#BILLCSTop30 #610, March 29/21

The new chart is so chock with fun-filled activity, particularly for people like me who enjoy making and reading charts :D, so in these kinds of situations I feel bad about excluding any words about songs that are deserving for one reason or another.  So where there might be an omission this week, I’ll try and make up for it in two weeks.

Amid all of the activity further down, the top two songs remain the same.  Faithless and Nathan Ball keep control of #1 with the rhythmic and witty “Synthesizer” (above) from the album All Blessed.  And Rina Sawayama’s enduring Lady Gaga-esque “Lucid” (below) holds tight at #2.

Zipping up the chart 9-3 to challenge for the top in two weeks is no stranger to this part of the chart – he’s reached the Top 5 six times now – L.A.-based electronic dance producer Mahalo with his Top 10 national dance radio hit “Not Watching Anymore”.

“Escape” is the awesome, beautifully sung electronic dance single by California producer Jay Bird and singer/songwriter Chrxstal Sarah, which glides into the Top 10, up 11-6.

Also new to the Top 10 is the gentle and knowing “Stories” (above), moving 12-8 for NYC-based singer/songwriter Victor Perry with German producers Cal1 and L’essay.  It’s Victor’s 9th trip to the Top 10 as either solo or featured artist!  Victor doubles the pleasure by debuting at #24 with the dance fest called “Myself In You” (below) in collaboration with Italian producer Lordnox.

The final new entry in the Top 10 has been making leaps and bounds these past few weeks after starting its chart journey at #30.  It’s the huge feel-good R&B/pop of “Arms Around Me” by Toronto artist D!XON.  Do check out its engaging video above.

The Faster Riser on the chart, soaring 25-15, is carried by the smoking house of “No More Looking Back” by actor/producer Idris Elba and house legends Inner City led by the amazing Kevin Saunderson.  Its driven vocal by Steffanie Christi’an is icing on the cake!

“Pressure” by Martin Garrix and Tove Lo is is most distinct and decidedly different offering in quite some time, and it climbs 21-16.

Your pre-summer party treat comes in the form of “Friday” by British producer Riton, reviving The Nightcrawlers’ 90’s house classic “Push The Feeling On”, and featuring the antics of social media stars Mufasa and Hypeman.  It’s just so much fun and moves up 26-17.

Equally fun and bringing the beach party to you wherever you are in the world is “Boys” by Florida’s Lauren Mayhew and NYC dance producer INViDA, which climbs 22-18.

Watch out, there is a new banger in our midst, and it’s “When I Lost You” (above) by Norwegian dance producer Dunisco and NYC singer/songwriter Robbie Rosen, which is making short work of the chart, bounding 27-19.  Ever-prolific, you can also check out this new one featuring Robbie by Italian producer Sotschi called “When No One Is Watching” (below).

The Highest Debut on the chart comes from the song that finished 2nd in the recent Swedish music contest Melodifestivalen.  But as strong as the winner (“Voices” by Tusse) might be, “Every Minute” by Eric Saade has the edge for me, and bows at #21.  It’s Eric’s first chart appearance since 2016’s “Colors” and is his first English-language recording since 2017.  Eric previously topped this chart in 2011/12 with “Popular”, “Hotter Than Fire”, and “Backseat”, and “Every Minute” marks his 12th appearance.

Ireland’s Four Nights is actually a recording name for singer/songwriter Tommy Buckley, whose simple but effective take on 80’s pop will take no time getting stuck in your head.  “Want You Always” climbs 28-22.

The third debut on the chart is the first for multiple Grammy Award winner Finneas (and brother, of course, of Billie Eilish, who herself has yet to find her way onto this chart).  Arriving at #26 is blues-tinged rock of “American Cliché” (above), and you can bet that his duet with California native Ashe called “Till Forever Falls Apart” (below) may indeed follow suit in the next few weeks.

The fourth debut is the third appearance on the chart for both UK singer/songwriter Karen Harding and UK producer/songwriter Shift K3Y.  Quickly following up Karen’s #5 “Let’s Get Together” (now at #29) at #27 is “Morning” (above), which also has been released in a wicked club mix by UK dance producer Eli Brown (below).  Karen also charted last  year with “Undo My Heart”, which was #1 for a month, and Shift K3Y previously appeared with Becky Hill last year at this time with “Better Off Without You” (#16) and in 2015, also at this time, with “I Know” (#7).

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NEW!! Starting in the evenings on Tuesday March 30, Planet Radio Canada returns to the interwebs with The Musicman James Rogers and his “3D Variety Show” each week for three hours of great music as well as a few features.  When Planet Radio Canada was first broadcasting a few years back, I had a new music feature segment which I’m pleased to say is returning.  Listen to my New Music Pick of the Week (usually featuring a song on the chart) in the second hour of the show.  Tomorrow, the show will also spotlight The Rolling Stones through some lifelong fans’ perspectives!

The music from this chart and blog are also featured regularly on the online radio station The New Radio GTA. You can hear their Big 20 on Wednesday evenings, also with ‘The Musicman’ James Rogers, and listen for songs from the chart too 🙂Scroll down the station’s main page to listen to lots of variety from across the decades!  I’m the new music consultant for the station so you can expect even more 🙂  You can start by joining Radio GTA’s new interactive Facebook group too!!

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

 

 

 

 

 

 

 

 

#BILLCSTop30 #608, March 1/21

We now get to leave the short blah’s of February behind in favour of a longer, and hopefully Spring-flavoured March.  And along with this comes changes in musical flavours, as older favourites depart and new ones arrive.  This edition of the BILLCS Top 30 has a new number one song and three debuts, all by artists who have appeared on the chart before.

And one of the lead artists at #1 has been there before – twice in fact.  Multiple Juno Award-winning production duo Loud Luxury get their third number one in collaboration with Toronto’s Frank Walker and vocalist/songwriter Stephen Puth with the deep house of “Like Gold”, which follows previous #1’s “Fill Me In” (with Ryan Shepherd) and “Show Me” (with Nikki’s Wives).  And it’s just in time too as Loud Luxury have a new release coming soon!  

Two challengers for the top reside at #3 and #4.  The hefty punch and bounce of Rina Sawayama’s “Lucid” (above) allows it to move 4-3, while the ever-inventive Faithless climbs 7-4 with “Synthesizer” (featuring Nathan Ball, below) from their album All Blessed.

“Tell Me” by UK artists Bobby Harvey and Danny Dearden glides swiftly into the Top 10, up 13-7.  “Tell Me” is one slice of deep house that gets under your skin and between your ears pretty fast.  Also pay attention to Danny’s latest with Ethan James called “Dial My Number”, below.

French producer Wizzay – still a teenager – is not one to be underestimated as witnessed by his solid electronic dance EP Who I Am? which features “Hooked” (which I previously wrote about last year) as well as “Jealous”, which climbs 17-11.  The vocals on “Jealous” are not credited, but by a singer/songwriter who figures as part of a group currently in the Top 10.

The fastest riser on the chart is the incredibly prolific dance producer Mahalo with “Not Watching Anymore”, soaring 21-12.  Among the songs that Mahalo has released in 2021 so far, check out his latest “Got That Love” below.  And he streamed a terrific set in episode one of “The Mahalo Show” on February as well which you can watch on You Tube.

Southern California electronic producer Jay Bird is making waves with “Escape” (featuring Chrxstal Sarah), which climbs 23-17.  He’s quickly followed it up with a song of a completely different bent called “Let Me Go” (featuring Shiah Maisel), which you can hear below.

Victor Perry’s latest delight called “Stories” is off to a brisk start, as the collaboration with German producers Cal1 and L’essay moves up 27-19.

The rest of the debuts from two weeks ago are all setting footprints on the chart as they move up 7 places:  The weird and wondrous “Space Melody” by VIZE and Alan Walker and friends (28-21, above); the charming and sultry “blue” by NYC indie singer/songwriter Reigen (29-22, below); and Toronto singer, dancer and choreographer D!XON with the lovely “Arms Around Me” (30-23, also below).

Something new for Spring by Porter Robinson is just what we need right now. Although his album Nurture hasn’t surfaced yet, you can expect a huge splash when it does.  Porter has been curating its website for most of this past year, and the soothing and hopeful “Look At The Sky” is another good lead in as the Highest Debut at #24.   In fact, “Get Your Wish”, which reached #1 for two appearances (4 weeks), arrived on this chart a year ago almost to the day!

Next up is the fun and frisky “Boys” by Florida singer/songwriter Lauren Mayhew and NYC-based electronic dance producer INViDA.  It blasts on to the chart at #25, following Lauren’s #6 song from last year “We Are Home” (with Mariline).  This is INViDA’s first appearance on the chart.

The third debut belongs to Martin Garrix who has gone outside of the box with the more progressive alternative electronica of “Pressure”, which features Tove Lo on vocals.  It arrives at #27 and is Tove Lo’s first appearance on the chart, though she was uncredited on Alesso’s “Falling”, which reached #4 in 2017. It’s Martin’s 9th appearance on the chart since “Animals” led the way and got to #1 back in 2014.

A reminder that the music from my chart and blog are featured regularly on the online radio station The New Radio GTA. You can hear their Big 20 on Wednesday evenings with ‘The Musicman’ James Rogers and listen for songs from the chart too 🙂Scroll down the station’s main page to listen to lots of variety from across the decades!  I’m the new music consultant for the station so you can expect even more 🙂  You can start by joining Radio GTA’s new interactive Facebook group too!!

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

 

 

 

 

 

“Boys” is non-stop bass synth-soaked deep house fun from @LoloMayhew and @INViDAmusic

LAUREN MAYHEW & INViDA, “Boys”

Let’s hear it for “Boys”! Following in the musical train of thought of Britney Spears and Charli XCX, Florida singer/songwriter/actress Lauren Mayhew (recently of “Trollstopia”) and NYC dance producer INViDA bring you some ear-catching, foot-stomping, bass synth-soaked deep house fun of “Boys”.  It’s a fun and flirty banger that’s keeps the spirit of clubbing and having a great time alive during these strange times. It’s also an all-encompassing anthem for the LGBTQ community that will elicit chanting on the dancefloor. Lauren’s alluring vocal is an immediate match for INViDA’s fierce techno-flavoured synths and melody.  It’s their second collaboration following the tropical house flavours of “Lies”, and it’s a partnership that continues to beg repeating. “Boys” is out to do nothing short of slay you, so listen to your feet, wait for that drop and there’s no looking back!  Check out the eye-catching and immensely enjoyable video above.

Published in: on February 22, 2021 at 10:36 pm  Leave a Comment  
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#BILLCS Top 30 #600, November 8/20

After reaching a milestone of 2,500 blog posts last week since I began writing the BILLCS Music Blog in 2009, I’ve also hit another milestone with the BILLCS Top 30.  It’s edition #600, which would be over 1,200 if it was weekly.  The chart first began online in January 1998 and the first published #1 was “Angel” by Canadian singer Joée.  I had previously posted Top 10 versions of the chart on a few websites or message boards, starting in September 1997.  The chart remained a Top 10 until the edition of August 31, 1998, when it was extended to a Top 30.

There are 5 debuts on the chart, and we have a new #1 song in edition #600.  It’s an exhilarating instrumental called “House Is Happiness” by German producer and saxophonist Stan Sax, who is one half of the duo Saxity, and also records under the name of ZEROBADDAYS.  “House Is Happiness” is a real toe-tapper and you’ll have a tough time staying still.  It’s yet another independently released song to reach #1 on my chart.

Sweden’s Pawl & Discrete have another snappy house record that will vie for #1 with “Type Like That”, making another big bold move, advancing 10-3.

But the one to watch is the glorious “Diamonds” by Sam Smith, from his excellent new album Love Goes.  “Diamonds” soars 17-5, the Fastest Riser on the chart, among a bunch of fine breakup songs in Love Goes.  “Diamonds” features one of Sam’s best vocals, and it’s his highest placing on this chart since 2014.

Two songs arrive in the Top 10 for the first time.  Sweden’s Agnes obtains her fourth Top 10 song on this chart with “Fingers Crossed” (13-8, above), most recently reaching #3 on “Tough Love” by Avicii.  Singer/songwriter/producer Lauren Mayhew and Moroccan teen producer Mariline debut in the Top 10 with the warm and fuzzy progressive dance track “We Are Home” (11-9), which was written by Lauren at the Amsterdam Dance Event (ADE).

Stan Sax’s other project, Saxity, climbs 16-13 with “Fantasy”, featuring outstanding vocals by Victor Perry and American Idol alumnus Robbie Rosen.  You can see all three gents in the video above.

Denver producer Illenium has a new personal best this week as “Nightlight” (21-17) becomes the #1 song at Dance Music Radio in the USA.  

Out of four debuts two weeks ago, “No One But You” by Toronto’s Justin Nozuka with British singer/songwriter Mahalia leads the way, climbing 24-18.  Be sure to download Justin’s APP from the App Store, and you’ll find a list of all of his major concert performances over the years, plus some new exclusive acoustic clips to keep you entertained during these strange times.

The highest debut belongs to the ever-so-talented (and dad-to-be) MAX, from his excellent album Colour Vision, with “Blueberry Eyes”, featuring singing by his buddy SUGA of BTS.  This song, written for MAX’s wife Emily, arrives at #25, and joins MAX’s collaboration with Jonas Blue, “Naked” (#15), on the chart.  “Naked” recently peaked at #4.  BTS previously appeared on the chart in early 2018 with “DNA”, which peaked at #13.

Next up is another artist currently on the chart, NYC-based Welsh singer/songwriter Bright Light Bright Light.  His outstanding duet with Erasure’s Andy Bell called “Good For Goodbyes” arrives at #26 (above) and has also been released as an extended remix created by Grammy Award winner Tracy Young (below).  Tracy in fact appeared on the chart back in 2002 with her radio edit of Cyndi Lauper’s “Shine” (#5).  “It’s Alright, It’s OK” by Bright Light Bright Light and Montreal trio Caveboy also climbs 18-16.

Making their chart debut is the L.A. quintet Why Don’t We with the rock-flavoured “Fallin’ (Adrenaline)” at #27.  This single by the group of early 20-somethings follows up their 2018 debut album 8 Letters.  And with “Fallin'” already brewing at Top 40 radio, I’m sure another album is not far behind.

Also making his chart debut is British electronic dance producer Jerome Price, with vocalist Cally Rhodes, on the irresistible dance banger “Chasing Feelings”, which bows at #28.

While “Dancing Next To Me”, one of my favourites of 2020, departs the chart after a maximum 10 chart stay (20 weeks), Greyson Chance returns immediately to maintain the flow at #29 with his latest single “Bad To Myself”.  This one has a lot of personal and earnest touches, referencing Greyson’s recent bout with anorexia.

 

A reminder that the music from my chart and blog are featured regularly on the new online radio station Radio GTA. You can hear their Big 20 on Wednesday evenings with ‘The Musicman’ James Rogers and listen for songs from the chart too 🙂 Scroll down the station’s main page to listen to lots of variety from across the decades!  I’m the new music consultant for the station so you can expect even more in 2021 🙂  You can start by joining Radio GTA’s new interactive Facebook group too!!

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

Want to see what I’ve been listening to and charting for the past 22 years?  Rummage through the BILLCS Top 30 Archive (where you can click on the link within) when you have a chance!! 

 

 

#BILLCSTop30 #597 – September 28/20

This week, the BILLCS Music Blog turns 11! And this week I will be working on a new project that will support the blog and chart, and a great deal of new music and artists, if it all works out. So watch for more news on that front.

In the meantime, the new chart had four new entries while the upper region continues to look similar to the past four weeks of music.

What will Joel Corry do next for dance music, following the success of “Lonely” and “Head & Heart”, which continues at #1 on my chart for a third appearance (six weeks). Collaborating with co-writer and singer MNEK was definitely a blessing, and I hope they will reteam in the future. In the meantime, who will be next?

“Dancing Next To Me” by Greyson Chance is a dance anthem for anyone who’s been cheated or denied their opportunity to be with someone of mutual attraction. It moves up 3-2.

Greyson or the song at #3 seem poised to challenge “Head & Heart” in two weeks. And that song is “Undo My Heart” by Karen Harding & Digital Farm Animals, climbing 4-3. This one can go side-by-side with the likes of “Nobody’s Supposed To Be There” or “Un-break My Heart” in my books!

Also moving up from 6-5 is “Naked” by another dream team, which is British producer Jonas Blue and NYC singer/songwriter MAX. Both artists had huge events this past week. Jonas performed the virtual show Electronic World this past weekend; long-time fave and chart veteran MAX released his new album Colour Vision, and performed all of the songs virtually (and solo, where there are usually collaborators). Check out MAX’s amazing song with BTS’ Suga called “Blueberry Eyes” below.

UK indie singer/songwriter Benedict Cork has more new music this week just ahead of the release of his new EP Piano Tapes Vol. II. “One Last Song” continues its upward movement, rising 10-8. Watch for “Wild One” on Wednesday!

Giiants obtain their second Top 10 on my chart with their latest single “Waiting For You”, which climbs 13-9. They previously reached #3 with “Small Talk”. And of course two of the members, Cam and Adam, also recorded as DATABOY, who had three #1’s here in the last decade.

The Fastest Riser on the chart, for the second time in a row, is a blazing instrumental that will make you get out of your seat and move! That is mission accomplished for “House Is Happiness” by Germany’s Stan Sax, which soars 18-10!

L.A.-based trio Fames have a catchy winner with “scared of the dark”, which moves up 25-20.

“We Are Home” by Florida-based singer/songwriter Lauren Mayhew and Moroccan producer Mariline moves up a brisk 27-22. It’s also the second entry on the chart for indie dance label Tipsy Records!

The Highest Debut on the chart is the first entry for Sweden’s Pawl & Discrete with the irresistibly infectious, snappy house track “Type Like That”, which arrives at #24. It’s also the first release on the chart for dance label LoudKult.

Returning for the first time to the chart as a solo artist since 2011 is Sweden’s Agnes Carlsson with “Fingers Crossed” at #26. She of course was part of Avicii’s belated but amazing “Tough Love” last year, which got to #3. Agnes’ “Don’t Go Breaking My Heart” was her last solo entry, which reached #7, but her first entry in 2009, “Release Me”, went to #1.

Debuting on the chart are the brothers Lynch, Ross and Rocky, aka The Driver Era, with the beautiful “Take Me Away” at #27. When she was a pre-teen, my daughter was a big fan of Ross’ TV show from early last decade, “Austin & Ally”, and I became acquainted with his music and additional talent by taking her to a couple of shows by his family band R5. Since then Ross has developed quite a resumé as an actor – I watch him in episodes of “The Chilling Adventures Of Sabrina” – and as a singer, even recording with the likes of dance producers Tritonal a few years ago. The Driver Era is a cool alternative pop/rock project that deserves to flourish.

The fourth new entry is by another one of my chart veterans, Bright Light Bright Light, who has been going strong in my music world since 2010! With the recent release of his fourth album Fun City, there is so much great music from which to choose, but the unbridled anthemic joy of “It’s Alright, It’s OK” resonates with me and it arrives at #28. It’s a collaboration with a trio of talented women from Montreal called Caveboy. The first single from Fun City, “This Was My House”, peaked at #5 this past summer.

A reminder that the music from my chart and blog are featured regularly on the new online radio station Radio GTA. You can hear their Big 20 on Wednesday evenings with ‘The Musicman’ James Rogers and listen for songs from the chart too 🙂 Scroll down the station’s main page to listen to lots of variety from across the decades!  I’m the new music consultant for the station so you can expect even more in 2020 🙂  You can start by joining Radio GTA’s new interactive Facebook group too!!

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

Want to see what I’ve been listening to and charting for the past 22 years?  Rummage through the BILLCS Top 30 Archive (where you can click on the link within) when you have a chance!! 

#BILLCSTop30 #596 – September 14/20

The new, post-surgery chart is here, and will hopefully serve as stimulation for more blog posts in the coming weeks, since I could only manage to craft a handful before my surgery last week.

I think it’s increasingly important to point out that almost half of this chart is comprised of songs either released independently by the artists themselves, or released independently without a major label distributor. It’s critical for me to continue to write about these artists and performers on these labels’ rosters because they are making as solid recordings as the major label releases. You really owe it to yourself to incorporate discovery into your listening time so you don’t miss out on these and other performers.

It shouldn’t be a surprise that none of the Top 3 songs have changed. Joel Corry and MNEK’s irresistible “Head & Heart” (above) gets a second appearance at #1, while Victor Perry’s beautifully earnest and emotional “What I Deserve” (below) and “Dancing Next To Me” by Greyson Chance hold at second and third.

With two consecutive dance bangers at #1, is there room for a third? “Undo My Heart” by England’s Karen Harding and Digital Farm Animals puts that case forward as this huge dance record soars 10-4.

I will have words about Canadian producer Dezza’s latest release called “Getaway” later in the week. In the meantime, “Carry Me”, featuring co-writer Mike Schmid on vocals, climbs 11-7. Dezza, among other artists such as Matt Fax, has announced a 40-artist new music compilation which you can pre-order called Colorscapes Volume 2.

The hard-hitting, futuristic banger by Australia’s Fisher called “Wanna Go Dancin'” (above) moves up 12-9, while UK indie singer/songwriter Benedict Cork gets his second Top 10 with “One Last Song” (below) rising 16-10. Benedict’s “Breaking Hearts” reached #3 last year.

Inching closer to the Top 10, up 15-11, are the wacky antics of Greece’s The Prince Karma with “Superstar” and its “Night at the Roxbury”-inspired video.

The Fastest Riser on the chart is one that should immediately put you on your feet to groove with all of its marvelous saxophone playing. It’s by Germany’s Stan Sax called “House Is Happiness”, which vaults 27-18.

If you haven’t delved deeper into Troye Sivan’s latest EP beyond the interesting singles that preceded it, you owe it to yourself to soak in its meltworthy title song, which is “In A Dream”. It moves up 26-21.

The Highest Debut of two belongs to new L.A. trio Fames with their big earworm called “scared of the dark”. It arrives at #25.

The second debut will wrap you up in a big progressive electronic hug. “We Are Home” is the latest from Florida singer/songwriter Lauren Mayhew in collaboration with new Moroccan producer Mariline, and bows at #27.

A reminder that the music from my chart and blog are featured regularly on the new online radio station Radio GTA. You can hear their Big 20 on Wednesday evenings with ‘The Musicman’ James Rogers and listen for songs from the chart too 🙂 Scroll down the station’s main page to listen to lots of variety from across the decades!  I’m the new music consultant for the station so you can expect even more in 2020 🙂  You can start by joining Radio GTA’s new interactive Facebook group too!!

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

Want to see what I’ve been listening to and charting for the past 22 years?  Rummage through the BILLCS Top 30 Archive (where you can click on the link within) when you have a chance!! 

Warm lyrics and punchy production highlight “We Are Home” by singer/actress Lauren Mayhew @LoloMayhew and Moroccan producer Mariline

LAUREN MAYHEW & MARILINE, “We Are Home”

Part of making a great song that is suitable for the electronic dance music crowd is to write lyrics that will immediately bring everyone together.  American singer/songwriter/ actress (and occasionally, wrestling announcer!) Lauren Mayhew has done just that with the touching and uplifting “We Are Home”.  This one brings all of the feels home and makes you really miss being in a club or festival, second homes for many of us music lovers.  Bring in Moroccan teen producer Mariline (with support from Alex Parker) and he adds some slick, punchy synths and a memorable drop that kickstarts the melodic chorus.  Before it’s over, “We Are Home” is already a singalong that will keep you humming while we look forward to better days ahead for dance music in clubs/festivals.

Published in: on August 11, 2020 at 9:01 pm  Leave a Comment  
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“Renegade” is a new deep house anthem from @Kastramusic featuring Lauren Mayhew @LCMayhew

KASTRA featuring LAUREN MAYHEW, “Renegade”

New Jersey’s Kastra scores big time with a deep house anthem that will have you cheering called “Renegade”.  That it is full of hooks galore is an understatement.  “Renegade” is one song that was to draw you in and keep you there, reveling in the lyrics about being young, restless and rebellious.  It’s carried beautifully with a vocal by Lauren Mayhew, who you actually know better as a lovely actress from her appearances in “American Pie” and “Dexter” among others.  It’s a bright and unlikely vocal for this kind of song but it totally works.  Check out “Renegade” at the link above.

Published in: on February 18, 2018 at 4:13 pm  Leave a Comment  
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