“Rewind” is the charming and thoughtful new pop/soul EP from NYC-based singer/songwriter Victor Perry @wallflowerperry

VICTOR PERRY, Rewind (EP)

Hot off the presses, Rewind is the first EP from Georgia-born, NYC-based singer/songwriter Victor Perry since 2016’s 4 A.M. Nostalgia.  Throughout his intervening work with numerous dance music producers and in the EP of his own side project Labrose, Victor’s songwriting and style has grown immensely.  His aim is to be a versatile pop-soul singer like his idols, Whitney Houston and Rihanna, while also being a thoughtful songwriter who can concoct great songs for his far-ranging voice.  

The six songs in Rewind appeal because of their ability to be steadfast and solid, challenging the listener with his words while making them shine with the varied tones in his voice. “What I Deserve”, the lead single, is the best example of Victor stretching his boundaries with an emotional song, yet it’s one that instantly grows on you too.  In “Undercurrent”, there are times when Victor is heard singing without words and that’s just as eminently listenable as the rest of the song.  In “Run”, his higher vocal range is put to great use, and his ability to control those high notes and make them into another instrument is testament to his talent.  The EP is rounded out with two other gentle pop/soul songs, “Reciprocity” and the title song (with first co-producer Chris Belmont), as well as the lead off dance track “Greenlight”, another delight for fans of his work with second co-producer Levi alongside “Lost Boy”, “Moonlight”, and “Sail”.

Rewind is an EP that will appeal to all ages and traverses the pop-soul genres, often relying on softer melodies that anchor unique lyrics and perspectives.  I expect that Rewind will afford Victor many more opportunities that will be the result of much ongoing hard and well-thought out work that often sounds graceful and effortless in the end.

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Published in: on July 3, 2020 at 8:10 pm  Leave a Comment  
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It’s 10/10 #13: @Yello_band @KidBloomusa @EbonyroseBuckle #DeanRobert @Jazz_Mino @Airportsmusic @Toniiamusic @Boye_Sigvardt & H. Kenneth @KenFleet @SC_Undercover @Mindchatter

It’s 10/10 – Edition 13!! 

A second 10/10 post in June to close out the month brings you a lot of unique music that requires your full attention in order to win your appreciation.  We cover the globe with songs from Germany, England, Ireland, Australia, Denmark, Switzerland and the U.S. with a dashes of mystery and fun!

In 10/10 (or tenoutoften) ,  I write about 10 hot and fresh songs in no particular order, for your kind consideration and attention.

I continue to write individual blog posts about certain songs.  That does not mean that songs in the 10/10 lists are any less than those featured individually, and they are not listed in any particular order. 

Writing 10/10 posts means I can cover more songs in one shot.  So you get to learn about more new music that I hear but don’t always get a chance to write about. 

  • YELLO, “Waba Duba”

The Swiss maestros that are Yello can orchestrate the best complex electronic nonsense even into their late 60’s and early 70’s, and have returned with their first release in three years called “Waba Duba” from their upcoming album Point.   “Waba Duba” recalls some of their best work of the 80’s, such as “The Race” or “Goldrush”.  Don’t try to confound yourself by trying to figure out if there is any plot to the song.  Instead enjoy the always-bizarre vocal and the layers of synths and samples that make some of the most unique sounds you will hear in pop music.  “Waba Duba” is loads of fun, destined to annoy the heck out of you like “Oh Yeah” did all those years ago while you groove to the beats.

  • KID BLOOM, “Wounded/Surrounded”

“Wounded/Surrounded” is an anthemic-sounding, atmospheric new melodic electronica release from L.A. singer/songwriter Kid Bloom.  The song takes you on a journey through a sea of emotions, wrought by the singer’s captivating voice.  When he sings without effects it sparkles and sometimes sounds like Frankmusik; at other points the song is awash in synths and vocal manipulation and because of it you can feel the bewilderment.  Alternately dreamy and thought-provoking, “Wounded/Surrounded” is an ear-grabber and well-worth your attention.

  • EBONY BUCKLE, “Ghost”

Ebony Buckle is a London-based singer/songwriter originally hailing from Australia.  She has a stunning, controlled, theatrical voice which immediately recalls Kate Bush and Imogen Heap.  And her pristine vocal puts all the right human touches in “Ghost”, a pop song that could have otherwise been a difficult listen.  It’s a true story about being physically apart for two years from husband (and co-writer) Nick due to visa issues.  And that is simply heartbreaking, a separation that could have been irreparable.  Instead, they wrote “Ghost” over Skype, turning their story into song so that anyone else in an unfortunate state of separation can relate and heal.  Be sure to give “Ghost” your complete attention.  It would also be perfect as set to a lyrical dance routine.

  • DEAN ROBERT, “Get Up”

It’s strange that even before I read up about Dean Robert, the other voice that came to mind when you hear “Get Up” is The Script’s Danny O’Donoghue.  For Dean also hails from Ireland and even opened for The Script when he was part of a band.  Now Berlin-based, “Get Up” is bright, energetic dance second release for the singer that will win you over. Dean’s voice may be a little bit too manipulated in the production at times but there’s a great melody afoot in “Get Up” and it moves along briskly and enthusiastically.

  • JAZZ MINO, “Like A Drunk Girl”

UK singer/songwriter Jazz Mino releases music that needs to be heard by more of you who enjoy interesting pop with idiosyncratic perspectives.  Her latest single, “Like A Drunk Girl”, is more about standing up for yourself and making your own decisions to do what you want than meets the ear.  The title is actually negative imagery for what other people might say to put you down, so you cave in and do what they say.  Jazz Mino’s always affable nature really shines through in this song which sings from both experience and the heart.  Check out the lyric video above.

  • AIRPORTS, “U Feel It 2”

You never know these days if an artist is a band or a singer judging by the names in use.  “U Feel It 2” is a delightful slice of romantic pop from Australian singer Airports (aka Aaron Lee).  It’s definitely a mood-setter with a subtler boy-next-door vocal that shies away from what would be called “boy band pop”.  The production focuses on the song’s lovely melody and there is definitely radio play potential here.  Check out what alternative video ideas occur above when Airports’ original plans were scuttled by COVID-19.

  • TONIIA and SUNNIE WILLIAMS, “Only Human”

Blending hip hop and trap flavours with electronics, German producer Toniia has released “Only Human”.  It features the strong and sultry voice of Sunnie Williams, whose vocal is the drawing power for “Only Human” for its first minute, before the beats kick in.  After that, the song is a sea of many moods with some big drops and synths that command “Only Human” until its finish.  It’s a fast listen at 2:49 with many sounds and qualities to perk up your ears.  Watch the lyric video above.

  • BOYE & SIGVARDT and H. KENNETH, “Party Sucks”

Don’t let the title fool you – “Party Sucks” is actually a dark slice of deep house music from Danish producers Boye & Sigvardt and Nashville’s H. Kenneth that will appeal to fans of recent work by Mahalo among others.  The classic house rhythm is the key with pitched-down vocals that make it perfect for a late night set.  And it’s cool that Boye & Sigvardt and H. Kenneth never get stuck in one style or groove, collaborating with UK producers Sondr,  creating diverse music that shows they would rather be innovators than producing the next wannabe house anthem.  

  • SC.UNDERCOVER, “Morals”

“Morals” is a standout song because it sounds like nothing else out there.  Brought to you by UK producer/songwriter/vocalist SC.Undercover, the song fuses pop and R&B flavours with drum ‘n bass vibes, making for a fast-paced ride.  At its core, the song is about finding love after making mistakes and experiencing significant regret.  The warm, uncredited female vocal is offset by SC.Undercover’s own vocals. At one point, he provides a gentle rap, and at other times hits upper register harmony vocals which remain fascinating and noticeable in the background, forming the song’s hook.  “Morals” is unconventional pop/dance music at its most listenable.

  • MINDCHATTER, “Language”

Mindchatter is a NYC-based producer of mystery who doesn’t identify him/herself in any of his Twitter, Facebook or Soundcloud bios.  “Language” is an intricate, somewhat experimental sounding song that’s intriguing because it seems to borrow from late 90’s Everything But The Girl and Roísin Murphy at their most daring, fusing it with other more contemporary sounds you might associate with label-mate ZHU.  “Language” is not for everyone but you have to admit it is one very cool, well-produced song, accompanied by quite a different visualization, above.

 

 

 

#BILLCSTop30 #590 – June 22, 2020

I’m looking forward to the day when I have more time to work on my music hobbies, including blog writing.  That day is coming soon as I create my sunset on my daytime career later this summer.  I’m sure kicking start the music industry again will need all the help it can get so that both big and small artists can flourish.  But it all starts with the music, which is why I continue to want to share what I’m enjoying every two weeks with you all in the BILLCS Top 30 🙂

Gareth Emery stays at #1 by a proverbial hair with “You’ll Be OK” (with Annabel on vocals) and that’s largely thanks to his online performance last week called “High AF”, in which Gareth’s set used an L.A. backdrop from 71 stories up as the sun was setting.  It was a great set which you can watch above along with the video for “You’ll Be OK”.  You can check out his latest preview from his album The Lasers below called “Gunshots”.

“Rain On Me” by Lady Gaga and Ariana Grande seems to be a sure bet for #1 in two weeks and is many people’s choice for song of the summer, and deservedly so.  It’s the first time since Gaga has appeared in my Top 5 since “Applause” (#2, 2013) and is Ariana’s highest peaking song to date.

An 8 point jump by “Rain On Me” was not enough to become the Fastest Riser on the chart.  That feat belongs to “Never Let Me Down” by Germany’s VIZE with British vocalist/songwriter Tom Gregory, which soars 17-7 thanks to it’s immediately recognizable and blazing, infectious hook.  It will be a contender for the top.

Two other songs climb into the Top 10.  The Weeknd’s “After Hours” (above) clocks in at over 6 minutes but it moves along briskly and influences from pals Daft Punk are felt throughout.  It rises 12-8, becoming The Weeknd’s 5th trip to my Top 10, while L.A. producer Jerin James’ gracious and soulful debut “Birds and Bees” (below), featuring the voice of Deverano, leaps 15-10.  From having a daughter who took competitive dance lessons for 10 years, I can visualize many a lyrical dance routine to this one (though a creative tap routine would also work)!

Alesso has been busy with online performances,  as with one for Stella Sessions this past weekend, below.  His underrated single “Midnight” (above), featuring an excellent vocal by Liam Payne, rises 14-11.

The more I play it, the more I love it.  “Sleepwalking”, despite its title, has an amazingly energetic vibe about it courtesy of Win & Woo with vocalist Kyan Palmer, and it climbs 16-13.  Other than remixes, it’s Win & Woo’s highest ranking song to date on the chart.

With designs set on the Top 10 very soon, the sultry and soulful “Save A Kiss” by Jessie Ware rises 21-14.  Check out the slick PS1 remix above!

Loud Luxury was everywhere on the weekend, I caught them performing in two online festivals plus being interviewed on TV.  The lads of course are promoting their EP Nights Like This to the hilt, and from that comes the rollicking “Aftertaste” featuring singer and co-writer Morgan St. Jean, moving up 20-15.

Out of the four debuts two weeks ago, Toronto singer/songwriter Tafari Anthony gets the biggest showing with a 29-21 move for the brusque but soulful “Centerfold”, which calls out a former lover in no uncertain terms.

I’m a bit of a latehead on the highest debut this week, but it’s also a perfect song for Pride month, quite obviously inspired by Robyn’s “Dancing On My Own” and it provides an alternate take on that song.  “Dancing Next To Me” is the heartwarming, highly danceable first entry on my chart for Greyson Chance and it arrives at #24.

As “Lost Boy” slips to #26, Victor Perry’s first single from his upcoming EP Rewind arrives at #25.  The gorgeous heartache of “What I Deserve” is being featured all this week on NYC’s Afterglow On Air from 7 to 9 a.m. so tune in to catch it in the mix!  

One of my favourite singers returns to the chart for the first time since 2007 and that is Montreal-born Rufus Wainwright.  He has a new album coming called Unfollow The Rules, which has been preceded by the EP “You Ain’t Big”.  The whimsical title song, with one of Rufus’ best vocals in years, arrives at #27.  “You Ain’t Big” is Rufus’ 14th chart entry.  He has had three number ones:  “April Fools”, “Foolish Love” (both 1998, from his debut album) and “California” (2001, from Poses).

The song that battled it out for the fourth debut on the chart is the emotional anthem “Leave It All Behind” by Florida’s Trivecta featuring vocalist Fagin.  It comes from Trivecta’s EP Everyday, which I wrote about recently.

A reminder that the music from my chart and blog are featured regularly on the new online radio station Radio GTA. You can hear their Big 20 on Wednesday evenings with ‘The Musicman’ James Rogers and listen for songs from the chart too 🙂 Scroll down the station’s main page to listen to lots of variety from across the decades!  I’m the new music consultant for the station so you can expect even more in 2020 🙂  You can start by joining our new interactive Facebook group too!!

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

Want to see what I’ve been listening to and charting for the past 22 years?  Rummage through the BILLCS Top 30 Archive (where you can click on the link within) when you have a chance!! 

 

 

 

 

“What I Deserve” is a bold alt.soul step forward for Victor Perry @wallflowerperry from his upcoming EP

VICTOR PERRY, “What I Deserve”

Regular readers of this blog know that I’ve written an awful lot about the talented NYC-based singer/songwriter Victor Perry over the last almost four years.  It’s because he can sing just about anything, make just about any song sound fabulous, and has often intriguing and different vantage points in his songwriting subject matter.  To introduce you to his upcoming EP Rewind, Victor brings us “What I Deserve”, which showcases the latter.  It’s a sad but poignant song about being injured emotionally in a relationship, perhaps after an argument, and unable to figure out how to resolve it. Victor’s tender vocal makes you empathize and know somehow that the protagonist will figure it all out.  Many of Victor’s songs are sung in his head voice, and it’s refreshing to hear his chest voice convey a bit of a narrative at the start.  It’s definitely for fans of quieter alt.soul but a pop edge and synths in the backdrop, and the latter form a 30 second coda of sorts which makes for an interesting ending.  All in all “What I Deserve” is a bold step forward, somewhat in keeping with the music of his side project Labrose or his song “Eve” with ZEROBADDAYS.  Be sure to check out the lyric video up top.

Published in: on June 13, 2020 at 10:09 pm  Leave a Comment  
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#BILLCSTop30 #589 – June 8/20

After a two week hiatus, during which I listened to a lot of new music while reflecting and trying to better understand our current situation, the chart returns with a few changes up top as well as four debuts.  It appears that Lady Gaga’s Chromatica is the album of the summer, which sees not only the fastest riser on the chart, but the highest new entry as well.

But climbing 5-1 is the wondrous beauty in the heartfelt emotion of Gareth Emery’s “You’ll Be OK”, featuring singer Annabel to unfold the story.  I’ve mentioned it before, but Gareth wrote the song when commuting on an airplane that he thought was going to crash.  He turned that daunting premise that no one should experience into electronic bliss, captured nicely in the video above.

That leaves “All On You” by Nashville producer Super Duper at #2 for a second appearance.  This one is full of majestic effects which also revolve around some intense emotions.  I’ve also mentioned it before but the song is an unintentional cousin of Talk Talk’s 1984 hit “Life’s What You Make It”, melodically and song structure-wise.

The Brothers Macklovitch – Dave (of Chromeo) and Alain (aka A-Trak) put a whirlwind deep house remix spin on Raphael Saadiq’s “So Ready” from his album Jimmy Lee.  It climbs 7-5.

The 90’s grunge-influenced electronica of “Someone Else” by Toronto’s Rezz and Buffalo, NY’s Grabbitz slides into the Top 10, moving up 11-9.

The dynamic duo of German producer Levi and American singer/songwriter Victor Perry acquire their second Top 10 together on this chart as “Lost Boy” (above) climbs 12-10.  Check out Victor’s new solo single below called “What I Deserve” (below), which I’m featuring here before I have some words about it later in the week in a proper blog post.  All artist revenue proceeds for the song go to the NAACP’s Legal Defense Fund in support of Black Lives Matter!

“Rain On Me” (above) by Lady Gaga and Ariana Grande soars 20-11 as the Fastest Riser on the chart, ranking as one of the best songs by either artist.  And let’s just say it already has designs on #1…  Quickly to follow it up the chart is “Sine From Above” (below), Gaga’s duet with Sir Elton John, which bows as the Highest Debut at #25.  Elton has never sounded this good in years, what a pairing!  Elton has only appeared on my chart once since its inception in 1998, and that was in another duet, with his friend and chart favourite Bright Light Bright Light on “I Wish I Was Leaving”, which got to #10 in 2014.  BLx2, of course, moves up to #7 this week with “This Was My House”.

Also faring well in its second appearance on the chart is another dynamite pairing of German producers VIZE and British singer Tom Gregory for “Never Let Me Down”, which zips up 23-17.

Canadian producers Loud Luxury are accustomed to residing in the Top 10, and they may get there yet with “Aftertaste”, featuring the soaring voice of co-writer Morgan St. Jean, climbing 25-20.  “Aftertaste” comes from the duo’s EP Nights Like This.

Following the #6 “Mirage (Don’t Stop)” is Jessie Ware with the sheer romantic delight of “Save A Kiss”, which climbs 28-21.  It’s from her album What’s Your Pleasure, which finally drops next week.

Arkansas native YEBBA returns to the chart at #26 with “Distance”, from her upcoming album for RCA/Sony.  The ultra-talented singer/songwriter has been championed by both Mark Ronson and Sam Smith in the last few years, and won a Grammy as the vocalist on PJ Morton’s cover of The Bee Gees’ “How Deep Is Your Love”.  The only way is up for YEBBA.  “Distance” is airy alt.pop at its best.  Those old enough to remember might recall what it was like to hear Sade for the first time in the midst of all of the music popular in 1984.  “Distance” gives off that same unconventional but immediately enjoyable vibe.

They are never too long away from this chart, so Dutch producers The Him are back with “Tragic” at #28, featuring British singer and co-writer Amber Van Day.  I tend to think of this and Loud Luxury’s “Aftertaste” as kindred musical bookends!  It’s The Him’s 9th chart entry since 2016!

Rounding out the debuts at #29 is “Centerfold” (above) by Toronto R&B/pop singer Tafari Anthony (whose first name is pronounced “Ta-far-eye”), whose voice sounds like a slick blend of Sydney Youngblood and Seal.  This song pointedly calls out a former lover, and the talented singer/songwriter has some words that will stick with you such as “Thinking every eyes always on ya /Boy you think you’re Beyoncé / You’re never gonna run me”.  Tafari has also recently released another new one called “Live In A Dream” , which you can hear below.

A reminder that the music from my chart and blog are featured regularly on the new online radio station Radio GTA. You can hear their Big 20 on Wednesday evenings with ‘The Musicman’ James Rogers and listen for songs from the chart too 🙂 Scroll down the station’s main page to listen to lots of variety from across the decades!  I’m the new music consultant for the station so you can expect even more in 2020 🙂  You can start by joining our new interactivFacebook group too!!

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

Want to see what I’ve been listening to and charting for the past 22 years?  Take a walk through the BILLCS Top 30 Archive (where you can click on the link within) when you have a chance!! 

 

 

 

#BILLCSTop30 #588, May 25/20

I hope everyone is keeping well and enjoying the bounty of music that is being released in these times.  There are still plenty of online performances to check out as well, with another big electronic music online festival coming from Brownies & Lemonade and Proximity very soon.  In the meantime, the new chart has some of the best new pre-summer entries that will endure until the Fall!

I suspect we’ll have more online entertainment from Porter Robinson in the coming months, after his very successful Secret Sky set.  In advance of his album called Nurture, Porter holds on to #1 for a second appearance with “Get Your Wish”.

It looks like Nashville’s Super Duper has his eyes on #1 in two weeks as the big and bold sounds of “All On You” move up 3-2.

“You’ll Be OK” by British producer Gareth Emery and featuring vocalist Annabel becomes his second Top 5 hit on my chart, following the #3 “Yesterday” which is now at #27.  The prolific producer has yet another single called “End Of Days” ahead of his album release called The Lasers, which you can hear below.  You may have been lucky to catch one of two online events by Gareth, which unfortunately conflicted with the hours of my day job, so hopefully I’ll be able to check out another of his online events soon!

Sam Dickinson’s splendid “Diamond Skin” rises to a new peak of #6, while his new single “Cry Wolf”, which I wrote about recently, gains traction on streaming services.

The two new entries in the Top 10 are from BILLCS Top 30 veterans, who have visited the Top 10 many times each.  Top 10 hit #17 belongs to Bright Light Bright Light, whose retrotastic “This Was My House” (featuring former Madonna backup singers Niki Haris and Donna DeLory, above) climbs 14-9.  And Top 10 hit #6 belongs to L.A. producer Mahalo in partnership with producer Disco Killerz and vocalist/co-writer Brandyn Burnette for “Tongue Tied” (in its Danny Quest remix, below), which rises 12-10.  There’s more new music from Mahalo on the way, and he’s someone else to watch for in online electronic music festivals.

Toronto’s own Rezz pairs up with vocalist, co-writer and co-producer, Buffalo NY native Grabbitz, for the electronic alt.rock vibes of “Someone Else”, which climbs 18-11.  It’s got a cool sci-fi-themed video which you can watch above, and be on the lookout for those Rezz eyes!

The Fastest Riser on the chart belongs to the highest debut from two weeks ago, “Midnight” by Alesso featuring Liam Payne.  It soars 24-16 and is definitely one song for some reason isn’t quite getting as much attention that I thought.  It’s a great production with a fine vocal, so be sure to check it out if you haven’t!

Jerin James’ elegant and flowing “Birds And Bees” climbs 23-17 and showcases a top notch vocal by Deverano.  It’s an unexpected treat that continues to be a grower!

Just as Martin Garrix’s “Drown” (featuring Clinton Kane in a Nicky Romero remix) is well on its way, up 26-22, Martin releases “Higher Ground”, featuring “Don’t You Worry Child” singer, Sweden’s John Martin, and you can hear it below.

The three debuts are forces to be reckoned with for the upcoming summer months.

Leading the pack at #20 is Lady Gaga and Ariana Grande’s “Rain On Me”.  It’s an instant crowd-pleasure, recalling Gaga’s heyday and in particular the magnificence of “The Edge Of Glory”.  Her performance at the start of the song is commanding, but then she lets go and hands the rest over to Ariana, and their voices work so well together – who would have thought this would even happen, say seven years ago?  The video (with already 46 million views on You Tube) is an eye-popper with outstanding choreography, and “Rain On Me” will without a doubt be one of the year’s biggest songs.  It’s Gaga’s 13th appearance on this chart (but first since 2014!) and Ariana’s 5th (her first was in Mika’s “Popular Song” in 2013, before she released “The Way”).

Next is “Never Let Me Down”, the insanely catchy new single by VIZE and Tom Gregory that you will be humming away for the next several months.  It arrives at an impressive #23, the first entry for both acts, VIZE being the German production duo that has become a favourite in the electronic dance genre, and Tom Gregory the English singer-songwriter who has the featured appearance in the video for the song, above.

The third debut belongs to the always enjoyable Jessie Ware, from her upcoming album What’s Your Pleasure, due next month, with “Save A Kiss” at #28.  It’s her 8th chart appearance following the recent #6 “Mirage (Don’t Stop)”.  I definitely dig Jessie’s music when it’s stuck in 80s/90s British R&B mode, and can’t wait to hear more on the album.  A video for the song is coming soon.

A reminder that the music from my chart and blog are featured regularly on the new online radio station Radio GTA. You can hear their Big 20 on Wednesday evenings with ‘The Musicman’ James Rogers and listen for songs from the chart too 🙂 Scroll down the station’s main page to listen to lots of variety from across the decades!  I’m the new music consultant for the station so you can expect even more in 2020 🙂  You can start by joining our new interactive Facebook group too!!

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

Want to see what I’ve been listening to and charting for the past 22 years?  Take a walk through the BILLCS Top 30 Archive (where you can click on the link within) when you have a chance!! 

 

“Cry Wolf” weaves a sophisticated-sounding story of lies, as written and sung by England’s @SamDickinson

SAM DICKINSON, “Cry Wolf”

Following up his sleek single “Diamond Skin”, currently gracing my personal Top 10, is British singer/songwriter Sam Dickinson with “Cry Wolf”.  It will be included in his album Off Script, due in Fall 2020.  “Cry Wolf” has a sophisticated sheen that wears soulful influences from the late 80’s proudly.  It weaves a classic and interesting story of deception that finally catches up with the perpetrator, which likely led to the end of a relationship.  Sam’s voice is his signature weapon.  It alternately calls out the antagonist while at other times steps back, knowingly letting what is deserved come to pass.  As has worked well with previous releases by Sam, some remixes could also help “Cry Wolf” widen its appeal, with a topic that always resonates well with the dance music community.

 

Published in: on May 18, 2020 at 10:14 pm  Comments (1)  
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It’s 10/10 #10: featuring @jessemccartney @wallflowerperry @francescoyates @FLouisemusic @Slavesofficial @Saxity @ErenAB @PhenixRedmusic @TepNomusic @Proxxxy

It’s 10/10 – Edition 10!!

I’ll be completely upfront – there is far too much music being released right now that I enjoy and can write about. 

My playlist of new songs ‘for review’ every week ranges sometimes from 60-90, not including submissions of EP’s and albums.  I’m totally loving all of the variety and selection.  I don’t enjoy not being able to write about everything I hear that I like.  So the blog posts for now are coming to you with a lot of scrutiny.  Another ’10/10′ feature will follow in the week too!

In 10/10 (or tenoutoften) ,  I write about 10 hot and fresh songs in no particular order, for your kind consideration and attention.

I continue to write individual blog posts about certain songs.  That does not mean that songs in the 10/10 lists are any less than those featured individually, and they are not listed in any particular order. An example is “All On You” by Nashville electronic producer Super Duper, which just flew into my Top 10 this past week at #6.

Writing 10/10 features means I can cover more songs in one shot.  So you get to learn about more new music that I hear but don’t always get a chance to write about. 

  • JESSE McCARTNEY, “Yours”

Rumoured to be part of the returning disguised celebrities in “TheMasked Singer” (USA) season three, Jesse McCartney is also back with his first new single in two years with the somewhat revealing indie release, “Yours”.  Recently engaged himself, this song publicly offers Jesse to his fiancée, warts and all.  It also puts listeners on notice that there is a whole other side to the lives of our celebrity faves that we never see.  In any case, “Yours” is an enjoyably honest release, with Jesse’s voice often drifting into falsetto, emphasizing the soulfulness that often appears in his songs.  It’s the start of a new project after the one that started with “Better With You” (which got to #6 on my chart in 2018) was shelved. So in 2020 we have lots more from Jesse to which we can look forward!

  • VICTOR PERRY & CAL1, “Missing”

Originally recorded as a sparse but effortless piano-and-vocal version of the Everything But The Girl classic in late 2016, NYC-based pop/R&B singer Victor Perry revives “Missing” in an atmospheric production that has little to do with the 90’s original except with the popular refrain.  He teams up with German producer Cal1 to flesh out the rendition into a unique take that I could hear in a placement at key points on a TV episode or in a movie.  And with some meltworthy high notes once again being a major selling point, “Missing” (along with current single “Lost Boy”) will help us all get through to a new Victor Perry EP, coming very soon!

  • FRANCESCO YATES, “Superbad”

It’s hard to believe it’s been over 5 years since “Better To Be Loved” became a huge radio hit in Canada.  My fellow Scarborough native Francesco Yates has all the chops to make that happen again, and I’m confident it will!  After a few softer previous releases, “Superbad” is a party and a half!  There are Justin Timberlake influences throughout and a climactic soulful scream that will compel you to take notice.  Francesco has also been taking advantage of these times and performing and chatting online on various platforms.  “Superbad” is definitely a positive new chapter for him. Check out the short video preview of a short film of “Superbad” above.

  • FRANCESCA LOUISE, “Out Of Sight (Out Of Mind)”

London singer/songwriter Francesca Louise is a new voice to get to know well with “Out Of Sight (Out Of Mind)”.  She cites classic singers like Carole King and Joni Mitchell as influences, but she has a soulful edge that neither of them have that will work to her advantage.  In fact it puts her potentially in the same league as someone like blog fave and Grammy winner YEBBA.  The song is also a reminiscence of someone who is in fact “not out of mind”.  “Out Of Sight” starts off rather unassuming but by the end you are sold on Francesca, who looks to be a unique new talent for whom to keep a watch out. 

  • SLAVES, “Talk To A Friend”

“Talk To A Friend” is the latest single by American rock quintet Slaves.  The band has dedicated following that was nearly fractured by the departure of their lead singer last year, who was replaced with a rather unlikely voice – that of Matt McAndrew, who you know as a memorable second place finisher on “The Voice” about 5 years ago.  And while the aftermath of “The Voice” attempted to shape Matt into more of a pop-flavoured vocalist, he is perfectly at home with harder rock.  In fact his effortless voice, along with some blistering dual guitars and propulsive drum work, totally anchors “Talk To A Friend”.  Fans of Linkin Park, Billy Talent, Chris Cornell, and 3 Doors Down will have a blast with the music of Slaves. 

  • SAXITY, “Complicated”

The German production duo Saxity are back with another foot-stomping, toe-tapping, sax-laden release called “Complicated”.  Not to be confused with Avril Lavigne’s 2002 hit, this one is about one person in a relationship being the ‘complicated’ one, while the other wants more to keep figuring her out.  And a good time can be had doing so on the dancefloor where tropical-tinged rhythms and synths flesh it all out.

  • EREN AB, “Beauty Lies With You”

New York-based producer Eren AB’s “Beauty Lies With You” marks the return of the Tipsy label which has some more fine new electronic dance and pop music on its way.  Direct, well-made and catchy, “Beauty Lies With You” also has a comforting and positive message for all.  The arrangement is lined with subtle synths and some ear-tugging percussive sounds, with a friendly uncredited male vocal weaving the storyline.

  • PHENIX RED, “Bad News”

With one album under her belt was well as songwriting credits with the likes of Jadakiss and Cassidy, Nashville-based singer/songwriter (and recording studio owner) Phenix Red is poised to break out with stylish and memorable songs like “Bad News”.  Taking bits and pieces of influences that might be from Christina Aguilera, Pink, Ariana Grande, Kate Bush and others, and Phenix Red fuses them together into a darker brand of her own. Alt.rock and college radio stations would take to “Bad News” instantly, and I highly recommend the song to anyone who likes to push their boundaries on a daily basis.  There’s definitely a lot more than meets the eyes with Phenix Red!  Check out the imaginative video, which she directed and edited, above.

  • TEP NO, “Sippin’ On Feelings”

“Sippin’ On Feelings” is a gentle, summer-flavoured, radio-friendly new song by Canadian producer and remixer Tep No.  Not much is known about Tep No.   He has acquired a huge following through breaking into the industry at the same time as streaming sites.  Tep No has also opened for the likes of San Holo and The Chainsmokers, and has been signed to Ultra Music for a few years, but like others, is looking for a big breakthrough song.  “Sippin’ On Feelings” has a warm, uncredited guy-next-door vocal that helps give it some noteworthy charm.

  • PROXY, “Nervous”

Russian producer Proxy is well-known to lovers of more hardcore dance/electronic styles, which generally stray outside of my wheelhouse.  “Nervous” is pretty heavy-hitting, but once clubland reviews, I think we’ll find excerpts of the song added in the mix at peak points in an evening.  Its entire vocal is a sample of a woman swearing… the rest is left to your imagination until you listen!  There’s a lot of impressive synth work throughout; I keep hearing classic Yellow Magic Orchestra or Ryuichi Sakamoto in my head.

 

#BILLCSTop30 #586 – April 27/20

As the weeks of the shutdown/quarantine continue, I am surrounded by more music than ever, both in the forms of new music, older music which I have time to play now, as well as the bevy of online festivals, most of which have been created for charitable purposes.  So it’s fitting that there are six smashing debuts on the new chart for you to enjoy.

So while the Top 3 songs on the chart remain the same, I’ll focus on who’s on top, that being Chicago producer Whethan with “All In My Head” (featuring grandson, above) getting a third appearance at #1, the longest-running #1 so far this year.  Not only did Whethan drop another preview single from his upcoming album Fantasy, another sly slice of alt.rock electronica called “So Good” (featuring Canadian vocalist bülow, below), he was also the surprise performer in the Room Service online festival on the weekend.  Unfortunately he appeared well past my bedtime for a work night, so I will have to catch up with it. The young man is definitely making key moves and I’ll look forward to when the album drops.

There’s plenty of flavours of electronic dance music in the Top 10.  One of my instant favourites is “I Don’t Wanna Go Home” (6-5, above) by L.A. producer The Prizm featuring co-producer/writer ARTFCAL on vocal.  The Prizm has plenty of new music to drop, but most recently there was “Waiting For You” (below).

The Fastest Riser on the chart was the Highest Debut two weeks ago.  “All On You” by Nashville producer Super Duper soars 16-6.  The song structure now reminds me of a mid-80’s new wave classic by Talk Talk called “Life’s What You Make It”, and “All On You” gets under your skin with its infectious melody line and rich synths.

As “Daydreams” departs the Top 10, the anthemic and uplifting “You’re Not Alone” by Arty featuring vocalist Griff Clawson arrives, leaping 13-8.

His record remains unblemished as UK singer/songwriter Sam Dickinson obtains his 5th consecutive Top 10 hit with “Diamond Skin” rising 12-10.  It’s from Sam’s forthcoming album Off Script, scheduled for a Fall release.  The follow up to “Diamond Skin”, called “Cry Wolf” comes your way next month.

Gareth Emery’s second chart entry, following the current #3 “Yesterday”, is the emotional “You’ll Be OK” (featuring Annabel), which rises 21-14, from his forthcoming album The Lasers.

Former Tony! Toni! Tone! singer Raphael Saadiq climbs 24-17 with the Macklovitch Brothers remix of “So Ready” from his current album Jimmy Lee.  Of course, the Macklovitches are Alain (aka A-Trak) and Dave (one half of Chromeo).

The glorious duo of Chet Porter and Alison Wonderland move up 26-21 with their original sound with 80’s retro appeal in “Bummed”.

NYC-based singer/songwriter/producer Bright Light Bright Light scores his 19th chart entry as a lead artist with the 90’s inspired dance rhythms of “This Was My House”, which bows at #20.  Add two featured appearances to his repertoire and it is his 21st entry, all during the last 10 years.  It’s from BLx2’s upcoming album Fun City, and there’s another single called “Sensation” dropping on Friday May 1 (featuring Jake Shears, also himself charting right above “This Was My House” at #19 with “Meltdown”).  2019 was the first year in the last 10 years without a BLx2 song on the chart (as a lead act anyway) so these new songs are all definitely worth the wait!

From the biggest album in North America comes the title track “After Hours” by The Weeknd at #23, as “Blinding Lights” departs after peaking at #4.  It’s a long song at over 6 minutes and there definitely has to be some Daft Punk/Gesaffelstein inspiration behind it.  Cap that with an outstanding vocal and it was easy to become one of my faves.  It’s The Weeknd’s 7th chart entry.  Check out the ‘short film’ of the song above.

It’s taut and hot and a first time appearance for Toronto-based electronic producer Rezz in partnership with vocalist Grabbitz on “Someone Else” at #24.  Rezz’s performance in the Room Service online festival on the weekend was eerie and dazzling as she kept melding in with the background as the glowing eyes became disembodied periodically!  Check out the video above which just dropped today!

Now based in Toronto but recently from Halifax is Famba, who is back with his 4th chart appearance called “I Feel Your Pain” (featuring vocalist David Aubrey) at #26 in its Young Bombs remix.

Chicago/L.A. production duo Win & Woo has a second chart entry within the last 7 months with the catchy “Sleepwalking” arriving at #27 featuring vocalist Kyan Palmer.  Their previous energetic entry with Sara Skinner called “Here U R” peaked at #14 last Fall.

The sixth debut belongs to L.A.-based producer Jerin James whose single “Birds And Bees” (#28) features vocalist Devorano.  It’s a short and deliberate song with some classical-sounding elements and a tight, soulful vocal that makes you want more!

A reminder that the music from my chart and blog are featured regularly on the new online radio station Radio GTAYou can hear their Big 20 on Wednesday evenings with ‘The Musicman’ James Rogers and listen for songs from the chart too 🙂 Scroll down the station’s main page to listen to lots of variety from across the decades!  I’m the new music consultant for the station so you can expect even more in 2020 🙂  You can start by joining our new interactive Facebook group too!!

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

 

 

#BILLCSTop30 #585 – April 13, 2020

I’m using this bi-weekly chart feature to take a moment to check in with you all to make sure you are doing well and staying safe.  It’s also a reminder that music is a huge distraction for everyone, so when you’re not checking out new stuff to hear, be sure to take the time now to dip into your own personal catalogue of favourites.  I’m fortunate after so many years to have a wide selection of vinyl albums, 45’s, 12″ extended mixes, cassette tapes, CD’s and Mp3’s at my disposal.  So when you feel you have nothing to do, or feel like you’re cleaning the house for the 10th time this week, put some music on either as background or to help transport you to be where ever you want!

It’s really turning out that my #1 song is very apropos for these times.  Chicago producer Whethan and Toronto singer/songwriter grandson combine forces for the alt.rock/dance frenzy of “All In My Head”, which takes the top spot for a second appearance. This one really deserves a shot for play on alternative rock stations.

Right behind once again at #2 are the gentle intentions as spelled out in “Backfire” by Italian producer Deep Chills with L.A. vocalist/songwriter Not Famous.  The arrangement the vocals make “Backfire” distinct in these times when many dance songs use the same formula.

Gareth Emery’s “Yesterday” (above), with fellow producer Nash and LA vocalist Linney, climbs 5-3, while the British producer’s follow-up, independently released single “You’ll Be OK” (featuring Annabel, below), from his upcoming album The Lasers, rises 29-21.

Like Gareth, Russian producer Arty has two fantastic songs on the chart.  Not only that but he contributed to the Beatport online festival a few weeks back with a dynamic DJ set.  “Daydreams” (above), featuring singer Cimo Fränkel in the Sultan + Shepard “echoes of life remix”, jumps 6-4, while the anthemic, much needed vibes of “You’re Not Alone” (featuring singer Griff Clawson, below) is the Fastest Riser on the chart, soaring 22-13.

I’m absolutely loving Porter Robinson’s latest reinvention of his style as “Get Your Wish” (from the upcoming album Nurture) rises 11-5.

And it’s another big jump for the Highest Debut from two weeks ago, “I Don’t Wanna Go Home” by L.A. producer The Prizm featuring vocalist and co-writer/producer ARTFCAL.  It wastes no time leaping 13-6. ARTFCAL has been in the Top 10 twice before under another name… I will leave that reveal to another time.

After contributing to both Beatport and Digital Mirage online music festivals, we must tip our hat to one of the current young masters who does his own thing like no one else – Montreal-born, NYC-based A-Trak.  His song with UK producer Friend Within called “Blaze” climbs 12-9.  A-Trak also contributed to one of the debuts which you’ll find out further down.

Shawn Hook is another performer investing some time to participate in online concerts.  The B.C. native zips up the chart 17-10 with his Canadian radio hit “I Don’t Wanna Dance”.

UK singer/songwriter Sam Dickinson is gunning for his next Top 10 entry – amazingly, all of Sam’s songs that have appeared in the chart have thus far reached the Top 10.  But for now, amid the competition, the stylish sounds of “Diamond Skin” climb 18-12.

Don Diablo was also a part of last weekend’s immense, memorable Digital Mirage festival.  His song “Congratulations”, featuring vocalist Brando, rises 19-14.

The Highest Debut arrives at #16 – a song that I wasn’t even sure if would make my chart when I wrote about it a few weeks back.  But I understand its song structure better, and both its melody and emotion have crawled underneath my skin big time.  It belongs to Nashville producer Super Duper with “All On You”.

Also offering more personalized online broadcasts is L.A. producer Mahalo, usually on Instagram.  Try to catch his sets when you can, and in the meantime, the Danny Quest remix of “Tongue Tied”, in partnership with Disco Killerz and vocalist/songwriter Brandyn Burnette (EMAN8) moves up 25-19.

As “Starlight” slowly makes its departure from the chart, the second song featuring NYC-based singer/songwriter Victor Perry is on the rise.  His third release with German producer Levi called “Lost Boy” leaps 27-20.

The second debut this week is an interesting one from a couple of different angles.  It’s called “So Ready” by former Tony! Toni! Toné! vocalist Raphael Saadiq and lands at #24. The first item is that Raphael sets a record of longevity between chart appearances.  His last entry on the chart was “Get Involved”, with Q-Tip – which got to #21 in 1999!  And that’s 21 years – to the EXACT WEEK, strangely enough!  The second item is that “So Ready” enters the chart as “The Brothers Macklovitch remix” – the Macklovitches being Canadians Alain and Dave, aka A-Trak and one-half of Chromeo!  It’s a fun, speedy, classic house mix that doesn’t let up.

The third debut belongs to “Bummed” by L.A.-based, Canadian producer Chet Porter and Aussie wunderkind Alison Wonderland at #26.  This early 80’s DIY inspired release is the first appearance for Chet on the chart since 2016’s “Stay” (with Chelsea Cutler, #6), and the first time Alison Wonderland has graced the chart.  Both performers also provided immensely enjoyable sets for the Digital Mirage online festival last weekend, and you can find them both on You Tube under the Proximity channel.

The BILLCS Viral Weekly is back 🙂 and will indeed be a weekly feature despite not appearing last week (again *groan*).  Some of the songs will change every week, particularly those by bigger name artists, and it will always include a mix of newer and independent artists with those who are more popular.  Check it out below!

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂