It’s 10/10 #5: @nikkiswives @hellbergmusic @aloeblacc @youngbombs @thediscofries @ryshepherdmusic @brucewiegner @partypupils @MAXmusic @differentheaven @rose_annabrown Alex Mali @mainlymali @weareFlightSchl @laurellmusic

10/10 #05

It’s been a while, but the 10/10 (or tenoutoften) feature is back!  In it,  I write about 10 hot and fresh songs in no particular order, for your kind consideration and attention.

I continue to write individual blog posts about certain songs.  That does not mean that songs in the 10/10 lists are any less than those featured individually. 

Writing 10/10 features means I can cover more songs in one shot.  So you get to learn about more new music that I hear but don’t always get a chance to write about. 

tenoutoften

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  • NIKKI’S WIVES, “Girls Just Want To Have Fun”

Fans of the Cyndi Lauper classic may be certainly taken aback by how Canadian trio Nikki’s Wives interprets “Girls Just Want To Have Fun”, but don’t be worried, it’s a slowed-down version that will snuggle up to you.  I was fortunate to see the band perform it live back in the Spring, and the audience ate it up.  Nikki’s Wives taps into the lyrics of the song, wrestles emotion from the gleeful setting, and gives the song a completely different point of view.

  • HELLBERG & ALOE BLACC, “Punching In The Dark”

Swedish producer Hellberg is back with his best release since last Fall’s “Headlights” (with Leona Lewis).  His way to craft a seamless melody jibes so well with the graceful, invested vocal Aloe Blacc provides in “Punching In The Dark”.  Aloe has been popping up everywhere lately, from singing on fine songs from Avicii’s “SOS” to Mathieu Koss’ “Never Growing Up” to Lost Frequencies’ “Truth Never Lies”.  “Punching In The Dark” is anthemic without being overpowering, and you’ll find it stuck in your head more often than not.

  • YOUNG BOMBS, “Don’t Let Them”

Martin and Tristan started off 2019 with a big bang after signing to Astralwerks, home of Halsey and Illenium, and watching their first single “Starry Eyes” become a club and dance radio hit.  The Vancouver producers followed it up with two singles already, the more recent “Loyal”, an emotional electro-ballad, as well as the tropical-tinged “Don’t Let Them”.  They’re both solid, but “Don’t Let Them” has an edge for me with its celebratory vibe amid encouraging lyrics making you think twice about letting people walk all over you and to take a stand instead.  It’s guaranteed to make you bounce and feel so good!

  • BRUCE WIEGNER, “Malicious”

Philly bred, L.A.-based Bruce Wiegner is a new name to get to know as a singer/songwriter/producer with his third solo single “Malicious”.  The song is a sophisticated, melodic electro-pop delight, playfully calling out a former lover amid vibrant synths and percussion.  Backed with a killer funky groove, “Malicious” may very well cause a spontaneous singalong, so don’t say you weren’t warned.

  • PARTY PUPILS and MAX, “Bite My Tongue”

Although his name doesn’t appear on the artwork, I need to point out right away that MAX is the vocalist on “Bite My Tongue” by his fun side project with his very talented buddy Ryan Siegel, Party Pupils.  Fans have seen Ryan supporting MAX in his solo shows where they often add a few Party Pupils performances that truly energize the crowd.  “Bite My Tongue” allows MAX to sink into that comfortable, soulful place where he has ventured successfully on earlier singles like “Wrong” and “Ms Anonymous”, this time set in an appetizing house setting to which dance club DJ’s should direct their attention.

  • DIFFERENT HEAVEN and ROSEANNA BROWN, “Strangers”

Spanish producer Different Heaven (and pro-gamer aka Alvaro Perea) will brighten up your day with a story about falling in love, and wanting to become “Strangers” again just to feel what it’s like all over again.  “Strangers” is instantly likeable and most of us will identify with it.  Sung with vigor by Roseanna Brown, “Strangers” has a dynamic hook which will sell it home to you if the lyrics and melody somehow don’t grab you.  It’s perfectly suited for dance music radio play anywhere.

  • ALEX MALI, “Start It Up”

Alex Mali is a relatively new R&B/pop singer from Brooklyn whose music has quickly been getting traction throughout the US.  That’s not at all surprising, with a voice that is as convincing as Normani and pointed lyrics that recall a less complex H.E.R.  What’s most attractive about Alex’s voice is her sweet tone, which prevails throughout “Start It Up”.  The song is about what you feel you should do when you think you might get hurt before a potential relationship even begins.  This can be frustrating when your heart tells you that someone might be ‘the one’, in the way that past lovers were not, and your head tells you otherwise.  Despite a tough topic, the melody is soothing and the song goes down easy.  It’s from Alex’s new EP Sweet & Sour, and check out the video for “Start It Up” above.

  • DISCO FRIES, “Family Affair”

After the smashing #1 dance club hit “Concrete Heart” which they recorded with Vassy, New York City’s Disco Fries (otherwise known as Nick and Danny) are back this time on Spinnin’ with “Family Affair”.  It’s a pumped up house take on the Mary J. Blige classic from 2001 but this time with uncredited male vocals. “Family Affair” is such a recognizable song and one that needs to be covered in the right way.  Disco Fries put it on a pedestal, not taking too many production liberties with it, and make their version shine, and club play reaction will be instantaneous.  I look forward to seeing “Family Affair” follow “Concrete Heart” up the dance charts.

  • FLIGHT SCHOOL and LAURELL, “Come & Go”

Toronto production duo Flight School (Guillaume and Conor) surprised everyone in Canadian music land earlier this year by scoring a highly rare out of the box Top 20 national radio hit, after winning an iHeart Radio contest, with “Figure It Out”.  The likeable, rough-around-the-edges sound of “Figure It Out” has been succeeded by the more enigmatic deep house of “Come & Go”.  One of the co-writers of the song with Flight School is its singer Laurell, who won a Juno Award as the vocalist of Nick Fiorucci’s “Closer”, and has recorded with other prominent dance producers like Ummet Ozcan, Quintino, and Steve Void.  Her rich and captivating performance should help guarantee “Come & Go” more radio play and garner attention from outside of Canada.  “Come & Go” is international in its accessible dance flavours and sound.  Check out the video above.

  • RYAN SHEPHERD and HEATHER JANSSEN, “Who’s Gonna Love U”

“Who’s Gonna Love U” is a stylish slice of deep house from Canadian producer Ryan Shepherd, whose music has been featured in this blog a number of times over the past few years.  Whereas a number of Ryan’s songs have slammed hard and were tailored for clubs and festivals, in his latest for Armada, “Who’s Gonna Love U” should easily find favour on the radio.  Canadian singer/songwriter Heather Janssen’s voice is alternately delicate and alluring, all the while delivering a strong message to a previous lover – “who’s gonna love U if I don’t love U, nobody else could”.  Some spicy remixes could also help “Who’s Gonna Love U” get the green light from club DJ’s too.

 

 

 

 

 

 

Sweden’s @DimitriVangelis and @Wymanofficial go big and majestic with Toronto’s @Dzekoofficial in “The King”

DIMITRI VANGELIS & WYMAN and DZEKO, “The King”

“The King” is definitely an intriguing instrumental release that will go a long way at festivals.  Swedish duo Dimitri Vangelis and Wyman truly go big and majestic with this one in partnership with my fellow Torontonian, the Juno Award-nominated Dzeko (whose set I got to see back in March in Miami).  “The King” could easily be a set opener, with its sweeping start which leads into a minute and a half of solid A+ trance… and then it comes to a halt, taking its well-paced time to build up again after 40 seconds or so.  If this wasn’t done so right, the audience could easily bail on the song, but one could visualize some kind of royal making his or her pointed and quiet walk, only to raise his/her hands to let the proceedings recommence.  And so, let the crowd go wild for the rest of the song’s 3:29.  “The King” is one unique song for the electronic dance music world so be prepared to hear it all summer and into the winter festival months.

Germany’s @BlindedHearts brings a contemporary take on “Just The Two Of Us” in another collaboration with Sweden’s @LouiseCSmusic

BLINDED HEARTS and LOUISE CS, “Just The Two Of Us”

After a number of highly listenable and danceable recent releases, it was a pleasant surprise to find Germany’s Blinded Hearts (aka Andi Jelitsch) pairing once again with Sweden’s Louise CS for their take on “Just The Two Of Us”, the 1981 Grover Washington Jr./Bill Withers hit.  You’ll recall their collaboration on “Brand New”, some emotional electronica from about a year ago, and taking on “Just The Two Of Us” sounds, well, very comfortable.  Louise’s sultry vocal with a hint of a rasp suits the song well, and the song’s transformation into a downtempo deep house track will work well on the dance floor.  Considering the last time “Just The Two Of Us” was reworked into a hit – by Will Smith – this rendition by Blinded Hearts and Louise CS is satisfying and refreshing.

Published in: on May 20, 2019 at 11:43 pm  Leave a Comment  
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It’s 10/10 #03: New songs from @JayB1rdmusic and @DanniCarra, @Prizmofficial, @NickHagelin and @itsPaxton, @DaveWinnel, @JanosBAndersson, @thisisMokita, @iamNickPeters and @JamieGreymusic, @weareGODAMN, @Aadysimusic, and @iamAxelM

10/10 #03

10/10 (or tenoutoften) is this blog’s new feature where I write about 10 hot and fresh songs in no particular order, for your kind consideration and attention.

I continue to write individual blog posts about certain songs.  That does not mean that songs in the 10/10 lists are any less than those featured individually. 

Writing 10/10 features means I can cover more songs in one shot .  So you get to learn about more new music that I hear but don’t always get a chance to write about. 

tenoutoften

tenoutoften 03

  • JAY BIRD and DANNI CARRA, “Let You Down” (free download)

“Let You Down” marks a personal best for SoCal producer/remixer Jay Bird.  It’s one of those songs where every aspect has been carefully crafted, balanced, and executed.  With a beautiful melody and danceable rhythm that doesn’t bow to any particular dance sub-genre, “Let You Down” is a warm and inviting story about being dedicated to a special someone.  It also marks another collaboration with singer Danni Carra (check out my blog post about “The Reason”, which was released earlier this year).  “Let You Down” is a generous free download – get it while you can at the link above.

  • PRIZM, “The Prizm”

L.A. based producer Prizm returns after a bit of a break to showcase his melodic side after a few harder edged tracks last year.  “The Prizm” has an uplifting, anthemic quality about it at times, and veers into softer, emotional EDM about half way through before the beats return and lead to a quiet ending.  The song reminds me, production-wise, of others that have come from Sweden in the past few years, using a pitched up vocal to carry it through.  The result is a creative and diverse release that should serve as a springboard for Prizm.  

  • NICK HAGELIN and PXTN, “Good Time”

“Good Time” is a breezy Latin-infused song meant for mid-evenings as the sun is setting.  It comes from always charming Atlanta-based singer/songwriter and ballet dancer Nick Hagelin, about whom I’ve written for many years, including long before his Top 10 finish in Season 10 of “The Voice”.  Taking time to balance raising a young family and maintain his professional dancing while recording and writing songs, “Good Time” marks Nick’s first release in about two years with a nice change of pace, still sounding fresh and improvised at times.  Here he brings along his buddy from “The Voice”, fellow Top 10 finisher Paxton Ingram (here billed simply as PXTN), which adds an in sync energy to the song.  Here’s to more new music from Nick Hagelin!

  • DAVE WINNEL, “Ksamil”

Dave Winnel is an Australian producer/remixer who divides his time between Sydney and The Netherlands, thanks to his work with Armin van Buuren and many others associated with the Armada label.  Only recently starting to release his own material, a four song EP called Lily Of The Valley (The Journey) has arrived from Dave.  Amid some imaginative, more progressive songs comes “Ksamil”, which has a different presence from the other songs.  “Ksamil” is small beach-side village in Albania in which Dave wrote it.  In contrast to some percolating synths, it’s got relaxing and gentle elements that make it perfect for an outdoor festival on a sunny day.  Play this one back-to-back with Tez Cadey’s “Logic” and create your own mini-voyage.

  • JANOS, “Zero”

Janos is a Norway-based Swedish singer, songwriter and musician who has been releasing music for most of this decade, receiving some attention at home and in England.  “Zero” is danceable alternative pop-rock with an outside-of-the-box approach to songwriting.  I’m really not too sure what the song is actually all about but there’s an affable vocal, tight instrumentation and production, as well as a carefree feel that, despite Janos’ European origins, reminds me most of 90’s American bands like Third Eye Blind or The Rembrandts.

  • MOKITA, “Til I Don’t”

Current blog favourite Nashville-based singer/songwriter Mokita continues his sturdy roll of top notch songs with “Til I Don’t”, following “All Into Nothing” (with R3HAB), “London”, and “Kiss And Tell”.  “Til I Don’t” is a quickie at only 2:07 and perhaps his slightest of the four, but it’s tightly crammed with words from Mokita’s always interesting perspective on relationships.

  • NICK PETERS and JAMIE GREY, “Where Did You Go”

18 year old French producer Nick Peters has released a few consistent singles of his own since 2016, while providing remixes for others such as Major Lazer.  Regular blog readers know how much I enjoyed his 2017 collaboration with Frank Pierce and Scott Vega (now known collectively as Juscova) called “No Love In Brooklyn” (#4 on my personal chart).  “Where Did You Go” is top drawer and benefits from anchored deep house beats and rhythms, and a memorable, soulful vocal from British singer Jamie Grey.  The radio edit alters the pace slightly, so go for either version, focused on the beat or the lyricism, as you see fit.

  • GODAMN, “Kickers”

Although they were previously known under other names in the dance music scene, GODAMN is a Swiss production duo who have been getting support from the best in the biz since they emerged under this name in 2017.  Their latest, “Kickers”, is a fun bass house production that would highlight any club DJ’s set and trigger instant reaction from lovers of this sub-genre.  GODAMN have a clever, bouncy club hit in the making with “Kickers” so lend an ear for it this Spring and Summer.

  • AADYSI, “Don’t Need You”

Taking its cue seemingly from both techno-styled trap and science fiction movie themes, NYC producer Aadysi is back with “Don’t Need You”.  Featuring Aadysi’s own vocal, the song starts off with some punchy beats, but slows down into a trap-influenced rhythm which morphs into some unexpected and smartly made progressive synth pop.  “Don’t Need You” then circles back to its heavier edges before a soothing, spacey ending.  It’s a stylish electronic kiss off to a past relationship that’s well worth your attention.

  • AXEL MANSOOR, “Busy”

L.A.-based singer/songwriter Axel Mansoor continues his consistent string of releases with “Busy”.  Ever the interested observer in relationship, Axel provides a convincing story to ensure that you do not forego who and what are right in front of you every day.  A midtempo beat and some well-placed synth work carries a lilting acoustic guitar melody that will make you clap or tap along.  “Busy” is indie pop that goes down easy while providing honest food for thought.

It’s 10/10 #02: New songs from @pete80s, #EricZava @DJMirkoB & @GorashDaniel, @finis_mundi_, @Iliramusic, @Boye_Sigvardt, @JeanorJuan & @FoxandCharm, @EleriAngharad92, @BLRofficial, @TimmyTrumpet @BlissNEso & @LeeFields12, and @Showtek & @LeonSherman in an @ATrak remix

10/10 #02

10/10 (or tenoutoften) is my new feature where I write about 10 hot and fresh songs in no particular order, for your kind consideration and attention.

I will also continue to write individual blog posts about certain songs.  That does not mean that songs in the 10/10 lists are any less than those featured individually. 

Writing 10/10 features means I will be able to cover more songs in one shot than I’ve been able to do recently.  So you get to learn about more new music that I hear but don’t always get a chance to write about. 

tenoutoften

tenoutoften 02

  • PETER WILSON, “Like Dynamite”

The Australian singer who so aptly brought us a different kind of “Verona” with UK singer Sean Smith returns with a two song EP, the better of which is “Like Dynamite”.  It’s a complete throwback to mid-80’s danceable modern rock, with particular and welcome reference to New Order’s “Bizarre Love Triangle”.  Peter’s voice really flourishes in this setting and it’s a lot of fun!

  • ERIC ZAVA, DJ MIRKO B and DANIEL GORASH, “Even In Confusion”

Another song that might take some of its cues from 80’s new wave is “Even In Confusion” by Italian producers Eric Zava and DJ Mirko B with singer Daniel Gorash on vocal.  Don’t even think Italodisco with this one.  It’s delightful melodic house music that could be a real surprise to club DJ’s.  The echoey vocal reminds me of early 00’s ATB records and totally suits the song.  “Even In Confusion” is memorable and will definitely get you dancing!

  • FINIS MUNDI, “Right Now?”

Accompanying his recent album release Everything After is the single “Right Now?” by Swedish producer Finis Mundi.  This is sophisticated deep house for the late night time which could happily accompany songs by Bobby Nourmand or Faithless into the wee hours.  It’s definitely atypical of the dance music from Sweden and taps much more into UK or Chicago/New York house rhythms for deep, dark effect.

  • ILIRA, “Do It Yourself”

Breaking out of Germany is the effusive pop sound of Switzerland-raised Kosovo-Albanian singer Ilira with “Do It Yourself”.  The production for this song is a hybrid US/UK bounce back to about six years ago – think Miley Cyrus meets Icona Pop.  Like songs from that time by both artists, “Do It Yourself” is a potent anthem for young women.  It’s very distinct and has the potential to cut through a lot of other samey-sounding pop of today with its splash of a few years ago.

  • BOYE & SIGVARDT, “Ganja Fiyah”

You’ll recall the unique song “Astronauts” by Danish producers Boye & Sigvardt (with MAGNÜSand UHRE) which I wrote about a few years back.  After a few releases with American label Big Beat, the lads (Christian and Christian) have been trying out a variety of dance styles, and “Ganja Fiyah” is an unexpected trip into fun deep house with striking bass beats and explosive synths.  Fans of Don Diablo, Afrojack and Armin van Buuren will definitely dig this one.

  • JEAN JUAN and FOX & CHARM, “Strangers”

Dutch producer and Soave label head Jean Juan unleashes his second single under his new moniker called “Strangers”, this time in collaboration with Mexico-based Turkish producers Fox & Charm.  It’s exotic-sounding deep house that will cause instant reaction when dropped mid-set.  “Strangers” is full of propulsive rhythms and an appealing vocal that go down pretty easy.  Jean Juan says he’s just getting started and I’ll look forward to what’s next!

  • ELERI ANGHARAD, “Earthbound” (acoustic)

Although she classifies herself as a Country artist but hails from Wales, Eleri Angharad has a lot of pop potential if the acoustic version of the title track from her recent album is any indication.  She could easily ride the wave of popularity created by the likes of Kacey Musgraves and Maren Morris, though she definitely has her own take on her craft.  In fact the vocal on “Earthbound” reminds me a lot of California duo Bahari’s contribution to electronic sensation Illenium’s “Crashing”, so I could visualize her in that setting as well.  Recording acoustically is not recommended unless you can really prove yourself and Eleri has no problem instilling her appealing personality into this performance.

  • BLR, “Méduse”

Dutch producer BLR returns to Tiesto’s AFTR:HRS label – he was the first artist signed back in 2016 – with the enchanting “Méduse” and its seductive French vocal.  You can definitely expect a dark, hypnotic trip that has late 70’s/early 80’s retro appeal that will recall music from the likes of Cerrone or Patrick Juvet.  “Méduse” will definitely be a force on the dance floor with the clock strikes 12!

  • TIMMY TRUMPET, BLISS N ESO, and LEE FIELDS, “High”

You may have already heard, but Australian producer/DJ Timmy Trumpet is set to be part of the European Space Agency that’s linking dance music with space travel!  You can hear all about that right here, but in conjunction with that announcement is the release of Timmy’s latest single “High”.  While “Freaks” continues to be played everywhere at events and on dance music radio worldwide, “High” goes back to Timmy’s jazz and R&B roots, featuring veteran US soul singer Lee Fields as well as reknown Aussie/American hip hop trio Bliss N Eso.  The blend of influences remind me of early 90’s mixes that incorporated all of those styles as well as house music, and Timmy and team successfully update that sound with “High”.

  • SHOWTEK and LEON SHERMAN, “Listen To Your Momma” (A-Trak remix)

You can’t keep a good song down and I’m a big believer of remixes to help good songs reach greater heights.  “Listen To Your Momma” by Showtek and Leon Sherman was actually released in 2015, but it’s such a fun song with an inspired vocal that a bevy of remixes have now surfaced.  The best of the bunch is from A-Trak, who recently woke us all up with the praise to to the house music gods and stern advice for DJ’s with Todd Terry in “DJ’s Gotta Dance More”, which was #1 for several weeks on my personal chart.  With it’s big bounce and plenty of vinyl scratching, A-Trak’s remix of “Listen To Your Momma” should make headway to clubs and festivals all over the world this year.

 

 

 

 

 

Sweden’s rising duo @NOTD go all #Ninjawerks with “Start It Over”, with @CVBZmvzic and #ShyMartin

NOTD featuring CVBZ and SHY MARTIN, “Start It Over”

It’s so cool to see young and rising Swedish producers NOTD (Tobi and Sam) alongside greats like Alesso, Tiësto, Arty, 3LAU, Kaskade, Nero, and Dillon Francis on the new Ninjawerks Volume 1 compilation with “Start It Over” – and gotta like the boys animated Ninja-style in the artwork above too (real pic below)!  NOTD, who had a Billboard Top 10 dance club play chart entry with “I Wanna Know” with Bea Miller this past summer, brings along Oregon-based vocalist CVBZ, already written about several times in these blog pages, and fellow Swedish singer Shy Martin, who released her first EP this year.  “Start It Over” isn’t the usual kind of dance song you’d find associated with something like Ninjawerks, but clearly the high-profile man behind those projects is looking for a diverse mix, and NOTD delivers.  “Start It Over” is a catchy production that seamlessly blends two splendid and distinct vocals that likely otherwise wouldn’t be matched up, and the bold moves certainly work.  Expect even more big things in 2019 from NOTD.

NOTD

Published in: on December 22, 2018 at 11:54 pm  Leave a Comment  
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Sweden’s @weareBROHUG offer more pop-friendly, hip hop/R&B-influenced “Be Somebody”

BROHUG, “Be Somebody” (single and club mix)

It’s a real departure from their usual heavier EDM sound, but Swedish trio Brohug return with the more pop-friendly “Be Somebody”.  Although many songs with that title have surfaced of late, “Be Somebody” draws on hip hop and R&B influences with an uncredited female vocal for a song that could be come one of Brohug’s festival favourites in either its single or club mixes. The single mix (above) has a surprising breakdown that fits in quite well, whereas the shorter club mix (below) focuses less on vocal verses and hip hop flavours in favour of deeper, progressive house rhythms and anthemic focus on its title.  Both versions of the song have their positives, but if you think Brohug were all about a specific sound and style then consider yourself proven wrong by “Be Somebody”. 

BROHUG play Toronto club Uniun on Friday December 7.

Published in: on November 25, 2018 at 10:46 pm  Leave a Comment  
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“Alive” by @JackWins and #ILY brims with exhilarating feels

JACK WINS and ILY, “Alive”

Dutch producer Jack Wins returns with “Alive”, an exhilarating slice of dance/pop that features go-to Swedish vocalist ILY – you know her most recently in these blog pages from Gianni Marino & Boy Problems’ “Can You Hear Me”.  Her recognizable voice helps make “Alive” a winner, with its high end percussive hook that reminds me of recent releases by Australia’s JYYE.  But it’s the positive feels that will pull people out onto the dance floor and “Alive” should keep club goers happy into the winter months.

Published in: on October 28, 2018 at 9:07 pm  Leave a Comment  
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Rock out with the intriguing “Last Dance” by Sweden’s Simon Alexander @SimonAlexmusic

SIMON ALEXANDER, “Last Dance”

I introduced you to Swedish singer/songwriter Simon Alexander earlier this year with the taut “Won’t Be Found”.  His latest single “Last Dance” is an immediate ear-grabbing alt.rock tune with a memorable chorus that arrives uncharacteristically at the 30 second mark.  From there in, you’re already swept into the intrigue of the song and how the couple in the song came to their last dance.  The guitar work is solid and a well-balanced production keeps the song moving fluidly.  Simon has both power and range in his voice, which could also be spotlighted well in an acoustic rendition of this song.  As is though, “Last Dance” is a fresh-sounding radio-ready rocker that wraps up handily just before the three minute mark.

Published in: on October 6, 2018 at 7:37 pm  Leave a Comment  
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“Can You Hear Me” is a sparkling electropop collaboration from The Netherlands’ @GianniMarino and #BoyProblems with Sweden’s ILY on vocals

GIANNI MARINO & BOY PROBLEMS and ILY, “Can You Hear Me”

No doubt about it, “Can You Hear Me” by veteran Dutch producer Gianni Marino is a sparkling end-of-summer feel good anthem about not neglecting that special person who is mad about you.  He’s created it in partnership with Boy Problems – the pseudonym of a well-known, platinum-selling producer who chooses to remain anonymous for this side-project.  And showcased in the mix is the wonderful voice of Sweden’s ILY, in a perfect fit for a Tipsy Records pop/dance release.  “Can You Hear Me” contains a bounty of high end synth sounds that compliment ILY’s vocal and make the song instantly memorable.  And you definitely can’t knock Gianni’s slick pairing with Boy Problems, whoever he may be, maybe we’ll find out one day…  

Published in: on September 14, 2018 at 9:14 pm  Leave a Comment  
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