened for dubstep master Wooli.  His set slammed super-hard at times – in anticipation of the headliner of course – but transitioned quite well and often into more melodic tones that he has been known for through some of his originals as well as his remixes.  Trivecta, like many other producers in the genre these days, is also a musician, and whipped out his guitar a few times to the utter delight of the invested audience.  Among the highlights in his set were a remixes of songs by “his buddy Gavin” Dabin with “Alive”, “Without You My Love” by Seven Lions, and the song that easily received the best crowd reaction, “Fractures” by another of his pals, Illenium (listen below).  The club was also worked up when he played Above & Beyond’s “Sun & Moon”, and when he brought out his guitar again to his own “Break Me”.  All in all, Trivecta was definitely pumped up by the audience’s warm embrace and it was an entertaining set.

trivecta_2_20190913

Trivecta also is part of a new release on Excision and Wooli’s EP “Evolution”, which arrived yesterday.  “Oxygen” is a heartwarming slice of emotional electronica that definitely plays to the style of Illenium’s recent Ascend album.  Featuring a touching vocal by co-writer Julianne Hope, the song alternates dramatic synths with softer moments that will appeal to fans who enjoy Illenium’s “Crashing” and other similar songs.  Check it out above.

 

“Rise Up” is flowing and edgy future bass from Florida-based @Egzod with @officialVBravo and @theonlyMIME

EGZOD, VERONICA BRAVO and M.I.M.E., “Rise Up” (free DL)

France-born, Florida-based producer EGZOD continues to be one to keep listening for with his latest release “Rise Up”, definitely one of his best progressive ‘world bass’ songs to date.  The song plays back and forth between an enchanting vocal by Veronica Bravo (think Amy Lee meets Lights) and the hyper-powered flow of M.I.M.E. (think Busta Rhymes versus Tech N9ne).  EGZOD makes sense of it all along the way, imaginatively fusing together what might seem as disparate styles.  This makes “Rise Up” a compelling call to youth, to keep taking themselves to new heights and not give up.  “Rise Up” is generously available as a free download while it lasts.

Published in: on May 23, 2019 at 10:18 pm  Leave a Comment  
Tags: , , , , , , , , ,

Mixing it up with two recent duets with Florida’s @3letterznuk – “I Wonder” with NYC’s @MarcoFoster_, and a reboot of “Fool’s Gold” with @AaronCarter

3LETTERZNUK and MARCO FOSTER, “I Wonder”

AARON CARTER and 3LETTERZNUK, “Fool’s Gold” (remix)

I’m one for connecting the dots with music, and sometimes it takes me to interesting places whether in person or with the songs themselves. 

So I had got word that NYC’s rising and talented singer/songwriter Marco Foster – always on my radar – had a new song out called “I Wonder”.  It offers a sweeter-than-usual vocal by Marco that works in beautiful contrast to a fun rap by Florida’s 3letterznuk, newly signed to Sony.  Both styles come together to make the song really gel memorably. 

And in discovering this winning pairing, I found that 3letterznuk’s re-emergence on an earlier single this past summer latched on to another performer’s own re-branding  – fellow Floridian, Aaron Carter.  “Fool’s Gold” was initially released a few years ago and was included on Aaron’s first album in 16 years (and first as an adult!) called LØVË, released earlier this year.  A remix was an awfully good idea, letting 3letterznuk’s verses flow freely over the beginning of the song, allowing a segue for the lush production and a sincerely restrained and bright vocal by Aaron that has a lot of delightful breathy qualities about it too.  

Both “I Wonder” and the remix of “Fool’s Gold” happen to have 3letterznuk in common, but they’re true 2018 sleepers waiting for you to discover them.

Published in: on December 28, 2018 at 9:44 pm  Leave a Comment  
Tags: , , , , , , , , , , ,

Rising producer @Trivectamusic dishes out welcome trance flavours in potent dubstep of “Axis”

TRIVECTA, “Axis”

Florida-based producer Trivecta has been garnering attention this year for his varied exploration of dubstep outside of its now-conventional boundaries.  His latest single “Axis” is a prime example of this, incorporating very welcome trance flavours while keeping the breakdowns creative and the beats huge.  I could picture “Axis” in the soundtrack to a video game, as well as the heads bobbing to it at festivals.  “Axis” is made to be big and aggressive and loud and proud, and will continue to afford Trivecta the growing attention in club and festival circles.

Published in: on October 6, 2018 at 7:37 pm  Leave a Comment  
Tags: , , , , , , , , ,