#BILLCSTop30 #565 – July 8/19

There’s a lot happening on the new chart.  And it’s a bit of a strange week, because most of the debuts from two weeks ago don’t move up very much, except one, which is the Fastest Riser on the chart.  That’s because a number of long-term favourites are still very much in play up near the top of the chart, and they’ve created a bit of a roadblock which will ease over the next month.  But two classic singers reappear on the chart along with a strong independent release on the rise.

Not about to let go of #1 anytime soon is “Good Things Fall Apart”, the definitive slice of emotional electronica which seems to have increased in popularity this year, by Illenium and singer/songwriter Jon Bellion.  

Nashville’s Mokita has a song about reconciling his feelings for a past relationship called “Kiss And Tell” (above) that advances to #3, which is where his previous song “London” peaked a couple of months ago.  And he’s followed up “Kiss And Tell” with a gentle new electronic pop song called “ICLYA”, which stands for “I Can’t Love You Anymore” (below).

Canadian producer Famba has his second solid radio hit locally with “Swear To God”, and it becomes his second Top 10 song on this chart, moving 11-6.  “Right Here Right Now” got to #2 back in late 2016.

A number of veteran dance producers are releasing some of the best music of their careers this year, and Australia’s Timmy Trumpet is one of them.  The compelling “World At Our Feet” (above) climbs 13-7.  Check our Danny Avila’s spot-on remix below.

Another producer making his Top 10 debut on the chart is France’s Kidswaste, with vocalist KOLE, with the slight melodies of “Sleeping Pills” climbing 12-10.

The next song is definitely competing with other strong songs from Mark Ronson’s Late Night Feelings album, including songs featuring Lykki Li and Camila Cabello.  But it’s “Don’t Leave Me Lonely”, featuring the stunning YEBBA, which takes hold of this chart and moves up 17-11.

Manila Killa recently announced another leg of his 1993 tour, which will actually stop this time in Toronto at the Velvet Underground in October 🙂  In the meantime “Atypical” (featuring GiGi) climbs up a few more notches 16-13.

Breaking through all six of the new entries from two weeks ago to become the Fastest Riser is “Monday Blues”, the super cool house track from L.A.’s Eric Sharp and vocalist Zhao.  It soars 25-18.

Also making a big move is “Even In Confusion” by Italy’s Eric Zava and DJ Mirko B featuring singer Daniel Gorash, rising 28-23.  Mirko previously appeared on the chart at the top of 2017 with “#Bomber” (#17) with Beatmarthz.

The Highest Debut at a stellar #16 is “Higher Love”, the cover of the 1986 #1 hit by Steve Winwood as recorded by Norway’s Kygo, who was given the opportunity of working with archive tapes from the estate of Whitney Houston to bring her classic voice, circa 1990, to a new audience.  It’s a timely release for its message; Arista Records wouldn’t include it in the I’m Your Baby Tonight album at the time because they wanted her to get away from recording cover versions, and the original was still fairly fresh at the time.  But bravo to Kygo and those on the estate who trusted him to represent the singer well – which he does perfectly 🙂  Strangely, it’s Kygo’s first appearance on this chart.  Last year’s “Remind Me To Forget” with Miguel should have charted but I didn’t hear it till well after it peaked.  Whitney only appeared three times on the chart in her lifetime, with “It’s Not Right But It’s Okay” and “My Love Is Your Love” (both #9) in 1999, and the underrated duet with Enrique Iglesias, “Could I Have This Kiss Forever” (#15), in 2000.

After reaching #5 on this chart late last year with “Wild Sun”, UK singer/songwriter Sam Dickinson is back with the hearfelt “All We Are” at #26.  This one is receiving regular BBC radio play and hopefully its audience will grow with each spin.  Like with “Higher Love”, the message is extremely timely.  It’s from Sam’s new EP From The Glass House Part 2.  “All We Are”, like “Wild Sun”, is also available on an EP of a variety of remixes for your dancing pleasure.

The third debut is from a performer who last appeared on this chart in 2003, which to date has been her only appearance.  That’s Celine Dion, whose new song “Flying On My Own”, is nothing short of inspiring and bows at #29.  Her previous entry on the chart?  Her cover of Cyndi Lauper’s “I Drove All Night”, which in its Hex Hector remix version reached #16. Watch the live performance of “Flying On My Own” above.

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

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#BILLCSTop30 #562 – May 27/19

Some innovative and entertaining songs make their debuts this week.  One artist continues to find himself with two songs at a time on the chart, while another appears on the chart – twice – for the first time in over 5 years.  And they both join another artist who has one song on the rise and one which peaked in the Top 5 a few weeks ago.

But first the Top 10, in which we find two songs snug comfortably at the top 🙂

It’s “White Lies” that reigns supreme for a second week for German/UK producers M-22 and featuring the songwriting talents and uncredited vocal of British singer A*M*E.  It kind of goes hand in hand, for me anyway, with Cedric Gervais’ disco edit of “Good Things” in collaboration with Just Kiddin and singer Kyan, which stays at #2.

A third frenetic house track joins the top two to keep you dancing away.  “Enlighten Me” is by the fine Dutchmen that are DubVision and SYZZ, and it soars 8-3.  They bypass Mahalo and MŌZ who remain at #4 with the deep house of “Go Ahead”, as well as “Sucker” by The Jonas Brothers, which still climbs 7-5.  Although Joe Jonas found himself in the Top 5 previously as a solo singer with “Make You Mine” (#3, from his underappreciated Fastlife album) in 2012, and again with DNCE with “Cake By The Ocean” (#2) in 2015, I don’t think I ever fathomed the Jonasei gracing the upper reaches!

Every release by MAX that has hit my chart has made the Top 10, and “Love Me Less”, featuring Quinn XCII, rises 10-7.  Mokita’s third entry on the chart becomes his second Top 10 hit.  The Nashville singer/songwriter moves up 11-9 with “Kiss And Tell” as “London” tumbles to #15 after peaking at #3.  The second newcomer to the Top 10 is “Wild” by German producer Final DJs and featuring Bright Light Bright Light on vocals.  “Wild” moves up 13-10 and becomes Bright Light Bright Light’s 17th Top 10 entry!

Three other recent entries are advancing well on the chart.  French producer Kidswaste’s delightful “Sleeping Pills” featuring vocalist KOLE climbs 21-16, and right behind is progressive electronica from L.A.’s Mako with “Coyote” moving up 23-17.  The fastest riser on the chart, however, is “Swear To God” by Canadian producer Famba, which is making short work of the chart by leaping 27-19.  It’s also Famba’s second Canadian radio hit following “Wish You Well” (featuring Trove).

It’s definitely an interesting chart for debuts.  Although he continues to move up at #13 with “Crashing” (featuring Bahari), the prolific Illenium has singer/songwriter Jon Bellion on deck this time for the quite amazing and thoughtful “Good Things Fall Apart”, which makes an impressive debut at #20.  Then there’s Timmy Trumpet’s commanding “World At Our Feet” which becomes the Australian producer’s first entry on this chart at #23.  

And last but not least, there are Dutch producers, the brothers Showtek.  This is the first time that Showtek has appeared on the chart since 2014, when “Cannonball (Earthquake)”, with Italian producer Justin Prime and US vocalist Matthew Koma, went to #1.  They are back two-fold, first at #26 with Canada’s own Sultan + Shepard bowing for the first time on the chart with “We Found Love”, an update of “Now That We Found Love”, a huge 90’s hit for Heavy D. & The Boyz, originally recorded in 1979 by reggae band Third World.  And then there’s the story of remixing a fun 4 year old song – but when a remix by A-Trak is among them you know it’s going to be great.  Showtek and vocalist Leon Sherman’s “Listen To Your Momma” arrives at #28, and A-Trak’s is one of five remixes on the EP.

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

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#BILLCSTop30 #561 – May 13/19

A few impressive moves fuel the new chart, as well as four debuts and a new #1!

So what’s up top now?

Why it’s “White Lies” by UK/German production duo M-22.  It’s one of my favourite songs of the year so far, using early 90’s house (specifically Inner City’s “Good Life”) as a reference point.  I also found out through her Twitter account that the song is sung (uncredited) and co-written by British vocalist A*M*E.  You know her from the Grammy-nominated UK #1 “Need U” with Duke Dumont and through this blog from her vocal in Monsieur Adi’s “What’s Going On” (which peaked at #2 on this chart), a 2013 rework of Soul II Soul’s “Back To Life”.

Almost hand-in-hand with “White Lies” in terms of a fun and upbeat dance tune is “Good Things” by Cedric Gervais and Just Kiddin featuring vocalist Kyan, which advances 4-2 in its disco edit.  

Italy’s Mark Mendy moves up 7-6 with “Black Gasoline” with vocals by Australia’s Beamish Brothers, and now available in some additional remixes by Provi and farfetch’d.

New to the Top 10 is another dance bop to accompany the top two songs.  It’s “Enlighten Me”, an even brisker house number, from The Netherlands’ DubVision and SYZZ.  It climbs 13-8.

France’s KRONO lands in the Top 10 up 12-9 with “Perfect Strangers” and a great vocal from PIOTR.

The fastest riser on the chart soars 24-10.  It’s “Love Me Less” by MAX and Quinn XCII from MAX’s upcoming album House of Divine.  Watch out for some surprise pop-up concerts from MAX, maybe in a city near you!

Another impressive move this week is from “Wild” by Final DJs and Bright Light Bright Light, which rises 21-13.  And to give you a taste of something else, Final DJs recently remixed Queen’s 1984 hit “Radio GaGa” (below), taking away some of the heavier synths in favour of more of a pop flavour which suits the song nicely.  It’s a free download too – just press the “BUY” button for your digital copy!

Also on the move is “Do You Mean”, the latest by The Chainsmokers and featuring Ty Dolla $ign and Canadian singer bülow.  It moves up 22-16.

A second French producer appears on the chart for the first time and that is Kidswaste with his melodic and danceable “Sleeping Pills”.  Featuring vocalist KOLE, the song moves up 27-21.

The highest debut belongs to a familiar name to this chart – L.A.’s Mako.  Otherwise known as Alex Seaver, “Coyote” is one of his more progressive solo offerings, but boy is it an intriguing one, capped with some solid upper registry singing that makes it so memorable.  “Coyote” bows at #23.  Mako’s most recent chart entry here was a big one – he got to #1 in early 2018 with “Breathe”.

Although he’s new to the Canadian radio scene with his recent Top 10 hit “Wish You Well”, Halifax’s Famba appeared on my chart in late 2016 with his groovy Armada release “Right Here Right Now” (that throwback is below), which got to #2 on the chart.  Famba’s back with some delectable new dance pop in the form of “Swear To God” which debuts at #27.

Also big in Canadian radio is “Figure It Out”, the iHeart Radio contest winner by Toronto duo Flight School and featuring L.A.-based vocalist CVBZ.  It arrives at #28, a first time entry for Flight School, but CVBZ previously got to #2 with the Sean Turk remix of “Be Like You” in 2017.  He also did vocals for Cheat Codes in “Feels Great” and for NOTD in the recent “Start It Over”.

The fourth debut is for Washington DC based producer Manila Killa with “Atypical” featuring singer GiGi at #29.  Take a close look at its video above featuring a wonderfully inspiring lyrical dance routine, Manila Killa among the dancers too!

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

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#BILLCSTop30 #560, April 29/19

Rounding out a very un-Spring like month of April (at least here in Toronto) is a chart where change is afoot in the Top 10.  Four promising debuts also will generate some interest!

Sitting proud at the top for a third appearance is “i’m so tired…” (above) by Lauv and Troye Sivan, one of my favourite and very natural collaborations in recent years.  But to give you a taste of what Lauv has coming on his upcoming album, check out the video for his new song “Drugs And The Internet” below.  While perhaps more of a grower, the video is quite entertaining.  And two fascinating facts:  Lauv co-wrote both “Broken” by Tritonal and Jenaux featuring Adam Lambert (#4, 2016) and “Boys” by Charli XCX!!

Charging up to second place is the rollicking “White Lies” by UK/German production duo M-22.  It’s a sizzling dance track that should be one of Spring’s biggest club hits IMO, with major influence coming from early 90’s house with particular homage to Inner City’s classic “Good Life”.

Nashville’s Mokita has a lot to cheer about in this chart.  One of the more interesting and charming story songs to appear in a long while, “London” (above), advances 4-3, while the more forthright “Kiss And Tell” (“if I can just kiss and tell ya”) (below) is the fastest riser on the chart, climbing 26-15.

“Good Things” in its ‘disco edit’ has been veteran producer Cedric Gervais’ only appearance on my chart to date, but what an entry – the collaboration with Just Kiddin’ and vocalist Kyan soars 9-4.

Mahalo and MŌZ rise into the Top 5 with the dark deep house of “Go Ahead”, moving up 8-5.  Despite its tense melody, the song does have a positive story that takes a few listens to sink in.

“Black Gasoline” by Italy’s Mark Mendy has slowly become one of my favourites as it climbs 11-7.  It’s a different kind of alt.dance song thanks to some personable vocals by Australia’s Beamish Brothers. Jeremy and Ben also have a new one on their own that’s outside of the dance genre which you can check out called “Kills Me Every Time” (below).

The other new entry to the Top 10 belongs to the Jonas Brothers.  No one could have told me six years ago that the Jonasei would ever be in my Top 10, but yet hear they are up 15-10 with a great piece of songwriting and arranging called “Sucker”.

Though they’ve had a couple of remixes that have landed in my Top 10, L.A.’s Two Friends get a personal best for their original work as “Take It Off” (above) climbs 13-11.  The prolific duo have another song on deck too called “Dollar Menu” featuring singer Dani Poppitt, below.

“Enlighten Me” is the fast-paced new song by Dutch producers DubVision and SYZZ with a keen, positive message that accentuates the bounce for you.  It moves up 18-13.

The previous chart’s debuts all make promising moves.  Lost Frequencies’ first entry on the chart is “Recognise” (above) featuring vocalist Flynn, which rises 25-20.  Then there’s another winning combination with Germany’s Final DJs and Bright Light Bright Light teaming up for “Wild” (also above), climbing 28-21.  And blog faves Saxity rev us up for the summer months thinking about every “Weekend” (below) till then.  The song advances 27-23.

3 chart veterans return with debuts along with one newcomer.  First up is “Do You Mean”, the latest surprise as chart entry #11 from The Chainsmokers, who add vocalists Ty Dolla $ign and Canada’s Juno Award-winning bülow into the mix to great effect.  “Do You Mean” may not resonate with you at first listen, but it definitely sinks in a few more later.  Following the late 2018 entry of “Siren”, “Do You Mean” arrives at a smashing #22.

And then there’s the 7th chart entry for New York’s own MAX with “Love Me Less” featuring hip hop vocalist Quinn XCII at #24.  It’s MAX’s first appearance here since last year’s vocal on Matoma’s “Lonely” (#10) and his first lead appearance since his own classic “Lights Down Low” (#3), which I charted upon its arrival in 2016.  “Love Me Less” is also from his upcoming album “House Of Divine”.

The lone newcomer to the chart is France’s Kidswaste (aka Quentin Beauvois), about whom I’ve been writing for the past few years.  His gorgeous melody and synths arrangement in “Sleeping Pills” featuring vocalist KOLE sends it to a #27 debut.

The final premiere for this chart is the steamy and funky “Adore You” by Jessie Ware at #28.  Now expecting her second child, which will postpone any touring for a while, “Adore You” is the soulful, romantic bookend to last year’s “Overtime” (#6).

 

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

 

 

 

 

French producer @Kidswaste provides a gentle electronic escape with “Sleeping Pills” featuring US singer @Kolesongs

KIDSWASTE and KOLE, “Sleeping Pills”

“Sleeping Pills” is an idyllic, uplifting escape of just under 4 minutes from French producer Kidswaste (otherwise known as Quentin Beauvois), who opened up recently for DROELOE on a few of their North American tour dates.  “Sleeping Pills” features the gentle voice of US singer Kole, as well as a subdued, easy-to-take, percolating rhythm.  Kidswaste keeps us entertained with a lot going on within “Sleeping Pills”, including a few brief symphonic-sounding synth highs that really help tie the song together.  His penchant for gorgeous melody though is what anchors “Sleeping Pills” and will lead to repeated plays.

Published in: on April 3, 2019 at 10:16 pm  Leave a Comment  
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French collective @SlowHours drop their adventurous debut single of many moods, “Endless”

slowhours

SLOW HOURS, “Endless”

After numerous well-received remixes, which led to most of the six members of Slow Hours – Khamsin, Rusty Hook, Kidswaste, Kultur, Astre, and Lain – branching out with many terrific solo efforts, many of which I’ve written about, the band has dropped their debut original, progressive-sounding single “Endless”.  It’s a moody affair for sure, but well worthy of your kind attention for just shy of four minutes.  Now these guys know how to start a record with a great lead up to a complete change of pace before the 50 second mark, which turns into a gritty, trappy main section that returns later in the song.  It’s punctuated by a quieter, cinematic-sounding break, and finishes with almost a minute of melt-in-your mouth piano and symphonic effects that help make “Endless” quite an unexpected musical adventure.  I hope more will be forthcoming soon to show off the many diverse talents within Slow Hours.

Published in: on October 21, 2018 at 5:11 pm  Leave a Comment  
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“Plastic Dreams” is a cheery slice of indie electronica from France’s @Khamsinmusic and @Kidswaste

KHAMSIN and KIDSWASTE, “Plastic Dreams”

One of the most vibrant and cheery songs you’ll hear heading into Autumn is “Plastic Dreams” by French producers Khamsin and Kidswaste.  The pair are also two of a bigger collective called Slow Hours that is (ahem) overdue for new music.  Until then, most of the members have recorded recent solo material.  The production here is deliberately pretty sparse and raw at times, with gentle, charming vocals, giving it live-off-the-floor qualities.  But both gents know how to make really big, dramatic productions when they need to, so some hefty rhythms and anthemic qualities make “Plastic Dreams” flow with the dance floor in mind.  Just one last thing – more, please 🙂

Published in: on September 25, 2018 at 10:27 pm  Leave a Comment  
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“Tonight” is a formidable collab between France’s @Kidswaste and @HotelGaruda’s own @ManilaKilla

KIDSWASTE & MANILA KILLA, “Tonight”

“Tonight” is cozy, shiny electropop for spending those special moments with someone when everything is all right in the world and troubles melt away.  It’s definitely a step in another direction for progressive/alternative French producer Kidswaste and one half of American production duo Hotel Garuda, Manila Killa.  Co-written (and sung, unbilled) by Chelsea Cutler with the guys, its instant familiarity resembles a sequel to or continuation of Chet Porter’s 2016 hit “Stay” (also of course with vocals by Chelsea) – not a bad thing at all!  While it may take a few listens to sink in, the song starts out bold but ends up with a slight but satisfying finish.  Chelsea’s distinct voice goes a long way and carries a pretty melody.  Check it out at the link above.

Kidswaste opens for Hotel Garuda in Toronto at The Velvet Underground on Friday, December 15.

Published in: on November 25, 2017 at 10:26 pm  Leave a Comment  
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“Fade” by @Kidswaste featuring duo @Hunting_Stories is an impressive electronic folk-pop hybrid

KIDSWASTE featuring HUNTING STORIES, “Fade”

French producer Kidswaste (Quentin Beauvois) returns to stretch the edges of pop and electronic dance music once again, this time with the anthemic “Fade”, featuring New York vocal duo Hunting Stories.  His EP from earlier this year, “Spleen”, was ambitious and accessible enough to catch the ears of Ultra Records, chock full of sophisticated electronic pop.  And Kidswaste also surprised us with a sparkling (but unofficial) redux of Lemaitre’s “Playing To Lose”.  “Fade”, however, is entirely different – an electronic folk-pop hybrid which might have you recalling  songs from Avicii’s landmark True album in terms of style and intent but without the big beats.  A more current potential companion song from these blog pages comes more quickly to my mind – Lars Beck & Henri Purnell’s “Silent Games”, which features the folk storytelling anchor of vocalist Zekt.  The guys in Hunting Stories also give “Fade” its earnest beating heart while Kidswaste builds his complimentary musical storyboard around it.  “Fade” is not entirely an easy sell and you have to stick with it.  But once you do, I can guarantee repeated plays will occur!  Counter Records – home of Giraffage, ODESZA, and RAC – steers the ship for this one.

kidswaste

Published in: on August 23, 2017 at 10:47 pm  Leave a Comment  
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“Friends” is your next taste of the Spleen EP by @Kidswaste featuring #Trace

KIDSWASTE featuring TRACE, “Friends”

The original EP Spleen by France’s Kidswaste (aka Quentin Beauvois) arrived last week via Ultra Records, and it’s a delicate, understated progressive electronic affair featuring two instrumentals and three vocal tracks that was led off by the gorgeous single “True Colours” featuring Chelsea Cutler.  “Friends”, featuring Trace, should be your next dip into Spleen, like “True Colours” a more uptempo song than the others, carried by a simple, silky high end melody.  It’s a lovely ode to friendship or perhaps being more than friends, meant for strolling through Paris or the French countryside hand-in-hand on a sunny Spring day.  “Friends” and the entire Spleen EP are atypical of the dime-a-dozen EDM that pervades the scene, and worthy of some time to enjoy all of the sounds on headphones. Kidswaste is someone to watch out for in 2017.  Check out “Friends” at the link above.

Published in: on February 25, 2017 at 5:01 pm  Leave a Comment  
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