UK singer/songwriter @SeanSmithsolo helps us bask and dance through “Summertime”

SEAN SMITH, “Summertime”

Sean Smith always surprises in some way or form when he releases a new song, and “Summertime” is no exception to that.  The UK singer/songwriter has crafted with producer Andy Sikorski a delightful ode to basking in and enjoying the summer through a past reminiscence.  “Summertime” also shows off Sean’s high vocal range much more extensively than other songs in the past, and it’s the highlight of the song.  “Summertime” is culled from Sean’s brand new album for Energise Records called Solo, which features past singles that I’ve written about such as “Magic”, “Fire”, and that smashing and memorable duet with Australia’s Peter Wilson, “Verona”, so I’ll look forward to hearing the rest!

Published in: on July 25, 2020 at 9:47 pm  Leave a Comment  
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#BILLCSTop30 #578 – January 6, 2020

The new chart is in the end of the year/decade shake down mode, time for old favourites to depart and for new ones to find their way into the chart.  The past few weeks have been relatively quiet new music-wise, given that most people were compiling end of the year/decade lists.  Oh, and if you missed my BILLCS Top 89 of 2019, feel free to check it out as well as other previous years’ lists back to 2009 using the bottom tabs (it’s a Google spreadsheet).  You can also listen to the songs on my Spotify playlist.

So, let’s get back to the music of 2020!  The year and decade kick off with a brand new #1, and a unique one it is!  Austin production duo Tritonal and Australian producer Henry Dark climb to the top with “Shivohum”.  It’s sung in Sanskrit as an empowering mantra, one that deserves to get crowds reeling at festivals this winter.

Another unconventional song that soars 12-3 this week is “Flames” by R3HAB and Jungleboi featuring a potent vocal by Zayn.  Could it follow “Shivohum” to #1?

L.A. singer/songwriter Brandon Colbein’s emotional gem called “Mad” becomes his second Top 5 hit, following 2016’s #1 “So Bad”, moving up 9-4.

Canadian singer/songwriter Peter Foldy may be a veteran of the music business but his contemporary, danceable fable of today called “Toxic World” fits right in the mix, climbing 11-8.

It should be no surprise to you that the Fastest Riser on the chart is by the performer who just finished three appearances (six weeks) at #1.  It’s Harry Styles of course, from his startlingly good Fine Line album, with “Adore You” making short work of the chart by rising 21-9.

Rounding out the busy Top 10 is the first appearance on the chart for L.A. rockers Awolnation, whose majestic-sounding and danceable release “The Best” moves up 16-10.

Scotland’s Ben Davidson and England’s Sean Smith make a compelling duo as their joint, energetic effort “Dirty Mirrors” (in a Matt Pop edit) climbs 25-19.

“Ain’t Deep Enough” is satiny smooth deep house from Chicago duo Autograf featuring a stellar vocal by Jared Lee, and rises 26-20.

Leading the pair of new songs on the chart at #26 is “Starlight”, the delightful, gentle R&B/pop ballad by Germany’s ZEROBADDAYS and NYC-based singer/songwriter Victor Perry.  After a few releases together, this is their best collaboration to date.  ZEROBADDAYS is one-half of production duo Saxity (aka Mr. Stan Sax) who worked with Victor on the #8 “You Found Me”, which was on the chart exactly two years ago (the second of three chart entries for Saxity).  It’s also Victor’s sixth appearance on the chart overall (which includes his side project Labrose).

The second new entry picks up where former #1 “Dreamer” leaves off, as it departs the chart this week.  Australian producer Throttle continues with songs from his EP Where U Are with the introspective and melodic “Japan” at #27.

A reminder that the music from my chart and blog are featured regularly on the new online radio station Radio GTA. You can hear their Big 20 on Wednesday evenings with ‘The Musicman’ James Rogers and listen for songs from the chart too 🙂 Scroll down the station’s main page to listen to lots of variety from across the decades!  I’m the new music consultant for the station so you can expect even more in 2020 🙂  You can start by joining our new interactive Facebook group too!!

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

 

 

#BILLCSTop30 #576 – December 9/19

It’s the second last BILLCS Top 30 of 2019 already!  Unlike others I don’t tally up my year end chart until after my last chart is published.  In the meantime, I have a new chart that is chock full of debuts… in fact, there are six of ’em, with another lineup of songs waiting to join them in two weeks.  So this blog post will be focused on the newcomers!

A reminder that the music from my chart and blog will be featured regularly on the new online radio station Radio GTA.  You can hear their Big 20 on Wednesday evenings with ‘The Musicman’ James Rogers and listen for songs from the chart too 🙂 Scroll down the station’s main page to listen to lots of variety from across the decades!  I’m driving Russ Horton crazy each week by sending him lots of new music from the blog and chart to join the mix too!

It’s amazing how pop music can cause you to shift styles and genres at the drop of a hat.  So while I’ve been caught up with Illenium’s music these past few months – and he’s still on the chart with “Broken Ones” joining the Top 10, and another collaboration, this time with Canada’s own Ekali, on deck in two weeks – all ears are now on Harry Styles as “Lights Up” (above) continues at #1.  Not only that, but “Watermelon Sugar” debuts at #25, and the third single from Fine Line, “Adore You” (below, if you haven’t seen it yet) has arrived with a triumph of a video and is also in waiting for the chart for two weeks from now.  

Talk about staying power!  Lostchild’s “Like Like” in its OKJAMES remix gets a fourth appearance at #2 (that’s eight weeks).

Slow-burners “Breaking Hearts” by Benedict Cork (4-3, above) and “Flicker” by Anden (6-4, below) both move up to new peaks.

The remaining new arrival in the Top 10 is also the Fastest Riser on the chart.  It’s the intense, provocative, and joyous banger “Shivohum” by Tritonal and Henry Dark, which soars 21-9, with designs on the top of the chart!

There are several songs waiting to make their big moves mid-chart, but the ones making the most noise on their own are Sam Smith’s jolting cover of Donna Summer’s “I Feel Love” (17-13, above); Peter Foldy’s pensive and positive ode to today with “Toxic World” (19-15, also above); and John.k’s delightful “if we never met” (27-21, below).

And I have to get a quick word in about Sam Fender, who is selling out shows across the UK thanks to the success of his album Hypersonic Missiles.  “Will We Talk” is from that album and climbs 20-17.  And one of the happiest moments on Twitter that you will see this week is Sam greeting a really young fan backstage.  That’s what magic moments are made of!

Leading the six debuts at an impressive #20 is “Flames” by R3HAB, Zayn and Jungleboi.  Dutch legend R3HAB is having a monster year, with one of his biggest club hits being the cover of the A*Teens’ “All Around The World”.  And on “Flames”, his second chart entry here following “All Into Nothing” with Mokita (#15), he and Jungleboi manage to pull out what I believe is Zayn’s best vocal to date.  “Flames” isn’t really a dance song, it’s definitely more pop radio friendly, and a nice follow up on Zayn’s underrated Icarus Falls album.

It seems that it’s time for alt.rock and dance music to become friends again, and I’m hearing more successful blends of these genres for the first time in many years.  Is it the ‘new’ new wave when songs like “The Best” by Los Angeles group AWOLNATION start to get my attention?  It’s the band’s first appearance on the chart, bowing in at #22.

The Weeknd is back and has been listening to a lot of 80’s new wave, if the keyboard riffing in “Blinding Lights” is any indication.  The song arrives at #26 – a far cry from his other single “Heartless”, which I don’t care for at all – becoming my Scarborough neighbourhood boy Abel Tesfaye’s 6th chart entry.  The Weeknd got to #1 on the chart in 2016 with “Starboy”.

Battling it out for the last two positions on the chart are:  “Dirty Mirrors” by Scotland’s Ben Davidson and England’s Sean Smith in a smashing duet that lands at #29 in its Matt Pop edit (above).  It’s Ben’s debut on the chart, while Sean has got to the Top 10 twice, with the Andy Sikorski remix of “Magic” in 2017, and last year with Peter Wilson in another duet called “Verona”; and at #30 is “Ain’t Deep Enough” (below), slick Chicago house from production duo Autograf featuring a fine vocal by Jared Lee, who just left the chart with Midnight Kids on “Those Were The Days” (#5).

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

 

Let the good times roll with @BDavidsonmusic and @SeanSmithsolo scoring with “Dirty Mirrors”

BEN DAVIDSON and SEAN SMITH, “Dirty Mirrors”

“Dirty Mirrors” positively sizzles with all kinds of energy and chemistry, courtesy of Scotland’s Ben Davidson and England’s Sean Smith, both of whom you’ve read about a number of times in this blog.  It’s actually featured on Ben’s 2018 album No One Knows, but has graduated to its own EP release featuring remixes by Matt Pop and Tmac.  It is in fact the Matt Pop edit (above) that to me takes the song to the next level with a euphoric tropical vibe that is so suited to the song, and it warrants being promoted to dance clubs.  Both singers show off their versatile voices and how well they go together.  In fact, you can check out the guys singing in live performance in the video below, with Ben ever the low key charmer while Sean works up the song with the audience.

 

Published in: on November 29, 2019 at 10:53 pm  Leave a Comment  
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“Show Me Love” is uplifting pop-rock from UK band #BewareTheBear featuring a change of pace for singer @SeanSmithsolo

BEWARE THE BEAR and SEAN SMITH, “Show Me Love”

“Show Me Love” is proof positive that sometimes it just takes a solid vocal to take a song to the next level.  And UK band Beware The Bear – who seem to be rather elusive in social media circles – have given the vocal showcase to Sean Smith on this particular occasion.  Of course readers of this blog know Sean well for his own songs like “Magic” and his recent unique dance collaboration with Peter Wilson called “Verona”, and fans of pop music in the UK also know him from his Same Difference days.  “Show Me Love” is a different setting for Sean from his recent music, and perhaps in some ways leans back to more straight-forward pop-rock of Same Difference.  In any case, Sean’s voice is the right fit for this song and allows him to exercise his range and versatility.  “Show Me Love” has wide appeal and is a worthwhile addition to upbeat pop-rock playlists.

Published in: on June 16, 2019 at 10:03 pm  Leave a Comment  
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UK singer @SeanSmithsolo’s “Do Or Die” is fanciful, urgent danceable pop

SEAN SMITH, “Do Or Die”

UK singer Sean Smith mixes it up a bit from his recent releases with “Do Or Die”.  This time he veers into fanciful but urgent danceable pop that would sound just fine on the radio.  It’s got some old school 80’s vibes, such as a softer but encouraging vocal during the chorus, and and production that makes me think of British bands of the day like Cutting Crew and T’Pau.  But it’s Sean’s expressive voice that is the draw, ever-convincing to have us join in on the fun.  “Do Or Die” is another solid release that will continue to develop the singer’s following outside of his native England.

Published in: on April 3, 2019 at 10:16 pm  Leave a Comment  
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#BILLCSTop30 #548 – November 12/18

Some new personal faves make significant moves this week, and there are three debuts.  

The Top 10

  • The smashing two some of Kiesza’s “Phantom Of The Dance Floor” (above) and “Verona” by Peter Wilson and Sean Smith (below) hold on to the pole positions handily, but may have to give them up in two weeks given the challenges being presented immediately below!
  • Seattle duo Odesza had never appeared on my chart before but are slowly taking over with their redux of a festival fave, “Loyal”, which climbs 9-3.

  • Busting the fastest move on the chart for a second time is “DJ’s Gotta Dance More”, the oh-so-true deal from Montreal’s A-Trak and house legend Todd Terry on vocals.  It’s up 13-6 and will definitely give Odesza a run for the top in two weeks.

  • Also new to the Top 10 are Florida producer PLS&TY with “Down For Me” in its splendid Morgan Page extended mix (above), climbing 11-8, and Canadian producers Botnek with the retrotastic “Days Of Disco” (below) rising 16-10.

Movin’ On Up

  • I’m totally digging their second full album New York Narcotic, and The Knocks are closing in on another Top Tenner here with “Goodbyes” featuring Method Man moving up 17-11.

  • Though it’s “Thank U, Next” that’s everywhere, “Breathin” is still my go-to Ariana Grande song, rising 15-12.  Check out its new video above.

  • The Chainsmokers have had a busy few weeks, with several new remixes of “This Feeling” (featuring Kelsea Ballerini) as well as a new video (above).  The song climbs 21-16.  Check out the official remix by Canadian duo Young Bombs below 🙂

 

  • UK singer/songwriter Sam Dickinson is looking to bust out in two weeks with “Wild Sun” (up 23-18) as the Handbag House remix (above) and his EP From The Glass House: Part One are released this Friday.  Ahead of that, Sam has also released a lyric video for the upbeat pop/dance track “Hanging By A Thread” (below), where his high register is in winning Mika territory.  

  • Jessie Ware’s “Overtime” is her best, and funkiest, single in years, and it rises 27-21.

Debuts

  • It’s been a while but Sweden’s Hellberg is back in a huge way, with his new single “Headlights” in a co-billing with none other than the sensational voice of Leona Lewis.  With an intriguing, suspenseful video, “Headlights” arrives at #22.  Hellberg has been to the Top 10 three times including a #1 with Dzeko & Torres with “Care For Me” in 2016.  Leona has been to the Top 10 twice with “Bleeding Love” and “Better In Time”.

  • What would a year be like without a Bright Light Bright Light appearance on this chart?  It’s been the lead off single from his recent EP Tough Love, but it’s grown on me so much with repeated plays that it debuts at #25.  I will be seeing Bright Light Bright Light once again in concert, this time in my city, on Thursday November 15!

  • The next night I will be seeing Dutch producer San Holo in concert for the first time, but in NYC!  His recent pairing with vocalist Bipolar Sunshine on “Better Days” premieres at #26 from San’s acclaimed release Album1.  Can’t wait to hear what it all sounds like in concert!  “Better Days” is San Holo’s second chart entry, following 2016’s #4 “Light”.

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

#BILLCSTop30 #547 – October 29/18

There’s plenty of new music to be abuzz about, including four new entries, and lots of songs rising up into the Top 10 to challenge for the top!  And the top of the new chart is all about wonderful singers.

The Top 10

  • Reigning at the top appropriately for Hallowe’en is the delightfully over-the-top “Phantom Of The Dance Floor” by Kiesza featuring Philippe Sly.  I think this is the first time in the 20 years of my chart that I’ve had a Hallowe’en-oriented song at the top.  Couldn’t happen to a nicer song by incredibly talented singers.
  • It’s not the only song in contention for the top, but “Verona” by Peter Wilson and Sean Smith makes its key move, up 4-2.  What’s not to love about such an intriguing story sung by singers who sound so different separately but create fantastic harmony together.

  • Despite its pop facade, “All For You” by Years & Years, up 8-6, has quite a set of telling lyrics for you to enjoy as part of their sophomore album Palo Santo.

  • It’s a pop dance bop all right – “One Last Time” by Gromee featuring Jesper Jenset climbs 10-7.

  • It took a bit of time but “Rise” by Jonas Blue and Jack & Jack slides into the Top 10, up 11-8, becoming Jonas’ second Top 10 on this chart, after his cover of “Fast Car” got to #3 two years ago.
  • Odesza’s slamming crowd favourite “Loyal” sets a new benchmark for progressive dance music and glides into the Top 10, moving 14-9.

Movin’ On Up

  • The intense Morgan Page remix of “Down For Me” by Florida’s PLS&TY is a stunning redo of an already fine song that jumps 15-11.

  • There are plenty of old school house vibes on this particular chart, so it makes sense that “DJ’s Gotta Dance More” by Montreal’s A-Trak, with house legend Todd Terry on vocals, is the fastest riser, soaring 24-13.

  • Ariana Grande’s “Breathin” is still delightful and fresh and climbs 19-15.
  • More Canadians in the form of east coast duo Botnek grab a hold of house rhythms and shake them down in “Days Of Disco”, moving up 21-16.

  • The Knocks kick it NYC-style with Method Man for “Goodbyes”, from the duo’s album New York Narcotic, rising 23-17.
  • And France’s Mercer highlights a lot of 70’s flavour in “Fireworks”, which climbs 25-19.

Debuts

  • England’s Sam Dickinson has the highest entry with his new effortless-sounding single “Wild Sun” from the forthcoming EP From The Glass House: Part One (video above).  And what’s even better about “Wild Sun” is that remixes are coming on November 16, including my favourite which is the “Handbag House remix” that you can hear at the Spotify link below.  “Wild Sun” arrives at #23 to make Sam’s third entry onto the chart.
  • With Denver’s Illenium having so many fans in the dance music scene, if you’re going to do a remix, it’s best to get the man’s blessing.  L.A.’s PatrickReza did just that for his fierce take on “Crawl Outta Love” (featuring Annika Wells), and it bows at #25.  It’s also available at the link above as a free download.
  • UK singer Jessie Ware is back and sounding better than ever after the solid Glasshouse album with “Overtime”, which returns more to the Prince-inspired funk-pop of Tough Love.  “Overtime” premieres at #27.  Jessie previously got to the top of the chart with “Say You Love Me”.
  • NYC-based singer/songwriter Victor Perry is a name you’ve already seen on this chart in the Top 10 a number of times these past two years.  With his pristine vocal in “Gravity”, Victor appears under the guise of Labrose, his latest single in his project with British producer Ficci.  “Gravity” debuts at #28.

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

#BILLCSTop30 #546 – October 15/18

The Ides of October are upon us already, and that means Summer favourites are departing the chart.  To replace them though, there’s no shortage of great tunes.  There are three debuts and a brand new #1!

The Top 10

  • Calgary’s Kiesza gets her first #1 on this chart with the season-appropriate “Phantom Of The Dance Floor”, featuring Quebec opera singer Philippe Sly, in only its third appearance on the chart.  It’s a fun song and an even more fun, manic video.  Spread the news about this one kids as people are missing out.  It’s also the first #1 by a Canadian since this year at this very time when Loud Luxury and Nikki’s Wives held court with “Show Me”.  Benny Benassi & Sofi Tukker’s “Everybody Needs A Kiss” slides to #2, still one of my faves of the year, and it will hang around for a while.
  • Another song that I can’t stop playing is “Verona” by Australia’s Peter Wilson and England’s Sean Smith.  It advances 9 to 4 this week, and the combination of 80’s musical flavour/production, great storytelling, and fine singing make “Verona” the total package!
  • Philadelphia’s N i G H T S get their second Top 5 hit with “Eyes”, following last year’s totally different “P A R T Y”.  Give these guys some time and they will make their mark, with so many songs up their sleeves.

  • Both “High On Life” by Martin Garrix and Bonn (above), and “All For You” by Years and Years (below), finally break into the Top 10 after a lot of patient waiting for some of my favourites to depart.  “High On Life” climbs 11-7 and “All For You” is up 12-8.  

  • “Vacant Love” by Caden Jester and Blake Rose hits another new peak, climbing 10-9.

  • Norway’s Jesper Jenset gets his second Top 10 as featured vocalist in Gromee’s “One Last Time” (above), which climbs 13-10.  He’s also featured in Lost Kings’ new single “Drunk As Hell” which you can check out below in its amusing Simpsons-ish looking video.

Movin’ On Up

  • It’s sort of peaked already but “Rise” by Jonas Blue and Jack & Jack (above) has been slowly making its way up my chart.  It climbs 15-11 this week.  Jack & Jack recently dropped their new song “No One Compares To You” (below).

  • Netherlands-based producers Revelries also continue to climb with their latest original “Infinitum”, featuring Australia’s Beamish Boys on vocals.  It rises 14-12.
  • The fastest riser on the chart is “Loyal” by Odesza, up 24-14.  This should be no surprise; it’s one of the most intriguing and unpredictable songs on the chart with a soulful female vocal (sample or no?) that drives it home.

  • Also making a significant leap is PLS&TY’s “Down For Me” in its club-ready Morgan Page extended mix, climbing 21-15.

  • Though it made a small move two weeks ago, “Soldier” by Sidney Samson & GWise is hardly done, and jumps 27-22.

3 Debuts

  • It took a few spins for me to really dig this record, but now there’s no stoppin’ me playing it!  My fellow Canadian A-Trak is back with a fun, inspiring original called “DJ’s Gotta Dance More”, made even more genuine with legend Todd Terry on vocals!!  This song is a MUST for every club DJ.  It’s classic, reverent house with a great message.  It bows at #24.  A-Trak was last on the chart as part of the trio with Kimbra and Foster The People’s Mark Foster in 2012 for “Warrior” (#10), a freebee at the time courtesy of Converse.
  • Mercer returns to the chart after his #1 “Satisfy” with “Fireworks”, a 70’s retrotastic song I’ve been playing for months that is re-released as part of French producer’s new EP Neo Disco, along with another new song “Monte Carlo”.  “Fireworks” arrives at #25.

  • The Chainsmokers are also back making a collaboration with Country singer Kelsea Ballerini work so well with “This Feeling”.  Their other recent single “Side Effects” failed to resonate with me, sounding too much like other dance pop on the charts.  “This Feeling” premieres at #26.

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

 

#BILLCSTop30 #545 – October 1/18

And the new music keeps on coming, making for what’s turning out to be a faster moving chart in years.  Very few songs this year have attained the maximum chart run of 10 appearances (20 weeks) – only 14, including this chart’s “Pink Lemonade” by James Bay, but they will be joined next chart by The Him and Parson James’ “Broken Love”.

The Top 10

  • “Everybody Needs A Kiss” by the dynamic team of Benny Benassi and Sofi Tukker is snug at #1 for a second appearance, but it’s being challenged by several songs below vying to take its place in two weeks.  I’m honestly surprised this one hasn’t been much bigger at dance clubs!

  • Tony Moran and Jason Walker have their best chart showing yet as the Victor Dinaire/Bissen remix of “I’m In Love With You” climbs to #2.

  • The gorgeous melody and riveting beats of “Tim” by Arty allow the lovely tribute to Avicii to rise 7-3.

  • The prolific Philadelphia duo N i G H T S move up 9-6 with “Eyes” (above), but have released yet another single, their 4th since “Eyes”, called “Paradise” (below).

  • The one to watch on the chart is the fastest riser, perfectly timed for Hallowe’en, “Phantom Of The Dance Floor” by Kiesza featuring Quebec opera singer Philippe Sly.  Everyone in the video above is having a blast.  We so needed this campy injection of fun right now 🙂
  • Another one to watch is “Verona”, featuring compelling vocals, both solo and together, by Australia’s Peter Wilson and England’s Sean Smith.  It climbs 15-9, becoming Sean’s second trip to the Top 10 after last year’s “Magic” (#7).
  • And it’s a first time visit to the Top 10 for L.A. producer Caden Jester with “Vacant Love”, up 11-10, and featuring the voice of Blake Rose.

Movin’ On Up

  • These past few weeks have seen the arrival of the video for “All For You”, the third single from Palo Santo by Years & Years, and the song climbs 14-12.  I look forward to seeing Olly, Mikey, and Emre for the third time on Friday October 5 in Toronto at The Phoenix!!
  • The Netherlands-based Emerati production duo Revelries moves up 18-14 with their original “Infinitum”, featuring Australia’s Beamish Boys on vocals.  

  • It recently got to #1 on Billboard’s Dance Club Play chart – “Rise” by Jonas Blue featuring You Tube stars Jack & Jack, rises 19-15.

  • Florida’s PLS&TY has his first original on the chart, and in its Morgan Page remix, “Down For Me” is definitely tailored for clubs, climbing 28-21.
  • The delightful short story of “Voice Mails” by L.A.-based producer Kooky, is no flash in the pan, moving up 30-23.

Three Debuts

  • The Highest Debut of the week belongs to acclaimed, Grammy-nominated Seattle duo Odesza with their first appearance with the huge sounds of “Loyal” at #24.  It’s a fan favourite that Odesza has had in their set for some time now.  However they’ve replaced a Marvin Gaye sample with a soulful, vibrant female vocal – not sure if it’s a sample or an original recording.  After a lot of thinking, I thought it might have been an excerpt from Cheryl Lynn’s 1979 disco smash “Star Love” but alas it’s not!  Guesses, anyone?
  • Next up is established Nova Scotia production duo Botnek with “Days Of Disco” at #25, which also sounds like it uses a sample of the telephone ringing right out of disco days’ “Doctor’s Orders” by Carol Douglas, but that doesn’t appear to be so.  In any case the song is insanely catchy and will liven up any dance club set!

  • The third and final debut belongs to The Knocks, who released their second full album this past week, New York Narcotic.  Equally as entertaining as their 2016 debut 55, the song from Narcotic that bows on the chart is “Goodbyes” featuring none other than Method Man – he’s the second rap voice, the first is of course The Knocks’ own Mr. JPatt!  “Goodbyes” is The Knocks’ 6th chart appearance. They’ve been to #1 before with 2015’s “Kiss The Sky” featuring Wyclef Jean.

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂