#BILLCSTop30 #570 – September 16/19

Right now I have so many favourites out there.  Just a little insider information – I have a new music playlist of about 60-70 that includes these 30, which I play regularly during the week.  To keep track of my submissions and new songs I want to hear, I have a Spotify playlist – at least for those songs on Spotify.  So I’m usually always checking something out that’s new in the week when I’m not writing!  

The new chart has a lot of smaller moves and songs holding steady that I enjoy, but in two weeks that’s likely all to change, with so many new faves waiting in the wings.

Ukrainian dance group Kazaky hold tight at #1 with the Depeche Mode-influenced “Push”.  The song doesn’t sound like much out there right now, which makes its 80’s and 90’s influences all the more refreshing.

So what is wrong with US radio?  “Higher Love” by Kygo and Whitney Houston should be one of the year’s biggest hits, as it is worldwide, particularly in England, where, like on this chart, it has reached #2.  The dance music crowd loves it though and it is topping dance charts everywhere.  Check out the recent video for the song above.

The cool synths of “Monday Blues” by Eric Sharp and Zhao allow it to continue to move up a notch to #3.

“Tough Love” by Avicii, Agnes and Vargas & Lagola climbs 9-5.  It’s both Avicii and Agnes’ second Top 5 on this chart.  Avicii got to #3 in 2013 with “Addicted To You”, while Agnes reached #1 back in 2009 with “Release Me”.

Canadians Loud Luxury lands in the Top 10 for the 4th time with “I’m Not Alright” (12-8, above) with US vocalist Bryce Vine, while Australian producer Throttle gets his first – outside of his #1 remix of Troye Sivan’s “My! My! My!”  – with the thoughtful “Dreamer” rising 13-9 (below).  Also below, you can check out Throttle’s latest release “Japan”.

 

The fastest riser on the chart belongs to US production duo Midnight Kids with “Those Were The Days”, which soars 18-10.  In the past few weeks, vocalist of the song, Jared Lee, posted a video of him singing the song live in the studio accompanied simply by piano, always a true test to find the great singers behind the complex production of many songs.  Check out the original above, and the acoustic version below.

The deep bass beats of “Give Me Love” continue to climb the chart for producers Ken Summit and Eric Kupper with vocalist Amy Douglas.  The throwback to late 90’s club music rises 16-12.

Another thoughtful song with a really terrific vocal and honest lyrics is “Graduate” by singer/songwriter/author Simon Curtis.  It moves up 17-13.  I can’t tell you how I love that Simon is back making great music after a protracted absence.

All of the previous five debuts move up steadily, and are still led by the fun OKJAMES remix of “Like Like” by UK indie singer/songwriter Lostchild.  It moves up 23-19.

Right behind it is the song that uses a Finnish acapella performance to sample and form its key hook.  It’s called “Run Wild” by L.A.-based producer PLS&TY, and it rises 24-20.

The chart had room for three debuts, and they changed a number of times when creating the chart.  While there are a slew of fantastic new songs that will help last out the year, the three that premiere have all actually been on release for a number of weeks.

First up at #27 is British singer/songwriter Benedict Cork with “Breaking Hearts”, which I have been playing for months and richly deserves more attention as the highest debut.  Benedict has one of those instantly likeable, pristine voices that can make short work of just about any song.  And this original quickly gets stuck in your head.

Next up is the first entry by TheKnocks in 2019, the fun charmer that is “Awa Ni”, featuring singer Kah-Lo, which arrives at #28.  “Awa Ni” appears to be an expression of praise in Kah-Lo’s native Nigerian.  The song’s lyrics have an interesting disconnected train of thought about them, but it all comes together as summery, festive, and joyous. It’s also The Knocks’ 7th entry since 2012.  The prolific duo have released another four singles since “Awa Ni” first appeared in July.

The last debut is a dark and progressive song for late nights that club DJ’s will totally dig.  It’s “Flicker” by NYC-based producers (and brothers) Anden at #29.  Pete and Tom previously appeared on the chart back almost three years ago as remixers of Satchmode’s “Undertow” (#12).

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

 

 

 

#BILLCSTop30 #569 – September 2/19

September marks a big change-up on the new chart.  Not only is there a new #1 which more people need to discover, there are five new entries.  And it was a tough decision as to which songs debuted as there is quite a line-up of chart-worthy recent releases.  So while leaves will begin to tumble and the cooler air sets in where I am in Toronto, the music on the chart is free-flowing and most deserving of your attention!

It’s Ukrainian dance ensemble Kazaky who reign supreme on the chart now with “Push” and its stunning video (above).  It’s rare that you will see such physical choreography, and much of it danced in stilettos, so these guys must be so disciplined and committed.  Plus it’s a great song with early 90’s Depeche Mode all over it married with modern synths.

Kygo’s redux of Whitney Houston’s 1990 recording of “Higher Love” climbs to #2.  I must say I’m calling out radio in North America for not supporting such a great record.  The rest of the world indeed has much better taste these days, and so do dance clubs, where it’s already been a #1 hit.

“Time” is my favourite song from the Emanate album by EMAN8 (Brandyn Burnette). He’s been in my Top 10 numerous times over the last five years, but “Time” rises 9-6, his first time this high on the chart since “Run” got to #4 a little over a year ago.

Three songs climb into the Top 10, and they are Sam Dickinson’s joyous “All We Are” (11-7, above – all of Sam’s charted songs have reached the Top 10!), Avicii’s “Tough Love” (13-9, also above) and Italian musical mirth-makers Eric Zava & DJ Mirko B with “Even In Confusion” (12-10, below).

There’s lots of activity immediately below the Top 10, as the dark and mysterious deep house of “Alone Again” (above) by Mahalo and Polish producer Milkwish climbs 16-11.  Right behind is Loud Luxury and Bryce Vine with their huge Canadian radio hit that deserves to spread worldwide, “I’m Not Alright” (below), moving up 18-12.

The fastest riser on the chart is the highest debut from two weeks ago, “Dreamer” by Australian producer Throttle, which soars 22-13.  I’m hoping this is Throttle’s breakout record – dance music radio really needs to jump all over its refreshing sound.

The other debuts from the last chart also make progress.  Nashville duo Apollo LTD have one of my favourite albums of the year called Out Of Body, and their song “On The Way Up 2.0” (above) rises 24-20.  Then the unexpected dream team of Tiësto, Jonas Blue and Rita Ora move up 26-21 with “Ritual” (below).

The highest of five premieres this week belongs to England’s Lostchild with the charming and fun “Like Like” in its OKJAMES remix arriving at #23.  Lostchild reached #5 last year with the equally engaging “Blacklist”, so watch for great things for “Like Like”.  Both OKJAMES remix and the video for the original version of the song are above.

Someone else who is no stranger to this chart is Florida-born producer PLS&TY, whose latest engaging single “Run Wild” bows at #24.  Its repeated sample of a Finnish acoustic song is infectious and refreshing.  The Morgan Page of PLS&TY’s “Down For Me” got to #6 last year.

Chicago’s Win & Woo make their debut on the chart as lead performers with possibly their best single to date so far, which is the biting “Here U R”, featuring and co-written by singer Sara Skinner.  It arrives at #26.  Win & Woo’s other chart appearance was in 2016 providing a good-natured remix of Brandyn Burnette’s “Made Of Dreams” (#5), which I still play a lot.

Australia’s Peter Wilson returns to the chart after getting to #2 last year with Sean Smith in the unique duet called “Verona”.  It’s the Stormby edit of “Don’t Break My Heart Again” that bows at #27 from the EP of remixes for the song.  You’ve also seen Stormby on this chart before, with one of my favourite remixes of this decade, Kaden’s “Black Light”, which got to #1 in 2013.

The fifth debut will keep the heat of the summer continuing, in music anyway.  It’s the soulful, lazy melody of “Poolside Vibe” courtesy of two gents usually known as producers, Pretty Sister (Zak Waters) and MarcLo (Marc Lomax of The Monsters & The Strangerz collective), entering at #29.

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

#BILLCSTop30 #568 – August 19/19

As the ides of August pass by, a close battle for the top on this new chart did not change too much. 

For with the arrival of his new album Ascend, Illenium along with vocalist Jon Bellion once again take #1 with “Good Things Fall Apart”.  That makes it 5 appearances – 10 weeks – at the top, which has only been achieved by one other record in this decade, and that is “I Wanna Be (Free)” by Brandyn Burnette (now recording as EMAN8, and in the chart at #9 with “Time”), my #1 song of 2015.  After listening to Ascend, I am very lost for words and it needs another go through.  But it’s an outstanding record sonically, musically, and lyrically, with many fine collaborations.  

That means that “World At Our Feet” has another close call for #1 but stays at #2 for a 3rd appearance for Australia’s Timmy Trumpet.  Still, it’s a true favourite of mine for ’19.

Unless “World At Our Feet” succeeds “Good Things Fall Apart” at #1, then it should be Push by Ukrainian dance music group Kazaky that gets there next.  “Push” would sound great next to any late 80’s or early 90’s Depeche Mode song, and it climbs 8-3.  And watch the video to see what these five guys do with choreography and huge stiletto heels!

The cool, relaxed vibe of “Monday Blues” helps send this dance track up 7-5 for L.A. producer Eric Sharp and vocalist Kenny Zhao.  Play it after “Cola” by Camelphat and Elderbrook and you’ll see what I mean.

Showtek and Leon Sherman’s “Listen To Your Momma” (A-Trak remix) continues its journey into the Top 10 landing at #8.

Sam Dickinson’s beautiful and affecting “All We Are” will become the UK singer/songwriter’s fourth Top 10 entry on this chart in two weeks, but for now it climbs 14-11.  Sam has a new single coming called “Diamond Skin” and Pt. 3 of his EP trilogy From The Glass House.

Cutting loose through the middle with a lovely orchestral hook is “Tough Love” by Avicii featuring Swedish chanteuse Agnes plus Avicii’s long time collaborators Vargas and Lagola.  It rises 19-13.

It was never an issue if “Alone Again” by Mahalo and Milkwish would leave the lower 10, it was just a matter of time, amid fierce competition on the chart.  “Alone Again” rises 21-16.

Right behind “Alone Again” again is “Flying On My Own” by Celine Dion, which also makes its presence known, climbing 22-17.

The Fastest Riser on the chart is “I’m Not Alright” by Canadians Loud Luxury with vocalist Bryce Vine.  It’s one for the lazy, hazy end of summer days and moves up 26-18.

The Highest Debut belongs to Australian producer Throttle with “Dreamer” at #22.  This one’s a real grower and you pick up the sincerity in the song as you hear it more.  Plus it’s got a knockout beat to keep you grooving.  It’s also a rare appearance on this chart for Canadian dance music label Monstercat, which previously charted with Hellberg’s “Synchronize” (#8) in 2016.  “Dreamer” is Throttle’s second appearance on the chart following his playful take on Michael Bublé’s “My Kind Of Girl” (#21) in 2017, but don’t forget he also had a #1 remix with Troye Sivan’s “My! My! My!”.

The next new arrival is at #24, Nashville duo Apollo LTD’s “On The Way Up 2.0” from their wonderful album Out Of Body.  These guys know how to write songs and put together an album that flows from song to song.  The “2.0” in the title does signal a new version of a previous single that perhaps sounded initially too much like an Imagine Dragons kind of song.  Keeping the anthemic appeal intact, “2.0” takes the song down a few notches and lets us bask in its fine melody and great vocal.

The third debut will become an easy go-to record for me.  It’s “Ritual”, a collaboration of Tiësto, Jonas Blue and Rita Ora, which arrives at #26.  While Tiësto and Jonas Blue are no strangers to the chart, it is Rita Ora’s first entry and definitely one of her best vocals.  The hook in “Ritual” is just insane and had me singing along right away.

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

Drift away on the dance floor to the positive vibes and dirty disco of “Dreamer” by Australia’s @Throttle

THROTTLE, “Dreamer”

It might take a few listens to draw you in, but the easy-going and positive vibes of “Dreamer” by Australian producer Throttle (aka Robbie Bergin) are completely infectious.  After getting to spend a bit of time chatting with Throttle after seeing his show in Toronto in June, I was waiting for this one… so in his first release for Monstercat, he takes a slightly different direction from past songs (including collaborations with Oliver Heldens and Galantis).  Throttle concocts an atypical warm and fuzzy ‘dirty disco’ synth sound and then drops a steady beat behind it for you to groove away.  With a brief, uncredited vocal to set the tone, you can bet when “Dreamer” is played at festivals that big crowds will simply cheer.  Dance songs don’t always need to be bangers and “Dreamer” is a prime example of one that works out strategically when a bit less can mean a lot more.

Published in: on August 2, 2019 at 8:54 pm  Leave a Comment  
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Australia’s @Throttle is back with spry original “Wanderlust”

THROTTLE, “Wanderlust”

Though he’s been extremely busy on the festival circuit this year, Australia’s Throttle returns with a spry new original, “Wanderlust”, for his own Dirty Disco label through Spinnin’.  While his beats continue to be heavy and playful, the synths in “Wanderlust” this time stay in the high end often, as a synthesized voice reassures us that “lovin’ you is easy”, but when repeating the hook sings “lovin’ you is ***” – left to our imagination.  “Wanderlust” is all about a love for travel, and producer/DJ’s like Robbie who enjoy performing worldwide certainly get their taste of it, so it’s nice to bring positive thoughts back full circle and put them into song.  “Wanderlust” is an easy choice for clubs that will have hands clapping and lots of smiles lighting up the room.

Published in: on October 21, 2018 at 5:11 pm  Leave a Comment  
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Australia’s @Throttle goes next level with the R&B dance blend of “All In”

THROTTLE, “All In”

Continually one to watch as he grows and grows within dance music, Australia’s busy and prolific and ever-touring Throttle tackles a very different but next level style for him with “All In”.  As co-written with singers/songwriters A*M*E and MNEK, “All In” is smoking R&B dance music that is a surefire strong bet for international play on dance music radio stations and in clubs.  Although uncredited, I would gather that the vocal also belongs to MNEK, already out there with his new songs “Tongue” and “Colours”.  Even if not, the vocalist tackles the song in the way any powerhouse would and totally goes neck-and-neck with Throttle’s inventive and complimentary production.  A song like “All In” only makes you want to hear more collaborations by the three principals, who are onto a good thing that can only get better!  Add “All In” to your Take No Prisoners dance playlist using the Spotify link above.

Published in: on June 17, 2018 at 11:07 pm  Leave a Comment  
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#BILLCSTop30 #531 – March 19/18

A changing chart makes it anyone’s guess as to what will be #1 in two weeks – even I don’t know 🙂  While there are a lot of songs on the rise, my focus in this post is on a selected few of note as well as four debuts which charge in to make their presence known!

The Top 10

  • Troye Sivan’s “My My My!” is glued to the top for a third appearance (sixth week), so we’ll see in two weeks if it can stay atop.  Two weeks ago I brought you the Cash Cash remix.  Finally, the much awaited remix by fellow Australian Throttle is on deck below.

  • Mako’s “Breathe” is also benefiting from some remixes as it glides up the chart from 5 to 2 to challenge “My My My!” in two weeks.
  • A number of new peak positions occur for some fabulous songs in the Top 10.  Dave Edwards & Mark Asari’s “What We’re Made Of” (above) slides to #3; Miguel’s “Told You So” is up a notch to #5 (below, and ohhhh what a concert that was last week!); Mika’s “It’s My House” also rises to #9; and Reigen’s beautiful cover of “Dreams” by The Cranberries becomes his second Top 10 song following 2014’s “Come Back To Me” (#2).

  • The Chainsmokers packaged a trio of singles into a new EP:  the outstanding “Sick Boy” (above, up 9 to 6) plus “You Owe Me” and now “Everybody Hates Me”, which some ‘Smokers fans are either saying it’s the best or worst song they’ve ever done.  I really like it – give it a spin below.

  • The fastest riser on the chart becomes the third entry in the Top 10 for Tipsy Records.  It’s the mysterious and progressive “Smile” by Norway’s Dyrisk featuring British producer Nik Ernst.  It makes short work of the chart, climbing 22-8!!

Movin’ On Up

  • UK singer/songwriter James Poole closes in on the Top 10 as his song about simply being you, “Perfectly Me”, rises 16-11.
  • Right behind me is the collaboration of Quebec’s Robotaki and Washington DC’s Manila Killa featuring Floridian vocalist Matthew John Kurz in the heart-wrenching “I Want You”, moving 17-12.  It’s set afire by the remix by L.A.’s Spirix, still available for free download.  But Robotaki released a fantastic new song at the end of last week called “Butterscotch” which is totally unlike anything he’s put out before, and Drake, Rihanna and Bryson Tiller fans will be swooning – check it out below.
  • L.A.’s Bobby Nourmand is playing The Magician’s Potion showcase in Miami Music Week on Friday March 23, and no doubt will be spinning his latest soul-drenched effort “Prisoner” featuring UK vocalist Laurent John, up 20-14.
  • Toronto’s Francesco Yates was kind of a last minute addition to Justin Timberlake’s Toronto and Montreal shows last week, but an amazing opportunity nonetheless.  His new single, the seductive “Come Over”, climbs 27-20.

Four Debuts

  • It was just a little over 25 years ago that Marc Kinchen reached #1 on the Billboard Dance Club Play chart with “Always”.  He was also responsible for the key remix for The Nightcrawlers’ classic 90’s hit “Push The Feeling On”.  The much-respected producer and DJ known as MK got his first UK Top 10 hit with the soulful banger “17” earlier this year, and now it’s setting out to do the same in North America, first tackling the club charts.  “17” bows at #19.

  • UK trio Years & Years return to the chart with their fifth entry, their first since late 2015, the tantalizing “Sanctify” at #25.  This bodes incredibly well for their upcoming second album!  Y&Y are an absolute joy in concert thanks to tight performances and Olly Alexander’s down-to-earth presence on stage.  Check out the conceptual video above.
  • Following their surprise Top 40 pop hit “Best Friend” along with The Knocks, NERVO and Alisa Ueno, NYC duo Sofi Tukker are back on this chart for the first time since their Grammy-nominated hit “Drinkee” in 2016 with “Baby I’m A Queen”, from the upcoming album Treehouse.  Like with “Drinkee”, it’s the guitar hook in “Queen” that seals the deal.  So glad to see these nice folks with all of their success.  “Baby I’m A Queen” arrives at #26.
  • Just as the enduring and inspiring “Everybody Hurts” tumbles off the chart, Dutch duo The Him lose no momentum with their latest single “White Lies”, bowing at #27 with new remixes also on deck!  If you’re at Miami Music Week, The Him are performing about a half dozen shows, including at Ultra, so you don’t want to miss them!

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the new BILLCS Music Projects Facebook page 🙂

Have fun with two doses of @Throttle and @Nikomakesbeats, with “Piñata” and a cover of @JTimberlake’s “Signs”

THROTTLE x NIKO THE KID, “Piñata” and “Signs” (which is a free download above)

My but Australia’s Throttle and recent Grammy-nominee Niko The Kid (for his work on Odesza’s album) make a perfect playful pair with two recent releases, “Piñata” and a cover of the Snoop Dogg/Justin Timberlake collaboration “Signs”.  “Piñata” definitely takes some cues from the Martin Garrix school of fun deep house instrumentals, which will make you pine for arid sunshine and margaritas with a DJ spinning tunes on the side.  “Signs” is quite far removed from the 2003 hip hop/pop original, trading R&B rhythms for lighter, feel-good summery vibes, really only recognizable through its lyrics.  The guys gifted this one to us on New Year’s Day so you can download it for free above.  After some remixes as well as these two releases, maybe we’ll see a joint tour for Throttle and Niko The Kid one day!  

Check out @Cazztek’s playful remix of “Hit The Road Jack” by @Throttle

THROTTLE, “Hit The Road Jack” (Cazztek remix)

It’s been hovering under the radar for a few months but Aussie producer/DJ Throttle’s electro-swing cover of Ray Charles’ classic “Hit The Road Jack” gets a playful spin from new and mysterious producer Cazztek (very little available online about this remixer!).  While Throttle’s original mix focused on the mighty soulful uncredited vocal by American singer Jordan Landers,  Cazztek’s remix takes Throttle’s eagerness to entertain sideways with a contemporary bounce and a drop/break that sounds like it could have been borrowed from a Ray Charles concert album, which gives it a reverent old school vibe.  Too good for club DJ’s to pass by, Cazztek’s remix could allow the song to get more notice worldwide.  Listen at the link above but you may find that subconscious boogieing takes over 🙂

“Don’t Leave” by @Snakehipsuk and @MOmomoyouth in a fun @Throttle next level dance remix

SNAKEHIPS featuring MØ, “Don’t Leave” (Throttle remix)

The UK duo of Snakehips score a personal best with “Don’t Leave”, featuring an equally impressive vocal by MØ, which should soar to the top end of the pop charts soon following the UK Top 5 “All My Friends” (featuring Tinashe and Chance The Rapper) as well as their collaboration with Zayn on “Cruel”.  While the original is just gorgeous, Australia’s Throttle takes “Don’t Leave” to a fun, danceable place which complements the urgency of the vocal, transforming the ballad into a dance rave-up.  You simply cannot go wrong with this one if you are fans of both pop and dance music.  Listen above and pick up the remix at your favourite digital music store.

Published in: on January 30, 2017 at 1:13 pm  Leave a Comment  
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