#BILLCSTop30 #560, April 29/19

Rounding out a very un-Spring like month of April (at least here in Toronto) is a chart where change is afoot in the Top 10.  Four promising debuts also will generate some interest!

Sitting proud at the top for a third appearance is “i’m so tired…” (above) by Lauv and Troye Sivan, one of my favourite and very natural collaborations in recent years.  But to give you a taste of what Lauv has coming on his upcoming album, check out the video for his new song “Drugs And The Internet” below.  While perhaps more of a grower, the video is quite entertaining.  And two fascinating facts:  Lauv co-wrote both “Broken” by Tritonal and Jenaux featuring Adam Lambert (#4, 2016) and “Boys” by Charli XCX!!

Charging up to second place is the rollicking “White Lies” by UK/German production duo M-22.  It’s a sizzling dance track that should be one of Spring’s biggest club hits IMO, with major influence coming from early 90’s house with particular homage to Inner City’s classic “Good Life”.

Nashville’s Mokita has a lot to cheer about in this chart.  One of the more interesting and charming story songs to appear in a long while, “London” (above), advances 4-3, while the more forthright “Kiss And Tell” (“if I can just kiss and tell ya”) (below) is the fastest riser on the chart, climbing 26-15.

“Good Things” in its ‘disco edit’ has been veteran producer Cedric Gervais’ only appearance on my chart to date, but what an entry – the collaboration with Just Kiddin’ and vocalist Kyan soars 9-4.

Mahalo and MŌZ rise into the Top 5 with the dark deep house of “Go Ahead”, moving up 8-5.  Despite its tense melody, the song does have a positive story that takes a few listens to sink in.

“Black Gasoline” by Italy’s Mark Mendy has slowly become one of my favourites as it climbs 11-7.  It’s a different kind of alt.dance song thanks to some personable vocals by Australia’s Beamish Brothers. Jeremy and Ben also have a new one on their own that’s outside of the dance genre which you can check out called “Kills Me Every Time” (below).

The other new entry to the Top 10 belongs to the Jonas Brothers.  No one could have told me six years ago that the Jonasei would ever be in my Top 10, but yet hear they are up 15-10 with a great piece of songwriting and arranging called “Sucker”.

Though they’ve had a couple of remixes that have landed in my Top 10, L.A.’s Two Friends get a personal best for their original work as “Take It Off” (above) climbs 13-11.  The prolific duo have another song on deck too called “Dollar Menu” featuring singer Dani Poppitt, below.

“Enlighten Me” is the fast-paced new song by Dutch producers DubVision and SYZZ with a keen, positive message that accentuates the bounce for you.  It moves up 18-13.

The previous chart’s debuts all make promising moves.  Lost Frequencies’ first entry on the chart is “Recognise” (above) featuring vocalist Flynn, which rises 25-20.  Then there’s another winning combination with Germany’s Final DJs and Bright Light Bright Light teaming up for “Wild” (also above), climbing 28-21.  And blog faves Saxity rev us up for the summer months thinking about every “Weekend” (below) till then.  The song advances 27-23.

3 chart veterans return with debuts along with one newcomer.  First up is “Do You Mean”, the latest surprise as chart entry #11 from The Chainsmokers, who add vocalists Ty Dolla $ign and Canada’s Juno Award-winning bülow into the mix to great effect.  “Do You Mean” may not resonate with you at first listen, but it definitely sinks in a few more later.  Following the late 2018 entry of “Siren”, “Do You Mean” arrives at a smashing #22.

And then there’s the 7th chart entry for New York’s own MAX with “Love Me Less” featuring hip hop vocalist Quinn XCII at #24.  It’s MAX’s first appearance here since last year’s vocal on Matoma’s “Lonely” (#10) and his first lead appearance since his own classic “Lights Down Low” (#3), which I charted upon its arrival in 2016.  “Love Me Less” is also from his upcoming album “House Of Divine”.

The lone newcomer to the chart is France’s Kidswaste (aka Quentin Beauvois), about whom I’ve been writing for the past few years.  His gorgeous melody and synths arrangement in “Sleeping Pills” featuring vocalist KOLE sends it to a #27 debut.

The final premiere for this chart is the steamy and funky “Adore You” by Jessie Ware at #28.  Now expecting her second child, which will postpone any touring for a while, “Adore You” is the soulful, romantic bookend to last year’s “Overtime” (#6).

 

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

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#BILLCSTop30 #559, April 15/19

The top of the chart appears relatively unchanged, but the bottom of the Top 10 is all abuzz as a few songs soar, and four debuts add to the pleasures.

I can’t get enough of “i’m so tired…” by Lauv and Troye Sivan, such that I think they should record another song together.  It would be the perfect follow up until Lauv’s forthcoming album is ready.  “i’m so tired…” is locked in at #1.

The only new entry to the Top 5 belongs to Nashville’s Mokita.  The pensive “London” advances 6-4, while the singer/songwriter gets his 3rd chart entry with the bubbly and knowing “Kiss And Tell” at #26.  Watch out for Mokita, his music is absolute fire right now!

“Love” by Simon Curtis rises 8-6.  I can’t wait to hear what Simon has coming next, and as gorgeous and soulful that “Love” might be, I want something more hard-hitting and danceable next 🙂

The fastest riser on the chart is by UK/Germany production duo M-22 with “White Lies”, which catapults 23-7, with definite eyes on #1 in the coming weeks.  I saw the duo drop the song at Miami Music Week and with those deep house vibes, courtesy of some influence from Inner City’s “Good Life”, “White Lies” simply can’t miss!

In a darker but somehow uplifting vein is “Go Ahead” by L.A.’s Mahalo featuring vocalist  MŌZ.  It climbs 13-8 and follows the now-departed “In My Arms” for a 5th Top 10 song here for Mahalo 🙂

In any other week a 24-9 leap would be the fastest riser, but in direct competition with M-22’s “White Lies” is another brilliant new dance song, “Good Things” in its disco edit by Cedric Gervais and Just Kiddin’ featuring vocalist Kyan.  “Good Things” just brims with fun and energy and like “White Lies” is bound to be one of my favourite songs of the year.

The Top 10 isn’t done yet if Sam Smith and Normani have any say in the matter.  “Dancing With A Stranger” climbs 14-10, becoming his first Top 10 since “Too Good For Goodbyes”.

Just outside of the Top 10 there’s “Black Gasoline” bubbling under and rising 17-11 for Italy’s Mark Mendy and featuring some irresistible vocalizing by Australia’s Beamish Brothers (Ben and Jeremy).  

We find another, more famous set of brothers moving up 19-15.  It’s those Jonasei with “Sucker” still keeping fans happy in the shadow of the new, quieter single “Cool”.

There’s so much great dance music always coming from The Netherlands, and “Enlighten Me” by DubVision and SYZZ is no exception.  This rollicking foot-fest climbs 26-18.

NYC singer/songwriter Matt Beilis enters the Top 20 with his Maroon 5-ish “Chemistry Or Chemicals” moving up 22-19.

Disco dancing is alive and well with the clubland enthusiasm of “Let’s Go Dancing” by UK producers Horse Meat Disco and NYC vocalist Amy Douglas, which jumps 25-21.

Ever-prolific Illenium moves up 27-22 with the softer, almost Country-flavoured (in a “The Middle”/”This Feeling” kinda way) “Crashing” featuring California duo Bahari on vocals.

The highest debut belongs to Belgium’s Felix De Laet, or Lost Frequencies as you better know him.  Featuring vocalist Flynn, “Recognise” packs a punch when it slams right into its great chorus at the :25 mark.  “Recognise” bows on the chart at #25.

German producers and musicians Saxity have been to the Top 10 twice, with “Brothers” and “You Found Me”.  They’re back and wanting to party hard with “Weekend” at #27.  I just love all of the instrumentation that the song has to offer in the background, which makes it sometimes seem like it really wanted to be an Earth, Wind & Fire record in disguise 😛

The final debut is a reprise of a collaboration between another German producer, Final DJs and US-based Welsh multi-talent Bright Light Bright Light.  The strut-worthy house of “Wild” arrives at #28 following their #11 charting song from a few years ago called “Lost In Feelings”.

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂