#BILLCSTop30 #553 – January 21/19

In this new chart, there’s somewhat more movement and four debuts, but in the coming weeks you’ll be seeing the chart shed many of its favourites from late 2018.

Nonetheless, this time around you’ll still find A-Trak and Todd Terry up top with “DJ’s Gotta Dance More” for a 3rd appearance (6 weeks) at #1, with former #1 “Loyal” by Odesza hanging tight right behind.  But that’s where things start to change up.

Mahalo and Le:Blanc’s perky bop “In My Arms” becomes Mahalo’s 4th Top 5 placing song up 8-3 on this chart,  Illenium holds on to #4, albeit with a different song this time, with “God Damnit” in a pairing with Call Me Karizma climbs 9-4, as “Crawl Outta Love” slips down to #18.

The only artist from Luxembourg to ever grace this chart is producer White Chocolate, and his contemporary take on disco, “Mister Love”, moves 14-8.  Right behind is the effervescent pop/dance of “Play” by Jax Jones and Years & Years, climbing 15-9.  

The fastest riser on the chart is the fantastic new song by Steve Void featuring Andy Marsh called “Closure”, which soars 19-10. 

 

Keep your eyes on these relative newcomers in the next month or so.  NYC-based singer/songwriter Ryan Gibeau has the enlightening “Flying Away” moving up 22-16, while The Him’s anthemic “Look At Us Now” looks like another winner rising 23-17.  “Bite My Tongue” by Australia’s Sam Bluer (27-19) has a unique charm, while Stephen Puth’s “Sexual Vibe” (28-21) knows exactly what it wants.  Molly Moore’s great vocal helps define the urgency of “Be Here Now”, moving up 25-22.

As Revelries’ “Naked” departs the chart, it’s immediately replaced by what is likely the Netherlands-based Emirati lads’ best of the most recent trio of releases to date.  In collaboration with Sam Smyers and featuring a commanding vocal by Oktavian, “Don’t Think Twice” has the highest debut on the chart at #20.

It’s everywhere and especially in the UK where it’s been #1 for almost a month – soon to be replaced by Ariana Grande methinks – it’s American singer Ava Max at #25 with “Sweet But Psycho”.  Right behind it is a gentle love song for the colder months that could be a pop breakthrough for R3HAB with “All Into Nothing” at #26 in partnership with Nashville singer Mokita. 

And last but hardly least at #30 is “Paradise” by Parralox featuring singer Marcella Detroit.  It’s the flashy house mix by Eric Kupper that reinvents the song to make it fresh.  “Paradise”.  It’s the fourth entry for Australia’s Parralox (aka John von Ahlen and friends), whose previous three songs all reached the Top 10, particularly 2015’s “Aeronaut” (#4).

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

#BILLCSTop30 #552, January 7/19

This is the 21st year of the BILLCS Top 30!!  The new year kicks off with its first chart and a shorter chart blog format.  

The Top 5 was excessively played over the holidays and stays exactly the same, with A-Trak and Todd Terry’s house music truth of “DJ’s Gotta Dance More” staying on top.  There’s nothing to challenge it immediately so it will likely be up top two weeks from now as well.

Jessie Ware’s “Overtime” and Hellberg & Leona Lewis’ “Headlights” each reach new peaks of #6 and #7 respectively.  L.A.’s Mahalo gets his 4th Top 10 entry paired with producer Le:Blanc for “In My Arms” (13-8).  The other new entry is the fastest riser on the chart, “God Damnit” by Illenium featuring the song’s writer, Call Me Karizma on vocals.  It climbs 15-9.  The song gives Illenium concurrent songs in the Top 10 (at #4 with the PatrickReza remix of “Crawl Outta Love”), and it matches the peak of Karizma’s previous Top 10 entry “u suck” from 2016.

A lot of songs get caught with small moves in a tight area of the chart that will likely loosen up in two weeks.  “Play”, the infectious new song by Jax Jones and Years & Years, moves up 20-15.  As “This Feeling” peaks at #8, “Siren” by The Chainsmokers and Aazar climbs 23-18.  Steve Void’s “Closure”, featuring a winning vocal by Andy Marsh, rises 24-19.  The rest of last week’s debuts make smaller moves:  “Flying Away” by NYC-based singer/songwriter Ryan Gibeau moves 25-22, and right behind it is the rollicking new song by The Him called “Look At Us Now”, up 26-23.  Check out the duo’s even more recent release, “Unstoppable”, below.  Molly Moore’s heartfelt “Be Here Now” rises 29-25.

Two debuts grace the chart by new performers.  Australia’s Sam Bluer has a catchy and danceable winner with “Bite My Tongue” at #27, which has a Troye Sivan “My My My!” vibe about it (they just happen to be label mates too) and is an even better follow up to last year’s fine “Body High”.  And there’s another Puth about to find his way onto your playlists.  Younger brother Stephen has a grittier, sparse sound with, guitar-spiced 60’s flavoured production on “Sexual Vibe” at #28.

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

#BILLCSTop30 #551 – December 24/18

It’s the last chart of 2018 for me, and the new entries continue to be bountiful as 4 more songs are added to the chart.  It’s been a busy, fun-filled year for pop music and 2019 doesn’t look like it will let up.  There’s far too much talent out there and not enough forums in which it can be showcased en masse.

My Christmas #1 though is new to the top and it’s “DJ’s Gotta Dance More” by my fellow Canadian A-Trak and legendary house producer and remixer Todd Terry.  Did you know that Todd was behind the innovative classic mid-80’s slammer “Can You Party” under the name Royal House?  I’m predicting more classic dance music vibes will seep into the mainstream in 2019 to make people feel so good.

The Rest of the Top 10

  • France’s Mercer made some of my most favourite house music of 2018, and “Fireworks” (above), currently #3, is right up there.  The prolific producer just dropped a new one for Armada with ATFC called “Twisted” (below).

 

  • PatrickReza’s heavy remix of Illenium’s “Crawl Outta Love” is perfectly in sync with the intent of the original song (and Illenium-approved) so it advances 5-4.  Also, in a similar alt.dance mode and with a heavy rock flavour is Patrick’s brief (1:50!) and eerie “Tip Toe”, below.
  • Sam Dickinson scores his biggest chart entry to date with “Wild Sun” in its Handbag House radio edit, climbing 9-5 from his EP From The Glass House: Part One.  Check out the remix up top and the video below.

  • Two very different songs featuring great UK women vocalist move up into the Top 10.  Jessie Ware’s “Overtime” (above) is very Lisa Stansfield-ish with a lot of 80’s funk elements, and it climbs 11-9.  Leona Lewis packs a punch with her vocal on Hellberg’s “Headlights” (below) which jumps 12-10.  It’s Hellberg’s 4th Top 10 entry and Leona’s 3rd.

Movin’ On Up

  • Mahalo and Le:Blanc’s insanely catchy 2:28 ear candy “In My Arms” is on the move and climbs 18-13.

  • Ending 2018 with rave reviews for his live shows, San Holo rises 17-14 with “Brighter Days” from album1 featuring the distinct voice of Bipolar Sunshine.
  • The fastest riser on the chart is the disco-tastic “Mister Love” from Luxembourgeois producer White Chocolate, which soars 25-16.

  • When she’s not providing vocals from many top dance music producers, Anna Yvette is writing and producing her own, and the uplifting “Shining Star” advances 22-18.

  • I’m looking forward to what Brandyn Burnette, now known as EMAN8, has up his sleeve for his debut album in 2019.  “Amen” is a soulful, psychedelic, diverse slice of pop music that climbs 23-19.  Check out the attention-grabbing video above.

  • UK producer Jax Jones turns back the clock a bit to what Years & Years sounded like at the time of their debut almost 4 years ago with the joyous pop/dance vibes of their collaboration “Play”, which rises 24-20.

Four Debuts

  • “Closure” by Steve Void and Andy Marsh, is a hard one to get out of your head, and a song to which so many of us can relate, and to which we can dance away our troubles.  It arrives on the chart at #24 and is talented Dutchman Steve’s 4th chart entry as a performer.
  • A voice to listen for in 2019 is NYC-based singer/songwriter Ryan Gibeau.  His gorgeous voice shows off his lower octaves in “Flying High”, an emotional song written on a plane after a relationship ended.  It’s from Ryan’s new album Quiet Fall and bows at #25.

  • Dutch duo The Him return to the chart after a successful 2018 releasing songs for Spinnin’ and getting to #1 on this chart with “Broken Love”.  Steven and J are at #26 with “Look At Us Now”, with some big synth riffs designed for festivals, their 7th entry since 2016.
  • Molly Moore also makes a welcome return to the chart with “Be Here Now”, which is one of her most passionate and compelling songs in the aftermath of personal tragedy.  It arrives at #29 and is her 5th solo chart entry.  Of course Molly is one half of Cosmos N Creature with EMAN8 and her songs feature prominently with them as well.

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

 

 

#BILLCSTop30 #550 – December 10/18

The Top 10 of this edition of the chart is a dancin’ fool’s dream, just chock full of classic house, disco, trap, and of course what would be more likely labelled as pop/dance. But there are many soulful and hip hip influences embedded, along with the presence of a singer normally associated with the country genre.

The Top 10

  • Odesza’s “Loyal” crushes it again at the top, with a feverishly paced song that just makes your heart race and leaves you with an incredible rush at the end. How many other songs could do that this year?

  • The presence of A-Trak and Todd Terry in “DJ’s Gotta Dance More” (3-2) is an inspired collaboration which honours classic house and helps to make that style of dance music even better, by inspiring those who play it!
  • Mercer’s 70’s flavoured house of “Fireworks” (above) races 7-3 to join the dance festivities as he releases another new single called “Boss” (below).
  • PatrickReza’s taut remix of Illenium and Annika Wells’ “Crawl Outta Love” soars 10-5 to give presence to this fine song.
  • These are hardly the last “Days Of Disco” but Canadian duo Botnek definitely have catchy business happening with this song which moves up 8-7.
  • Soulful UK singer/songwriter Sam Dickinson scores his third Top 10 here with “Wild Sun”, which in its Handbag House radio edit should by all rights be played in any club, anywhere that has great taste!  It climbs 13-9.

  • Of course it’s The Chainsmokers who paired with country singer Kelsea Ballerini for another treat for us this year with “This Feeling” rising 12-10.

Movin’ On Up

  • From a great go-to EP called Tough Love, Bright Light Bright Light’s “How I Feel” climbs 19-13.
  • If there’s such a thing as alt.soul.pop then singer Victor Perry and producer Ficci may have coined it in their project called Labrose with “Gravity”, up 20-15.

  • The good-natured vibes of San Holo’s “Brighter Days” definitely creep under your skin and stay there thanks to a totally in sync vocal by Bipolar Sunshine.  The song is from San’s release called Album1 and moves up 21-17.
  • Possibly the tightest and most irresistible song on the chart at only 2:28 is “In My Arms” by L.A.-based producer Mahalo in partnership with newcomer Le:Blanc.  It’s the fastest riser on the chart, soaring 26-18.
  • Illenium entry #2, “God Damnit” as written and sung by Call Me Karizma, wastes no time landing in the Top 20, up 24-19.

4 Debuts

  • As “All For You” exits the chart, Years & Years maintain a presence, this time courtesy of UK producer Jax Jones on “Play” at #24.  “Play” is featured on Jax’s compilation EP called Snacks.
  • Another disco-tastic track to grace the chart is “Mister Love”, by Luxembourg-born producer White Chocolate, which arrives at #25.
  • And as the long-lasting “Infinitum” leaves the chart, so “Naked” by Revelries featuring Romanian vocalist Jeoko arrives to take its place.  The exotic song, tapping into Revelries Emerati roots, lands at #26 out of the gate.

  • More Chainsmokers anyone?  Yes, please!  The guys know when to let loose and show their progressive side, and “Siren”, featuring Aazar is a shining example.  “Siren” debuts at #27.

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

 

#BILLCSTop30 #549, November 26, 2018

This post provides highlights of my biweekly chart, where there is a new #1 and four debuts!  The first of the debuts belongs to an artist already on the chart in collaboration with one who appeared recently; the second had a #1 song last year; the third is a newcomer to the chart but not dance music; and the fourth recently assumed another performing name but is a BILLCS Top 30 veteran!

  • Seattle’s Odesza acquires its first #1 with fan favourite “Loyal”.  It’s one of the most potent dance songs of the year, and has a raucous new Deathpact reprise, available as a free download below!  It’s also the soundtrack to a new Apple commercial I saw on You Tube 🙂

  • Looking to compete with Odesza for the top spot is the engaging classic house of “DJ’s Gotta Dance More” by A-Trak featuring Todd Terry on vocals, which climbs up 6-3.

  • Three songs land in the Top 10 for the first time:
    • Mercer is back, after scoring #1 this year with “Satisfy”, with the 70’s flavoured disco of “Fireworks” moving up 14-7.
    • The Knocks land in the Top 10 for the fifth time with “Goodbyes”, their collaboration with Method Man from the New York Narcotic album, up 11-9
    • The fastest riser on the chart is PatrickReza’s compelling remix of Illenium’s “Crawl Outta Love”, featuring Annika Wells, soaring 20-10.

  • The Chainsmokers are busier than ever with new music.  Not only does “This Feeling”, featuring Kelsea Ballerini, climb 16-12, but they’ve released two new songs  (both below) in the last few weeks, the crunchy “Siren”, which shows our boys haven’t lost any harder core roots, and “Beach House”, which will please those who love their hits “Closer” and “Paris”.

  • I’m totally loving the Handbag House remix of Sam Dickinson’s “Wild Sun”, which comes from his hot new EP From The Glass House: Part One.  Also check out the acoustic “All We Are”, below.

  • The debuts from the last chart are all moving up steadily:
    • Swedish producer Hellberg’s collaboration with Leona Lewis should by all rights be a radio hit.  “Headlights” moves up 22-17.
    • Bright Light Bright Light’s “How I Feel” from the Tough Love EP climbs 25-19 as BLx2 concluded his recent tour.  Check out the 90’s inspired Disco 12″ mix above, also available on the EP.
    • San Holo put on a spectacular, intense show in New York City last week.  “Brighter Days”, from album1 and featuring vocalist Bipolar Sunshine, rises 26-21.  I was amazed at how many people knew the songs from the album and all of the words.  The man is one to watch for the 2019 festival circuit.
  • The highest debut belongs to “God Damnit”, the new collaboration between Illenium and blog favourite Call Me Karizma.  It’s actually a song that Karizma wrote that I featured in these blog pages back in March.  It received an impressive redux from Illenium, which has sent it to #24 on this chart out of the gate.  It’s Karizma’s second entry this year following the #17 “Life Of The Party”, which captured The Chainsmokers’ attention.
  • L.A.-based producer Mahalo returns to the chart this time in partnership with new producer Le:Blanc with the insanely catchy “In My Arms” at #26.  This is 2:28 jam-packed with hooks and a fantastic house rhythm.  Not to be missed!  Mahalo got to #1 last year with “Perfect” featuring Canadian singer/songwriter Cat Lewis.

  • Premiering on the chart is Anna Yvette, the NYC-based vocalist, songwriter and producer who has graced numerous fine songs over the past few years.  “Shooting Star” is the joyous new song to get her onto the chart at #28.

  • Arriving at #29 is “Amen” by EMAN8, who we better know as Brandyn Burnette.  Kicking off this new legacy of songs is the intriguing and very cool video above.  BB recently concluded a stay on the chart with the autobiographical #4 “Run”.

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

 

In collaboration with @Illeniummusic, @CallMeKarizma’s “God Damnit” becomes an empowering dance anthem

ILLENIUM with CALL ME KARIZMA, “God Damnit”

Let’s go back to March, when I first wrote about “God Damnit” as originally released by Minnesota rapper Call Me Karizma and called it one of ‘Riz’s finest songs to date, albeit short at only 2:14, about why you are good enough for not only love from oneself but from others as well.  Flash forward not quite six months and ‘Riz gets word that none other than Illenium is dropping it at the Red Rocks festival, one of his biggest shows.  To the surprise of fans, exit song from social media, but then “God Damnit” reappears as an official major label collaboration.  It’s one of the most amazing things I’ve seen happen in music in 2018, and both Illenium and ‘Riz are now front and centre together as faces for anxiety in young people through this song, and both will benefit from it immensely.  Illenium’s synth-sparkled production  indeed makes “God Damnit” the anthem that it should be, but no one could have expected this.  Everything about this collaboration – now at a 3:35 length – is so right that you should not only add it to your Spotify playlists but pick it up at your favourite online music store.

Published in: on November 10, 2018 at 11:21 pm  Leave a Comment  
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#BILLCSTop30 #547 – October 29/18

There’s plenty of new music to be abuzz about, including four new entries, and lots of songs rising up into the Top 10 to challenge for the top!  And the top of the new chart is all about wonderful singers.

The Top 10

  • Reigning at the top appropriately for Hallowe’en is the delightfully over-the-top “Phantom Of The Dance Floor” by Kiesza featuring Philippe Sly.  I think this is the first time in the 20 years of my chart that I’ve had a Hallowe’en-oriented song at the top.  Couldn’t happen to a nicer song by incredibly talented singers.
  • It’s not the only song in contention for the top, but “Verona” by Peter Wilson and Sean Smith makes its key move, up 4-2.  What’s not to love about such an intriguing story sung by singers who sound so different separately but create fantastic harmony together.

  • Despite its pop facade, “All For You” by Years & Years, up 8-6, has quite a set of telling lyrics for you to enjoy as part of their sophomore album Palo Santo.

  • It’s a pop dance bop all right – “One Last Time” by Gromee featuring Jesper Jenset climbs 10-7.

  • It took a bit of time but “Rise” by Jonas Blue and Jack & Jack slides into the Top 10, up 11-8, becoming Jonas’ second Top 10 on this chart, after his cover of “Fast Car” got to #3 two years ago.
  • Odesza’s slamming crowd favourite “Loyal” sets a new benchmark for progressive dance music and glides into the Top 10, moving 14-9.

Movin’ On Up

  • The intense Morgan Page remix of “Down For Me” by Florida’s PLS&TY is a stunning redo of an already fine song that jumps 15-11.

  • There are plenty of old school house vibes on this particular chart, so it makes sense that “DJ’s Gotta Dance More” by Montreal’s A-Trak, with house legend Todd Terry on vocals, is the fastest riser, soaring 24-13.

  • Ariana Grande’s “Breathin” is still delightful and fresh and climbs 19-15.
  • More Canadians in the form of east coast duo Botnek grab a hold of house rhythms and shake them down in “Days Of Disco”, moving up 21-16.

  • The Knocks kick it NYC-style with Method Man for “Goodbyes”, from the duo’s album New York Narcotic, rising 23-17.
  • And France’s Mercer highlights a lot of 70’s flavour in “Fireworks”, which climbs 25-19.

Debuts

  • England’s Sam Dickinson has the highest entry with his new effortless-sounding single “Wild Sun” from the forthcoming EP From The Glass House: Part One (video above).  And what’s even better about “Wild Sun” is that remixes are coming on November 16, including my favourite which is the “Handbag House remix” that you can hear at the Spotify link below.  “Wild Sun” arrives at #23 to make Sam’s third entry onto the chart.
  • With Denver’s Illenium having so many fans in the dance music scene, if you’re going to do a remix, it’s best to get the man’s blessing.  L.A.’s PatrickReza did just that for his fierce take on “Crawl Outta Love” (featuring Annika Wells), and it bows at #25.  It’s also available at the link above as a free download.
  • UK singer Jessie Ware is back and sounding better than ever after the solid Glasshouse album with “Overtime”, which returns more to the Prince-inspired funk-pop of Tough Love.  “Overtime” premieres at #27.  Jessie previously got to the top of the chart with “Say You Love Me”.
  • NYC-based singer/songwriter Victor Perry is a name you’ve already seen on this chart in the Top 10 a number of times these past two years.  With his pristine vocal in “Gravity”, Victor appears under the guise of Labrose, his latest single in his project with British producer Ficci.  “Gravity” debuts at #28.

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

L.A. producer @PatrickReza nicely captures the @Illeniummusic vibe in remix of “Crawl Outta Love”

ILLENIUM and ANNIKA WELLS, “Crawl Outta Love” (PatrickReza remix) (free DL)

I like it when remixes enhance the original song more than when they switch it up and make it into something else, which sometimes is a hit-or-miss surprise.  So when L.A.’s PatrickReza got the green light from Illenium himself to tackle “Crawl Outta Love”, he did it with reverence and restraint.  “Crawl Outta Love” is one of many people’s favourite songs from the much-admired Illenium album Awake.  Patrick focuses on augmenting the melody and complementing the vocal throughout.  But wait for the crunchy breakdown which he leaves till the last minute of the song, keeping both the original vibe of the song and adding a bit more dirty, playful flavour for clubs.  Ultimately both Patrick’s and Illenium’s fans should be more than happy with this tasty remix!  Download it for free at the link above.

Published in: on October 6, 2018 at 7:37 pm  Leave a Comment  
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#BILLCSTop30 #529 – February 19/18

The new chart is being particularly good to my fellow Canadians.  With the addition of three more to the chart, the total number of Canadians on the chart is eight!!

The Top 10

  • As expected, South Africa-born, Australia-raised singer/songwriter Troye Sivan grabs his first #1 with “My My My!”.  It’s an energetic celebration of being head over heels for someone.  Troye letting loose with some dance moves in the video is the imagery that says it all 🙂  (I’m awaiting a remix from fellow Aussie Throttle too!)

  • If not for Troye, Toronto’s Loud Luxury would have another #1 with “Body” (featuring Brando), but nonetheless it does advance to #2 as radio and club play increases across the country for it.
  • L.A.-based ‘mystery’ production trio Giiants move up 5-3 with their debut single “Small Talk”.  We’ll be hearing more about these guys very soon I promise.  This is the highest placing for a Tipsy Records release on the chart thus far!
  • Tipsy does get a second song in the Top 5 with the inspiring “What We’re Made Of” by NYC producer Dave Edwards and featuring UK-based singer Mark Asani.  It climbs 8-5.

  • The beautiful “Breathe” by Mako busts into the Top 5, soaring 13-7, as Alex’s much more progressive sounding collaboration with Illenium and Kill The Noise arrives called “Don’t Give Up On Me” (below).

  • Equally touching and moving up right behind 14-8 is L.A. singer/songwriter Axel Mansoor with “Talk To Me”.  Watch the video for some insight into the song.  It’s Axel’s third Top 10 entry following last year’s #1 “Wasted My Love” and #2 “Out Of My Head”.
  • “You Found Me” by Saxity featuring Victor Perry moves up 11-9, becoming Saxity’s second Top 10 following last year’s #3 “Brothers”, and Victor’s fourth – his last Top 10, the #3 “Sail”, with German producer Levi, debuted on the chart exactly a year ago!
  • While “Pineapple Skies” slips out of #1, Miguel gets his third Top 10 from the War & Leisure album with the Prince-ly “Told You So” (12-10).  I’m sooo looking forward to Miguel’s show in Toronto next month!

Movin’ on Up

  • The Chainsmokers have the fastest riser on the chart with the uncharacteristic, alt.rock-flavoured “Sick Boy” (above), zipping up the chart 25-14.  I’m glad to see Alex and Drew pushing their boundaries and their songwriting in “Sick Boy” is top notch.  They’ve recently followed it up with an entertaining and unexpected video for “You Owe Me” (below).

  • NYC singer Reigen advances 21-15 with his lovely rendition of The Cranberries’ “Dreams”.  
  • Still in the midst of their “Just A Kid” tour, Two Friends take their same named song, featuring Kevin Writer, from 22-16 on the chart.
  • The rest of the last chart’s debuts all show promise: 
    • Italy’s IDEO takes a very different arrangement, featuring American hip hop singer J.Paulished, for “Multiply” (above), which moves up 26-21.    
    • Quebec’s Robotaki partners up with Manila Killa and vocalist Matthew John Kurz for the compelling “I Want You” (below), in haunting Spirix remix, climbing 27-22.
    • UK singer/songwriter James Poole has an important message about loving yourself and your body with “Perfectly Me” (also below) rising 28-23.

Three Debuts

  • The highest debut belongs to L.A. producer Bobby Nourmand, who returns with his unique deep house flavours mixed with gritty UK soul courtesy of a potent vocal by singer Laurent John.  “Prisoner” arrives at #26.
  • Vancouver’s Ekali bows with the dark deep house of “Blame”, featuring none other than ZHU on vocals for a powerful collaboration.  “Blame” debuts at #27.
  • At #29 are our remaining Canadians.  Toronto’s Keys N Krates is set to break out big time with their latest album Cura, which includes the spirited collaboration with Tory Lanez called “Music To My Ears”.

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the new BILLCS Music Projects Facebook page 🙂

The Groove gets into “Fractures” by Denver’s @Illeniummusic featuring #Nevve

ILLENIUM featuring NEVVE, “Fractures”

It’s all about the fight in desperation for the right kind of change, but as thoughtful and lyrical as it may be, “Fractures” by Denver’s Illenium has also got its grooves all in the right places, like what Illenium has brought to you in some of his remixes, particularly Flume’s “Say It”.  Featuring a far-reaching, poignant vocal by Nevve, who you heard most recently on two songs on the I Am The Elephante! EP, “Fractures” has splendid almost R&B-ish rhythms to keep it moving through its wordscape.  It’s a beautiful song for a whirl under the big lights but perfect for those who have their ears attuned to more than the beat. With already over 2 million plays (!), check it out at the link above.

Published in: on February 25, 2017 at 5:01 pm  Leave a Comment  
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