#BILLCSTop30 #552, January 7/19

This is the 21st year of the BILLCS Top 30!!  The new year kicks off with its first chart and a shorter chart blog format.  

The Top 5 was excessively played over the holidays and stays exactly the same, with A-Trak and Todd Terry’s house music truth of “DJ’s Gotta Dance More” staying on top.  There’s nothing to challenge it immediately so it will likely be up top two weeks from now as well.

Jessie Ware’s “Overtime” and Hellberg & Leona Lewis’ “Headlights” each reach new peaks of #6 and #7 respectively.  L.A.’s Mahalo gets his 4th Top 10 entry paired with producer Le:Blanc for “In My Arms” (13-8).  The other new entry is the fastest riser on the chart, “God Damnit” by Illenium featuring the song’s writer, Call Me Karizma on vocals.  It climbs 15-9.  The song gives Illenium concurrent songs in the Top 10 (at #4 with the PatrickReza remix of “Crawl Outta Love”), and it matches the peak of Karizma’s previous Top 10 entry “u suck” from 2016.

A lot of songs get caught with small moves in a tight area of the chart that will likely loosen up in two weeks.  “Play”, the infectious new song by Jax Jones and Years & Years, moves up 20-15.  As “This Feeling” peaks at #8, “Siren” by The Chainsmokers and Aazar climbs 23-18.  Steve Void’s “Closure”, featuring a winning vocal by Andy Marsh, rises 24-19.  The rest of last week’s debuts make smaller moves:  “Flying Away” by NYC-based singer/songwriter Ryan Gibeau moves 25-22, and right behind it is the rollicking new song by The Him called “Look At Us Now”, up 26-23.  Check out the duo’s even more recent release, “Unstoppable”, below.  Molly Moore’s heartfelt “Be Here Now” rises 29-25.

Two debuts grace the chart by new performers.  Australia’s Sam Bluer has a catchy and danceable winner with “Bite My Tongue” at #27, which has a Troye Sivan “My My My!” vibe about it (they just happen to be label mates too) and is an even better follow up to last year’s fine “Body High”.  And there’s another Puth about to find his way onto your playlists.  Younger brother Stephen has a grittier, sparse sound with, guitar-spiced 60’s flavoured production on “Sexual Vibe” at #28.

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

#BILLCSTop30 #551 – December 24/18

It’s the last chart of 2018 for me, and the new entries continue to be bountiful as 4 more songs are added to the chart.  It’s been a busy, fun-filled year for pop music and 2019 doesn’t look like it will let up.  There’s far too much talent out there and not enough forums in which it can be showcased en masse.

My Christmas #1 though is new to the top and it’s “DJ’s Gotta Dance More” by my fellow Canadian A-Trak and legendary house producer and remixer Todd Terry.  Did you know that Todd was behind the innovative classic mid-80’s slammer “Can You Party” under the name Royal House?  I’m predicting more classic dance music vibes will seep into the mainstream in 2019 to make people feel so good.

The Rest of the Top 10

  • France’s Mercer made some of my most favourite house music of 2018, and “Fireworks” (above), currently #3, is right up there.  The prolific producer just dropped a new one for Armada with ATFC called “Twisted” (below).

 

  • PatrickReza’s heavy remix of Illenium’s “Crawl Outta Love” is perfectly in sync with the intent of the original song (and Illenium-approved) so it advances 5-4.  Also, in a similar alt.dance mode and with a heavy rock flavour is Patrick’s brief (1:50!) and eerie “Tip Toe”, below.
  • Sam Dickinson scores his biggest chart entry to date with “Wild Sun” in its Handbag House radio edit, climbing 9-5 from his EP From The Glass House: Part One.  Check out the remix up top and the video below.

  • Two very different songs featuring great UK women vocalist move up into the Top 10.  Jessie Ware’s “Overtime” (above) is very Lisa Stansfield-ish with a lot of 80’s funk elements, and it climbs 11-9.  Leona Lewis packs a punch with her vocal on Hellberg’s “Headlights” (below) which jumps 12-10.  It’s Hellberg’s 4th Top 10 entry and Leona’s 3rd.

Movin’ On Up

  • Mahalo and Le:Blanc’s insanely catchy 2:28 ear candy “In My Arms” is on the move and climbs 18-13.

  • Ending 2018 with rave reviews for his live shows, San Holo rises 17-14 with “Brighter Days” from album1 featuring the distinct voice of Bipolar Sunshine.
  • The fastest riser on the chart is the disco-tastic “Mister Love” from Luxembourgeois producer White Chocolate, which soars 25-16.

  • When she’s not providing vocals from many top dance music producers, Anna Yvette is writing and producing her own, and the uplifting “Shining Star” advances 22-18.

  • I’m looking forward to what Brandyn Burnette, now known as EMAN8, has up his sleeve for his debut album in 2019.  “Amen” is a soulful, psychedelic, diverse slice of pop music that climbs 23-19.  Check out the attention-grabbing video above.

  • UK producer Jax Jones turns back the clock a bit to what Years & Years sounded like at the time of their debut almost 4 years ago with the joyous pop/dance vibes of their collaboration “Play”, which rises 24-20.

Four Debuts

  • “Closure” by Steve Void and Andy Marsh, is a hard one to get out of your head, and a song to which so many of us can relate, and to which we can dance away our troubles.  It arrives on the chart at #24 and is talented Dutchman Steve’s 4th chart entry as a performer.
  • A voice to listen for in 2019 is NYC-based singer/songwriter Ryan Gibeau.  His gorgeous voice shows off his lower octaves in “Flying High”, an emotional song written on a plane after a relationship ended.  It’s from Ryan’s new album Quiet Fall and bows at #25.

  • Dutch duo The Him return to the chart after a successful 2018 releasing songs for Spinnin’ and getting to #1 on this chart with “Broken Love”.  Steven and J are at #26 with “Look At Us Now”, with some big synth riffs designed for festivals, their 7th entry since 2016.
  • Molly Moore also makes a welcome return to the chart with “Be Here Now”, which is one of her most passionate and compelling songs in the aftermath of personal tragedy.  It arrives at #29 and is her 5th solo chart entry.  Of course Molly is one half of Cosmos N Creature with EMAN8 and her songs feature prominently with them as well.

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

 

 

“Flying Away” is an outstanding new song with a powerful vocal by NYC-based singer/songwriter @RyanGibeau

RYAN GIBEAU, “Flying Away”

For those of us who enjoy songs of loves lost and left behind, accompanied by an amazing vocal and lovely arrangement, “Flying Away” by NYC-based singer/songwriter Ryan Gibeau is your new best friend.  The song actually starts off rather plainly with its first few verses, but then Ryan’s voice shifts into this warm, melt-worthy lower octave, and he draws you in like melting butter on toast.  His voice actually reminds me a lot of Burton Cummings, particularly in The Guess Who’s 1973 hit “Glamour Boy”, and not too many singers get away with a deep mellifluous shift and make it work – think Jeff Buckley or Rufus Wainwright.  The arrangement with electric guitar and strings really kicks the record up a few more notches.  The song itself was written while flying to another city after a breakup.  You can feel both the loss of love and the need to get away echoing seamlessly through the lyrics.  “Flying Away” comes from Ryan Gibeau’s new album Quiet Fall.  It’s one of the best new songs I’ve heard in months.  I’ll be diving into the full album soon.  

RyanGibeau

Published in: on December 16, 2018 at 11:26 pm  Leave a Comment  
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