Love Lies Lost: Watch the Video for “Ghost” by The @AutumnPortrait

THE AUTUMN PORTRAIT, “Ghost” (video)

I first wrote about The Autumn Portrait (aka Freddie Mojallal) and his sophomore album Tired Love a little over a year ago.  This talented Toronto-based folk/pop singer/guitarist delivered particularly with that album’s final song, “Ghost”.  The song is about a love long gone, and the new video for the song is a scrapbook of happy memories, definitely pause for thought for whatever happened.  The song’s deliberate and sad tone is in stark contrast and makes the video work on an emotional level.  Watch it above.

Retro Alt.Rock from @JakeBugg’s Sophomore Album, “What Doesn’t Kill You”

JAKE BUGG, “What Doesn’t Kill You”

It seems like 19 year old Nottingham, England-born Jake Bugg’s self-titled album was only just released, with the top of 2013 all abuzz about the baby-faced folk-rock singer with gritty, street-wise lyrics.  The album went to #1 in the UK and sold out concert dates everywhere followed.  Jake’s new album Shangri-La is already due for release in November, and ahead of that we’ve got “What Doesn’t Kill You” to tweak our interest.  The song would have comfortably fit into the British post-punk era of rock, and certainly stands out as unique in today’s alt.rock.  I don’t think there are pop radio designs on this song but perhaps others will follow.  If you liked Matthew Koma’s “1998” from his EP earlier this year, that might help give some context, though Matthew skews more pop than Jake.  “What Doesn’t Kill You” is available worldwide on iTunes.

Long Players: Andy Suzuki & The Method, and Kobo Town

ANDY SUZUKI & THE METHOD  Born Out Of Mischief

Andy Suzuki & The Method is a trio from New York City consisting of songwriters Andy Suzuki (guitar, piano) and Jason Gorelick (electric violin), as well as the grandson of Grammy-winner Babatunde Olatunji, hand-percussionist Kozza.  They first came to my attention last year with their Ghost Stories EP which featured the jaunty and jazzy “Fairytale”.  The band somehow managed to conquer youth in Brunei, of all places, and toured extensively there last year.  Upon their return they, like many other promising performers, launched an Indiegogo project to record their album.  By Spring this year their fans (lovingly called Methodon(na)s) helped the band exceed their target by over $3,000, and thus we have Born Out Of Mischief.

Andy Suzuki and The Method

The trio definitely upped the ante by several notches with this album.  It’s slick and contemporary, it rocks and tells stories, and it is stunningly sung by Andy.  “Keep Me Running” is a logical first single choice, the opening song with mass appeal written all over it.  There’s also the playful title song and the devil woman saga “Lucy (Devil Song)”, and more songs about different women, including the country-influenced “Virginia” (where Andy’s voice particularly soars), the story of “Annabelle” and her navy boy, and “Lauren” (“will you be my angel?”), which reminds me of Canadian band Blue Rodeo’s best work.  Best of all are the spirited folk/pop of “When She Leaves”, and especially the theme song in waiting to a movie about indie performers, the bar-rocking, fun “Dirty Floors”.

If you’re a performer who is speculating about recording an Indiegogo or Kickstarter-type of project, you should give Born Out Of Mischief a solid listen and contact this trio to find out everything they’ve done right.  Andy Suzuki & The Method have created one of the year’s best kept secrets, which hopefully through touring and outreach to fans should garner them a greater following by the end of the year.


KOBO TOWN, Jumbie In The Jukebox

Kobo Town is out to bring calypso-influenced world music to your speakers this summer with the septet’s new album Jumbie In The Jukebox.  Led by Canadian/Trinidadian songwriter Drew Gonsalves, Jumbie In The Jukebox is an ode to the history of calypso and all of the “jumbies” (spirits) which populate the songs, whether they be sheer fun (“Half Of The Houses”, “Joe The Paranoiac” – live performance below) or stories with pointed messages (“Mr. Monday”, “Postcard Poverty”, “The Trial Of Henry Marshall”).  The melodies are finely crafted and accentuated beautifully by many horn arrangements, all bringing a rich blend of calypso, reggae, pop, jazz, and folk to fill your ears.  Jumbie In The Jukebox contains songs that will sound great outdoors and will make you get whatever groove on you care to bring with you.  Bravo to Drew and Kobo Town for an enjoyable and well-honed experience that will help take them to the next level.

New Pop Alert: Jake Bugg, Bim, Baiyu, Krewella, Parralox featuring Ryan Adamés, Kim Smith, Pip, and Nick


Jake Bugg “Two Fingers”

Though he’s already had a #1 album in the UK, I’m hoping for big things in North America for 19 year old folk/rock singer Jake Bugg.  He recently performed several showcases at SXSW and his self-titled album will be released here in April.  Ahead of this is a clever lyrics video for “Two Fingers”.  There’s an interesting contrast between the lyrics and the two children in the video, though there is a worthy theme of putting things behind you and moving on to something better that drives the song along.  Jake’s voice stands out in a crowd, his songs are catchy and one-of-a-kind, and I think he should be headlining some club dates in North America during the year.


Bim “Stop You”

UK duo Bim, one of my 13 Performers To Watch For ’13, continue to be on a roll with the songs that they are releasing in anticipation of a full sophomore album.  The ride hasn’t stopped since last Fall’s Lifelines EP release.  Following their recent astute and different interpretation of Chris de Burgh’s “Lady In Red” comes more gripping and emotional pop that they perform so well with “Stop You”.  Rebecca and Denmark have amazing connection that few other duos possess, which always makes their songs such a treat, even if they sometimes send you on a rollercoaster ride, you come back feeling all the better for it!  “Stop You” will be available as a free download from Bim’s website


Baiyu “Surface”

Another of my 13 Performers to Watch For ’13 is New York chanteuse Baiyu.  She never fails do deliver a quality song, and continues to release something new for free download each month.  “Surface” is aggressive mid-tempo EDM along the lines of the title song of her last mixtape Hunter.  That she continues to mix it up style-wise shows her diversity and desire to appeal beyond a traditional pop audience.  If these top notch recordings continue, they will take Baiyu and her amazing voice to the next level.


Krewella “Alive” (Pegboard Nerds Remix)

Chicago dance trio Krewella are out to conquer with their latest release as they make their way across North American slaying audiences in concert.  “Alive” is one of the most boisterous rock/EDM songs to come along in 2013 that looks like it will also be a proper pop crossover hit.  The video of this vibrant remix is nothing short of joyful unbridled chaos.  Watch below.



Parralox featuring Ryan Adamés, “Silent Morning” 

I already wrote about “Silent Morning”, the mid 80s freestyle pop hit by Noel, as covered by Aussie duo Parralox, back in January.  What will now be the official release of the single features handsome L.A. singer Ryan Adamés in a pairing sure to cause intense dancefloor bliss.  In fact you can catch Parralox and Ryan performing in Miami tomorrow night at Twist Sound Beach to launch this sparkling rework.


Kim Smith “Jealous Out Of My Head” (Midi-D’s Bootleg Mashup)

It’s a brilliant idea – blend New York-based Aussie singer Kim Smith’s pop-savvy “Jealous” with “Can’t Get You Out Of My Head” by fellow Aussie Kylie Minogue.  The Vibe Kings remix is every so deserving of big city club play, but so is this mashup, which will keep heads spinning while feet dance merrily away into the night.

Cue two more inspired cover versions!


First up, we have season two contestant from The Voice, 20 year old Pip, who has his ear to the radio and provides a beautiful soulful edge to his version of none other than Chris Wallace’s “Remember When (Push Rewind)”.  He and his band mates take a few liberties with some of the choice of instruments they use to support Pip on the song, but the spirit of the song is more than intact.  Good on you, Pip!  Pip’s 6 song EP No Formalities is currently available on iTunes.


Second, I get to post this the day before the official release of The 20/20 Experience by Justin Timberlake.  There’s no one better suited-and-tied (hence an older pic of him above) to cover “Suit & Tie” than sweet-voiced Nick, in anticipation of his own upcoming project.  I’m actually hoping that JT himself gets to hear this version – even though it sounds a bit rough in spots, Nick’s vocal finesse (including the rap) just nails it and the man himself would be proud of that.

The Softer Side: Dido, Travis Garland, Almost Charlie, and The Autumn Portrait

Where I reside of course it is now winter and the temperatures are dropping below freezing this week.  So time to curl up with a cup of tea and some songs on the softer side.


DIDO featuring KENDRICK LAMAR “Let Us Move On”

Dido’s No Angel was one of my most played albums at the turn of the millennium, with the stunning “Here With Me” (which also served as the theme to the TV show “Roswell”) my #1 song of 2000.  She’s back with her fourth album due in the Spring, mixing things up a bit on “Let Us Move On”.  While the song doesn’t break any new ground for the UK singer, it is a great piece of positive songwriting, punctuated nicely by Kendrick Lamar’s verses, with his inclusion obviously inspired by brother and co-producer Rollo’s work including with the seminal dance band Faithless.  “Let Us Move On” could find its way to audiences who gravitated to Ellie Goulding’s “Lights” in time.


TRAVIS GARLAND “Diamonds/Adorn”

Did we need yet another rendition of “Diamonds”?  Probably not, but the singer performing it after a gazillion cover versions is important.  I was pleased to hear Travis Garland again, after thinking the Texas singer who brought us “Believe” a few years back was M.I.A. in this strange music biz.  Nope, just my oversight, in fact he’s got a new EP Fashionably Late for free download at his website, and I’ll be checking that out.  But getting back to what you might have thought could be a questionable mashup, it is in fact extremely clever, and Rihanna’s Sia song and Miguel’s ballad blend beautifully.  Plus, Travis’ pipes just soar at the right times, and if his vocal wasn’t so strong the whole thing might have fallen apart.  


ALMOST CHARLIE  Tomorrow’s Yesterday

Tomorrow’s Yesterday is the third album from Almost Charlie, aka German singer and multi-instrumentalist Dirk Homuth.  It’s a pretty straight-forward concoction of high quality soft pop/rock/folk, which immediately recalls The Beatles (and John, Paul, and George’s solo work too), Simon & Garfunkel, Klaatu, and more.  The project is called Almost Charlie because of ‘fifth Beatle’ Charlie Mason, who writes all of the lyrics but does not perform.  Dirk’s vocals and arrangements execute compelling songs of varying moods and paces such as “Still Crazy ‘Bout You After All These Years” (my personal favourite), “When Venus Surrenders”, “Nice Place To Die”, “Open Book”, and the title song.  For those who like their coffee crisp and their tea brisk, Tomorrow’s Yesterday offers many pleasures to wind away your day.  Listen to “Open Book” and “Tomorrow’s Yesterday” below, and purchase the album through the Almost Charlie website.



The Autumn Portrait is the band name for Canadian singer Freddie Mojallal, and Tired Love is his second album release.  It’s a quick run-through of songs mainly about heartbreak, and we know how good tunes can sound when they get up close and personal.  Freddie achieves his promising presentation through sometimes sparse and ragged (almost live off the floor) recordings.  Think perhaps of the ‘whisper rock’ of Joshua Radin and a less poetic Adam Cohen, and The Autumn Portrait’s music is somewhere in the middle.  The best and most affecting song is the album closer “Ghost”, with other standouts being “Spain”, “Take Me Home”, and “Can I Come Back Home”.  Freddie has been gigging around Toronto so you might want to check out his show as well.  You can buy Tired Love on iTunes.  Watch the video for “Spain” below.

The Return of Pop Collectives: Aerials Up and Gentlemen Hall

Music festivals always bring out a variety of performers.  Two that I’m looking forward to seeing at Canadian Music Week are multi-member pop collectives.

Alan (Kemy) Kemlo leads Scotland’s Aerials Up, a 7 member band that features the classic pop/rock band instrumentation, which is in turn augmented by violin and cello.  Their hit-bound pop/rock arrangements then make my ears perk up as the additional instruments round out the sound and give it alternately playful, folky, and classy tones.  The group is in the process of putting final touches on a full album, and have opened for the likes of fellow countryfolk Snow Patrol and Paolo Nutini.  

Aerials Up has already released the downright infectious crowd-pleaser “I Am” and a 3 song EP called Superglue, whose title song grabs you with its classical start up but takes you to rockland with some highly complimentary harmonizing.  These days you do indeed need superglue to keep pop collectives together, but from what I hear, Aerials Up is one tight unit and I look forward to listening to much more from them.  Listen to “I Am”  and “Superglue” below and buy them on iTunes.

Aerials Up performs twice during Canadian Music Week, first on Thursday March 22 at 11:00 pm at the Drake Underground (sold out to the general public already), and then on Saturday March 24 in the international music showcase at the Global Village Backpackers, Departure Lounge (doors are at 7:30 pm).

“I Am”


It’s a bit hard to believe that it’s been almost a year since Boston’s Gentlemen Hall came into the mass public’s eye on the Billboard Music Awards, after which I blogged about their engaging song “How Long Have They Been Watching?”.  A six piece band, the emphasis here is on captivating lead vocals carried by vintage 80’s synth sounds and other instrumentation such as flute and piccolo.  Since that time there has been much, much touring and a six song EP called When We All Disappear, which you can get for free from the band’s Facebook page with an email subscription.  

The EP has some lush sounding production, but it was the band’s strong  showcase on that awards show plus some of their performance videos that sold me, so I’m looking forward to seeing Gavin, Cobi, and bandmates now that they’re in my city.  Listen to “Gravity Will Break Our Bones” and “Take Me Under” below.

Gentlemen Hall perform during Canadian Music Week tonight at midnight at Lee’s Palace, and then again on Saturday March 24 at midnight at Sneaky Dee’s.

“Gravity Will Break Our Bones”

“Take Me Under”

Adam Cohen’s “Like A Man” and October 3 Toronto Show

As I write, Adam Cohen is performing his second Toronto show at the Drake Hotel.  I had the privilege of seeing him perform last night in a small (maybe 150 people) and intimate setting which was perfect to showcase the new songs from his album Like A Man.

Like the first single “What Other Guy”, the songs in Like A Man are mainly love letters to and about various women and relationships.  It’s a soft and romantic record for the most part, very unlike the songs from his self-titled debut or by his rock band Low Millions.  He really does embrace the intellectual and poetic style that surrounded him as growing up as the son of Leonard Cohen, and steps away from dad enough to make it his own.  

I didn’t even know about this album’s release until last Friday.  It’s a most unexpected and joyous surprise to hear what I would call one of the best records of the year in among all of the pop and electronic music I listen to and about which you usually read in these posts.  But I digress – really, I’ve been intrigued by Adam’s music since his first release in 1998.  

Carefully produced by Patrick Leonard (most noted for Madonna, but many others as well, including Elton John and Roger Waters – Leonard also plays on the record), these are apparently songs that could have gathered dust had family and friends not encouraged their release.  The first (and oldest) song, “Out Of Bed”, puts a smile on your face right away, and you can feel the warmth and humour that lay underneath many of the songs throughout the album.  The lyrical persuasion of “Sweet Dominique”, “Girls these Days”, and “Beautiful” are three more essential reasons to listen to Like A Man.  Adam’s lovely and gentle sing-speak, not unlike his father’s at times, suits every moment.  Having friends like Don Was (stand up bass) and Jennifer Warnes (who recorded his father’s songs on her seminal 1986 Famous Blue Raincoat album) in support adds to all of the precision.

Adam performed a generous set for about an hour last night.  It was full of camraderie and anecdotes that made it very special, especially the story about how Sir Paul McCartney spoke with him after a show and told him that he wished he wrote one of his songs – ultimate compliment!  The singer himself said he felt nervous performing despite “this is what I do”, but it really is a fresh start (not disregarding his past works) so that kind of excitement was deserved.  He led us through “Sweet Dominique” (and incorporated a verse of his father’s “Bird On A Wire”), “What Other Guy”, “Girls these Days”, “Beautiful” (which he dedicated to his 4 year old son Cassius and his son’s mother), a stripped down version of Low Millions’ “Eleanor”, plus covers of Marvin Gaye’s “What’s Going On” (for a first time performance that completely gripped the audience) and dad’s own “So Long Marianne” (the title is also referenced in “Beautiful”).  Adam’s set was complimented heavily by the talents of cellist/guitarist Mai Bloomfield and multi-instrumentalist (and Low Millions member) Michael Chaves.

Here’s an imaginary glass of Petrone to salute the release of Like A Man and what should be a successful Canadian, UK, and European tour for Adam Cohen, because I think he’s going to find a lot of new fans along the way.  Don’t be surprised if this album shows up on many year-end ‘Best Of’ lists.  Like A Man is available on iTunes or in hard copy CD format.

Canadian Music Week Follow-Up: Long Story Short and John Nathaniel

Connection makes the world go round.  Through my love of music, and particularly in the last 5 years through social networking, I’ve been able to hear music and meet people that never would have happened before that.  On March 12, I took in an evening at a small club in Toronto called The Central for a brief set by Canadian/US duo Long Story Short accompanied by their producer and co-songwriter John Nathaniel.  Here are my comments about recent releases by both.

Long Story Short “What A Scene”

Montrealer Daniel Luka and L.A.’s Nicky James are Long Story Short, and have been writing songs together for about the last year and a half.  Their debut independent release What A Scene is thoughtful adult contemporary pop with an edge, featuring songs that would not be at all out of place next to ones from Lifehouse, The Fray, fellow Montrealers Mobile, and The Script.  The CD kicks off hard and in your face with the rockin’ “Fall Awake” and “Caved In”, certainly one of the record’s best tracks which won second place in the Canadian Radiostar songwriting competition during Canadian Music Week.  Softer and romantic songs find their way into the music later on, such as the touching “What Mattered Most” (my favourite song, (which Daniel said began as a melody when he was in the shower – had to get out to write it all down!), “Forever” (which Daniel says has already been played at weddings!), and “Someone”.  The duo both play piano and sing, with Daniel’s lead vox reminiscent especially in his lower range from songs by Howie Day (“Collide”, “She Says”) from a few years back.   All in all, with sparkling production by John Nathaniel, What A Scene comes off as slick and savvy.  It’s available on iTunes Canada and you can visit the duo’s Facebook page right here.  Hear “What Mattered Most” and see a pic of the duo below.

John Nathaniel featuring Phoebe Sharp “Undecided”

Montreal singer/multi-instrumentalist/ and award-winning producer (Pat Groulx, Marie-Mai) John Nathaniel was one of the first indie artists that I encountered when I joined MySpace back in its 2006-08 heyday.  John had already used that site in his campaign to promote music that would end up on two records, Crash and Burn as well as Shades Of Grey, in 2008, and he acquired over 100,000 friends which led to numerous fan sites being developed throughout the world.  This led to a third album, Overdrive.  Most recently, John has issued a single with U.S. singer Phoebe Sharp called “Undecided”.  Much different from his quieter songs (“Ever” is my favourite and reached #6 on my chart in 2008) or Collective Soul-inspired rock (such as “Crash and Burn”), “Undecided” starts off as a rocker that whirls into a duet that has this Big Movie Feel – you can visualize it being played over the opening credits of a major movie, reminding me of songs like Train’s “Ordinary” (from “Spider-Man 2”).  All of John’s records are available through iTunes Canada, and you can visit his MySpace site right here.  Listen to this interesting pairing below and see a pic of John below.

Although their set was sabotaged by poor sound, Long Story Short have great potential, and it was terrific to spend some time with Dan, Nicky, and John afterwards.  Sometimes I think it’s best to see sets like this first in a small club setting. I was also very pleased with calibre of talent that Canadian Music Week put together for this evening.  Enjoyable sets by 17 year old Maddy Rodriguez, Montreal’s Matt Stern, and Vancouver’s Steph MacPherson all followed.

Tuned-On! Roundup!

Roundup Spotlight:


I must say, London duo Jackanory & The Ball know how to make one satisfying four song EP.  Singer/songwriter Tom Skelton and producer/DJ/pianist Michael Rendall have a strange kind of fusion going on – and this kind of strange is really strong and entertaining.  I could be wrong, but I think it might start with some jazzy Steely Dan influence, moving through new wave and pop electronica of the 80’s, then into some hip hop and dance club sounds of the 90’s, yielding a pastiche of sometimes humorous pop that sounds as theatrical as it does melodic.  The duo is like a British companion-piece to American veteran duo They Might Be Giants (“Birdhouse in Your Soul”, one of my faves from 1990).  Be sure to check out “Audio Precision”, perhaps the most accessible track – listen for Pac-Man – with bouncy rhythm and sing-along lyrics.  The other tracks – “Not The One”, “Too Long” (the most R&B/hip hop oriented track), “Come Away with Me” – are equally unique, with rich melodic weaves but straight forward words and themes.  All in all, it’s an EP full of promise which lends natural curiosity to how Mssrs Skelton and Rendall can perform these songs in a live show.  Be sure to check them out if you’re in England (and let me know!).


UK singer Billy Franks had generously put his Euphoria compilation online for free.  It’s a cozy and energetic 12 song record compiled from six releases from the Faith Brothers leader and creator of the charity single “The Beautiful Game”.  Despite the varying production qualities from track-to-track, Euphoria has a terrific pub-next-door feel – its genuine warmth overall is contagious.  And if you’ve ever heard the Faith Brothers, no one, but no one, writes emotionally rich songs like these like Billy Franks.  With live tracks like “Sleep A Little Easy When It Rains” as well as other songs full of beautiful and brutal honesty like “Just”, “Beautiful Heresy”, “She’s The Messiah In Me”, and “50/50 America”, it’s easy to get caught up in such fine and raw veteran musicianship.  Be sure to provide a donation if you can.

COLIN MUNROE “I Would Die 4 U”

Toronto’s Colin Munroe came to my attention in 2008 with the release of his adventurous mixtape Colin Munroe Is The Unsung Hero, which featured covers as diverse as songs like U2’s “Sunday Bloody Sunday” and originals, sometimes with some better known friends, such as the shouldabeenahit “Will I Stay”, featuring Wale and Dallas Austin.  Well this singer/producer/DJ is back in the aftermath of what sounds like a record deal gone (near?) sour, and he’s boldly chosen a Prince cover to stage his re-entry.  Yes, “I Would Die 4 U” is a favourite of many Prince fans, but Colin has slowed it down a bit to give it more emotional, almost retrospective or even introspective quality.  And no, that is not autotune folks.  It’s free with subscription to Colin’s newsletter – worth it always to find out what he’s up to next!

PETER KATZ “Dangerous”

The iTunes single of the week feature often brings intriguing tracks and artists to the attention of the public, and being from Canada I see a regular and different selection.  Toronto-based Peter Katz’s “Dangerous” is edgy, thoughtful folk/pop that stays in your head, and reminds me of Michael Penn’s best efforts of the early 90’s.  It’s from his fourth release, and first through Sony, called First Of The Last To Know, and you can hear tracks from it at his website .  And it looks like he’s touring a lot, so check out his tour schedule too.

DARIN  “Lovekiller”

OK hit me over the head with a large plank or something, but after many repeated plays, Darin’s “Lovekiller”, a Swedish #1 hit, has finally sunk in.  I thought the song was perhaps too derivative of too many other songs that I could think of  (including the beginning, sounding a lot like INXS’ “Never Tear Us Apart”, or as a male version of “Unfaithful” by Rihanna), but the slow-burning mystery appeal has finally sunk in.  Strange, because I was a big fan of 2008’s “Flashback”, which featured the Kat DeLuna duet “Breathing Your Love” and the “Just Dance” soundalike “Girl Next Door”, both of which landed in the Top 5 on my chart.  But the new record is definitely more mature and better written, and perhaps I just wasn’t expecting that.  Darin should be Sweden’s next natural pop export.  I can’t see why this song shouldn’t do well internationally.

ADAM TYLER “Over The Top”

Ah yes LA’s Adam of the “Friction”, one of my current favourite songs, alerted me a few weeks back through Twitter that “Over The Top”, one of the songs recorded for his upcoming Lullabies for Rattlesnakes release, had been leaked online.  It’s a mid-tempo pop/dance track not too far removed from “Friction”.  It has an undeniable hook but could benefit from a perkier remix.  You can either check out a clip of the song from Adam Tyler’s official site or try to locate it in its leaked version online.

SHANE HARPER “Dance With Me” and “Good Friends”

Another new guy from LA, Disney Channel fans already know singer/actor/dancer Shane from a supporting role in the new show “Good Luck Charlie”.  And his first could-be hit “Dance With Me” is pure teen/tween late-night-on-the-beach confection, sort of what Jesse McCartney started a few years back before the more grown up Departure album.  Top marks though for Shane’s very good voice and dance moves in the video.  As a bonus, he’s made the ballad “Good Friends” available as a free download with an email subscription to his newsletter .  Shane Harper definitely has my curious ear at hand – and I like triple threats!

THE SCRIPT’s “Science & Faith”

The Irish trio’s sophomore album after its very long-lasting 2008 debut has joined what looks like a wonderful week of record releases starting September 13 (also including Bright Light Bright Light’s “Love Part II” and Brandon Flowers’ “Flamingo”).

CLAYTON SENNE’s “And Her Name Is Music”

Kansas-born but Florida-based piano man Clayton Senne tweeted a few weeks back that he would release his second album on January 1, 2011 – for binary code fans that’s 010111 🙂 On Saturday, August 29, he performed a new song full of urgency with oodles of potential called “Floodgates” on Orlando Live Streaming , during which he also announced that the title of said release would be “And Her Name Is Music”.  I hope to be blogging a bit more about this talented new artist and this record in the coming months, so watch for it!  In the meantime, check out his official site.


The former Bongos member and creator of a number of fine solo albums, including 1990’s Primal Dream and 1994’s Clouds Over Eden, is back with his new CD “Glow” (also due next week, on September 14), and will be performing several club dates in the New York/New Jersey areas.  I saw Richard in concert many years ago in Toronto and he can captivate an audience very easily.