#BILLCSTop30 #576 – December 9/19

It’s the second last BILLCS Top 30 of 2019 already!  Unlike others I don’t tally up my year end chart until after my last chart is published.  In the meantime, I have a new chart that is chock full of debuts… in fact, there are six of ’em, with another lineup of songs waiting to join them in two weeks.  So this blog post will be focused on the newcomers!

A reminder that the music from my chart and blog will be featured regularly on the new online radio station Radio GTA.  You can hear their Big 20 on Wednesday evenings with ‘The Musicman’ James Rogers and listen for songs from the chart too 🙂 Scroll down the station’s main page to listen to lots of variety from across the decades!  I’m driving Russ Horton crazy each week by sending him lots of new music from the blog and chart to join the mix too!

It’s amazing how pop music can cause you to shift styles and genres at the drop of a hat.  So while I’ve been caught up with Illenium’s music these past few months – and he’s still on the chart with “Broken Ones” joining the Top 10, and another collaboration, this time with Canada’s own Ekali, on deck in two weeks – all ears are now on Harry Styles as “Lights Up” (above) continues at #1.  Not only that, but “Watermelon Sugar” debuts at #25, and the third single from Fine Line, “Adore You” (below, if you haven’t seen it yet) has arrived with a triumph of a video and is also in waiting for the chart for two weeks from now.  

Talk about staying power!  Lostchild’s “Like Like” in its OKJAMES remix gets a fourth appearance at #2 (that’s eight weeks).

Slow-burners “Breaking Hearts” by Benedict Cork (4-3, above) and “Flicker” by Anden (6-4, below) both move up to new peaks.

The remaining new arrival in the Top 10 is also the Fastest Riser on the chart.  It’s the intense, provocative, and joyous banger “Shivohum” by Tritonal and Henry Dark, which soars 21-9, with designs on the top of the chart!

There are several songs waiting to make their big moves mid-chart, but the ones making the most noise on their own are Sam Smith’s jolting cover of Donna Summer’s “I Feel Love” (17-13, above); Peter Foldy’s pensive and positive ode to today with “Toxic World” (19-15, also above); and John.k’s delightful “if we never met” (27-21, below).

And I have to get a quick word in about Sam Fender, who is selling out shows across the UK thanks to the success of his album Hypersonic Missiles.  “Will We Talk” is from that album and climbs 20-17.  And one of the happiest moments on Twitter that you will see this week is Sam greeting a really young fan backstage.  That’s what magic moments are made of!

Leading the six debuts at an impressive #20 is “Flames” by R3HAB, Zayn and Jungleboi.  Dutch legend R3HAB is having a monster year, with one of his biggest club hits being the cover of the A*Teens’ “All Around The World”.  And on “Flames”, his second chart entry here following “All Into Nothing” with Mokita (#15), he and Jungleboi manage to pull out what I believe is Zayn’s best vocal to date.  “Flames” isn’t really a dance song, it’s definitely more pop radio friendly, and a nice follow up on Zayn’s underrated Icarus Falls album.

It seems that it’s time for alt.rock and dance music to become friends again, and I’m hearing more successful blends of these genres for the first time in many years.  Is it the ‘new’ new wave when songs like “The Best” by Los Angeles group AWOLNATION start to get my attention?  It’s the band’s first appearance on the chart, bowing in at #22.

The Weeknd is back and has been listening to a lot of 80’s new wave, if the keyboard riffing in “Blinding Lights” is any indication.  The song arrives at #26 – a far cry from his other single “Heartless”, which I don’t care for at all – becoming my Scarborough neighbourhood boy Abel Tesfaye’s 6th chart entry.  The Weeknd got to #1 on the chart in 2016 with “Starboy”.

Battling it out for the last two positions on the chart are:  “Dirty Mirrors” by Scotland’s Ben Davidson and England’s Sean Smith in a smashing duet that lands at #29 in its Matt Pop edit (above).  It’s Ben’s debut on the chart, while Sean has got to the Top 10 twice, with the Andy Sikorski remix of “Magic” in 2017, and last year with Peter Wilson in another duet called “Verona”; and at #30 is “Ain’t Deep Enough” (below), slick Chicago house from production duo Autograf featuring a fine vocal by Jared Lee, who just left the chart with Midnight Kids on “Those Were The Days” (#5).

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

 

#BILLCSTop30 #575, November 25, 2019

Edition #575 is the third last chart before the end of 2019, and what a whirlwind of music it has been!  To whit, there is a new #1 and four diverse debuts from performers who have all charted previously.

A reminder that the music from my chart and blog will be featured regularly on the new online radio station Radio GTA.  You can hear their Big 20 on Wednesday evenings with ‘The Musicman’ James Rogers and listen for songs from the chart too 🙂 Scroll down the station’s main page to listen to lots of variety from across the decades!

It’s definitely “Lights Up”, thumbs up, whatever’s up, for 25 year old Worcestershire, England-born Harry Styles as the first single from his forthcoming album Fine Line grabs #1.  His only other previous entry “Sign Of The Times” reached #7.  “Lights Up” is proving to me that Harry – controversial opinion forthcoming – has the best voice of all of the One Direction members.  His hosting and performing gig on Saturday Night Live on November 16 was excellent – the lad has comedic talent as well!  And his second single “Watermelon Sugar” is a lovely one too.  Not bad at all considering I never charted a single One Direction song! Check out both songs above.

Just in time to stay at #2 for a third appearance (6 weeks), we have a light and fun video for the OKJAMES remix of “Like Like” by UK indie electronic performer Lostchild.  This second video for the catchy song shows off the immense performing appeal of the singer as he makes the most of one lone prop (a bunch of balloons).

“Flicker” by NYC-based producers Anden climbs 9-6.  There’s an extended version of the song available which you can hear above, which also appears on their EP.

Both Ryan Shepherd and The Disco Fries acquire their latest Top 10’s with “Who’s Gonna Love U” (11-8, his third) and “Family Affair” (12-9, their second) respectively, while the Galantis-Dolly Parton-Mr. Probz collaboration of “Faith” (13-10) gets each artist their first.

For now, you can check out the lyric video for “Mad” by L.A.-based singer/songwriter Brandon Colbein, which climbs 19-14.  But an official video is in the works and is coming soon!

Sam Smith’s spot on cover of Donna Summer’s “I Feel Love” may not tear it up on radio but dance clubs are loving it.  “I Feel Love” rises 22-17.

The fastest riser on the chart belongs to L.A.-based Canadian singer/songwriter and multi-talent Peter Foldy with his optimistic ode to today called “Toxic World”.  It soars 27-19 and is a real grower, so best you latch onto it now!  Check out the new lyric video above with a rare appearance from the singer himself!

“Will We Talk” is also a great introduction to British alt.rocker Sam Fender from his album Hypersonic Missiles.  “Will We Talk” moves up 23-20.

The highest debut on the chart is “Shivohum”, the latest release by Austin producers Tritonal in partnership with Australian producer Henry Dark.  It bows at #21 and is a Sanskrit dance mantra for your head and feet, which will kill it at festivals this coming winter.  Remember where you read about it!  It’s Tritonal’s first chart entry since the #5 “Broken” which featured NYC producer Jenaux and the amazing Adam Lambert, from the Painting With Dreams album.

NYC-based, Slovenia-born producer Gramatik also returns to the chart at #24 with “Don’t Give Up”, featuring singer Ryan Shaw and hip hop artist ProbCause.  It’s from his album Re:Coil, PT II, and his last chart entry, “Native Son Prequel” (featuring Leo Napier) was a #1 for me in 2016, appearing on the the chart at the same time as Tritonal’s “Broken”!  It was also featured in a Jenaux remix!  How coincidental.

Florida-based singer/songwriter John.k returns to the chart with the extremely likeable “if we never met” at #27.  He last appeared two years ago with Ricky Remedy on the #8 “Gold”.  That was an independent release, and he’s now signed to Epic Records!

The final debut is by France’s RetroVision, who hustled his way onto the chart and got to #3 last year with “Get Down” and its dance-floor filling paean to “Lola’s Theme”.  This year he has another fun one for clubs called “Take Off”, which arrives at #28.

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

 

 

 

#BILLCSTop30 #574 – November 11/19

The new chart is brimming with activity as some hot new songs take advantage to move up in the place of older favourites.  

The music from my chart and blog will be featured regularly on the new online radio station Radio GTA.  You can hear their Big 20 on Wednesday evenings with ‘The Musicman’ James Rogers and listen for songs from the chart too 🙂 Scroll down the main page to listen to lots of variety from across the decades!

1-2-3 – all locked in for another chart.  Throttle’s “Dreamer” (above) from the fine EP Where U Are stays put at #1, while the OKJAMES remix of “Like Like” by Lostchild and “I’m Not Alright” by Loud Luxury and Bryce Vine (both below) remain at #2 and #3 respectively.

Aside from “I’m Not Alright”, the Top 5 songs are comprised entirely of indies, and rounded out by Nashville duo Apollo LTD’s “On The Way Up 2.0” (6-4) and UK singer/songwriter Benedict Cork with “Breaking Hearts” (7-5), both below.

New to the Top 10 are:

  • “Lights Up” by Harry Styles (above), from his upcoming sophmore December release Fine Line.  This beautiful performance is one to keep an eye on closely as it zips up 16-7.
  • “Don’t Break My Heart Again” by Australia’s Peter Wilson in a Stormby edit climbs 11-8, becoming the singer’s second Top Tenner, after last year’s “Verona” with Sean Smith reached #2.
  • “Flicker” by NYC producers Anden rises 13-9 for those late night deep house parties.

The fastest riser on the chart is “Faith” by Sweden’s Galantis which is graced by the inimitable Dolly Parton and Dutch vocalist Mr. Probz. It soars 25-13, and is actually a cover of a Grammy-nominated song from John Hiatt’s 1987 album Bring The Family called “Have A Little Faith In Me”.  It’s also been covered in recent years by Joe Cocker and Bon Jovi, so this dance rendition was highly unexpected.  But you can’t knock the immensely positive vibes, guaranteed to make anyone smile.

It’s guaranteed to grow on you with each listen – “Punching In The Dark” is by another Swedish producer, Jon Hellberg, featuring an excellent vocal by Aloe Blacc, which climbs 23-16.

As fast as “Walk Alone” (above) has moved up the chart 24-18, Dutch producers The Him have another solid brand new mover and shaker for you.  Check out “In My Arms”, featuring Norma Jean Martine, below.

By popular demand, remixes and an acoustic version of “Mad” by L.A.-based singer/songwriter Brandon Colbein, are coming soon, as the song climbs 26-19.

I’m so thrilled with Sam Smith’s take on Donna Summer’s “I Feel Love” – with much thanks to producers Disclosure, who couldn’t be more bang on with their interpretation – that it bows at #22.  It’s Sam’s most adventurous record with an outstanding vocal.  He’s been to the top of this chart 4 times – with “Money On My Mind”, “Stay With Me”, “I’m Not The Only One”, and of course his first partnership with Disclosure on “Latch”. “I Feel Love” marks his 13th entry.  A previous cover of the song charted in 2003 by Blue Man Group featuring Venus Hum and reached #2.

It’s also my pleasure to add “Toxic World” by Peter Foldy to the chart at #27.  Peter had three hits in Canada in the 1970’s – “Bondi Junction”, “Roxanne”, and “Julie Ann” – all very well-respected by Canadian music lovers, and it’s great to have him back in a contemporary mix of a song that’s full of optimism despite its title.

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

 

 

 

L.A-based Canadian singer/songwriter @PeterFoldy is back with an ode to optimism in a “Toxic World”

PETER FOLDY, “Toxic World”

Peter Foldy has been fortunate to bridge his entertainment career between recordings (notably Canadian hits “Bondi Junction”, “Roxanne” and “Julie Ann”) and film (directing and writing in L.A.).  Following up his album “Nine Lives”, Peter shifts gears to find optimism and unity in his latest release “Toxic World”.  With his voice ever timeless, “Toxic World” is Peter like you’ve never heard him before. 

In a sparkling mix by Miklos Malek – whose diverse credits include everyone from star acts like Kristin Chenoweth. Jennifer Lopez, and Yanni, to dance music producers you’ve read about in this blog like Alyx Ander and Shane 54 – Peter offers the backstory on “Toxic World”:

The song was influenced by all that is happening in the world right now. America is divided by political turmoil, racism continues to rear it’s ugly head, climate change is denied by many and military conflicts seem to have no end. The lessons of the past have clearly been ignored—but despite its sobering world-view, “Toxic World” is also a love song. It offers up hope and unity for a young couple who have lost their way. 
 
Music has always played a small role in bringing about change, and while I am not naive enough to think this song can change the world, I’m hopeful that at the very least it will make you get up and dance. That in itself would be very cool.

With his strong story-telling prowess, Peter quickly draws you into “Toxic World”, and you’ll find yourself easily grooving along to the synths while memorable acoustic guitar work ensures a melodic human element.

“Toxic World” is a fine pop song indeed, and a fresh change for Peter Foldy while always sounding like the same Peter who his many fans have enjoyed over the years.  It’s well-suited for Adult Contemporary radio to spin next to songs by Ed Sheeran and Maroon 5. 

Published in: on November 9, 2019 at 10:42 pm  Leave a Comment  
Tags: , , , , , , , ,

The Real “Roxanne” in a Redux by @PeterFoldy

PETER FOLDY, “Roxanne (Redux)”

Back in the Fall, I wrote about Canadian (but L.A.-based) singer Peter Foldy’s return to the scene after a 40 year gap between albums, focusing on the song “Carly” from his album Nine Lives.  There was such positive reaction to his re-recording of his 1976 hit “Roxanne” that we now have an accompanying video.  The video puts the song out there again so that we can see Peter on camera in-between scenes of a carefree gal enjoying her time on a sunny day.  Do listen to the original below to compare – the redux has a wistful but still happy quality about it to justify the passage of time.  And like I mentioned my recent post about 70’s contemporary Andy Kim’s voice in his more drastic redux of his own “Shoot ‘Em Up Baby”, Peter’s voice has hardly changed – “Roxanne” is unmistakeably Peter.

Published in: on February 8, 2015 at 4:04 pm  Leave a Comment  
Tags: , , , , , ,

A Canadian Pop Whiz Returns: Listen to @PeterFoldy’s “Carly”

PETER FOLDY, “Carly”

If you lived in Canada in the 1970’s listening to Top 40 radio, then you already know Peter Foldy’s national hits from that era, 1973’s “Bondi Junction” and 1976’s “Roxanne” and “Julie Ann” – simple, catchy and sunny pop songs led by a highly recognizable voice – as well as a self-titled album in 1974.  After recording a few more singles in the late 70’s including 1979’s pop/disco “Love City”,  Peter, who was born in Hungary, but raised in Canada and Australia, where he chummed with The Bee Gees, returned to his pre-pop love of film and photography, and he wrote or directed a number of major motion pictures featuring Oscar winning stars in the intervening years up to 2000 (check him out on IMDB).  

So 40 years after his first album, Peter Foldy has released a brand new one called Nine Lives.   Recognizing that there is an audience with the love of 70’s music alive and well online, the songs on Nine Lives nary skip a beat, as if there was a direct path that purposefully led here in the first place.  There is an immediate reference to the 70’s with Peter’s redux of “Roxanne”, but it’s a downtempo flip side of the perky original, fully aware of the passage of time and seemingly the other side to the crushing and longing of the original.  But the winner on the record is “Carly”, an upbeat and highly contemporary gem full of fine musicianship and a story to which anyone can relate.  Peter’s voice is a bit older sounding, but pure and uniquely Peter, there is no one else who could have sung “Carly” and have it stand solidly beside his other hits.  So even if you don’t know of Peter Foldy and those early records, you owe it to yourself to hear “Carly” (and watch the lyric video above) because it’s destined to get stuck in your head in the best kind of way.  

I was fortunate enough to meet L.A.-based Peter in my college radio days at the time of “Love City”, and thanks to connecting online through my involvement with radio station D-Moos.com, got to do so again when he was in Toronto a few weeks back.  Welcome back, Peter!  Nine Lives and all of Peter’s hits are available on iTunes.

Published in: on October 1, 2014 at 10:04 pm  Comments (1)  
Tags: , , , , , , , , ,