It’s summer all year long with “Poolside Vibe” by @PrettySister and @therealMarcLo

PRETTY SISTER & MARCLO, “Poolside Vibe”

The sound of “Poolside Vibe” is rich and slick, and will transport you into a summer mood regardless of the weather outside.  It’s chill, soulful, 70’s influenced west coast fun brought to you by two performers that you know from other work.  L.A. singer/songwriter/producer Pretty Sister has had a faithful and engaging cover of Ginuwine’s “Pony” circulating in clubs for the last few years, and you wouldn’t necessarily associate that performance with this one.  Pretty Sister – aka Zak Waters – has also produced or co-written songs for Betty Who, VINCINT, Nathan Sykes, and JoJo.  And Miami’s Marcus Lomax is actually a member of noted production sextet The Monsters & The Strangerz, who during the last 10 years have not only produced Zedd’s massive “The Middle”, but notable releases by Fifth Harmony, Nick Jonas, Jason Derulo, Jennifer Lopez, Maroon 5, and a slew of others.  This time MarcLo offers up his very fine voice (in anticipation of a forthcoming album) and both he and Pretty Sister make the most of this winning collaboration, which bears repeating.

Published in: on August 9, 2019 at 10:27 pm  Leave a Comment  
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#BILLCSTop30 #567 – August 5/19

As a bunch of Spring favourites are now on their way to departing from the chart, the big question is: Which song will succeed Illenium & Jon Bellion’s “Good Things Fall Apart” at #1?  The emotional electronic song of summer nails its 4th appearance (8th week) at the top, making it the longest running song at #1 since A-Trak & Todd Terry’s “DJ’s Gotta Dance More” at the start of the year.  And with his tour on deck, Illenium’s released two songs within the last two weeks which warrant your ears – “Takeaway” with The Chainsmokers and Canadian singer Lennon Stella, and “Blood”, with vocalist Foy Vance.  Both are below.  Illenium’s third album “Ascend” arrives on August 16.

With all songs ranking 4-11 on the rise, there are many current challengers for #1 in two weeks.  Most obviously, Timmy Trumpet’s “World At Our Feet” (above) stays at #2, while Halifax’s Famba also remains at #3 with “Swear To God” (below).

“Higher Love”, Kygo’s retake of Whitney Houston’s 1990 cover of the Steve Winwood hit that was not released in most of the world, glides 9-4, as it becomes a UK Top 10 hit as well as a dance club hit in North America.

Then, we go out of order to look at the Fastest Riser on the chart which is very #1 worthy indeed.  “Push” by Ukrainian dance music group Kazaky soars 21-8 and will appeal to anyone who enjoyed the dark electronic music of the early 90’s by the likes of Depeche Mode.

Three other songs rise into the Top 10:  Eric Sharp & Zhao’s “Monday Blues” (above) climbs 12-7 to match the peak of their song “The Thirst” about two and a half years ago.  Manila Killa’s “Atypical” (also above) steps into the #9 spot, while Showtek have their first Top 10 since 2013’s #1 “Cannonball (Earthquake)” with the A-Trak remix of “Listen To Your Momma” (14-10, below), featuring British singer Leon Sherman.

It’s easily relateable to anyone who hears it, and EMAN8’s “Time” breaks through the middle of the chart to climb 18-11, from the multi-talented singer/songwriter’s album Emanate.

Also well on their way toward the Top 10 are Italy’s Eric Zava & DJ Mirko B with singer Daniel Gorash on “Even In Confusion” (above) up 19-13, as well as Sam Dickinson’s winning and thoughtful “All We Are” (also above) climbing 20-14, and Avicii’s “Tough Love” (below), from the posthumous TIM album, rising 27-19 and featuring vocalists Agnes and Vargas & Lagola.

The three debuts are earmarked for much play throughout the rest of the summer.

Canada’s Loud Luxury returns to the chart, this time bringing fun singer Bryce Vine with them, for “I’m Not Alright”, which arrives at #26.  It’s the first appearance for Andrew and Joe since their last entry “Body” got to #2 in early 2018, and their 4th entry overall.

L.A.-based Simon Curtis follows up the #6 “Love” with more music for your heart and head, “Graduate”, which bows at #27.  It’s Simon’s SEVENTEENTH song to appear on the chart since “Delusional” (which reached #1) arrived at the end of 2009.

And at #28 is the debut entry for both producers/remixers Midnight Kids and vocalist Jared Lee with “Those Were The Days”.  Midnight Kids are Kyle Girard and Dylan Lee (son of Tommy Lee and my fellow Canadian, Pamela Anderson).

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

#BILLCSTop30 #566 – July 22, 2019

Trying to get through all of the songs I hear every two weeks is always worth it because some of them ultimately become new favourites.  And while #1 is a lock again, other songs rise up to challenge perhaps for the next few charts.  There are three striking debuts, one by a veteran dance group in comeback mode.

Illenium and Jon Bellion continue to reign supreme at #1 with “Good Things Fall Apart”, making it the emotional soundtrack for an intense summer of music.  And now Illenium and The Chainsmokers are tweeting about another collaboration which this time will include my fellow Canadian Lennon Stella, who is touring with the ‘Smokers this Fall.  I’ll watch to see what becomes of these promo teases!

Timmy Trumpet’s anthem “World At Our Feet” soars 7-2 to challenge “Good Things Fall Apart” for #1.  Like many electronic dance music artists, Timmy was performing at Tomorrowland in Belgium this past weekend.

Halifax’s Famba climbs 6-3 with “Swear To God”, as the song inches towards becoming his second Top 10 radio hit in Canada.  

MAX holds for a 4th appearance (8 weeks!) at #4 with “Love Me Less” (above) featuring Quinn XCII.  This song, like “Lights Down Low”, has a lot of lasting power, and I’m hoping MAX’s light-hearted new single “Acid Dreams” (featuring hip hop performer Felly) will do similarly.  Take a listen below!

A smashing trio indeed land in the Top 10 for the first time.  Mark Ronson & YEBBA move up 11-8 with “Don’t Leave Me Lonely” (above), while Kygo & Whitney Houston have the Fastest Riser on the chart 16-9 with the timely cover of Steve Winwood’s “Higher Love” (below).  And Switzerland’s Luca Hãnni moves 15-10 with his Eurovision entry that ended up fourth overall, “She Got Me” (also below).

Making short work of climbing up the chart is “Monday Blues” by L.A.’s Eric Sharp with vocalist Zhao, which sails 18-12.

“Time” is easily my favourite song on EMAN8’s debut album, also called Emanate.  It moves up 22-18 for the L.A. based singer/songwriter, also currently on release with Molly Moore as Cosmos & Creature with “The Wonder”, about which I recently wrote.

“Even In Confusion” is sophisticated European deep house from Italy’s Eric Zava and DJ Mirko B featuring singer Daniel Gorash, and climbs 23-19.

Sam Dickinson’s thoughtful and bubbly “All We Are” is well on its way to becoming the biggest release for Sam yet.  From his new EP From The Glass House Pt. 2, “All We Are” rises 26-20.

The Highest Debut on the chart belongs to comeback kids Kazaky, the Ukrainian dance group led by Artur Gaspar that has now expanded to five members.  With their big heels in full effect and amazing choreography in their new video, “Push” arrives at #21.

Bowing at #27 is the gorgeous posthumous release by Avicii featuring fellow Swedish singer Agnes as well as long time friends and producers Vargas & Lagola called “Tough Love” from the album TIM.  While it’s bittersweet to hear, TIM is a fine album that was done right and featuring all kinds of talent including Imagine Dragons, A R I Z O N A, Joe Janiak, and Bonn.  “Tough Love” is only Avicii’s second appearance on the chart, following 2013’s “Addicted To You”, while Agnes marks her third entry but her first since 2011.  Her song “Release Me” got to the top in early 2009.

Veteran producers Kenny Summit and Eric Kupper land at #28 with “Give Me Love”, a 90’s flavoured dance track for the late night club crowd featuring vocalist Amy Douglas.  Eric recently helped Parralox to #11 with his remix of “Paradise” featuring Marcella Detroit, while Amy featured on Horse Meat Disco’s “Let’s Go Dancing”, which reached #14.

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

“Runway Lights” by Toronto’s @WilsonBowes brims with pop radio potential

WILL BOWES, “Runway Lights”

You’ve already met singer/actor and sometime voice actor Will Bowes through this blog with both his solo songs and his music as singer with the R&B/pop collective called Gold Complex.  “Runway Lights” is his new single and its appealing melody and uplifting lyrics are just what pop radio needs right now in Canada to help cut through a lot of samey-sounding dross.  Will has a rich, soulful and expressive tone which makes every word mean something, and could be a breakout talent to watch this year.  The production is straight-forward and compliments both melody and voice.  Sometimes you can’t ask for more than a pop song that has the goods and “Runway Lights” should do well and perhaps attract attention from beyond Canada in the process.

Will Bowes plays The Drake Hotel in Toronto on Monday, July 22 – see you there!

 

Published in: on July 16, 2019 at 9:47 pm  Leave a Comment  
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#BILLCSTop30 #565 – July 8/19

There’s a lot happening on the new chart.  And it’s a bit of a strange week, because most of the debuts from two weeks ago don’t move up very much, except one, which is the Fastest Riser on the chart.  That’s because a number of long-term favourites are still very much in play up near the top of the chart, and they’ve created a bit of a roadblock which will ease over the next month.  But two classic singers reappear on the chart along with a strong independent release on the rise.

Not about to let go of #1 anytime soon is “Good Things Fall Apart”, the definitive slice of emotional electronica which seems to have increased in popularity this year, by Illenium and singer/songwriter Jon Bellion.  

Nashville’s Mokita has a song about reconciling his feelings for a past relationship called “Kiss And Tell” (above) that advances to #3, which is where his previous song “London” peaked a couple of months ago.  And he’s followed up “Kiss And Tell” with a gentle new electronic pop song called “ICLYA”, which stands for “I Can’t Love You Anymore” (below).

Canadian producer Famba has his second solid radio hit locally with “Swear To God”, and it becomes his second Top 10 song on this chart, moving 11-6.  “Right Here Right Now” got to #2 back in late 2016.

A number of veteran dance producers are releasing some of the best music of their careers this year, and Australia’s Timmy Trumpet is one of them.  The compelling “World At Our Feet” (above) climbs 13-7.  Check our Danny Avila’s spot-on remix below.

Another producer making his Top 10 debut on the chart is France’s Kidswaste, with vocalist KOLE, with the slight melodies of “Sleeping Pills” climbing 12-10.

The next song is definitely competing with other strong songs from Mark Ronson’s Late Night Feelings album, including songs featuring Lykki Li and Camila Cabello.  But it’s “Don’t Leave Me Lonely”, featuring the stunning YEBBA, which takes hold of this chart and moves up 17-11.

Manila Killa recently announced another leg of his 1993 tour, which will actually stop this time in Toronto at the Velvet Underground in October 🙂  In the meantime “Atypical” (featuring GiGi) climbs up a few more notches 16-13.

Breaking through all six of the new entries from two weeks ago to become the Fastest Riser is “Monday Blues”, the super cool house track from L.A.’s Eric Sharp and vocalist Zhao.  It soars 25-18.

Also making a big move is “Even In Confusion” by Italy’s Eric Zava and DJ Mirko B featuring singer Daniel Gorash, rising 28-23.  Mirko previously appeared on the chart at the top of 2017 with “#Bomber” (#17) with Beatmarthz.

The Highest Debut at a stellar #16 is “Higher Love”, the cover of the 1986 #1 hit by Steve Winwood as recorded by Norway’s Kygo, who was given the opportunity of working with archive tapes from the estate of Whitney Houston to bring her classic voice, circa 1990, to a new audience.  It’s a timely release for its message; Arista Records wouldn’t include it in the I’m Your Baby Tonight album at the time because they wanted her to get away from recording cover versions, and the original was still fairly fresh at the time.  But bravo to Kygo and those on the estate who trusted him to represent the singer well – which he does perfectly 🙂  Strangely, it’s Kygo’s first appearance on this chart.  Last year’s “Remind Me To Forget” with Miguel should have charted but I didn’t hear it till well after it peaked.  Whitney only appeared three times on the chart in her lifetime, with “It’s Not Right But It’s Okay” and “My Love Is Your Love” (both #9) in 1999, and the underrated duet with Enrique Iglesias, “Could I Have This Kiss Forever” (#15), in 2000.

After reaching #5 on this chart late last year with “Wild Sun”, UK singer/songwriter Sam Dickinson is back with the hearfelt “All We Are” at #26.  This one is receiving regular BBC radio play and hopefully its audience will grow with each spin.  Like with “Higher Love”, the message is extremely timely.  It’s from Sam’s new EP From The Glass House Part 2.  “All We Are”, like “Wild Sun”, is also available on an EP of a variety of remixes for your dancing pleasure.

The third debut is from a performer who last appeared on this chart in 2003, which to date has been her only appearance.  That’s Celine Dion, whose new song “Flying On My Own”, is nothing short of inspiring and bows at #29.  Her previous entry on the chart?  Her cover of Cyndi Lauper’s “I Drove All Night”, which in its Hex Hector remix version reached #16. Watch the live performance of “Flying On My Own” above.

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

Revel in the fun and joyous debut album by @EMAN8 called “Emanate”

EMAN8, Emanate

He did it his way and the results are in:  Brandyn Burnette’s transformation into EMAN8 as a performer is now complete with the release of his debut album titled Emanate (Brandyn’s actual middle name).  And while it is now years away from some of my favourite songs by him such as “I Wanna Be (Free)”, “Nothing At All” and of course “Thanks For Nothing”, a new and adventurous chapter is unfolding.  And I’m pretty certain it’s going to be an enjoyable ride.

As I’ve already mentioned in past posts about the songs that preceded the release of Emanate – “Amen”, “Inspired”, and “Grateful” – Brandyn-as-EMAN8 is now focusing on the joyous and fun aspects of his music, while continuing to be the humble and intriguing artist we have grown to enjoy.  And while “Amen” and “Grateful” to me are two of the album’s better songs, there is still a third within and it’s called “Time” (featured above).  The song veers away from the blues-influenced progressive soul of most of the tracks on Emanate and into progressive electronica, not surprising considering Brandyn’s involvement in dance music over the past few years working with artists like Elephante, Two Friends, Vicetone, Win & Woo, and more.  Also very successful are “Sympathy”, hip hop inflected dance music featuring Kelechi, and “Stir”, featuring more words of positivity.  The only song that doesn’t work for me is “Reese’s Pieces”, which has a great rhythm track but doesn’t seem to fit in with the rest of the songs.

Be sure to check out EMAN8 if you haven’t already for some mighty fine songs within the album Emanate brought to you by a very deserving artist who is creating his own path his way.

Published in: on June 16, 2019 at 10:03 pm  Leave a Comment  
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It’s 10/10 #04: @DJSAVI @TarynManning #TobiasBergson @MichaelShynes @AdnanVeron @ShayceOpal @PaulHofficial @BenedictCork @weareApolloLTD @Beticalmusic @KenSummit @EricKupper @AmyDouglassings @ValenciaJamestw #Homestead

10/10 #04

10/10 (or tenoutoften) is back and is once again this blog’s new feature where I write about 10 hot and fresh songs in no particular order, for your kind consideration and attention.

I continue to write individual blog posts about certain songs.  That does not mean that songs in the 10/10 lists are any less than those featured individually. 

Writing 10/10 features means I can cover more songs in one shot .  So you get to learn about more new music that I hear but don’t always get a chance to write about. 

tenoutoften

tenoutoften 04

  • SAVI & TARYN MANNING, “Bring Me Back To You”

“Bring Me Back To You” is a future house fan’s delight from L.A. producer SAVI and long time dance club favourite, singer/actress Taryn Manning (“Orange Is The New Black”, “Hawaii Five-O”).  This Strange Fruits release is a well-produced mix to keep dancers on the floor, with a nice trappy mid-section that draws you back into the latter part of the song.  It’s great to hear Taryn in this slightly different, more progressive setting, so with her track record on the charts – two #1’s “Send Me Your Love” (with Sultan + Shepard) and “GLTCHLFE” – club DJ’s will easily fit “Bring Me Back To You” to their mid-evening Saturday night sets.

  • TOBIAS BERGSON & MICHAEL SHYNES, “Keep Trying”

“Keep Trying” is one of those positive slices of deep house music that’s destined to be a crowd pleaser.  Brought to you by the new Dutch label Diepgraven, Austria’s Tobias Bergson surrounds the lyrics with bright sounds and a riveting rhythm to allow the fine voice of US singer Michael Shynes to anchor the song.  This one’ll getcha in the same way that Armin van Buuren & Trevor Guthrie’s “This Is What It Feels Like” or Dave Edwards & Mark Asari’s “That’s What We’re Made Of” created timeless, effortless good vibes.

  • ADNAN VERON & SHAYCE OPAL, “Without You”

Anytime is the perfect time for romance in “Without You”.  Adnan Veron is a new producer out of Indonesia and he’s got a fantastic British singer named Shayce Opal to carry the song for him.  It’s a delightful combination of stunning high vocal notes with mid-tempo electronica, and it lilts along at a comfortable pace with wistful lyrics setting the tone.  “Without You” is a gorgeous Neon Fruits release that deserves attention.

  • PAUL HETHERINGTON, “Touch”

Australian producer and vocalist Paul Hetherington follows up his first release in a number of years called “When I Lost You” with the atmospheric and taut “Touch”.  The song seems to take cues perhaps from 80’s new wave and late 90’s and 00’s pleasures from the likes of fellow Aussies Darren Hayes and Savage Garden.  Paul crafts an intriguing and memorable melody while the provocative synth beat throbs along.

  • BENEDICT CORK, “Funny How Things Change”

It came out a little while ago now but I don’t want “Funny How Things Change” by British singer Benedict Cork to slip away without notice, in the same way that I immediately latched on to YEBBA’s “Evergreen” in late 2017.  This is indeed a happy marriage of a wonderful new voice and a splendid song, which Benedict co-wrote.  He has a radiant tone that immediately impresses and cuts through the lyrics like butter.   Benedict Cork is definitely one singer to put on your list. In fact he’s released another song since “Funny” called “Breaking Hearts” so I’ll have to get to that one soon too.

  • APOLLO LTD, “Misfits”

Nashville duo Apollo LTD returns with “Misfits”.  It strikes you instantly with an urgent vocal and a snappy melody with well thought out words to which anyone can relate.  It has a slightly soulful backdrop that could have found its way out of a 70’s Boz Scaggs or Steely Dan record, but mainly “Misfits” is a solid, contemporary pop release that stands out.

  • BETICAL, “Runnin'”

French brothers Max and Martin, aka Betical, offer up late night deep house grooves with “Runnin'”.  It’s a bit different from their more recent releases but should have no problem drawing folks out on to the dance floor with its atmospheric vocal and booming house beats.  The song hopes to strike a chord with the younger crowd about being independent and free-thinking.  DJ’s might find themselves making “Runnin'” a go-to for late hot summer nights.

  • KENNY SUMMIT, ERIC KUPPER and AMY DOUGLAS, “Give Me Love”

“Give Me Love” has one mission – to make you groove long and hard.  This is big sounding deep house at its best thanks to US producers Kenny Summit and Eric Kupper featuring the classic, soulful voice of NYC’s Amy Douglas, who most recently appeared on Horse Meat Disco’s “Let’s Go Dancing” (which got to #14 on my personal chart).  There’s simply no denying the power of a song like this in dance clubs.  It draws heavily from 90’s house – a nice companion piece in my opinion in fact to its namesake late 90’s classic by Alcatraz.

  • VALENCIA JAMES, “Flames”

Australia-based, NYC-bred singer/songwriter Valencia James is a newcomer with a fierce voice to remember in her debut single “Flames”.  It’s a powerful song with an expressive and compelling vocal that uses the imagery of playing with fire when a relationship is about to be permanently damaged.  There’s no doubt when you hear Valencia James that you will think of another very famous NYC vocalist – Lady Gaga.  “Flames” is a great introduction to Valencia James and I’m sure we will be hearing much, much more from her.

  • HOMESTEAD, “Runaway”

“Runaway” was a nice surprise to come my way as the debut single from two super and talented fellow Canadians calling themselves Homestead, producer/guitarist Liam DeBoer and vocalist Joël, who previously reached #12 on my personal chart with 2016’s “You Fucked Up”.  This alt.rock flavoured dance track has a hypnotic melody led by Joël’s at times unique and mysterious-sounding vocal.  I haven’t figured out what it’s all about but “Runaway” is chock full of interesting imagery and warrants multiple listens.

 

#BILLCSTop30 #563 – June 10/19

I’m so glad my big faves from very early Spring have carried over to make my birthday week a very happy place where ever I play the Top 3!  And the rest of the Top 10 is quite active, with three debuts rounding out the chart.

They are of course M-22’s “White Lies” (above), Cedric Gervais & Just Kiddin’s “Good Things” (disco edit) featuring vocalist Kyan (also above), and “Enlighten Me” by Dutch producers DubVision and SYZZ (below) giving the chart the zing it needs at 1-2-3!

MAX is back in the Top 5 for the first time as a lead artist since “Lights Down Low” got to #3 in its Two Friends remix in 2016.  Was I just an early bird on that one, or were y’all late heads?  Anyway, “Love Me Less” (featuring Quinn XCII) climbs 7-4.

Nashville’s Mokita is on his way to the Top 5 for a second time this year with “Kiss And Tell” rising 9-6.  And then there’s his new one “Inside Out” too so watch for it in this space in the near future…

The Chainsmokers acquire their 10th Top 10 since 2015 with “Do You Mean”, featuring Ty Dolla $ign and Canada’s Juno Award-winning bülow moving up 11-7.

The fastest riser on the chart had its video debut today.  Soaring up the chart 20-9 is Illenium & Jon Bellion’s “Good Things Fall Apart”.  This is Illenium’s third Top 10 entry since the late Fall.  Check out that intriguing video above.

Rounding out the newcomers to the Top 10 is Lost Frequencies’ magnetic “Recognise” featuring vocalist Flynn and rising 12-10.

Closing in on the Top 10, with no surprise, is the progressive and experimental “Coyote” from L.A.’s Mako, zipping up the chart 17-11.  This one draws you in with each listen so don’t miss it.

Halifax’s Famba just signed to Sony Canada proper, and he’s on his second radio hit for them.  Easily accessible to dance clubs in its Dallerium remix above is “Swear To God”, advancing 19-12.

Timmy Trumpet’s new anthem “World At Our Feet” finds itself soaring 23-15 in its second appearance.

“Adore You” by Jessie Ware is a quiet, sexy, funky grower and it moves up 22-17.

Taking its cue from a lot of 90’s pop and hip hop music is “We Found Love” by Canada’s Sultan + Shepard who collaborate with Showtek for this reboot of the Heavy D. & The Boyz hit.  It climbs 26-18.

They say some DJ’s don’t dance but in the video for his song “Atypical”, you’ll find Manila Killa busting some impressive moves.  Led by the vocals of GiGi, “Atypical” rises 25-19 culled from Manila Killa’s 1993 release.

The first newcomer is by recent Oscar and Grammy Award winner Mark Ronson who brings along Grammy-winner YEBBA for one of three songs on his album Late Night Feelings.  The sensational “Don’t Leave Me Lonely” arrives on the chart at #23.  Somehow it’s only Mark’s second entry on the chart, the first being “Valerie” with Amy Winehouse in 2007.  YEBBA’s previous 2017 “Evergreen” got to #4, and I expect similar things from “Lonely”.

Next up is the debut entry for Switzerland’s Luca Hänni, who was so fun and engaging with his Eurovision performances with “She Got Me” arriving at #25.  The song ranked 4th overall in Eurovision and deserves to be a worldwide smash.  It’s pretty darned irresistible.

The third new entry of the week at #27 belongs to French producer Nick Peters with a lyrical dance gem in “Where Did You Go”, featuring UK vocalist Jamie Grey.  Nick’s visited the chart before, in 2017 with “No Love In Brooklyn” getting to #4 in partnership with Frank Pierce and Scott Vega.

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

 

 

 

UK pop/soul singer/songwriter @SamDickinson is back with From The Glass House Pt. 2 and lead single “All We Are”

SAM DICKINSON, “All We Are”

The evolution of UK pop/soul singer/songwriter Sam Dickinson began late last year after a five year absence with his EP From The Glass House Pt. 1 and its infectious single “Wild Sun”, which got to #5 on my personal chart in its Handbag House remix.  His new single from Pt. 2 of the From The Glass House trilogy is “All We Are”, which you already heard in Pt. 1 in its acoustic form.  To me, if you can sing a great song well in its acoustic version, then you’ve already won me over as you’ve presented a song in its rawest, least produced form.  So now we have “All We Are” in its more well-rounded and shaped variation, and its touching words about unity radiate through the production.  It will make you think of Erasure in their “A Little Respect”/”Chains Of Love” late 80’s days, and what more of a sparkling throwback can there be than that?  Sam’s voice stays in his effortless higher register, and the pointed phrase of “all we are is blood and skin” resonates through to the end.  “All We Are” is a beautiful song with perfect timing and I hope many of you will take the time to enjoy it multiple times, and check out the video above.  For those of you in northern England, you can watch for a Sam Dickinson live show closer to you very soon.

Published in: on June 5, 2019 at 9:26 pm  Leave a Comment  
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#BILLCSTop30 #562 – May 27/19

Some innovative and entertaining songs make their debuts this week.  One artist continues to find himself with two songs at a time on the chart, while another appears on the chart – twice – for the first time in over 5 years.  And they both join another artist who has one song on the rise and one which peaked in the Top 5 a few weeks ago.

But first the Top 10, in which we find two songs snug comfortably at the top 🙂

It’s “White Lies” that reigns supreme for a second week for German/UK producers M-22 and featuring the songwriting talents and uncredited vocal of British singer A*M*E.  It kind of goes hand in hand, for me anyway, with Cedric Gervais’ disco edit of “Good Things” in collaboration with Just Kiddin and singer Kyan, which stays at #2.

A third frenetic house track joins the top two to keep you dancing away.  “Enlighten Me” is by the fine Dutchmen that are DubVision and SYZZ, and it soars 8-3.  They bypass Mahalo and MŌZ who remain at #4 with the deep house of “Go Ahead”, as well as “Sucker” by The Jonas Brothers, which still climbs 7-5.  Although Joe Jonas found himself in the Top 5 previously as a solo singer with “Make You Mine” (#3, from his underappreciated Fastlife album) in 2012, and again with DNCE with “Cake By The Ocean” (#2) in 2015, I don’t think I ever fathomed the Jonasei gracing the upper reaches!

Every release by MAX that has hit my chart has made the Top 10, and “Love Me Less”, featuring Quinn XCII, rises 10-7.  Mokita’s third entry on the chart becomes his second Top 10 hit.  The Nashville singer/songwriter moves up 11-9 with “Kiss And Tell” as “London” tumbles to #15 after peaking at #3.  The second newcomer to the Top 10 is “Wild” by German producer Final DJs and featuring Bright Light Bright Light on vocals.  “Wild” moves up 13-10 and becomes Bright Light Bright Light’s 17th Top 10 entry!

Three other recent entries are advancing well on the chart.  French producer Kidswaste’s delightful “Sleeping Pills” featuring vocalist KOLE climbs 21-16, and right behind is progressive electronica from L.A.’s Mako with “Coyote” moving up 23-17.  The fastest riser on the chart, however, is “Swear To God” by Canadian producer Famba, which is making short work of the chart by leaping 27-19.  It’s also Famba’s second Canadian radio hit following “Wish You Well” (featuring Trove).

It’s definitely an interesting chart for debuts.  Although he continues to move up at #13 with “Crashing” (featuring Bahari), the prolific Illenium has singer/songwriter Jon Bellion on deck this time for the quite amazing and thoughtful “Good Things Fall Apart”, which makes an impressive debut at #20.  Then there’s Timmy Trumpet’s commanding “World At Our Feet” which becomes the Australian producer’s first entry on this chart at #23.  

And last but not least, there are Dutch producers, the brothers Showtek.  This is the first time that Showtek has appeared on the chart since 2014, when “Cannonball (Earthquake)”, with Italian producer Justin Prime and US vocalist Matthew Koma, went to #1.  They are back two-fold, first at #26 with Canada’s own Sultan + Shepard bowing for the first time on the chart with “We Found Love”, an update of “Now That We Found Love”, a huge 90’s hit for Heavy D. & The Boyz, originally recorded in 1979 by reggae band Third World.  And then there’s the story of remixing a fun 4 year old song – but when a remix by A-Trak is among them you know it’s going to be great.  Showtek and vocalist Leon Sherman’s “Listen To Your Momma” arrives at #28, and A-Trak’s is one of five remixes on the EP.

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

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