Get to know new Dutch singer/songwriter @NanaMRose with “4 AM” from her EP “Morning Drops & Lemon Seeds”

NANA M. ROSE, “4 AM”

With such a beautiful pitch-perfect voice, it’s no wonder that Nana M. Rose is receiving lots of her attention in her native country of The Netherlands, including with radio play.  Her song “4 AM” from her brand new EP Morning Drops & Lemon Seeds is a delightful pop showcase in which the singer longs for the memorable times being out with friends till the wee hours. It’s a common theme among young people during the pandemic, and as some of the world starts to emerge from its shadow, we’ll be able to make more memories. While the song is relatable, it does take a few listens to stir you inside because all of your attention is on Nana’s lovely vocal. In fact, she has been selected for this year’s “Popronde” in The Netherlands, a prestigious showcase festival with various shows happening between September and November this year. While she’s already played in the UK and New York City, let’s hope that will be a springboard for touring additional cities once that is possible later this year or in 2022.

 

Published in: on July 16, 2021 at 2:57 pm  Leave a Comment  
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It’s 10/10 #18: @JarodGlawe @RobinVanemusic @Autografmusic @WinandWoo #Aibai #ColbyHansen @AmyCorreaBell @BeatVent @Daysormay @iamrebelwill @djPromiseLand @DannyDeardenuk @MonsieurAdi #Shoby @wallflowerPerry @dirty__es

My10/10 feature is back with edition #18, the first 10/10 since April.  There are just so many fine releases out right now and I don’t want to cast any aside that deserve your attention.

For those not familiar with10/10,  I write about 10 hot and fresh songs in no particular order, for your kind consideration and attention.  I continue to write individual blog posts about certain songs.  That does not mean that songs in the 10/10 lists are any less than those featured individually, and they are not listed in any particular order.  Writing 10/10 posts means I can cover more songs in one shot.  So you get to learn about more new music that I hear but don’t always get a chance to write about.

I must say that edition #18 has quite the global variety of musical flavours for you to check out!

  • JAROD GLAWE and ROBIN VANE, “Belong To You”

Chicago producer/songwriter/engineer Jarod Glawe is still a relative newcomer to the music scene, but he’s moved very quickly to receive remixes by the likes of Thomas Gold and AMPM, and to start his own Sony The Orchard-distributed label, Blu Ember Music.  “Belong To You” is the first release, and you might has well start off with a bang.  It’s a gorgeous deep house track full of emotion that’s heavily reliant on the vocal by Dutch singer/songwriter Robin Vane.  Together Jarod and Robin are a dynamic force.  Outside of the song’s chorus, Robin’s voice at times reminds me of Dan Smith of Bastille when he sang “Happier”, but he has soulful edges that perfectly suit the warmth of this song.  “Belong To You” is a delightful surprise waiting for you to hear it.

AUTOGRAF and WIN & WOO and SINGA, “Break Me Down”

Two of Chicago’s finest house production teams unite for “Break Me Down”.  The duos of Autograf and Win & Woo have released some of their best music within the last two years, particularly Autograf’s “Ain’t Deep Enough” and Win & Woo’s “Sleepwalking” (both landing in the Top 10 of my personal chart last year), so it’s intriguing to hear the results of their collaboration.  “Break Me Down” is a fairly easy going but atmospheric chill house track with lots of interesting synth sounds and an expressive vocal by Philadelphia’s SINGA.  It would be fitting to play this song early on in a club set to get the crowd moving.  Autograf and Win & Woo have given “Break Me Down” lots of layers that pull you in and keep you listening (and dancing).

  • AIBAI and COLBY HANSEN, “Aura”

“Aura” is a lilting and melodic slice of electronic pop from Minnesota, courtesy of producer Aibai and singer Colby Hansen. While the song narrates a queer relationship about being smitten with a cute girl while out dancing and wanting to dance with her, it is easily relatable for all genders. It leaves to chance about whether or not to pursue your thoughts and feelings, and be caught up in the excitement of a first-time encounter. Colby’s dreamy vocal basks in the blurred circumstances, while Aibai’s production will keep your feet moving, though it sometimes overwhelms Colby’s vocal towards the end. Nonetheless these two young women have created a tight collaboration that works.

  • AMY CORREA BELL, “Fuck It I’m Good” ( Beat Ventriloquists remix)

I’ve said many times before in these pages that I’m a big believer in remixes, and how they can transform a song. “Fuck It I’m Good” by San Fernando’s own Amy Correa Bell isn’t a new song, in fact it was released three years ago until the singer got the brilliant idea to reinvent it during the pandemic with a variety of producer friends. The resulting Beat Ventriloquists remix is certainly a fun deep house rework with a funky edge that keeps you guessing where it’s heading, particularly beyond the three minute mark. The new mix adds more spice to the feisty attitude that Amy brought with the original. So if you like your house mixes on the adventurous and unconventional side then be sure to check this one out.

  • daysormay, “Ego”

Vernon, British Columbia trio daysormay tackle Sigmund Freud in their own unique way in “Ego”. The indie rock group take influences from the likes of The Beastie Boys and Blink-182 and roll it all up into a convincing package which is a lot of fun if – when it doesn’t wear out its welcome.  The video for “Ego” is clever, with eyes very hard not to be on lead singer Aidan Andrews, who lends a lot of inspired energy to the proceedings.  Twin brothers Carson and Nolan Bassett round out the group, and they are often hidden under masks when not in synchronized rhythm with Aidan. While obviously filmed on a budget, the video does have its moments (some scenes from The Art Of Noise’s “Close (To The Edit)” come to mind), but like the song itself, is simply too long.  Less is often more but this is a fine first look at daysormay, and I’m looking forward to more from them.

  • iamrebelwill, “Addicted”

iamrebelwill is a talent for the 2020’s.  A queer black singer born in Montreal but based in Toronto, he created “Addicted” as an anthem about being hopelessly in love – and being just fine with that – after spending his early years afraid of being himself.  He’s got an engaging voice and personality in this song, and influences seem to be drawn most from the late 90’s such as The Fugees, Lauryn Hill, and OutKast. With a tight groove and lyrics co-written by Tafari Anthony, whose own music has appeared in these blog pages, there’s a lot to enjoy about “Addicted”, and iamrebelwill is certainly a name worth remembering for future releases.

  • PROMISE LAND x DANNY DEARDEN, “You Turn My Love Around”

Veteran Italian duo Promise Land (Nazario and Fabio) team up with UK singer/songwriter sensation Danny Dearden for house music that oozes positive vibes in “You Turn My Love Around”.  Promise Land has been releasing music for about 12 years, and have had great success with many of their Spinnin’ Records releases, as well as with remixes for Fedde LeGrand, Flo Rida, and especially with Swedish House Mafia’s “Don’t You Worry Child”! Danny is becoming a go-to voice in dance music with his versatile tones and seasoned songwriting skills. “You Turn My Love Around” mixes 90’s European house vibes with bright synths. At times the production and its high synth notes seems to compete with Danny’s high register, but it’s a minor quibble in this quick but lively release.

MONSIEUR ADI, “Guardian”

In true surprise fashion, French-American musician/producer Monsieur Adi returns to the music scene rather inauspiciously with “Guardian”. In the former part of the last decade, Adi remixed songs by the likes of Katy Perry, Britney Spears, Ellie Goulding and Lana Del Rey, and also released a number of solo releases which often had vocals by others.  In 2014, he was the opening DJ on Beyoncé’s “Mrs. Carter” European tour, and was poised to break out with his rework of Soul II Soul’s “Back To Life” as “What’s Going On” (featuring A*M*E, which peaked at #2 on my personal chart). Since that time, he’s released a scattered few singles, so it’s nice that “Guardian” surfaced as some of our strange times are coming to an end. It’s a warm and mellow song, almost like a fable that unfolds about some unknown presence who is there to guide and perhaps look after you.  The vocal for “Guardian” is also by sung Adi for the first time and it’s a pleasing performance. Hopefully “Guardian” will be followed up soon with more new music from Monsieur Adi.

SHOBY & VICTOR PERRY, “Hero”

It’s not covered very often, but there’s no one else I could think of who could do Enrique Iglesias’ smash from the early 2000’s more justice than NYC singer Victor Perry.  It’s a faithful version of “Hero” which is turned into a mid-tempo house number spiced with a lot of sax sounds by German producer Shoby.  It was especially important to my ears to get the bridge down right and Victor embraces it right down to the quiver in his voice.  The pair bring the song up to date while paying homage to it, so be sure to give it a listen particularly if you’re a big fan of Enrique or the song itself. “Hero” has also been released through Warner Denmark, no less.

DIRTY RUSH & GREGOR ES, “The Rhythm”

Dirty Rush and Gregor Es are two Polish producer/DJ’s who have a pretty wild output of house-flavoured music. They are tamed somewhat in their latest release “The Rhythm”, which shows off their slick skills without needing to embellish them too much with effects or crazy ideas.  The beats are huge, with plenty of bounce, so it’s not hard to picture “The Rhythm” being played around midnight in a club to crank up the party.

 

The double whammy of talent that is @SanHolobeats and @ChetPorter bring you anthemic “you’ve changed, i’ve changed”

SAN HOLO and CHET PORTER, “you’ve changed, i’ve changed”

“you’ve changed, i’ve changed” is a straight-forward song that is loaded with ear-grabbing power, thanks to its larger than life chorus, as brought to you by the dynamic talents that are San Holo and Chet Porter.  Although both artists’ biggest successes have been in progressive electronic genre, “you’ve changed, i’ve changed” is a rock song through and through. Included are keyboard and xylophone interjections provided by Chet, who also sings lead with a vocal that will sit especially well with Porter Robinson fans.  Anyone else who has seen San Holo in concert knows he is a real crowd pleaser rock star-type who immediately draws in the audience.  And likewise, I’ve seen Chet perform, and he’s an unpredictable melodic perfectionist.  Bringing the two together is indeed a really good thing that needs to be repeated.  I can certainly visualize “you’ve changed, i’ve changed” as the opener at a San Holo concert.  It’s included in San Holo’s new album, out this Friday, called bb u ok (album 2).

Bitterly called out: “Fucking To Forget” is new from Dutch producer @theLaurentius and US singer/songwriter @TylerShamy

LAURENTIUS and TYLER SHAMY, “Fucking To Forget”

Talk about a bitter call out after a relationship is done!  Many of us have been there – when you thought you had something good, only to find that the other party thinks it’s better with someone else.  Hence “Fucking To Forget” – making yourself feel better that you’ll still be in that person’s mind when they’re, ahem, going at it.  It’s a terrific but blunt song co-written by the artists, Dutch producer Laurentius (aka Lars Beerda), about whom you’ve read in this blog space recently with his work with Victor Perry on “Stay The Night”, and L.A.-based singer/songwriter Tyler Shamy, who is primarily known as a voice artist and has written hundreds of songs for TV and commercial placements.  His vocal is spot-on, and Laurentius adds somewhat of a tropical flavour to the proceedings which makes the bitter pill go down easier.  NSFR (not safe for radio haha), but club DJ’s will enjoy this one.

“Set Me Free” is your ultra-slick end of 2020 Eurohouse anthem by @OliverHeldens and @PartyPupils with vocals by @MAXmusic

OLIVER HELDENS & PARTY PUPILS and MAX, “Set Me Free”

The music business sometimes finds the unlikeliest people making a collaboration that comes out slicker and better than you might expect.  The careers of Oliver Heldens and MAX have been made up of many of such serendipitous events!  Within a year of releasing his own music as a teenager, the Dutch producer’s “Gecko (Overdrive)” (featuring Becky Hill) soared to #1 in the UK.  And that was a liftoff no one could expect – collaborations with the best of the dance music biz followed, along with numerous electronic dance hits and formidable gigs around the world.  MAX’s travels have taken him from modeling and acting, through to being a go-to voice in the dance music world and finding a huge fan base in South Korea (as well as connecting to BTS!), all while making his own music either solo or with his best buddy Ryan in Party Pupils.  So, all of these forces converge to make the heavenly and anthemic “Set Me Free”.  The energetic Party Pupils vibe and MAX’s resilient voice highlight and compliment Oliver’s snazzy production.  “Set Me Free” is one that you will play on repeat and is a great end-of-year anthem through which we can say good riddance to 2020.

New Dutch electronic dance producer @Antummusic brings catchy retro flavours with “Worldwide”

ANTUM, “Worldwide”

Dutch producer Antum (aka Sam Jansen) is a new name to the electronic dance music scene, whose initial releases through Showtek’s Skink label have already received support from the likes of Tiësto and Timmy Trumpet. His recent single “Worldwide” is a grabber that club DJ’s should remember once venues reopen. It’s a good song for mid-evenings with its early 2000’s retro vibes. But it’s the rhythm here that Antum’s gonna get’cha with – it’s got a bounce and shuffle mix that won’t let you stay still. Keep your ears out for Antum for future releases.

Published in: on October 8, 2020 at 10:01 pm  Leave a Comment  
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It’s “10/10” #14!: @brightlightx2 & @caveboymusic @weareApolloLTD #Calvo @egzodmusic @HVNNIBVL @KidBloomusa @KiNGMALAmusic @Pawl_official & #Discrete @SteveVoidmusic #KaiStevens & @EmilyMcsings

It’s 10/10 – Edition 14!! 

This is the first 10/10 post since June.

In 10/10,  I write about 10 hot and fresh songs in no particular order, for your kind consideration and attention.

I continue to write individual blog posts about certain songs.  That does not mean that songs in the 10/10 lists are any less than those featured individually, and they are not listed in any particular order.  Songs by Yello and Jazz Mino that were featured in edition #13 are currently moving up on my personal chart 🙂

Writing 10/10 posts means I can cover more songs in one shot.  So you get to learn about more new music that I hear but don’t always get a chance to write about. 

  • BRIGHT LIGHT BRIGHT LIGHT and CAVEBOY, “It’s Alright, It’s OK”

“It’s Alright, It’s OK” is the fourth preview from Bright Light Bright Light’s upcoming fourth album called Fun City. This time collaborating with the noted all-women Canadian trio Caveboy, the song is a reassurance for anyone who is having trouble with their identity that everything will work out in the end if you just be yourself. It’s another joyous delight from NYC-based Wales-born Rod Thomas, more of a pop/house workout like the initial single “This Was My House”, full of great synth work and vocals that truly compliment each other. “It’s Alright, It’s OK” is also available on an EP chock full of remixes.

  • APOLLO LTD, “Patient”

The Nashville duo of Jordan and Adam produced one of my favourite albums of 2019 called Out Of Sight, which demonstrated a range of different styles, from ballads to anthems. Apollo LTD are back with “Patient”, more anthem-styled power pop as a plea to the singer’s partner to help him be patient to get through whatever troubles are ailing him. It’s a logical successor to songs from Out Of Sight like “On The Way Up 2.0” which dazzle your ears with seamless production and vocals. Why a major label has not yet snatched up Apollo LTD for their roster is a mystery. The duo consistently provides well-written, quality songs that deserve radio exposure. Check out the new lyric video for “Patient” above.

  • HVNNIBVL, “Worth It”

Now based out of Los Angeles, Buffalo NY singer/songwriter HVNNIBVL quickly follows up his cheery slice-of-life single “Who’s Gotcha” with “Worth It”. Like “Who’s Gotcha”, “Worth It” sends positive vibes in your direction, particularly aimed at people with depression or anxiety whose condition constantly makes them ask themselves if they are good enough. Everyone has their moments in life, so it’s time to step out and shine. “Worth It” is self-produced and showcases HVNNIBVL’s great voice to the max. Sometimes the synth effects are too razzle dazzle to me for this kind of song, and less can often be more. But “Worth It” will certainly move HVNNIBVL more steps forward and I’ll happily be listening for the next one.

  • KID BLOOM, “Blood Sugar”

The L.A.-based singer/songwriter follows up “Wounded/Surrounded” (featured in my 13th “10/10” blog post) with “Blood Sugar”, which is also the title of his recently released EP. After a long relationship, thoughts and feelings always linger, and in Kid Bloom’s take, it’s like being inside your blood. So he sings about emotional entrapment set to a bass synth rhythm which pulsates like whatever is stuck inside his head. His invested vocal and an arrangement that shakes the mix loose of its dark trappings from time to time all make “Blood Sugar” a captivating listen.

  • CALVO, “Broke In Amsterdam”

German producer/DJ Calvo’s latest single “Broke In Amsterdam” has caught my ear with its shiny production that creates a delightful pop/dance confection. Co-written with the always amazing Daniel Volpe, “Broke” is a happy slice-of-life story reminiscing about younger days where life seemed more carefree. It’s just the kind of tonic we need to help us continue to get through these strange times. Calvo has numerous listeners in Europe, who have brought his song stream tally into the 50 million range. Perhaps “Broke In Amsterdam” will expand that audience further into North America.

  • EGZOD, “Ride The Wave”

“Ride The Wave” continues the evolution of Florida-based electronic dance producer EGZOD, about whom I’ve written several times since he arrived on the scene in 2016. More than around 20 million streams later, EGZOD – otherwise known as Carlos Carvalho-Martins – can shift flawlessly between the heaviest trap/dub step and much lighter fare, the latter applying to “Ride The Wave”, which I would call ‘mid-summer beach pop’. The spry uncredited female vocal is appealing and distinct, while EGZOD weaves more harmonies into this song than usual. “Ride The Wave” has some bold singalong moments and washes down as easy as gliding into shore from one of those waves. Watch for EGZOD’s new EP The Revolution next month!

  • KAI STEVENS and EMILY McNALLY, “Hero”

As Summer-themed tunes ride out the last sunsets of the next month, the arrival of a softer song or two for Autumn is always becoming the new season. Kai Stevens is a 17 year old producer and multi-instrumentalist from NYC who has emerged over the last year with songs that keep getting better and better. While this release is nowhere in the league of big productions by Illenium or other similar artists, “Hero” strikes the emotional chords that you would find in the progressive ‘sad boi’ electronica sub-genre. It’s sung by another young New Yorker, Emily McNally, whose graceful and delicate voice is compelling and convincing amid the bigger synth breaks within. “Hero” is a promising song most deserving of electronic dance music fans’ attention.

  • FETS, FORMAL CHICKEN & STEVE VOID, “Pushing On”

Don’t let the billing fool you – I think that “Pushing On” is entirely a Steve Void production. The talented young Dutchman has produced quite a variety of house and dance/pop releases on his Strange Fruits label over the past few years, and he has even opened his own restaurant! While he’s been mainly dabbling in covers of late, “Pushing On” is a brisk, deep house update of a more obscure 2014 track by Germany’s Oliver $ & Jimi Jules. It’s slick and goes down easy, with pitched-down vocals giving it qualities you’d normally find in a soulful UK house track.

  • PAWL & DISCRETE, “Type Like That”

“Type Like That” is a snappy, tautly-produced house single in a partnership between two Swedish producers, Pawl and Discrete. In tandem with direct support from LoudKult Records owner Lucas Estrada, with whom he has also recorded, Pawl’s music has acquired over 20 million streams across platforms since he emerged five years ago. Discrete is newer to the genre, having released an EP and a few singles thus far. But the guys have released one super-catchy, sultry song in “Type Like That”, which is a good bookend with last year’s release by Revelries and Oktavian called “Don’t Think Twice”. The song-writing here is spot on, calling out a long line of so-and-so’s who all behave the same, hence “you’re just a type like that”. This one will stick with you with repeated listens, so don’t say you weren’t warned!

  • KiNG MALA, “sugarblind”

KiNG MALA is the moniker for L.A.-based singer/songwriter Areli Castro, and her music will appeal to fans of Ashe, Bishop Briggs and Maty Noyes. It’s complex alt.rock with a tough exterior (“Mala” means ‘bad bitch’ in Spanish, hence “King Bad Bitch”), underneath which you will find infectious hooks and melodies that will take older fans back to the time of heyday of Kate Bush and Siouxsie Sioux. KiNG MALA is relatively new on the scene, with “sugarblind” her third single release and most streamed one to date. Great talent takes time to develop, so she is definitely one to watch in the coming years, and alt.rock radio should welcome her unique style.

80’s electronic influences pervade “Stay The Night” by Dutch producer @theLaurentius and NYC-based singer/songwriter Victor Perry @wallflowerperry

LAURENTIUS and VICTOR PERRY, “Stay The Night”

“Stay The Night” is a driving new electronic dance release from the exciting pairing of Dutch producer Laurentius and NYC-based singer/songwriter Victor Perry.  It starts off as a dead-ringer cousin of The Chainsmokers & Daya’s Grammy-winning “Don’t Let Me Down”, but don’t let that throw you.  The pace picks up with synths that fondly echo many popular releases of the 80’s.  While “Stay The Night” does play on the initial first bar or two of “Don’t Let Me Down” throughout, Laurentius cleverly incorporates it into a song for the romantic wee hours.  It’s quite a contrast too for Victor, who wrote “Stay The Night”, from songs on his recent solo EP Rewind, showing how well-suited his vocal is for any kind of electronic dance music release.  

Published in: on July 25, 2020 at 9:47 pm  Leave a Comment  
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It’s 10/10 #11!: @YEBBASmith @Kseniasolo #VIZE & Tom Gregory @tgofficialmusic @DannyDeardenuk @thehim & @ambervanday Axel Mansoor @iamaxelm @Spencermusic @Xaverius Funk @djDWaynemusic @Melyzofficial @Brigsounds

A week or after the last one and I’m back with an 11th edition of “10/10”!  

I’ve just had a week where a slew of fantastic music was released.  I’ve had to continue to be selective with what I write about since my daytime job continues to keep me busy in the home office during the week.

In 10/10 (or tenoutoften) ,  I write about 10 hot and fresh songs in no particular order, for your kind consideration and attention.

I continue to write individual blog posts about certain songs.  That does not mean that songs in the 10/10 lists are any less than those featured individually, and they are not listed in any particular order. Three of the six debuts on my most recent chart were featured in the 10/10 blog feature.

Writing 10/10 posts means I can cover more songs in one shot.  So you get to learn about more new music that I hear but don’t always get a chance to write about. 

  • YEBBA, “Distance”

“Distance” is a song many of us have been waiting for by YEBBA, the Grammy-award winning, rising singer from Arkansas who has already worked with Mark Ronson, Ed Sheeran, Sam Smith, A Tribe Called Quest, Stormzy, and Maroon 5’s P.J. Morton.  From her stunning indie solo debut in 2017 with “Evergreen” (which got to #4 on my chart), the musical red carpet was laid in waiting, and now YEBBA continues to walk that walk with “Distance”.  It’s a beautiful, laid back song, just perfect for these times in doors, that somehow fuses styles of Sade and Adele with the less likely soulful ones of long ago faves like Deniece Williams or Stephanie Mills.  And talk about an amazing vocal!! It’s also her solo major label debut for RCA, with an album coming.  Indulge in this one – I’m sure the album will be full of other gems!

  • KSENIA, “Fire With Fire”

Poised to break out with a powerful voice is Russian singer Ksenia.  Her recent single “Fire With Fire” also packs a memorable punch as a song, for what is a great vocalist without a great song?  Comparisons to JoJo or Demi Lovato are apt; her voice flows with such ease from note to note.  The acoustic moments sung over piano work as well as those with full instrumentation.  We’ll definitely be hearing much more from Ksenia in a big way!

  • VIZE and TOM GREGORY, “Never Let Me Down”

German producers VIZE have been fortunate to find major name support out of the gate since starting in 2018, with popular remixes for the likes of Sam Feldt (the much played “Post Malone”), Timmy Trumpet (last year’s excellent “World At Our Feet”), Alan Walker, Felix Jaehn, and Afrojack!  Together with British singer/songwriter they may just have an electric dance Song of the Summer of 2020 with “Never Let Me Down”.  The song is built around an insanely basic and instantly memorable hook.  The overall results are extremely polished, playful and well-sung.  “Never Let Me Down” could be a surprise breakout all over and is a must for dance music radio airplay.

  • DANNY DEARDEN, “Can’t Stop Me Now”

British singer Danny Dearden has been primarily known over the last few years as a songwriter or as a featured vocalist, working with dance producers such as Michael Calfan and Dario G.  “Can’t Stop Me Now” is a big step forward as a solo record for Danny through Sony.  And what’s fantastic is that the original co-write is such a no-brainer of an earworm, with a few undeniable hooks that leap out at you from your speakers.  The team he’s working with knows what sounds good, and at a later date I think that remixes will help this one resonate with club DJ’s.  “Can’t Stop Me Now” is a great start for a singer/songwriter with huge potential.

  • THE HIM and AMBER VAN DAY, “Tragic”

Games dramatic people play is the topic of “Tragic”, the latest release from Dutch producers The Him, following the wacked-out techno of “Freestyle Scientist”.  British singer Amber Van Day convincingly and stylishly recounts how well she saw through a previous flame before ditching him as someone who deemed himself to be “Tragic”.  It’s a fast eye-opener and perfect subject matter for the dance floor.  The Him seem to be on an appealing retro tip, once again offering up synths and effects that are cool throwback to the beginning of the last decade.

  • AXEL MANSOOR, “Cold Sweat”

“Cold Sweat” is a slightly more sultry new release from L.A.-based, Emmy Awards-nominated singer/songwriter Axel Mansoor.  It dropped a few weeks ago on the eve of his appearance as a contestant on NBC’s “Songland”, where he got to work with songwriter-to-the-stars Ester Dean (and perform for H.E.R.!) to polish up his great song “Scary”.  I’m hoping that delightful song receives a release, but in the meantime “Cold Sweat” is a fine new song with some witty lyrics recounting a tense situation in a rather calm and collected manner.  The record has a well-balanced mix of acoustic and band instrumentation, and features one of Axel’s best vocals.

  • SPENCER SUTHERLAND, “Help”

Part of watching a number of online festivals and performances over the past several weeks for me is always discovery.  Spencer Sutherland is a singer from Ohio who has performed with Ariana Grande and Zendaya, and also auditioned for the UK edition of The X-Factor a few years back.  He gave an outstanding acoustic performance in Elvis Duran’s recent online festival, and his latest release is “Help”.  It starts off as an unassuming vocal track that draws you in immediately – and then the bigger production kicks in to showcase his potent voice.  Spencer has a Sam Smith-calibre falsetto that is also a highlight in “Help”.

  • XAVERIUS FUNK, “Wicked” (D-Wayne remix)

I’m never gonna turn my back on a solid electronic banger with pop appeal.  Such is the case with the infectious 2-Dutch release “Wicked” by well-known Dutch producer Xaverius Funk, whose music has been supported by many of the biggest names in the biz including Hardwell and Steve Aoki.  “Wicked” also has the bonus of being remixed by another established Dutch producer, D-Wayne.  It’s a big and bouncy number that pulls out some retro vibes from dance music of the earlier part of the last decade that really make it work.

  • MELYZ, “Bad Together”

Could you ever be in a relationship where you’re “Bad Together”?  New British singer Melyz describes her thoughts about such an arrangement in this sly new original song.  Fortunately she places most of the could-be-lurid story up front, leaving lots of room for a dark melody, punctuated by a few well-placed effects, and deliberate rhythm to take hold.  Melyz rises above the song itself with a smart and seductive vocal delivery.

  • THE BRIG, “You Know”

“You Know” is a fun, rock-flavoured dance track from Russian producer The Brig.  He appears to have an established following in Europe over the past 5 years or so with a heavier dubstep style.  “You Know” strays from that path, and revvs you up with guitars and synths, then catches you off guard with the casual interjections of the title by a female voice throughout.  “You Know” is also a good one to play up loud in the car.

 

 

 

It’s 10/10 #08: @GarethEmery @WinandWoo @KyanPalmer @ChetPorter @AWonderland @JessieReyez @Dzekomusic @Kiesza @MattFaxmusic @TheHim @SuperDuper808 @MadisonMalonem @JerinJamesmusic @iamDeverano

For the first time since January, I bring you my 10/10 feature!!

In 10/10 (or tenoutoften) ,  I write about 10 hot and fresh songs in no particular order, for your kind consideration and attention.

I continue to write individual blog posts about certain songs.  That does not mean that songs in the 10/10 lists are any less than those featured individually.  In fact my recent #1 “Shivohum” by Tritonal & Henry Dark, was included in a previous 10/10!

Writing 10/10 features means I can cover more songs in one shot.  So you get to learn about more new music that I hear but don’t always get a chance to write about. 

tenoutoften

  • GARETH EMERY and ANNABEL, “You’ll Be OK”

British electronic dance producer Gareth Emery says “You’ll Be OK” is the best song he’s released to date.  And he has many reasons to say that, for it’s a gorgeous song with trance-drenched synths and some big, frenetic beats.  It’s also actually a personal story about being on a plane he thought would crash, and based on a letter he was writing to his wife at the time.  Its video above has an emotional ‘life flashing before your eyes’ story as a result.  “You’ll Be OK” has many soft and peaceful moments, which hit home a little more knowing this information.  Vocalist Annabel personifies it all with her rich and gentle voice, and it’s extremely appropriate as a backdrop to what’s going on in the world right now.  “You’ll Be OK” is an amazing follow up to Gareth’s current hit “Yesterday” and is culled from his forthcoming album called The Lasers.

  • WIN & WOO and KYAN PALMER, “Sleepwalking”

American dance producers Win & Woo continue with a series of songs released through Armada that portray how much better they keep getting at their craft.  “Sleepwalking” features Arizona-born, L.A. based singer Kyan Palmer, who has been gracing other electronic dance records over the past few years with his R&B-influenced style.  “Sleepwalking” is a big, bouncy, fun record that can easily ignite a set at a key point in the evening at a dance club.  It also has big potential for dance music radio airplay.

  • CHET PORTER and ALISON WONDERLAND, “Bummed”

We’re all “Bummed” that his upcoming club tour was cancelled, but we’ll just get more time to enjoy the unconventional sound of “Bummed”, Torontonian Chet Porter’s collaboration with Australian electronic producer Alison Wonderland.  “Bummed” has an early 80’s DIY new wave vibe about it that’s utterly charming, complete with old school drum machine sound.  Chet and Alison collaborated on a song that suits their voices and has plenty interesting that’s going on within.  Go deeper and you’ll find all of those delightful melodic flourishes that you get inside every Chet Porter song.  “Bummed” is a both a refreshing surprise and a winner.  Definitely play it alongside Porter Robinson’s new music for starters.

  • THE HIM, “Freestyle Scientist”

It looks like Dutch producers The Him have been immersed in late 90’s techno-house, if “Freestyle Scientist” is any indication.  It’s an extremely playful departure from the duo’s pop-leaning deep house tracks which have graced these blog pages (and my personal chart) many times in the last four years.  Brace yourself this one.  Add some early Chainsmokers-flavoured synth vibes into the mix and it looks like “Freestyle Scientist” could be the start of a new musical era for The Him. Check out the trippy video above.

  • JESSIE REYEZ, “Love In The Dark” (Dzeko remix)

Award-winning Canadian singer/songwriter Jessie Reyez has a Canadian radio hit with her latest single “Love In The Dark”.  And with her recognition earlier this year as a Grammy nominee, you can bet that the song will garner attention stateside as well.  It’s amped up for clubs by fellow Canadian and esteemed electronic dance producer Dzeko.  He puts just the right kind of propulsion behind the deep house rhythms, and you’ll wonder why it wasn’t a dance track in the first place.  Club DJ’s will want to showcase this remix of “Love In The Dark” in a mid-evening set for immediate reaction.

  • SUPER DUPER, “All On You”

Hailing from Nashville’s vibrant music scene, which includes a lot of electronic dance music, is Super Duper (aka Josh Hawkins) who definitely pushes some interesting boundaries in “All On You”.  The song honestly starts out like nothing special, with a distorted vocal and a rather uneventful lead in.  But Super Duper totally shifts the rhythm and feel of the song just after the first minute, and “All On You” grabs you with a sudden WTF magnetic force.  The beats kick in and you immediately start having flashbacks to songs like M83’s “Midnight City”.  “All On You” now has you completely under its spell and so it succeeds rather well in a roundabout way.  Super Duper’s latest is released by the Fader label and is currently being featured on every major streaming platform. Remixes could help push “All On You” further.

  • MATT FAX, “Light On”

French producer Matt Fax eloquently captures the current rise of old-style trance and techno vibes in his latest release, the instrumental “Light On”.  This percolating track will sit nicely next to tracks by Gabriel & Dresden or Above & Beyond in a late night trance set.  Matt keeps the atmospherics working and ever changing which makes “Light On” a synth-filled feast for the ears.

  • KIESZA, “All Of The Feelings”

Calgary’s Juno Award-winning Kiesza has brought us many fine vocals since coming back to the music scene as an independent artist after suffering a life-altering accident.  “All Of The Feelings” is one of those feel-good, vibrant songs that has ‘hit’ written all over it, and many people would hear this as a return to the pop/dance style that brought us “Hideaway” back in the day.  We’ve seen how versatile Kiesza can be with her songs, most of which are original co-writes.  “All Of The Feelings” may skew a more commercial slant but it’s such a well-written and performed release that no one should quibble.  And you can see her perform it in the video above.

  • MADISON MALONE, “Fragile Heart 1”

L.A.-based singer/songwriter Madison Malone dazzles us with her pitch perfect voice on “Fragile Heart 1” from her unique album called I & II (that’s One and Two).  The highly listenable album consists of five songs each recorded in two different versions, all of which work pretty well because the songs themselves are so strong.  But it’s “Fragile Heart 1” that stands out – kind of what could happen if a minimalist Rufus Wainwright song somehow transformed into one with Sarah McLachlan inspiration.  “Fragile Heart 1” is emotional and vulnerable but still very hopeful.  Madison has made herself known at festivals like SXSW and on a recent US tour, so definitely keep your eyes and ears out for her.

  • JERIN JAMES and DEVERANO, “Birds And Bees”

Jerin James is a new name to the dance music biz though he is hardly a newcomer, having previously recorded under another name and had other roles in the industry.  “Birds And Bees” is all about atmospherics and vocals, and even if the song overall to me is a bit familiar and what I would call ‘much ado about nothing’, it works quite well.  The dramatic, sophisticated production is enhanced by Deverano’s stylish and often far-reaching vocal – he’s graced a number of dance records and always gives them a big lift when they need it.  “Birds And Bees” is a compelling start for Jerin James.

A new supplement to the 10/10 feature is my new Spotify playlist called the BILLCS Viral Weekly.  Check it out below as it contains some of the songs in this 10/10 blog post!