#BILLCSTop30 #608, March 1/21

We now get to leave the short blah’s of February behind in favour of a longer, and hopefully Spring-flavoured March.  And along with this comes changes in musical flavours, as older favourites depart and new ones arrive.  This edition of the BILLCS Top 30 has a new number one song and three debuts, all by artists who have appeared on the chart before.

And one of the lead artists at #1 has been there before – twice in fact.  Multiple Juno Award-winning production duo Loud Luxury get their third number one in collaboration with Toronto’s Frank Walker and vocalist/songwriter Stephen Puth with the deep house of “Like Gold”, which follows previous #1’s “Fill Me In” (with Ryan Shepherd) and “Show Me” (with Nikki’s Wives).  And it’s just in time too as Loud Luxury have a new release coming soon!  

Two challengers for the top reside at #3 and #4.  The hefty punch and bounce of Rina Sawayama’s “Lucid” (above) allows it to move 4-3, while the ever-inventive Faithless climbs 7-4 with “Synthesizer” (featuring Nathan Ball, below) from their album All Blessed.

“Tell Me” by UK artists Bobby Harvey and Danny Dearden glides swiftly into the Top 10, up 13-7.  “Tell Me” is one slice of deep house that gets under your skin and between your ears pretty fast.  Also pay attention to Danny’s latest with Ethan James called “Dial My Number”, below.

French producer Wizzay – still a teenager – is not one to be underestimated as witnessed by his solid electronic dance EP Who I Am? which features “Hooked” (which I previously wrote about last year) as well as “Jealous”, which climbs 17-11.  The vocals on “Jealous” are not credited, but by a singer/songwriter who figures as part of a group currently in the Top 10.

The fastest riser on the chart is the incredibly prolific dance producer Mahalo with “Not Watching Anymore”, soaring 21-12.  Among the songs that Mahalo has released in 2021 so far, check out his latest “Got That Love” below.  And he streamed a terrific set in episode one of “The Mahalo Show” on February as well which you can watch on You Tube.

Southern California electronic producer Jay Bird is making waves with “Escape” (featuring Chrxstal Sarah), which climbs 23-17.  He’s quickly followed it up with a song of a completely different bent called “Let Me Go” (featuring Shiah Maisel), which you can hear below.

Victor Perry’s latest delight called “Stories” is off to a brisk start, as the collaboration with German producers Cal1 and L’essay moves up 27-19.

The rest of the debuts from two weeks ago are all setting footprints on the chart as they move up 7 places:  The weird and wondrous “Space Melody” by VIZE and Alan Walker and friends (28-21, above); the charming and sultry “blue” by NYC indie singer/songwriter Reigen (29-22, below); and Toronto singer, dancer and choreographer D!XON with the lovely “Arms Around Me” (30-23, also below).

Something new for Spring by Porter Robinson is just what we need right now. Although his album Nurture hasn’t surfaced yet, you can expect a huge splash when it does.  Porter has been curating its website for most of this past year, and the soothing and hopeful “Look At The Sky” is another good lead in as the Highest Debut at #24.   In fact, “Get Your Wish”, which reached #1 for two appearances (4 weeks), arrived on this chart a year ago almost to the day!

Next up is the fun and frisky “Boys” by Florida singer/songwriter Lauren Mayhew and NYC-based electronic dance producer INViDA.  It blasts on to the chart at #25, following Lauren’s #6 song from last year “We Are Home” (with Mariline).  This is INViDA’s first appearance on the chart.

The third debut belongs to Martin Garrix who has gone outside of the box with the more progressive alternative electronica of “Pressure”, which features Tove Lo on vocals.  It arrives at #27 and is Tove Lo’s first appearance on the chart, though she was uncredited on Alesso’s “Falling”, which reached #4 in 2017. It’s Martin’s 9th appearance on the chart since “Animals” led the way and got to #1 back in 2014.

A reminder that the music from my chart and blog are featured regularly on the online radio station The New Radio GTA. You can hear their Big 20 on Wednesday evenings with ‘The Musicman’ James Rogers and listen for songs from the chart too 🙂Scroll down the station’s main page to listen to lots of variety from across the decades!  I’m the new music consultant for the station so you can expect even more 🙂  You can start by joining Radio GTA’s new interactive Facebook group too!!

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

 

 

 

 

 

#BILLCSTop30 #607 – February 15/21

Change is afoot at the top of the chart, as new songs make inroads, and recent favourites start to run their course.  My chart is totally based on my opinion, there is no science or method to the chart – what I currently enjoy most is at the top, and I’ve been pleased to share my list with you online for 23 years.  The only rule I’ve had in place is that songs drop off after 10 appearances (20 weeks), to help keep the chart fresh, unless the song starts climbing back upward, which has only happened once (Adele’s “Rolling In The Deep” managed 11 appearances and peaked at #2).

Swedish production duo NOTD get their first #1 with vocalist Catello with “Nobody”, which also recently topped the US dance airplay charts for 5 weeks.  Also contributing to the songwriting were Sandro Cavazzo, noted for his work with Avicii, and Victor Thell of Smith & Thell.  NOTD is the first Swedish act to top my chart in over 8 years, since Swedish House Mafia did it in 2012 with “Don’t You Worry Child”!

Swiftly moving up to second place is “Like Gold” by Loud Luxury & Frank Walker featuring vocalist/co-writer Stephen Puth.  Loud Luxury have two #1’s to date on my chart – their rework of Craig David’s “Fill Me In” with Ryan Shepherd, and “Show Me” with fellow Canadian group Nikki’s Wives, while their greatest overall success, “Body” (featuring brando) also got to #2. Will “Like Gold” become their third #1?

Charging into the Top 5 is Japanese-British sensation Rina Sawayama with the Lady Gaga-inspired “Lucid”, moving up 9-4.  Will “Lucid” become her first chart topper?

UK dance legends Faithless obtain their first Top 10 on my chart just shy of 22 years, since “God Is A DJ” (which bowed on this chart in March 1999), with “Synthesizer”, featuring vocalist Nathan Ball, which climbs 11-7.  It’s from their recently released album All Blessed.

Any of the songs ranking 11-14 could find their way into the Top 10 in two weeks.

Rising 14-11 is the dark and mysterious “Sinnerman” (above) by veteran UK producer Hot Since 82 featuring singer/songwriter Ed Graves, from the album Recovery.  The joy of finding synergy and harmony with someone is reflected in “All About You” (also above) by The Knocks and Foster The People, which moves up 15-12.  The dazzling collaboration of Illenium, Toronto’s Dabin, and fellow Canadian Lights is hard at work in “Hearts On Fire” (below), which climbs 18-14.  But the Fastest Riser on the chart belongs to UK producer Bobby Harvey with fellow UK vocalist Danny Dearden for the intense and emotional deep house track “Tell Me” (also below), which soars 21-13.

Out of the songs that debuted two weeks ago, two move up seven places on the chart.  Mahalo’s US dance hit “Not Watching Anymore” (above) rises 28-21, while SoCal electronic dance producer Jay Bird’s personal best to date called “Escape” (featuring Chrxstal Sarah, below) climbs 30-23.

The first of four debuts belongs to Victor Perry, in collaboration with German producers Cal1 and l’essay for the soft and lovely “Stories”, which arrives at #27.  Victor is just finishing off a long run on the chart with “Fantasy” (#25), which peaked at #3.  “Stories” is also a very welcome follow up to last year’s “What I Deserve”, which got to #2 behind Joel Corry & MNEK’s “Head & Heart”.

Next up at #28 is the quirky delight “Space Melody” by Germany’s VIZE and Sweden’s Alan Walker, partnering this time with fellow producer Edward Artemyev and vocalist Leony.  VIZE reached #2 last year with the infectious “Never Let Me Down”, while Alan Walker gets his third appearance on the chart, one of which of course was “Faded”, which peaked at #3.

Also making his third appearance on the chart is NYC indie pop-dance-soul singer/songwriter Reigen with the dark and dreamy “blue” at #29.  Both of Reigen’s other songs have reached the Top 10, with “Come Back To Me” climbing to #2 and his cover of The Cranberries’ “Dreams” peaking at #10.

Making his debut on the chart is Toronto R&B/pop singer/dancer D!XON with “Arms Around Me” at #30.  Be sure to check out its diverse and well-choreographed video above, which totally suits the bold and sexy vibe of the song.

A reminder that the music from my chart and blog are featured regularly on the online radio station The New Radio GTA. You can hear their Big 20 on Wednesday evenings with ‘The Musicman’ James Rogers and listen for songs from the chart too 🙂Scroll down the station’s main page to listen to lots of variety from across the decades!  I’m the new music consultant for the station so you can expect even more 🙂  You can start by joining Radio GTA’s new interactive Facebook group too!!

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

 

 

 

#BILLCSTop30 #606 – February 1/21

It’s been a long January, particularly for those of us in lockdown or with stay-at-home orders, but we will all get through it, and thank goodness for the shortest month of the year, February!  While some long-lasting favourites depart and will move down the chart in the coming weeks, there’s no shortage of great music to succeed them!  Edition 606 has four new entries and lots of movement particularly in the Top 10.

“Give It Back” (above), the powerful house banger by The Disco Fries, Giiants and Allison Park obtains a third appearance (six weeks) at #1.  Looking to replace it are either NOTD and Catello’s “Nobody” (steady at #2, below) or “Like Gold” (also below) by Loud Luxury, Frank Walker and Stephen Puth, which charges 11-4 and is the Fastest Riser on the chart.  It’s also Loud Luxury’s fifth Top 5 on this chart, and Stephen’s second (“Sexual Vibe” peaked at #5 two years ago).  

 

This is quite an amazing Top 10, with new peaks from Francesco Yates’ “Late Night Love” (5-3, his personal best on the chart), Jerome Price and Cally Rhodes’ deep house zinger “Chasing Feelings” (6-5), 2020 carryover “Chew On My Heart” by James Bay (9-6, above), and Why Don’t We’s “Fallin’ (Adrenaline) (8-7, below).

Karen Harding gets her second Top 10 with “Let’s Get Together”, this time in partnership with Scotland’s Illyus & Barrientos (12-8), following last year’s #1 “Undo My Heart”.

Soaring into the Top 10 for the first time is Japanese-British sensation Rina Sawayama with the heavily Lady Gaga inspired “Lucid” climbing 15-9.

Lastly, Oliver Heldens and Party Pupils both land in the Top 10 for the first time too with “Set Me Free” (14-10) featuring vocalist and one half of Party Pupils, MAX.  It’s MAX’s 9th Top 10 on this chart, either as a solo or featured artist!

Three unique dance tracks by British artists make other waves on the chart as they move up.

“Synthesizer” has a cruel and droll sense of humour about it, but the riveting new song by dance phenoms Faithless and vocalist Nathan Ball climbs 16-11.

Another veteran dance producer, Hot Since 82, is going gangbusters on the chart with “Sinnerman” rising 20-14, featuring vocalist/songwriter Ed Graves.

Watch for “Tell Me” by producer Bobby Harvey and vocalist Danny Dearden to break out further in two weeks.  For now, “Tell Me” moves up 27-21.

I, like the rest of the world, cannot resist the many charms of Olivia Rodrigo’s “Drivers License”.  The heartfelt and beautifully produced ballad bows on the chart at #25.

L.A. based dance producer Mahalo has become a mainstay on the chart over the past few years, and I usually appreciate his darker, deep house tracks.  One of those is “Not Watching Anymore”, which arrives at #28 and becomes his 9th chart entry.

I’ve written about a few Indian producers, or those of Indian descent over the years.  The first one to be born in India to appear on this chart is DJ Shaan, with vocalist Londin Thompson, with the pop-flavoured dance track “By Heart”, which arrives at #29.  Other producers of Indian descent to appear on the chart in the past include Spirix (born in the USA) and Panjabi MC (born in England).

At #30 is the new winner from SoCal producer Jay Bird, about whose music I’ve written these past few years.  His songs haven’t appeared on the chart till now, and that has all changed with his new personal best for me called “Escape”, featuring an outstanding and soulful vocal by Chrxstal Sarah.

A reminder that the music from my chart and blog are featured regularly on the online radio station The New Radio GTA. You can hear their Big 20 on Wednesday evenings with ‘The Musicman’ James Rogers and listen for songs from the chart too 🙂 Scroll down the station’s main page to listen to lots of variety from across the decades!  I’m the new music consultant for the station so you can expect even more in 2021 🙂  You can start by joining Radio GTA’s new interactive Facebook group too!!

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

#BILLCSTop30 #604, January 4, 2021

Happy 2021! Let’s hope the worst of everything is over, and that 2021 can be used as a year of healing and revitalization. For the music industry, however, I expect things will take longer before it gets back on its feet in most of the world.  Edition #604 marks the 23rd official online anniversary of this chart, though I did post it in various forms in late 1997 on message boards, etc.

2021 starts with a new number one on my chart, and a first for all three performers.  The efforts of NYC producers The Disco Fries, L.A. producers Giiants, and vocalist Allison Park have paid off as “Give It Back” reaches the top position.  Only two of the members of Giiants have been at #1 before in their previous incarnation as DATABOY.  “Give It Back” is one helluva banger of a house track to start of 2021!

Songs #2 and #3 both fared well on my Top Songs of 2020, in fact they were back-to-back at #33 and #34.  “Tinseltown In The Rain” (Big Rhythm mix) (above) by Matt Mancid and Color Theory moves 3-2, and “Fantasy” (below) by Saxity, Victor Perry and Robbie Rosen advances 4-3. Both songs will also carry over to my Top Songs of 2021 at the end of the year.

Another house banger, “Chasing Feelings” by Jerome Price and Cally Rhodes, leaps into the Top 10, moving up 14-8, with its sights set on the Top 5.

I was very pleased to see Tyler Shaw sing “Remember” on the CBC’s New Year’s Eve telecast, he’s always on his game.  “Remember” climbs 11-9 becoming his second Top 10 on my chart after 2015’s “Dizzy” (#6).

“Good At Goodbyes” from the Fun City album becomes chart regular Bright Light Bright Light’s 18th Top 10 on my chart since 2010 as it moves up 12-10.  Featured vocalist Andy Bell also previously reached the Top 10 as a solo artist outside of Erasure with “Crazy” in 2005 (#7).

It may have charted somewhat belatedly, but I’m still grooving to James Bay’s “Chew On My Heart”, and it moves up 18-12.

The fastest riser on the chart belongs to the triple whammy of Canadian dance producers – duo Loud Luxury and Frank Walker – as “Like Gold” (featuring vocals by Stephen Puth) soars 23-14.

Scotland’s Illyus & Barrientos paired with UK singer Karen Harding is a dream team for the sophisticated deep house of “Let’s Get Together” (24-17).

“Lucid” by Japanese-British pop/dance singer Rina Sawayama makes its presence known on the chart, advancing 26-19.

The carefree and breezy sound of “All About You” moves up 28-21 for the second teaming of The Knocks and Foster The People after 2018’s “Ride Or Die”.

“Synthesizer” marks the fourth chart entry for seminal UK progressive dance group Faithless from their first album since 2004 called All Blessed.  It’s their first chart entry since 2009’s “Sun To Me” and features singer Nathan Ball.  “Synthesizer”‘s retro techno flavours matched with interesting lyrics help it become the highest debut at #24.  Although this chart wasn’t around for 1997’s “Insomnia” (which would have been a #1 for me), Faithless did reach #3 in 1998 with “God Is A DJ”.

Also in a progressive-techno vein is “Bridged By A Lightwave”, the startling single by an unlikely Canadian duo – Deadmau5 and Kiesza!  It arrives at #25, and appears in an EP along with a few remixes.  It’s Deadmau5’s first appearance on this chart, and Kiesza’s second, following 2017’s delightfully wacked out #1 “Phantom Of The Dancefloor”.

Like Deadmau5, another veteran dance music act appearing for the first time on this chart is UK legend Hot Since 82.  His album Recovery has attracted performances by the likes of Boy George and Rudimental, but it’s the intrigue of “Sinnerman”, featuring singer/songwriter Ed Graves, which helps it arrive at #27.

Making his 17th appearance on this chart since 2014, including three as featured artists, is L.A.-based singer/songwriter Brandyn Burnette.  He’s back as a solo singer with “Airplane Mode”, the title track from his enjoyable new EP, which bows at #28.  Brandyn has also appeared on the chart as EMAN8 and in one-half of Cosmos & Creature.

A reminder that the music from my chart and blog are featured regularly on the online radio station The New Radio GTA. You can hear their Big 20 on Wednesday evenings with ‘The Musicman’ James Rogers and listen for songs from the chart too 🙂 Scroll down the station’s main page to listen to lots of variety from across the decades!  I’m the new music consultant for the station so you can expect even more in 2021 🙂  You can start by joining Radio GTA’s new interactive Facebook group too!!

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

Want to see what I’ve been listening to and charting for the past 23 years?  Rummage through the BILLCS Top 30 Archive (where you can click on the link within) when you have a chance!! 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

#BILLCSTop30 #602, December 7/20

It’s been a very strange and somewhat long 2020, yet here we are with my second last chart of the year.  Like many others, I’m itching to see live performances again but only when safe to do so.  I don’t know how social distancing will be maintained without strict enforcement.  We currently have to look at places like Australia, New Zealand, and Taiwan to see what measures they are taking.  Anyway, there’s a new #1 on deck along with three strong entries.  There are also a few significant jumps, which shove other songs into making smaller moves, and push the debuts to the lower five of the chart.

It’s Sam Smith who claims #1 with “Diamonds” from their excellent album Love Goes.  Sam had FOUR #1’s in 2014 on this chart – “Money On My Mind”, “Stay With Me”, and “I’m Not The Only One”, from their debut album In The Lonely Hour, and “Latch” with Disclosure – and “Diamonds” is their first #1 here in six years.  I was fortunate to see Sam perform at a small club in Toronto in April 2014, because their next stop in my city was our stadium!  Their club show actually was to be earlier in the year but ended up conflicting with their first appearance on Saturday Night Live.

One of the year’s most infectious songs belongs to Sweden’s Pawl and Discrete with the toe-tapper “Type Like That” (above), which climbs a notch to #2.  And we have Swedes back-to-back with Agnes’ equally catchy “Fingers Crossed” (below) moving up 5-3.

Back in the Top 5 for the first time in seven years are Germany’s Matt Mancid with American producer (and here, singer) Color Theory with “Tinseltown In The Rain” rising 9-5.  This is the “Big Rhythm” dance mix of this much revered song from the 80’s by Scottish group The Blue Nile.

Another one with a long gap between events is Justin Nozuka.  The Toronto singer last appeared in the Top 10 in 2010 with “Unwoken Dream” (#6) from his second album You I Wind Land And Sea.  His latest is “No One But You”, a duet with British singer and 2020 R&B Grammy nominee Mahalia, which moves up 11-8.

The fastest riser on the chart is the latest in a series of dance music bangers that created some of the brightest moments of 2020.  It’s “Give It Back” by the pairing of The Disco Fries with Giiants and vocalist/co-writer Allison Park.  It smashes into the Top 10, moving 20-9.  It’s the third Top 10 on this chart for both Disco Fries and Giiants.

The third Top 10 entry is Illenium’s “Nightlight”, featuring the uncredited voice of Annika Wells.  It climbs 13-10, and is Illenium’s 6th Top 10 entry.

Also soaring up the chart 24-14 is another new favourite deep house banger, “Nobody” by Sweden’s NOTD with vocalist Catello.

Watch for “Good At Goodbyes” (above) by Bright Light Bright Light and Erasure’s Andy Bell to move up more in the coming weeks.  For now, this wondrous electronic ballad of sorts rises 21-18.  Check out the latest single from Fun City, “Saying Goodbye Is Exhausting”, featuring Justin Vivian Bond, below.

I think I’ll need to get a T-shirt or create a meme that says “Sorry for All the Bangers”.  “Chasing Feelings” by UK producer Jerome Price and singer/songwriter Cally Rhodes also fits into this category, and it climbs 23-20.

“Fake” is a fun song and video by Lauv and Conan Gray, which moves up 30-25.

The highest debut on the chart is the first entry for renown Dutch producer Oliver Heldens.  Collaborating with Party Pupils with vocals by MAX, the exuberant “Set Me Free” arrives at #26.  MAX is also sitting pretty at #17 with Suga of BTS with “Blueberry Eyes”.  And arriving this past weekend was baby Edie Schneider for proud new parents MAX and Emily!

Also premiering is the darker deep house track “Like Gold” by my fellow Canadians Loud Luxury and Toronto’s Frank Walker with vocals by Stephen Puth at #27.  Loud Luxury’s recent “Aftertaste” reached #8 a while back, while Stephen got to #5 last year with “Sexual Vibe”.  It’s a first appearance on the chart for producer Frank Walker.

The third new entry makes a concurrent chart appearance for UK singer/songwriter Karen Harding.  She’s currently at #12 with the former #1 “Undo My Heart”, and bows with Scotland-based production duo Illyus & Barrientos with the dreamy disco of “Let’s Get Together” at #29.

A reminder that the music from my chart and blog are featured regularly on the new online radio station Radio GTA. You can hear their Big 20 on Wednesday evenings with ‘The Musicman’ James Rogers and listen for songs from the chart too 🙂 Scroll down the station’s main page to listen to lots of variety from across the decades!  I’m the new music consultant for the station so you can expect even more in 2021 🙂  You can start by joining Radio GTA’s new interactive Facebook group too!!

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

Want to see what I’ve been listening to and charting for the past 22 years?  Rummage through the BILLCS Top 30 Archive (where you can click on the link within) when you have a chance!! 

“Like Gold” is the alluring new release by @LoudLuxury & @DJFrankWalker with vocal by @StephenPuth

LOUD LUXURY & FRANK WALKER and STEPHEN PUTH, “Like Gold”

I’ve got to admit, I’ve definitely taken a liking to what they called themselves on Instagram as a “new boy band”.  Canadians Loud Luxury collaborate this time with Toronto’s Frank Walker and Puth the younger (Stephen) for a darker deep house release called “Like Gold”.  It’s a welcome change for Andrew and Joe from Loud Luxury after a number of duly successful house tracks like “Body” and “Aftertaste”, and Frank Walker continues with his successes following his concurrently charting release with Steve Aoki called “Imagine”.  After having some of his recent singles remixed for clubs, it’s great to hear Stephen Puth’s voice in the electronic dance setting proper.  It totally suits the alluring, mysterious vibe of “Like Gold”, probably Loud Luxury’s darkest sounding club-oriented song since their cover of “Fill Me In” from a few years back.  “Like Gold” does not disappoint for fans of any of these increasingly accomplished performers.

#BILLCSTop30 #592, July 20, 2020

My songs of Summer ’20 are here!  The Top 3 songs will be pretty unshakeable over the next four to six weeks despite a bevy of challengers on the rise.  How many of you can’t wait to get back to clubs and festivals to dance to the music that has not played in those venues yet, such as the songs from Lady Gaga’s Chromatica album?  Who’d have believed she would pull off such a strong electronic dance music record.  

When I’m faced with an adverse situation like we’ve been in for the last four months, I look towards whatever escape is available to me in music – and that for the most part is dance music.  The chart is full of it 🙂 but when other songs aren’t in the dance music genre – and I can count the entries on one hand – they are truly exceptional.

So yes it’s Lady Gaga and Ariana Grande who continue to stay put at #1 with the indefatigable “Rain On Me” (above) from Chromatica.  Gaga and Elton John also move up a notch with the intense “Sine From Above” at #12 (below).  Be sure not to overlook “Alice” and “1000 Doves” too.

Sometimes all it takes is a simple hook that takes someone like me back to the 1960’s school of songwriting.  “Never Let Me Down” by Germany’s VIZE with British singer/songwriter Tom Gregory advances 3-2 thanks to the singalong hook in this appealing bop.

Also moving up 4-3 is the luscious Jessie Ware song from her latest album What’s Your Pleasure called “Save A Kiss”.  That album is also one of your must-hears for the summer.

Multiple Juno Award winner Rezz has lit up alt.rock radio with her electronic and grungy pairing with Grabbitz called “Someone Else”, which rises 6-5.

The Fastest Riser on the chart is one of the exceptions to dance music on this chart – though the singer/songwriter in question is no stranger to that genre at all.  NYC-based Victor Perry soars 16-6 with the gorgeous “What I Deserve” (above) from his solid indie EP Rewind.  And to give you that taste of Victor in the dance genre, check out his latest single below with Dutch producer Laurentius called “Stay The Night”, whose beginning and end sounds like a distant cousin of The Chainsmokers’ & Daya’s “Don’t Let Me Down”.

It’s been a slow and steady rise but L.A.-based producer Jerin James is up 8-7 with the lush electronics of “Birds and Bees”, featuring Deverano on vocal.

New to the Top 10, at least as the artists rather than remixers, are Chicago’s Win & Woo featuring Kyan Palmer with “Sleepwalking” (above), climbing 11-9.  Win & Woo got to #5 as remixers (with Kiso Armic) previously for Brandyn Burnette’s “Made Of Dreams”.  Check out their latest below which is another banger called “Feel Em All”.

Canada’s Loud Luxury has kept their Top 10 streak intact as their 5th chart entry arrives at #10, “Aftertaste”, with vocal by Morgan St. Jean.

Even with its similar title, I think that Greyson Chance’s “Dancing Next To Me” is this decade’s “Dancing On My Own” for the younger crowd.  The song is full of many fine vocal moments from Greyson, and it vaults 18-11.

Toronto’s Francesco Yates has a top notch new EP that you’re missing called Superbad, and from that record comes his latest single, the soulful and fun “Bad Decisions”, which leaps 22-14.

Another atypical song on the chart for me is the whimsical “You Ain’t Big” by Rufus Wainwright from his album Unfollow The Rules.  This charmer rises 21-15.  Between 1998 and 2007, Rufus was a regular on this chart, appearing 13 times, including three times at #1, with “Foolish Love”, “April Fools” and “California”.

If you want no holds barred classic house music then look no further than British producer Eli Brown’s “Desire”, which wastes no time climbing 25-18.

Trivecta’s “Leave It All Behind” (above, featuring Fagin) from his EP Everyday is going to be his new signature song at concerts when they resume.  It moves up 24-19, and has recently been given a melodic remix by producer Nurko on the Everyday Remixes EP, which you can check out below.

UK singer/songwriter Sam Dickinson continues to be busy preparing for the launch of his third album Off Script this Fall.  While second single “Cry Wolf” is off to a great start rising 28-20, the title song has been released as the third single.  You can check out its fun video below.

The Highest Debut on the chart is destined to be one of 2020’s dance classics which has already crossed over to pop radio in Europe, and should do the same here.  It’s “Head & Heart” by Joel Corry featuring a fantastic vocal by MNEK, someone whose career I’ve been following since he scored as a teenage producer and songwriter – he’s currently all of 25 – with his work on records by The Saturdays, Duke Dumont and Gorgon City.  “Head & Heart” arrives at #21.

One new release that spells PARTY is “Superstar” by Greek producer The Prince Karma from his EP of the same name, which debuts at #22.  Expect big things for this one.  Check out his other fun track “It’s The DJ”, featuring Chicago house legend Ron Carroll weaving a one-of-a-kind story.

UK producer Jonas Blue returns to the chart and this time he’s bringing one of my favourites, the amazing MAX with him, on his latest single “Naked”, which bows at #26.  This is one to which you can really shake loose.  It’s Jonas’ fourth appearance on the chart and it’s expectant dad MAX’s ninth entry as either lead or featured vocalist!

Canadian producer Dezza makes his debut with a danceable late night grower called “Carry Me” at #27. It features co-writer and quality session vocalist Mike Schmid, and appears on a recently released Remixes EP.

A reminder that the music from my chart and blog are featured regularly on the new online radio station Radio GTA. You can hear their Big 20 on Wednesday evenings with ‘The Musicman’ James Rogers and listen for songs from the chart too 🙂 Scroll down the station’s main page to listen to lots of variety from across the decades!  I’m the new music consultant for the station so you can expect even more in 2020 🙂  You can start by joining Radio GTA’s new interactive Facebook group too!!

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

Want to see what I’ve been listening to and charting for the past 22 years?  Rummage through the BILLCS Top 30 Archive (where you can click on the link within) when you have a chance!! 

 

 

#BILLCSTop30 #590 – June 22, 2020

I’m looking forward to the day when I have more time to work on my music hobbies, including blog writing.  That day is coming soon as I create my sunset on my daytime career later this summer.  I’m sure kicking start the music industry again will need all the help it can get so that both big and small artists can flourish.  But it all starts with the music, which is why I continue to want to share what I’m enjoying every two weeks with you all in the BILLCS Top 30 🙂

Gareth Emery stays at #1 by a proverbial hair with “You’ll Be OK” (with Annabel on vocals) and that’s largely thanks to his online performance last week called “High AF”, in which Gareth’s set used an L.A. backdrop from 71 stories up as the sun was setting.  It was a great set which you can watch above along with the video for “You’ll Be OK”.  You can check out his latest preview from his album The Lasers below called “Gunshots”.

“Rain On Me” by Lady Gaga and Ariana Grande seems to be a sure bet for #1 in two weeks and is many people’s choice for song of the summer, and deservedly so.  It’s the first time since Gaga has appeared in my Top 5 since “Applause” (#2, 2013) and is Ariana’s highest peaking song to date.

An 8 point jump by “Rain On Me” was not enough to become the Fastest Riser on the chart.  That feat belongs to “Never Let Me Down” by Germany’s VIZE with British vocalist/songwriter Tom Gregory, which soars 17-7 thanks to it’s immediately recognizable and blazing, infectious hook.  It will be a contender for the top.

Two other songs climb into the Top 10.  The Weeknd’s “After Hours” (above) clocks in at over 6 minutes but it moves along briskly and influences from pals Daft Punk are felt throughout.  It rises 12-8, becoming The Weeknd’s 5th trip to my Top 10, while L.A. producer Jerin James’ gracious and soulful debut “Birds and Bees” (below), featuring the voice of Deverano, leaps 15-10.  From having a daughter who took competitive dance lessons for 10 years, I can visualize many a lyrical dance routine to this one (though a creative tap routine would also work)!

Alesso has been busy with online performances,  as with one for Stella Sessions this past weekend, below.  His underrated single “Midnight” (above), featuring an excellent vocal by Liam Payne, rises 14-11.

The more I play it, the more I love it.  “Sleepwalking”, despite its title, has an amazingly energetic vibe about it courtesy of Win & Woo with vocalist Kyan Palmer, and it climbs 16-13.  Other than remixes, it’s Win & Woo’s highest ranking song to date on the chart.

With designs set on the Top 10 very soon, the sultry and soulful “Save A Kiss” by Jessie Ware rises 21-14.  Check out the slick PS1 remix above!

Loud Luxury was everywhere on the weekend, I caught them performing in two online festivals plus being interviewed on TV.  The lads of course are promoting their EP Nights Like This to the hilt, and from that comes the rollicking “Aftertaste” featuring singer and co-writer Morgan St. Jean, moving up 20-15.

Out of the four debuts two weeks ago, Toronto singer/songwriter Tafari Anthony gets the biggest showing with a 29-21 move for the brusque but soulful “Centerfold”, which calls out a former lover in no uncertain terms.

I’m a bit of a latehead on the highest debut this week, but it’s also a perfect song for Pride month, quite obviously inspired by Robyn’s “Dancing On My Own” and it provides an alternate take on that song.  “Dancing Next To Me” is the heartwarming, highly danceable first entry on my chart for Greyson Chance and it arrives at #24.

As “Lost Boy” slips to #26, Victor Perry’s first single from his upcoming EP Rewind arrives at #25.  The gorgeous heartache of “What I Deserve” is being featured all this week on NYC’s Afterglow On Air from 7 to 9 a.m. so tune in to catch it in the mix!  

One of my favourite singers returns to the chart for the first time since 2007 and that is Montreal-born Rufus Wainwright.  He has a new album coming called Unfollow The Rules, which has been preceded by the EP “You Ain’t Big”.  The whimsical title song, with one of Rufus’ best vocals in years, arrives at #27.  “You Ain’t Big” is Rufus’ 14th chart entry.  He has had three number ones:  “April Fools”, “Foolish Love” (both 1998, from his debut album) and “California” (2001, from Poses).

The song that battled it out for the fourth debut on the chart is the emotional anthem “Leave It All Behind” by Florida’s Trivecta featuring vocalist Fagin.  It comes from Trivecta’s EP Everyday, which I wrote about recently.

A reminder that the music from my chart and blog are featured regularly on the new online radio station Radio GTA. You can hear their Big 20 on Wednesday evenings with ‘The Musicman’ James Rogers and listen for songs from the chart too 🙂 Scroll down the station’s main page to listen to lots of variety from across the decades!  I’m the new music consultant for the station so you can expect even more in 2020 🙂  You can start by joining our new interactive Facebook group too!!

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

Want to see what I’ve been listening to and charting for the past 22 years?  Rummage through the BILLCS Top 30 Archive (where you can click on the link within) when you have a chance!! 

 

 

 

 

#BILLCSTop30 #589 – June 8/20

After a two week hiatus, during which I listened to a lot of new music while reflecting and trying to better understand our current situation, the chart returns with a few changes up top as well as four debuts.  It appears that Lady Gaga’s Chromatica is the album of the summer, which sees not only the fastest riser on the chart, but the highest new entry as well.

But climbing 5-1 is the wondrous beauty in the heartfelt emotion of Gareth Emery’s “You’ll Be OK”, featuring singer Annabel to unfold the story.  I’ve mentioned it before, but Gareth wrote the song when commuting on an airplane that he thought was going to crash.  He turned that daunting premise that no one should experience into electronic bliss, captured nicely in the video above.

That leaves “All On You” by Nashville producer Super Duper at #2 for a second appearance.  This one is full of majestic effects which also revolve around some intense emotions.  I’ve also mentioned it before but the song is an unintentional cousin of Talk Talk’s 1984 hit “Life’s What You Make It”, melodically and song structure-wise.

The Brothers Macklovitch – Dave (of Chromeo) and Alain (aka A-Trak) put a whirlwind deep house remix spin on Raphael Saadiq’s “So Ready” from his album Jimmy Lee.  It climbs 7-5.

The 90’s grunge-influenced electronica of “Someone Else” by Toronto’s Rezz and Buffalo, NY’s Grabbitz slides into the Top 10, moving up 11-9.

The dynamic duo of German producer Levi and American singer/songwriter Victor Perry acquire their second Top 10 together on this chart as “Lost Boy” (above) climbs 12-10.  Check out Victor’s new solo single below called “What I Deserve” (below), which I’m featuring here before I have some words about it later in the week in a proper blog post.  All artist revenue proceeds for the song go to the NAACP’s Legal Defense Fund in support of Black Lives Matter!

“Rain On Me” (above) by Lady Gaga and Ariana Grande soars 20-11 as the Fastest Riser on the chart, ranking as one of the best songs by either artist.  And let’s just say it already has designs on #1…  Quickly to follow it up the chart is “Sine From Above” (below), Gaga’s duet with Sir Elton John, which bows as the Highest Debut at #25.  Elton has never sounded this good in years, what a pairing!  Elton has only appeared on my chart once since its inception in 1998, and that was in another duet, with his friend and chart favourite Bright Light Bright Light on “I Wish I Was Leaving”, which got to #10 in 2014.  BLx2, of course, moves up to #7 this week with “This Was My House”.

Also faring well in its second appearance on the chart is another dynamite pairing of German producers VIZE and British singer Tom Gregory for “Never Let Me Down”, which zips up 23-17.

Canadian producers Loud Luxury are accustomed to residing in the Top 10, and they may get there yet with “Aftertaste”, featuring the soaring voice of co-writer Morgan St. Jean, climbing 25-20.  “Aftertaste” comes from the duo’s EP Nights Like This.

Following the #6 “Mirage (Don’t Stop)” is Jessie Ware with the sheer romantic delight of “Save A Kiss”, which climbs 28-21.  It’s from her album What’s Your Pleasure, which finally drops next week.

Arkansas native YEBBA returns to the chart at #26 with “Distance”, from her upcoming album for RCA/Sony.  The ultra-talented singer/songwriter has been championed by both Mark Ronson and Sam Smith in the last few years, and won a Grammy as the vocalist on PJ Morton’s cover of The Bee Gees’ “How Deep Is Your Love”.  The only way is up for YEBBA.  “Distance” is airy alt.pop at its best.  Those old enough to remember might recall what it was like to hear Sade for the first time in the midst of all of the music popular in 1984.  “Distance” gives off that same unconventional but immediately enjoyable vibe.

They are never too long away from this chart, so Dutch producers The Him are back with “Tragic” at #28, featuring British singer and co-writer Amber Van Day.  I tend to think of this and Loud Luxury’s “Aftertaste” as kindred musical bookends!  It’s The Him’s 9th chart entry since 2016!

Rounding out the debuts at #29 is “Centerfold” (above) by Toronto R&B/pop singer Tafari Anthony (whose first name is pronounced “Ta-far-eye”), whose voice sounds like a slick blend of Sydney Youngblood and Seal.  This song pointedly calls out a former lover, and the talented singer/songwriter has some words that will stick with you such as “Thinking every eyes always on ya /Boy you think you’re Beyoncé / You’re never gonna run me”.  Tafari has also recently released another new one called “Live In A Dream” , which you can hear below.

A reminder that the music from my chart and blog are featured regularly on the new online radio station Radio GTA. You can hear their Big 20 on Wednesday evenings with ‘The Musicman’ James Rogers and listen for songs from the chart too 🙂 Scroll down the station’s main page to listen to lots of variety from across the decades!  I’m the new music consultant for the station so you can expect even more in 2020 🙂  You can start by joining our new interactivFacebook group too!!

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

Want to see what I’ve been listening to and charting for the past 22 years?  Take a walk through the BILLCS Top 30 Archive (where you can click on the link within) when you have a chance!! 

 

 

 

#BILLCSTop30 #574 – November 11/19

The new chart is brimming with activity as some hot new songs take advantage to move up in the place of older favourites.  

The music from my chart and blog will be featured regularly on the new online radio station Radio GTA.  You can hear their Big 20 on Wednesday evenings with ‘The Musicman’ James Rogers and listen for songs from the chart too 🙂 Scroll down the main page to listen to lots of variety from across the decades!

1-2-3 – all locked in for another chart.  Throttle’s “Dreamer” (above) from the fine EP Where U Are stays put at #1, while the OKJAMES remix of “Like Like” by Lostchild and “I’m Not Alright” by Loud Luxury and Bryce Vine (both below) remain at #2 and #3 respectively.

Aside from “I’m Not Alright”, the Top 5 songs are comprised entirely of indies, and rounded out by Nashville duo Apollo LTD’s “On The Way Up 2.0” (6-4) and UK singer/songwriter Benedict Cork with “Breaking Hearts” (7-5), both below.

New to the Top 10 are:

  • “Lights Up” by Harry Styles (above), from his upcoming sophmore December release Fine Line.  This beautiful performance is one to keep an eye on closely as it zips up 16-7.
  • “Don’t Break My Heart Again” by Australia’s Peter Wilson in a Stormby edit climbs 11-8, becoming the singer’s second Top Tenner, after last year’s “Verona” with Sean Smith reached #2.
  • “Flicker” by NYC producers Anden rises 13-9 for those late night deep house parties.

The fastest riser on the chart is “Faith” by Sweden’s Galantis which is graced by the inimitable Dolly Parton and Dutch vocalist Mr. Probz. It soars 25-13, and is actually a cover of a Grammy-nominated song from John Hiatt’s 1987 album Bring The Family called “Have A Little Faith In Me”.  It’s also been covered in recent years by Joe Cocker and Bon Jovi, so this dance rendition was highly unexpected.  But you can’t knock the immensely positive vibes, guaranteed to make anyone smile.

It’s guaranteed to grow on you with each listen – “Punching In The Dark” is by another Swedish producer, Jon Hellberg, featuring an excellent vocal by Aloe Blacc, which climbs 23-16.

As fast as “Walk Alone” (above) has moved up the chart 24-18, Dutch producers The Him have another solid brand new mover and shaker for you.  Check out “In My Arms”, featuring Norma Jean Martine, below.

By popular demand, remixes and an acoustic version of “Mad” by L.A.-based singer/songwriter Brandon Colbein, are coming soon, as the song climbs 26-19.

I’m so thrilled with Sam Smith’s take on Donna Summer’s “I Feel Love” – with much thanks to producers Disclosure, who couldn’t be more bang on with their interpretation – that it bows at #22.  It’s Sam’s most adventurous record with an outstanding vocal.  He’s been to the top of this chart 4 times – with “Money On My Mind”, “Stay With Me”, “I’m Not The Only One”, and of course his first partnership with Disclosure on “Latch”. “I Feel Love” marks his 13th entry.  A previous cover of the song charted in 2003 by Blue Man Group featuring Venus Hum and reached #2.

It’s also my pleasure to add “Toxic World” by Peter Foldy to the chart at #27.  Peter had three hits in Canada in the 1970’s – “Bondi Junction”, “Roxanne”, and “Julie Ann” – all very well-respected by Canadian music lovers, and it’s great to have him back in a contemporary mix of a song that’s full of optimism despite its title.

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂