I’m now 20 online radio shows deep with my all-Canadian hour, The MAPL Tapes, with the latest being “all request hours”. It’s also given me time to think about the format of the show, which is intended to focus on new music while staying true to Canada’s past, and to continue to showcase familiar and not-so-familiar songs new and old. And since I’ve been following them closely through Mediabase, my biggest beef is that, like a naïve teenage me, I began the show wholeheartedly supporting the Canadian pop radio charts. That was a mistake.
The playlists for Canadian pop radio stations are in their own vacuum.
On The MAPL Tapes, I have already played 80% of the Canadian songs on the pop charts, some of them twice, in 60 minutes that intends to cover a lot of ground. Canadian radio plays less than 20 Canadian hits to any significant extent in any of the pop formats. The stations are usually owned by Bell Media or Corus Entertainment – you can instantly tell on the Mediabase charts when a chain adds or drops a Canadian song when they plunge down a chart – and they have been focused on the same four hits for the past two months!! Most of the rest of Canadian songs get less than 200 spins a week across formats, and the top hits are all major label signed or distributed. So if you’re an indie pop/rock/alternative Canadian performer, DO NOT invest in a radio “go-between” to promote your single, because it’s not going to get airplay. And that’s a real tragedy that there is so little support for Canadian independent music at terrestrial radio. I cannot sit back and support charts that move like watching paint peel in terms of so-called “support” for Canadian artists.
So to continue to rally for independent music in Canada, my “Pop Charts” segment on The MAPL Tapes is no more effective with show #22, and instead the remaining song spaces I have outside of songs in the “Canada’s Gold” and “Canada’s Pop Music Heritage” segments will be a mix of new and old, whether on the pop charts (achievements which I am still happy to mention, for the benefit of the artist and their fans), major label releases or not.
In this edition of the Report, you can also check out my new music and retro picks of the week (for last week and this week, since there was no Report last week) along with a record of the week from “Big Daddy” Russ Horton, plus “Modern Hype” online radio host DJ Hunter’s “Bop of the Week”. “The Musicman” James Rogers’s Classic Five is a fab mix of songs from that great year for pop music, 1970. Please do peruse the playlists for shows 19 and 20 of my all-Canadian hour, The MAPL Tapes, featuring songs by Alexander Stewart (show #19) and the all-request hour featuring songs by The Spoons (show #20). If you missed them, you’ll also find out what songs are #1 and the Fastest Riser on the latest edition of the BILLCS Top 30.
Reminder: Click on the photos to listen to the songs on Spotify.
WILL SWINTON, “Hate My Guts”
About the artist: Will Swinton is the New Zealand-born, L.A. based singer/songwriter who I’ve been writing about a lot lately. He recently finished an Australia/New Zealand tour with his mentor and cheerleader, MGK. Will’s heart-wrenching song “Better Off” also recently became his first #1 on my chart, the BILLCS Top 30.
About the record: Will is on a roll with some fine, introspective songs. Like “Better Off”, the release of “Hate My Guts” came about as part of a poll to Will’s Instagram followers, where the song was among the favourites. The lyrics reflect something you don’t hear often in songs – the art of being selfless and moving on. “Better Off” focused on a romance where his partner would be better off with someone else. “Hate My Guts” is a post-relationship reflection, one that many of us have gone through where you wonder how what seemed like love turned abruptly into a full hate-on. Will’s affecting, gravelly tone continues to go down easy, and the performance will leave you immersed in his confusion knowing that the next step is to step away entirely from what has happened.
Other comments: Will embarks on a U.S. big cities tour that starts with Lollapalooza in Chicago on July 30 and ends in Brooklyn on August 26. Hopefully more to come later in the year!
JUDE YORK, “Almost Me, Almost You”
About the artist: Jude York is the Brisbane, Australia-born DIY talent who has developed a loyal social media following over the years which has resulted in enough popularity for him to tour small venues in Australia, the UK and Europe. I’ve written about him several times, with his breakout song being 2024’s “Monaco”, which also kicked off his record label deal with Spinnin’ Records.
About the record: Jude takes a break from dance-oriented releases for a delightful laidback song, “Almost Me, Almost You”. What has always drawn me to his music is his ability to sing beautifully for and with his audience, and not at them. His stories are inclusive and relatable, and this one is about being at the short end of the stick during a breakup, and not being able to let go just yet. The song takes us on an emotional journey, which sadly with life’s imperfections, does not have a happy ending, this time.
Other comments: Jude will be opening for Niall Horan on his “Dinner Party Live On Tour” in Australia in 2027.
MIKE DEMERO, BETTA LEMME, “Dance with the Sun (Olé Olé)”
About the artists: Mike Demero is a Quebec-based dance producer who quickly broke out through Tik Tok at the turn of the decade, and garnered support from some of the world’s biggest DJ’s (such as David Guetta and Kygo). He has had three Canadian radio hits thus far – “Nights Like This” (with Aloe Blacc), “Take Me Away (My Love)”, and most recently, the surprise Top 10 showing for “Calling” (with UK producer Dynoro and Dutch superstar producer Sam Feldt). Betta Lemme is a Quebec-born singer/songwriter whose debut release “Bambola” became a Top 40 gold record in Europe. She released two EP’s for a major dance music label, and co-wrote the early Sofi Tukker single “Awoo”.
About the record: I can see why Canadian pop radio stations have jumped on “Dance with the Sun (Olé Olé)” out of the box. It’s an exuberant, festive, Latin-flavoured song for the summer months. It’s a fine follow-up for “Calling” for Mike Demero because it’s absolutely nothing like it. Betta Lemme’s commanding vocal combined with ferocious rhythms are just the kind of tonic to lift up your day. Your summer beach days are calling with “Dance with the Sun”.
Other comments: “Dance with the Sun (Olé Olé)” quickly needs a big name remix and a push for dance radio, clubs and festivals.
FAMILY STEREO, “DLR”
About the artist: Family Stereo is alternately a studio project and a live performing band led by UK talent Blake Watt, the 25 year old son of Tracey Thorn and Ben Watt of Everything But The Girl. He has already played several well-received live dates in the UK.
About the record: “DLR” is melodic rock with folk elements that takes us away from Blake’s earlier more acoustic work in Family Stereo in favour of a band sound with plenty of intricate instrumentation. I’m not sure what “DLR” actually stands for, but the song to me is a rumination on leaving our teen and younger adult years behind with the realization that moving on and getting a bit older isn’t a bad thing, full of unopened doors and opportunities. Blake, like his parents, has exceptional talent and a great ear for melody. Let’s hope he will cross oceans to showcase his music to international audiences in 2027.
Other comments: Family Stereo’s debut album called The Thread is coming on July 31.
MIIA, “Necessary Evil”
About the artist: MIIA is Norwegian singer/songwriter Mia Virik Brubakken, who initially broke out virally as a teenager with 2015’s “Dynasty”, which has amassed an incredible over-400 million plays on Spotify, and that’s not including remixes, which alone are about 20 million. MIIA has regularly released singles over the years as well as an EP, Inner Voices Speaking.
About the record: “Necessary Evil” embraces a change of style to which MIIA’s powerful voice has always been suited – emotionally-charged dance music. The song “explores the courage it takes to choose honesty over comfort”. This passionate approach is found in so many of the best lyrical dance/EDM tracks, and the complex and riveting production brings its surroundings to life. The result is suitably cinematic with loads of sync possibilities for horror/thriller movies, video games, and TV shows.
Other comments: After so many years, Summer ’26 unveils MIIA’s debut album called Huldra, named after a mystical Scandanavian forest spirit. “Necessary Evil” is co-produced by longtime collaborator Joachim Rygg and is co-written by US talent Brandon Colbein, who also provides harmonies and whose music has been featured in this blog over the years (“So Bad” was a BILLCS Top 30 #1 and “Mad” reached #4).
MYSTERY ROMANCE, “Losing You”
About the artist: Mystery Romance is a Calgary-based collective which currently revolves around producer and multi-instrumentalist Mike Scullion. It has been a full band over the years, initially releasing the album Human Sexuality in 1989 and the Canadian hit single “So Far Away”. The band went through a couple of iterations before releasing new music again in 2023, which has yielded two albums to date.
About the record: “Losing You” doesn’t sound much like the Mystery Romance of recent albums Electric Love and Flying Thru the Moon, but sometimes change is for the better. Mike Scullion has brought aboard UK vocalist Nicole McMahon, whose voice lends a carefree Sheryl Crow/KT Tunstall tone to the proceedings, as well as Argentinian bassist Hector Ruano and Mike’s own son Caiden on guitar to flesh out the overall sound. “Losing You” has a sad but resolute story which is countered by a breezy, summery melody, featuring a guitar riff written by original member Richard Crooks. Pop and Adult Contemporary radio stations should make room for this one on their playlists.
Other comments: Part of the melody of “Losing You” has me humming 60’s hit “Spooky” by The Classics IV – anyone else?
THE RALLIES, “I Believe”
About the artist: The Rallies is a power-pop quartet which has roots in Washington state (Seattle, Tacoma) formed 15 years ago, consisting of Steve Davis (vocals, guitar), Lee Brown (drums, vocals), Ben Heege (bass, vocals), and Brian Chase (guitar, vocals). They have released four albums to date. Their third album, It Must Be Love, was voted Best Power Pop Album of 2023 by Power Pop News.
About the record: “I Believe” to me captures the essence of what The Rallies are about. It’s tight-knight, bright and hopeful music made for days when you want to kick back and do nothing. Their sound is anchored in late 60’s, early 70’s pop/rock (think The Turtles meets The Raspberries) but with a friendly, jangly guitar sound that has permeated power pop records since the 90’s. The result is familiar-sounding and catchy, and “I Believe” is especially memorable because of its upbeat message.
Other comments: “I Believe” is culled from The Rallies’ fourth album, No Better Time, which is also available on vinyl and CD through their Bandcamp page.
CHRIS URRIOLA, “Rules”
About the artist: NYC bassist/vocalist Chris Urriola branches out on his own after being a member of rock quartet Hollis Brown, with an edgy, 80’s-peppered post-punk alternative rock sound.
About the record: Taking a cue from what I heard on his debut album Solar, Chris’ heart and influences are drawn from the mid-1980’s alternative rock scene. Because he is a bassist, I chose “Rules” to focus on, and you will immediately think of Peter Hook’s work with New Order on albums like Low-life and Brotherhood. The overall sound is gritty but fluid, the kind of songs that will translate into club performances well. Fleshed out with guitar, drums and female vocal harmonies, “Rules” also shows his strength as a songwriter with some thought-provoking lyrics.
Other comments: I’m surprised more artists are not drawing from the mid-80’s alternative rock period where groups like New Order, Sisters of Mercy and Echo & The Bunnymen were at their peaks artistically. This helps make “Rules” stand out in a crowded playing field.
BILL’S NEW MUSIC PICK OF THE WEEK
My New Music Pick of the Week is a 5-7 minute radio segment that airs on several online radio stations around the world.
This week:
From his debut EP JPW, it’s UK pop/rock singer/songwriter Jorge Wilson with “This Means Nothing (To Me)”
Last week:
It’s “The Promise”, a cover of the 1987 When In Rome hit, by Canada’s Nick Fiorucci and Joée
BILL’S RETRO PICK OF THE WEEK
My Retro Pick of the Week is a 5-7 minute radio segment that currently airs on The Musicman James Rogers’ “The 3D Variety Show” (Tuesdays between 7 and 8pm ET) and KPHR Kat Power Radio (Tuesdays at 12:25 pm ET).
This week:
From 1978, it’s John Paul Young’s ever-uplifting “Love Is in the Air”
Last week:
Gorillaz was not the first animated act to score hits. The #1 single of the year worldwide in 1969 was “Sugar Sugar” by The Archies!
“BIG DADDY” RUSS HORTON’S RECORD OF THE WEEK
“Big Daddy” Russ Horton is the owner and program director of online station Halton Hills Radio Online.
Big Daddy’s record of the week will return.
DJ HUNTER’S BOP OF THE WEEK and
BILLCS Top 30 FASTEST RISER
DJ Hunter is the host of the online radio show “Modern Hype”, which can be heard on several online stations, including Chicago-based Lake Radio Online where you can also hear my New Music Pick of the Week. Hunter is also on air Fridays on “Hot Hits with Hunter” on UK station Dodge Radio, and it too broadcasts the New Music Pick. Check the schedule for my New Music Pick of the Week on the blog home page near the bottom.
Recently a featured artist on The MAPL Tapes (see below), it’s Alexander Stewart with “Temporary”, which moves up 21-12 on the BILLCS Top 30
“THE MUSICMAN”JAMES ROGERS’ CLASSIC FIVE
“The Musicman” James Rogers is the owner and host of The 3D Variety Show (6 – 9pm EST Tuesdays). The Classic Five is “pop music 101” usually of the post-Beatles era – classics you need to know! Each title is linked to a Spotify stream of the song.
The Guess Who – No Sugar Tonight/New Mother Nature
Ray Stevens – Everything Is Beautiful
Kenny Rogers and the First Edition – Something’s Burning
Marmalade – Reflections Of My Life
The Originals – The Bells
Show #20 “All Request Hour #1” with featured artist The Spoons:
Show #19 with songs by featured artist Alexander Stewart:
BILLCS Top 30 #1 SONG
After debuting on the BILLCS Top 30 in 2004, Tiësto gets his first #1 22 years later with “Beautiful Places” with vocalist/songwriter Brieanna Grace













































































































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