Check out the pop-dance retro anthem “Summer In Brooklyn” by @YoungBombs and vocalist @Jordysongs

YOUNG BOMBS and JORDY, “Summer In Brooklyn”

Following up their huge recent dance radio hits “Better Day” (with Aloe Blacc) and “Starry Eyes”, and their EP The Young Bombs Show, which also included a collaboration with Hootie & The Blowfish’s Darius Rucker on “Wrong Side Of Love”, British Columbia dance production duo Young Bombs are back with “Summer In Brooklyn” with L.A.-based singer Jordy.  The much-sought after remixers (Tristan and Martin) are now charting artists in their own right, and it’s no wonder with the friendly and anthemic sound of “Summer In Brooklyn”. Jordy’s boy-next-door vocal implores you to remember all the good times and continue to make new ones. NYC in the summer is as great a place to be for that as my fellow Canadians know – one that I personally enjoy, but have missed these last two summers.  So get caught up in all of those feels in “Summer In Brooklyn” and dance your way into better even times.

Published in: on September 9, 2021 at 8:12 pm  Leave a Comment  
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Vancouver producer Tails pairs with Australian vocalist @AyaYvesmusic for the gentle electronics of “last night (eclipse)”

TAILS and AYA YVES, “last night (eclipse)”

“last night (eclipse)” is full of so many vocal and production subtleties that it’s easy to let it slip away.  But that merely paves the way for additional listens to this new song from Vancouver electronic producer Tails and Australian singer Aya Yves.  The more you hear it, the more you appreciate its gentle nature and first class production in its story about giving in and being caught up in a special romantic night with someone.  Aya Yves has one of those versatile voices that could bring any song to life and Tails often fuses it with the melody and rhythm with great results.

Published in: on May 22, 2021 at 8:56 pm  Leave a Comment  
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“Not Sorry” the latest R&B/funk-fused single by Vancouver’s Diamond Cafe @TristanTmusic goes down easy

DIAMOND CAFE, “Not Sorry”

It’s been a while since I’ve written about Canadian independent R&B/pop artist Diamond Cafe, who is back with his latest single “Not Sorry”.  This song reflects back on a relationship where saying sorry (or not) seems to be the major issue at play.  It’s a 70’s funk-filled showcase as the singer (aka Tristan Thompson) continues to show his prowess with his George Michael and Prince inspired vocals.  Its soulful vibes and interesting story go down easy, and I’m sure we’ll be hearing more from Diamond Cafe in the new year.  Play this one next to songs by fellow Canadians Francesco Yates and Jessie Reyez.

Published in: on December 2, 2020 at 10:41 pm  Leave a Comment  
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Canada’s @WeAreFurymusic bring a potent @Synymata remix to “Don’t Know Why” with vocal by @NDanyka

WE ARE FURY and DANYKA NADEAU, “Don’t Know Why” (Synymata remix)

Rising Canadian production duo We Are Fury continue to bring the goods, this time with a remix of “Don’t Know Why”, a track from their recent album Duality which features talented Toronto singer/co-writer Danyka Nadeau.  Milwaukee producer/remixer Synymata takes a very good song on its own and elevates it in a potent future bass remix.  This remix makes the song larger and more emotional at times, separating out the lovely flow of the original into segments punctuated by some formidable synth work.  Future bass and progressive electronica enthusiasts will be completely in their element, and those who have enjoyed We Are Fury’s album will be keen on this one. “Don’t Know Why”, as remixed, will sound great in big venues and could work well in a video game soundtrack too.

It’s 10/10 #07: @Hunternoneon @saxity @francescoyates @revelriesmusic @mahalo_dj @shuhandz @brendanreilly @mattfaxmusic @listentoTrove @spencerbarnett @deepchillsmusic @wearefury @micahthezealot @garethemery @nashmakesmusic @linneyofficial

10/10 #07

The 10/10 feature is back!! In 10/10 (or tenoutoften) ,  I write about 10 hot and fresh songs in no particular order, for your kind consideration and attention.

I continue to write individual blog posts about certain songs.  That does not mean that songs in the 10/10 lists are any less than those featured individually. 

Writing 10/10 features means I can cover more songs in one shot.  So you get to learn about more new music that I hear but don’t always get a chance to write about. 

tenoutoften

tenoutoften 07

  • HUNTER and ROSHIN, “I Don’t Forget” (extended mix)

Toronto’s Hunter Siegel is known for his many No Neon club shows and for being a respected producer, DJ and remixer.    2020 brings us his latest EP I Might Forgive, I Don’t Forget, and its lead track “I Don’t Forget”, in partnership with newcomer and fellow Canadian Roshin, is a memorable, pounding, gritty deep house club banger.  It’s dark and haunting and is an easy centrepiece around which club DJ’s can build a set.  If you like music by Faithless, The Chemical Brothers, and Bobby Nourmand then “I Don’t Forget” is for you, particularly in its extended mix above.

  • SAXITY, “Forget Me Nots”

The German production duo Saxity returns and brings some long lost Patrice Rushen back to “Forget Me Nots”.  That’s because the melody of the song is long associated with its smash sample in Will Smith’s “Men In Black”.  But that was 1997 and 23 years later an uncredited female vocal in classic R&B style gives this great song new life amid the usual classy Saxity production including the requisite spiffy sax solo.  “Forget Me Nots” is a great and overdue cover choice!

  • FRANCESCO YATES, “I Got You”

My fellow Scarborough, Ontario native singer/songwriter/guitarist Francesco Yates offers a silky smooth retro-flavoured ballad in “I Got You”.  As I’ve seen several times in concert, Francesco can rock it out with the best of them but also kills it with a soft, romantic song, which we haven’t really heard since his 2014 debut on “Honey I’m Home”. And there’s a brilliant soulful falsetto as well that brings shades of Justin Timberlake at his best.  Like “Honey”, “I Got You” is tender and sincere and may be a welcome throwback to the Francesco Yates sound that most people got acquainted with in the first place.  Don’t let this one slip through the cracks.

  • REVELRIES, BOYBOYBOY and WILL CHURCH, “Fall-Out”

2019 brought us my favourite Revelries release thus far with the infectious “Don’t Think Twice” (featuring Oktavian) reaching #2 on my chart and finishing at #11 for the year.  Spicing it up with some funky touches and a staccato kind of rhythm, “Fall-Out” is a bit softer but a grower alongside other songs by the Netherlands-based Emirati production duo like “Naked” or “Handle”.  “Fall-Out” is a collaboration with production trio Boyboyboy and England-based German-born singer Will Church.  There’s a lot of instrumentation in the mix and with the mystique of Will’s vocal and a compelling melody, it all gels together nicely.

  • MAHALO & SHUHANDZ and BRENDAN REILLY, “Sweet Spot”

Coming off of his biggest record to date last year called “So Cold”, L.A.-based producer Mahalo continues to be busy making great music like his new one “Sweet Spot”.  Never one to get fixed with similar melodies and beats, “Sweet Spot” has an airy, jazzy quality about it in partnership with fellow L.A. based producer Shuhandz and a dreamy vocal by England-based American singer Brendan Reilly.  If you recognize Brendan’s voice then you’re a fan of Disclosure’s Grammy-nominated Caracal album, where he was featured in “Moving Mountains”.  “Sweet Spot” is a tidy mix that ends before you know it in just under three minutes.  Club DJ’s with a soft spot for jazzy vibes will take to this one.

  • MATT FAX and TROVE, “Animal”

“Animal” is an atmospheric release by French producer Matt Fax with vocals by one of Australia’s favourite go-to voices for dance music, Trove, known most recently for his work on Famba’s Canadian radio hit “Wish You Well”.  “Animal” has seductive, dark qualities about it, that keep getting richer until Trove’s vocal stops entirely.  And that’s when an extended coda takes over, which DJ’s will absolutely love for mixing purposes.  Though only just into his 20’s, Matt Fax has been working with all of the best labels for European house so 2020 could be the year where we hear much more original music from him.  “Animal” definitely amps up the intrigue and Trove’s vocal glides beautifully through it all.

  • SPENCER BARNETT, “I’m Fine”

Spencer Barnett is a talented L.A. teen with massive pop appeal if his latest single “I’m Fine” is any indication.  It’s the title track of his latest EP in which Spencer sings to justify why he’s okay, whereas the sullen melody may convince you otherwise.  Its moodiness captures the complex sentiments of today’s teens who were too young when One Direction peaked about 6 years ago, which makes him an instant draw for the lovelorn and heartsick among them.  His indie charm is proving successful so far though with a club date coming up in February in NYC.  So I think we’ll be hearing more from young Mr. Barnett in the coming year.

  • DEEP CHILLS and NOT FAMOUS, “Backfire”

Italy’s Deep Chills spreads his tropical vibes into the winter months for us with the savvy mix of pop and dance genres in “Backfire”.  The song features a delightful vocal by L.A. singer/songwriter Not Famous and a memorable bridge and chorus that will waste no time turning into a singalong.  Deep Chills doesn’t make you forget that the song at its production roots is a dance record so you can waste no time busting a few moves as well.  “Backfire” is a playful and bright release that deserves your attention.

  • WE ARE FURY and MICAH MARTIN, “Echoes”

“Echoes” is the hard-hitting recent single from Vancouver production duo We Are Fury from their two-song EP called Dusk, which also features the compelling instrumental, “Resistance”.  Taking cues from Illenium and Seven Lions and other progressive-minded producers, Stuart and Joachim bring Iowa singer Micah Martin on board for alt.rock atmospherics that will transport you back to the mid-2000’s heydays of My Chemical Romance and Linkin Park.  “Echoes” will be a force unto itself in a live set in the same way that Illenium’s “Blood” (from Ascend) leaves audiences spellbound.  We Are Fury definitely brings all of the goods with “Echoes”.

  • GARETH EMERY & NASH and LINNEY, “Yesterday”

Melodic dance music has a fascinating way to draw you in, and through its various iterations in the sub-genres of dance music, I hope that it will always be present.  After his return with Ashley Wallbridge for last year’s album Kingdom United, UK producer Gareth Emery continues in 2020 with the beautiful “Yesterday”.  Working with newcomer and fellow UK denizen NASH, they take a few cues from early 80’s electronic music by employing the lovely voice of American singer Linney, who is no stranger to dance music and recalls vocalists like Maggie Reilly and Annie Haslam.  “Yesterday” flows and pours out a positive message about leaving behind what should stay in the past.  It keeps you locked in for its just over 3 minutes, and then of course wanting more. 

“Memories” achieves a smooth stylistic balance for Vancouver’s @WeAreFury with vocalist @watchmeRUNN

WE ARE FURY and RUNN, “Memories” (free DL)

The latest from Vancouver production duo We Are Fury is a stylistic charmer.  It’s emotional electronica for sure, but it retains the harder edges for which Joachim and Stuart have become recognized.  The restrained and sometimes delicate voice of RUNN is showcased and never does the vocal become overly urgent, and instead is committed to sing about either fond or painful reminiscences like those which make up everyone’s past.  While producers like Illenium and fellow Canadian Ekali are definitely leading the way with transforming dance music with this kind of style, I’m happy to hear We Are Fury recognize in “Memories” an effortless, well-developed balance.  It’s available as a free download, for now, at the link above.

 

 

Published in: on May 26, 2019 at 10:32 pm  Leave a Comment  
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Snazzy ‘n jazzy “Dizzy” by @TylerShawmusic

TYLER SHAW, “Dizzy”

Things just keep getting better for Canadian singer/songwriter Tyler Shaw, who I’ve written about a number of times in these blog pages.  “House of Cards” was his most successful single yet, continuing to receive massive national airplay in Canada, not to mention Tyler recently opening up for Kelly Clarkson and Nick Jonas in concert.  “Dizzy” should take that success and run with it, hopefully south of the border too.  It’s got a slick and snazzy pop style with a jazzy R&B undercurrent along with a potent vocal to make it stand out big time from a lot of sound-alike pop on the radio today.  I don’t doubt for a second that “Dizzy” will be a fun concert performance number too.  There has been so much fine and breaking talent out of my country this year and Tyler Shaw’s “Dizzy” ranks up there as one of the catchiest recent releases.  Watch for Tyler’s debut album Yesterday on September 4.

Amid many recent solo performances this year, Tyler Shaw plays The Virgin Mobile Mod Club in Toronto on Thursday, September 10 along with Eleven Past One, Heist, and Adrian Mitchell.

Published in: on August 21, 2015 at 8:36 pm  Leave a Comment  
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