#BILLCSTop30 #595 – August 31/20

In less than a month, it will be Autumn! But I’m not going to say goodbye to the summer and all of the great new music that it has given us, despite our ongoing COVID-19 circumstances.

There is a switch-up at the top, and it’s a big one! Joel Corry and MNEK soar from 6 to 1 with “Head & Heart”. This banger is one of the biggest hits of the year in the UK and on dance radio in North America. This year has been full of songs like “Head & Heart” which have great hooks or choruses.

Victor Perry obtains his highest placing in this chart as the enthralling “What I Deserve” (above) climbs 3-2. In the wondrous never-ending slew of new music by or featuring Victor, check out his new song with British producer Ficci called “Gone” (below). This electronic alt.soul is a perfect accompaniment to Victor’s solo EP Rewind.

“Dancing Next To Me” by Greyson Chance (above) also climbs up a notch from 4-3. Literally, it would be #1 had two stronger songs not been in front of it, so it’s a very ‘high’ #3! Also check out Greyson’s latest single, inspired by his personal and ongoing battle against anorexia, called “Bad To Myself” (below).

Toronto’s Francesco Yates will be following up his Superbad EP with more new music in September. In the meantime, “Bad Decisions”, the fun second single from that EP, holds at #5, and it’s Francesco’s highest ranking song on the chart to date.

Both Jonas Blue and MAX are back in the Top 10, this time together with “Naked” rising 12-8.

Florida-based progressive electronic producer Trivecta acquires his first Top 10 on this chart with “Leave It All Behind” (featuring vocalist/co-writer Fagin) moving up 11-9.

The Fastest Riser on the chart puts three huge bangers in the Top 10. Next to “Head & Heart” and “Rain On Me” there’s “Undo My Heart” by British artists Karen Harding and Digital Farm Animals. It vaults 23-10.

“Carry Me” by Canadian producer Dezza and vocalist/co-writer Mike Schmid continues to show resilience and climbs 17-11.

Right behind two weeks in a row is manic Australian producer/DJ Fisher with the irresistible “Wanna Go Dancin'”, rising 18-12.

In any other week, the beautiful “One Last Song” by UK indie singer/songwriter Benedict Cork, would be the fastest riser as it climbs 26-16. More new music is coming from Benedict this week!

It’s steady as it goes for another UK indie singer/songwriter, Jazz Mino, as her thoughtful and unique point of view in “Like A Drunk Girl” moves up 20-17.

L.A.-based production trio Giiants settles comfortably in the Top 20 as “Waiting For You” (above) rises 24-18. Even newer from Giiants is their collaboration with Disco Fries on “Believer” in a Giuseppe Marcellino remix (below).

While the more experimental nature of Troye Sivan’s new songs is certainly interesting, I had to wait for the arrival of his new EP In A Dream to find a song that’s as captivating as in either his albums Bloom or Blue Neighbourhood. The simply gorgeous title song, “In A Dream”, bows at #26. It’s Troye’s 8th song to appear in this chart.

If you want dance music that is nothing but sheer fun, then look no further as German producer Stan Sax’s “House Is Happiness” arrives at #27. It’s an instrumental full of saxxy goodness and a slamming beat. While Stan has been on the chart before as part of Saxity and, more recently, in his other pseudonym of ZEROBADDAYS, he has appeared on the chart one other time under the current moniker when he gave a refreshing remix to Fabian Luttenberger’s “Vague”, which got to #10 in late 2016.

The third debut belongs to new Philadelphia trio Time For Three with the beautiful “Vertigo” at #28. The lead vocal alternately reminds me of Steve Perry of Journey or Dennis De Young formerly of Styx. Love the strings arrangement!

A reminder that the music from my chart and blog are featured regularly on the new online radio station Radio GTA. You can hear their Big 20 on Wednesday evenings with ‘The Musicman’ James Rogers and listen for songs from the chart too 🙂 Scroll down the station’s main page to listen to lots of variety from across the decades!  I’m the new music consultant for the station so you can expect even more in 2020 🙂  You can start by joining Radio GTA’s new interactive Facebook group too!!

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

Want to see what I’ve been listening to and charting for the past 22 years?  Rummage through the BILLCS Top 30 Archive (where you can click on the link within) when you have a chance!! 

#BILLCSTop30 #594, August 17, 2020

This chart marks the week where I close the door on my career in education in human resources.  It’s a bittersweet feeling, especially during these strange times where you can’t say goodbye to people in person, though that will happen later.  

This also opens the door for me to spend more time with music and working on music projects.  I’m looking to help individuals or businesses fill a gap with whatever knowledge and skills I can bring to table.  If you’re interested in talking with me more about it, you can drop a line to me in one of the following three places:  On Twitter, Instagram, or Facebook.

Getting back to the new chart, the Top 2 hold steady, but there’s a lot of movement, and for the first time in quite some time, there are 6 new entries.  Songs are going up and down the chart faster than ever because of the volume of great new music out there.

Locked in at the top though is Lady Gaga & Ariana Grande’s “Rain On Me” (above), now in its 4th appearance at #1.  It’s the first song to obtain 4 appearances (8 weeks) at the top since “Push” by Kazaky last Fall.  Also staying put at #2 is “Never Let Me Down” by VIZE and Tom Gregory (below), which is starting to break out on dance music radio in the US.

Victor Perry’s lovely and sad “What I Deserve” (above) glides up to #3, to tie with “Sail” (with Levi) as his highest charting song to date.  Now it’s in a battle with the top two when they start to weaken a bit.  A new release featuring Victor’s vocal is “Ma Cherie” (below) by Swedish producer Behmer, who was also involved in the recent cover of Modern Talking’s “You’re My Heart, You’re My Soul”, which also featured Victor’s vocal.  This is a delightful slice of Eurodisco that sounds very little like our Victor, with his vocal pitched down, though you can certainly recognize his phrasing and some of his vocal qualities amid the production.

Another one to keep your eyes on is “Head & Heart” by Joel Corry and MNEK, still at the top of the UK charts, as it climbs 10-6.  It’s actually a perfect compliment to the top two songs so we’ll see what happens.

Rufus Wainwright has his first Top 10 hit on this chart since 2007 as the whimsical “You Ain’t Big” (above) rises 13-9.  Right behind it is Canadian pop/R&B singer/songwriter Tafari Anthony with the cutting lyrics of “Centerfold” (below), which moves up 12-10.

My discussions are limited for the songs on the rise, but the Fastest Riser on the chart belongs to two gents who are no stranger to the chart, but had never worked together until now.  UK producer Jonas Blue and US singer MAX make a formidable pair as “Naked” soars 21-12.  A bit of behind the scenes trivia: One of its songwriters is the much-praised Ed Drewett, who has been a co-writer on huge hits by One Direction (“Best Song Ever”), The Wanted (“Glad You Came”), Little Mix (“Black Magic”), and even more Jonas Blue (“Rise”).

Two recent debuts also make promising moves.  “Wanna Go Dancin'” by Australian dance producer Fisher (above) climbs 25-18, while UK indie singer/songwriter Jazz Mino rises 28-20 with her lyrical gem “Like A Drunk Girl” (below).

The Highest Debut on the chart, like “Rain On Me” and “Head & Heart” is one of the ‘bangers’ of 2020.  It’s “Undo My Heart” by British dance singer Karen Harding in collaboration with co-songwriter and co-producer Digital Farm Animals (aka Nick Gale).  “Undo” arrives on the chart at #23.  It’s Karen’s first appearance, but the second for Digital Farm Animals, who got to #11 with Alan Walker and Noah Cyrus on “All Falls Down” two years ago.

L.A. based trio Giiants return to the chart for the first time in over two years with the insanely catchy “Waiting For You” at #24.  Their earworm “Small Talk” previously reached #3, and in another incarnation, members Cam and Adam (as DATABOY) topped this chart three times in 2011, 2012 and 2013 respectively with “Just Once”, “Dreams Are Gold”, and “Memorize Me” (with Rune RK).

The title song from Jessie Ware’s elegant electronic dance/disco album “What’s Your Pleasure” arrives at #25 to join “Save A Kiss”, which peaked at #3 two weeks ago.

UK singer/songwriter Benedict Cork, who has written for Adam Lambert and others, returns to the chart with his engaging ballad “One Last Song” at #26.  Benedict’s “Breaking Hearts” reached #3 last Fall.

If you couldn’t get enough of The Brothers Macklovitch’s remix of Raphael Saadiq’s “So Ready” like me – it peaked at #4 here a while back – then you will equally enjoy the first official single from les bros Canadiens (who are A-Trak and Dave from Chromeo) which is a soulful slice of house music called “Give Love To Get Some” (featuring vocal by Leven Kali) at #28.

After going viral during the past few years with the now-club staple “U Got That”, Atlanta duo Halogen return to the chart for the first time in almost three years with “The Reason”, featuring vocalist and songwriter Kelli-Leigh, at #29.  Halogen’s “Can’t Resist” previously peaked at #14.

A reminder that the music from my chart and blog are featured regularly on the new online radio station Radio GTA. You can hear their Big 20 on Wednesday evenings with ‘The Musicman’ James Rogers and listen for songs from the chart too 🙂 Scroll down the station’s main page to listen to lots of variety from across the decades!  I’m the new music consultant for the station so you can expect even more in 2020 🙂  You can start by joining Radio GTA’s new interactive Facebook group too!!

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

Want to see what I’ve been listening to and charting for the past 22 years?  Rummage through the BILLCS Top 30 Archive (where you can click on the link within) when you have a chance!! 

 

 

 

 

 

 

#BILLCSTop30 #593 – August 3/20

While 2020 may now be more than half over (and some would say thank you for that), it has been chock full of great music.  Right now, my Top 5 on this new chart would seem to be untouchable for the next several weeks, though a couple of up-and-comers may change that.  

I’ve often been asked why I don’t increase my chart to a Top 40 or a Top 50.  You’re more than welcome to weigh in on this, but the BILLCS Top 30 is a chart of my current favourite songs, and that’s all there is to it.  There’s no science to it at all.  However the chart has been online for 22 years, so it is at least known in some music circles.  If it’s meaningful for a new performer to be on someone’s chart at #40 then I can understand the interest.  But it’s probably more meaningful if I’ve written about that song than if it appears on my chart.  This blog is going into its 11th year online – over 2,400 posts about all kinds of pop music form its library!

So while Lady Gaga & Araina Grande’s “Rain On Me” (above) gets a 3rd appearance (6th week) at #1, and “Never Let Me Down” by VIZE and Tom Gregory (also above) holds at #2, I’ll throw this chart’s upper spotlight on Jessie Ware.  Her sophisticated disco/dance album What’s Your Pleasure is one of my faves of the year.  “Save A Kiss” (below) remains at #3, but the title track is now also a single so check it out, also below.

NYC-based singer/songwriter Victor Perry has one slew of new music still to come this year.  His stunning and heartfelt ballad “What I Deserve” (above, from the excellent EP Rewind), climbs to #4 and is his biggest solo song to date on my chart.  Victor has recently worked with two young Swedish producers, B3NTE and Behmer, to create a tantalizing cover of Modern Talking’s massive 80’s European hit “You’re My Heart, You’re My Soul”.  My only complaint is that it’s sooo short at only 2:19, but that’s nothing that a good extended remix can’t remedy.  Take a listen to this excellent cover choice, below.

I adore the overall theme of Greyson Chance’s “Dancing Next To Me”, which soars 11-5. It’s one of those songs that sits in your gut and gets stuck in your head for a long time.

Francesco Yates’ “Bad Decisions” (up 14-7, from his EP Superbad) becomes the Canadian singer’s second Top 10 on this chart, following his first hit “Better To Be Loved”, which reached #6 5 summers ago.  Check out the top drawer song “Queen Street Blues”, also from the EP, below.

The third new entry in the Top 10 is also the Fastest Riser on the chart, which is holding at #1 in the UK for a second week.  When dance music is large and in charge you have songs like “Rain On Me” and “Head & Heart” by Joel Corry & MNEK leading the way.  “Head & Heart” flies up the chart 21-10.

Trivecta and Fagin’s electronic anthem “Leave It All Behind” cuts through the middle of the chart and moves up 19-14.

In addition to their current banger “Tragic” (featuring Amber Van Day, up 17-15), Dutch producers The Him mix it up with Yall, Royale Avenue and Jay Nebula in their new anthemic single “Believe”, below.

The remaining debuts from the last chart are stuck behind a lot of great songs and are unable to make bigger moves.  Check out the fun video for The Prince Karma’s “Superstar” (22-19), above.  You’ll see a snazzier video for “Naked” (26-21, below) which makes Jonas Blue and MAX look fabulous.  and “Carry Me” (also below) by Canadian producer Dezza and starring veteran session vocalist Mike Schmid is definitely in it for the long run, rising 27-23.

I didn’t latch on to his biggest hit, the Grammy-nominated “Losing It”, until long after it had peaked.  But I’ve been loving Aussie producer Fisher’s strut-worthy “Wanna Go Dancin'” since it came out as ‘the flip’ of his single “Freaks” a while back.  “Wanna Go Dancin'” bows on the chart at #25.  Did you all know that Paul Fisher was once one half of the well-respected production duo Cut Snake??

The masters are back!  The Swiss duo Yello (Dieter Meier and Boris Blank) produced some of the most off-kilter, wacked out, fun dance music of the 80’s.  They are most noted for “Oh Yeah”, the song that was prominently featured in the classic “Ferris Bueller’s Day Off”, and became a hit a few years after its initial release.  But their other songs are innovative and unique:  “Bostich”, “I Love You”, “Lost Again”, “The Race”, and “Goldrush I” among others.  They have a new album coming soon called Point, their first release in almost three years.  Check out their wizardry in the electronic nonsense called “Waba Duba” above.  Whatever it may be about, it arrives on the chart at #27.  It’s their first entry on my chart, though if I had one before 1998 they would have appeared many, many times.

UK singer/songwriter Jazz Mino returns to the chart at #28 with her thought-provoking lyrical pop with “Like A Drunk Girl”.  She first charted two summers ago with “Misunderstand”, which reached #15.  Yesterday I wrote about her new single “New Girlfriend”.

A reminder that the music from my chart and blog are featured regularly on the new online radio station Radio GTA. You can hear their Big 20 on Wednesday evenings with ‘The Musicman’ James Rogers and listen for songs from the chart too 🙂 Scroll down the station’s main page to listen to lots of variety from across the decades!  I’m the new music consultant for the station so you can expect even more in 2020 🙂  You can start by joining Radio GTA’s new interactive Facebook group too!!

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

Want to see what I’ve been listening to and charting for the past 22 years?  Rummage through the BILLCS Top 30 Archive (where you can click on the link within) when you have a chance!! 

 

 

 

 

In “New Girlfriend” is better to be the bigger person, according to UK singer/songwriter @JazzMino

JAZZ MINO, “New Girlfriend”

While I’m still immensely enjoying her last single, “Like A Drunk Girl”, British singer/songwriter Jazz Mino has followed it up quickly with “New Girlfriend”.  Always stepping outside the situation to take an objective observer stance, Jazz Mino writes and sings about how to be the bigger person when a relation ends.  So instead of creating gossip and a toxic environment, don’t divulge a lot of crap to the new person in your ex’s life.  There’s certainly nothing wrong with thinking about what you might like to do (and there are plenty of songs about that!), but you’ll only serve yourself better to separate yourself from the situation.  There’s no doubt that love and relationships can be an emotional battleground.  Jazz Mino puts forward friendly but direct ideas along with a great vocal and well-balanced production. That all makes “New Girlfriend” well worth adding on your playlist next to those new songs by Taylor Swift and Ellie Goulding.

Published in: on August 2, 2020 at 2:11 pm  Leave a Comment  
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It’s 10/10 #13: @Yello_band @KidBloomusa @EbonyroseBuckle #DeanRobert @Jazz_Mino @Airportsmusic @Toniiamusic @Boye_Sigvardt & H. Kenneth @KenFleet @SC_Undercover @Mindchatter

It’s 10/10 – Edition 13!! 

A second 10/10 post in June to close out the month brings you a lot of unique music that requires your full attention in order to win your appreciation.  We cover the globe with songs from Germany, England, Ireland, Australia, Denmark, Switzerland and the U.S. with a dashes of mystery and fun!

In 10/10 (or tenoutoften) ,  I write about 10 hot and fresh songs in no particular order, for your kind consideration and attention.

I continue to write individual blog posts about certain songs.  That does not mean that songs in the 10/10 lists are any less than those featured individually, and they are not listed in any particular order. 

Writing 10/10 posts means I can cover more songs in one shot.  So you get to learn about more new music that I hear but don’t always get a chance to write about. 

  • YELLO, “Waba Duba”

The Swiss maestros that are Yello can orchestrate the best complex electronic nonsense even into their late 60’s and early 70’s, and have returned with their first release in three years called “Waba Duba” from their upcoming album Point.   “Waba Duba” recalls some of their best work of the 80’s, such as “The Race” or “Goldrush”.  Don’t try to confound yourself by trying to figure out if there is any plot to the song.  Instead enjoy the always-bizarre vocal and the layers of synths and samples that make some of the most unique sounds you will hear in pop music.  “Waba Duba” is loads of fun, destined to annoy the heck out of you like “Oh Yeah” did all those years ago while you groove to the beats.

  • KID BLOOM, “Wounded/Surrounded”

“Wounded/Surrounded” is an anthemic-sounding, atmospheric new melodic electronica release from L.A. singer/songwriter Kid Bloom.  The song takes you on a journey through a sea of emotions, wrought by the singer’s captivating voice.  When he sings without effects it sparkles and sometimes sounds like Frankmusik; at other points the song is awash in synths and vocal manipulation and because of it you can feel the bewilderment.  Alternately dreamy and thought-provoking, “Wounded/Surrounded” is an ear-grabber and well-worth your attention.

  • EBONY BUCKLE, “Ghost”

Ebony Buckle is a London-based singer/songwriter originally hailing from Australia.  She has a stunning, controlled, theatrical voice which immediately recalls Kate Bush and Imogen Heap.  And her pristine vocal puts all the right human touches in “Ghost”, a pop song that could have otherwise been a difficult listen.  It’s a true story about being physically apart for two years from husband (and co-writer) Nick due to visa issues.  And that is simply heartbreaking, a separation that could have been irreparable.  Instead, they wrote “Ghost” over Skype, turning their story into song so that anyone else in an unfortunate state of separation can relate and heal.  Be sure to give “Ghost” your complete attention.  It would also be perfect as set to a lyrical dance routine.

  • DEAN ROBERT, “Get Up”

It’s strange that even before I read up about Dean Robert, the other voice that came to mind when you hear “Get Up” is The Script’s Danny O’Donoghue.  For Dean also hails from Ireland and even opened for The Script when he was part of a band.  Now Berlin-based, “Get Up” is bright, energetic dance second release for the singer that will win you over. Dean’s voice may be a little bit too manipulated in the production at times but there’s a great melody afoot in “Get Up” and it moves along briskly and enthusiastically.

  • JAZZ MINO, “Like A Drunk Girl”

UK singer/songwriter Jazz Mino releases music that needs to be heard by more of you who enjoy interesting pop with idiosyncratic perspectives.  Her latest single, “Like A Drunk Girl”, is more about standing up for yourself and making your own decisions to do what you want than meets the ear.  The title is actually negative imagery for what other people might say to put you down, so you cave in and do what they say.  Jazz Mino’s always affable nature really shines through in this song which sings from both experience and the heart.  Check out the lyric video above.

  • AIRPORTS, “U Feel It 2”

You never know these days if an artist is a band or a singer judging by the names in use.  “U Feel It 2” is a delightful slice of romantic pop from Australian singer Airports (aka Aaron Lee).  It’s definitely a mood-setter with a subtler boy-next-door vocal that shies away from what would be called “boy band pop”.  The production focuses on the song’s lovely melody and there is definitely radio play potential here.  Check out what alternative video ideas occur above when Airports’ original plans were scuttled by COVID-19.

  • TONIIA and SUNNIE WILLIAMS, “Only Human”

Blending hip hop and trap flavours with electronics, German producer Toniia has released “Only Human”.  It features the strong and sultry voice of Sunnie Williams, whose vocal is the drawing power for “Only Human” for its first minute, before the beats kick in.  After that, the song is a sea of many moods with some big drops and synths that command “Only Human” until its finish.  It’s a fast listen at 2:49 with many sounds and qualities to perk up your ears.  Watch the lyric video above.

  • BOYE & SIGVARDT and H. KENNETH, “Party Sucks”

Don’t let the title fool you – “Party Sucks” is actually a dark slice of deep house music from Danish producers Boye & Sigvardt and Nashville’s H. Kenneth that will appeal to fans of recent work by Mahalo among others.  The classic house rhythm is the key with pitched-down vocals that make it perfect for a late night set.  And it’s cool that Boye & Sigvardt and H. Kenneth never get stuck in one style or groove, collaborating with UK producers Sondr,  creating diverse music that shows they would rather be innovators than producing the next wannabe house anthem.  

  • SC.UNDERCOVER, “Morals”

“Morals” is a standout song because it sounds like nothing else out there.  Brought to you by UK producer/songwriter/vocalist SC.Undercover, the song fuses pop and R&B flavours with drum ‘n bass vibes, making for a fast-paced ride.  At its core, the song is about finding love after making mistakes and experiencing significant regret.  The warm, uncredited female vocal is offset by SC.Undercover’s own vocals. At one point, he provides a gentle rap, and at other times hits upper register harmony vocals which remain fascinating and noticeable in the background, forming the song’s hook.  “Morals” is unconventional pop/dance music at its most listenable.

  • MINDCHATTER, “Language”

Mindchatter is a NYC-based producer of mystery who doesn’t identify him/herself in any of his Twitter, Facebook or Soundcloud bios.  “Language” is an intricate, somewhat experimental sounding song that’s intriguing because it seems to borrow from late 90’s Everything But The Girl and Roísin Murphy at their most daring, fusing it with other more contemporary sounds you might associate with label-mate ZHU.  “Language” is not for everyone but you have to admit it is one very cool, well-produced song, accompanied by quite a different visualization, above.

 

 

 

UK singer/songwriter @JazzMino lays it all bare when reminiscing about those “Old Friends”

JAZZ MINO, “Old Friends”

Reminiscing comes with its good and embarrassing moments, as UK singer/songwriter Jazz Mino relates to you in her latest single “Old Friends”.  Some of those friends will always hold fond memories, but then there are the ones who created unnecessary drama and fostered a toxic relationship – the ones that we don’t need and don’t want to see again.  So for those ones, Jazz Mino offers a “hey”, but also the proverbial musical finger – you know the rules, don’t piss off a songwriter, or they may just write about you!  It’s all set to a jaunty beat to which you can sway, with a top notch vocal from the singer which reminds me at times strangely enough of new Country vocalists like Maren Morris.  But “Old Friends” is pure pop through and through. You’ll be able to identify with the storyline, putting those folks in the past and let the memories of them fade in the years to come.

Published in: on April 20, 2020 at 10:16 pm  Leave a Comment  
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#BILLCSTop30 #538 – June 25/18

The new chart gets shaken up a whole lot, with a bunch of songs making large moves.  There are five debuts, but somehow the two on top remain the same…

The Top 10

  • Mercer and Ron Carroll’s “Satisfy” (above) has enough staying power to wrap up a 3rd appearance (6th week) at #1, while The Chainsmokers’ “Everybody Hates Me” (below) matches the two appearances at #2 that “Sick Boy” had not long ago.  Be prepared for changes next week, which are being instigated by the huge movement below.

  • Bobby Nourmand’s been a busy guy, and his Subterranean EP, featuring the dark title song (above) and the creepy and forboding “Estranged” (below), climbs 7-3, making it a contender for the top in two weeks.  Bobby has a new song called “The Sun” on deck and it receives release on Friday June 29. Watch for words on this one at that time!

  • James Bay’s “Pink Lemonade” soars 15-4 from the Electric Light album, making it his biggest hit on the chart to date and also a #1 contender.

  • The one to watch though is the beautiful and timely “Broken Love” by The Him and Parson James, which is the fastest riser, up 20-5.  It’s the Dutch producers’ third Top 5 hit on this chart.

  • “Run” by Brandyn Burnette, from his forthcoming debut album Emanate, climbs 11-7, to arrive next to his co-write with Jesse McCartney and Molly Moore, “Better With You”, hanging at #6.  The third single from Emanate will be “Amen”, coming in July, while the album will arrive in August on the singer’s birthday 🙂

  • Troye Sivan’s third single, featuring Ariana Grande, called “Dance To This”, may be taking some attention away from “Bloom” (above), but it still climbs 12-9 on this chart, while Adam Foster’s “Time” (below) also bows in the Top 10 at #10.

Movin’ On Up

  • “Lonely” is a great end of school song for the romances that never were, courtesy of Norway’s Matoma and ever-energetic singer MAX.  It rises 19-12.
  • “2012” does indeed recall songs from around that year, becoming common particularly with veteran producer DJ’s like Tiësto, Hardwell, and Afrojack, who know dance audiences are clamoring for updated tastes of that classic EDM era.  So not coincidentally Afrojack shares billing with protégé Ravitez on “2012”, which rises 18-14.
  • Rüfüs Du Sol has announced a North American tour, which will bring the Aussies to a city near you (including my city Toronto, on November 16).  Their latest single “No Place” moves up 24-18.
  • Madison Mars’ “Back The Funk” is one of the cleverest, non-sensical dance songs to come along in a while to make you love it to death.  This new party anthem will be heard all summer long and rises 25-19.

5 Debuts

  • Making it four songs on the chart from his Musical Freedom imprint, Tiësto pairs up with Canadian buddy Dzeko but gets Preme and Post Malone on vocals for the incredibly infectious “Jackie Chan” which bows at #23.
  • French producers RetroVision liberally borrow the hook from The Shapeshifters’ “Lola’s Theme” and a sample from “It Takes Two” by Rob Base & DJ E-Z Rock to make “Get Down” memorable.  The rest of the song is great house music for the summer.  “Get Down” arrives at #24.

  • UK singer Lostchild premieres with his independent release “Blacklist” at #25.  In video format, it comes with two interesting personalities, the NSFW one influenced by Madonna’s “Justify My Love” above, and the acoustic one (below) which emphasizes the singer’s excellent voice and layers of charm.  He’s one to watch 🙂

  • Canadian producer Felix Cartal has a residency in Las Vegas happening, so watch for dates.  He recently released the versatile and generous (18 songs) album Next Season, from which comes the undeniably catchy “Worry”. featuring singer Victoria Zaro, at #26.
  • Another independent UK singer debuts on the chart.  She calls herself Jazz Mino and her song “Misunderstand” is an eloquent, upbeat way to kick the door closed on a relationship that didn’t gel.  “Misunderstand” gets the #27 spot.

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the new BILLCS Music Projects Facebook page 🙂

“Misunderstand” by UK singer/songwriter @Jazz__Mino surrounds a breakup with a sparkling melody

JAZZ MINO, “Misunderstand”

A while back, I brought to your attention Jazz Mino’s “Warriors”, a bright celebration of taking a stand despite what anyone else thinks.  “Misunderstand”, the British singer/songwriter’s follow up, is a delightful contrast to that song as it documents the emotion of being mistreated and misunderstood, and surrounds it with a sparkling melody to make it more about carrying on than dwelling on the past.  You can hear the affect of the lyrics in her vocal, which comes to terms graciously with it all, but all of the high notes and synth flourishes can’t bring the story down, so we can choose to dance it all away.  Songs like “Misunderstand” should continue to open doors for this intriguing new talent.  Add it to your Moving On From Love playlist using the Spotify link above.

Published in: on May 27, 2018 at 7:23 pm  Leave a Comment  
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Newcomer UK singer @Jazz__Mino will brighten up your day with “Warriors”

JAZZ MINO, “Warriors”

“Warriors” is the third single release from new UK singer Jazz Mino, who in short order has already racked up 3 million streams on You Tube.  It might just be that her sound is refreshing and positive enough to attract listeners who will stick to it like honey to a bee!  There are new kinds of warriors in the world, those who stand up for inclusiveness, equity and well-being, regardless of who you are, which the lively video captures well.  “Warriors” is out to ensure you have a great time and join Jazz Mino at what appears to be a promising start.  The video is colourful and all the dancing is refreshing – you don’t always need big name pros – and encouraging.  Jazz Mino herself has a fine voice and charm in front of the camera.  “Warriors” is definitely one to listen for – you can also check out a pleasing surprise below, Jazz Mino’s cover of Giorgio Moroder & Philip Oakey’s 1985 electropop nugget “Together In Electric Dreams”, a personal fave of mine as it is hers.