#BILLCSTop30 #546 – October 15/18

The Ides of October are upon us already, and that means Summer favourites are departing the chart.  To replace them though, there’s no shortage of great tunes.  There are three debuts and a brand new #1!

The Top 10

  • Calgary’s Kiesza gets her first #1 on this chart with the season-appropriate “Phantom Of The Dance Floor”, featuring Quebec opera singer Philippe Sly, in only its third appearance on the chart.  It’s a fun song and an even more fun, manic video.  Spread the news about this one kids as people are missing out.  It’s also the first #1 by a Canadian since this year at this very time when Loud Luxury and Nikki’s Wives held court with “Show Me”.  Benny Benassi & Sofi Tukker’s “Everybody Needs A Kiss” slides to #2, still one of my faves of the year, and it will hang around for a while.
  • Another song that I can’t stop playing is “Verona” by Australia’s Peter Wilson and England’s Sean Smith.  It advances 9 to 4 this week, and the combination of 80’s musical flavour/production, great storytelling, and fine singing make “Verona” the total package!
  • Philadelphia’s N i G H T S get their second Top 5 hit with “Eyes”, following last year’s totally different “P A R T Y”.  Give these guys some time and they will make their mark, with so many songs up their sleeves.

  • Both “High On Life” by Martin Garrix and Bonn (above), and “All For You” by Years and Years (below), finally break into the Top 10 after a lot of patient waiting for some of my favourites to depart.  “High On Life” climbs 11-7 and “All For You” is up 12-8.  

  • “Vacant Love” by Caden Jester and Blake Rose hits another new peak, climbing 10-9.

  • Norway’s Jesper Jenset gets his second Top 10 as featured vocalist in Gromee’s “One Last Time” (above), which climbs 13-10.  He’s also featured in Lost Kings’ new single “Drunk As Hell” which you can check out below in its amusing Simpsons-ish looking video.

Movin’ On Up

  • It’s sort of peaked already but “Rise” by Jonas Blue and Jack & Jack (above) has been slowly making its way up my chart.  It climbs 15-11 this week.  Jack & Jack recently dropped their new song “No One Compares To You” (below).

  • Netherlands-based producers Revelries also continue to climb with their latest original “Infinitum”, featuring Australia’s Beamish Boys on vocals.  It rises 14-12.
  • The fastest riser on the chart is “Loyal” by Odesza, up 24-14.  This should be no surprise; it’s one of the most intriguing and unpredictable songs on the chart with a soulful female vocal (sample or no?) that drives it home.

  • Also making a significant leap is PLS&TY’s “Down For Me” in its club-ready Morgan Page extended mix, climbing 21-15.

  • Though it made a small move two weeks ago, “Soldier” by Sidney Samson & GWise is hardly done, and jumps 27-22.

3 Debuts

  • It took a few spins for me to really dig this record, but now there’s no stoppin’ me playing it!  My fellow Canadian A-Trak is back with a fun, inspiring original called “DJ’s Gotta Dance More”, made even more genuine with legend Todd Terry on vocals!!  This song is a MUST for every club DJ.  It’s classic, reverent house with a great message.  It bows at #24.  A-Trak was last on the chart as part of the trio with Kimbra and Foster The People’s Mark Foster in 2012 for “Warrior” (#10), a freebee at the time courtesy of Converse.
  • Mercer returns to the chart after his #1 “Satisfy” with “Fireworks”, a 70’s retrotastic song I’ve been playing for months that is re-released as part of French producer’s new EP Neo Disco, along with another new song “Monte Carlo”.  “Fireworks” arrives at #25.

  • The Chainsmokers are also back making a collaboration with Country singer Kelsea Ballerini work so well with “This Feeling”.  Their other recent single “Side Effects” failed to resonate with me, sounding too much like other dance pop on the charts.  “This Feeling” premieres at #26.

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

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#BILLCSTop30 #545 – October 1/18

And the new music keeps on coming, making for what’s turning out to be a faster moving chart in years.  Very few songs this year have attained the maximum chart run of 10 appearances (20 weeks) – only 14, including this chart’s “Pink Lemonade” by James Bay, but they will be joined next chart by The Him and Parson James’ “Broken Love”.

The Top 10

  • “Everybody Needs A Kiss” by the dynamic team of Benny Benassi and Sofi Tukker is snug at #1 for a second appearance, but it’s being challenged by several songs below vying to take its place in two weeks.  I’m honestly surprised this one hasn’t been much bigger at dance clubs!

  • Tony Moran and Jason Walker have their best chart showing yet as the Victor Dinaire/Bissen remix of “I’m In Love With You” climbs to #2.

  • The gorgeous melody and riveting beats of “Tim” by Arty allow the lovely tribute to Avicii to rise 7-3.

  • The prolific Philadelphia duo N i G H T S move up 9-6 with “Eyes” (above), but have released yet another single, their 4th since “Eyes”, called “Paradise” (below).

  • The one to watch on the chart is the fastest riser, perfectly timed for Hallowe’en, “Phantom Of The Dance Floor” by Kiesza featuring Quebec opera singer Philippe Sly.  Everyone in the video above is having a blast.  We so needed this campy injection of fun right now 🙂
  • Another one to watch is “Verona”, featuring compelling vocals, both solo and together, by Australia’s Peter Wilson and England’s Sean Smith.  It climbs 15-9, becoming Sean’s second trip to the Top 10 after last year’s “Magic” (#7).
  • And it’s a first time visit to the Top 10 for L.A. producer Caden Jester with “Vacant Love”, up 11-10, and featuring the voice of Blake Rose.

Movin’ On Up

  • These past few weeks have seen the arrival of the video for “All For You”, the third single from Palo Santo by Years & Years, and the song climbs 14-12.  I look forward to seeing Olly, Mikey, and Emre for the third time on Friday October 5 in Toronto at The Phoenix!!
  • The Netherlands-based Emerati production duo Revelries moves up 18-14 with their original “Infinitum”, featuring Australia’s Beamish Boys on vocals.  

  • It recently got to #1 on Billboard’s Dance Club Play chart – “Rise” by Jonas Blue featuring You Tube stars Jack & Jack, rises 19-15.

  • Florida’s PLS&TY has his first original on the chart, and in its Morgan Page remix, “Down For Me” is definitely tailored for clubs, climbing 28-21.
  • The delightful short story of “Voice Mails” by L.A.-based producer Kooky, is no flash in the pan, moving up 30-23.

Three Debuts

  • The Highest Debut of the week belongs to acclaimed, Grammy-nominated Seattle duo Odesza with their first appearance with the huge sounds of “Loyal” at #24.  It’s a fan favourite that Odesza has had in their set for some time now.  However they’ve replaced a Marvin Gaye sample with a soulful, vibrant female vocal – not sure if it’s a sample or an original recording.  After a lot of thinking, I thought it might have been an excerpt from Cheryl Lynn’s 1979 disco smash “Star Love” but alas it’s not!  Guesses, anyone?
  • Next up is established Nova Scotia production duo Botnek with “Days Of Disco” at #25, which also sounds like it uses a sample of the telephone ringing right out of disco days’ “Doctor’s Orders” by Carol Douglas, but that doesn’t appear to be so.  In any case the song is insanely catchy and will liven up any dance club set!

  • The third and final debut belongs to The Knocks, who released their second full album this past week, New York Narcotic.  Equally as entertaining as their 2016 debut 55, the song from Narcotic that bows on the chart is “Goodbyes” featuring none other than Method Man – he’s the second rap voice, the first is of course The Knocks’ own Mr. JPatt!  “Goodbyes” is The Knocks’ 6th chart appearance. They’ve been to #1 before with 2015’s “Kiss The Sky” featuring Wyclef Jean.

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

 

#BILLCSTop30 #541 – August 6/18

What’s going on in the lower end of the chart will be of most interest to my fellow chart makers and fans, as the new chart has five debuts for the second chart in a row.  The Top 6 songs stay exactly the same, though a shakeup is likely in two weeks.

The Top 10

  • There’s no denying that “Broken Love” by The Him featuring Parson James has a lock on #1.  To my ears it’s the dance ballad of the summer and also one of the best songs of the year.  The Him has quickly followed it up with “By Your Side” with Jordan Jay, which is somewhat different from what they’ve been producing lately.  Check it out below.

  • “Pink Lemonade” by James Bay (#3, above) and “No Place” by Rüfüs Du Sol (#5, below) are the most likely candidates to remain in the Top 5 in two weeks.

  • “Jackie Chan” by the collaboration that is Tiësto, Dzeko, Preme and Post Malone glides into the Top 10 at #8, marking Tiësto’s first Top 10 placing as an artist since 2007, while it’s Dzeko’s second Top 10 of the year following the Tiësto-remixed cover of Seal’s “Crazy” (#2).
  • RetroVision’s “Get Down” shares a Top 10 placing with the song from which its hook is primarily derived – “Lola’s Theme” by The Shapeshifters, which got to #1 in 2004 and is one of my all time favourite dance songs.  “Get Down” advances to #9.

  • Also new to the Top 10 and independent is UK singer/songwriter Lostchild’s “Blacklist”, which climbs 14-10.  I’ll share the acoustic video version of the song once again with you, it really is as good as the much more produced dance version 🙂

Movin’ On Up

So many great new songs, and so little time to write…

  • Tony Moran and Jason Walker are headed for the Top 10 for the third time together with the jubilant “I’m In Love With You”, which climbs 18-12.  The song is already in the Top 5 of Billboard’s Club Play chart.

  • Also looking for a third Top 10, following “Memories of You” and “Wake Up For the Night” is Miami-based producer/DJ Alyx Ander this time in a joint effort with Dutch producers Redondo with “Casually”, featuring vocalist and songwriter Maria Z.  It’s the fastest riser on the chart, soaring 22-14.

  • Singer/actor Keiynan Lonsdale’s great new song “Preach” rises 23-17.  Check out the joyous and colourful video above.
  • NYC-based indie producer Squired has hit the chart full on with his powerful song “Peace Out”, which rises 24-18.
  • “Vacant Love” is a terrific sing-a-long that will also have you moving on the dance floor courtesy of L.A. producer Caden Jester and vocalist Blake Rose.  It moves up 26-20.
  • Turn the lights down low, relax your mind and sway to “Eyes”, the latest single from Philadelphia duo NiGHTS, which climbs a healthy 29-22.  It’s the group’s second chart entry following last year’s “P A R T Y” (#3).

Five Debuts

  • I’m waiting for the international chart attack to happen, because it’s already happening here!  Veteran producer Benny Benassi pairs up with new kids Sofi Tukker for “Everybody Needs A Kiss”, which features some of the most wonderous synth work of the year, and duly crashes onto the chart as the highest debut at #19.  It’s Benny’s third appearance, the last being in 2011 concurrently with “Cinema” (#11) and “Beautiful People” (#10, with Chris Brown).  It’s also Sofi Tukker’s third appearance, immediately following the #4 “Baby I’m A Queen” from their Treehouse album.

  • Martin Garrix returns to the chart for the first time since last year’s collaboration with Troye Sivan on “There For You” (#3) with “High On Life” at #23.  It’s one of the year’s most vibrant dance songs featuring an excellent vocal from newcomer Bonn.

  • Russian producer Arty, like Benny Benassi, has also been absent from the chart for a while, when 2012 brought us “Must Be The Love” (#13) in collaboration with Nadia Ali and BT.  He’s back with a beautiful instrumental tribute to Avicii simply called “Tim” at #25.  This one will have you bouncing in no time.
  • One of Minnesota’s finest, indie artist Call Me Karizma, returns to the chart with the spoken/sung “Life Of The Party” (#27), which with its minimal electronic arrangement is turning out to be a great companion song to The Chainsmokers’ “Sick Boy” and “Everybody Hates Me”.  ‘Riz first appeared on the chart two years ago with the fun and pointed “u suck” (#9).
  • The last debut is also independently released by Netherlands-based production duo Revelries with the bright and inviting “Infinitum”, featuring vocals by Australia’s Beamish Boys, at #28.  Revelries has only appeared on the chart previously as remixers under another name last year for Welcome To The Hotel’s “Darlin'” (#10).  “Infinitum” is a free download for now at the link above.

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

 

Netherlands-based producers @Revelriesmusic score with dreamy mid-summer song “Infinitum” with Australia’s #BeamishBoys

REVELRIES and THE BEAMISH BOYS, “Infinitum”

You can tell the guys behind Dubai-bred, Netherlands-based Revelries (they would be Nik and Abhi) are not only producers but musicians as they follow up their successful take on Portugal. The Man’s “Feel It Still” (featuring Henri Purnell) with the glorious escapism of “Infinitum”.  Not only does “Infinitum” have great melody, instrumentation and song structure, but Revelries have partnered with young Australian duo The Beamish Boys (Ben and Jeremy) for some compelling, diverse vocal work that makes the song soar even more.  “Infinitum” is a dreamy mid-summer alt.dance.pop song for those clear starry evenings when nothing else matters, with sparks of love and affection in the air, and anything is possible.  There are lots of folk/pop elements that creep in with some effective acoustic guitar work that helps guide the song along and make it quite accessible for radio play.  “Infinitum” is highly deserving of your attention and placement on your favourite Spotify playlist using the link above.