BILLCSMUSIC BLOG

Don’t mind me while I again bemoan the difficulty I continue to face each week with choosing the songs that I write about in each edition of the Report. This is leading me to consider a change to the Report for the New Year, which might lead to more of a tip sheet format of songs that I recommend for you to check out, while continuing with the other features that support my work in online radio. If you have any comments about this that you would like to share, please let me know. I’m aware of how much readers are enjoying the current format but I do believe I can provide more recommendations of new songs with more succinct detail.

My Retro Pick of the Week now joins the features of the blog which follow the reviews of the new tunes.

In the Report, you can also check out my pick of the week, along with a record of the week from the host of online radio’s “Top 40 Timeline”, “Big Daddy” Russ Horton, plus “Modern Hype” online radio host DJ Hunter’s “Bop of the Week”.  “The Musicman” James Rogers’ Classic Five draws from the 60’s, 70’s and 80’s this week. And you’ll find out what songs were in the Top 5 of the BILLCS Top 30 5-10-15-20-25 years ago!

The BILLCS New Music Report is always a work-in-progress and I welcome your suggestions so feel free to contact me at through my social media links right here.

Reminder: Click on the photo to watch the video or listen to the song.

BINGO PLAYERS, DISCO FRIES, FATMAN SCOOP, “Our House”

Sadly, rapper Fatman Scoop left us this past week after taking ill on stage at a concert in Connecticut at the young age of 53. So it’s bittersweet to be writing up his recent collaboration with Dutch producer Bingo Players (aka Maarten Hoogstraten) and blog regulars Disco Fries called “Our House”. But it’s a fitting send off, as their original “Our House” presents exactly the kind of big, fun, inclusive party song that gave Fatman Scoop his biggest success in 2003 in the UK with the memorable #1 “Be Thankful”, and led to huge collabs with remixes for the likes of Mariah Carey, Missy Elliot and Janet Jackson among many. The producers have nailed the anthemic quality that could make “Our House” a festival and outdoor dance party favourite. Suspend any serious thinking, let loose and have a great time to “Our House”.

NITTI, OUTRAGE, MICAH MARTIN, “Stay Away”

It’s been a while since I wrote about releases by NITTI, certainly before his artist name change and shift into more hardcore dance styles. The multi-platinum and Grammy Award winning producer teams up with Colorado’s Outrage for “Stay Away”, which essentially is a cathartic song from the fall out of a relationship that didn’t work out. Iowa vocalist Micah Martin, who I’ve also written about before, completes the collaboration with his fierce vocal that reminds me of contemporaries like Grabbitz and Lø Spirit. And while the arrangement tends to pummel away at you for the first part of the song, it pulls back and lets all of the pent up emotion settle in. That’s not something that a lot of producers do, so kudos to NITTI and Outrage for realizing how well it works in “Stay Away”. My recommendation is for those who like their EDM fast and hard, though open-minded fans of the genre will enjoy it as much as I do.

ESTHER ANAYA, DAMON SHARPE, “Lost In Dubai”

“Lost In Dubai” is a dreamy, gentle slice of tech house/pop with both Latin and Arabic flavours. It’s brought to you by Colombian multi-talent Esther Anaya who is in great hands in this collaboration with L.A.-based producer Damon Sharpe for his new Brainjack label. Esther is not only a singer but an exceptional violinist, as well as a DJ and producer (and I’ve seen her perform in Las Vegas), which all makes it all the easier for a veteran like Damon to work together to shape this delightful release. Esther’s alluring vocal draws you in and her violin work is beautifully showcased. The song is essentially about being mesmerized by an enchanting woman when you get “lost in Dubai” in her eyes. “Lost In Dubai” is one of those ideal songs that could be used in the early part of an evening by DJ’s to entice club goers to the dance floor and stay there for awhile.

THE PRIZM, ROUSE, “Come Through”

“Come Through” caught me by surprise as a deft slice of soulful rhythmic hip hop, brought to you by L.A. producer The Prizm and vocalist Rouse. Both have appeared in this blog before. The Prizm has expanded his versatility over the past few years moving from strictly electronic dance productions to tackle more progressive electronic songs as well as hip hop/R&B. His relatable pop/dance song “I Don’t Wanna Go Home” got to #3 on the BILLCS Top 30 in 2020. Rouse’s appearance on the chart goes back a bit further, to the dark and beautiful “Her and Him” in collaboration with producer Mi Disguise, and it too got to #3 on the chart in 2016. It’s not often that a vocalist can move seamlessly between singing and rapping, but Rouse has a great tone and terrific skills with his verses. “Come Through” is well-crafted and well-suited for rhythmic radio and dance clubs.

MOTHICA, “Doomed”

Oklahoma-born Mothica (aka McKenzie Ellis) began making music as a teenager, often with edgy, deeply personal songs set to an electronic backdrop. I’ve written about her music before and in fact got to see her perform back in 2017, ironically opening for a band that’s no longer together. So it’s great to hear the growth in her songwriting these years later in songs from her impressive new album Kissing Death, particularly the taut and compelling “Doomed”. It’s an autobiographical song referencing how leading what looks like a perfect suburban childhood masked traumatic, life-changing events that made her feel “doomed” despite her many talents. Fans of Olivia Rodrigo and Billie Eilish will appreciate Mothica’s vulnerable vocal, and the layered production could draw in rock fans of singers like Amy Lee and Remi Wolf. But it’s the poignancy of “Doomed” that is most memorable and gets under your skin, and fans of Mothica who have been behind her since “Vices” had a huge viral moment a few years back, or even before that, are sure to enjoy.

DYLAN & THE MOON, “Bones”

“Bones” by Cornwall, England talent Dylan & The Moon, is a bright and unique song about enjoying everything about a relationship, from just hanging out and appreciating each other’s company to those passionate times that come naturally. Dylan Holloway is an award-winning transman singer/songwriter who previously had some success in the UK in his previous identity. He’s got a likeable, earthy voice and with “Bones”, has a flair for loading multiple hooks into one song. The lyrics are genuine and unfiltered, and the song moves along briskly through multiple well-structured musical changes that come full circle. “Bones” is impressive in its authenticity and I think Dylan & The Moon has the potential to go a long way with songs like this one.

FIE EIKE, “Fluid”

“Fluid” is an enticing alt.pop track by Copenhagen singer/songwriter Fie Eike, whose imaginative releases “Sad” and “The Nile” I wrote about earlier in the year. Fie Eike has an individualized style that combines classical melodies with her crisp, trained vocal, and in “Fluid” the inspiration is from Hans Christian Andersen’s story “The Little Mermaid”. So you get a mellifluous, almost hollow sound that reminds you of being underwater that unfolds under a story that warns about being too “fluid” with our relationships, which allow our own needs to be trumped by our desires to fit in with society. “Fluid” encourages, and models, individuality. Fie Eike may appear to be way out in left field with her songs but “Fluid” will attract organically those who like to be enticed and challenged by their song choices.

THE CAPRIS, “Running From The World”

Late last year I introduced you to Irish quartet The Capris and their rockin’ release “Melancholy Blues”. “Running From The World” is a smart continuation of the honed sound of that track, and this new release has a lot of 80’s inspiration that recalls hits from the time by Bruce Springsteen and John Mellencamp. It includes a tight, energetic performance and a sometimes gritty vocal by singer Odhran, whose work here reminds me of the late great Joe Cocker and how he got so caught up and lost in performing his songs.  And there’s not much more you can want in a high quality indie rock release.

BILL’S NEW MUSIC PICK OF THE WEEK

My New Music Pick of the Week  is a 5-7 minute radio segment that airs on several online radio stations around the world, and now debuts each Wednesday at 10pm EST on The Big 20 on Halton Hills Radio Online. 

From his first album in 9 years called Telos, it’s Zedd with vocalist Bea Miller and “Out Of Time”

“BIG DADDY” RUSS HORTON’S RECORD OF THE WEEK

“Big Daddy” Russ Horton is the host of the “Top 40 Timeline” radio program and owner of online station Halton Hills Radio Online. You can hear my Retro Pick of the Week  which debuts every week on the “Top 40 Timeline”. Russ’ record of the week can also be heard each week on “The Big 20”.

It’s Sweden-born, UK-raised alternative singer/songwriter Oliver Malcolm with “The Big Leagues”

DJ HUNTER’S BOP OF THE WEEK

DJ Hunter is the host of the online radio shows “Modern Hype”, which can be heard on several online stations, and “Pyjama Party”, with both shows anchored at Energy 885, where you can also hear both my New Music and Retro Picks of the Week. Hunter can also be heard weekdays at 2pm EST on Party Dog Radio.

Meet UK singer/songwriter Rose Gray with “Angel of Satisfaction”

“THE MUSICMAN” JAMES ROGERS’ CLASSIC FIVE

“The Musicman” James Rogers is the owner and host of The 3D Variety Show, which is now back from hiatus and heard Tuesdays at 6pm EST, where you can also now hear my Retro Pick of the Week. The Classic Five is “pop music 101” usually of the post-Beatles era – classics you need to know! Each title is linked to a Spotify stream of the song.

Rolling Stones – Brown Sugar (1971)
The Doors – Love Me Two Times (1967)
George Harrison – What Is Life (1971)
Eric Clapton – Forever Man (1985)
The Police – Every Breath You Take (1983)

BILL’S RETRO PICK OF THE WEEK

My Retro Pick of the Week is a 5-7 minute radio segment that airs on several online radio stations around the world, including those mentioned above. It debuts Saturdays on Russ Horton’s Top 40 Timeline on UK National Radio at 1pm EST.

Kim Carnes’ “Bette Davis Eyes” was #1 on Billboard’s Hot 100 for 9 non-consecutive weeks in 1981 and won two Grammys

THE BILLCS TOP 30 – 5-10-15-20-25…

The Top 5 songs from the BILLCS Top 30 5, 10, 15, 20 and 25 years ago…

2019

1  PUSH, Kazaky, Gaspar

2  HIGHER LOVE, Kygo, Whitney Houston

3  GOOD THINGS FALL APART, Illenium, Jon Bellion

4  MONDAY BLUES, Eric Sharp, ZHAO

5  WORLD AT YOUR FEET, Timmy Trumpet

2014

1  I BELIEVE, Bright Light Bright Light

2  THIS COULD BE SOMETHING, Anton Ewald, Medina

3  TIME HAS COME,  Hannis

4  I’M NOT THE ONLY ONE, Sam Smith

5  NO FUN, The Presets

2009

1  SYMPHONIES, Dan Black

2  RABBIT HEART (RAISE IT UP), Florence & The Machine

3  BOY MEETS GIRL, Evan Taubenfeld

4  MANNEQUIN (Overthrill remix), Noah

5  MASTERPIECE THEATRE PART 1, Marianas Trench

2004

1  FLAWLESS (GO TO THE CITY), George Michael

2  LOLA’S THEME, Shapeshifters

3  SWAY (Ralphi’s Salsation Vox Edit), Michael Bublé

4  CADILLAC DRESS, soulDecision

5  SHE WILL BE LOVED, Maroon 5

1999

1  SMOOTH, Santana, Rob Thomas

2  THE CUP OF LIFE, Ricky Martin

3  BABY DID A BAD, BAD THING, Chris isaak

4  NO REGRETS, Robbie Williams

5  HUMAN, Distinct Nature

I continue to try to mix it up with the songs that stand out and I choose to write about every week in this Report. In some weeks it’s difficult to whittle it down to eight songs given the amount of new songs I listen to in a week.

Please note that since I will be travelling over the upcoming Labour Day weekend here in Canada, the next report will appear on Thursday, September 5.

In the Report, you can also check out my pick of the week, along with a record of the week from the host of online radio’s “Top 40 Timeline”, “Big Daddy” Russ Horton, plus “Modern Hype” online radio host DJ Hunter’s “Bop of the Week”.  “The Musicman” James Rogers’ Classic Five conjures up selections of rock classics from the 70’s and 80’s. And in case you missed them on Monday, you’ll find out what songs are #1 and the Fastest Riser on the BILLCS Top 30.

The BILLCS New Music Report is always a work-in-progress and I welcome your suggestions so feel free to contact me at through my social media links right here.

Reminder: Click on the photo to watch the video or listen to the song.

LIVE, DEAN DELEO, “Lady Bhang (She Got Me Rollin’)”

Even when you’re not looking, sometimes the new releases will take you by surprise. I had no idea singer/songwriter Ed Kowalczyk was back using the Live moniker (since there are no other original members left but him after acrimonious fallouts occurred), but if “Lady Bhang (She Got Me Rollin’)” is any indication, then it will be worth keeping an ear out for what’s next. “Lady Bhang” takes me back to the mid-90’s when I saw the group perform in concert three times (including for their debut album) and bought all of their CD’s from that era. Songs like “Selling The Drama”, “All Over You”, “Lakini’s Juice” and “Operation Spirit” will be forever in my music rotation. The addition of Stone Temple Pilots’ guitarist Dean Deleo is a real coup too. The song itself is the best that I’ve heard from Live since the 90’s. With its fierce musicianship, urgent vocal and mysterious lyrics, “Lady Bhang” is a winner.

VANESSA WILLIAMS, “Come Dance With Me” (John “J-C” Carr & Bill Coleman 808BEACH Jukebox remix)

With her recent “Legs (Keep Dancing)” (which recently reached #7 on the BILLCS Top 30) having launched a comeback for the singer and actress whose popularity was at its peak in the 1990’s, Vanessa Williams has followed it up with her fifth album and first since 2009, Survivor. The album is a mix of new songs and some standards, with contributions by the likes of Wynton Marsalis, André Cymone, and Mic Murphy (of The System) and a stellar cast of musicians and vocalists. And yes, “Come Dance With Me” is the Frank Sinatra standard, but on the album you get it two ways, with a traditional interpretation, and John “J-C” Carr and Bill Coleman’s playful dance mix, which immediately made me think of the sophistication of The Manhattan Transfer and Dr. Buzzard’s Original “Savannah” Band. Needless to say, Vanessa is right in her element with a classy vocal. Club DJ’s should not sleep on this mix of “Come Dance With Me” – someone in the audience always knows standards, and will make the most of it on the dance floor.

MERCER, “Le Sud”

French dance producer Mercer has been prolific as of late, but he’s not sacrificing quality for quantity. “Le Sud” is an enchanting disco-flavoured ode to the south of France, and like me, if you’ve ever been there, the melody will transport you back to the warm sea breeze, the sunshine, the food, and the nightlife. Because of Celine Dion’s captivating performance of “L’hymne d’amour” at the Summer Olympics in Paris, the uncredited Edith Piaf-like vocal will catch people’s attention, and “Le Sud” is a perfect vehicle for club DJ’s to draw out patrons to the dance floor.

BILLIE EILISH, “Chihiro” (Jerin James remix) (free download)

I’ve written about the music of southern California-based electronic dance producer Jerin James many times, and another way to get to know him and his craft, is to check out his whitelisted remix of Billie Eilish’s “Chihiro”. It’s no wonder that Billie’s team gave a green light to Jerin because his version of the song transforms it into something they would have never thought of. In fact, I prefer it to the original, which I find too languid and repetitious. The house rhythm lends a tautness to the song, and Jerin’s synths and effects let it evolve into an unanticipated but pleasing direction. If anything, I think this remix of “Chihiro” could have even been longer and would not have lost any of its effect. Do support this one by visiting Jerin’s Soundcloud page (click on the photo above) and pressing the free download button while it’s there!

MOONWOOD, “Dreams

Australian rock quintet Moonwood returns with “Dreams”, the kind of pop song that never goes out of vogue, yet the whole idea of such a song seems very foreign to radio stations right now. Given the now-confirmed reunion of Oasis, I’d certainly pitch “Dreams” to fans of that band as well as other similar rock bands of the late 90’s and early 2000’s like Manic Street Preachers or Arctic Monkeys. Over the past few years, Moonwood have had the penchant for creating earnest, well-played rock tracks that would sound great in a concert setting, and their song “Curfew” got to #5 on the BILLCS Top 30 at the top of the year. “Dreams” was concurrently released with another new song called “Ghosts” so be sure to check them both out.

TYLER GARRETT, “Sanctuary” (House Mix)

“Sanctuary” is another compelling and enjoyable slice of emotional electronica by L.A.’s Tyler Garrett. This one goes a bit deeper than some of his other recent singles by combining trance vibes with deep house beats, and a romantic story with a sense of urgency. The House Mix of the song plays out just a tad better than the original mix and should have no problem finding a home in dance clubs that play darker electronic tunes with trance vibes. It’s another stalwart effort by Tyler, who is becoming much more consistent with his brand of dance music and developing variety within the genre.

SEAN SMITH, “Little Song”

It takes a lot to turn rather sad circumstances around into a positive and optimistic story, and UK singer/songwriter Sean Smith has done just that with “Little Song”. Sean and his wife have been trying to start a family, which unfortunately has resulted in pregnancies that ended early. And so “Little Song” puts some extra encouragement out into the world as Sean sings about waiting for and welcoming a child, whenever s/he comes into the world. For anyone that has been through these circumstances before, the song will bring on some tears, so keep a box of tissues handy. Those who were successful in conceiving a child after a number of attempts will identify with Sean’s story. As a parent of two myself (now adults), our children are precious and there is nothing in the world like parenthood and guiding a child through the different stages of life, however difficult they may be. I wish Sean and others in the same situation every opportunity and hope that their wishes come true.

LILY LANE, “Crisis”

Boston-born, NYC-based singer/songwriter Lily Lane is back with “Crisis”. You may not associate that word with falling in love, but Lily has picked that special point in time when your adrenaline is racing, you’re happy, and you can’t wait for what’s next – a crisis of love. Lily, who was previously a social media star and is the sister of Tucker Halpern of the Grammy-nominated duo Sofi Tukker, has one of those potent, ear-catching and versatile voices, and it’s used to great effect in “Crisis” against some big synths and high energy. The subtler moments of the song cry out ‘oooh I’m in love” and listeners will be more than happy to revel in them with her. Lily’s song “Bad” also got to #9 on the BILLCS Top 30 a few years back, so I’m looking forward to hearing more from her.

BILL’S NEW MUSIC PICK OF THE WEEK

My New Music Pick of the Week  is a 5-7 minute radio segment that airs on several online radio stations around the world, and now debuts each Wednesday at 10pm EST on The Big 20 on Halton Hills Radio Online. 

“Pretty Baby” is the single recently performed on “America’s Got Talent” by Canadian contestant Alex Sampson

“BIG DADDY” RUSS HORTON’S RECORD OF THE WEEK

“Big Daddy” Russ Horton is the host of the “Top 40 Timeline” radio program and owner of online station Halton Hills Radio Online. You can hear my Retro Pick of the Week every week on the “Top 40 Timeline”. Russ’ record of the week can also be heard each week on “The Big 20”.

British alt.rock duo Good Neighbours with “Daisies”

DJ HUNTER’S BOP OF THE WEEK

DJ Hunter is the host of the online radio shows “Modern Hype”, which can be heard on several online stations, and “Pyjama Party”, and both shows include my New Music Pick of the Week segment. Hunter’s shows are anchored at Energy 885 and he can also be heard weekdays at 2pm EST on Party Dog Radio.

New York City singer/songwriter Hayes Warner with her new track “Predator”

“THE MUSICMAN” JAMES ROGERS’ CLASSIC FIVE

“The Musicman” James Rogers is the owner and host of The 3D Variety Show, usually heard Tuesdays at 6pm EST and is slated to return next week! The Classic Five is “pop music 101” usually of the post-Beatles era – classics you need to know! Each title is linked to a Spotify stream of the song.

The Doors – L.A. Woman (1971)
Doobie Brothers – Black Water (1975)
Supertramp – It’s Raining Again (1982)
Don Henley – Dirty Laundry (1982)
Billy Joel – Pressure (1982)

BILLCS Top 30 #1 SONG

“Mi Amor” by Sam Feldt, JVKE and Anitta continues at #1!

BILLCS Top 30 FASTEST RISER

It’s Kygo and Hayla and “Without You”, from Kygo’s self-titled album,  which soars 21-11.

 

 

 

 

I’ve got nothing else to add about the new chart as it approaches its 700th edition (!!), so I’ll let the music do the talking.

Remember – my blog posts are all about DISCOVERY, so let the music in!!

Check out my ONLINE RADIO SHOWS below as they are now directly tied in with this blog.  As most of you know, I host 3 online radio shows – The Big 20 and two iterations of Your Weekend New Music Mix – and produce 2 online radio segments – my new music and retro picks of the week – that are all pre-recorded. The Big 20 and the picks of the week are happily being syndicated and you can find the current schedule for all at the bottom of the home page of this blog.

“Mi Amor” reigns supreme for another chart for Dutch dance producer Sam Feldt and vocalists JVKE and Anitta. Let’s keep the summery sounds going for the next while!  Can’t wait to see Sam perform in Toronto at Woodbine Park on September 21 with Kygo and Hayla!

Speaking of Kygo, climbing 4-2 is another triad of talent, Norwegian producer Kygo with vocalist/songwriter Zak Abel and the legendary Nile Rodgers, with “For Life” (above). Both Kygo and Nile have been to #2 on my chart before, Kygo in 2019 with Whitney Houston on “Higher Love”, and Nile with Daft Punk and Pharrell Williams on “Get Lucky” in 2013.  And you’re seeing/hearing double Nile in the Top 5 as Purple Disco Machine’s collaboration with him, Benjamin Ingrosso and Shenseea, “Honey Boy” (below), climbs 9-5!

Making short work of the Top 10 is the irresistible “Chocolate” (above)by Swedish production duos Jubël and NOTD, which zips up 10-3.  You can also check out NOTD’s collab with Why Don’t We’s Corbyn Besson, “Panic”, below.

Benson Boone’s “Slow It Down” (above) rises 13-7, becoming his 6th Top 10 entry. Check out Benson’s new single, not on his Fireworks and Rollerblades album, called “Pretty Slowly”, below.

Also new to the Top 10 are the thought-provoking “Space Party” (above) by Spains’ The Boy From The South, up 12-9, becoming his third consecutive Top 10 entry, and Greyson Chance’s heartfelt “Rearview Mirror” (11-10, below), which is his 6th in the Top 10.

Making short work of the Top 10 is “For Life” (above) by Kygo, Zak Abel and Nile Rodgers, which zips up the chart 10-4. Kygo’s other chart entry, “Without You” (below) with previous chart-topper Hayla, climbs 27-21.

The Fastest Riser on the chart is Kygo’s collaboration with UK singer/songwriter Hayla, from Kygo’s self-titled album, “Without You”, which soars 21-11, featuring another memorable powerhouse vocal by Hayla.

“Lover” is the shiny recent release by The Knocks and indie duo Dolores Forever, which surges 19-13.

“End Of Time” by Dutch production duo Lucas & Steve and British producer LAWRENT with UK singer/songwriter Jordan Shaw moves up 24-17, and recently reached #1 on the North American dance radio chart.

Right behind is Australian singer/songwriter/producer Jude York’s first solo dance outing called “Monaco”, which bounces 25-18.

Canadian singer/songwriter Alex Sampson has made it to the live performances as a contestant on TV’s “America’s Got Talent” and we wish him all the best. His recent single “Pretty Baby”, which he performed on the show, climbs 29-23.

As the release of his latest album Telos approaches, Zedd’s collaboration with singer Bea Miller, “Out Of Time”, is the Highest Debut on the chart at #25.  The new album also features John Mayer, Muse, and the late Jeff Buckley, so I’ll be curious how it all turns out. “Out Of Time” is Zedd’s fifth chart entry and first appearance on this chart since 2017’s “Stay” (with Alessia Cara)!!

Also making an appearance for the first time since 2017 (is this a pattern?) are The Killers with “Bright Lights” at #26.  It’s their 10th chart entry, and revives the big energetic rock sound that Jim Steinman songs brought to singers like Meat Loaf, Bonnie Tyler and many others.

BTS’ JIMIN gets his third chart entry with “Who”, the lead single from his latest EP Muse, which arrives at #27. Like last year’s “Like Crazy” (my #1 song of 2023), it’s moody and has a crackerjack hook, but JIMIN has such a great voice he doesn’t need all of the production effects that have been added. 

ONLINE RADIO SHOWS

You can hear me and many of my blog choices on this growing list of online radio stations and features! 

Halton Hills Radio Online

Listen to The Big 20 from 10pm to Midnight EST on Wednesdays as “The Musicman” James Rogers and I bring you the latest in new songs.  The show also repeats on Saturday evening at 6 pm EST. You can hear recent episodes of The Big 20 at this link.

My New Music Pick of the Week debuts each week on The Big 20.

On Saturdays and Sundays from 8pm to Midnight EST I bring you “Your Weekend New Music Mix”, four hours of commercial-free music from the 2000’s including many song choices from this blog.

My Retro Pick of the Week premieres each week on Russ Horton’s “Top 40 Timeline” which airs Saturdays at 4pm EST.

The 3D Variety Show by Planet Radio Canada is currently on hiatus, and returns on September 3!

Energy885   

Energy885 in Miramichi, New Brunswick’s Energy885  now anchors Hunter Wilbur’s “Modern Hype” on Fridays at 6pm EST, and his new show “Pyjama Party” on Saturdays at 5pm EST, which both air my New Music Pick of the Week. Energy885 is also airing my Retro Pick Of The Week as well on Wednesday and Friday mornings at 9:30 AM EST. You can hear past episodes of “Modern Hype” and “Pyjama Party” at the following link:  DJ Hunter.

For other details about all of the shows, such as dates and times of broadcasts, go to my home page and scroll down to the bottom right side!

 

 

 

Something that was very popular in my blog in the middle of the last decade is making a comeback. Electronic dance producers are gravitating once again to Soundcloud to make their whitelisted remixes available.  If you’re such a producer, please do not hesitate to submit your remix to bill@billcsmusic.blog for consideration in this blog!

In the Report, you can also check out my pick of the week, along with a record of the week from the host of online radio’s “Top 40 Timeline”, “Big Daddy” Russ Horton, plus “Modern Hype” online radio host DJ Hunter’s “Bop of the Week”.  “The Musicman” James Rogers’ Classic Five selection takes us on a spin from the mid-to-late 70’s. And finally, you’ll find out what songs were #1 on the BILLCS Top 30 for each of the last 26 years.

The BILLCS New Music Report is always a work-in-progress and I welcome your suggestions so feel free to contact me at through my social media links right here.

Reminder: Click on the photo to watch the video or listen to the song.

HUGEL, TOPIC, ARASH, DAECOLM, “I Adore You”

“I Adore You” has come out of left field to make a huge splash on the European dance scene, and it’s starting to make inroads in North America as well. For those of you who are missing new music by The Weeknd in your mix, “I Adore You” should help fill that voice thanks to a similar-sounding vocal by Daecolm as set to a percolating Afro-Latin beat. It’s a collaboration between three producers who have made their own marks within the last few years. I actually saw French producer HUGEL play a diverse and interesting set in Miami a few years back that drew a small crowd to the dance floor like a magnet, and his success has bloomed since.  German/Croatian producer Topic helped create a much imitated melancholy dance sound of the first years of this decade with musical partner A7S in his international hit “Breaking Me”. Swedish producer Arash has infused Persian and western sounds into his releases with significant European success.  Like with Purple Disco Machine’s recent multi-artist collab “Honey Boy”, when the right talents are meshed together, something special evolves, and you should be hearing “I Adore You” on national dance music radio stations in the coming weeks.

TODD TERRY, SHANNON, “It’s Over Love” (Janika Tenn remix)

“It’s Over Love” is one of legendary house producer Todd Terry’s biggest hits, reaching #1 on Billboard’s Dance Club Play chart as well as #16 on the UK chart in 1998. The trendy eurohouse flavour of the time has been updated by Estonian producer Janika Tenn in her new remix to enhance its lilting, sophisticated melody as well as a classic vocal by Shannon (yes, of “Let The Music Play” fame).  So the contrasting dance anthem vibe of the original has been replaced with a piano house hook that brings out the breakup theme of the song a bit more. I often enjoy what new producers can bring to the table, and so apparently does Todd Terry, because “It’s Over Love” has the potential be a hit all over again in Janika’s remix.  It’s highly recommended to club DJ’s.

MATOMA, RUFUS, “I Love You, Bye”

Norway’s Matoma had one of the best years in his career musically in 2023 with a slew of energetic and diverse dance tracks. While still in the dance music realm, his latest release is a breakup song, “I Love You, Bye”. Matoma has a flair for choosing intriguing vocalists, and he introduces relative newcomer, British R&B vocalist/songwriter Rufus, who provides the vulnerability and soulfulness that really ignite the song. It’s not hard to relate to “I Love You, Bye” for anyone who has had to leave a relationship reluctantly but for very good reasons. And it’s great for Matoma to keep challenging himself with solid results. “I Love You, Bye” also has a familiar co-writer in its credits, veteran singer/songwriter Gary Go, most noted for his vocal on Benny Benassi’s Grammy-winning dance classic “Cinema”.

PAUL HETHERINGTON, “Thrill Of The Chase”

Australian singer/songwriter Paul Hetherington has been working hard since his last release five years ago to refine his sound and come up with songs that suit a specific direction. Following up his recent “Dirty Mind”, which has been finding its way to some club and radio play, is the 90’s British electropop flavoured “Thrill Of The Chase”. This one’s for anyone who enjoys 90’s electropop songs by Erasure and Pet Shop Boys, as well as the revival outside of England in songs in the 2000’s by the likes of Britney Spears and Lady Gaga.  Paul’s vocal is his best yet, and the theme of the song is captivating enough, after all who doesn’t enjoy being sought after (or maybe even the one doing the chasing)? The song sustains its 4 minute plus length which is great for clubs, but I would suggest an edit that might make it a little more radio-friendly. There are many performers still creating timeless electropop, among them fellow Australian Peter Wilson and Scotland’s Allan Jay, so make room for Paul Hetherington’s “Thrill of the Chase” on your favourite electropop playlist.

MGR MIKE, “Ghana Groove”

For club DJ’s looking to give their patrons happy feet, Nashville-based producer MGR Mike and his “Ghana Groove” should do that trick with ease. He takes what I assume is an excerpt of a Ghanaian song and sets it to a playful rhythm that marries the best of early disco (think Manu Dibango’s “Soul Makossa” or Van McCoy’s “The Hustle” for inspiration) creatively with 2020’s nu disco. Once unleashed, “Ghana Groove” is irresistible and you’re bound to move one or more body parts to it in the process. Songs like “Ghana Groove” work well in clubs when fun is the only item on the agenda.

FOUR NIGHTS, “Safe”

Back in 2021, I enjoyed Irish singer/songwriter Four Nights’ chipper indie pop/dance release “Want You Always” so much that it got up to #8 on the BILLCS Top 30.  The bedroom producer talent that is Tommy Buckley has returned with another appealing song called “Safe”. This song is a little less straight-forward featuring a vulnerable vocal set against an uncomplicated production as Tommy ponders whether or not he should pursue his crush, ultimately feeling he hasn’t got enough to offer and so he “keeps his feelings safe”. The song is totally relatable, and has an easy but uplifting flow, which makes the listener feel both supportive and engaged. “Safe” is another great example of where less-is-more works so well, and makes you want to get to know the music of Four Nights a little more.

JON MULLANE, “Walking Away”

Halifax singer/songwriter Jon Mullane follows up his fun singalong “The Sun In Summertime”, with “Walking Away”. This is a late 70’s pop-flavoured track about being caught up in the wrong kind of relationship, but knowing all along that moving on is the right thing to do. “Walking Away” dispenses with flash and effects, and will get your attention with its classic song structure and memorable melody as well as Jon’s terrific, earthy tones. It’s not hard to recognize a fine, well-produced song at first listen and “Walking Away” will grab you when you least expect it.

PLÀSI, “Innocent”

Plàsi is a Crete-born Swedish singer/songwriter (real name Mikael Bitzarakis) who has released his new EP, Salamina, which is named after the island off the coast of Athens. For Plàsi, Salamina was a place of inspiration to write the songs on this album. “Innocent” is a highlight of the album, a well-crafted song that has a medieval ambiance in its lovely, soft arrangement, and encourages young people to spread their wings and explore before the everyday burdens of life put that on hold. It’s a gentle but inspiring song with a folk flavour but it’s hard to pin it down into one genre. Plàsi’s style and vocal delivery remind me of British singer Al Stewart (“Year Of The Cat”), with a similar bent for weaving compelling stories.

BILL’S NEW MUSIC PICK OF THE WEEK

My New Music Pick of the Week  is a 5-7 minute radio segment that airs on several online radio stations around the world, and debuts throughout the summer each Wednesday at 10pm EST on The Big 20 on Halton Hills Radio Online. “The 3D Variety Show” in which it normally debuts on Tuesdays, is on hiatus and will return in September.

“Leo (Flicker)” is a euphoric dance track by a trio of producers of Asian heritage called Starsigns (yetep, Manila Killa and MYRNE) and sung by UK vocalist/songwriter George Gleeson

“BIG DADDY” RUSS HORTON’S RECORD OF THE WEEK

“Big Daddy” Russ Horton is the host of the “Top 40 Timeline” radio program and owner of online station Halton Hills Radio Online. You can hear my Retro Pick of the Week every week on the “Top 40 Timeline”. Russ’ record of the week can also be heard each week on “The Big 20”.

The Killers are back with a big rocking sound on “Bright Lights”

DJ HUNTER’S BOP OF THE WEEK

DJ Hunter is the host of the online radio shows “Modern Hype”, which can be heard on several online stations, and “Pyjama Party”, with both shows anchored at Energy 885. Hunter can also be heard weekdays at 2pm EST on Party Dog Radio.

It’s American rock trio Winnetka Bowling League with “Breakfast For Dinner”

“THE MUSICMAN” JAMES ROGERS’ CLASSIC FIVE

“The Musicman” James Rogers is the owner and host of The 3D Variety Show, usually heard Tuesdays at 6pm EST but currently on hiatus until September. The Classic Five is “pop music 101” usually of the post-Beatles era – classics you need to know! Each title is linked to a Spotify stream of the song.

Tom Petty & The Heartbreakers – Breakdown (1978)
The Eagles – I Can’t Tell You Why (1979)
Linda Ronstadt – Heat Wave (1975)
John Denver – Calypso (1975)
Orleans – Dance With Me (1975)

26 YEARS OF BILLCS TOP 30 #1’s

Songs that rocked my personal chart at this time during the last 26 years.

2023  NEVER ENDING SONG  Conan Gray

2022  DAYDREAMING  Harry Styles

2021  THE FEELS  Cash Cash, Alex Newell

2020  RAIN ON ME  Lady Gaga, Ariana Grande

2019  GOOD THINGS FALL APART  Illenium, Jon Bellion

2018  i’m so tired…  Lauv, Troye Sivan

2017  NEW YORK PRETTY  Bright Light Bright Light

2016  SHY  The Magician, Brayton Bowman

2015  SHINE  Years & Years

2014  I BELIEVE  Bright Light Bright Light

2013  BLACK LIGHT (Stormby remix)  Kaden

2012  REMEMBER WHEN (PUSH REWIND)  Chris Wallace

2011  JUST ONCE  DATABOY

2010  CROSSFIRE  Brandon Flowers

2009  MANNEQUIN (Overthrill remix)  Noah

2008  BEATING MY HEART  Jon Mclaughlin

2007  STEP INTO THE LIGHT  Darren Hayes

2006  MAKE A MOVE ON ME (Club Mix)  Joey Negro (aka Dave Lee)

2005  THIS IS HOW A HEART BREAKS  Rob Thomas

2004  SWAY (Ralphi’s Sensation Vox Edit)  Michael Bublé

2003  SIMPLY BEING LOVED (SOMNAMBULIST)  BT

2002  CRUSH (1980 ME)  Darren Hayes

2001  SUMMER JAM   Underdog Project

2000  LET ME KNOW  Jake

1999  THE CUP OF LIFE  Ricky Martin

1998  EVERYBODY HERE WANTS YOU  Jeff Buckley

 

In this week’s BILLCS New Music Report, I have an assortment of different shades of pop and dance music, complete with contributions from some veteran performers from whom you may not have heard much in recent years. Every one of these releases is independent and I continue to urge music fans to think outside of the box that pre-programmed terrestrial radio stations are offering in order to find the gems that rightly belong in your playlists.

In the Report, you can also check out my pick of the week, along with a record of the week from the host of online radio’s “Top 40 Timeline”, “Big Daddy” Russ Horton, plus “Modern Hype” online radio host DJ Hunter’s “Bop of the Week”.  “The Musicman” James Rogers’ Classic Five selection for us from the heart of the new wave era, 1983. If you missed them, you’ll find out what songs are #1 and the Fastest Riser on the latest BILLCS Top 30.

The BILLCS New Music Report is always a work-in-progress and I welcome your suggestions so feel free to contact me at through my social media links right here.

Reminder: Click on the photo to watch the video or listen to the song.

MENEW, DZEKO, “Never Us”

There are very good reasons why “Never Us” has come seemingly out of nowhere to begin flying up the North American dance radio charts. The song is an amalgam of the emotional rock popularized by Coldplay and The Killers from the British alternative rock group of brothers, MENEW (pronounced “menu”), but further fused with electronic wizardry by Canadian dance producer Dzeko, whose music hasn’t come up on my radar in a while. MENEW have had another side project, not surprisingly called Brothers, in the EDM genre, so it’s not like their interest in the genre is fly by night. “Never Us” is beautifully sung and affecting, and if you know Dzeko’s music from the last decade (such as “Jackie Chan” with Tiesto) then you know you’ll get a tidy mix that doesn’t overburden you with effects. “Never Us” sounds extremely fresh but familiar, and dance music fans be hearing a lot more of it on the radio and at festivals and clubs.

K.C. & THE SUNSHINE BAND, DJ MARTINEE, “I Get To Love You” (Eric Kupper Future Disco Mix)

Never in my wildest dreams would I think I’d be writing about a NEW K.C. & The Sunshine Band record in 2024. I was glad I got to play the group’s music on occasion on college radio and at events back in the day. And their self-titled second album was one of the first albums I bought with my own money. But here we are, more dance songs are surfacing with 1970’s disco-styled arrangements, and the timing couldn’t be better for this K.C. & The Sunshine Band release, “I Get To Love You”. Harry Wayne Casey’s still recognizable voice is out front, but he’s supported well on the record in a collaboration with Lewis A. Martineé (aka DJ Martinee), the award-winning fellow Florida producer noted for his work with Exposé in the 80’s and 90’s, and numerous other stars since that time. And then bring in Eric Kupper for a dazzling “future disco” remix of the song, and you have a club hit in the making. K.C. & The Sunshine Band first broke out in the U.K. in 1974, and I think “I Get To Love You” fits the slightly different mix of dance music over there. Overall I don’t think the nu disco sound of “I Get To Love You” is recognizable enough to be immediately connected to the 70’s heyday of K.C. & The Sunshine Band, but get a savvy club DJ to preface it in a mix with a remix of one of their earlier hits, then it will make sense to the audience and a great time once again will be had by all!

DISCO FRIES, TIFFANY, “I Think We’re Alone Now”

“I Think We’re Alone Now” mach 2024 is an unexpected surprise. If you’ve ever pictured what Tiffany’s 1987 version of Tommy James & The Shondells 1967 hit “I Think We’re Alone Now” might sound like reimagined as a dance track, then the singer and NYC production stalwarts The Disco Fries have put it all together just for you. Truth be told, I didn’t like Tiffany’s hit version, but am a fan of the original, and this new version works very well. For one thing, Tiffany’s vocal is soooo much better! I guess more than 35 years of performing is showing its true colours here with a solid, well-rounded vocal, and The Fries guys have updated the production with appropriate bells and whistles to make the song turn heads again when played in a club, reintroducing it to a younger audience in the process.

LOUIS LA ROCHE, “So Much”

“So Much” is a stylish early 2000’s throwback by UK electronic dance producer Louis La Roche from his forthcoming album Anglia Square. Not too many songs use vocal effects very well to create a hook, but “So Much” will get stuck in your head because of one that is pretty darned infectious. “So Much” otherwise has a soft and alluring uncredited female vocal, that allows Louis’ other crisp synth and production work to make its magic around it. It mainly reminds me of early releases by the likes of Armin van Buuren and Above & Beyond just as techno and trance were becoming less underground dance phenomena. The song has potential for early evening night club play and would fit into any dance radio format. 

PETER FOLDY, “The Only Thing That Matters”

L.A. based Canadian singer/songwriter Peter Foldy has been flourishing while making movies these days, but I’m glad he always finds time to release new music, and so he has unveiled “The Only Thing That Matters”. This song makes a switch from his brighter recent pop of “Jump Like This” or “Fun Fun Fun” for something a little more topical. “The Only Thing That Matters” is about an obsession with the object of one’s affection, when the only thing that’s important is making love. The melody is suitably enticing, and accordingly Peter’s vocal shifts from upper to lower register. Peter’s fans will enjoy the change of pace in “The Only Thing That Matters”, while more casual listeners could gravitate to it too and appreciate its uncomplicated pop flair with a darker theme.

MAX PARKER, “Rush”

Flash back to 2021 and Top 40 and AC radio in Canada was spinning the infectious “Good Time” by Toronto singer Max Parker, who then went on to release a debut album called 17, which compiled some of his previous singles. 22 year old Max has been away from recording after being cast as Benvolio in the theatrical film “Verona’s Romeo & Juliet”, to be released next year with stars such as Rebel Wilson, Rupert Everett and Jim Sheridan in the cast. Happily, “Rush” essentially picks up where he left off, and is a highly enjoyable guitar-driven pop bop which he co-wrote with producer Derek Hoffman. The urgent pop of “Rush” will appeal to fans of Justin Bieber, Johnny Orlando and Tyler Shaw with its slick production and radio-friendly sound.

DOCTOR NOIZE, JUSTIN ROBERTS, “I’m Listening”

“I’m Listening” is an out-of-the-blue delight brought to you by producer and multi-instrumentalist Doctor Noize and five time Grammy nominee (for children’s recordings), singer Justin Roberts. It’s a song for all ages, mainly voice and piano with some additional instrumentation added later. Everyone feels good when they have been heard, and “I’m Listening” captures that desire in a time when it is needed the most, along with mutual understanding and trust. “I’m Listening” plays out like a song you might hear in a theatrical production, so it’s not the type of song you’re going to find on radio playlists or on Spotify’s discovery playlists. The added touch of an uncredited child’s vocal (belonging to Isabella Mass) near the end drives it all home. Both Doctor Noize (Cory Cullinan) and Justin Roberts were both previously educators, and Stanford-educated Doctor Noize is also known in the US for his inspiring presentations. The illustrated video (above) for “I’m Listening” is simple and nicely done.  An additional thought: Because of its message and excellent vocal, I think “I’m Listening” could find a broader audience in an alternate version with a more fulsome production, if one should ever be considered.

ROISIN O’HAGAN, “Midnight Indigo”

At a time where some pop singers are choosing to cross over to country music, you’ll notice that the reverse is happening for other singers. Essex, UK born singer/songwriter Roisin O’Hagan released a Nashville-produced EP called Dreamstate a few years back, but has switched gears to alternative pop for “Midnight Indigo”. Despite its bright melody and forceful guitar work, “Midnight Indigo” is about a fraught relationship that comes to an end when one of the parties pulls the plug without warning. Roisin’s breezy vocal style, which recalls Sheryl Crow and Jordan Miller of The Beaches, layers the sad story with an appealing sepia that you’ll cut through with subsequent listens. “Midnight Indigo” is a good start for Roisin in the alternative pop stream and signals that a lot of growth and potential are in store.

BILL’S NEW MUSIC PICK OF THE WEEK

My New Music Pick of the Week  is a 5-7 minute radio segment that airs on several online radio stations around the world, and debuts throughout the summer each Wednesday at 10pm EST on The Big 20 on Halton Hills Radio Online. “The 3D Variety Show” in which it normally debuts on Tuesdays, is on hiatus and will return in September.

It’s the new dance single by Australia’s Jude York, “Monaco”

“BIG DADDY” RUSS HORTON’S RECORD OF THE WEEK

“Big Daddy” Russ Horton is the host of the “Top 40 Timeline” radio program and owner of online station Halton Hills Radio Online. You can hear my Retro Pick of the Week every week on the “Top 40 Timeline”. Russ’ record of the week can also be heard each week on “The Big 20”.

Check out “Forever Blue” from Austria’s OSKA, which also appeared in the blog a few weeks ago

DJ HUNTER’S BOP OF THE WEEK

DJ Hunter is the host of the online radio shows “Modern Hype”, which can be heard on several online stations, and “Pyjama Party”, with both shows anchored at Energy 885. Hunter can also be heard weekdays at 2pm EST on Party Dog Radio. Hunter’s bop of the week can be heard in this week’s edition of “The Big 20”.

It’s EuroVision winner “The Code” by Switzerland’s Nemo, currently in the Top 10 on the BILLCS Top 30

“THE MUSICMAN” JAMES ROGERS’ CLASSIC FIVE

“The Musicman” James Rogers is the owner and host of The 3D Variety Show, usually heard Tuesdays at 6pm EST but currently on hiatus until September. The Classic Five is “pop music 101” usually of the post-Beatles era – classics you need to know! Each title is linked to a Spotify stream of the song.

ABC – All Of My Heart
Bananarama – Shy Boy
Human League – Mirror Man
Eurythmics – Sweet Dreams (Are Made Of This)
Thomas Dolby – She Blinded Me With Science

BILLCS Top 30 #1 SONG

“Mi Amor” by Sam Feldt, JVKE and Anitta takes the top spot this week

BILLCS Top 30 FASTEST RISER

Swedish production duos Jubël and NOTD climb 18-10 with “Chocolate”

One rather static-looking chart two weeks ago begets a busy chart brimming with activity, which includes another new #1 plus five debuts!  These days it’s either feast or famine as I want to showcase the songs that I enjoy the most at this time, and to let them linger up to the maximum 10 chart appearances (that’s 20 weeks) that has been in place for the last 26 years. The BILLCS Top 30 initially started off as a monthly Top 10 but by August 1998 it became a Top 30! I’ve resisted temptation to make it a Top 40 as I wouldn’t want any songs peaking in the 30’s. Whether they get there or not, my intention with adding songs to the chart is with the hope that they reach the Top 10.

Remember – my blog posts are all about DISCOVERY, so let the music in!!

Check out my ONLINE RADIO SHOWS below as they are now directly tied in with this blog.  As most of you know, I host 3 online radio shows – The Big 20 and two iterations of Your Weekend New Music Mix – and produce 2 online radio segments – my new music and retro picks of the week – that are all pre-recorded. The Big 20 and the picks of the week are happily being syndicated and you can find the current schedule for all at the bottom of the home page of this blog.

It’s the rather unlikely collaboration of Dutch producer Sam Feldt, American singer/songwriter JVKE and Brazilian multi-talent Anitta that takes over leaping 7-1 with “Mi Amor” (above), a song that has the heart of summer love at its core. It’s the first chart-topper for Sam and Anitta, and the third for JVKE, following his breakout “Golden Hour”, and “Hero” with Martin Garrix.  JVKE has another new collaboration that’s percolating with South Korean group ENHYPEN and the English version of “XO (Only If You Say Yes)”, which you can check out below.

“Myself & I” has gone to even greater new heights this week for Germany’s TheFatRat and Canada’s RIELL, advancing 5-3.

Making short work of the Top 10 is “For Life” (above) by Kygo, Zak Abel and Nile Rodgers, which zips up the chart 10-4. Kygo’s other chart entry, “Without You” (below) with previous chart-topper Hayla, climbs 27-21.

Soaring into the Top 10 12-5 is the rather overlooked “Bad Advice” by The Chainsmokers with Canadian singer ELIO. It’s a new favourite by the boys for me and is culled from their EP No Hard Feelings. It’s their 9th Top 5 entry.

There are still three more songs that debut in the Top 10:

• EuroVision winner “The Code” (above) by Switzerland’s Nemo glides 11-8.
• Nile Rodgers gets a concurrent Top 10 entry on Purple Disco Machine and Benjamin Ingrosso’s “Honey Boy” (below), with vocalist Shenseea, which rises 13-9. It’s Purple Disco Machine’s second Top 10 entry, and it’s Nile’s fourth where he has been billed.
• Swedish production duos Jubēl and NOTD have the Fastest Riser on the chart, advancing 18-10 with “Chocolate” (also below). It’s NOTD’s second Top 10 entry following their 2021 #1 “Nobody”.

Starting to make waves all over North America is Canadian duo Crash Adams with the rollicking “Hotel Party” climbing 21-17.

The Knocks and Dolores Forever have a real charmer with the bright dream pop/dance fusion of “Lover” (25-19).

“Ecstasy” is a powerful  dance banger from Miami’s GT_ofice, New Jersey’s Matthew Topper, and NYC’s Robbie Rosen, which rises 26-20.

“End Of Time” is the Top 10 North American dance radio hit for Dutch dance producers Lucas & Steve, UK dance producer LAWRENT, and UK vocalist/songwriter Jordan Shaw, which moves up 30-24.

At the top of the debuts is the stunning pop/dance release by Australia’s Jude York called “Monaco”, which bows at #25. Jude has actually appeared before on the chart, but under other names.

At #26 we have the arrival of “Leo (Flicker)” by the dance production collective called Starsigns featuring UK singer/songwriter George Gleeson. It’s a solid blend of emotional pop and house music. Starsigns consists of three producers, all of Asian heritage – yetep (South Korean), Manila Killa (Filipino) and MYRNE (Singaporean). It’s first time appearances for yetep and MYRNE, but the sixth for Manila Killa.

Did you know that as music fans your body is controlled by giant black speakers?  Well maybe not, but L.A. based dance producers SIAN and Bobby Nourmand will have you convinced otherwise during the hypnotic “Control”, which arrives at #28. It’s a unique record with memorable verses by NYC spoken word artist David LeSal. It’s Bobby Nourmand’s 8th appearance on the chart. He’s been to #1 twice with the equally different “D E E P in NY” (2017) and “Subterranean/Estranged” (2019). The latter is the only ‘double-sided’ single to appear on the chart.

Canada’s Alex Sampson returns to the chart with the retro-pop ballad “Pretty Baby” at #29. Alex charted last year with the bouncy pop of “WANT YOU!” (#16). “Pretty Baby” takes a successful dip into JVKE and Stephen Sanchez territory, which won over the judges recently on “America’s Got Talent”, so Alex is advancing to the live shows.

Rounding out the debuts at #30 is the super-catchy and summery “SuperFine” by NYC’s duo of Justins, Fly By Midnight, who make their chart debut.

ONLINE RADIO SHOWS

You can hear me and many of my blog choices on this growing list of online radio stations and features! 

Halton Hills Radio Online

Listen to The Big 20 from 10pm to Midnight EST on Wednesdays as “The Musicman” James Rogers and I bring you the latest in new songs.  The show also repeats on Saturday evening at 6 pm EST. You can hear recent episodes of The Big 20 at this link. My New Music Pick of the Week also debuts each week on The Big 20 until September.

On Saturdays and Sundays from 8pm to Midnight EST I bring you “Your Weekend New Music Mix”, four hours of commercial-free music from the 2000’s including many song choices from this blog.

My Retro Pick of the Week plays on Russ Horton’s “Top 40 Timeline” which airs Saturdays at 4pm EST.

The 3D Variety Show by Planet Radio Canada is currently on hiatus, and will return in September.

Energy885   

Energy885 in Miramichi, New Brunswick’s Energy885  now anchors Hunter Wilbur’s “Modern Hype” on Fridays at 6pm EST, and his new show “Pyjama Party” on Saturdays at 5pm EST, which both air my New Music Pick of the Week. Energy885 is also airing my Retro Pick Of The Week as well on Wednesday and Friday mornings at 9:30 AM EST. You can hear past episodes of “Modern Hype” and “Pyjama Party” at the following link:  DJ Hunter.

For other details about all of the shows, such as dates and times of broadcasts, go to my home page and scroll down to the bottom right side!

 

 

 

After a week away in New York City for a vacation, my brain is still in vacation mode, particularly after bad weather stranded me there for an additional days, resulting in some stress trying to make sure that I could get back home yesterday. But besides the weather day, one thing that I’ll always remember is seeing the outstanding YEBBA sing with the Robert Glasper band in Central Park. And as I’ve already mentioned on social media, I’ll never listen to her song “October Sky” the same way again.

In the Report, you can also check out my pick of the week, along with a record of the week from the host of online radio’s “Top 40 Timeline”, “Big Daddy” Russ Horton, plus “Modern Hype” online radio host DJ Hunter’s “Bop of the Week”.  “The Musicman” James Rogers’ Classic Five returns with song choices from 1974-1977. Plus you’ll find out what the BILLCS Top 30 looked like this week in 2009!

The BILLCS New Music Report is always a work-in-progress and I welcome your suggestions so feel free to contact me at through my social media links right here.

Reminder: Click on the photo to watch the video or listen to the song.

THE KNOCKS, YELLE, “All The Time/Tout le temps”

Enduring dance production duo The Knocks are definitely in an expansion phase of their usual likeable, solid house sound. Their most recent single, “Lover” (currently rising up the BILLCS Top 30), fuses dream pop with house music. “All the Time/Tout le temps” sees the guys tackling their own variation of Europop in collaboration with longtime French electronic duo YELLE, from whom we don’t hear too often. The track has the benefit of a sophisticated bilingual vocal by YELLE’s namesake singer, and the results are fresh, crisp and fun (Dragonette’s Martina Sorbara is also a co-writer). Dance producers themselves should pay attention to this release because I think The Knocks are being quite innovative with their production choices. Let’s see in six months if others have caught on and come aboard. Above all, The Knocks’ fans will love it and it should definitely find new friends, particularly overseas and in French-speaking places (France, Belgium, Quebec).

ZACH HERRON, “caroline”

It’s not too late for another anthemic, summery favourite, and Why Don’t We’s 23 year old Texas native Zach Herron has released his first indie solo single, “caroline”. It’s one enjoyable and catchy pop bop with a great vocal and a bright, zingy power pop flavour. There will come a day when we will see Why Don’t We back together, but “caroline” isn’t quite their brand of harder, edgier pop/rock which sometimes gravitates to loud Imagine Dragon tendencies. It perhaps is more influenced by early 2010’s pop like Katy Perry and One Direction. Like fellow member Corbyn Besson, Zach has started to carve out his own path with solo songs like “caroline” and we’ll be hearing a lot more from him.

SLEEPY BENJAMIN, “3 Things”

The latest release from Australian indie pop artist Sleepy Benjamin finds him tackling for the first time, I believe, a breakup song. As unfortunate as they may be, for years I’ve been firmly of the belief that breakups make the best food for songwriting, and “3 Things” is also one of Ben’s best and bolder songs. He’s been dazzling us with his wordplay on some recent releases, and “3 Things” has plenty of it, set to a rather whimsical melody considering the nature of the song, but it all comes together nicely. It may have taken a few cues from songs like Gayle’s “ABCDEFU” and Leah Kate’s “8 Things I Hate About You”, and its lyrics are pointed, but not vicious. “3 Things” is for pop fans looking for an infectious, to-the-point song that comes from an earnest place.

NATISA GOGOL, “Into The Wild”

Natisa Gogol is a new singer from Kyiv, Ukraine, now based in Prague, who offers a female empowerment anthem in the form of the striking and ear-catching “Into The Wild”. With a stunning voice full of emotion and restraint and an alluring presence, Natisa delivers a song from a woman’s perspective and how a woman can use her unique sensibilities to make things happen. It’s a great introduction to Natisa, who has been releasing music for the two years since she fled Ukraine during the current war, and shows that she is one of many women vocalists, including several that you have read about in the last year in this blog, working outside of the mainstream of the pop spectrum. Check out the video for the song, shot in Portugal, in some scenes in which the crew were employing their best skills to capture beautiful shots and cinematography under some duresse for their art.

MERCER, “Overrr”

French dance producer Mercer is back with one of four singles that he has released recently and after “Disco Sermon” which you read about in these blog pages a few weeks back. “Overrr” is slick and infectious Eurodisco with a pleasing uncredited vocal, which is cleverly based on a refrain by Michael Jackson (cue the single’s artwork) in The Jacksons’ song “Wondering Who” (lead vocal by Jackie Jackson) from their 1980 album Triumph. It’s refreshing to hear new releases like “Overrr” because it sounds so different from what is being produced in North America, yet comes from the same disco and electronic roots. And because of that, the song would have a distinct presence in an R&B-flavoured Eurodisco set. 

HAZELL DEAN, “Whatever I Do (Wherever I Go)” (JNR remix retro mix)

To celebrate its 40th anniversary, UK dance music queen Hazell Dean has re-rereleased her Top 5 UK smash “Whatever I Do (Wherever I Go)” in an effective retro remix by British producer JNR. The song was one of Stock-Aitken-Waterman’s earliest hits, and JNR’s fresh remix keeps the essence of the SAW magic and Hazell’s splendid vocal while adding current synths and production technique in a fast-paced, zesty mix. Fans of Hazell and SAW will be pleased, and because the song was not a hit in North America, it could easily win over new fans in the process. “Whatever I Do” is also available on the remix EP in a ’24 radio remix and extended versions of both.

BILL’S NEW MUSIC PICK OF THE WEEK

My New Music Pick of the Week  is a 5-7 minute radio segment that airs on several online radio stations around the world, and debuts throughout the summer each Wednesday at 10pm EST on The Big 20 on Halton Hills Radio Online. “The 3D Variety Show” in which it normally debuts on Tuesdays, is on hiatus and will return in September.

Kygo gets another pick of the week, this time with UK vocalist/songwriter Hayla on “Without You”

“BIG DADDY” RUSS HORTON’S RECORD OF THE WEEK

“Big Daddy” Russ Horton is the host of the “Top 40 Timeline” radio program and owner of online station Halton Hills Radio Online. You can hear my Retro Pick of the Week every week on the “Top 40 Timeline”. Russ’ record of the week can also be heard each week on “The Big 20”.

“I Got Cracked” is by Boston rock trio Vundabar

DJ HUNTER’S BOP OF THE WEEK

DJ Hunter is the host of the online radio shows “Modern Hype”, which can be heard on several online stations, and “Pyjama Party”, with both shows anchored at Energy 885. Hunter can also be heard weekdays at 2pm EST on Party Dog Radio. Hunter’s bop of the week can now be heard each week on “The Big 20”.

It’s NYC dance producer Deerock with Jake Neumar and “Out Of Love”

“THE MUSICMAN” JAMES ROGERS’ CLASSIC FIVE

“The Musicman” James Rogers is the owner and host of The 3D Variety Show, usually heard Tuesdays at 6pm EST but currently on hiatus until September. The Classic Five is “pop music 101” usually of the post-Beatles era – classics you need to know! Each title is linked to a Spotify stream of the song.

Blue Oyster Cult – (Don’t Fear) The Reaper (1976)
Steve Miller Band – Jungle Love (1977)
Gary and Dave – It Might As Well Rain Until September (1974)
Shawne Jackson – Just As Bad As You (1974) (You Tube link)
Three Dog Night – The Show Must Go On (1974)

BILLCS Top 30 FLASHBACK CHART – 2009

Ah yes, it was a simpler time when our connection to artists and their music was growing on MySpace, and many dance producers were starting to deliver free downloads of originals and remixes through Soundcloud. The MySpace phase would come crashing down within two years as Twitter, along with You Tube and Facebook, became the dominant social media platforms. My #1 song was from a promising Ottawa-based dance music singer who didn’t release a follow up to his indie album Human Geometry and sadly it’s not available on streaming services other than You Tube (below). The highest debut at #17, “Symphonies” by UK singer/songwriter Dan Black (a future BILLCS Top 30 #1), whose melody started life in The Notorious B.I.G. sampled “HYPNTZ”, which became available as a free download when he couldn’t get permission to release it. And at #26 is Swedish-American trio Miike Snow – aka Galantis (known then as Bloodshy & Avant) and Grammy and Oscar winner Andrew Wyatt. I saw them in concert in early 2010.

02 01 MANNEQUIN (Overthrill remix) Noah
01 02 THE GIRL AND THE ROBOT Royksöpp featuring Robyn
06 03 YOU WANT ME DON’T YOU (Spekr Freks mix) Nelson Clemente
08 04 MASTERPIECE THEATRE PART 1 Marianas Trench
05 05 I’M RUNNING Misstress Barbara featuring Sam Roberts
10 06 GIRL NEXT DOOR Darin
03 07 YOU FOUND ME (Lenny B mix) The Fray
04 08 A DUSTLAND FAIRYTALE Killers
14 09 BATTLEFIELD Jordin Sparks
12 10 JUST BREATHE Addictiv
13 11 GOODBYE Kristinia DeBarge
07 12 LONGING FOR LULLABIES Kleerup featuring Titiyo
18 13 BOY MEETS GIRL Evan Taubenfeld
16 14 BULLETPROOF La Roux
21 15 RABBIT HEART (RAISE IT UP) Florence & The Machine
19 16 KNOCK YOU DOWN Keri Hilson featuring Kanye West & Ne-Yo
New 17 SYMPHONIES Dan Black
20 18 TALK YOU DOWN The Script
New 19 GIVE ME THE MELTDOWN Rob Thomas
11 20 HER DIAMONDS Rob Thomas
15 21 LOVE STORY (Victor Franco Radio mix) Nadia Ali
09 22 FIRE Codebreaker featuring Kathy Diamond
New 23 WONDERFUL Gary Go
29 24 BANG BANG K’Naan featuring Adam Levine
30 25 ALL TO MYSELF Marianas Trench
New 26 ANIMAL (Punks Jump Up Mix) Miike Snow
New 27 REWIND Mans Zelmerlöw
New 28 CONFUSION GIRL Frankmusik
22 29 IF I KNOW YOU Presets
23 30 BREATHLESS Newton White