#BILLCSTop30 #618, July 19/21

If you haven’t already done so, get those dancing shoes ready for the rest of the summer because there is plenty of hot dance music of all sub-genres for you to enjoy, and part of the fun is finding out about it through sources like my blog or the ONLINE RADIO AFFILIATES (see details after the post).  Once again, we have a new #1 from an artist who has been to the top before and just released a new album on Friday!!

That artist of course is Denver-based electronic producer Illenium, whose fourth album Fallen Embers dropped on Friday. While not as strong a release as Ascend, it has plenty of highlights and emotional shifts that will keep you totally engrossed.  Illenium’s recent single “Sideways”, which is now a North American dance radio hit – a bit surprising considering it’s usually harder than what dance radio normally plays – featuring Valerie Broussard’s stunning vocal and production partner Nurko.  You can also check out the album opener “Blame Myself” below, featuring an out-of-character but bang on appearance by Tori Kelly.

Trying to get a place in line for the top is the glorious “The Feels” by Cash Cash and the amazing Alex Newell, which rises 9-4. Though not a single – a strange move by the record company – it can be found on Cash Cash’s latest album Say It Like You Feel It.

Also contending for the top is “Can’t Stay Away” by Sweden’s Darin, his first English language release in about eight years. It soars 14-7.  It’s his highest peaking song since 2009’s “Girl Next Door” (#5).

I’m totally loving Greyson Chance’s quirky and infectious “Hellboy” from his album Trophies, which moves up 11-8 to become his second Top 10 on this chart following last year’s “Dancing Next To Me” (#2).

Arriving in the Top 10 for the first are social media stars Nessa Barrett and jxdn, who have two great voices that deserve attention with “La Di Die”, which climbs 13-10.

The Fastest Riser on the chart is some deep house bliss from England courtesy of Charlie Lane, Gold 88 and vocalist Kate Wild with “Give Me That” zipping up the chart 19-11.

Toronto indie pop/rock duo Crash Adams have a new personal best on the chart.  “Symphony” rises 15-12, surpassing the #13 peak of last year’s “Too Hot To Touch”.

While “Myself In You” yields the pole position to “Sideways”, “Slip Away” by French producer Kislaw and NYC singer/songwriter Victor Perry continues to build momentum, up 17-13.

“You” by Regard, Troye Sivan and Canada’s own Tate McRae is one of the more distinct songs you’ll hear on pop and dance radio, and it climbs 21-15.

The “Reprise version” of Moby’s “Natural Blues” as passionately sung by Gregory Porter and Amythyst Kiah moves up 24-17, from Moby’s recent album of retooled songs called Reprise.

New Toronto solo artist CMagic5 continues to climb with her recent “Love Me If You Can” (23-18) from her independent release Ready To Run.

And look who gets the Highest Debut – Ed Sheeran!! I’m highlighting this because it’s the first time he’s appeared on my chart and “Bad Habits” is one helluva way to do that, bowing at an exceptional #20.  It’s definitely one of the songs of Summer ’21. He’ll continue with the mathematically-titled albums with The Quadratic Formula, coming soon.

Premiering at #28 is one fun song that doesn’t let up, thanks to its party vibe and multi-lingual versus (sung in Portuguese, French, and African language Bambara (check out the cool video above, which just dropped today).  It’s “Mon Cheri” by US dance music mainstays and Grammy nominees Sofi Tukker in collaboration with fellow Grammy-nominated Mali duo Amadou & Mariam.  It’s culled from the new Red, Hot + Free album, which has proceeds going to three LGBTQ2S+ charities: The Trevor Project – http://www.thetrevorproject.org The Ally Coalition – https://theallycoalition.org; and SAGE – https://www.sageusa.org. “Mon Cheri” is Sofi Tukker’s first chart appearance since their 2018 #1 with Benny Benassi “Everybody Needs A Kiss” and fourth overall.

The third debut at #30 is “Back To You” by Chicago electronic dance producer Aash Mehta with fellow producer Charlotte’s ephem, a terrific house track for summer that’s guaranteed to make you dance.  Regular blog readers know I’ve been writing about Aash’s music for about five years and it’s his first appearance on the chart. 

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

ONLINE RADIO AFFILIATES

Radio GTA – listen to The Big 20 from 10pm to Midnight EST as “The Musicman” James Rogers and I bring you the latest in new songs mixed with classics and songs you haven’t heard in a while.  And on Saturdays and Sundays from Noon to 6pm I bring you “Your Weekend Music Mix” six hours of commercial-free music from the 2000’s including many song choices from this blog.

Halton Hills Online – “Your Weekend Music Mix” has a second home on Saturday and Sunday evenings from 8pm to Midnight! It’s a different mix from Radio GTA’s show, and like that one it is also commercial free, proudly brought to you by Symposium Cafe Restaurant & Lounge in Georgetown, Ontario!

Planet Radio Canada – currently on hiatus but returning in August, listen to the “3D Variety Show” with “The Musicman” James Rogers. I’m featured every Tuesday between 7 and 7:30 pm with my New Music Pick of the Week, and I also join occasionally for looks at music from our past as well as the occasional live segment.

 

#BILLCSTop30 #617, July 5/21

The new chart is so chockful of my favourites that it seems pretty static, with only a few songs making decent-sized moves. But if you’ve followed this blog or my chart, then you’ll know that this is temporary.

With this chart, I’m pleased that my number one song is “Myself In You” (above) by Italy’s Lordnox and NYC’s Victor Perry.  Victor’s music has been appearing regularly on the chart since 2016 and this is his first trip to the top, and almost certainly not the last!  I was delighted that Lordnox could capture the glory and diversity of Victor’s vocal in this particular song. It makes the song just so much fun!  Victor has a second entry on the chart with French producer Kislaw called “Slip Away” (below), which climbs 20-17.

Making an impressive move from 7-4 is the emotional electronic whirlwind that is “Sideways” by Illenium, singer Valerie Broussard and fellow producer Nurka.  Illenium performed his first three albums in concert in Las Vegas as his “Trilogy” show this past weekend, which is quite an amazing accomplishment.

Glass Petals’ infectious deep house track “Heartbeat” is making short work of its time in the Top 10, rising 9-6.  One half of Glass Petals, Juno Award-winner Felix Cartal, released his latest album Expensive Sounds For Nice People, which is chock full of many of his single releases of the past two years.

To no surprise, the dance floor banger “The Feels” by Cash Cash featuring Alex Newell advances 12-9 – for now!

The darker and deeper house track from Australia, “Unnatural” by Needs No Sleep and Jeremy Beamish, is the other newcomer to the Top 10, up 11-10.

Whenever I play Greyson Chance’s “Hellboy”, I am stuck humming it for hours on end. This quirky track from his album Trophies climbs 16-11.

The Fastest Riser on the chart was the Highest Debut two weeks ago.  It’s “Can’t Stay Away” by Sweden’s Darin, which is now accompanied by a zesty, splashy video loaded with cool choreography. It soars 22-14.

Another banger from England to keep your ears on is “Give Me That” (23-19) by producers Charlie Lane and Gold 88 with a stunning vocal by Kate Wild.

While it’s already been to the top of the dance charts, “You” by Regard, Troye Sivan and Tate McRae (27-21) is also headed to the Top 10 of Top 40 radio.

The Highest Debut on the chart is also a first on the chart. In the over 23 years that I’ve published it, a completely redone version of a song originally recorded by the same artist has never charted – until now!  Moby’s “Natural Blues” reached #5 on my chart in 2000, and 21 years later he has re-recorded it and some of his other best known songs on his album Reprise.  “Natural Blues”, featuring the stellar vocals of Gregory Porter and Amythyst Kiah arrives at #24.  Some chart geekery: Because it was re-recorded, it is not considered to be a re-entry.

Next up at #26 is India’s Ashwyn with the guitar-soaked “Sell My Soul”.  This single preceded his latest, more progressive rock-flavoured one “Deja Vu” , which I wrote about recently.  Ashwyn is also the second artist from India to appear on my chart, following DJ Shaan’s “By Heart” which reached #10 earlier this year.

My third debut at #27 is the second chart appearance by Australia’s Beamish Brothers called “Anxious”.  Ben and Jeremy previously were featured on “Black Gasoline” by Mark Mendy, which got to #6.  And Jeremy is currently charting at #10 with Needs No Sleep.  Their music keeps on getting better and better so this is their first appearance on the chart as lead artists.  In fact I just wrote about their newest single “Privilege” this past weekend, so check it out too.

The last of four debuts at #28 is “Gone Tomorrow” by Southern California producer Jay Bird with vocalist Clay Agnew.  This is definitely in the Illenium/Trivecta vein and is exceptionally well done as an independent release. Jay Bird recently got to #4 with “Escape”.

Announcements

NEW AND STARTING JULY 10!! I’m pleased to announce that I will be your weekend announcer on Halton Hills Online and Radio GTA  for my show “Your Weekend Music Mix”.  The show will air Saturday and Sunday afternoons on Halton Hills Online and Saturday and Sunday evenings on Radio GTA.  Be sure to check it out next weekend!

Planet Radio Canada is currently on hiatus for a few weeks and will return!

The music from this chart and blog are also featured regularly on the online radio station Radio GTA. You can hear their Big 20 on Wednesday evenings, also with ‘The Musicman’ James Rogers, and listen for songs from the chart too 🙂Scroll down the station’s main page to listen to lots of variety from across the decades!   You can start by joining Radio GTA’s new interactive Facebook group too!!

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

India’s @Ashwynmusic is back with progressive rock-flavoured electronica called “Déjà Vu”

ASHWYN, “Déjà Vu”

Back in early May, I wrote about Indian producer Ashwyn‘s rock flavoured electronic track “Sell My Soul”, which features awesome guitar work and an intriguing story sung with a committed vocal.  Continuing to find gaps to tell his own musical story, Ashwyn has followed up “Sell My Soul” with the decidedly different “Déjà Vu”.  This one is likely to appeal to rock music fans even more than “Sell My Soul”, while still capturing progressive electronic music fans’ attention with its rich production which would sound fantastic in a stadium setting.  With a big nod to Pink Floyd, the song starts with two minutes of instrumentation before Ashwyn’s vocal kicks in to tell the story about looking outside of the box while routine and history repeat themselves. Amid the beautiful instrumentation are the sounds of a live string quartet orchestrated by Spanish composer Pedro Osuna. “Déjà Vu” is all about mystery, quality and experience, and the real instruments give the song warmth and depth. It’s hardly what you might have expected after “Sell My Soul” and might be a transitional release as a result, but there’s no denying that Ashwyn’s music can stand apart from the rest and hold its own.

Published in: on June 28, 2021 at 10:48 pm  Leave a Comment  
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It’s 10/10 #18: @JarodGlawe @RobinVanemusic @Autografmusic @WinandWoo #Aibai #ColbyHansen @AmyCorreaBell @BeatVent @Daysormay @iamrebelwill @djPromiseLand @DannyDeardenuk @MonsieurAdi #Shoby @wallflowerPerry @dirty__es

My10/10 feature is back with edition #18, the first 10/10 since April.  There are just so many fine releases out right now and I don’t want to cast any aside that deserve your attention.

For those not familiar with10/10,  I write about 10 hot and fresh songs in no particular order, for your kind consideration and attention.  I continue to write individual blog posts about certain songs.  That does not mean that songs in the 10/10 lists are any less than those featured individually, and they are not listed in any particular order.  Writing 10/10 posts means I can cover more songs in one shot.  So you get to learn about more new music that I hear but don’t always get a chance to write about.

I must say that edition #18 has quite the global variety of musical flavours for you to check out!

  • JAROD GLAWE and ROBIN VANE, “Belong To You”

Chicago producer/songwriter/engineer Jarod Glawe is still a relative newcomer to the music scene, but he’s moved very quickly to receive remixes by the likes of Thomas Gold and AMPM, and to start his own Sony The Orchard-distributed label, Blu Ember Music.  “Belong To You” is the first release, and you might has well start off with a bang.  It’s a gorgeous deep house track full of emotion that’s heavily reliant on the vocal by Dutch singer/songwriter Robin Vane.  Together Jarod and Robin are a dynamic force.  Outside of the song’s chorus, Robin’s voice at times reminds me of Dan Smith of Bastille when he sang “Happier”, but he has soulful edges that perfectly suit the warmth of this song.  “Belong To You” is a delightful surprise waiting for you to hear it.

AUTOGRAF and WIN & WOO and SINGA, “Break Me Down”

Two of Chicago’s finest house production teams unite for “Break Me Down”.  The duos of Autograf and Win & Woo have released some of their best music within the last two years, particularly Autograf’s “Ain’t Deep Enough” and Win & Woo’s “Sleepwalking” (both landing in the Top 10 of my personal chart last year), so it’s intriguing to hear the results of their collaboration.  “Break Me Down” is a fairly easy going but atmospheric chill house track with lots of interesting synth sounds and an expressive vocal by Philadelphia’s SINGA.  It would be fitting to play this song early on in a club set to get the crowd moving.  Autograf and Win & Woo have given “Break Me Down” lots of layers that pull you in and keep you listening (and dancing).

  • AIBAI and COLBY HANSEN, “Aura”

“Aura” is a lilting and melodic slice of electronic pop from Minnesota, courtesy of producer Aibai and singer Colby Hansen. While the song narrates a queer relationship about being smitten with a cute girl while out dancing and wanting to dance with her, it is easily relatable for all genders. It leaves to chance about whether or not to pursue your thoughts and feelings, and be caught up in the excitement of a first-time encounter. Colby’s dreamy vocal basks in the blurred circumstances, while Aibai’s production will keep your feet moving, though it sometimes overwhelms Colby’s vocal towards the end. Nonetheless these two young women have created a tight collaboration that works.

  • AMY CORREA BELL, “Fuck It I’m Good” ( Beat Ventriloquists remix)

I’ve said many times before in these pages that I’m a big believer in remixes, and how they can transform a song. “Fuck It I’m Good” by San Fernando’s own Amy Correa Bell isn’t a new song, in fact it was released three years ago until the singer got the brilliant idea to reinvent it during the pandemic with a variety of producer friends. The resulting Beat Ventriloquists remix is certainly a fun deep house rework with a funky edge that keeps you guessing where it’s heading, particularly beyond the three minute mark. The new mix adds more spice to the feisty attitude that Amy brought with the original. So if you like your house mixes on the adventurous and unconventional side then be sure to check this one out.

  • daysormay, “Ego”

Vernon, British Columbia trio daysormay tackle Sigmund Freud in their own unique way in “Ego”. The indie rock group take influences from the likes of The Beastie Boys and Blink-182 and roll it all up into a convincing package which is a lot of fun if – when it doesn’t wear out its welcome.  The video for “Ego” is clever, with eyes very hard not to be on lead singer Aidan Andrews, who lends a lot of inspired energy to the proceedings.  Twin brothers Carson and Nolan Bassett round out the group, and they are often hidden under masks when not in synchronized rhythm with Aidan. While obviously filmed on a budget, the video does have its moments (some scenes from The Art Of Noise’s “Close (To The Edit)” come to mind), but like the song itself, is simply too long.  Less is often more but this is a fine first look at daysormay, and I’m looking forward to more from them.

  • iamrebelwill, “Addicted”

iamrebelwill is a talent for the 2020’s.  A queer black singer born in Montreal but based in Toronto, he created “Addicted” as an anthem about being hopelessly in love – and being just fine with that – after spending his early years afraid of being himself.  He’s got an engaging voice and personality in this song, and influences seem to be drawn most from the late 90’s such as The Fugees, Lauryn Hill, and OutKast. With a tight groove and lyrics co-written by Tafari Anthony, whose own music has appeared in these blog pages, there’s a lot to enjoy about “Addicted”, and iamrebelwill is certainly a name worth remembering for future releases.

  • PROMISE LAND x DANNY DEARDEN, “You Turn My Love Around”

Veteran Italian duo Promise Land (Nazario and Fabio) team up with UK singer/songwriter sensation Danny Dearden for house music that oozes positive vibes in “You Turn My Love Around”.  Promise Land has been releasing music for about 12 years, and have had great success with many of their Spinnin’ Records releases, as well as with remixes for Fedde LeGrand, Flo Rida, and especially with Swedish House Mafia’s “Don’t You Worry Child”! Danny is becoming a go-to voice in dance music with his versatile tones and seasoned songwriting skills. “You Turn My Love Around” mixes 90’s European house vibes with bright synths. At times the production and its high synth notes seems to compete with Danny’s high register, but it’s a minor quibble in this quick but lively release.

MONSIEUR ADI, “Guardian”

In true surprise fashion, French-American musician/producer Monsieur Adi returns to the music scene rather inauspiciously with “Guardian”. In the former part of the last decade, Adi remixed songs by the likes of Katy Perry, Britney Spears, Ellie Goulding and Lana Del Rey, and also released a number of solo releases which often had vocals by others.  In 2014, he was the opening DJ on Beyoncé’s “Mrs. Carter” European tour, and was poised to break out with his rework of Soul II Soul’s “Back To Life” as “What’s Going On” (featuring A*M*E, which peaked at #2 on my personal chart). Since that time, he’s released a scattered few singles, so it’s nice that “Guardian” surfaced as some of our strange times are coming to an end. It’s a warm and mellow song, almost like a fable that unfolds about some unknown presence who is there to guide and perhaps look after you.  The vocal for “Guardian” is also by sung Adi for the first time and it’s a pleasing performance. Hopefully “Guardian” will be followed up soon with more new music from Monsieur Adi.

SHOBY & VICTOR PERRY, “Hero”

It’s not covered very often, but there’s no one else I could think of who could do Enrique Iglesias’ smash from the early 2000’s more justice than NYC singer Victor Perry.  It’s a faithful version of “Hero” which is turned into a mid-tempo house number spiced with a lot of sax sounds by German producer Shoby.  It was especially important to my ears to get the bridge down right and Victor embraces it right down to the quiver in his voice.  The pair bring the song up to date while paying homage to it, so be sure to give it a listen particularly if you’re a big fan of Enrique or the song itself. “Hero” has also been released through Warner Denmark, no less.

DIRTY RUSH & GREGOR ES, “The Rhythm”

Dirty Rush and Gregor Es are two Polish producer/DJ’s who have a pretty wild output of house-flavoured music. They are tamed somewhat in their latest release “The Rhythm”, which shows off their slick skills without needing to embellish them too much with effects or crazy ideas.  The beats are huge, with plenty of bounce, so it’s not hard to picture “The Rhythm” being played around midnight in a club to crank up the party.

 

#BILLCSTop30 #616 – June 21/21

It’s officially summer in Canada and as things start to reopen, I expect there will be a need for more high energy dance music.  I’ve noticed that there are also a lot of personal and reflective songs being released because of people’s experiences in the pandemic.  But all of these songs should make it a quite interesting next few months!

Zipping back to #1 is Los Angeles-based producer Mahalo with “Got That Love”.  This one is all about the build up to the rollicking chorus, a bit different from what Mahalo has produced before, but I’m loving it all the same.  You’ll recall that Mahalo’s “Not Watching Anymore”, which just departed the chart, was #1 right before Idris Elba and Inner City’s “No More Looking Back” which held court for four appearances (eight weeks).  “Got That Love” is Mahalo’s third #1 on this chart.

Moving up 3-2  is Lordnox and Victor Perry’s “Myself In You”. This is a dance release that shows off Victor’s amazing range, and matches the #2 peak of his ballad from last year called “What I Deserve”. Victor’s latest concurrent chart entry, this time with French producer Kislaw, also moves up the chart.  “Slip Away” climbs 25-20.

Jessie Ware’s glorious “Please” soars 6-3 and matches the #3 peak of last year’s “Save A Kiss”, also from the What’s Your Pleasure album.  Jessie has been to #1 twice before, in 2014 with “Say You Love Me” and just before that with her appearance on Miguel’s reworked “Adorn”.

Also with its designs on #1 is “Sideways” by the excellent collaboration of Illenium, singer Valerie Broussard, and fellow producer Nurko.  From Illenium’s forthcoming album Fallen Embers, it climbs 15-7 to become Illenium’s 8th Top 10 entry.

 

Singer/songwriter Chris Blue gets his first Top 10 with “Moon” climbing 11-8.  I’m looking forward to hearing what this Season 12 winner of “The Voice” has coming up next!

Vancouver’s Glass Petals arrive in the Top 10 with “Heartbeat” rising 13-9.  It’s one of those great dance songs I referenced up top that you might not hear in a club yet but you can enjoy wholeheartedly before they reopen.

 

The same sentiments go for “I Want Love” by Gryffin in a punchy Cat Dealers remix that moves up 12-10.  The Brazilian brothers who are Cat Dealers will be touring North America, but just got hit with a setback with passport issues, so hopefully they will be resolved soon!

The Fastest Riser on the chart is the no holds barred rave up by Cash Cash and Alex Newell called “The Feels”.  It vaults 23-12 and is culled from Cash Cash’s new album Say It Like You Feel It.

Also making a bold move is Greyson Chance, who has also announced a fall North American tour that will be coming to a city near you!  From his upcoming album Trophies is the fun and seductive “Hellboy”, moving up 22-16.

The highest of four debuts belongs to Sweden’s Darin with his English-language pop/dance delight “Can’t Stay Away”, which arrives at #22.  It’s Darin’s first chart entry since 2010’s #8 “Lovekiller”, so a big ‘welcome back’ is in order!

Next up at #25 is Toronto indie teenage singer of Portuguese heritage who calls herself CMagic5. Her sultry new single “Love Me If You Can” deserves your attention with its incredibly catchy chorus.

Then at #27 there’s the first appearance on the chart for Dutch producer Regard with “You”. It’s a unique track boosted by excellent vocals from Troye Sivan (his 9th chart entry) and Canada’s Tate McRae, also appearing on the chart for the first time.

The final new addition to the chart is the beautiful new electropop song “Waves” by Belgian producer Anzano and go-to vocalist/songwriter Robbie Rosen at #28.  It’s Robbie’s fourth consecutive entry – though “Habits” departs after reaching #20, “When I Lost You” is still hanging in at #15 after peaking at #4. 

NEW!! I’m pleased to announce that I will be your weekend announcer on Halton Hills Online and Radio GTA starting in July for my show “Your Weekend Music Mix”.  The show will air Saturday and Sunday afternoons on Halton Hills Online and Saturday and Sunday evenings on Radio GTA.  Watch for it in less than two weeks!!

Planet Radio Canada has returned to the interwebs with ‘The Musicman’ James Rogers and his “3D Variety Show” each week for three hours of great music as well as a few features.  Listen to my New Music Pick of the Week (usually featuring a song on the chart) in the second hour of the show.  Tomorrow, the show will feature the music of The Bee Gees!  Planet Radio Canada’s “3D Variety Show” is simulcast on http://www.classichits.ca and http://www.radiogta.ca from 6 to 9 pm EST.

The music from this chart and blog are also featured regularly on the online radio station Radio GTA. You can hear their Big 20 on Wednesday evenings, also with ‘The Musicman’ James Rogers, and listen for songs from the chart too 🙂Scroll down the station’s main page to listen to lots of variety from across the decades!   You can start by joining Radio GTA’s new interactive Facebook group too!!

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

 

 

Boston’s @AlmostOwenmusic returns with post-pandemic anthem “State of Mind”

ALMOST OWEN, “State of Mind”

I’ve written about the music of Boston’s indie alt.rocker Almost Owen several times over the past few years. He’s an inventive songwriter, singer and musician who has unique perspectives on life that get translated into song.  I didn’t connect with many of his songs last year, but “State of Mind” is a refreshing and joyous anthem that he wrote as a way to break out of the pandemic rut that we’ve all experienced.  The video is bright and uplifting, and we now get to see an updated visual side of Almost Owen that only makes you want more.  I particularly like his vocal in “State of Mind”, it seems to have drawn some soulful inspiration from Jamie Foxx’s “Blame It”.  All I can ask is for more songs like “State of Mind” please!

Published in: on June 18, 2021 at 11:20 pm  Leave a Comment  
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Watch out for Toronto’s @_MaxParkermusic with pop earworm “Good Time”

MAX PARKER, “Good Time”

You won’t find a much more ear-catching pop tune around than “Good Time” by new Toronto pop singer/songwriter Max Parker.  This one is already being played nationally on radio in Canada, much thanks to Max being named as an iHeart Radio Future Star.  Max also previously had one of his songs featured among the Top 12 of one of CBC Radio’s previous Music Searchlight competitions.  So it’s quite clear that  his talent is shining through the rest, and comparisons to the music of fellow Canucks Tyler Shaw, Johnny Orlando or even Justin Bieber are not unwarranted.  Max Parker is definitely one to watch in 2021.

Published in: on June 14, 2021 at 9:14 pm  Leave a Comment  
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NYC singer/songwriter @PeterWisemusic calls out for individuality in “Window Dressing”

PETER WISE, “Window Dressing”

Peter Wise basks in a classic pop/rock setting and reshapes it and makes it his own in “Window Dressing”.  He’s supported as diverse talent as The Eagles and Lisa Fischer, and has his own stories to tell in his own way.  Graced with a beautiful tone in his voice, you might think at the start that “Window Dressing” might be full of upbeat whimsy, like early Jason Mraz. But the song is about staying true to yourself and forging your own path, rather than being a cookie-cutter facsimile to the latest trend in pop music.  He gets his point across in an earnest, ear-catching way without having the need to create a big anthem about being an underdog.  With fine songs like “Window Dressing”, expect Peter Wise to get his due as more people learn about him and his songs.

Published in: on June 5, 2021 at 8:14 pm  Leave a Comment  
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The double whammy of talent that is @SanHolobeats and @ChetPorter bring you anthemic “you’ve changed, i’ve changed”

SAN HOLO and CHET PORTER, “you’ve changed, i’ve changed”

“you’ve changed, i’ve changed” is a straight-forward song that is loaded with ear-grabbing power, thanks to its larger than life chorus, as brought to you by the dynamic talents that are San Holo and Chet Porter.  Although both artists’ biggest successes have been in progressive electronic genre, “you’ve changed, i’ve changed” is a rock song through and through. Included are keyboard and xylophone interjections provided by Chet, who also sings lead with a vocal that will sit especially well with Porter Robinson fans.  Anyone else who has seen San Holo in concert knows he is a real crowd pleaser rock star-type who immediately draws in the audience.  And likewise, I’ve seen Chet perform, and he’s an unpredictable melodic perfectionist.  Bringing the two together is indeed a really good thing that needs to be repeated.  I can certainly visualize “you’ve changed, i’ve changed” as the opener at a San Holo concert.  It’s included in San Holo’s new album, out this Friday, called bb u ok (album 2).

Get to know the music of India’s @Ashwynmusic with “Sell My Soul”

ASHWYN, “Sell My Soul”

At only 20 years old, Bangalore, India producer and musician Ashwyn Sriram already kickstarted his platform in pop music as a teenager as electronic dance producer Astra.  Even with the support of Hardwell and a release on the producers Revealed Recordings, it was not enough for Ashwyn to get to the heart of what he really wanted to record.  Already an accomplished electronic guitarist, Ashwyn has been releasing songs since 2019 rather quietly under his new guise, with growing additional support from Nicky Romero and Axwell as well as Rolling Stone magazine.  “Sell My Soul” is a classic story about what you trade off and get back in return, and whether or not it’s worth it.  The gentle vocal gives way to some terrific guitar work which makes “Sell My Soul” all the more memorable.  As a producer, Ashwyn knows how to make a song flow, filling the gaps with interesting instrumentation and sounds.  Currently studying at the Berklee College of Music, Ashwyn has plenty of new music coming, so stay tuned for more.

Published in: on May 9, 2021 at 2:48 pm  Leave a Comment  
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