It’s 10/10 #08: @GarethEmery @WinandWoo @KyanPalmer @ChetPorter @AWonderland @JessieReyez @Dzekomusic @Kiesza @MattFaxmusic @TheHim @SuperDuper808 @MadisonMalonem @JerinJamesmusic @iamDeverano

For the first time since January, I bring you my 10/10 feature!!

In 10/10 (or tenoutoften) ,  I write about 10 hot and fresh songs in no particular order, for your kind consideration and attention.

I continue to write individual blog posts about certain songs.  That does not mean that songs in the 10/10 lists are any less than those featured individually.  In fact my recent #1 “Shivohum” by Tritonal & Henry Dark, was included in a previous 10/10!

Writing 10/10 features means I can cover more songs in one shot.  So you get to learn about more new music that I hear but don’t always get a chance to write about. 

tenoutoften

  • GARETH EMERY and ANNABEL, “You’ll Be OK”

British electronic dance producer Gareth Emery says “You’ll Be OK” is the best song he’s released to date.  And he has many reasons to say that, for it’s a gorgeous song with trance-drenched synths and some big, frenetic beats.  It’s also actually a personal story about being on a plane he thought would crash, and based on a letter he was writing to his wife at the time.  Its video above has an emotional ‘life flashing before your eyes’ story as a result.  “You’ll Be OK” has many soft and peaceful moments, which hit home a little more knowing this information.  Vocalist Annabel personifies it all with her rich and gentle voice, and it’s extremely appropriate as a backdrop to what’s going on in the world right now.  “You’ll Be OK” is an amazing follow up to Gareth’s current hit “Yesterday” and is culled from his forthcoming album called The Lasers.

  • WIN & WOO and KYAN PALMER, “Sleepwalking”

American dance producers Win & Woo continue with a series of songs released through Armada that portray how much better they keep getting at their craft.  “Sleepwalking” features Arizona-born, L.A. based singer Kyan Palmer, who has been gracing other electronic dance records over the past few years with his R&B-influenced style.  “Sleepwalking” is a big, bouncy, fun record that can easily ignite a set at a key point in the evening at a dance club.  It also has big potential for dance music radio airplay.

  • CHET PORTER and ALISON WONDERLAND, “Bummed”

We’re all “Bummed” that his upcoming club tour was cancelled, but we’ll just get more time to enjoy the unconventional sound of “Bummed”, Torontonian Chet Porter’s collaboration with Australian electronic producer Alison Wonderland.  “Bummed” has an early 80’s DIY new wave vibe about it that’s utterly charming, complete with old school drum machine sound.  Chet and Alison collaborated on a song that suits their voices and has plenty interesting that’s going on within.  Go deeper and you’ll find all of those delightful melodic flourishes that you get inside every Chet Porter song.  “Bummed” is a both a refreshing surprise and a winner.  Definitely play it alongside Porter Robinson’s new music for starters.

  • THE HIM, “Freestyle Scientist”

It looks like Dutch producers The Him have been immersed in late 90’s techno-house, if “Freestyle Scientist” is any indication.  It’s an extremely playful departure from the duo’s pop-leaning deep house tracks which have graced these blog pages (and my personal chart) many times in the last four years.  Brace yourself this one.  Add some early Chainsmokers-flavoured synth vibes into the mix and it looks like “Freestyle Scientist” could be the start of a new musical era for The Him. Check out the trippy video above.

  • JESSIE REYEZ, “Love In The Dark” (Dzeko remix)

Award-winning Canadian singer/songwriter Jessie Reyez has a Canadian radio hit with her latest single “Love In The Dark”.  And with her recognition earlier this year as a Grammy nominee, you can bet that the song will garner attention stateside as well.  It’s amped up for clubs by fellow Canadian and esteemed electronic dance producer Dzeko.  He puts just the right kind of propulsion behind the deep house rhythms, and you’ll wonder why it wasn’t a dance track in the first place.  Club DJ’s will want to showcase this remix of “Love In The Dark” in a mid-evening set for immediate reaction.

  • SUPER DUPER, “All On You”

Hailing from Nashville’s vibrant music scene, which includes a lot of electronic dance music, is Super Duper (aka Josh Hawkins) who definitely pushes some interesting boundaries in “All On You”.  The song honestly starts out like nothing special, with a distorted vocal and a rather uneventful lead in.  But Super Duper totally shifts the rhythm and feel of the song just after the first minute, and “All On You” grabs you with a sudden WTF magnetic force.  The beats kick in and you immediately start having flashbacks to songs like M83’s “Midnight City”.  “All On You” now has you completely under its spell and so it succeeds rather well in a roundabout way.  Super Duper’s latest is released by the Fader label and is currently being featured on every major streaming platform. Remixes could help push “All On You” further.

  • MATT FAX, “Light On”

French producer Matt Fax eloquently captures the current rise of old-style trance and techno vibes in his latest release, the instrumental “Light On”.  This percolating track will sit nicely next to tracks by Gabriel & Dresden or Above & Beyond in a late night trance set.  Matt keeps the atmospherics working and ever changing which makes “Light On” a synth-filled feast for the ears.

  • KIESZA, “All Of The Feelings”

Calgary’s Juno Award-winning Kiesza has brought us many fine vocals since coming back to the music scene as an independent artist after suffering a life-altering accident.  “All Of The Feelings” is one of those feel-good, vibrant songs that has ‘hit’ written all over it, and many people would hear this as a return to the pop/dance style that brought us “Hideaway” back in the day.  We’ve seen how versatile Kiesza can be with her songs, most of which are original co-writes.  “All Of The Feelings” may skew a more commercial slant but it’s such a well-written and performed release that no one should quibble.  And you can see her perform it in the video above.

  • MADISON MALONE, “Fragile Heart 1”

L.A.-based singer/songwriter Madison Malone dazzles us with her pitch perfect voice on “Fragile Heart 1” from her unique album called I & II (that’s One and Two).  The highly listenable album consists of five songs each recorded in two different versions, all of which work pretty well because the songs themselves are so strong.  But it’s “Fragile Heart 1” that stands out – kind of what could happen if a minimalist Rufus Wainwright song somehow transformed into one with Sarah McLachlan inspiration.  “Fragile Heart 1” is emotional and vulnerable but still very hopeful.  Madison has made herself known at festivals like SXSW and on a recent US tour, so definitely keep your eyes and ears out for her.

  • JERIN JAMES and DEVERANO, “Birds And Bees”

Jerin James is a new name to the dance music biz though he is hardly a newcomer, having previously recorded under another name and had other roles in the industry.  “Birds And Bees” is all about atmospherics and vocals, and even if the song overall to me is a bit familiar and what I would call ‘much ado about nothing’, it works quite well.  The dramatic, sophisticated production is enhanced by Deverano’s stylish and often far-reaching vocal – he’s graced a number of dance records and always gives them a big lift when they need it.  “Birds And Bees” is a compelling start for Jerin James.

A new supplement to the 10/10 feature is my new Spotify playlist called the BILLCS Viral Weekly.  Check it out below as it contains some of the songs in this 10/10 blog post!

 

#BILLCSTop30 #574 – November 11/19

The new chart is brimming with activity as some hot new songs take advantage to move up in the place of older favourites.  

The music from my chart and blog will be featured regularly on the new online radio station Radio GTA.  You can hear their Big 20 on Wednesday evenings with ‘The Musicman’ James Rogers and listen for songs from the chart too 🙂 Scroll down the main page to listen to lots of variety from across the decades!

1-2-3 – all locked in for another chart.  Throttle’s “Dreamer” (above) from the fine EP Where U Are stays put at #1, while the OKJAMES remix of “Like Like” by Lostchild and “I’m Not Alright” by Loud Luxury and Bryce Vine (both below) remain at #2 and #3 respectively.

Aside from “I’m Not Alright”, the Top 5 songs are comprised entirely of indies, and rounded out by Nashville duo Apollo LTD’s “On The Way Up 2.0” (6-4) and UK singer/songwriter Benedict Cork with “Breaking Hearts” (7-5), both below.

New to the Top 10 are:

  • “Lights Up” by Harry Styles (above), from his upcoming sophmore December release Fine Line.  This beautiful performance is one to keep an eye on closely as it zips up 16-7.
  • “Don’t Break My Heart Again” by Australia’s Peter Wilson in a Stormby edit climbs 11-8, becoming the singer’s second Top Tenner, after last year’s “Verona” with Sean Smith reached #2.
  • “Flicker” by NYC producers Anden rises 13-9 for those late night deep house parties.

The fastest riser on the chart is “Faith” by Sweden’s Galantis which is graced by the inimitable Dolly Parton and Dutch vocalist Mr. Probz. It soars 25-13, and is actually a cover of a Grammy-nominated song from John Hiatt’s 1987 album Bring The Family called “Have A Little Faith In Me”.  It’s also been covered in recent years by Joe Cocker and Bon Jovi, so this dance rendition was highly unexpected.  But you can’t knock the immensely positive vibes, guaranteed to make anyone smile.

It’s guaranteed to grow on you with each listen – “Punching In The Dark” is by another Swedish producer, Jon Hellberg, featuring an excellent vocal by Aloe Blacc, which climbs 23-16.

As fast as “Walk Alone” (above) has moved up the chart 24-18, Dutch producers The Him have another solid brand new mover and shaker for you.  Check out “In My Arms”, featuring Norma Jean Martine, below.

By popular demand, remixes and an acoustic version of “Mad” by L.A.-based singer/songwriter Brandon Colbein, are coming soon, as the song climbs 26-19.

I’m so thrilled with Sam Smith’s take on Donna Summer’s “I Feel Love” – with much thanks to producers Disclosure, who couldn’t be more bang on with their interpretation – that it bows at #22.  It’s Sam’s most adventurous record with an outstanding vocal.  He’s been to the top of this chart 4 times – with “Money On My Mind”, “Stay With Me”, “I’m Not The Only One”, and of course his first partnership with Disclosure on “Latch”. “I Feel Love” marks his 13th entry.  A previous cover of the song charted in 2003 by Blue Man Group featuring Venus Hum and reached #2.

It’s also my pleasure to add “Toxic World” by Peter Foldy to the chart at #27.  Peter had three hits in Canada in the 1970’s – “Bondi Junction”, “Roxanne”, and “Julie Ann” – all very well-respected by Canadian music lovers, and it’s great to have him back in a contemporary mix of a song that’s full of optimism despite its title.

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

 

 

 

#BILLCSTop30 #572 – October 14, 2019

I have a briefer blog post for you as a result of a combination of a busy Canadian Thanksgiving weekend and illness.  I will be back with more about the Top 30 for you in two weeks, and of course with blog posts in-between.

I am pleased to announce that music from my chart and blog will be featured regularly on the new online radio station Radio GTA.  You can hear their Big 20 on Wednesday evenings and listen for songs from the chart too 🙂 Scroll down the main page to listen to lots of variety from across the decades!

“Push” by Ukrainian dance group Kazaky once again holds court at the top, giving the Depeche Mode-influenced song 4 appearances (8 weeks) at #1.  We’ll see what this talented group plans as a follow up!

Looking to challenge in two weeks is “Dreamer” by Australian producer Throttle, which climbs 6-2, as Throttle’s first ever EP Where U Are is released.  It uniquely mixes thoughtful lyrics and a variety of dance styles and genres which will appeal to fans of both pop and dance music.  There are even vocals by Throttle himself!  Check out the full EP below, and listen to the songs consecutively as he suggests, which include “Dreamer” and his other previous single “Japan”.

“I’m Not Alright” by Loud Luxury and Bryce Vine advances 5-4 and now has its own video, check it out above.

Also eyeing the top of the chart is the OKJAMES remix of UK indie electronic performer Lostchild’s “Like Like” (below), which zips into the Top 10, up 11-5.  Check out the video of the original version of the song above.

Half of the Top 10 are independent releases with no label power, and one I’m happy to see climbing 12-8 is from Nashville duo Apollo LTD with the commanding “On The Way Up 2.0” from their must-hear album Out Of Body.

The other new entry to the Top 10 is a Top 30 hit in the UK and a dance hit as well.  It’s “Ritual” by Tiësto, Jonas Blue and Rita Ora, moving 13-10.

The fastest riser on the chart is by another independent performer from the UK.  The golden voice of Benedict Cork carries “Breaking Hearts” 20-12.

I’m sooo glad Pet Shop Boys and Years & Years teamed up for a record because it is absolutely a treat to listen to each time.  “Dreamland” rises 21-14.  Remixes are coming in all physical formats on October 25!

While other upward moving songs between 15 and 24 should break loose in some way or form in two weeks, you can’t deny the power of the highest debut at #25.  Harry Styles’ “Lights Up” simply should be one of the biggest hits of 2019, and the signs will show in the coming weeks.  Any vocalist should be in awe of his performance here, in such a different style from his previous album two years ago too.  The video above has almost 20M views since October 11!

As “Good Things Falls Apart” tumbles off the chart after the maximum 10 appearances (20 weeks), 5 of which were at #1, it gives room for another Illenium song.  “Broken Ones”, featuring the stunning voice of Anna Clendening, arrives at #26.  If you saw one of Illenium’s recent shows, you also saw Annika Wells (known for her vocal on “Crawl Outta Love”) sing it as if she recorded it.

The last two premieres on the chart were hard to fill, but both artists have appeared on the chart a number of times.  At #28 (above) is the infectious “Punching In The Dark” by Sweden’s Hellberg featuring the easily identifiable voice of Aloe Blacc.  And arriving at #29 is “Walk Alone” (below), the early ’10’s and very welcome melodic house throwback by Dutch producers The Him.  Both Hellberg and The Him have been to the top of the chart, Hellberg with Dzeko & Torres and “Care For Me” in 2016, and The Him in 2018 with Parson James and “Broken Love”.

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

“Walk Alone”, the latest by Dutch producers @TheHim, revels in sharp melodic house recalling earlier in the decade

THE HIM, “Walk Alone”

Easily one of my favourite purveyors of top notch house music, Dutch producers The Him are back with one of their best songs to date in “Walk Alone”.  After critics tried to bury the melodic house genre of the early part of the decade, smart producers like The Him are gradually reviving its influential presence, largely inspired by the late Avicii.  It makes “Walk Alone” a brisk 2:51, where you just wait for those magical melodic drops and hooks.  The uncredited male vocal is also appealing ear candy, and “Walk Alone” should become one of The Him’s big fan favourites in concert.  Side note: If you didn’t know, Jeroen (J) will no longer be performing with Steve in order to focus on production, and we’ll miss J at the shows, but The Him will continue to be a constant force in the house music scene.

Published in: on September 14, 2019 at 2:17 pm  Leave a Comment  
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Weekend Dance Roundup Part 2: @DubVisionmusic & @SYZZmusic @PLSandTYbased & @GANZgvnz & #Nevve @TheHim & @Lootemusic @iamAlanWalker, @SabrinaAnnLynn, and @Farrukoofficial @Ekalimusic & @L-1788 @ArminvanBuuren & @BonnieMcKee @SultanShepard & #CarlaMonroe @Goldroom @Robokidmusic @Kremerkmusic

Following up yesterday’s Part 1, here’s the second part of my Weekend Dance Music Roundup, I’m featuring 10 more new dance music releases, in no particular order, some of whom are by performers you may see at Miami Music Week.

  • Dutch brothers DubVision and fellow Dutch production duo SYZZ positively sparkle with the high energy of “Enlighten Me”.  This is a zesty 2:37 dance track that will have you chanting the urgent chorus and feeling great afterwards.  It’s one of DubVision’s very best tracks and the partnership with Syzz is well worth repeating.  A festival fist pumper for sure.

During Miami Music Week, DubVision play at Firebeatz and Friends on Tuesday March 26 and at Ultra Music Festival on Saturday March 31.

  • One of my favourite songs last year was the Morgan Page extended mix of PLS&TY’s “Down For Me”.  The Florida producer returns in collaboration with Dutchman Ganz for “Motives”.  The song starts off rather unassumingly but gradually builds to a feverishly emotional state by the minute mark, thanks to the signature voice of go-to dance music singer Nevve.  This is one of her best and most committed vocals that rides the sometimes hard-hitting future bass production later in the song.  Sway away and enjoy!
  • Norway’s Alan Walker has crafted something totally unexpected with “On My Way”.  Harkening back to three years ago when “Faded” astounded everyone, Alan employs the sharp voice of star-on-the-rise Sabrina Carpenter (currently in the Billboard club chart Top 10 with “Sue Me”) for a song that’s totally suited to her.  It begins with R&B flavour that you might associate with Rihanna, then drifts off to the islands with a vocal break from Puerto Rico’s Farruko.  By the end you’ll feel like you’ve been on a bit of an adventure so check it out!
  • Also with tropical flavours but with a more relaxed, summery vibe is “Tell Your Friends”, the latest from blog favourites The Him.  Steven and J have brought aboard American duo Loote for effortless give ‘n take vocals which make the song simply breeze by with its appealing synth-peppered bounce.

The Him plays Spinnin’ Sessions at Spinnin’ Hotel on Wednesday March 27 and Klingande’s Playground Pool Party on Sunday March 31 during Miami Music Week.

  • A new and potent instrumental is brought to you courtesy of Mexican producers Kremerk called “Nowhere”.  Premiered recently by Nicky Romero, “Nowhere” doesn’t hold back any punches with its lively synths and creative, progressive production which sometimes recalls Afrojack.  Its relentless pace doesn’t give up for a second of its 2:46 length.
  • It’s been out for about a month, but “Ruin” by the one-of-a-kind collaboration of Ekali and 1788-L delivers in just about every way possible.  Highly inventive and drawing heavily from trap and dubstep, “Ruin” is one song that will neither tire you out with an overabundance of effects, nor will you tire of its frequent changes of pace.  There’s a beautiful, underlying melody amid the experimentation, and these guys just make it all sound even more fascinating as the song progresses.  While it might not be for everyone, “Ruin” should become a centerpiece in sets by both performers.

1788-L plays no less than four events during Miami Music Week on Thursday March 28 (twice, including Brownies & Lemonade Miami), Friday March 29 and Saturday March 30.

  • From his recent 8 song release RK1, Boston’s Robokid has a real grower with “Everything Around You”.  Co-produced by the enigmatic Kid Froopy – you’ll remember 2017’s “Drive Slow” – “Everything Around You” happily marries early-to-mid 2000’s alt.influences of bands like Blink 182 and All-American Rejects with simmering electronics and a taut vocal arrangement that helps make the chorus so memorable.  
  • L.A.’s Goldroom offers up a different kind of slice of life with “Cocaine Girl”.  Its lazy west coast vibe is the perfect foil for a story in which the subjects just seem content to live a dreamy, carefree life.  Its uncomplicated-sounding synth arrangement recalls 80’s Depeche Mode and there are some nice acoustic guitar touches as well.  
  • After dazzling us recently with their instrumental “American Beauty” (based up on the score of the movie of the same name), Sultan + Shepard continue but this time with a solid house banger in “Deeper”.  It packs even more of a wallop thanks to the presence of the killer voice of Carla Monroe – she of MK’s “17” fame.  “Deeper” has the potential to be yet another huge club smash for my Canadian brethren.

Sultan + Shepard play Mixmash Takeover on Thursday March 28 and Armada Invites Miami on Saturday March 30 during Miami Music Week.

  • And what would this year’s Miami Music Week be without a new song from the master who is Armin van Buuren?  Departing from the anthemic humour of “Blah Blah Blah”, Armin brings a delightful song full of longing, powered by the voice of none other than “American Girl” herself, Bonnie McKee.  You wouldn’t expect Bonnie in this setting and Armin weaves some intense synths and beats around her gracious presence.  Armin has a long history with me, going back to 2003’s haunting “Yet Another Day”, and 16 years later continues to deliver the heat amid many talented contemporaries. 

Armin van Buuren plays Ultra Music Festival on Saturday March 30 and Sunday March 31.

 

 

#BILLCSTop30 #556 March 4/19

The new chart is ready to roar with all of the songs charging up the chart, especially those breaking through and into a very busy Top 10.  And just to add fuel to it all, four more songs debut to challenge in the coming weeks.  Over 2,200 songs have appeared in the BILLCS Top 30 since its inception in 1998!!

But it’s “Closure” by Steve Void and Andy Marsh that secures #1 for a second appearance.  It’s a hard song to get out of your head, matched by a memorable, heartfelt video.  “Closure” is release #100 for Steve’s Strange Fruits label and he reported that it’s already received over 4 million plays.  Well-deserved – a very special song indeed.

Racing up 6-2 is the incredibly likable “i’m so tired…” (above) by new best buds Lauv and Troye Sivan.  We’ll have to see in two weeks if “Closure” stays put again, but for now you can check out the MNEK remix for “i’m so tired…” below!

Moving up impressively to #3 is “Don’t Think Twice” by Revelries and Sam Smyers featuring singer Oktavian.  It’s also a strong contender for the top so we’ll have to see if there’s room for it eventually.  “Twice” is Revelries second Top 10 here following last year’s “Infinitum” and it’s also Oktavian’s too – he was featured on The Him’s #2 “Balance” from 2016.

I love finding singers with fantastic voices and great potential.  Such is the case for NYC-based singer/songwriter Ryan Gibeau with “Flying Away” from his fine indie album Quiet Fall.  It climbs 9-6.

“Sexual Vibe” (above) by Stephen Puth is such an ear-charmer, and it rises 12-7.  Puth the Younger already has a new song and video out called “Half Gone” – check it out below.

The Him’s “Look At Us Now” (above) moves up 10-8.  The prolific duo – recently added to the Miami Music Week Spinnin’ Hotel gig roster – offers up another new tune “Tell Your Friends”, featuring Loote, below.

Young Australian Sam Bluer gets his first Top 10 entry with “Bite My Tongue”, a great companion to Troye Sivan’s “My My My!”, and moves up 11-9.

San Holo fan favourite “lift me from the ground”, featuring Sofie Winterson, breaks out of the middle of the chart and climbs 15-10.

The fastest riser on the chart is a must for upcoming festivals and when you have star power such as Dimitri Vegas & Like Mike, Armin van Buuren, and W&W creating the song, then how can it be anything but?  “Repeat After Me” charges up the chart 19-13.

“Love” is Simon Curtis’ gorgeous first song to appear on the chart since reduxes of earlier songs “8bit Heart” and “Super Psycho Love” rebooted in 2016. The more sophisticated “Love” is off to a good start, up 22-17.

Right behind is “London” by Nashville’s Mokita, who is also up at #15 with R3HAB for “All Into Nothing”.  This heart-fluttering love song climbs 24-18.

And the fun “Take It Off” by L.A. duo Two Friends rises 27-21 as the guys wind down their “With My Homies” tour.

Leading the debuts is French production team KRONO with the soulful “Perfect Strangers” for Tipsy Records at #25 featuring a winning vocal by PIOTR.

L.A.-based producer Mahalo has his second concurrent chart entry with the catchy future bass of “Go Ahead” featuring vocalist MŌZ.  It arrives at #26, as Mahalo’s other charted release “In My Arms” slips from 2-4.

I love me some danceable alt.pop/rock and Italy’s Mark Mendy delivers it with “Black Gasoline” at #26.  It features Australia’s Beamish Brothers on vocals; they charted late last year with Revelries on the previously mentioned “Infinitum” (#10).

The fourth debut at #27 is “Chemistry or Chemicals” by Matt Beilis, a busy singer/songwriter from NYC who occasionally appears on dance music releases.  This is his first solo appearance; he previously charted with Electric Bodega with “Rest Of My Life” (#4) in 2016.

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

 

#BILLCSTop30 #555 – February 18, 2019

There has to be luck in triple numbers, right?  So edition 555 is upon us with the chart in its 21st year online.  5 new songs invade the chart, and the Top 10 is all shaken up to the point of crowning a new #1 song.

A beautiful video for the new #1 song was released last week and it belongs to “Closure” by Dutch producer Steve Void with singer Andy Marsh.  Although Steve has been to the Top 10 3 times before, it’s his first #1.  The video is all about four young people who all don’t seem to fit in, but find happiness being together.  It doesn’t really have much to do with the theme of the song, but it doesn’t have to.  Well done!

Mahalo and Le:Blanc move up to #2 with a 2:25 dazzler called “In My Arms” (above).  LA-based Mahalo also has a new single that’s totally different in the deep house vein from “In My Arms” called “Go Ahead” featuring MŌZ, below.

“Play” by Jonas Blue and Years & Years (above) advanced 6 to 3.  Among a number of songs to drop on Valentine’s Day was Years & Years’ “Valentino” featuring UK vocalist MNEK (below).

“Don’t Think Twice” is the latest from Netherlands-based Emirati duo Revelries with fellow producer Sam Smyers and vocalist Oktavian.  It climbs 10-4 with eyes on #1 but some competition all around so we’ll see what ultimately gets there when it’s time!

Another song to watch closely on the chart is “I’m So Tired…” by Lauv and Troye Sivan which is the fastest riser soaring 22-6.  The pairing between the two singers was so unexpected but so spot on!

Also new to the Top 10 this week are NYC-based singer/songwriter Ryan Gibeau with “Flying Away” (12-9, above) and its retro pop ballad appeal, and The Him’s propulsive “Look At Us Now” (below), bound to be a festival fave soon, as it climbs 13-10.  It’s the Dutch duo’s 6th time in the Top 10.

Also keep your eyes on “Lift Me From The Ground” by San Holo featuring Sofie Winterson from San’s album1, which moves up 23-15.  The bigger the speakers, the better the song sounds!

Another song to be played loud at festivals is in the mandatory participation needed in “Repeat After Me” by Dimitri Vegas & Like Mike, Armin van Buuren and W&W.  It jumps up the chart quickly 25-19.

UK producer Maff Boothroyd has some slick classic house for clubs with “Take Me Away” (above) moving up 27-21.  Also new from Maff is “Miss You”, below.

“Love” by Simon Curtis is the L.A.-based singer/songwriter’s first new music in 6 years.  It’s Simon’s 16th chart entry, including 3 songs on which he was featured, since “Delusional” arrived on the chart just over 10 years ago.  Check out the lyric video for “Love”, above.

Next up at #24 is the second chart entry for Nashville singer Mokita with “London”.  He’s already up at #17 with R3HAB on “All Into Nothing”.  Like that song “London” is also a ballad, but more in the indie singer/songwriter style, and it has lyrics that will just make you melt.

At #25 is the 11th chart appearance for Sam Smith since 2014 with “Dancing With A Stranger” featuring US singer Normani.  It’s a great song that mashes up perfectly with Majid Jordan & Drake’s “Hold On, I’m Coming Home”!  It’s Sam’s first entry since songs from his fine second album The Thrill Of It All.

Dutch producer John Christian has a #26 debut with “Let’s Get This Thing Started”, a fun mix of deep house and booming big room sounds.  It also uses the music from the 70’s hit “Popcorn” by Hot Butter as a hook.  Listen for it!

The fifth debut belongs to L.A. producers Two Friends with the fun tease of “Take It Off” at #27.  It follows last year’s “Just A Kid” which peaked at #13 and itself followed numerous remixes which also charted.  About “Take It Off”, the guys say “this song is about being with someone who’s super guarded & all you wanna do is scream TRUST ME! but they still have trouble letting you in.”

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

#BILLCSTop30 #553 – January 21/19

In this new chart, there’s somewhat more movement and four debuts, but in the coming weeks you’ll be seeing the chart shed many of its favourites from late 2018.

Nonetheless, this time around you’ll still find A-Trak and Todd Terry up top with “DJ’s Gotta Dance More” for a 3rd appearance (6 weeks) at #1, with former #1 “Loyal” by Odesza hanging tight right behind.  But that’s where things start to change up.

Mahalo and Le:Blanc’s perky bop “In My Arms” becomes Mahalo’s 4th Top 5 placing song up 8-3 on this chart,  Illenium holds on to #4, albeit with a different song this time, with “God Damnit” in a pairing with Call Me Karizma climbs 9-4, as “Crawl Outta Love” slips down to #18.

The only artist from Luxembourg to ever grace this chart is producer White Chocolate, and his contemporary take on disco, “Mister Love”, moves 14-8.  Right behind is the effervescent pop/dance of “Play” by Jax Jones and Years & Years, climbing 15-9.  

The fastest riser on the chart is the fantastic new song by Steve Void featuring Andy Marsh called “Closure”, which soars 19-10. 

 

Keep your eyes on these relative newcomers in the next month or so.  NYC-based singer/songwriter Ryan Gibeau has the enlightening “Flying Away” moving up 22-16, while The Him’s anthemic “Look At Us Now” looks like another winner rising 23-17.  “Bite My Tongue” by Australia’s Sam Bluer (27-19) has a unique charm, while Stephen Puth’s “Sexual Vibe” (28-21) knows exactly what it wants.  Molly Moore’s great vocal helps define the urgency of “Be Here Now”, moving up 25-22.

As Revelries’ “Naked” departs the chart, it’s immediately replaced by what is likely the Netherlands-based Emirati lads’ best of the most recent trio of releases to date.  In collaboration with Sam Smyers and featuring a commanding vocal by Oktavian, “Don’t Think Twice” has the highest debut on the chart at #20.

It’s everywhere and especially in the UK where it’s been #1 for almost a month – soon to be replaced by Ariana Grande methinks – it’s American singer Ava Max at #25 with “Sweet But Psycho”.  Right behind it is a gentle love song for the colder months that could be a pop breakthrough for R3HAB with “All Into Nothing” at #26 in partnership with Nashville singer Mokita. 

And last but hardly least at #30 is “Paradise” by Parralox featuring singer Marcella Detroit.  It’s the flashy house mix by Eric Kupper that reinvents the song to make it fresh.  “Paradise”.  It’s the fourth entry for Australia’s Parralox (aka John von Ahlen and friends), whose previous three songs all reached the Top 10, particularly 2015’s “Aeronaut” (#4).

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

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#BILLCSTop30 #552, January 7/19

This is the 21st year of the BILLCS Top 30!!  The new year kicks off with its first chart and a shorter chart blog format.  

The Top 5 was excessively played over the holidays and stays exactly the same, with A-Trak and Todd Terry’s house music truth of “DJ’s Gotta Dance More” staying on top.  There’s nothing to challenge it immediately so it will likely be up top two weeks from now as well.

Jessie Ware’s “Overtime” and Hellberg & Leona Lewis’ “Headlights” each reach new peaks of #6 and #7 respectively.  L.A.’s Mahalo gets his 4th Top 10 entry paired with producer Le:Blanc for “In My Arms” (13-8).  The other new entry is the fastest riser on the chart, “God Damnit” by Illenium featuring the song’s writer, Call Me Karizma on vocals.  It climbs 15-9.  The song gives Illenium concurrent songs in the Top 10 (at #4 with the PatrickReza remix of “Crawl Outta Love”), and it matches the peak of Karizma’s previous Top 10 entry “u suck” from 2016.

A lot of songs get caught with small moves in a tight area of the chart that will likely loosen up in two weeks.  “Play”, the infectious new song by Jax Jones and Years & Years, moves up 20-15.  As “This Feeling” peaks at #8, “Siren” by The Chainsmokers and Aazar climbs 23-18.  Steve Void’s “Closure”, featuring a winning vocal by Andy Marsh, rises 24-19.  The rest of last week’s debuts make smaller moves:  “Flying Away” by NYC-based singer/songwriter Ryan Gibeau moves 25-22, and right behind it is the rollicking new song by The Him called “Look At Us Now”, up 26-23.  Check out the duo’s even more recent release, “Unstoppable”, below.  Molly Moore’s heartfelt “Be Here Now” rises 29-25.

Two debuts grace the chart by new performers.  Australia’s Sam Bluer has a catchy and danceable winner with “Bite My Tongue” at #27, which has a Troye Sivan “My My My!” vibe about it (they just happen to be label mates too) and is an even better follow up to last year’s fine “Body High”.  And there’s another Puth about to find his way onto your playlists.  Younger brother Stephen has a grittier, sparse sound with, guitar-spiced 60’s flavoured production on “Sexual Vibe” at #28.

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

#BILLCSTop30 #551 – December 24/18

It’s the last chart of 2018 for me, and the new entries continue to be bountiful as 4 more songs are added to the chart.  It’s been a busy, fun-filled year for pop music and 2019 doesn’t look like it will let up.  There’s far too much talent out there and not enough forums in which it can be showcased en masse.

My Christmas #1 though is new to the top and it’s “DJ’s Gotta Dance More” by my fellow Canadian A-Trak and legendary house producer and remixer Todd Terry.  Did you know that Todd was behind the innovative classic mid-80’s slammer “Can You Party” under the name Royal House?  I’m predicting more classic dance music vibes will seep into the mainstream in 2019 to make people feel so good.

The Rest of the Top 10

  • France’s Mercer made some of my most favourite house music of 2018, and “Fireworks” (above), currently #3, is right up there.  The prolific producer just dropped a new one for Armada with ATFC called “Twisted” (below).

 

  • PatrickReza’s heavy remix of Illenium’s “Crawl Outta Love” is perfectly in sync with the intent of the original song (and Illenium-approved) so it advances 5-4.  Also, in a similar alt.dance mode and with a heavy rock flavour is Patrick’s brief (1:50!) and eerie “Tip Toe”, below.
  • Sam Dickinson scores his biggest chart entry to date with “Wild Sun” in its Handbag House radio edit, climbing 9-5 from his EP From The Glass House: Part One.  Check out the remix up top and the video below.

  • Two very different songs featuring great UK women vocalist move up into the Top 10.  Jessie Ware’s “Overtime” (above) is very Lisa Stansfield-ish with a lot of 80’s funk elements, and it climbs 11-9.  Leona Lewis packs a punch with her vocal on Hellberg’s “Headlights” (below) which jumps 12-10.  It’s Hellberg’s 4th Top 10 entry and Leona’s 3rd.

Movin’ On Up

  • Mahalo and Le:Blanc’s insanely catchy 2:28 ear candy “In My Arms” is on the move and climbs 18-13.

  • Ending 2018 with rave reviews for his live shows, San Holo rises 17-14 with “Brighter Days” from album1 featuring the distinct voice of Bipolar Sunshine.
  • The fastest riser on the chart is the disco-tastic “Mister Love” from Luxembourgeois producer White Chocolate, which soars 25-16.

  • When she’s not providing vocals from many top dance music producers, Anna Yvette is writing and producing her own, and the uplifting “Shining Star” advances 22-18.

  • I’m looking forward to what Brandyn Burnette, now known as EMAN8, has up his sleeve for his debut album in 2019.  “Amen” is a soulful, psychedelic, diverse slice of pop music that climbs 23-19.  Check out the attention-grabbing video above.

  • UK producer Jax Jones turns back the clock a bit to what Years & Years sounded like at the time of their debut almost 4 years ago with the joyous pop/dance vibes of their collaboration “Play”, which rises 24-20.

Four Debuts

  • “Closure” by Steve Void and Andy Marsh, is a hard one to get out of your head, and a song to which so many of us can relate, and to which we can dance away our troubles.  It arrives on the chart at #24 and is talented Dutchman Steve’s 4th chart entry as a performer.
  • A voice to listen for in 2019 is NYC-based singer/songwriter Ryan Gibeau.  His gorgeous voice shows off his lower octaves in “Flying High”, an emotional song written on a plane after a relationship ended.  It’s from Ryan’s new album Quiet Fall and bows at #25.

  • Dutch duo The Him return to the chart after a successful 2018 releasing songs for Spinnin’ and getting to #1 on this chart with “Broken Love”.  Steven and J are at #26 with “Look At Us Now”, with some big synth riffs designed for festivals, their 7th entry since 2016.
  • Molly Moore also makes a welcome return to the chart with “Be Here Now”, which is one of her most passionate and compelling songs in the aftermath of personal tragedy.  It arrives at #29 and is her 5th solo chart entry.  Of course Molly is one half of Cosmos N Creature with EMAN8 and her songs feature prominently with them as well.

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂