The voice of Scotland’s Ben Davidson @bdavidsonmusic shines on both the @HandbagHouse remix of “Anything” and @DSMmusic’s ballad “In The Rain”

BEN DAVIDSON, “Anything” (Handbag House remix)

DSM and BEN DAVIDSON, “In The Rain”

Scotland’s Ben Davidson has one of those captivating voices that will alternately make an uptempo song more vibrant or let a softer song make you melt.  

Ben recently released the single “Anything” for Energise Records, but in its original mix I find his vocal doesn’t so much go hand-in-hand with the production’s additional layers of sparkle.  In its remix by Handbag House, “Anything” is so well suited for the deep house genre that you would think it was the original mix.  Like with Sam Dickinson’s “Wild Sun” last year, Handbag House offers a solid alternative for dance clubs to relish.

While Ben co-wrote “Anything”, it and “In The Rain” were co-written by Dan Scholes, a veteran British producer who also records as DSM.  Instead of Ben, “In The Rain” was co-written with Canadian Kim Williams, and it’s an independent release that puts Ben into more-than-comfortable ballad territory, which invokes a story of a past relationship and being constantly haunted by the anguish some memories can cause.  DSM and Ben are so in tune together, making “In The Rain” a stylish and memorable treat for those who like softer music with a great voice to lead the way.

Check out @PLSandTYbased’s wildly original “Run Wild” (also in a @LucaLush remix) and “Feeling Forever”

PLS&TY, “Run Wild” (original and Luca Lush remix) and “Feeling Forever”

For about the last two years, I’ve been frequently touting the praises of L.A-based, Florida-bred producer/remixer PLS&TY.  With originals like “Down For Me” and “Good Vibes”, the artist also known as Tommy Leas is coming into his own, and he’s garnering so much attention that major labels are seeking him out.  He’s also just landed on an upcoming south-west US tour opening for Elephante. 

His most recent ‘double A-sided’ release of “Run Wild” and “Feeling Forever” (both above) actually came out in June but I somehow missed it until remixes of “Run Wild” recently came to my attention.  These songs are PLS&TY like you’ve never heard him before.  “Run Wild” samples an acapella Finnish folk track called “Käppee” and creatively uses it as both hook and chorus of the song.  The song is indeed a pretty wild future bass concoction that will both take you aback and bowl you over.  Luca Lush will also make your ears perk up with a fun drum ‘n bass turn (below) that punctuates the chorus.  “Feeling Forever” is more chill but still futuristic, and explores an Indian-influenced sound with unique vocal-sampled hook.  The song has lots of bright moments with percussive highs and flute-y sounding synths.  

Both “Run Wild” and “Feeling Forever” show off the many talents of PLS&TY and he is definitely someone for whom you should keep your ears on in the next year or so to hear where he goes next.

Published in: on August 22, 2019 at 11:09 pm  Leave a Comment  
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“Don’t Break My Heart Again” is delightful Europop-flavoured dance music from Australia’s Peter Wilson @Pete80s in a @Stormby_music edit

PETER WILSON, “Don’t Break My Heart Again” (Stormby edit)

Australia’s Peter Wilson is on a roll after last year’s duet of “Verona” with UK singer Sean Smith and this past Spring’s “Like Dynamite” with “Don’t Break My Heart Again”.  Perhaps a too straight-forward pop song in its original mix, the song is elevated in a number of remixes particularly by Matt Stormby, who spins and whirls it straight onto the dance floor.  Neither the edit nor the club edit send the song over the top, keeping Peter’s urgent vocal front and centre.  Its European flavour definitely has 1984-1985 inspiration and the retro appeal is definitely complimentary to its classic overall pop sound, which would fit in very well with EuroVision (just sayin’…).

Ever-naughty trio @LiquidDietmusic return with steamy remixes including “Looking For Love” (Night Stalker mix)

LIQUID DIET, “Looking For Love” (Night Stalker mix)

I enjoy some songs that veer to the naughty side, and when I think of those, NYC/LA trio Liquid Diet (Billy, Georgia and Jonny) always comes to mind.  Recently, some remixes from songs from their album Double Life have surfaced on an EP titled Double Life: Sloppy Seconds.  So it’s time to reacquaint yourself with “Looking For Love” in its slinky Night Stalker mix, which comes in both playful radio edit and more seductive extended mix forms.  As you might anticipate, it’s about ‘looking for love in all the wrong places’.  Musically, the song takes you back to the mid-80’s around the time when Michael Jackson’s Thriller gave everyone in North America the okay to get back dancing again.  Think Billy Idol meets ABC while incorporating a verse from The Doors’ “Hello, I Love You”.  With the music of Liquid Diet, it’s a must to let your hair down, get loose, and just give in to its sinewy charms 🙂 Check out the enticing video for “Looking For Love” above.

It’s 10/10 #02: New songs from @pete80s, #EricZava @DJMirkoB & @GorashDaniel, @finis_mundi_, @Iliramusic, @Boye_Sigvardt, @JeanorJuan & @FoxandCharm, @EleriAngharad92, @BLRofficial, @TimmyTrumpet @BlissNEso & @LeeFields12, and @Showtek & @LeonSherman in an @ATrak remix

10/10 #02

10/10 (or tenoutoften) is my new feature where I write about 10 hot and fresh songs in no particular order, for your kind consideration and attention.

I will also continue to write individual blog posts about certain songs.  That does not mean that songs in the 10/10 lists are any less than those featured individually. 

Writing 10/10 features means I will be able to cover more songs in one shot than I’ve been able to do recently.  So you get to learn about more new music that I hear but don’t always get a chance to write about. 

tenoutoften

tenoutoften 02

  • PETER WILSON, “Like Dynamite”

The Australian singer who so aptly brought us a different kind of “Verona” with UK singer Sean Smith returns with a two song EP, the better of which is “Like Dynamite”.  It’s a complete throwback to mid-80’s danceable modern rock, with particular and welcome reference to New Order’s “Bizarre Love Triangle”.  Peter’s voice really flourishes in this setting and it’s a lot of fun!

  • ERIC ZAVA, DJ MIRKO B and DANIEL GORASH, “Even In Confusion”

Another song that might take some of its cues from 80’s new wave is “Even In Confusion” by Italian producers Eric Zava and DJ Mirko B with singer Daniel Gorash on vocal.  Don’t even think Italodisco with this one.  It’s delightful melodic house music that could be a real surprise to club DJ’s.  The echoey vocal reminds me of early 00’s ATB records and totally suits the song.  “Even In Confusion” is memorable and will definitely get you dancing!

  • FINIS MUNDI, “Right Now?”

Accompanying his recent album release Everything After is the single “Right Now?” by Swedish producer Finis Mundi.  This is sophisticated deep house for the late night time which could happily accompany songs by Bobby Nourmand or Faithless into the wee hours.  It’s definitely atypical of the dance music from Sweden and taps much more into UK or Chicago/New York house rhythms for deep, dark effect.

  • ILIRA, “Do It Yourself”

Breaking out of Germany is the effusive pop sound of Switzerland-raised Kosovo-Albanian singer Ilira with “Do It Yourself”.  The production for this song is a hybrid US/UK bounce back to about six years ago – think Miley Cyrus meets Icona Pop.  Like songs from that time by both artists, “Do It Yourself” is a potent anthem for young women.  It’s very distinct and has the potential to cut through a lot of other samey-sounding pop of today with its splash of a few years ago.

  • BOYE & SIGVARDT, “Ganja Fiyah”

You’ll recall the unique song “Astronauts” by Danish producers Boye & Sigvardt (with MAGNÜSand UHRE) which I wrote about a few years back.  After a few releases with American label Big Beat, the lads (Christian and Christian) have been trying out a variety of dance styles, and “Ganja Fiyah” is an unexpected trip into fun deep house with striking bass beats and explosive synths.  Fans of Don Diablo, Afrojack and Armin van Buuren will definitely dig this one.

  • JEAN JUAN and FOX & CHARM, “Strangers”

Dutch producer and Soave label head Jean Juan unleashes his second single under his new moniker called “Strangers”, this time in collaboration with Mexico-based Turkish producers Fox & Charm.  It’s exotic-sounding deep house that will cause instant reaction when dropped mid-set.  “Strangers” is full of propulsive rhythms and an appealing vocal that go down pretty easy.  Jean Juan says he’s just getting started and I’ll look forward to what’s next!

  • ELERI ANGHARAD, “Earthbound” (acoustic)

Although she classifies herself as a Country artist but hails from Wales, Eleri Angharad has a lot of pop potential if the acoustic version of the title track from her recent album is any indication.  She could easily ride the wave of popularity created by the likes of Kacey Musgraves and Maren Morris, though she definitely has her own take on her craft.  In fact the vocal on “Earthbound” reminds me a lot of California duo Bahari’s contribution to electronic sensation Illenium’s “Crashing”, so I could visualize her in that setting as well.  Recording acoustically is not recommended unless you can really prove yourself and Eleri has no problem instilling her appealing personality into this performance.

  • BLR, “Méduse”

Dutch producer BLR returns to Tiesto’s AFTR:HRS label – he was the first artist signed back in 2016 – with the enchanting “Méduse” and its seductive French vocal.  You can definitely expect a dark, hypnotic trip that has late 70’s/early 80’s retro appeal that will recall music from the likes of Cerrone or Patrick Juvet.  “Méduse” will definitely be a force on the dance floor with the clock strikes 12!

  • TIMMY TRUMPET, BLISS N ESO, and LEE FIELDS, “High”

You may have already heard, but Australian producer/DJ Timmy Trumpet is set to be part of the European Space Agency that’s linking dance music with space travel!  You can hear all about that right here, but in conjunction with that announcement is the release of Timmy’s latest single “High”.  While “Freaks” continues to be played everywhere at events and on dance music radio worldwide, “High” goes back to Timmy’s jazz and R&B roots, featuring veteran US soul singer Lee Fields as well as reknown Aussie/American hip hop trio Bliss N Eso.  The blend of influences remind me of early 90’s mixes that incorporated all of those styles as well as house music, and Timmy and team successfully update that sound with “High”.

  • SHOWTEK and LEON SHERMAN, “Listen To Your Momma” (A-Trak remix)

You can’t keep a good song down and I’m a big believer of remixes to help good songs reach greater heights.  “Listen To Your Momma” by Showtek and Leon Sherman was actually released in 2015, but it’s such a fun song with an inspired vocal that a bevy of remixes have now surfaced.  The best of the bunch is from A-Trak, who recently woke us all up with the praise to to the house music gods and stern advice for DJ’s with Todd Terry in “DJ’s Gotta Dance More”, which was #1 for several weeks on my personal chart.  With it’s big bounce and plenty of vinyl scratching, A-Trak’s remix of “Listen To Your Momma” should make headway to clubs and festivals all over the world this year.

 

 

 

 

 

German duo @weareSteamPhunk’s “Hometown” featuring @CarrieLanemusic gets a spirited remix by @Uniryde

STEAM PHUNK and CARRIE LANE, “Hometown” (Uniryde remix)

“Hometown” by Germany’s Steam Phunk featuring American singer Carrie Lane was released about a year ago as a mid-tempo dance track that recalls songs like “Closer” by The Chainsmokers.  This spirited remix by new producer Uniryde could definitely reignite interest in the song.  The remix captures the poignancy and reflective appeal of the original, but aims to make you bounce along to a more carefree, fast paced rhythm track.  “Hometown” will definitely grab your ears and your feet, so be sure to check it out at the link above.

 

#BILLCSTop30 #553 – January 21/19

In this new chart, there’s somewhat more movement and four debuts, but in the coming weeks you’ll be seeing the chart shed many of its favourites from late 2018.

Nonetheless, this time around you’ll still find A-Trak and Todd Terry up top with “DJ’s Gotta Dance More” for a 3rd appearance (6 weeks) at #1, with former #1 “Loyal” by Odesza hanging tight right behind.  But that’s where things start to change up.

Mahalo and Le:Blanc’s perky bop “In My Arms” becomes Mahalo’s 4th Top 5 placing song up 8-3 on this chart,  Illenium holds on to #4, albeit with a different song this time, with “God Damnit” in a pairing with Call Me Karizma climbs 9-4, as “Crawl Outta Love” slips down to #18.

The only artist from Luxembourg to ever grace this chart is producer White Chocolate, and his contemporary take on disco, “Mister Love”, moves 14-8.  Right behind is the effervescent pop/dance of “Play” by Jax Jones and Years & Years, climbing 15-9.  

The fastest riser on the chart is the fantastic new song by Steve Void featuring Andy Marsh called “Closure”, which soars 19-10. 

 

Keep your eyes on these relative newcomers in the next month or so.  NYC-based singer/songwriter Ryan Gibeau has the enlightening “Flying Away” moving up 22-16, while The Him’s anthemic “Look At Us Now” looks like another winner rising 23-17.  “Bite My Tongue” by Australia’s Sam Bluer (27-19) has a unique charm, while Stephen Puth’s “Sexual Vibe” (28-21) knows exactly what it wants.  Molly Moore’s great vocal helps define the urgency of “Be Here Now”, moving up 25-22.

As Revelries’ “Naked” departs the chart, it’s immediately replaced by what is likely the Netherlands-based Emirati lads’ best of the most recent trio of releases to date.  In collaboration with Sam Smyers and featuring a commanding vocal by Oktavian, “Don’t Think Twice” has the highest debut on the chart at #20.

It’s everywhere and especially in the UK where it’s been #1 for almost a month – soon to be replaced by Ariana Grande methinks – it’s American singer Ava Max at #25 with “Sweet But Psycho”.  Right behind it is a gentle love song for the colder months that could be a pop breakthrough for R3HAB with “All Into Nothing” at #26 in partnership with Nashville singer Mokita. 

And last but hardly least at #30 is “Paradise” by Parralox featuring singer Marcella Detroit.  It’s the flashy house mix by Eric Kupper that reinvents the song to make it fresh.  “Paradise”.  It’s the fourth entry for Australia’s Parralox (aka John von Ahlen and friends), whose previous three songs all reached the Top 10, particularly 2015’s “Aeronaut” (#4).

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

Disco’s coming back in full effect with songs like @HorseMeatDisco’s “Let’s Go Dancing” with @AmyDouglassings in a @DimitriParis remix

HORSE MEAT DISCO and AMY DOUGLAS, “Let’s Go Dancing” (Dimitri From Paris remix)

Maybe the songs just gravitate to me and find me somehow because I grew up as a teen in the era, and I’ve written about many recent records in the last few years that I’ve labelled “discotastic” or something similar to indicate a reprise in Disco music is in order.  Well I’m getting mighty convinced that’s it’s well in the works when I hear songs like “Let’s Go Dancing” by the British collective/concert promoters that are Horse Meat Disco featuring US vocalist Amy Douglas.  This is a major flashback to around early 1977 pre-Saturday Night Fever when a good part of the music scene was still trying to convince people to party, dance and have a great time to disco music.  Could it be that movement is starting again?  “Let’s Go Dancing” shows clips from Horse Meat Disco’s British and European events called Glitterbox that show people actually dancing together without the celebrity and faux chi-chi of places like Studio 54.  Similar but less well-established events are occurring in NYC so I’m hoping other major cities in North America catch on.  “Let’s Go Dancing” can easily be the good-natured theme for this resurgence, it’s beautifully sung and lots of fun.  Check out the video below and the remix from none other than the fabulous Dimitri From Paris above.

Add sparks to your “Sunday Morning” by @Matomaofficial and @JosieDunnemusic in an @iamAlyxAnder remix

MATOMA and JOSIE DUNNE, “Sunday Morning” (Alyx Ander remix)

An acclaimed debut album of 2018 that still seemed to fall somewhat under the radar was Matoma’s One In A Million.  With four stellar singles recorded with Becky Hill (“False Alarm”, #6 on my personal chart), MAX (“Lonely”, #10), Enrique Iglesias, (“I Don’t Dance (Without You), #20), and The Vamps (“All Night”), the multi-talented Norwegian musician and producer proved beyond a shadow of the doubt that he could flourish in dance, electronic, and pop genres.  Single #5 from the album is “Sunday Morning”, featuring Nashville-based vocalist Josie Dunne.  It gets a sparkling remix by Miami’s Alyx Ander that will make you want to put on your dancing shoes instead of stumbling out of bed for your coffee on a Sunday.  When the song isn’t full throttle in pick-you-up mode, it beautifully focuses on the soulful edges in Josie’s voice, making there plenty of reasons to enjoy the song.  It also happens to make a perfect companion to mix into Avicii’s “Wake Me Up!”, so your Sundays really may never be the same again!  

Published in: on January 12, 2019 at 9:57 pm  Leave a Comment  
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“Paradise” by @Parralox featuring @MarcellaDetroit is reinvented as a chic deep house track by remixer @EricKupper

PARRALOX featuring MARCELLA DETROIT, “Paradise” (Eric Kupper remix)

Sometimes you can’t just let go of a great song with a fantastic vocal.  Such is the case with Parralox’s “Paradise”, originally a mid-tempo pop/dance track for the Aussie production project featuring the fabulous Marcella Detroit, who most of you know as one half of 90’s duo Shakespear’s Sister (1992’s “Stay”) but has an otherwise storied pop music career.  The song arrived on Parralox’s 2017 album Subculture, but John von Ahlen is wise to make the song into much, much more, this time through release on Energise Recordings.  So almost two years later, we have a package of several remixes, which is led by chart-meister Eric Kupper’s chic deep house remix.  “Paradise” simply sounds like it was intended to be a strutting house thumper like this, with the refrain of “the time has come to let you go” resonating much bolder this time around for dance club goers.  With Eric coming off of yet another Billboard #1 remix of Ariana Grande’s “Breathin”, his remix of “Paradise” spells great things for Parralox and hopefully another opportunity to partner with Marcella on a future track.  Mix this one in with Jessie Ware’s “Overtime”, another of my current favourites, and watch dance floor bliss in motion!

Published in: on December 28, 2018 at 9:44 pm  Leave a Comment  
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