#BILLCSTop30 #588, May 25/20

I hope everyone is keeping well and enjoying the bounty of music that is being released in these times.  There are still plenty of online performances to check out as well, with another big electronic music online festival coming from Brownies & Lemonade and Proximity very soon.  In the meantime, the new chart has some of the best new pre-summer entries that will endure until the Fall!

I suspect we’ll have more online entertainment from Porter Robinson in the coming months, after his very successful Secret Sky set.  In advance of his album called Nurture, Porter holds on to #1 for a second appearance with “Get Your Wish”.

It looks like Nashville’s Super Duper has his eyes on #1 in two weeks as the big and bold sounds of “All On You” move up 3-2.

“You’ll Be OK” by British producer Gareth Emery and featuring vocalist Annabel becomes his second Top 5 hit on my chart, following the #3 “Yesterday” which is now at #27.  The prolific producer has yet another single called “End Of Days” ahead of his album release called The Lasers, which you can hear below.  You may have been lucky to catch one of two online events by Gareth, which unfortunately conflicted with the hours of my day job, so hopefully I’ll be able to check out another of his online events soon!

Sam Dickinson’s splendid “Diamond Skin” rises to a new peak of #6, while his new single “Cry Wolf”, which I wrote about recently, gains traction on streaming services.

The two new entries in the Top 10 are from BILLCS Top 30 veterans, who have visited the Top 10 many times each.  Top 10 hit #17 belongs to Bright Light Bright Light, whose retrotastic “This Was My House” (featuring former Madonna backup singers Niki Haris and Donna DeLory, above) climbs 14-9.  And Top 10 hit #6 belongs to L.A. producer Mahalo in partnership with producer Disco Killerz and vocalist/co-writer Brandyn Burnette for “Tongue Tied” (in its Danny Quest remix, below), which rises 12-10.  There’s more new music from Mahalo on the way, and he’s someone else to watch for in online electronic music festivals.

Toronto’s own Rezz pairs up with vocalist, co-writer and co-producer, Buffalo NY native Grabbitz, for the electronic alt.rock vibes of “Someone Else”, which climbs 18-11.  It’s got a cool sci-fi-themed video which you can watch above, and be on the lookout for those Rezz eyes!

The Fastest Riser on the chart belongs to the highest debut from two weeks ago, “Midnight” by Alesso featuring Liam Payne.  It soars 24-16 and is definitely one song for some reason isn’t quite getting as much attention that I thought.  It’s a great production with a fine vocal, so be sure to check it out if you haven’t!

Jerin James’ elegant and flowing “Birds And Bees” climbs 23-17 and showcases a top notch vocal by Deverano.  It’s an unexpected treat that continues to be a grower!

Just as Martin Garrix’s “Drown” (featuring Clinton Kane in a Nicky Romero remix) is well on its way, up 26-22, Martin releases “Higher Ground”, featuring “Don’t You Worry Child” singer, Sweden’s John Martin, and you can hear it below.

The three debuts are forces to be reckoned with for the upcoming summer months.

Leading the pack at #20 is Lady Gaga and Ariana Grande’s “Rain On Me”.  It’s an instant crowd-pleasure, recalling Gaga’s heyday and in particular the magnificence of “The Edge Of Glory”.  Her performance at the start of the song is commanding, but then she lets go and hands the rest over to Ariana, and their voices work so well together – who would have thought this would even happen, say seven years ago?  The video (with already 46 million views on You Tube) is an eye-popper with outstanding choreography, and “Rain On Me” will without a doubt be one of the year’s biggest songs.  It’s Gaga’s 13th appearance on this chart (but first since 2014!) and Ariana’s 5th (her first was in Mika’s “Popular Song” in 2013, before she released “The Way”).

Next is “Never Let Me Down”, the insanely catchy new single by VIZE and Tom Gregory that you will be humming away for the next several months.  It arrives at an impressive #23, the first entry for both acts, VIZE being the German production duo that has become a favourite in the electronic dance genre, and Tom Gregory the English singer-songwriter who has the featured appearance in the video for the song, above.

The third debut belongs to the always enjoyable Jessie Ware, from her upcoming album What’s Your Pleasure, due next month, with “Save A Kiss” at #28.  It’s her 8th chart appearance following the recent #6 “Mirage (Don’t Stop)”.  I definitely dig Jessie’s music when it’s stuck in 80s/90s British R&B mode, and can’t wait to hear more on the album.  A video for the song is coming soon.

A reminder that the music from my chart and blog are featured regularly on the new online radio station Radio GTA. You can hear their Big 20 on Wednesday evenings with ‘The Musicman’ James Rogers and listen for songs from the chart too 🙂 Scroll down the station’s main page to listen to lots of variety from across the decades!  I’m the new music consultant for the station so you can expect even more in 2020 🙂  You can start by joining our new interactive Facebook group too!!

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

Want to see what I’ve been listening to and charting for the past 22 years?  Take a walk through the BILLCS Top 30 Archive (where you can click on the link within) when you have a chance!! 

 

Your summer singalong is here: “S.O.S” is the latest from Nashville’s @ChazCardigan

CHAZ CARDIGAN, “S.O.S”

Quickly following up the EP Vulnerabilia, which has spawned the Top 30 alt.rock hit “Not OK!” is “S.O.S” by Nashville singer/songwriter Chaz Cardigan.  Still in the anthemic vein, Chaz somehow manages to unintentionally intersect a fresh James Bay kind of journeyman rock style with the party “na na na” rock of 80’s hit “Centerfold” by The J. Geils Band.  With a standout vocal, Chaz doesn’t mince any words (hint: the title does NOT stand for a cry for help!).  He’s out to do himself right even if it doesn’t appear that way to others, and sometimes you need to give yourself the space to do just that so the next time it’s better for you and any others who are involved.  “S.O.S” is rowdy on the outside, and a good time is had by all, but you won’t forget about its silver lining either.

 

Published in: on May 20, 2020 at 10:11 pm  Leave a Comment  
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Get to know Memphis singer/songwriter @NickBlackmusic with “I.R.L.”

NICK BLACK, “I.R.L.”

Taking cues from diverse performers such as Allen Stone and Justin Timberlake is Memphis’ own Nick Black with his latest single “I.R.L.”.  Nick is hardly new to the music scene, but chances are that he’s new to you. “I.R.L” has a fresh, easy-going, appealing sound that is an immediate draw for those who like their pop songs spiked with a touch of soulfulness over some punchy electronic beats.  With a sly vocal from Nick that is sometimes semi-spoken, “I.R.L” is a tonic for these social media days of isolation when we long to see others “in real life”.  It’s engaging, flirty, genuine, and fun – can’t ask for much more in a song these days.

Published in: on May 20, 2020 at 10:11 pm  Leave a Comment  
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“Everyday” is @Trivectamusic’s new 4-song EP that helps reshape and refine dubstep and melodic bass

TRIVECTA, Everyday (EP)

After successful collaborations and tours with the likes of Seven Lions, Wooli and Excision, as well as well-received remixes for Illenium and Dabin which have garnered millions of streams, Tampa’s Trivecta (aka Sam Dobkin) helps refine and reshape dubstep and melodic bass in his new four song EP Everyday. 

There are elements of both sub-genres present, but not as heavy on record as in concert, where I’m sure the songs will be amped up to please fans and showcase Trivecta’s fluid guitar work.  Aside from the instrumental opener “The Feeling Of It All”, any of the songs in Everyday are well suited for big festival sets.  “Leave It All Behind” (featuring vocal by co-writer Fagin) may not strike you immediately until its chorus, but draws you into its message deeper with each listen.  “Wasteland” keeps you hanging on the edge with European-sounding intensity before its big emotional drop three quarters through.  And the title song, quieter and more melodic than the rest thanks to vocal and songwriting assists by Rico & Miella, could find favour with fans of The Chainsmokers or Martin Garrix. 

Everyday is a solid EP that will not only broaden Trivecta’s musical landscape, but will also bring newcomers further into the dubstep and melodic bass fold.

Published in: on May 18, 2020 at 10:14 pm  Leave a Comment  
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It’s 10/10 #11!: @YEBBASmith @Kseniasolo #VIZE & Tom Gregory @tgofficialmusic @DannyDeardenuk @thehim & @ambervanday Axel Mansoor @iamaxelm @Spencermusic @Xaverius Funk @djDWaynemusic @Melyzofficial @Brigsounds

A week or after the last one and I’m back with an 11th edition of “10/10”!  

I’ve just had a week where a slew of fantastic music was released.  I’ve had to continue to be selective with what I write about since my daytime job continues to keep me busy in the home office during the week.

In 10/10 (or tenoutoften) ,  I write about 10 hot and fresh songs in no particular order, for your kind consideration and attention.

I continue to write individual blog posts about certain songs.  That does not mean that songs in the 10/10 lists are any less than those featured individually, and they are not listed in any particular order. Three of the six debuts on my most recent chart were featured in the 10/10 blog feature.

Writing 10/10 posts means I can cover more songs in one shot.  So you get to learn about more new music that I hear but don’t always get a chance to write about. 

  • YEBBA, “Distance”

“Distance” is a song many of us have been waiting for by YEBBA, the Grammy-award winning, rising singer from Arkansas who has already worked with Mark Ronson, Ed Sheeran, Sam Smith, A Tribe Called Quest, Stormzy, and Maroon 5’s P.J. Morton.  From her stunning indie solo debut in 2017 with “Evergreen” (which got to #4 on my chart), the musical red carpet was laid in waiting, and now YEBBA continues to walk that walk with “Distance”.  It’s a beautiful, laid back song, just perfect for these times in doors, that somehow fuses styles of Sade and Adele with the less likely soulful ones of long ago faves like Deniece Williams or Stephanie Mills.  And talk about an amazing vocal!! It’s also her solo major label debut for RCA, with an album coming.  Indulge in this one – I’m sure the album will be full of other gems!

  • KSENIA, “Fire With Fire”

Poised to break out with a powerful voice is Russian singer Ksenia.  Her recent single “Fire With Fire” also packs a memorable punch as a song, for what is a great vocalist without a great song?  Comparisons to JoJo or Demi Lovato are apt; her voice flows with such ease from note to note.  The acoustic moments sung over piano work as well as those with full instrumentation.  We’ll definitely be hearing much more from Ksenia in a big way!

  • VIZE and TOM GREGORY, “Never Let Me Down”

German producers VIZE have been fortunate to find major name support out of the gate since starting in 2018, with popular remixes for the likes of Sam Feldt (the much played “Post Malone”), Timmy Trumpet (last year’s excellent “World At Our Feet”), Alan Walker, Felix Jaehn, and Afrojack!  Together with British singer/songwriter they may just have an electric dance Song of the Summer of 2020 with “Never Let Me Down”.  The song is built around an insanely basic and instantly memorable hook.  The overall results are extremely polished, playful and well-sung.  “Never Let Me Down” could be a surprise breakout all over and is a must for dance music radio airplay.

  • DANNY DEARDEN, “Can’t Stop Me Now”

British singer Danny Dearden has been primarily known over the last few years as a songwriter or as a featured vocalist, working with dance producers such as Michael Calfan and Dario G.  “Can’t Stop Me Now” is a big step forward as a solo record for Danny through Sony.  And what’s fantastic is that the original co-write is such a no-brainer of an earworm, with a few undeniable hooks that leap out at you from your speakers.  The team he’s working with knows what sounds good, and at a later date I think that remixes will help this one resonate with club DJ’s.  “Can’t Stop Me Now” is a great start for a singer/songwriter with huge potential.

  • THE HIM and AMBER VAN DAY, “Tragic”

Games dramatic people play is the topic of “Tragic”, the latest release from Dutch producers The Him, following the wacked-out techno of “Freestyle Scientist”.  British singer Amber Van Day convincingly and stylishly recounts how well she saw through a previous flame before ditching him as someone who deemed himself to be “Tragic”.  It’s a fast eye-opener and perfect subject matter for the dance floor.  The Him seem to be on an appealing retro tip, once again offering up synths and effects that are cool throwback to the beginning of the last decade.

  • AXEL MANSOOR, “Cold Sweat”

“Cold Sweat” is a slightly more sultry new release from L.A.-based, Emmy Awards-nominated singer/songwriter Axel Mansoor.  It dropped a few weeks ago on the eve of his appearance as a contestant on NBC’s “Songland”, where he got to work with songwriter-to-the-stars Ester Dean (and perform for H.E.R.!) to polish up his great song “Scary”.  I’m hoping that delightful song receives a release, but in the meantime “Cold Sweat” is a fine new song with some witty lyrics recounting a tense situation in a rather calm and collected manner.  The record has a well-balanced mix of acoustic and band instrumentation, and features one of Axel’s best vocals.

  • SPENCER SUTHERLAND, “Help”

Part of watching a number of online festivals and performances over the past several weeks for me is always discovery.  Spencer Sutherland is a singer from Ohio who has performed with Ariana Grande and Zendaya, and also auditioned for the UK edition of The X-Factor a few years back.  He gave an outstanding acoustic performance in Elvis Duran’s recent online festival, and his latest release is “Help”.  It starts off as an unassuming vocal track that draws you in immediately – and then the bigger production kicks in to showcase his potent voice.  Spencer has a Sam Smith-calibre falsetto that is also a highlight in “Help”.

  • XAVERIUS FUNK, “Wicked” (D-Wayne remix)

I’m never gonna turn my back on a solid electronic banger with pop appeal.  Such is the case with the infectious 2-Dutch release “Wicked” by well-known Dutch producer Xaverius Funk, whose music has been supported by many of the biggest names in the biz including Hardwell and Steve Aoki.  “Wicked” also has the bonus of being remixed by another established Dutch producer, D-Wayne.  It’s a big and bouncy number that pulls out some retro vibes from dance music of the earlier part of the last decade that really make it work.

  • MELYZ, “Bad Together”

Could you ever be in a relationship where you’re “Bad Together”?  New British singer Melyz describes her thoughts about such an arrangement in this sly new original song.  Fortunately she places most of the could-be-lurid story up front, leaving lots of room for a dark melody, punctuated by a few well-placed effects, and deliberate rhythm to take hold.  Melyz rises above the song itself with a smart and seductive vocal delivery.

  • THE BRIG, “You Know”

“You Know” is a fun, rock-flavoured dance track from Russian producer The Brig.  He appears to have an established following in Europe over the past 5 years or so with a heavier dubstep style.  “You Know” strays from that path, and revvs you up with guitars and synths, then catches you off guard with the casual interjections of the title by a female voice throughout.  “You Know” is also a good one to play up loud in the car.

 

 

 

It’s 10/10 #10: featuring @jessemccartney @wallflowerperry @francescoyates @FLouisemusic @Slavesofficial @Saxity @ErenAB @PhenixRedmusic @TepNomusic @Proxxxy

It’s 10/10 – Edition 10!!

I’ll be completely upfront – there is far too much music being released right now that I enjoy and can write about. 

My playlist of new songs ‘for review’ every week ranges sometimes from 60-90, not including submissions of EP’s and albums.  I’m totally loving all of the variety and selection.  I don’t enjoy not being able to write about everything I hear that I like.  So the blog posts for now are coming to you with a lot of scrutiny.  Another ’10/10′ feature will follow in the week too!

In 10/10 (or tenoutoften) ,  I write about 10 hot and fresh songs in no particular order, for your kind consideration and attention.

I continue to write individual blog posts about certain songs.  That does not mean that songs in the 10/10 lists are any less than those featured individually, and they are not listed in any particular order. An example is “All On You” by Nashville electronic producer Super Duper, which just flew into my Top 10 this past week at #6.

Writing 10/10 features means I can cover more songs in one shot.  So you get to learn about more new music that I hear but don’t always get a chance to write about. 

  • JESSE McCARTNEY, “Yours”

Rumoured to be part of the returning disguised celebrities in “TheMasked Singer” (USA) season three, Jesse McCartney is also back with his first new single in two years with the somewhat revealing indie release, “Yours”.  Recently engaged himself, this song publicly offers Jesse to his fiancée, warts and all.  It also puts listeners on notice that there is a whole other side to the lives of our celebrity faves that we never see.  In any case, “Yours” is an enjoyably honest release, with Jesse’s voice often drifting into falsetto, emphasizing the soulfulness that often appears in his songs.  It’s the start of a new project after the one that started with “Better With You” (which got to #6 on my chart in 2018) was shelved. So in 2020 we have lots more from Jesse to which we can look forward!

  • VICTOR PERRY & CAL1, “Missing”

Originally recorded as a sparse but effortless piano-and-vocal version of the Everything But The Girl classic in late 2016, NYC-based pop/R&B singer Victor Perry revives “Missing” in an atmospheric production that has little to do with the 90’s original except with the popular refrain.  He teams up with German producer Cal1 to flesh out the rendition into a unique take that I could hear in a placement at key points on a TV episode or in a movie.  And with some meltworthy high notes once again being a major selling point, “Missing” (along with current single “Lost Boy”) will help us all get through to a new Victor Perry EP, coming very soon!

  • FRANCESCO YATES, “Superbad”

It’s hard to believe it’s been over 5 years since “Better To Be Loved” became a huge radio hit in Canada.  My fellow Scarborough native Francesco Yates has all the chops to make that happen again, and I’m confident it will!  After a few softer previous releases, “Superbad” is a party and a half!  There are Justin Timberlake influences throughout and a climactic soulful scream that will compel you to take notice.  Francesco has also been taking advantage of these times and performing and chatting online on various platforms.  “Superbad” is definitely a positive new chapter for him. Check out the short video preview of a short film of “Superbad” above.

  • FRANCESCA LOUISE, “Out Of Sight (Out Of Mind)”

London singer/songwriter Francesca Louise is a new voice to get to know well with “Out Of Sight (Out Of Mind)”.  She cites classic singers like Carole King and Joni Mitchell as influences, but she has a soulful edge that neither of them have that will work to her advantage.  In fact it puts her potentially in the same league as someone like blog fave and Grammy winner YEBBA.  The song is also a reminiscence of someone who is in fact “not out of mind”.  “Out Of Sight” starts off rather unassuming but by the end you are sold on Francesca, who looks to be a unique new talent for whom to keep a watch out. 

  • SLAVES, “Talk To A Friend”

“Talk To A Friend” is the latest single by American rock quintet Slaves.  The band has dedicated following that was nearly fractured by the departure of their lead singer last year, who was replaced with a rather unlikely voice – that of Matt McAndrew, who you know as a memorable second place finisher on “The Voice” about 5 years ago.  And while the aftermath of “The Voice” attempted to shape Matt into more of a pop-flavoured vocalist, he is perfectly at home with harder rock.  In fact his effortless voice, along with some blistering dual guitars and propulsive drum work, totally anchors “Talk To A Friend”.  Fans of Linkin Park, Billy Talent, Chris Cornell, and 3 Doors Down will have a blast with the music of Slaves. 

  • SAXITY, “Complicated”

The German production duo Saxity are back with another foot-stomping, toe-tapping, sax-laden release called “Complicated”.  Not to be confused with Avril Lavigne’s 2002 hit, this one is about one person in a relationship being the ‘complicated’ one, while the other wants more to keep figuring her out.  And a good time can be had doing so on the dancefloor where tropical-tinged rhythms and synths flesh it all out.

  • EREN AB, “Beauty Lies With You”

New York-based producer Eren AB’s “Beauty Lies With You” marks the return of the Tipsy label which has some more fine new electronic dance and pop music on its way.  Direct, well-made and catchy, “Beauty Lies With You” also has a comforting and positive message for all.  The arrangement is lined with subtle synths and some ear-tugging percussive sounds, with a friendly uncredited male vocal weaving the storyline.

  • PHENIX RED, “Bad News”

With one album under her belt was well as songwriting credits with the likes of Jadakiss and Cassidy, Nashville-based singer/songwriter (and recording studio owner) Phenix Red is poised to break out with stylish and memorable songs like “Bad News”.  Taking bits and pieces of influences that might be from Christina Aguilera, Pink, Ariana Grande, Kate Bush and others, and Phenix Red fuses them together into a darker brand of her own. Alt.rock and college radio stations would take to “Bad News” instantly, and I highly recommend the song to anyone who likes to push their boundaries on a daily basis.  There’s definitely a lot more than meets the eyes with Phenix Red!  Check out the imaginative video, which she directed and edited, above.

  • TEP NO, “Sippin’ On Feelings”

“Sippin’ On Feelings” is a gentle, summer-flavoured, radio-friendly new song by Canadian producer and remixer Tep No.  Not much is known about Tep No.   He has acquired a huge following through breaking into the industry at the same time as streaming sites.  Tep No has also opened for the likes of San Holo and The Chainsmokers, and has been signed to Ultra Music for a few years, but like others, is looking for a big breakthrough song.  “Sippin’ On Feelings” has a warm, uncredited guy-next-door vocal that helps give it some noteworthy charm.

  • PROXY, “Nervous”

Russian producer Proxy is well-known to lovers of more hardcore dance/electronic styles, which generally stray outside of my wheelhouse.  “Nervous” is pretty heavy-hitting, but once clubland reviews, I think we’ll find excerpts of the song added in the mix at peak points in an evening.  Its entire vocal is a sample of a woman swearing… the rest is left to your imagination until you listen!  There’s a lot of impressive synth work throughout; I keep hearing classic Yellow Magic Orchestra or Ryuichi Sakamoto in my head.

 

#BILLCSTop30 #586 – April 27/20

As the weeks of the shutdown/quarantine continue, I am surrounded by more music than ever, both in the forms of new music, older music which I have time to play now, as well as the bevy of online festivals, most of which have been created for charitable purposes.  So it’s fitting that there are six smashing debuts on the new chart for you to enjoy.

So while the Top 3 songs on the chart remain the same, I’ll focus on who’s on top, that being Chicago producer Whethan with “All In My Head” (featuring grandson, above) getting a third appearance at #1, the longest-running #1 so far this year.  Not only did Whethan drop another preview single from his upcoming album Fantasy, another sly slice of alt.rock electronica called “So Good” (featuring Canadian vocalist bülow, below), he was also the surprise performer in the Room Service online festival on the weekend.  Unfortunately he appeared well past my bedtime for a work night, so I will have to catch up with it. The young man is definitely making key moves and I’ll look forward to when the album drops.

There’s plenty of flavours of electronic dance music in the Top 10.  One of my instant favourites is “I Don’t Wanna Go Home” (6-5, above) by L.A. producer The Prizm featuring co-producer/writer ARTFCAL on vocal.  The Prizm has plenty of new music to drop, but most recently there was “Waiting For You” (below).

The Fastest Riser on the chart was the Highest Debut two weeks ago.  “All On You” by Nashville producer Super Duper soars 16-6.  The song structure now reminds me of a mid-80’s new wave classic by Talk Talk called “Life’s What You Make It”, and “All On You” gets under your skin with its infectious melody line and rich synths.

As “Daydreams” departs the Top 10, the anthemic and uplifting “You’re Not Alone” by Arty featuring vocalist Griff Clawson arrives, leaping 13-8.

His record remains unblemished as UK singer/songwriter Sam Dickinson obtains his 5th consecutive Top 10 hit with “Diamond Skin” rising 12-10.  It’s from Sam’s forthcoming album Off Script, scheduled for a Fall release.  The follow up to “Diamond Skin”, called “Cry Wolf” comes your way next month.

Gareth Emery’s second chart entry, following the current #3 “Yesterday”, is the emotional “You’ll Be OK” (featuring Annabel), which rises 21-14, from his forthcoming album The Lasers.

Former Tony! Toni! Tone! singer Raphael Saadiq climbs 24-17 with the Macklovitch Brothers remix of “So Ready” from his current album Jimmy Lee.  Of course, the Macklovitches are Alain (aka A-Trak) and Dave (one half of Chromeo).

The glorious duo of Chet Porter and Alison Wonderland move up 26-21 with their original sound with 80’s retro appeal in “Bummed”.

NYC-based singer/songwriter/producer Bright Light Bright Light scores his 19th chart entry as a lead artist with the 90’s inspired dance rhythms of “This Was My House”, which bows at #20.  Add two featured appearances to his repertoire and it is his 21st entry, all during the last 10 years.  It’s from BLx2’s upcoming album Fun City, and there’s another single called “Sensation” dropping on Friday May 1 (featuring Jake Shears, also himself charting right above “This Was My House” at #19 with “Meltdown”).  2019 was the first year in the last 10 years without a BLx2 song on the chart (as a lead act anyway) so these new songs are all definitely worth the wait!

From the biggest album in North America comes the title track “After Hours” by The Weeknd at #23, as “Blinding Lights” departs after peaking at #4.  It’s a long song at over 6 minutes and there definitely has to be some Daft Punk/Gesaffelstein inspiration behind it.  Cap that with an outstanding vocal and it was easy to become one of my faves.  It’s The Weeknd’s 7th chart entry.  Check out the ‘short film’ of the song above.

It’s taut and hot and a first time appearance for Toronto-based electronic producer Rezz in partnership with vocalist Grabbitz on “Someone Else” at #24.  Rezz’s performance in the Room Service online festival on the weekend was eerie and dazzling as she kept melding in with the background as the glowing eyes became disembodied periodically!  Check out the video above which just dropped today!

Now based in Toronto but recently from Halifax is Famba, who is back with his 4th chart appearance called “I Feel Your Pain” (featuring vocalist David Aubrey) at #26 in its Young Bombs remix.

Chicago/L.A. production duo Win & Woo has a second chart entry within the last 7 months with the catchy “Sleepwalking” arriving at #27 featuring vocalist Kyan Palmer.  Their previous energetic entry with Sara Skinner called “Here U R” peaked at #14 last Fall.

The sixth debut belongs to L.A.-based producer Jerin James whose single “Birds And Bees” (#28) features vocalist Devorano.  It’s a short and deliberate song with some classical-sounding elements and a tight, soulful vocal that makes you want more!

A reminder that the music from my chart and blog are featured regularly on the new online radio station Radio GTAYou can hear their Big 20 on Wednesday evenings with ‘The Musicman’ James Rogers and listen for songs from the chart too 🙂 Scroll down the station’s main page to listen to lots of variety from across the decades!  I’m the new music consultant for the station so you can expect even more in 2020 🙂  You can start by joining our new interactive Facebook group too!!

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

 

 

“Someone Else” is an alt.rock flavoured surprise from the dynamic pairing of @Rezz and @Grabbitz

REZZ and GRABBITZ, “Someone Else”

I always enjoy how adventurous the dance music genre can be, sometimes pulling in styles from the least expected places.  Toronto-based, Ukraine-born festival staple Rezz pairs up with L.A.-based singer/producer Grabbitz for “Someone Else”.  And it’s one dynamic pairing as the two draw heavily from the 90’s alt.rock era – don’t tell me you can’t hear Kurt Cobain in Grabbitz’s vocal.  This makes it a taut and unpredictable electronic track instead of a big banger, going in a similar direction that Whethan has taken with his recent songs with grandson and STRFKR.  So in lieu of dance clubs being closed, if I was the record label – hello Sony – I’d be heavily promoting “Someone Else” to indie/alt.rock radio and potentially tapping into a new audience.  I think we’ll need another Rezz and Grabbitz project in the near future, too!

 

Published in: on April 20, 2020 at 10:16 pm  Leave a Comment  
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#BILLCSTop30 #585 – April 13, 2020

I’m using this bi-weekly chart feature to take a moment to check in with you all to make sure you are doing well and staying safe.  It’s also a reminder that music is a huge distraction for everyone, so when you’re not checking out new stuff to hear, be sure to take the time now to dip into your own personal catalogue of favourites.  I’m fortunate after so many years to have a wide selection of vinyl albums, 45’s, 12″ extended mixes, cassette tapes, CD’s and Mp3’s at my disposal.  So when you feel you have nothing to do, or feel like you’re cleaning the house for the 10th time this week, put some music on either as background or to help transport you to be where ever you want!

It’s really turning out that my #1 song is very apropos for these times.  Chicago producer Whethan and Toronto singer/songwriter grandson combine forces for the alt.rock/dance frenzy of “All In My Head”, which takes the top spot for a second appearance. This one really deserves a shot for play on alternative rock stations.

Right behind once again at #2 are the gentle intentions as spelled out in “Backfire” by Italian producer Deep Chills with L.A. vocalist/songwriter Not Famous.  The arrangement the vocals make “Backfire” distinct in these times when many dance songs use the same formula.

Gareth Emery’s “Yesterday” (above), with fellow producer Nash and LA vocalist Linney, climbs 5-3, while the British producer’s follow-up, independently released single “You’ll Be OK” (featuring Annabel, below), from his upcoming album The Lasers, rises 29-21.

Like Gareth, Russian producer Arty has two fantastic songs on the chart.  Not only that but he contributed to the Beatport online festival a few weeks back with a dynamic DJ set.  “Daydreams” (above), featuring singer Cimo Fränkel in the Sultan + Shepard “echoes of life remix”, jumps 6-4, while the anthemic, much needed vibes of “You’re Not Alone” (featuring singer Griff Clawson, below) is the Fastest Riser on the chart, soaring 22-13.

I’m absolutely loving Porter Robinson’s latest reinvention of his style as “Get Your Wish” (from the upcoming album Nurture) rises 11-5.

And it’s another big jump for the Highest Debut from two weeks ago, “I Don’t Wanna Go Home” by L.A. producer The Prizm featuring vocalist and co-writer/producer ARTFCAL.  It wastes no time leaping 13-6. ARTFCAL has been in the Top 10 twice before under another name… I will leave that reveal to another time.

After contributing to both Beatport and Digital Mirage online music festivals, we must tip our hat to one of the current young masters who does his own thing like no one else – Montreal-born, NYC-based A-Trak.  His song with UK producer Friend Within called “Blaze” climbs 12-9.  A-Trak also contributed to one of the debuts which you’ll find out further down.

Shawn Hook is another performer investing some time to participate in online concerts.  The B.C. native zips up the chart 17-10 with his Canadian radio hit “I Don’t Wanna Dance”.

UK singer/songwriter Sam Dickinson is gunning for his next Top 10 entry – amazingly, all of Sam’s songs that have appeared in the chart have thus far reached the Top 10.  But for now, amid the competition, the stylish sounds of “Diamond Skin” climb 18-12.

Don Diablo was also a part of last weekend’s immense, memorable Digital Mirage festival.  His song “Congratulations”, featuring vocalist Brando, rises 19-14.

The Highest Debut arrives at #16 – a song that I wasn’t even sure if would make my chart when I wrote about it a few weeks back.  But I understand its song structure better, and both its melody and emotion have crawled underneath my skin big time.  It belongs to Nashville producer Super Duper with “All On You”.

Also offering more personalized online broadcasts is L.A. producer Mahalo, usually on Instagram.  Try to catch his sets when you can, and in the meantime, the Danny Quest remix of “Tongue Tied”, in partnership with Disco Killerz and vocalist/songwriter Brandyn Burnette (EMAN8) moves up 25-19.

As “Starlight” slowly makes its departure from the chart, the second song featuring NYC-based singer/songwriter Victor Perry is on the rise.  His third release with German producer Levi called “Lost Boy” leaps 27-20.

The second debut this week is an interesting one from a couple of different angles.  It’s called “So Ready” by former Tony! Toni! Toné! vocalist Raphael Saadiq and lands at #24. The first item is that Raphael sets a record of longevity between chart appearances.  His last entry on the chart was “Get Involved”, with Q-Tip – which got to #21 in 1999!  And that’s 21 years – to the EXACT WEEK, strangely enough!  The second item is that “So Ready” enters the chart as “The Brothers Macklovitch remix” – the Macklovitches being Canadians Alain and Dave, aka A-Trak and one-half of Chromeo!  It’s a fun, speedy, classic house mix that doesn’t let up.

The third debut belongs to “Bummed” by L.A.-based, Canadian producer Chet Porter and Aussie wunderkind Alison Wonderland at #26.  This early 80’s DIY inspired release is the first appearance for Chet on the chart since 2016’s “Stay” (with Chelsea Cutler, #6), and the first time Alison Wonderland has graced the chart.  Both performers also provided immensely enjoyable sets for the Digital Mirage online festival last weekend, and you can find them both on You Tube under the Proximity channel.

The BILLCS Viral Weekly is back 🙂 and will indeed be a weekly feature despite not appearing last week (again *groan*).  Some of the songs will change every week, particularly those by bigger name artists, and it will always include a mix of newer and independent artists with those who are more popular.  Check it out below!

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

“Caroline” continues Toronto duo @CrashAdamsmusic’s rocking slice-of-life songs

CRASH ADAMS, “Caroline”

Following up the brief but infectious single “Ooh!”, Toronto duo Crash Adams have released another rocking slice-of-life in the form of “Caroline”.  I like it when I can hear influences that go back to the 50’s (Buddy Holly, Big Bopper) in the songwriting.  Even though that’s so long ago, it set the foundation for AM radio pop of the 70’s.  “Caroline” wouldn’t have been out of place in any of those decades, or even the turn of the 2000’s alongside alt.rock bands like Fountains Of Wayne (RIP Adam) or American Hi-Fi. It’s got a fresh, timeless, and highly likeable sound that will go over well in concert.  I for one will be very happy with an EP or album full of this engaging power pop, so Crash Adams are definitely on to something.

Published in: on April 13, 2020 at 3:25 pm  Leave a Comment  
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