#BILLCSTop30 #606 – February 1/21

It’s been a long January, particularly for those of us in lockdown or with stay-at-home orders, but we will all get through it, and thank goodness for the shortest month of the year, February!  While some long-lasting favourites depart and will move down the chart in the coming weeks, there’s no shortage of great music to succeed them!  Edition 606 has four new entries and lots of movement particularly in the Top 10.

“Give It Back” (above), the powerful house banger by The Disco Fries, Giiants and Allison Park obtains a third appearance (six weeks) at #1.  Looking to replace it are either NOTD and Catello’s “Nobody” (steady at #2, below) or “Like Gold” (also below) by Loud Luxury, Frank Walker and Stephen Puth, which charges 11-4 and is the Fastest Riser on the chart.  It’s also Loud Luxury’s fifth Top 5 on this chart, and Stephen’s second (“Sexual Vibe” peaked at #5 two years ago).  

 

This is quite an amazing Top 10, with new peaks from Francesco Yates’ “Late Night Love” (5-3, his personal best on the chart), Jerome Price and Cally Rhodes’ deep house zinger “Chasing Feelings” (6-5), 2020 carryover “Chew On My Heart” by James Bay (9-6, above), and Why Don’t We’s “Fallin’ (Adrenaline) (8-7, below).

Karen Harding gets her second Top 10 with “Let’s Get Together”, this time in partnership with Scotland’s Illyus & Barrientos (12-8), following last year’s #1 “Undo My Heart”.

Soaring into the Top 10 for the first time is Japanese-British sensation Rina Sawayama with the heavily Lady Gaga inspired “Lucid” climbing 15-9.

Lastly, Oliver Heldens and Party Pupils both land in the Top 10 for the first time too with “Set Me Free” (14-10) featuring vocalist and one half of Party Pupils, MAX.  It’s MAX’s 9th Top 10 on this chart, either as a solo or featured artist!

Three unique dance tracks by British artists make other waves on the chart as they move up.

“Synthesizer” has a cruel and droll sense of humour about it, but the riveting new song by dance phenoms Faithless and vocalist Nathan Ball climbs 16-11.

Another veteran dance producer, Hot Since 82, is going gangbusters on the chart with “Sinnerman” rising 20-14, featuring vocalist/songwriter Ed Graves.

Watch for “Tell Me” by producer Bobby Harvey and vocalist Danny Dearden to break out further in two weeks.  For now, “Tell Me” moves up 27-21.

I, like the rest of the world, cannot resist the many charms of Olivia Rodrigo’s “Drivers License”.  The heartfelt and beautifully produced ballad bows on the chart at #25.

L.A. based dance producer Mahalo has become a mainstay on the chart over the past few years, and I usually appreciate his darker, deep house tracks.  One of those is “Not Watching Anymore”, which arrives at #28 and becomes his 9th chart entry.

I’ve written about a few Indian producers, or those of Indian descent over the years.  The first one to be born in India to appear on this chart is DJ Shaan, with vocalist Londin Thompson, with the pop-flavoured dance track “By Heart”, which arrives at #29.  Other producers of Indian descent to appear on the chart in the past include Spirix (born in the USA) and Panjabi MC (born in England).

At #30 is the new winner from SoCal producer Jay Bird, about whose music I’ve written these past few years.  His songs haven’t appeared on the chart till now, and that has all changed with his new personal best for me called “Escape”, featuring an outstanding and soulful vocal by Chrxstal Sarah.

A reminder that the music from my chart and blog are featured regularly on the online radio station The New Radio GTA. You can hear their Big 20 on Wednesday evenings with ‘The Musicman’ James Rogers and listen for songs from the chart too 🙂 Scroll down the station’s main page to listen to lots of variety from across the decades!  I’m the new music consultant for the station so you can expect even more in 2021 🙂  You can start by joining Radio GTA’s new interactive Facebook group too!!

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

#BILLCSTop30 #605 – January 18/21

2020 favourites are gradually departing the chart to make room for what’s new and fresh. There are five debuts on the new chart, a few that have been waiting through the heavy holiday period to find their way onto the chart.  There’s lots of great music coming in January alone, so the competition for future charts will be particularly fierce.

“Give It Back” by NYC producers The Disco Fries and L.A. production trio Giiants with vocalist/songwriter Allison Park continues its reign at the top.  This one leads the way in the ‘dance banger’ department for me right now, though there are other fun ones further down the chart.

Could “Nobody” by Norway’s NOTD and Catello be the one to succeed “Give It Back” at #1?  Currently experiencing one of the longest stays at #1 on US dance radio in recent memory, I hope “Nobody” is also promoted to pop radio.  It climbs 6-2.

“No One But You” (above), the quiet, beautiful R&B/pop ballad by Toronto’s Justin Nozuka with UK singer/songwriter Mahalia climbs 5-4 from an upcoming EP that will be released in the Spring.  Justin’s latest peaceful and tranquil new single is “summer night 08” – check out the video below.

Like “Bad Decisions”, “Late Night Love” by Toronto’s Francesco Yates has long-lasting power.  This funky, soulful, naughty jam climbs 7-5 to match the peak of “Bad Decisions”.

With the release of their album The Good Times and the Bad Ones, L.A. quintet Why Don’t We arrive in the Top 10 with the rollicking “Fallin’ (Adrenaline)”, moving up 11-8.

Also new to the Top 10, somewhat belatedly, is “Chew On My Heart” by James Bay, which rises 12-9.  James was last in the Top 10 with 2018’s “Pink Lemonade”, which peaked at #2.

Karen Harding is well on her way to having two Top 10’s in a row on this chart. Following last year’s #1 “Undo My Heart”, “Let’s Get Together”, a collaboration with Scottish producers Illyus and Barrientos, zips up the chart 17-12.

The fastest riser on the chart is by the venerable, influential dance group Faithless.  They’ve returned after a long absence with a new album called All Blessed, and “Synthesizer”, featuring singer Nathan Ball, soars 24-16.

With its rather obtuse, mythical-sounding lyrics and futuristic production, Deadmau5 looks to have his biggest hit to date with “Bridged By A Lightwave”, featuring the commanding vocal of Kiesza, up 25-19.

Another innovative production that throws back hard to 90’s techno is “Sinnerman” by England’s Hot Since 82 featuring vocalist/songwriter Ed Graves. From Hot Since 82’s new album Recovery, “Sinnerman” climbs 27-20.

The highest debut is by a performer who effectively replaces himself on the chart.  Illenium’s “Nightlight” (#8) departs in favour of new single “Hearts On Fire”, a collaboration with Canadian producer Dabin and Juno Award winning singer/songwriter Lights.  Also coming in various remixes, “Hearts On Fire” charges on to the chart at #22.  It’s Illenium’s 8th chart entry since 2018.

Premiering on the chart is young French producer Wizzay with the punchy house track “Jealous” at #25 from his debut EP “Who I Am?”.  Chart trivia: The uncredited vocalist on this track also appears elsewhere on this chart as part of a group of producers…

His history on this chart has spanned almost 20 years. In fact, the first time he appeared on the chart, it wasn’t even under his own name.  “Feel Something” by dance music veteran Armin van Buuren arrives at #26.  His first appearance on this chart was in 2002 with the classic “The Sound Of Goodbye” (#4) under the name Perpetuous Dreamer, before Armada Records released its first record.  “Feel Something” marks his 8th appearance under his name, with guest vocals by 2019 Eurovision winner Dutch singer/songwriter Duncan Laurence (“Arcade”).

Brits both, producer Bobby Harvey and vocalist Danny Dearden make their debuts with “Tell Me” at #27.  It’s one of my favourite deep house tracks that had to wait a little longer than usual to premiere on the chart.

At #28 is the fun alt.rock track by Toronto’s grandson called “Dirty”.  The Juno Award nominee reached #1 for three appearances (six weeks) last Spring as the vocalist/co-writer of Whethan’s “All In My Head”. 

A reminder that the music from my chart and blog are featured regularly on the online radio station The New Radio GTA. You can hear their Big 20 on Wednesday evenings with ‘The Musicman’ James Rogers and listen for songs from the chart too 🙂 Scroll down the station’s main page to listen to lots of variety from across the decades!  I’m the new music consultant for the station so you can expect even more in 2021 🙂  You can start by joining Radio GTA’s new interactive Facebook group too!!

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

 

#BILLCSTop30 #603, December 21/20

Many of us are having to make the most of what’s going on in our municipalities.  I can’t be more grateful that we have an overabundance of music to keep us company.  I can’t imagine my life without it.  There’s a lot of activity brewing in the new chart, with two additions joining in all the activity.  I wish everyone a safe, restful and happy holiday and a Merry Christmas to those who celebrate it with me.

Closing out the year at the top is “Diamonds” by Sam Smith from their excellent third album Love Goes.  Even the best singers have to admit that Sam’s performance here is pretty unbeatable.  I think the public-at-large associates Sam with sad songs, which they also sing so well, and which make up most of the album.

Soaring from 9-2, in a tie as the Fastest Mover on the chart, is “Give It Back”, a new dancefloor banger that requires your attention!  It’s brought to you by The Disco Fries and Giiants with vocals by Allison Park.  It’s the highest that The Disco Fries and Giiants have reached on the chart, though two thirds of Giiants reached #1 three times as DATABOY in 2011-13.

Cover songs rarely appear on this chart, and I must say one by The Blue Nile is a great choice by producers Matt Mancid and Color Theory.  It’s “Tinseltown In The Rain”, which originally appeared on The Blue Nile’s 1984 album A Walk Across The Rooftops.  The “Big Rhythm” mix climbs 5-3, with vocals by Color Theory (Brian Hazard).

Climbing 7-4 is “Fantasy” by the dynamic collaboration of Saxity, Victor Perry and Robbie Rosen.  It’s Saxity’s second Top 5 entry following #3 “Brothers”, and Victor’s fourth, most recently reaching #2 with “What I Deserve”.

Tying for the Fastest Riser is another danceable favourite, “Nobody” by Sweden’s NOTD with vocals by Catello, rising 14-7.  “Nobody” also reached #1 this week on Mediabase’s national dance airplay chart.

Toronto’s Francesco Yates obtains his third Top 10 on this chart with the steamy “Late Night Love” (13-9) from his EP Bad Decisions.  It’s been amazing to hear his growth as an artist on this enjoyable EP.

“Good At Goodbyes” by Bright Light Bright Light and Erasure’s Andy Bell closes in on the Top 10 as this multi-faceted track from the Fun City album moves up 18-12.

The fun and energetic “Too Hot To Touch” by Toronto’s Crash Adams rises 16-13 and gives you another reason to check out their ‘in office’ video.

L.A. quintet Why Don’t We have a new album coming in January called The Good Times & The Bad Ones, which will include their current rollicking pop hit “Fallin’ (Adrenaline)”, which moves up 21-16.  The band also made available a hologram of sorts of themselves on Snapchat, where you can place them virtually in your room with you.

I’m fond of the messaging in “Fake” by Lauv and Conan Gray as much as I am of its cool music track and its colourful video.  It climbs 25-19.

The highest debut belongs to Japanese-British singer/songwriter Rina Sawayama with her first entry, “Lucid” at #26.  This Lady Gaga influenced track should be her big breakthrough.  It’s the lead track from her recent album called Sawayama.

The second entry is the latest collaboration between NYC producers The Knocks and rock group Foster The People with “All About You” at #28.  It’s The Knocks’ 8th song to appear on this chart (they reached #1 in 2016 with “Kiss The Sky” with Wyclef Jean), and it’s Foster The People’s fourth but first since 2012.

A reminder that the music from my chart and blog are featured regularly on the online radio station The New Radio GTA. You can hear their Big 20 on Wednesday evenings with ‘The Musicman’ James Rogers and listen for songs from the chart too 🙂 Scroll down the station’s main page to listen to lots of variety from across the decades!  I’m the new music consultant for the station so you can expect even more in 2021 🙂  You can start by joining Radio GTA’s new interactive Facebook group too!!

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

Want to see what I’ve been listening to and charting for the past 22 years?  Rummage through the BILLCS Top 30 Archive (where you can click on the link within) when you have a chance!! 

 

 

 

 

 

 

 

 

 

 

#BILLCSTop30 #601, November 23/20

There continues to be an enormous abundance of fine music out there – all you have to do is look for it and listen!  The BILLCS Top 30 is now in its 22nd year online and continues to act as a guide to steer you in the direction of some great tunes in a variety of pop genres.  The chart has four new entries to tantalize you.

Hanging on to #1 is “House Is Happiness” (above) by German producer and saxophonist Stan Sax, who is one half of the duo Saxity, who themselves move into the Top 10 with “Fantasy” (below), featuring the voices of Victor Perry and Robbie Rosen (13-10).  Stan and Koni are back on another roll of releases, with another brand new one coming this Friday.

His third album Love Goes is receiving fine public and critical response, and Sam Smith has his eyes on #1 in two weeks with his engaging single “Diamonds”, climbing 5-2.

Sweden’s Agnes obtains her first Top 5 song on this chart since 2009 as the zippy “Fingers Crossed” advances 8-5.  Her last song to do this was “Release Me”, which got to #1.

Besides “Fantasy”, the other newcomer to the Top 10 is “Tinseltown In The Rain”, the emotional and intriguing cover of The Blue Nile’s 1984 song by German producer Matt Mancid and California-based vocalist (and multi-instrumentalist) Color Theory.  “Tinseltown”, in its Big Rhythm mix, climbs 11-9.

The Fastest Riser on the chart belongs to Toronto’s Justin Nozuka with British singer Mahalia on “No One But You”.  This romantic R&B/pop ballad moves up 18-11.

It looks like “Nightlight” opened up even a more pop-oriented audience door for Illenium than his last album Ascend.  Recently #1 on the national dance chart for two weeks, “Nightlight” rises 17-13.  The uncredited vocal is by one of its co-writers, and frequent Illenium collaborator, Annika Wells.

I like to think of Canadian singer/songwriter Francesco Yates’ “Late Night Love” as his equivalent of Justin Timberlake’s “SexyBack” – especially since the singer opened for JT throughout one of his recent tours.  This sexy and raucous R&B-flavoured song rises 20-15.

Tyler Shaw is one of Canada’s most versatile performers, who can shift from style to style, including recording in French.  Such is the case with his latest danceable Top 20 pop radio hit “Remember”, which climbs 21-16.

MAX and SUGA’s “Blueberry Lies” continues to lead the last chart’s new entries, and advances 25-19.  Be sure to check out MAX’s excellent album Colour Vision.  I was so pleased to see him perform the entire album in a recent free virtual show.

I currently have the Highest Debut on repeat.  It’s the new house banger “Give It Back” by The Disco Fries and Giiants featuring singer/songwriter Allison Park.  By all rights this song should be huge, and I’m helping to give it that push as it debuts at #20.

Next up at #24 is the first appearance on the chart for Swedish production duo NOTD in tandem with mystery performer Catello on their latest single “Nobody”.  The song has already soared into the Top 10 on national dance charts, and is the logical follow up to last year’s huge hit “So Close”.

Despite having been on release since summer, I can’t let the song that debuts at #25 go without it having a chart run.  British rocker James Bay returns to the chart with “Chew On My Heart” from his most recent EP Turn It Up.  He reached #2 two years ago with “Pink Lemonade”.

The fourth debut is a supurb change of pace for L.A.-based singer/songwriter Lauv, who partners with rising star Conan Gray for “Fake” at #30.  The guys really have great chemistry and make “Fake” a lighter, enjoyable song considering its subject matter.  It’s Lauv’s 4th appearance on the chart, and Conan’s first.

A reminder that the music from my chart and blog are featured regularly on the new online radio station Radio GTA. You can hear their Big 20 on Wednesday evenings with ‘The Musicman’ James Rogers and listen for songs from the chart too 🙂 Scroll down the station’s main page to listen to lots of variety from across the decades!  I’m the new music consultant for the station so you can expect even more in 2021 🙂  You can start by joining Radio GTA’s new interactive Facebook group too!!

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

Want to see what I’ve been listening to and charting for the past 22 years?  Rummage through the BILLCS Top 30 Archive (where you can click on the link within) when you have a chance!! 

 

 

“Late Night Love” allows @FrancescoYates to stretch his talents to the max

FRANCESCO YATES, “Late Night Love”

To say that I’ve been impressed by my fellow Toronto native Francesco’s 2020 releases is an understatement. To me, the singer/songwriter/guitarist is putting out the best music of his career right now independently. No longer the teen pop talent who broke out in 2014 with “Better To Be Loved”, Francesco tapped into deeper songwriting on his EP Superbad with songs like “Queen Street Blues” and the title track in particular. “Late Night Love” really allows his talents to be stretched to the max. It’s a sexy and risqué track that’s going to make a difference, featuring a blistering performance that could go entirely over the top if he let it. Instead it’s bound to make you turn your head and pay close attention. Check it out up top.

#BILLCSTop30 #595 – August 31/20

In less than a month, it will be Autumn! But I’m not going to say goodbye to the summer and all of the great new music that it has given us, despite our ongoing COVID-19 circumstances.

There is a switch-up at the top, and it’s a big one! Joel Corry and MNEK soar from 6 to 1 with “Head & Heart”. This banger is one of the biggest hits of the year in the UK and on dance radio in North America. This year has been full of songs like “Head & Heart” which have great hooks or choruses.

Victor Perry obtains his highest placing in this chart as the enthralling “What I Deserve” (above) climbs 3-2. In the wondrous never-ending slew of new music by or featuring Victor, check out his new song with British producer Ficci called “Gone” (below). This electronic alt.soul is a perfect accompaniment to Victor’s solo EP Rewind.

“Dancing Next To Me” by Greyson Chance (above) also climbs up a notch from 4-3. Literally, it would be #1 had two stronger songs not been in front of it, so it’s a very ‘high’ #3! Also check out Greyson’s latest single, inspired by his personal and ongoing battle against anorexia, called “Bad To Myself” (below).

Toronto’s Francesco Yates will be following up his Superbad EP with more new music in September. In the meantime, “Bad Decisions”, the fun second single from that EP, holds at #5, and it’s Francesco’s highest ranking song on the chart to date.

Both Jonas Blue and MAX are back in the Top 10, this time together with “Naked” rising 12-8.

Florida-based progressive electronic producer Trivecta acquires his first Top 10 on this chart with “Leave It All Behind” (featuring vocalist/co-writer Fagin) moving up 11-9.

The Fastest Riser on the chart puts three huge bangers in the Top 10. Next to “Head & Heart” and “Rain On Me” there’s “Undo My Heart” by British artists Karen Harding and Digital Farm Animals. It vaults 23-10.

“Carry Me” by Canadian producer Dezza and vocalist/co-writer Mike Schmid continues to show resilience and climbs 17-11.

Right behind two weeks in a row is manic Australian producer/DJ Fisher with the irresistible “Wanna Go Dancin'”, rising 18-12.

In any other week, the beautiful “One Last Song” by UK indie singer/songwriter Benedict Cork, would be the fastest riser as it climbs 26-16. More new music is coming from Benedict this week!

It’s steady as it goes for another UK indie singer/songwriter, Jazz Mino, as her thoughtful and unique point of view in “Like A Drunk Girl” moves up 20-17.

L.A.-based production trio Giiants settles comfortably in the Top 20 as “Waiting For You” (above) rises 24-18. Even newer from Giiants is their collaboration with Disco Fries on “Believer” in a Giuseppe Marcellino remix (below).

While the more experimental nature of Troye Sivan’s new songs is certainly interesting, I had to wait for the arrival of his new EP In A Dream to find a song that’s as captivating as in either his albums Bloom or Blue Neighbourhood. The simply gorgeous title song, “In A Dream”, bows at #26. It’s Troye’s 8th song to appear in this chart.

If you want dance music that is nothing but sheer fun, then look no further as German producer Stan Sax’s “House Is Happiness” arrives at #27. It’s an instrumental full of saxxy goodness and a slamming beat. While Stan has been on the chart before as part of Saxity and, more recently, in his other pseudonym of ZEROBADDAYS, he has appeared on the chart one other time under the current moniker when he gave a refreshing remix to Fabian Luttenberger’s “Vague”, which got to #10 in late 2016.

The third debut belongs to new Philadelphia trio Time For Three with the beautiful “Vertigo” at #28. The lead vocal alternately reminds me of Steve Perry of Journey or Dennis De Young formerly of Styx. Love the strings arrangement!

A reminder that the music from my chart and blog are featured regularly on the new online radio station Radio GTA. You can hear their Big 20 on Wednesday evenings with ‘The Musicman’ James Rogers and listen for songs from the chart too 🙂 Scroll down the station’s main page to listen to lots of variety from across the decades!  I’m the new music consultant for the station so you can expect even more in 2020 🙂  You can start by joining Radio GTA’s new interactive Facebook group too!!

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

Want to see what I’ve been listening to and charting for the past 22 years?  Rummage through the BILLCS Top 30 Archive (where you can click on the link within) when you have a chance!! 

#BILLCSTop30 #593 – August 3/20

While 2020 may now be more than half over (and some would say thank you for that), it has been chock full of great music.  Right now, my Top 5 on this new chart would seem to be untouchable for the next several weeks, though a couple of up-and-comers may change that.  

I’ve often been asked why I don’t increase my chart to a Top 40 or a Top 50.  You’re more than welcome to weigh in on this, but the BILLCS Top 30 is a chart of my current favourite songs, and that’s all there is to it.  There’s no science to it at all.  However the chart has been online for 22 years, so it is at least known in some music circles.  If it’s meaningful for a new performer to be on someone’s chart at #40 then I can understand the interest.  But it’s probably more meaningful if I’ve written about that song than if it appears on my chart.  This blog is going into its 11th year online – over 2,400 posts about all kinds of pop music form its library!

So while Lady Gaga & Araina Grande’s “Rain On Me” (above) gets a 3rd appearance (6th week) at #1, and “Never Let Me Down” by VIZE and Tom Gregory (also above) holds at #2, I’ll throw this chart’s upper spotlight on Jessie Ware.  Her sophisticated disco/dance album What’s Your Pleasure is one of my faves of the year.  “Save A Kiss” (below) remains at #3, but the title track is now also a single so check it out, also below.

NYC-based singer/songwriter Victor Perry has one slew of new music still to come this year.  His stunning and heartfelt ballad “What I Deserve” (above, from the excellent EP Rewind), climbs to #4 and is his biggest solo song to date on my chart.  Victor has recently worked with two young Swedish producers, B3NTE and Behmer, to create a tantalizing cover of Modern Talking’s massive 80’s European hit “You’re My Heart, You’re My Soul”.  My only complaint is that it’s sooo short at only 2:19, but that’s nothing that a good extended remix can’t remedy.  Take a listen to this excellent cover choice, below.

I adore the overall theme of Greyson Chance’s “Dancing Next To Me”, which soars 11-5. It’s one of those songs that sits in your gut and gets stuck in your head for a long time.

Francesco Yates’ “Bad Decisions” (up 14-7, from his EP Superbad) becomes the Canadian singer’s second Top 10 on this chart, following his first hit “Better To Be Loved”, which reached #6 5 summers ago.  Check out the top drawer song “Queen Street Blues”, also from the EP, below.

The third new entry in the Top 10 is also the Fastest Riser on the chart, which is holding at #1 in the UK for a second week.  When dance music is large and in charge you have songs like “Rain On Me” and “Head & Heart” by Joel Corry & MNEK leading the way.  “Head & Heart” flies up the chart 21-10.

Trivecta and Fagin’s electronic anthem “Leave It All Behind” cuts through the middle of the chart and moves up 19-14.

In addition to their current banger “Tragic” (featuring Amber Van Day, up 17-15), Dutch producers The Him mix it up with Yall, Royale Avenue and Jay Nebula in their new anthemic single “Believe”, below.

The remaining debuts from the last chart are stuck behind a lot of great songs and are unable to make bigger moves.  Check out the fun video for The Prince Karma’s “Superstar” (22-19), above.  You’ll see a snazzier video for “Naked” (26-21, below) which makes Jonas Blue and MAX look fabulous.  and “Carry Me” (also below) by Canadian producer Dezza and starring veteran session vocalist Mike Schmid is definitely in it for the long run, rising 27-23.

I didn’t latch on to his biggest hit, the Grammy-nominated “Losing It”, until long after it had peaked.  But I’ve been loving Aussie producer Fisher’s strut-worthy “Wanna Go Dancin'” since it came out as ‘the flip’ of his single “Freaks” a while back.  “Wanna Go Dancin'” bows on the chart at #25.  Did you all know that Paul Fisher was once one half of the well-respected production duo Cut Snake??

The masters are back!  The Swiss duo Yello (Dieter Meier and Boris Blank) produced some of the most off-kilter, wacked out, fun dance music of the 80’s.  They are most noted for “Oh Yeah”, the song that was prominently featured in the classic “Ferris Bueller’s Day Off”, and became a hit a few years after its initial release.  But their other songs are innovative and unique:  “Bostich”, “I Love You”, “Lost Again”, “The Race”, and “Goldrush I” among others.  They have a new album coming soon called Point, their first release in almost three years.  Check out their wizardry in the electronic nonsense called “Waba Duba” above.  Whatever it may be about, it arrives on the chart at #27.  It’s their first entry on my chart, though if I had one before 1998 they would have appeared many, many times.

UK singer/songwriter Jazz Mino returns to the chart at #28 with her thought-provoking lyrical pop with “Like A Drunk Girl”.  She first charted two summers ago with “Misunderstand”, which reached #15.  Yesterday I wrote about her new single “New Girlfriend”.

A reminder that the music from my chart and blog are featured regularly on the new online radio station Radio GTA. You can hear their Big 20 on Wednesday evenings with ‘The Musicman’ James Rogers and listen for songs from the chart too 🙂 Scroll down the station’s main page to listen to lots of variety from across the decades!  I’m the new music consultant for the station so you can expect even more in 2020 🙂  You can start by joining Radio GTA’s new interactive Facebook group too!!

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

Want to see what I’ve been listening to and charting for the past 22 years?  Rummage through the BILLCS Top 30 Archive (where you can click on the link within) when you have a chance!! 

 

 

 

 

#BILLCSTop30 #592, July 20, 2020

My songs of Summer ’20 are here!  The Top 3 songs will be pretty unshakeable over the next four to six weeks despite a bevy of challengers on the rise.  How many of you can’t wait to get back to clubs and festivals to dance to the music that has not played in those venues yet, such as the songs from Lady Gaga’s Chromatica album?  Who’d have believed she would pull off such a strong electronic dance music record.  

When I’m faced with an adverse situation like we’ve been in for the last four months, I look towards whatever escape is available to me in music – and that for the most part is dance music.  The chart is full of it 🙂 but when other songs aren’t in the dance music genre – and I can count the entries on one hand – they are truly exceptional.

So yes it’s Lady Gaga and Ariana Grande who continue to stay put at #1 with the indefatigable “Rain On Me” (above) from Chromatica.  Gaga and Elton John also move up a notch with the intense “Sine From Above” at #12 (below).  Be sure not to overlook “Alice” and “1000 Doves” too.

Sometimes all it takes is a simple hook that takes someone like me back to the 1960’s school of songwriting.  “Never Let Me Down” by Germany’s VIZE with British singer/songwriter Tom Gregory advances 3-2 thanks to the singalong hook in this appealing bop.

Also moving up 4-3 is the luscious Jessie Ware song from her latest album What’s Your Pleasure called “Save A Kiss”.  That album is also one of your must-hears for the summer.

Multiple Juno Award winner Rezz has lit up alt.rock radio with her electronic and grungy pairing with Grabbitz called “Someone Else”, which rises 6-5.

The Fastest Riser on the chart is one of the exceptions to dance music on this chart – though the singer/songwriter in question is no stranger to that genre at all.  NYC-based Victor Perry soars 16-6 with the gorgeous “What I Deserve” (above) from his solid indie EP Rewind.  And to give you that taste of Victor in the dance genre, check out his latest single below with Dutch producer Laurentius called “Stay The Night”, whose beginning and end sounds like a distant cousin of The Chainsmokers’ & Daya’s “Don’t Let Me Down”.

It’s been a slow and steady rise but L.A.-based producer Jerin James is up 8-7 with the lush electronics of “Birds and Bees”, featuring Deverano on vocal.

New to the Top 10, at least as the artists rather than remixers, are Chicago’s Win & Woo featuring Kyan Palmer with “Sleepwalking” (above), climbing 11-9.  Win & Woo got to #5 as remixers (with Kiso Armic) previously for Brandyn Burnette’s “Made Of Dreams”.  Check out their latest below which is another banger called “Feel Em All”.

Canada’s Loud Luxury has kept their Top 10 streak intact as their 5th chart entry arrives at #10, “Aftertaste”, with vocal by Morgan St. Jean.

Even with its similar title, I think that Greyson Chance’s “Dancing Next To Me” is this decade’s “Dancing On My Own” for the younger crowd.  The song is full of many fine vocal moments from Greyson, and it vaults 18-11.

Toronto’s Francesco Yates has a top notch new EP that you’re missing called Superbad, and from that record comes his latest single, the soulful and fun “Bad Decisions”, which leaps 22-14.

Another atypical song on the chart for me is the whimsical “You Ain’t Big” by Rufus Wainwright from his album Unfollow The Rules.  This charmer rises 21-15.  Between 1998 and 2007, Rufus was a regular on this chart, appearing 13 times, including three times at #1, with “Foolish Love”, “April Fools” and “California”.

If you want no holds barred classic house music then look no further than British producer Eli Brown’s “Desire”, which wastes no time climbing 25-18.

Trivecta’s “Leave It All Behind” (above, featuring Fagin) from his EP Everyday is going to be his new signature song at concerts when they resume.  It moves up 24-19, and has recently been given a melodic remix by producer Nurko on the Everyday Remixes EP, which you can check out below.

UK singer/songwriter Sam Dickinson continues to be busy preparing for the launch of his third album Off Script this Fall.  While second single “Cry Wolf” is off to a great start rising 28-20, the title song has been released as the third single.  You can check out its fun video below.

The Highest Debut on the chart is destined to be one of 2020’s dance classics which has already crossed over to pop radio in Europe, and should do the same here.  It’s “Head & Heart” by Joel Corry featuring a fantastic vocal by MNEK, someone whose career I’ve been following since he scored as a teenage producer and songwriter – he’s currently all of 25 – with his work on records by The Saturdays, Duke Dumont and Gorgon City.  “Head & Heart” arrives at #21.

One new release that spells PARTY is “Superstar” by Greek producer The Prince Karma from his EP of the same name, which debuts at #22.  Expect big things for this one.  Check out his other fun track “It’s The DJ”, featuring Chicago house legend Ron Carroll weaving a one-of-a-kind story.

UK producer Jonas Blue returns to the chart and this time he’s bringing one of my favourites, the amazing MAX with him, on his latest single “Naked”, which bows at #26.  This is one to which you can really shake loose.  It’s Jonas’ fourth appearance on the chart and it’s expectant dad MAX’s ninth entry as either lead or featured vocalist!

Canadian producer Dezza makes his debut with a danceable late night grower called “Carry Me” at #27. It features co-writer and quality session vocalist Mike Schmid, and appears on a recently released Remixes EP.

A reminder that the music from my chart and blog are featured regularly on the new online radio station Radio GTA. You can hear their Big 20 on Wednesday evenings with ‘The Musicman’ James Rogers and listen for songs from the chart too 🙂 Scroll down the station’s main page to listen to lots of variety from across the decades!  I’m the new music consultant for the station so you can expect even more in 2020 🙂  You can start by joining Radio GTA’s new interactive Facebook group too!!

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

Want to see what I’ve been listening to and charting for the past 22 years?  Rummage through the BILLCS Top 30 Archive (where you can click on the link within) when you have a chance!! 

 

 

#BILLCSTop 30, #591, July 6/20

The new chart is here, after I wrote about 19 new releases during the last two weeks, some of them future chart contenders for sure!

Songs from some of the finest albums of the year dominate my Top 5.  And that’s coming from me, who hardly listens to albums anymore.  But in my days growing up and listening to my local radio stations and collecting their charts, I’ve always been a singles/song guy.  I have my fair share of albums and CD’s, but my collection of 45’s, 12″ dance mixes, and CD singles (plus a few cassingles) likely equals them.  And if you add a few thousand mp3’s from the last 20 years – well… my albums are far outnumbered.  There are also four songs that debut on the chart.

Those albums I mentioned at the top by the way are called Chromatica, What’s Your Pleasure, and The Lasers.

The race for #1 was tighter than you think, but Lady Gaga and Ariana Grande’s “Rain On Me”, from Chromatica, climbs 3-1.  Strangely, Gaga has only reached #1 on my chart once, in 2010 with the KING5CAT remix of “Teeth”, and it’s Ariana’s first trip to the top.  And also from Chromatica, “Sine From Above”, her duet with Elton John, climbs 18-13.

“You’ll Be OK” by Gareth Emery featuring Annabel slips to #2, but after watching his online set where he played all of the songs from his upcoming album The Lasers, I can’t wait to add it to my collection!

“Never Let Me Down” by German producers VIZE with British singer/songwriter Tom Gregory climbs 7-3.  It’s a classic single where you simply cannot knock the hook and chorus.

What’s Your Pleasure is Jessie Ware’s best album since Tough Love in 2014.  It’s fun and rhythmic, full of affection and romance… and dancing!  “Save A Kiss” is the Fastest Riser of the week and climbs 14-4.

To keep us entertained until his full album Fun City arrives, Bright Light Bright Light not only holds steady at #5 with the 90’s house-flavoured “This Was My House”, but he’s released a third single and video from the album called “I Used To Be Cool”.  Check out Rod’s escapades as a lusty houseboy below! 

The only other new song in the Top 10 is a most deserving one.  Alesso’s top notch “Midnight”, featuring Liam Payne on vocals, rises 11-9.  It’s Alesso’s second Top 10 on this chart following “Falling” from a few years back.

From his brand new EP Rewind, which I wrote about last week, is “What I Deserve” by singer/songwriter Victor Perry.  This unique, soulful, electronic song soars 25-16.  The second single release, a more uptempo electronic track once again in partnership with German producer Levi, is called “Greenlight”, which you can hear below.

Toronto R&B/pop singer/songwriter Tafari Anthony continues a steady move up the chart with his cutting single “Centerfold”, rising 21-17.

While we’re without dance floors right now, you can always create your own in your living room or basement or wherever!  Greyson Chance’s heartfelt “Dancing Next To Me” should then be added immediately to your playlist.  It moves up 24-18.

Rufus Wainwright’s new album Unfollow The Rules arrives this week, and from it comes the jaunty and playful “You Ain’t Big”, which climbs 27-21.

The Highest Debut on the chart belongs to Toronto’s Francesco Yates, who has just released his fantastic new EP Superbad.  It’s no-holds-barred second single “Bad Decisions” bows at #22.  It’s Francesco’s 4th chart entry; his hit “Better To Be Loved” reached #6 five summers ago.

Next up is a blast of classic house done absolutely right.  British producer Eli Brown’s “Desire” will pump you up for that eventual return to the clubs, and it debuts at #25.

American production duo Midnight Kids return to the chart after last year’s #5 “Those Were The Days” with Jared Lee.  The thoughtful singalong electronic pop of “Monsters” arrives at #26 from their debut album called The Lost Youth.

As “Diamond Skin” exits the chart after reaching #6 a few weeks back, UK singer/songwriter Sam Dickinson continues his run on the chart with the second single from his upcoming album Off Script called “Cry Wolf”.  It premieres at #28 and you can read my thoughts about it in the recent blog post.  A third single from Off Script is on deck this month too.

A reminder that the music from my chart and blog are featured regularly on the new online radio station Radio GTA. You can hear their Big 20 on Wednesday evenings with ‘The Musicman’ James Rogers and listen for songs from the chart too 🙂 Scroll down the station’s main page to listen to lots of variety from across the decades!  I’m the new music consultant for the station so you can expect even more in 2020 🙂  You can start by joining Radio GTA’s new interactive Facebook group too!!

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

Want to see what I’ve been listening to and charting for the past 22 years?  Rummage through the BILLCS Top 30 Archive (where you can click on the link within) when you have a chance!! 

 

10/10 #12!: @RufusWainwright @FrancescoYates #TheBeamishBrothers @Gillian_music @Vampaofficial @KarlWolfs & @iamJuliusWilson J-Mi of @JMiandMidiD @DJDezza @FLouisemusic @Bellsavvy

It’s 10/10 – Edition 12!!

When you don’t write a blog post for two weeks, then the new music accumulates, so I’m glad I have this feature which helps me continue to bring you some new songs you might not otherwise hear.

In 10/10 (or tenoutoften) ,  I write about 10 hot and fresh songs in no particular order, for your kind consideration and attention.

I continue to write individual blog posts about certain songs.  That does not mean that songs in the 10/10 lists are any less than those featured individually, and they are not listed in any particular order.  The song residing at #1 on my current chart, “You’ll Be OK” by Gareth Emery, was featured in a 10/10 blog post back in March.

Writing 10/10 features means I can cover more songs in one shot.  So you get to learn about more new music that I hear but don’t always get a chance to write about.

  • RUFUS WAINWRIGHT, “You Ain’t Big”

Before I continue, you have to know that I’ve been a huge fan of Juno Award-winning Canadian singer/songwriter Rufus Wainwright since his debut self-titled album was released in 1998.  I’ve seen him perform 6 or 7 times, but not now for many years.  “You Ain’t Big” is the title song from his new EP, his first new pop music since 2012’s album Out Of The Game, after forays into opera and Shakespeare as well as a live album.  It’s a return to the carefree, whimsical songwriting of his earlier career.  To me he’s also in his finest pop voice since 2007’s Release The Stars.  “You Ain’t Big” is the standout, and though no song on the EP disappoints, also check out “Trouble In Paradise” and “Peaceful Afternoon”.

  • FRANCESCO YATES, “Bad Decisions”

My fellow Canadian Francesco Yates is back with another great new song that taps into the punchy R&B-flavoured pop that gave him his start with  jams like “Better To Be Loved”.  To me, “Bad Decisions” is his best one since the early days, it just brims with energy and devil-may-care lyrics about getting into some specific trouble with a special someone.  Like with “Superbad”, Francesco teases us with a short video, with more to come.  Check out this dynamic release with video and full song above.  Canadian radio stations definitely needs to jump on it.

  • THE BEAMISH BROTHERS, “Nature”

Rising and talented siblings from Queensland, Australia, the Beamish Brothers have released their first 2020 single in style with “Nature”.  Ben and Jeremy have been well established as regular voices on several dance tracks over the past couple of years, and started to release their own music last year with the alt.pop EP Brutalism.  “Nature” had the bonus of being featured as a runner-up in February in Eurovision Australia Decides.  It draws from numerous styles which will appeal as much to fans of Paul Simon as it would fans of Years & Years.  The brothers’ seamless vocal interplay is a big draw, and is punctuated by rich and soulful, memorably choir-like bursts of the title.  “Nature” is a classic lesson in the way to make DIY music work wonders.  

  • GILLIAN, “high”

Boston teen pop singer/songwriter Gillian has an unconventional winner with “high”. The song’s protagonist has a major crush on someone who cannot reciprocate the attraction because his priority is to get high. It’s a frustrating scenario when you discover that someone is not who they say they are until you see their true colours, and hope for the best for the protagonist at the end. Gillian’s vocal style is proudly unique, stemming from a long line of singers with similar styles – Jill Sobule, Joan Osborne, Regina Spektor are some names that come to mind. “high” is a strong song with deft execution that makes it memorable.

  • VAMPA, “Dark Matter”

“Dark Matter” is the title song from the recent EP by relative newcomer, the Chicago-based bass music producer VAMPA, whose heavy and melodic style could easily fit alongside releases by Rezz, Kai Wachi, Zed’s Dead, and Wooli.  “Dark Matter” instantly slams with the best of them and I think it’s her flair for melody and ear-popping synth effects that will get listeners’ attention.  VAMPA’s vocal narrative at the beginning also nicely sets up what’s to come and flows into the rest of the song with ease.  

  • KARL WOLF and JULIUS WILSON, “City Of Lies”

It’s been a slice since Karl Wolf was all over the radio in Canada with his huge cover of Toto’s “Africa” and other songs such as two with Kardinal Offishall, “Ghetto Love” and “Amateur At Love”. You may not know though that he was a co-writer of bülow’s debut “Not A Love Song”, among his many other songwriting credits.  He’s back with an infectious, retro R&B flavoured dance pop song called “City Of Lies”.  It features the striking voice of Halifax-born (of Jamaican and Bajan heritage) Julius Wilson, whose diverse vocal fits snugly into the hybrid electronic pop mix of the song.  The video above offers a glowing backdrop of Toronto which makes us pine for the nightlife that is currently missing from our lives.  “City Of Lies” is from Karl’s forthcoming album Night Of The Wolf.

  • J-MI, “On Our Own”

“On Our Own” is a most pleasant and refreshing surprise. Sherbrooke, Quebec-based producer J-Mi, forever active on the gamer circuit, returns to pop music with her take on the 1989 Bobby Brown classic from “Ghostbusters 2”. Strangely and somewhat out of sync with these times, its production (by J-Mi with long-time collaborator Midi-D aka Dave Phaneuf) remains glued to the new jack swing vibes of the original. While that may leave you scratching your head, the results are charming and brimming with enthusiasm (with J-Mi being an ultimate “Ghostbusters fan). J-Mi has put loads of effort over the past few years into honing her vocals, and the results are flattering. Unabashedly bold, the aim of “On Our Own” is to leave you smiling and it is completely on point with that.

  • DEZZA and MIKE SCHMID, “Carry Me”

“Carry Me” is sophisticated, emotional house music for your soul and feet, brought to you by Halifax producer Dezza, and co-writer and veteran vocalist Mike Schmid, who has performed in concert with the likes of The Chainsmokers, Troye Sivan and Miley Cyrus.  Dezza has been releasing music consistently for the last few years as either a producer or remixer, with much success in Europe in the company of the likes of Armin van Buuren.  “Carry Me” stands out as a pensive house track with elegant synths that support Mike’s soothing voice.  While atypical, “Carry Me” will win you over with a few listens.

  • FRANCESCA LOUISE, “Ride The Waters”

I’m bringing you another song by British pop/folk singer Francesca Louise after I first wrote about her a month ago.  Her voice is a breath of fresh air, with its own unique spin on pop music, which in “Ride The Waters” recalls the confidence of a Christine McVie or Sheryl Crow, while retaining her own sound.  In fact the song is about being successful on your own terms and directs an empowering message towards young women.  So this is not dreary folk music from another era.  “Ride The Waters” is spirited and engaging and deserving of your attention.

  • BELLSAVVY, “Queen Of My Mind”

Bellsavvy is a new voice to get to know, and she hails from London but was raised in Brazil.  The daughter of a pop star in Brazil, Bellsavvy follows mom’s lead after a modelling career with the potent “Queen Of My Mind”.  It’s an ode to self-realization after the singer herself faced mental health issues.  With production from David Lei Brandt, who worked with Lady Gaga, there will be the inevitable Gaga comparisons, which are completely justified.  Bellsavvy has a well-honed, stunning tone in her vocal, and “Queen of My Mind” will also appeal to fans of Kiesza, Charli XCX, and Madonna.  “Queen Of My Mind” is a striking debut indeed!