It’s 10/10 #08: @GarethEmery @WinandWoo @KyanPalmer @ChetPorter @AWonderland @JessieReyez @Dzekomusic @Kiesza @MattFaxmusic @TheHim @SuperDuper808 @MadisonMalonem @JerinJamesmusic @iamDeverano

For the first time since January, I bring you my 10/10 feature!!

In 10/10 (or tenoutoften) ,  I write about 10 hot and fresh songs in no particular order, for your kind consideration and attention.

I continue to write individual blog posts about certain songs.  That does not mean that songs in the 10/10 lists are any less than those featured individually.  In fact my recent #1 “Shivohum” by Tritonal & Henry Dark, was included in a previous 10/10!

Writing 10/10 features means I can cover more songs in one shot.  So you get to learn about more new music that I hear but don’t always get a chance to write about. 

tenoutoften

  • GARETH EMERY and ANNABEL, “You’ll Be OK”

British electronic dance producer Gareth Emery says “You’ll Be OK” is the best song he’s released to date.  And he has many reasons to say that, for it’s a gorgeous song with trance-drenched synths and some big, frenetic beats.  It’s also actually a personal story about being on a plane he thought would crash, and based on a letter he was writing to his wife at the time.  Its video above has an emotional ‘life flashing before your eyes’ story as a result.  “You’ll Be OK” has many soft and peaceful moments, which hit home a little more knowing this information.  Vocalist Annabel personifies it all with her rich and gentle voice, and it’s extremely appropriate as a backdrop to what’s going on in the world right now.  “You’ll Be OK” is an amazing follow up to Gareth’s current hit “Yesterday” and is culled from his forthcoming album called The Lasers.

  • WIN & WOO and KYAN PALMER, “Sleepwalking”

American dance producers Win & Woo continue with a series of songs released through Armada that portray how much better they keep getting at their craft.  “Sleepwalking” features Arizona-born, L.A. based singer Kyan Palmer, who has been gracing other electronic dance records over the past few years with his R&B-influenced style.  “Sleepwalking” is a big, bouncy, fun record that can easily ignite a set at a key point in the evening at a dance club.  It also has big potential for dance music radio airplay.

  • CHET PORTER and ALISON WONDERLAND, “Bummed”

We’re all “Bummed” that his upcoming club tour was cancelled, but we’ll just get more time to enjoy the unconventional sound of “Bummed”, Torontonian Chet Porter’s collaboration with Australian electronic producer Alison Wonderland.  “Bummed” has an early 80’s DIY new wave vibe about it that’s utterly charming, complete with old school drum machine sound.  Chet and Alison collaborated on a song that suits their voices and has plenty interesting that’s going on within.  Go deeper and you’ll find all of those delightful melodic flourishes that you get inside every Chet Porter song.  “Bummed” is a both a refreshing surprise and a winner.  Definitely play it alongside Porter Robinson’s new music for starters.

  • THE HIM, “Freestyle Scientist”

It looks like Dutch producers The Him have been immersed in late 90’s techno-house, if “Freestyle Scientist” is any indication.  It’s an extremely playful departure from the duo’s pop-leaning deep house tracks which have graced these blog pages (and my personal chart) many times in the last four years.  Brace yourself this one.  Add some early Chainsmokers-flavoured synth vibes into the mix and it looks like “Freestyle Scientist” could be the start of a new musical era for The Him. Check out the trippy video above.

  • JESSIE REYEZ, “Love In The Dark” (Dzeko remix)

Award-winning Canadian singer/songwriter Jessie Reyez has a Canadian radio hit with her latest single “Love In The Dark”.  And with her recognition earlier this year as a Grammy nominee, you can bet that the song will garner attention stateside as well.  It’s amped up for clubs by fellow Canadian and esteemed electronic dance producer Dzeko.  He puts just the right kind of propulsion behind the deep house rhythms, and you’ll wonder why it wasn’t a dance track in the first place.  Club DJ’s will want to showcase this remix of “Love In The Dark” in a mid-evening set for immediate reaction.

  • SUPER DUPER, “All On You”

Hailing from Nashville’s vibrant music scene, which includes a lot of electronic dance music, is Super Duper (aka Josh Hawkins) who definitely pushes some interesting boundaries in “All On You”.  The song honestly starts out like nothing special, with a distorted vocal and a rather uneventful lead in.  But Super Duper totally shifts the rhythm and feel of the song just after the first minute, and “All On You” grabs you with a sudden WTF magnetic force.  The beats kick in and you immediately start having flashbacks to songs like M83’s “Midnight City”.  “All On You” now has you completely under its spell and so it succeeds rather well in a roundabout way.  Super Duper’s latest is released by the Fader label and is currently being featured on every major streaming platform. Remixes could help push “All On You” further.

  • MATT FAX, “Light On”

French producer Matt Fax eloquently captures the current rise of old-style trance and techno vibes in his latest release, the instrumental “Light On”.  This percolating track will sit nicely next to tracks by Gabriel & Dresden or Above & Beyond in a late night trance set.  Matt keeps the atmospherics working and ever changing which makes “Light On” a synth-filled feast for the ears.

  • KIESZA, “All Of The Feelings”

Calgary’s Juno Award-winning Kiesza has brought us many fine vocals since coming back to the music scene as an independent artist after suffering a life-altering accident.  “All Of The Feelings” is one of those feel-good, vibrant songs that has ‘hit’ written all over it, and many people would hear this as a return to the pop/dance style that brought us “Hideaway” back in the day.  We’ve seen how versatile Kiesza can be with her songs, most of which are original co-writes.  “All Of The Feelings” may skew a more commercial slant but it’s such a well-written and performed release that no one should quibble.  And you can see her perform it in the video above.

  • MADISON MALONE, “Fragile Heart 1”

L.A.-based singer/songwriter Madison Malone dazzles us with her pitch perfect voice on “Fragile Heart 1” from her unique album called I & II (that’s One and Two).  The highly listenable album consists of five songs each recorded in two different versions, all of which work pretty well because the songs themselves are so strong.  But it’s “Fragile Heart 1” that stands out – kind of what could happen if a minimalist Rufus Wainwright song somehow transformed into one with Sarah McLachlan inspiration.  “Fragile Heart 1” is emotional and vulnerable but still very hopeful.  Madison has made herself known at festivals like SXSW and on a recent US tour, so definitely keep your eyes and ears out for her.

  • JERIN JAMES and DEVERANO, “Birds And Bees”

Jerin James is a new name to the dance music biz though he is hardly a newcomer, having previously recorded under another name and had other roles in the industry.  “Birds And Bees” is all about atmospherics and vocals, and even if the song overall to me is a bit familiar and what I would call ‘much ado about nothing’, it works quite well.  The dramatic, sophisticated production is enhanced by Deverano’s stylish and often far-reaching vocal – he’s graced a number of dance records and always gives them a big lift when they need it.  “Birds And Bees” is a compelling start for Jerin James.

A new supplement to the 10/10 feature is my new Spotify playlist called the BILLCS Viral Weekly.  Check it out below as it contains some of the songs in this 10/10 blog post!

 

#BILLCSTop30 #573 – October 28, 2019

One month into Autumn and some change is afoot on the new chart.  Besides three new entries, some songs make key moves, and there is a new song on top!

I am pleased to announce again that music from my chart and blog will be featured regularly on the new online radio station Radio GTA.  You can hear their Big 20 on Wednesday evenings and listen for songs from the chart too 🙂 Scroll down the main page to listen to lots of variety from across the decades!

Australia’s Throttle gets his first #1 with the thoughtful and danceable, Billboard-charting “Dreamer”, ending 4 appearances (8 weeks) at the top for Kazaky’s “Push”.  It’s from his new EP of varying styles in the dance music realm called Where U Are, and is meant to be played continuously from beginning to end for best effect.  “Dreamer” is the lead off single and it’s the one that stands out the most for me.  This is also the first #1 on my chart for the Canadian dance label Monstercat, and such a different one for them too!

UK indie singer/songwriter Lostchild climbs 5-2 with the OKJAMES remix of “Like Like”.  It will be neck and neck with “Dreamer” for #1 in two weeks – I’m not even going to speculate on what might prevail!  “Like Like” bests the #5 peak of last year’s “Blacklist”.

With eyes firmly planted on the Top 5, “Breaking Hearts” by Benedict Cork, another UK indie singer/songwriter you need to know, climbs 12-7.  The singer has been opening on tour for EuroVision winner Duncan Laurence in his native Netherlands.

Also new to the Top 10 – kind of a no-brainer given the performers – is “Dreamland” by Pet Shop Boys and Years & Years, moving up 14-9. It’s Years & Years’ 7th Top 10 entry since 2015, following this year’s collaboration with Jax Jones on “Play” (#3).

“Poolside Vibe” by Pretty Sister and MarcLo keeps us thinking of July and August as it moves up 16-12.

I want to see a club DJ take Anden’s “Flicker” up on what’s intended to happen in the magnetic, progressive dance song – a glittering light show after the pause after “baby all of the lights are turned…. off”.  “Flicker”, featuring vocals by the brothers Cuppernull who comprise Anden, climbs 19-13.

“Here U R” is a striking deep house track by Win & Woo featuring vocals by co-writer Sara Skinner, and it rises 17-14.

Led by a pristine vocal by Heather Janssen, “Who’s Gonna Love U” by Canadian producer Ryan Shepherd makes a significant move up the chart, soaring 22-15.

After the #7 success of “Sign Of The Times” two years ago, Harry Styles shifts gears for a short, sweet pop song with one of his best vocals in “Lights Up”.  It’s the Fastest Riser on the chart, rocketing 25-16.

Also busting a big move is “Family Affair” by The Disco Fries, which advances 23-17.  It’s a fun and peppy retooling of the Mary J. Blige classic, which got to #4 on this chart back in 2001.

Making the highest debut is the glorious and unexpected collaboration of Galantis, Dolly Parton and Mr. Probz on one of the most uplifting songs of the year called “Faith”.  It bows at #25 and is the first chart appearance for all involved.  After establishing themselves on the dance music scene for the best part of this decade, the Grammy-nominated Swedish production duo Galantis joins other veterans – Don Diablo, Cedric Gervais, Lost Frequencies, Timmy Trumpet, Sultan + Shepard, Kygo – also debuting on the chart this year.  And Dolly Parton has flirted with dance music before – her pop hit “Baby I’m Burnin'” was also a big club hit in 1979.  She’s also not the oldest person to appear on the chart – that feat belongs to Giorgio Moroder who was 74 when he charted in 2015 with the trio of “Right Here Right Now”, “Deja Vu” and “Wildstar”.

Returning to the chart for the first time since 2016 is Brandon Colbein, formerly known as Brandon Skeie, with the heart-felt ballad “Mad”.  Brandon’s “So Bad” reached the top of the chart so “Mad” has its work cut out!

Sam Fender is an intriguing new British rocker who will appeal to those who enjoy singer/songwriters like James Bay and groups like Keane.  “Will We Talk”, from his album Hypersonic Missiles, arrives at #29.

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

 

 

 

 

#BILLCSTop30 #569 – September 2/19

September marks a big change-up on the new chart.  Not only is there a new #1 which more people need to discover, there are five new entries.  And it was a tough decision as to which songs debuted as there is quite a line-up of chart-worthy recent releases.  So while leaves will begin to tumble and the cooler air sets in where I am in Toronto, the music on the chart is free-flowing and most deserving of your attention!

It’s Ukrainian dance ensemble Kazaky who reign supreme on the chart now with “Push” and its stunning video (above).  It’s rare that you will see such physical choreography, and much of it danced in stilettos, so these guys must be so disciplined and committed.  Plus it’s a great song with early 90’s Depeche Mode all over it married with modern synths.

Kygo’s redux of Whitney Houston’s 1990 recording of “Higher Love” climbs to #2.  I must say I’m calling out radio in North America for not supporting such a great record.  The rest of the world indeed has much better taste these days, and so do dance clubs, where it’s already been a #1 hit.

“Time” is my favourite song from the Emanate album by EMAN8 (Brandyn Burnette). He’s been in my Top 10 numerous times over the last five years, but “Time” rises 9-6, his first time this high on the chart since “Run” got to #4 a little over a year ago.

Three songs climb into the Top 10, and they are Sam Dickinson’s joyous “All We Are” (11-7, above – all of Sam’s charted songs have reached the Top 10!), Avicii’s “Tough Love” (13-9, also above) and Italian musical mirth-makers Eric Zava & DJ Mirko B with “Even In Confusion” (12-10, below).

There’s lots of activity immediately below the Top 10, as the dark and mysterious deep house of “Alone Again” (above) by Mahalo and Polish producer Milkwish climbs 16-11.  Right behind is Loud Luxury and Bryce Vine with their huge Canadian radio hit that deserves to spread worldwide, “I’m Not Alright” (below), moving up 18-12.

The fastest riser on the chart is the highest debut from two weeks ago, “Dreamer” by Australian producer Throttle, which soars 22-13.  I’m hoping this is Throttle’s breakout record – dance music radio really needs to jump all over its refreshing sound.

The other debuts from the last chart also make progress.  Nashville duo Apollo LTD have one of my favourite albums of the year called Out Of Body, and their song “On The Way Up 2.0” (above) rises 24-20.  Then the unexpected dream team of Tiësto, Jonas Blue and Rita Ora move up 26-21 with “Ritual” (below).

The highest of five premieres this week belongs to England’s Lostchild with the charming and fun “Like Like” in its OKJAMES remix arriving at #23.  Lostchild reached #5 last year with the equally engaging “Blacklist”, so watch for great things for “Like Like”.  Both OKJAMES remix and the video for the original version of the song are above.

Someone else who is no stranger to this chart is Florida-born producer PLS&TY, whose latest engaging single “Run Wild” bows at #24.  Its repeated sample of a Finnish acoustic song is infectious and refreshing.  The Morgan Page of PLS&TY’s “Down For Me” got to #6 last year.

Chicago’s Win & Woo make their debut on the chart as lead performers with possibly their best single to date so far, which is the biting “Here U R”, featuring and co-written by singer Sara Skinner.  It arrives at #26.  Win & Woo’s other chart appearance was in 2016 providing a good-natured remix of Brandyn Burnette’s “Made Of Dreams” (#5), which I still play a lot.

Australia’s Peter Wilson returns to the chart after getting to #2 last year with Sean Smith in the unique duet called “Verona”.  It’s the Stormby edit of “Don’t Break My Heart Again” that bows at #27 from the EP of remixes for the song.  You’ve also seen Stormby on this chart before, with one of my favourite remixes of this decade, Kaden’s “Black Light”, which got to #1 in 2013.

The fifth debut will keep the heat of the summer continuing, in music anyway.  It’s the soulful, lazy melody of “Poolside Vibe” courtesy of two gents usually known as producers, Pretty Sister (Zak Waters) and MarcLo (Marc Lomax of The Monsters & The Strangerz collective), entering at #29.

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

Chicago’s @WinandWoo will wow you with the haunting deep house of “Here U R” with vocalist Sara Skinner

WIN & WOO and SARA SKINNER, “Here U R”

For so many years, Chicago’s Win & Woo (Austin and Nick) have been releasing consistently great dance music that has afforded them to appear at numerous festivals, including this current weekend’s Lollipalooza.  Their latest release, the haunting “Here U R”, is a positive step in a slick deep house direction that will wow their fans.  Co-written by vocalist Sara Skinner, “Here U R” is a pungent recap of the helplessness you feel when a relationship has gone stagnant.  The songs lyrics do not beat around the bush, and are matched by a dark melody with rich synth work, especially the deep base undercurrent that makes the song even more memorable.  I’m glad that Armada has released “Here U R” as Win & Woo are now due for some next level attention.  Check it out at the link above.

Published in: on August 3, 2019 at 10:35 pm  Leave a Comment  
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Get this Banger, with no mash: It’s “Tea Time” with @WinandWoo

WIN & WOO, “Tea Time” (free DL)

Despite the headline, “Tea Time”, the latest from Chicago’s Win & Woo, has absolutely nothing to do with anything to do with England unless you want to have tea.  But unlike the alternately fanciful or emotional dance pop they’ve released over the last year or so, “Tea Time” is most certainly a Banger (capitalized)!!  It’s a brisk, fun song that’s probably going to be sampled by others to incorporate into festival or radio mixes, but it gets on quite well on its own, thank you.  For the last number of years, Win and Woo have been go-to remixers for many and have grown in their craft.  You can hear the finesse and sophistication in the mix of “Tea Time”, despite the lack of lyrics this time.  So it’s definitely a trade off with its memorable “it’s time for tea” drop, but “Tea Time” serves as a kick off to what looks like a super fun 2019 for Win & Woo!  Get it for free while it lasts at the link above.

Published in: on January 14, 2019 at 11:28 pm  Leave a Comment  
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Going deeper: “Underneath” by @BrandynBurnette

BRANDYN BURNETTE, “Underneath”

It’s been nary a blink since Brandyn Burnette’s EP Made Of Dreams dropped last November, and the prolific Brandyn already has a bunch of new songs to spring on you in the form of another upcoming EP titled State I’m In. Brandyn’s faithful fans can guess that “Underneath” is another winner, which contains a similar progressive soul vibe as “Nothing At All” from the Dreams EP, and also recalls at times the low-fi demo that Brandyn put online last year called “1,000 Degrees of Separation”. While the lyrics are personal and touching as always, “Underneath” has a lot of contemporary style seemingly rooted in rock and roll and R&B of the past – think Hall & Oates meet Tom Waits meets John Mayer meets Allen Stone….. to start.  Win & Woo (the pair who made that sunny remix of “Made Of Dreams” which is climbing the BILLCS Top 30) get to the heart of what Brandyn’s song is all about with their attentive production.