#BILLCSNewMusicReport – March 22/23, spotlighting new songs by @_MarcusMartinus @Cobimusic @Reyamusic @Laroie_music

In this edition of the report, we’ll let the music, reviews and features speak for themselves! Be sure to listen to all of the songs by clicking on the photos above the song title and artist.

Among the features, you can read about my pick of the week, along with picks from online radio buddies “Big Daddy” Russ Horton and Hunter Wilbur.  “The Musicman” James Rogers has his Classic Five pop hits feature featuring songs from 1979/80 this week. I also look back on the BILLCS Top 30 from the last five years to find out what songs debuted on the chart in each one of the years 2018 to 2022.

The BILLCS New Music Report is a work-in-progress and I welcome your suggestions so feel free to contact me @billcs on Twitter @thebillcs on Instagram or @BILLCSMusicProjects on Facebook.

SPOTLIGHTING

Marcus & Martinus, "Air"

MARCUS & MARTINUS, “Air”

“Air” was the distant runner-up in Sweden’s recent Melodifestivalen contest, and Loreen’s stunning “Tattoo” went on to become Sweden’s representative at EuroVision in May. But let’s also just say that “Air” was the obvious runner-up to “Tattoo” among a lot of mediocre entries this year. Marcus & Martinus are twin early 20-something’s from Norway, and they have imminent potential to breakout worldwide, even if “Air” may not be – but should be – the song to do that. Nonetheless, “Air” is a beautifully crafted song that’s a terrific showcase for the singers, and they certainly gave their all on the Melodifestivalen stage, winning over a whole bunch of new fans in the process.

Cobi, "Telepathic Powers"

COBI, “Telepathic Powers”

L.A.-based alternative singer/songwriter Cobi has continued with a series of releases that draw heavily from bluesy rock and R&B. This time, “Telepathic Powers”, with such a beautiful guitar melody, steps right out of 70’s and 80’s romantic R&B jams, making that long absent sub-genre sound completely fresh again. “Telepathic Powers” is rich, warm and inviting, with another splendid Cobi vocal, and you’ll want to play it more and more. A full album of Cobi’s recent releases would be sure to sparkle!

Reya, "attention"

REYA, “attention”

Hailing from Norway but now based in Spain and of Chilean heritage, Reya is definitely out to seduce your ears with the infectious release “attention”. Although she had some success recording under another variation of her name, Reya wanted to express herself more honestly, incorporating both style and language from her heritage, which is why “attention” is partially sung in Spanish. With an alternately sultry and sassy vocal alongside a taut arrangement that perhaps comes to life a little later in the song than usual, Reya’s “attention” is out to out to conquer without apology, and it’s going to leave one line stuck in your head for days: “I can make the phone stop”. So we can say that Reya’s simpler quest for “attention” from music fans certainly succeeds with this song.

Laroie, "Tragedy"

LAROIE, “Tragedy”

Laroie is the new moniker for Gab Godon, once one half of acclaimed Montreal duo Heartstrings, which had the fortune to work with Kaytranada while he was on the rise. After working with a childhood friend in Heartstrings and splitting a few years back, Gab took time to carve out a new persona in Laroie. “Tragedy” is the title song of her new six song EP, and its slick 90’s flavoured R&B will make your ears stand at attention. Shades of Janet Jackson, SWV and Brandy will be dancing inside your head as you listen to her engaging but mellow mid-tempo sound in this release. “Tragedy”, I suspect, is just a small but vibrant taste of what’s in store for us from Laroie.

FEATURING

Last Heroes, Dyson, "Stay The Night

LAST HEROES, DYSON, “Stay The Night”

British singer Dyson’s vocal is showcased admirably by Colorado production duo Last Heroes in “Stay The Night”. It’s a melodic deep house track that employs some well-placed bounce to elevate it further next to your average house track about finding that one person who is a “keeper”. Although they have never visited my blog pages before, Last Heroes have been making music for the last seven years or so and have played alongside top electronic producers like Illenium, Seven Lions and more. Dyson’s credits in the pop/dance genre are a songwriter’s dream – BTS, Basshunter, Tritonal, Loud Luxury, Zack Martino, Anastacia, and countless others. Although “Stay The Night” to me could have been a bit shorter, all of that experience translates into a catchy release that really shines.

The Summer Set, "Under The Influence(r)"

THE SUMMER SET, “Under The Influence(r)”

“Under The Influence(r)” is fun, cheery, edgy alt. rock with some creative wordplay courtesy of Arizona’s The Summer Set, who returned last year with their first album in 6 years called Blossom. Lead singer Brian Logan Dales also wrote “Under The Influence(r)”, and he’s in fine form vocally too. Set to a tight melody, the song’s lyrics will keep you intrigued because you won’t know what to expect next in a story about a guy who gets his heart broken by a social media influencer. The music reminds me of late 90’s and early 2000’s pop-punk bands (think American Hi-Fi or Bowling for Soup), so when it’s all done right like in “Under The Influence(r)”, almost anything can sound refreshing all over again.

GT_ofice, Chris Padin, Krysta Youngs, "Invite Only"

GT_OFICE, CHRIS PADIN, KRYSTA YOUNGS, “Invite Only”

Following up his recent Top 20 national radio hit “Never Together” – his hit from last year, “Tuff”, with VASSY, debuted a year ago on my chart, see further near the bottom of the page – Miami producer GT_ofice is back with a melodic earworm, “Invite Only”. This time his collaborators are NYC producer Chris Padin and L.A.-based singer/songwriter Krysta Youngs, who has some impressive credits writing for BTS among others. “Invite Only” is about making sure you don’t let your guard down, and being in control of your own destiny with love. Krysta’s vocal is assured and vibrant, while the producers spice it up with 90’s flavours and bass synths that make it ideal for late nights in clubs.

Robert Falcon, Stephanie Schulte, "Kids"

ROBERT FALCON, STEPHANIE SCHULTE, “Kids”

I think you’ll be as surprised as me when you hear this unexpected and enjoyable dance music cover of “Kids”, originally by MGMT, by Belgian producer Robert Falcon with NYC vocalist Stephanie Schulte. While the style isn’t surprising, given that excerpts of the original is often played in clubs and at festivals, it’s the exceptional quality in production by Robert and vocal by Stephanie that make this cover a good investment of your in time. The basic arrangement is pretty faithful, surrounded by lusher keyboards, but with a pop vocal that’s quite far removed from MGMT’s original. That all makes this rendition of “Kids” well worth hearing and a solid addition to pop or dance playlists.

BILL’S NEW MUSIC PICK OF THE WEEK

My New Music Pick of the Week  is a 5-7 minute radio segment that airs more than 25 times/week on online radio stations around the world.

Surf Mesa featuring Selah Sol - City Of Love

“City of Love” by Seattle producer Surf Mesa with vocalist Selah Sol

“BIG DADDY” RUSS HORTON’S PICK OF THE WEEK

“Big Daddy” Russ Horton is host of the “Top 40 Timeline” radio show and the owner of online stations Radio GTA, Halton Hills Radio Online, & FM108.ca.

Jason Mraz, "I Feel Like Dancing"

“I Feel Like Dancing” by Jason Mraz

HUNTER J. WILBUR’S BOP OF THE WEEK

Hunter J. Wilbur is the host of the online radio shows “Modern Hype” and “Addictive Energy” which can be heard on several online stations including Classic Hits Canada.

Eddie & The Getaway, "Born To Run To You"

Nashville country/pop duo Eddie & The Getaway with “Born To Run To You”

“THE MUSICMAN” JAMES ROGERS’ CLASSIC FIVE

“The Musicman” James Rogers is the owner and host of The 3D Variety Show heard Tuesdays on Planet Radio Canada. The Classic Five is “pop music 101” of the post-Beatles era – classics you need to know! Each title is linked to a Spotify stream of the song.

M – Pop Muzik
Styx – Babe
Dolly Parton – 9 To 5
Gloria Gaynor – I Will Survive
Rod Stewart – Da Ya Think I’m Sexy

BILLCS TOP 30 CHART DEBUTS 2018-2022

2022:

#25 Mercer – Aretha

#26 Cornelia Jakobs – Hold Me Closer

#27 GT_ofice, VASSY – Tuff

#28 Florence & The Machine – My Love

#29 Liamoo – Bluffin’

2021:

#21 Eric Saade – Every Minute

#24 Lordnox, Victor Perry – Myself In You

#26 Finneas – American Cliché

#27 Karen Harding, Shift K3Y – Morning

2020:

#24 Smith & Thell – Goliath

#26 ARTY, Griff Clawson – You’re Not Alone

#30 Jake Shears – Meltdown

2019:

#25 Jonas Brothers – Sucker

#29 Horse Meat Disco, Amy Douglas – Let’s Go Dancing

2018:

#19 MK – 17

#25 Years & Years – Sanctify

#26 Sofi Tukker – Baby I’m A Queen

#27 The Him – White Lies

#BILLCSNewMusicReport – March 18/23 spotlighting new songs by #TheBoyFromTheSouth @WinandWoo & @PENNYWILDmusic @Kingamuzik

I don’t have any editorials, news or wise words to share. After having the flu this week, I empathize with career writers though, as they get older, when they become sick or unmotivated, and how to get back on track after that. All I can say is “keep on keeping on”…

In addition to the posts about individual songs, you can read about my pick of the week, along with picks from online radio buddies “Big Daddy” Russ Horton and Hunter Wilbur.  “The Musicman” James Rogers has more notable 80’s pop this week with his Classic Five pop hits feature. 

The BILLCS New Music Report is a work-in-progress and I welcome your suggestions so feel free to contact me @billcs on Twitter @thebillcs on Instagram or @BILLCSMusicProjects on Facebook.

REMINDER:  Be sure to click on the photos above the song titles and artists’ names to hear the songs or watch the videos.

SPOTLIGHTING

The Boy From The South, "Amazing-Man"

 

THE BOY FROM THE SOUTH, “Amazing-Man”

Pedro Balaña Perez may just be the European counterpart to Jason Mraz. With an indie-folk background and less than a dozen releases under his belt as The Boy From The South, including the recent, humorous single “Stereotypes”, the Barcelona talent has got a new big favourite in my book with the upbeat pop of “Amazing-Man”. The song coincides with Jason’s return to pop with “I Feel Like Dancing”, but style is where the similarity ends. “Amazing-Man” is jaunty pop with a gentle, downright appealing vocal that makes you want to find out more about this guy. Part of Pedro’s deft songwriting is using a variety of comparisons – such as even to “the bassist of Level 42” 🙂 – while still keeping “Amazing-Man” inside his happy mystique. The circus-themed video above is a winner, and my guess is that the more you play “Amazing-Man” like I did, the more you’ll want to keep hearing it, making it a unique bright spot for any playlist.

Win & Woo, PENNYWILD, "What I Got"

WIN & WOO, PENNYWILD, “What I Got”

“What I Got” is a sassy slice of techno house from Chicago dance music mainstays Win & Woo and L.A.-based multi-talent PENNYWILD. The song slips and slides in all the right directions, a bit of a welcome changeup for Nick Winholt and Austin Woo, who have been regular visitors to this blog over the years with a variety of gems like “Break Me Down”, “Here U R” and “Sleepwalking”. PENNYWILD takes that edgy techno groove and runs with it with a noteworthy, attention-grabbing vocal, with her style a great fit for Win & Woo’s electronic prowess. Check out the video above, directed by PENNYWILD, which is well-choreographed and has some throwback Britney Spears vibes.

KINGA, "Something's Gotta Give"

KINGA, “Something’s Gotta Give”

Toronto-based pop/dance singer Kinga follows up his return to the performing side of the biz with last year’s re-take on “Sexy Boy” with the bright and effervescent “Something’s Gotta Give”. The song does a great job of distracting you away from your daily toils thanks to Kinga’s playful vocal, which drives a rhythm fueled by some high end synth work. The 80’s pop flavour, which recalls songs by the likes of George Michael/Wham!, Thompson Twins, Information Society, Berlin and other prominent names of that decade, gives an added bounce and dimension to a fine song. “Something’s Gotta Give” is brisk fun and a real pick-me-up.

FEATURING

Haleine & Elephante, "Hollow"

HALEINE, ELEPHANTE, “Hollow”

“Hollow” is an interesting meeting place for two electronic artists who have largely had different directions. Haleine (Cape Code-born Kelly Sweet) has spent most of the last decade as both a solo vocalist (last year’s album, Heavenly) and collaborator in the progressive and trance genres, working with notable producers like Seven Lions, Andrew Rayel, William Black, Aly & Fila, and Gareth Emery. In the same time frame, Elephante (L.A.-based Tim Wu) has released two solo albums and an EP, whose songs veer often to pop/dance with some experimentalism, also collaborating with such vocalists as Mako, Anjulie, Nevve, and Brandyn Burnette. So “Hollow” is both a co-write and co-production along with Canadian Matthew Steeper that veers in the direction that Illenium and Odesza have helped set for edgier electronic pop. It’s a beautifully arranged and sung feast for the emotions, and meant to be played at festivals or stadiums, featuring some future bass elements that don’t go over the top. “Hollow” is a welcome partnership for Haleine and Elephante that should be repeated.

Tyler Garrett, "Slowly Drowning"

TYLER GARRETT, “Slowly Drowning”

L.A.-based singer/songwriter Tyler Garrett’s latest single, “Slowly Drowning”, is progressive electronic pop that tackles subjects like mutual trust and making the right decisions. Surrounded by an inventive production starting off with off-kilter-sounding synths that set the stage for an uncharacteristic story where love is the ultimate solution, “Slowly Drowning” builds with Tyler’s urgently expressive vocal which culminates with the plea in a relationship at a stasis, “can we both survive?”. “Slowly Drowning” is a busy, topical song that suits the darker side of electronic pop.

Mr! Mouray, "Pretty In Ink"

MR! MOURAY, “Pretty In Ink”

If you think “Pretty In Ink” bears resemblance to its similarly titled 80’s new wave track “Pretty In Pink” by The Psychedelic Furs, it ends at the nicely busy guitar work. “Pretty In Ink” is a more whimsical, melodic song in the vein of fellow Canadians Sloan or The Northern Pikes by Toronto quartet Mr! Mouray. Like previous single “Cats Can’t Fly”, “Pretty In Ink” comes from their album full of similarly amusing titles, “What’s The Stouray?”. While not as immediately catchy as “Cats Can’t Fly”, “Pretty In Ink” features good vocals by Simon Bedford-James and focuses on what the band of veterans does best – no nonsense pop/rock showcasing a myriad of influences.

BILL’S NEW MUSIC PICK OF THE WEEK

My New Music Pick of the Week  is a 5-7 minute radio segment that airs more than 25 times/week on online radio stations around the world.

Kx5 & Sofi Tukker - Sacrifice

“Sacrifice” by Kx5 (Kaskade and Deadmau5) and Sofi Tukker

“BIG DADDY” RUSS HORTON’S PICK OF THE WEEK

“Big Daddy” Russ Horton is host of the “Top 40 Timeline” radio show and the owner of online stations Radio GTA, Halton Hills Radio Online, & FM108.ca.

Shane Profitt, "How It Oughta Be"

Big Daddy enjoys his country songs so check out Shane Profitt with “How It Oughta Be”.

HUNTER J. WILBUR’S BOP OF THE WEEK

Hunter J. Wilbur is the host of the online radio shows “Modern Hype” and “Addictive Energy” which can be heard on several online stations including Classic Hits Canada.

Owl City, "Vitamin Sea"

“Vitamin Sea” by Owl City from his upcoming album Coco Moon.

“THE MUSICMAN” JAMES ROGERS’ CLASSIC FIVE

“The Musicman” James Rogers is the owner and host of The 3D Variety Show heard Tuesdays on Planet Radio Canada. The Classic Five is “pop music 101” of the post-Beatles era – classics you need to know! Each title is linked to a Spotify stream of the song.

John Lennon – (Just Like) Starting Over
Lionel Richie – Truly
Men At Work – Down Under
Toni Basil – Mickey
Joan Jett & The Blackhearts – I Love Rock ‘N Roll

#BILLCSTop30 #661 – March 13/22

I’m using this space this week to provide readers and chartphiles with a little bit of insight into how I compile my chart and what I take into consideration. First and foremost, it is entirely based on my own opinion. But what you have to realize, is that I really do love all of the songs on the chart.

There are only 30 of about 60 or more that are on my personal, private playlist that I play regularly throughout the week. More than 40% of the songs on my chart are released independently, but you may have noticed that this is the only space where I would write about most of those songs released on major labels. Most of those songs don’t need my help with inclusion in the BILLCS New Music Report but I’m not going to disregard a song I love because it’s released on a major label.

Songs are added to the chart with the intention that they could reach my Top 10. Some don’t simply due to the competition. Some songs wear out faster than others. And then there are songs that are “growers” and take time to travel up the chart too. Very few songs peak at #20 or below as a result. And yes, sometimes I may chart a song and soon get sick of it, or retrospectively feel that I should have charted one when I didn’t.

Submissions from artists, managers, and publicists always take priority, but the most important thing – submission or not – is my gut feeling about a song through the discovery process.

REMINDER: As with the BILLCS  New Music Report, I’m now embedding the video link in the artwork for the song or the artist, which hopefully will allow the blog page to load faster and smoothly.  So you now have to click on the photos above the write up to hear the song or watch the video. Let me know how it works for you! I am also using Alt Text where possible to assist readers with visual impairments.

The best places to communicate with me continue to be Twitter @billcs or Instagram @thebillcs or Facebook @BILLCSMusicProjects. Follow this blog using the “Follow” button at the bottom of the home page.

Check out my ONLINE RADIO SHOWS below too as they are increasingly tied in with this blog.  

Martin Garrix & JVKE, "Hero"

Getting a third appearance at the top of the chart is “Hero” by Martin Garrix and JVKE, surpassing Martin’s previous #1’s “Animals” and “Proxy”, which each had two appearances at #1 in 2014. It’s hard to say what song will succeed “Hero” at the top as early as in two weeks.

Afrojack & James Arthur - Lose You

“Lose You” by Afrojack and James Arthur climbs 7-5 and is one of those songs that gets even better with frequent plays.

Cerrone & Mercer featuring Brendan Reilly - The Only One

“The Only One” by Cerrone, Mercer, and Brendan Reilly leaps 13-6, becoming Mercer’s fourth trip to the Top 10. It’s from the excellent album Cerrone By Cerrone, wherein the renown French disco producer reboots his biggest classics in fine fashion too. 

Frank Walker featuring Ella Henderson, "I Go Dancing"

“I Go Dancing” by Frank Walker and Ella Henderson climbs 17-9, becoming Frank’s second release to get to my Top 10 after 2021’s #1 “Like Gold” with Loud Luxury and Stephen Puth. You can catch Frank throughout North America this summer as support for acts like Loud Luxury at major venues.

The Fastest Riser on the chart is the 90’s house-soaked “Enchanté” by Just Kiddin’s Lewis Thompson and singer/songwriter Clementine Douglas, which soars 20-10. It’s Clementine’s third visit to the Top 10, previously credited on Sonny Fodera’s “Angel” (#4) and uncredited on Matoma’s “The Power” (#3).

Dabin & Kai Wachi featuring Lo Spirit - Hollow

Toronto-born electronic producer Dabin played a sold out show in his home town on March 12, and his latest collaboration “Hollow” with Kai Wachi and vocalist Lø Spirit moves up 21-16.

Kx5 & Sofi Tukker - Sacrifice

“Sacrifice” is a beautiful, complex effort from Kx5 (Kaskade and Deadmau5) in collaboration with Sofi Tukker, and it rises 23-17.

Party Nails featuring Boy Sim - Like U

Think of “Like U” by L.A.’s Party Nails and Austin’s Boy Sim as a pre-summer bop. This engaging release moves up 27-21.

N i G H T S - Boyband

Philadelphia duo N i G H T S are all about the hip hop inspired atmosphere in “Boyband”, which climbs 28-22. I’m really not sure what the song is all about, but its vibe is hypnotic and I’m glad it’s getting deserved attention five years after its original release.

Surf Mesa featuring Selah Sol - City Of Love

The Highest Debut belongs to Seattle’s Surf Mesa (aka 22 year old Powell Aguirre) with vocalist Selah Sol and “City of Love” at #28. This melodic house track stirs up the feels for anyone who has felt out of place in big city surroundings after a breakup. You can catch Surf Mesa on the festival circuit this year, and he plays a captivating set.

Greg Oakland featuring Tara Louise - Never Temporary

Next at #29 is NYC-based indie electronic producer Greg Oakland with his trance-influenced “Never Temporary”, featuring a potent vocal by Tara Louise. Greg actually sent to me the song to hear months ago, and I’m so glad the team at Future Sounds of Egypt had the inspired taste to release another song by Greg. And here it is on my chart!

Arriving at #30 is what I would call a “comeback” record for Jason Mraz and a return to the whimsical pop sound which got him his first hit 20 years ago. The song is “I Feel Like Dancing” from the upcoming album Mystical Magical Rhythmical Radical Ride (I dare you to keep those words in proper order!), and be sure and check out the seamlessly filmed and well-choreographed video above.  It’s Jason’s 10th appearance on my chart but his first since 2012.

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! You can also follow me on Spotify at the following link:  BILLCS Top 30 Songs.

ONLINE RADIO SHOWS

You can hear me and many of my blog choices on this growing list of online radio stations and features! 

Radio GTA

Listen to The Big 20 from 10pm to Midnight EST on Wednesdays as “The Musicman” James Rogers and I bring you the latest in new songs.  The show also repeats on Saturday mornings at 10 a.m. EST and Sunday mornings at 2:00 AM EST. You can hear recent episodes of The Big 20 at this link.

On Saturdays and Sundays from Noon to 6pm EST I bring you “Your Weekend New Music Mix” six hours of commercial-free music from the 2000’s including many song choices from this blog.

At Midnight EST on Saturdays, you can also hear my new “Retro Pick of the Week” on Russ Horton’s amazing “Top 40 Timeline” oldies show.

Halton Hills Online

“Your Weekend Music Mix” has a second home on Saturday and Sunday evenings from 8pm to Midnight EST! It’s a different mix from Radio GTA’s show, and like that one it is also commercial free.

“The Big 20” also airs on this station at 6pm EST Saturdays, and my “Retro Pick of the Week” plays on Russ Horton’s “Top 40 Timeline” at 4pm EST.

The 3D Variety Show by Planet Radio Canada

I’m featured Tuesdays between 7 and 7:30 pm EST with my New Music Pick of the Week which debuts every week on “The 3D Variety Show” with “The Musicman” James Rogers, and I also join occasionally for looks at music from our past through some live segments.  A repeat of “The 3D Variety Show” airs on Wednesdays at 7pm EST on Radio GTA.  My pick of the week airs more than 25 times during the week and you can view its schedule by clicking here.  You can hear recent episodes of The 3D Variety Show at  this link.

Addictive Energy 

This is a weekly show hosted by Hunter Wilbur that airs on several online stations but is anchored at Mix88.ca on Saturdays beginning at 8pm EST.   You can hear recent episodes of Addictive Energy at this link.

For other details about the shows, such as dates and times of broadcasts, go to my home page and scroll down to the bottom right side! The schedules have been updated.

FM 108

You can also listen to my “Retro Pick of the Week” on Russ Horton’s “Top 40 Timeline” on this station at 6pm EST Saturdays. 

 

 

#BILLCSNewMusicReport – March 8/23 spotlighting new songs by @Jason_Mraz @Audien x @Codekomusic x @JTRoachmusic @TylerLorettee @Nikomakesbeats & @MAYLYN_music

I don’t have any editorial or observations to share in this new edition of the Report. I am trying something a little different with my layout, returning to a strategy I used in the early days of this blog. I’ve noticed that my blog page is difficult to load on my phone, so it must be difficult for you as well. I think this is because I use numerous video links which are then embedded into the post. So instead, I’m going to embed the video link in the artwork for the song or the artist, which hopefully will allow the blog page to load faster and smoothly.  So you now have to click on the photos above the artist and song title to hear the song or watch the video. Let me know how it works for you!

In addition to the posts about individual songs, you can read about my pick of the week, along with picks from online radio buddies “Big Daddy” Russ Horton and Hunter Wilbur.  “The Musicman” James Rogers focuses on 80’s pop this week with his Classic Five pop hits feature. 

The BILLCS New Music Report is a work-in-progress and I welcome your suggestions so feel free to contact me @billcs on Twitter @thebillcs on Instagram or @BILLCSMusicProjects on Facebook.

SPOTLIGHTING

JASON MRAZ, “I Feel Like Dancing”

Sometimes returning to a sound that put you on a map can be a really good thing. I adore Jason Mraz’s first two albums Waiting For My Rocket To Come and Mr. A-Z, in which he found a way with some good humour and whimsy, which also translated well into the concert performances I saw. His first hit, “The Remedy (I Won’t Worry)” was my #1 song of 2003 and a theme song for me for that part of my life. 20 years later, we now have “I Feel Like Dancing”, and you are encouraged to dance along with Jason. Who can possibly resist that hip hop flavoured bass and Jason’s return to astute “Wordplay”, to quote the title of another one of my favourites by him. Like in 2003, this is feel-good, jaunty pop that stands out, but now it’s by a seasoned, twice Grammy-winning performer who has always taken stylistic risks. Mr. A-Z is back and we’re delighted to have him.

AUDIEN, CODEKO, J.T. ROACH, “Antidote”

Even though it doesn’t have anything new to say lyrically, “Antidote” gives you all the feels you’re looking for, thanks to the great reteaming of Grammy nominated producer Audien with UK producer Codeko. It follows up Audien’s huge dance radio hit with UK singer/songwriter Joe Jury, “Drifting Away”. The music is in “Antidote” is all about the early 2010’s, with J.T. Roach’s memorable vocal helping to transport you to some of the best years of electronic dance music. But it’s the refined work of Audien and Codeko which makes “Antidote” a seamless example of fine contemporary record-making.

TYLER LORETTE, “Shattered”

Tyler Lorette is a 19 year old singer/songwriter from Courtice, Ontario, just east of my city, Toronto, who has been dabbling with a pop/country sound over the past few years. His powerful new single, “Shattered”, could easily be his breakout, and was brought to my attention by Hunter Wilbur as a recent “bop of the week” in previous edition of the BILLCS New Music Report. Like songs on Conan Gray’s recent Superache album, Tyler grapples anxiously with heartbreak in “Shattered”, but a graceful arrangement offsets the anguish in the lyrics. I wasn’t sure initially if the almost-acoustic backdrop worked, but after multiple listens, it would be hard to hear it with more production.

NIKO THE KID, MAYLYN, “Only One”

It’s been a while since I’ve written about music by Atlanta-born Niko The Kid, who has since released many songs for an assortment of dance labels, after creating countless remixes for the likes of Kelly Clarkson, Miley Cyrus and Ariana Grande, and collaborating on songs by artists like Odesza. “Only One” may need a listen or two, but you’ll find it has just the right amount of spit and polish, with impressive  synths that will zing you in the middle of a club set.  Go-to Nashville-based dance music singer/songwriter MAYLYN has a voice with the power and conviction to help the song stand out even more. Be sure not to let “Only One” slip by.

FEATURING

KACEY FIFIELD, “Selfish”

“Selfish” is a thoughtful ballad that pushes the envelope stylistically for L.A.’s 18 year old Kacey Fifield, following up her debut electronic pop album from last year, Between The Lines. It’s a bold song where she confronts a partner of a past relationship. She doesn’t mince words, with advice beyond her years for those in her age group, though the effect for the listener is cultivated with a beautiful, often delicate melody courtesy of long-time collaborator and producer Robbie Rosen. Kacey Fifield is carving out her own lane with softer, electronic pop music that often has an edge, and young listeners especially should pay attention.

KAPUCHON, “Education”

Afrojack is keeping awfully busy these days, and that also means giving his side project, Kapuchon, some air time. “Education” is a downright catchy instrumental that holds its own for almost five minutes. It’s bound to get some play at festivals where its unique synth work will go over well with the crowds, who are always looking for different vibes to set them off. Its snappy rhythm is hard to resist, and electronic music fans who love instrumentals will find the most favour with “Education”.

The 004, "Home"

THE 004, “Home”

The 004 is a Dutch pop trio of Mike, Kelly and Janet, who have actually sung together for 20 years, but have only recently started releasing music. “Home” is their second single and is like a warm hug that will make you smile at the end, even though the song is about the loss of a loved one. The singers’ rich tones and pleasant harmonies go a long way. While “Home” is just lovely, better production could take everything to another level, as you can only go so far on basic, acoustic arrangements. But I’m hopeful that this can occur so that The 004 can receive more attention outside of The Netherlands.

Tommy Newport, "Fate"

TOMMY NEWPORT, “Fate”

UK-born, US-raised Tommy Newport returns with his first full length album in five years called Glasshead, which includes previous single “Tongue and Cheek” as well as the melodic new track, “Fate”. While “Fate” doesn’t tell us anything new, part of the appeal of Tommy’s music is its low-fi, psychedelic pop sound, which gives it fanciful authenticity and looks back to the 1960’s as an influential. And that compliments his vocal too, which allows you to easily tune in to what he’s singing about. In April, Tommy will be touring the west coast on selected dates, and you can learn more about them right here.

Nikolas IV, "Cut Me Out"

NIKOLAS IV, “Cut Me Out”

Nikolas IV is an enigmatic new name in the alt.pop world and his brutally honest “Cut Me Out” is a great start. The L.A.-based singer-songwriter gets great help with production by none other than Frankmusik, and “Cut Me Out” is co-written with Grammy-nominated songwriter Jesse Saint James, best known for co-writing Lizzo’s “Truth Hurts”, but who has also written songs for Britney Spears, Kim Petras, Lauv, and many others. The lyrics are full of regret, but what Nikolas is singing about is clearly in the past, so time and reflection has softened the initial pain. A lot of folks will relate to “Cut Me Out”, so Nikolas IV is another new name to add to your watch list.

LORD and D'Amico & Valax, "Power"

LØRD, D’AMICO & VALAX,  “Power”

“Power” is engaging europop-flavoured tech house by rising producers who all hail from Italy, newcomer LØRD (aka Luis Rodriguez) and the duo D’Amico and Valax, which follows up their recent release “Shine”. The heart of the song is an uplifting, Gospel-flavoured chorus that would easily lift a club set midway. The rest of “Power” is carried by a driving, tech house rhythm and some busy, ear-catching synth work which makes it distinct. Although over 3 minutes long, the song comes and goes quickly, so enjoy the ride.

Francesca Louise, "The Sea"

FRANCESCA LOUISE, “The Sea”

“The Sea” is the kind of soft, serene release that requires your undivided attention. That seems to be a goal of fresh-voiced British singer/songwriter Francesca Louise, who was a contestant on The Voice UK last year. And Francesca has the vocal prowess to do it – you may recall her tribute to a lost loved one last year called “For Michael”. “The Sea” is an ode to the city of Rome, drawn from her personal experiences developing friendships and loving relationships there. This sweet song is accentuated by understated strings and acoustic guitar work, but it’s Francesca’s committed, lovely tone that is the star. Pick your quiet moment to enjoy everything that “The Sea” offers.

33 Black, "Edge Of The Knife"

33 BLACK, “Edge of the Knife”

33 Black is the northern California-based duo of  Travis Rigsbee and Jed Sprague who are intent on crowd-pleasing with their new album Out Of The Clouds, which contains 16 tracks and has uniquely been funded by the band’s fans! These guys know what they’re doing in the studio, and though some of their songs contain too many country elements for my tastes, the majority of them are rockers influenced by the best groups of the 90’s, such as Collective Soul, Counting Crows and Third Eye Blind. “Edge of the Knife” is a fun rocker that comes out of the gate with guitars blazing and a jaunty rhythm. The melody is really strong and the hand claps help turn it into a song that would win over a small club audience in concert.

BILL’S NEW MUSIC PICK OF THE WEEK

My New Music Pick of the Week  is a 5-7 minute radio segment that airs more than 20 times/week on online radio stations around the world.

“Enchanté” by British producer Lewis Thompson and singer/songwriter Clementine Douglas

“BIG DADDY” RUSS HORTON’S PICK OF THE WEEK

“Big Daddy” Russ Horton is the owner of online stations Radio GTA, Halton Hills Radio Online, & FM108.ca.

Vance Joy, "Catalonia"

“Catalonia” by Australia’s Vance Joy

HUNTER J. WILBUR’S BOP OF THE WEEK

Hunter J. Wilbur is the host of the online radio shows “Modern Hype” and “Addictive Energy” which can be heard on several online stations including Classic Hits Canada.

Wingtip, "Heartworks"

“Heartworks” by San Francisco producer Wingtip

“THE MUSICMAN” JAMES ROGERS’ CLASSIC FIVE

“The Musicman” James Rogers is the owner and host of The 3D Variety Show heard Tuesdays on Planet Radio Canada. The Classic Five is “pop music 101” of the post-Beatles era – classics you need to know! Each title is linked to a Spotify stream of the song.

Madonna – Papa Don’t Preach
Whitney Houston – The Greatest Love Of All
Berlin – Take My Breath Away
Billy Vera & The Beaters – At This Moment
Quincy Jones featuring James Ingram – Just Once

BILLCS Top 30 #1 SONG

Martin Garrix & JVKE, "Hero"

“Hero” by Martin Garrix & JVKE

BILLCS Top30 FASTEST RISER

Frank Walker featuring Ella Henderson, "I Go Dancing"

“I Go Dancing” by Frank Walker featuring Ella Henderson (29-17)

#BILLCSTop30 #660 – February 27/23

Martin Garrix above, and Afrojack below, from recent sets at Omnia in Las Vegas.

As I mentioned in earlier blog posts, I was in Las Vegas for an extra long weekend, where I caught both Martin Garrix and Afrojack in concert. As I don’t attend festivals, it’s unlikely I would see them in a big club setting anywhere else, so I wore myself out by experiencing the Vegas nightlife again. Equally energetic sets, Martin Garrix focused on his popular releases which caused many singalongs in the crowd, while Afrojack’s set was more of an all out party, and he even tried to share a bottled beverage by pouring a shot or so into the mouths of some audience members near the front. I wish Martin had spoken to the crowd more, but I got to hear a lot of my favourites by him including the early “Animals” and “Tremor”. And both artists are in my Top 10 this week.

The best places to communicate with me continue to be Twitter @billcs or Instagram @thebillcs or Facebook @BILLCSMusicProjects. Follow this blog using the “Follow” button at the bottom of the home page.

Check out my ONLINE RADIO SHOWS below too as they are increasingly tied in with this blog.  

And so Martin Garrix and JVKE hold on to #1 for a second appearance with “Hero”, which I didn’t hear in his Vegas set though it could have been played after I left at 3 a.m. JVKE is coming to my city in August, and I managed to snag a decently-priced resale ticket. “Golden Hour”, a former BILLCS Top 30 #1 which departed the chart this week, reached #10 on the Billboard Hot 100, and we’ll be hearing a lot more from JVKE in the months to come.

Although it has fierce competition above it, “Wish On An Eyelash, Pt. 2” by Australia’s Mallrat and The Chainsmokers glided up the chart 9-3. I’m not sure why more people haven’t latched on to this gorgeous and thoughtful feel good release. It’s The Chainsmokers’ 8th trip to my Top 5.

Although it’s one of the oldest songs on the chart, Zac Poor’s “Ghost Boy” still inches up a notch to another new peak, 5-4.

“Wings (I Won’t Let You Down)” by Armand Van Helden and Karen Harding climbs 7-5, becoming both artists’ 3rd Top 5 on my chart and Armand’s first since 2005’s #1 “My My My”.

It’s convenient timing due to his Vegas show that Afrojack acquires his biggest release on my chart to date as “Lose You”, with British vocalist James Arthur, soars 15-7. Judging from some recent social media posts, it appears that Afrojack and Martin Garrix may have a collaboration in the works, so we’ll see if that unfolds anytime soon.

Also nestling into the Top 10 this week are Benedict Cork’s poignant “Dream Of You” (12-9, above), which becomes his third song to reach my Top 10, and Timmy Trumpet & Tungevaag’s “La Danse”(below), which rises 13-10.

Toronto-based producer Famba is headed for the Top 10 in two weeks with his techno house track “No Sleep” (above), with Glasgow KI$$, which climbs 17-12. You can also check out Famba’s latest release, “Estar conmigo”, below.

“The Only One” by Cerrone and Mercer with vocalist Brendan Reilly, makes its presence better known on the chart by leaping 21-13. This one is a dance floor filler, so club DJ’s should get on it!

The Fastest Riser on the chart is a pop and dance delight by Canada’s Frank Walker with UK vocalist Ella Henderson, “I Go Dancing”, which vaults 29-17.

The Highest Debut of five on this chart is a surefire dance hit that could cross over to Top 40 called “Enchanté” by British producer Lewis Thompson and vocalist/songwriter Clementine Douglas. It’s Clementine’s third appearance on the chart following her work with Sonny Fodero on “Angel” (#4, 2021) and her unbilled appearance on Matoma’s “The Power” (#3), which just departed the chart. Lewis previously appeared on the chart in 2019 as one half of Just Kiddin with Cedric Gervais on “Good Things” (#2).

Kx5 get their first appearance on the chart with “Sacrifice” at #23 in collaboration with Sofi Tukker. Kaskade appeared on the chart in 2010 with his remix of Crystal Method’s “Come Back Clean” (#5), while Deadmau5 was on the chart two years ago with “Bridged By A Lightwave” (#15) with Kiesza.  It’s Sofi Tukker’s 5th appearance on the chart following 2021’s #2 “Mon Cheri” with Amadou & Mariam.

At #27 is the chart debut for L.A. indie alt.pop artist Party Nails and Austin producer/vocalist Boy Sim with the pop-punk flavours of “Like U”.

Returning to the chart for the first time since 2018 is enigmatic Philadelphia alt.pop/soul duo N i G H T S, emerging from the shadows at last, with “Boyband” at #28. The song has actually been rebooted from its 2018 original release thanks to an intriguing new black and white video, above. It’s the third appearance on the chart for the duo, both of whose previous entries have reached the Top 5.

And bowing on the chart at #29 is Toronto duo Boy Aries with the hypnotic “Drive”. Boy Aries consists of singer Jordan Radics and producer/instrumentalist Turbo Bobbi. Jordan was previously part of the indie band BLAJK, which charted two songs on the BILLCS Top 30 including the #6 “Lethal” in 2017.

 

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! You can also follow me on Spotify at the following link:  BILLCS Top 30 Songs.

ONLINE RADIO SHOWS

You can hear me and many of my blog choices on this growing list of online radio stations and features! 

Radio GTA

Listen to The Big 20 from 10pm to Midnight EST on Wednesdays as “The Musicman” James Rogers and I bring you the latest in new songs.  The show also repeats on Saturday mornings at 10 a.m. EST and Sunday mornings at 2:00 AM EST. You can hear past episodes of The Big 20 at this link.

On Saturdays and Sundays from Noon to 6pm EST I bring you “Your Weekend New Music Mix” six hours of commercial-free music from the 2000’s including many song choices from this blog.

At Midnight EST on Saturdays, you can also hear my new “Retro Pick of the Week” on Russ Horton’s amazing “Top 40 Timeline” oldies show.

Halton Hills Online

“Your Weekend Music Mix” has a second home on Saturday and Sunday evenings from 8pm to Midnight EST! It’s a different mix from Radio GTA’s show, and like that one it is also commercial free.

“The Big 20” also airs on this station at 6pm EST Saturdays, and my “Retro Pick of the Week” plays on Russ Horton’s “Top 40 Timeline” at 4pm EST.

The 3D Variety Show by Planet Radio Canada

I’m featured Tuesdays between 7 and 7:30 pm EST with my New Music Pick of the Week which debuts every week on “The 3D Variety Show” with “The Musicman” James Rogers, and I also join occasionally for looks at music from our past through some live segments.  A repeat of “The 3D Variety Show” airs on Wednesdays at 7pm EST on Radio GTA.  My pick of the week airs 20 times during the week and you can view its schedule by clicking here.  You can hear past episodes of The 3D Variety Show at this link.

Addictive Energy 

This is a weekly show hosted by Hunter Wilbur that airs on several online stations but is anchored at Mix88.ca on Saturdays beginning at 8pm EST.   You can hear past episodes of Addictive Energy at this link.

For other details about the shows, such as dates and times of broadcasts, go to my home page and scroll down to the bottom right side! The schedules have been updated.

FM 108

You can also listen to my “Retro Pick of the Week” on Russ Horton’s “Top 40 Timeline” on this station at 6pm EST. The segment is also broadcast on UK National Radio at Noon EST.

 

 

 

 

 

 

 

 

 

#BILLCSNewMusicReport – February 22/23 spotlighting new songs by @Kx5official & @SofiTukker @GregOakland & @_Tara_Louise_ #VictorRay @JayB1rdmusic

My next vacation is on deck on Thursday, I’m just hoping as I write this that it doesn’t get foiled by the weather. I’m off to Las Vegas tomorrow, where I plan to see shows by Martin Garrix, Afrojack and Nicky Romero, none of whom I’ve ever seen before. So I’m sure any words about the artists will be reported back through either this blog post or the next one for my chart, the BILLCS Top 30, on Monday.

In addition to the posts about individual songs, you can read about my pick of the week, along with picks from online radio buddies “Big Daddy” Russ Horton and Hunter Wilbur.  “The Musicman” James Rogers is 70’s soul tripping this week with his Classic Five pop hits feature. You’ll also see what debuted on the BILLCS Top 30 from 2018 to 2022!

The BILLCS New Music Report is a work-in-progress and I welcome your suggestions so feel free to contact me @billcs on Twitter @thebillcs on Instagram or @BILLCSMusicProjects on Facebook.

SPOTLIGHTING

Kx5, SOFI TUKKER, “Sacrifice”

The releases from Kx5 (Kaskade and Deadmau5’s recent project) keep getting better with their fifth one, “Sacrifice”, in collaboration with the wonderful twice-Grammy nominated duo Sofi Tukker. This production is full of both the power and subtleties that you might expect from two masters of the electronic music genre, adding the duo’s Tucker Halpern into that mix. Sophie Hawley-Weld’s vocal on “Sacrifice” is easily one of her best, and in tandem with an ultra-rich backdrop, makes the song so memorable. Expect “Sacrifice” to follow Kx5’s “Escape” to similar levels of success, perhaps even crossing over to Top 40 radio.

GREG OAKLAND, TARA LOUISE, “Never Temporary”

“Never Temporary” transports me back to the early 2000’s days of trance-techno hybrids that were prevalent by Armin van Buuren, Gabriel & Dresden and others. So it’s no wonder that Future Sound of Egypt has tapped into another of NYC-based rising producer Greg Oakland’s works. “Never Temporary” is riddled with high points, not the least of which is the outstanding vocal by Tara Louise. The song rarely lets up and like the best of trance music, paints a visual story in your head. I was so pleased when Greg shared “Never Temporary” with me early, well before it was signed, because this is the kind of song dance labels do not want to pass up, and voilà! Be sure to check it out!

VICTOR RAY, “Hollow”

Victor Ray hails from Newcastle, England and his claim to fame is as a busker and You Tuber whose cover of Hozier’s “Take Me To Church” went viral, which also launched considerable London media attention for him. Victor has a gorgeous, deep tone to his voice which sets him apart from other singers, especially when he reaches the lower end of his range, and makes originals like “Hollow” so compelling. “Hollow” is about a guy who can’t resist getting involved with someone he shouldn’t and ends up trapped in his own fantasy. The arrangement allows Victor to rock out while alternately sounding remorseful and helpless with the protagonist’s decision. With songs like “Hollow”, Victor Ray looks to have a promising 2023 ahead, so watch for more from him.

JAY BIRD, “Feel The Love” and “All Night Long”

Bay area electronic dance producer Jay Bird has been making his tech house skills razor sharp, and has created two fun bangers. Crank up those speakers or headphones for both “Feel The Love” and “All Night Long” and your feet might find them getting ahead of themselves. “Feel The Love” (above) works its deliberate repetition against a percolating house rhythm, while “All Night Long” (below) is my favourite of the two. It’s a bassy bounce-filled track with a droll female vocal that would sound great next in a set next to songs by Fisher or Hugel, making this release a promising “double A” single particularly for club DJ’s.

FEATURING

JUDE YORK, “Mr. Porcelain”

Following his success last year through Australia’s pre-Eurovision show “Australia Decides”, which sadly is no more, as well as the resulting single, “I Won’t Need To Dream”, pop singer/songwriter Jude York returns with the sincerely whimsical “Mr. Porcelain”. Jude shares his truth with us as he describes his ideal boy crush, and the song evokes all of the feelings we may have had at one point or another when we see or meet someone gorgeous and have no idea what to say to them. The tone is dreamy rather than full of regret over this possible missed opportunity, because we can still fantasize, can’t we? “Mr. Porcelain” is sheer delight and Jude’s nuanced vocal captures everything he wants to say beautifully.

MELØ, “King Of Nothing”

Windsor, Ontario based indie alt.rock artist MELØ returns with “King of Nothing”, a follow-up to his EP from last year called Things We Lost, which contains the well-received single “Mysteria”. “King of Nothing” draws heavily on the alt.rock influences of the 90’s from artists like Smashing Pumpkins, Garbage, or Our Lady Peace, with an insistent melody that will make you hum along while you try to decipher MELØ’s cryptic story of the title character. The well-directed video for the song above might give some clues as you see some familiar images adapted from a few films, but overall, “King Of Nothing” does a great job at being a curious but highly listenable enigma.

MOONWOOD, “Lady In Red”

Australian-American rockers Moonwood return with “Lady In Red”, which follows the release of last year’s EP Everything We Once Knew, subsequently re-recorded live as well. Moonwood’s music is spirited and often anthemic that is likely best heard in concert. But on record, the band has a clean, tight sound led by the fantastic voice of Jake McCullough. “Lady In Red” does not disappoint and is anchored by some impressive, vibrant guitar work. Moonwood delivers precisely what they intend which is exactly what they need to get to the next level.

JAROD GLAWE, ROBBIE ROSEN, “Just Enough for Love”

I always enjoy it when two artists who thrive in a particular style of music collaborate unexpectedly to create a fine release together. Chicago dance producer Jarod Glawe visited the BILLCS Top 30 a while back with vocalist Robin Vine for the lovely “Belong To You”, and of course multi-talented Robbie Rosen is a regular visitor to the blog and chart, reaching #1 on the Top 30 late last year with “The Boss”.  “Just Enough for Love” is a lighter melodic track full of dreamy lyrics that makes good use of vocal effects like an instrument, rather than just to distort the vocal, and has a riveting bass line that resonates throughout the song. 

BILL’S NEW MUSIC PICK OF THE WEEK

My New Music Pick of the Week  is a 5-7 minute radio segment that airs more than 20 times/week on online radio stations around the world.

“I Go Dancing” by Canada’s Frank Walker and the UK’s Ella Henderson

“BIG DADDY” RUSS HORTON’S PICK OF THE WEEK

“Big Daddy” Russ Horton is the owner of online stations Radio GTA, Halton Hills Radio Online, & FM108.ca.

“Hey (I Miss You)” by Armin van Buuren featuring Ex-Strumbellas vocalist Simon Ward

HUNTER J. WILBUR’S BOP OF THE WEEK

Hunter J. Wilbur is the host of the online radio shows “Modern Hype” and “Addictive Energy” which can be heard on several online stations including Classic Hits Canada.

New Canadian singer Tyler Lorette with “Shattered”

“THE MUSICMAN” JAMES ROGERS’ CLASSIC FIVE

“The Musicman” James Rogers is the owner and host of The 3D Variety Show heard Tuesdays on Planet Radio Canada. The Classic Five is “pop music 101” of the post-Beatles era – classics you need to know! Each title is linked to a Spotify stream of the song.

Stevie Wonder – Superstition
Al Green – Let’s Stay Together
Isaac Hayes – Theme From “Shaft”
Bill Withers – Lean On Me
O’Jays – Love Train

BILLCS TOP 30 CHART DEBUTS 2018-2022

2022:

23 THE LAST GOODBYE Odesza featuring Bettye LaVette

26 REFLECTION Years & Years

27 COLD SHOULDER Electric Polar Bears featuring Katie Sky

28 NO RELATION Jully Black

2021:

24 LOOK AT THE SKY Porter Robinson

25 BOYS Lauren Mayhew & INViDA

27 PRESSURE Martin Garrix featuring Tove Lo

2020:

21 BACKFIRE Deep Chills & Not Famous

24 YESTERDAY Gareth Emery & Nash featuring Linney

25 FALL-OUT Revelries, BOYBOYBOY & Will Church

27 LOOK INTO MY EYES brando

2019:

22 LOVE Simon Curtis

24 LONDON Mokita

25 DANCING WITH A STRANGER Sam Smith featuring Normani

26 LET’S GET THIS THING STARTED John Christian

27 TAKE IT OFF Two Friends

2018:

26 PRISONER Bobby Nourmand featuring Laurent John

27 BLAME Ekali & ZHU

29 MUSIC TO MY EARS Keys N Krates featuring Tory Lanez

#BILLCSNewMusicReport – February 15/23 spotlighting songs by @LewisTmusic & @Clementinetunes @GreysonChance @StHumain Victor Perry @wallflowerperry

This week, I get to inform you about a new online radio feature that has actually been live since November. Similar to my weekly New Music Pick of the Week – which can now be heard 27 times during a week between its debut on Tuesday and the following Wednesday – my weekly Retro Pick of the Week can now be heard as part of “Big Daddy” Russ Horton’s amazing, timeless and fun Top 40 Timeline show! The Top 40 Timeline airs 4 times every Saturday on different online stations – at Noon EST on UK National Radio, at 4pm EST on Halton Hills Radio Online, at 6pm EST on FM 108, and at Midnight EST on Radio GTA. In addition to my other show, Your Weekend New Music Mix, I am literally all over online radio now on Saturdays. Do try and give the segment a listen! In the coming weeks I’ll be setting up a Mixcloud account to house my most recent regular and retro picks of the week.

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In addition to the posts about individual songs, you can read about my pick of the week, along with picks from online radio buddies “Big Daddy” Russ Horton and Hunter Wilbur.  “The Musicman” James Rogers offers a variety of late 70’s early 80’s favourites this week with his Classic Five pop hits feature. My BILLCS Top 30 5-10-15-20… feature is back, looking at the songs that were in my chart’s Top 5 five, ten, fifteen and twenty years ago this week!

The BILLCS New Music Report is a work-in-progress and I welcome your suggestions so feel free to contact me @billcs on Twitter @thebillcs on Instagram or @BILLCSMusicProjects on Facebook.

SPOTLIGHTING

LEWIS THOMPSON, CLEMENTINE DOUGLAS, “Enchanté”

You can get your early 90’s house fix with “Enchanté” by up and coming UK producer Lewis Thompson and singing/songwriting sensation Clementine Douglas. You can expect “Enchanté” to be all over dance radio and clubs by Spring for the rest of the year, thanks to its reverent classic house rhythm that will transport you back to the days of Inner City, Robert Owens, Ten City and many others who left their imprints on dance music. Continuing her slew of hits after releases with DVBBS, Matoma, Sonny Fodera, and Dom Dolla, Clementine delivers another potent vocal, making “Enchanté” an addictive feast for the ears and feet.

GREYSON CHANCE, “The Balcony Song”

Greyson’s latest album  Palladium is rich and deep with fine songs, which I was fortunate to see executed in concert two months ago. I believe a deluxe version of the album is forthcoming, so until we can find out what’s new on that release, “The Balcony Song” is now being promoted, thanks to a super one-take video above, and you’ll be able to see an authentic performance like what I raved about after the concert I saw. Greyson is all about taking risks on Palladium and the beginning, with an unexpected low, gravelly vocal, hardly sounds like him at all. The song builds with an intriguing story, which makes it well worth hearing.

ST. HUMAIN, “Dial Tones”

The latest bunch of releases by Australia-based Singapore-bred singer/songwriter St. Humain have come to fruition to comprise his new EP Metadramatic, which also features a few new songs. Right up there with my favourites that I’ve written about, “Memento” and “Sick Sad Love Song”, is a new wistful ballad “Dial Tones”. Thanks to some beautiful wordsmithing and a delightful hook, “Dial Tones” tugs at your heartstrings while relating to those common times in most people’s lives when a relationship is at its end and there’s nothing special left. Be sure to make Metadramatic one of your new go-to’s to check out. St. Humain has a gift for creating lyrical and gripping songs full of many moods and rhythms that go down easy.

VICTOR PERRY, “Rest”

“Rest” is Victor’s first release of the year, and his first new solo music since last year’s enthralling “Punching Bag”, which got to #5 on the BILLCS Top 30 among Victor’s many singles which have reached the Top 10. The song zeroes in on some of Victor’s always listenable softer tones while telling the straight forward story about taking a break in an intense relationship. The flavour in “Rest” is R&B/pop à la Michael Jackson and Toni Braxton, and there’s a lot of pristine detail within thanks to solid production. 

FEATURING

ANDREAS LIBEROS, “Bonfire”

British pop singer Andreas Liberos returns with his first new music in three years called “Bonfire”. Like preceding single “Lighthouse”, it’s a song that reaches out to listeners with a positive and supportive message. With his soulful tones and a rhythmic, good-natured vibe, Andreas calls on those who are having a bad day or facing personal difficulties to let him be their non-judgmental sounding board, role modelling (in the video above) what others should do as well. “Bonfire” takes a few listens before it grabs you, but being genuine and caring in these often strange times goes a long way in a song.

ODESZA, THE KNOCKS, “Love Letter” (obli remix)

“Love Letter” is one of the best and most recognizable songs from Odesza’s stellar album The Last Goodbye, totally commanding your attention in concert. So I’m pleased that a gripping remix of the song appears in Odesza’s recent remix EP of songs from the album by one of Odesza’s rising protégés, obli. Co-written and produced with the multi-talented and always enjoyable duo The Knocks, “Love Letter” is given a fresh interpretation by obli. Replacing its moody breaks is a more continuous flow with some added bounce, which will give club DJ’s plenty to work with. 

ELDERBROOK, AMTRAC, “I’ll Be Around”

British singer, songwriter and producer Elderbrook (otherwise known as Alexander Kotz) first tapped into the public consciousness with the Grammy-nominated, droll and infectious “Cola” with producer Camelphat a few years back. After a next-level series of opening sets for Odesza on their tour last year, which I saw, he’s now selling out mid-sized venues of his own, thanks to a series of fine recent songs such as “When I Talk” (with Kx5 aka Deadmau5 and Kaskade) and “Inner Light” with Bob Moses. “I’ll Be Around” was crafted with L.A. based producer Amtrac and is a real grower, with a laid back vibe featuring a punchy rhythm and some positive words that highlight determination. Solid songs like “I’ll Be Around” show why the rise and rise of Elderbrook continues.

Elderbrook plays HISTORY in Toronto on both March 16 (tickets available) and 17 (only resale tickets available).

SEAN SMITH, “Young Love”

Although we haven’t heard too much from British singer Sean Smith (formerly of X-Factor stars Same Difference) since the release of his albums, 2021’s Swing For The 90’s and 2020’s Solo, he returns with another glimmering, crisp pop/dance anthem called “Young Love”. Co-written with producer Justin Busch  and also produced by Lenny B, “Young Love” follows the springboard of last year’s “In Love With The Night” (also helmed and written by Justin) with a song full of spirit and drive. The production could really do without so many effects on Sean’s fine voice at times; without them his vocal is golden. Coming at the end of March are remixes, including one by Matt Pop which gives “Young Love” an even bigger, 80’s inspired boost.

BILL’S NEW MUSIC PICK OF THE WEEK

My New Music Pick of the Week  is a 5-7 minute radio segment that airs more than 20 times/week on online radio stations around the world.

Electronic producers Dabin and Kai Wachi with vocalist Lø Spirit with “Hollow”

“BIG DADDY” RUSS HORTON’S PICK OF THE WEEK

“Big Daddy” Russ Horton is the owner of online stations Radio GTA, Halton Hills Radio Online, & FM108.ca.

British electronic pop artist Silverland with “There Tonight”

HUNTER J. WILBUR’S BOP OF THE WEEK

Hunter J. Wilbur is the host of the online radio shows “Modern Hype” and “Addictive Energy” which can be heard on several online stations including Classic Hits Canada.

One of Hunter’s favourite artists, Owl City, has another new one, “Adam, Check Please”

“THE MUSICMAN” JAMES ROGERS’ CLASSIC FIVE

“The Musicman” James Rogers is the owner and host of The 3D Variety Show heard Tuesdays on Planet Radio Canada. The Classic Five is “pop music 101” of the post-Beatles era – classics you need to know! Each title is linked to a Spotify stream of the song.

Split Enz – I Got You
Howard Jones – No One Is To Blame
Commodores – Sail On
Bronski Beat – Smalltown Boy
Ashford & Simpson – Solid

BILLCS Top 30 #1 SONG

“Hero” by Martin Garrix & JVKE

BILLCS Top30 FASTEST RISER

“Lose You” by Afrojack and James Arthur (22-15)

#BILLCSTop30 #659 – February 13/23

All of a sudden, there is a spate of really good songs out there, which is making it difficult for me every two weeks to add new songs to my chart!  Just so that you all know, besides my Top 30, I have a personal playlist in my iTunes that contains more than double those songs – yes I still buy mp3’s too 🙂 Every week, I shortlist songs for the BILLCS New Music Report on Wednesdays mainly using a private Spotify playlist, and the songs that get added to my iTunes playlist are in the running for the BILLCS Top 30 – the best of the best. And I’m always listening for songs that grab me on first listen. It’s a strategy I’ve used for years with some modifications along the way. So hopefully that gives you some insight into how the blog comes to be and what a rabid music fan that I still am. 

I’m pleased to announce my latest online radio segment that has in fact been airing since November called My Retro Pick of the Week! It’s featured on “Big Daddy” Russ Horton’s massive Top 40 Timeline show at the top of the second hour, and currently airs on Saturdays on a variety of online radio stations including UK National Radio (Noon EST), Halton Hills Radio Online (4 PM EST), FM 108 (6 PM EST), and Radio GTA (Midnight EST)! The segment tells the backstory behind some of my favourite songs of the past as well as some tidbits about the artists. Some of the songs I’ve featured so far have included “Wicked Game” by Chris Isaak, “River Deep-Mountain High” by Ike & Tina Turner, “Love Hangover” by Diana Ross, “The Letter” by The Box Tops, “(I Just) Died In Your Arms” by Cutting Crew, “Endless Sleep” by Jody Reynolds, and “Reach Out, I’ll Be There” by The 4 Tops!! I may put the segments online for you to hear in the future.

The best places to communicate with me continue to be Twitter @billcs or Instagram @thebillcs or Facebook @BILLCSMusicProjects. Follow this blog using the “Follow” button at the bottom of the home page.

Check out my ONLINE RADIO SHOWS below too as they are increasingly tied in with this blog.  

While JVKE’s former #1 and Billboard Top 10 hit “Golden Hour” slides to #4 in its 10th and final appearance (20 weeks) on the chart, this fresh new talent is back on top, this time with Martin Garrix with their collaboration “Hero”. In an interesting coincidence, Martin’s first two songs to reach my chart, “Animals” and “Proxy” were both #1 in 2014. They, along with other talents like Daniel Bedingfield, Sam Smith, Rufus Wainwright and Matthew Koma have all achieved this feat. “Hero” has plenty of competition so let’s see how long it can hold fort at the top!

Trying to close the gap again in the coming weeks is “Black Mascara”, the haunting song by Greyson Chance from his album Palladium, which rises 5-2, becoming his third song to reach the runner-up spot, after “Dancing Next To Me” and “My Dying Spirit”, which just departed the chart after 9 appearances (18 weeks).

I always root for a good underdog, and “Ghost Boy” by L.A.-based singer/songwriter Zac Poor is just that.  It moves up 7-5, and please check out the thoughtful video above, and don’t be surprised if you shed a few tears.

Also new to the Top 10 are former national Dance Radio #1 “Spiral” by NYC’s Lena Leon (11-8, above), and “Wish On An Eyelash Pt. 2” by Australia’s Mallrat in collaboration with The Chainsmokers (12-9, below). It’s The Chainsmokers’ 12th time in the Top 10!!

The Fastest Riser on the chart is “Lose You” (above) by the dynamic team of Afrojack and James Arthur, which soars 22-15. And good news for James Arthur fans. Despite him never before appearing on my chart, his collaboration with Brazil’s Alok is also the Highest Debut at #27 called “Work With My Love” (below). Both feature compelling vocals by James, and to me he has a huge future in dance music if he wishes!

I was pleased to check out Famba’s live set locally last week, and we finally got to meet up after me writing about him for the last six years! His latest and techno-inspired release is a gem called “No Sleep” featuring Glasgow KI$$, which climbs 23-17.

Arriving at #28 is “Hollow” by the terrific trio of Dabin, Kai Wachi and singer/screamer Lø Spirit. Everything about this release is next level, the producers have outdone themselves and Lø Spirit is one helluva vocalist. It’s Dabin’s second appearance on the chart. He previously appeared on best bud Illenium’s “Hearts On Fire” with Lights (#5, 2021).

At #29 is one of those songs that felled me on first listen and I would say is a ‘cousin’ of Robyn’s “Dancing On My Own”. It’s “I Go Dancing” by Toronto dance producer Frank Walker featuring British sensation Ella Henderson. It’s Frank’s second appearance on the chart – his first, with Loud Luxury and Stephen Puth called “Like Gold”, went to #1 two years ago. And Stephen (aka Puth the Younger) co-produced and co-wrote “I Go Dancing” too.

Rounding out the list at #30 is “Fever Dreamer” by British producer SG Lewis and featuring Toronto singer/songwriter Charlotte Day Wilson and L.A. rapper Channel Tres. It’s a compelling listen that is heavily influenced by classic disco, with a soulful vocal by Charlotte, and the results are tantalizing. It’s culled from SG’s latest album AudioLust and Higher Love.

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! You can also follow me on Spotify at the following link:  BILLCS Top 30 Songs.

ONLINE RADIO SHOWS

You can hear me and many of my blog choices on this growing list of online radio stations and features! 

Radio GTA

Listen to The Big 20 from 10pm to Midnight EST on Wednesdays as “The Musicman” James Rogers and I bring you the latest in new songs.  The show also repeats on Saturday mornings at 10 a.m. EST and Sunday mornings at 2:00 AM EST. You can hear past episodes of The Big 20 at this link.

On Saturdays and Sundays from Noon to 6pm EST I bring you “Your Weekend New Music Mix” six hours of commercial-free music from the 2000’s including many song choices from this blog.

Halton Hills Online

“Your Weekend Music Mix” has a second home on Saturday and Sunday evenings from 8pm to Midnight EST! It’s a different mix from Radio GTA’s show, and like that one it is also commercial free. “The Big 20” also airs on this station at 6pm EST Saturdays.

The 3D Variety Show by Planet Radio Canada

I’m featured Tuesdays between 7 and 7:30 pm EST with my New Music Pick of the Week which debuts every week on “The 3D Variety Show” with “The Musicman” James Rogers, and I also join occasionally for looks at music from our past through some live segments.  A repeat of “The 3D Variety Show” airs on Wednesdays at 7pm EST on Radio GTA.  My pick of the week airs 20 times during the week and you can view its schedule by clicking here.  You can hear past episodes of The 3D Variety Show at this link.

Addictive Energy 

This is a weekly show hosted by Hunter Wilbur that airs on several online stations but is anchored at Mix88.ca on Saturdays beginning at 8pm EST.   You can hear past episodes of Addictive Energy at this link.

For other details about the shows, such as dates and times of broadcasts, go to my home page and scroll down to the bottom right side! The schedules have been updated.

 

 

 

 

 

 

 

 

 

 

 

 

#BILLCSNewMusicReport – February 8/23 spotlighting songs by @djFrankWalker & @EllaHenderson @AJSmithmusic @OsvaldoSupino

The Grammy Awards – Good Show, Voting Process Needs a Redo

I didn’t see the entire show this past Sunday, but I did watch most of the Grammy Awards. It was an enjoyable show, and I am particularly fond of the performances by Steve Lacy – no wonder kids want to sound like him – and Mary J. Blige. And while the show does offer a bounty of entertainment, even if it’s not consistent, this is perhaps the only reason why the 15-30 age group might watch it.

The Grammys are an elite club. We get to see Taylor Swift, Adele, Beyoncé, and Jay-Z all get up and dance and party together all in one place, while occasionally picking up an award or two. Including super fans seemed like a good idea, until you start thinking about how they might have got there and who they knew, which made their segments less genuine. 

If the Grammys want to appeal to a younger, astute group of music fans, then the Academy’s process for choosing for most of the award winners must simply change – not that the award winners aren’t deserving. But Samara Joy trumping Wet Leg, Anitta, and Maneskin? Bonnie Raitt triumphing over the biggest hit songs of the year? Brandi Carlile winning two Rock Grammys?

And don’t get me started about the Electronic Music categories…

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In addition to the posts about individual songs, you can read about my pick of the week, along with picks from online radio buddies “Big Daddy” Russ Horton and Hunter Wilbur.  “The Musicman” James Rogers transports us back to 1969/1970 this week with his Classic Five pop hits feature. My BILLCS Top 30 5-10-15-20… feature is back, looking at the songs that were in my chart’s Top 5 five, ten, fifteen and twenty years ago this week!

The BILLCS New Music Report is a work-in-progress and I welcome your suggestions so feel free to contact me @billcs on Twitter @thebillcs on Instagram or @BILLCSMusicProjects on Facebook.

SPOTLIGHTING

FRANK WALKER, ELLA HENDERSON, “I Go Dancing”

Simply said, “I Go Dancing” could be one of the most surprising and biggest hits to come out of Canada this year, and it’s already in the Top 40 at both dance and Canadian pop radio. Frank Walker is a Toronto-based electronic dance producer who has been building his profile through club and festival gigs over the past several years, collaborating with producers such as Steve Aoki, R3HAB, and Loud Luxury (his track with them “Like Gold”, reached #1 on the BILLCS Top 30 two years ago) while also receiving a Juno nomination for his track “Only When It Rains” in 2020. This time he’s got an amazing Ella Henderson vocal that she can happily add on to her slew of recent dance hits like Nathan Dawe’s “21 Reasons” and “Heartstrings” with M-22. What makes “I Go Dancing” even better is its driven sentiment, about being alone unapologetically and having a good time at it too. Radio has it right this time – “I Go Dancing” is a winner.

A.J. SMITH, “Old Movies” 

Nashville-based multi-talent A.J. Smith has been on a roll with releases as varied as the anthemic “We’re All Gonna Die” and his unique spin on a Christmas song called “Naughty”. And the variety continues with “Old Movies”, which throws an olive branch to people of my generation or older about the classic movie star ideal and all of the romanticism attached to it. The pace is deliberate, with an often sparse arrangement refreshed with some strings (or perhaps synthesized ones) that supports A.J.’s engaging vocal. This is the kind of smart, old school song that is currently appealing to the younger generations and is a perfect companion to recent hits like JVKE’s “Golden Hour” or Stephen Sanchez’s “Until I Found You”. “Old Movies” might just be my favourite release by A.J. thus far.

OSVALDO SUPINO, “Stuck on This Feeling”

Italy’s award-winning singer/songwriter Osvaldo Supino has released some fine songs over the years and offers a bit of a change up with “Stuck on This Feeling”. Osvaldo sings mainly in his higher register for this song and it works splendidly. Immersed in his charismatic personality, “Stuck” could comfortably sit alongside recent new music by Darren Hayes on a playlist. “Stuck on This Feeling” is well-written, reminiscent of classic 80’s pop, with careful, sometimes taut production by the singer. I’m definitely here for this era of Osvaldo!

FEATURING

MIKE ST. JULES, APOLLO NASH, “Digital Horizon”

Fans of classic trance will totally dig “Digital Horizon”, brought to you by Haitian-American NYC-based producer Mike St. Jules and New Jersey producer Apollo Nash through Enhanced Records. This brisk instrumental is tightly knit by the production team, and benefits from having a defined hook. There’s no doubt in my mind that it could be easily included by sync producers in a video game, movie, TV show or even a short film. Mike has recorded for Black Hole Recordings in the past, and has remixed artists like Ferry Corsten and Armin van Buuren, so naturally the quality in this recording is top level. 

UNIVERSAL HONEY, “Time Blindness”

Toronto pop group Universal Honey was a regular on Canadian pop, alternative and college radio in the 90’s with songs like “Just Before Mary Goes” and “Upfront With You”, and also received praise for their cover of Joni Mitchell’s “Carey”.  The duo of Leslie Stanwyck and Johnny Sinclair (once members of The Pursuit of Happiness) returned to recording and a few years ago, and a new album is about to be released on Friday, February 10 called Dandelion. “Time Blindness” features sparkling production and an infectious hollow drum sound that is consistent in the song, backing a crisp vocal by Leslie. The fresh theme of “Time Blindness” is about the years all blurring together, looking at where you are today and realizing often how young you were in years past. The song is upbeat ear candy and a reminder to live for today.

RAGS AND RICHES, “Holiday”

If you like your alt.pop a little rough around the edges but with a catchy rhythm and singalong lyrics, then meet Kentucky duo Rags and Riches and their latest release “Holiday”. Rags and Riches comprises brothers Tanner and Peyton Whitt, and the song follows up their well-received album from last year called Always Gold. “Holiday” is a short but sweet taste of what the brothers have to offer, and if you like Glass Animals or The Driver Era, then “Holiday” would fit well in your playlists. While I think their songwriting may need a bit more polish yet, Rags and Riches clearly have the goods to make quality music for a wider audience.

ALICE PISANO, “Where My Heart Is” (acoustic)

I’ve written several times about Italy-born, London-based pop singer/songwriter Alice Pisano, another rising indie talent who understands about not sticking to a comfort zone, which allows her songs to be intentional in a variety of arrangements. Her last two singles, “Ink” and “Boys Like You” have been more on the bubbly and fun side, even if sometimes the music masks lyrics of heartbreak. “Where My Heart Is”, in its acoustic piano version from her new EP Shattered But Still Cool, lays her vulnerability on display and shows off how good her voice is. In fact, this version of the song is much preferred to the produced version also on the EP because it simply suits the song better.  Thoroughly enjoyable, you’ll be completely immersed in “Where My Heart Is” (acoustic) for its 3+ minutes.

D’AMICO & VALAX, MELODY MANE, “Shine”

Italian dance producers D’Amico & Valax keep the energy going in their releases with “Shine” which features vocals by Melody Mane, a singer/songwriter who has also covered songs like September’s “Cry for You” and 4 Strings’ “Take Me Away (Into The Night)”. “Shine” is a fast-paced, timeless tech house track full of confidence and bounce, and tailor-made for the dance floor. The song has a big moment when Melody’s voice really soars, and club DJ’s should have no trouble including it in a tightly-wound set that will help keep club-goers grooving.

BILL’S NEW MUSIC PICK OF THE WEEK

My New Music Pick of the Week  is a 5-7 minute radio segment that airs more than 20 times/week on online radio stations around the world.

Waiting For Smith’s thought-provoking “Heal”

“BIG DADDY” RUSS HORTON’S PICK OF THE WEEK

“Big Daddy” Russ Horton is the owner of online stations Radio GTA, Halton Hills Radio Online, & FM108.ca.

“Separate Ways (Worlds Apart)”, the Journey hit covered by Daughtry and Lzzy Hale

HUNTER J. WILBUR’S BOP OF THE WEEK

Hunter J. Wilbur is the host of the online radio shows “Modern Hype” and “Addictive Energy” which can be heard on several online stations including Classic Hits Canada.

Former “American Idol” contestant Madison Watkins with “Electric”

“THE MUSICMAN” JAMES ROGERS’ CLASSIC FIVE

“The Musicman” James Rogers is the owner and host of The 3D Variety Show heard Tuesdays on Planet Radio Canada. The Classic Five is “pop music 101” of the post-Beatles era – classics you need to know! Each title is linked to a Spotify stream of the song.

Spiral Starecase – More Today Than Yesterday
Fifth Dimension – Wedding Bell Blues
Jackson 5 – I Want You Back
Bread – Make It With You
Shocking Blue – Venus

THE BILLCS TOP 30 – 5-10-15-20…

The Top 5 songs from the BILLCS Top 30 5, 10, 15, and 20 years ago…

2018

  1. Pineapple Skies – Miguel
  2. My My My! – Troye Sivan
  3. Body – Loud Luxury featuring brando
  4. Evergreen – YEBBA
  5. Small Talk – GIIANTS

2013

  1. 1998 – Matthew Koma
  2. The City – River Tiber
  3. Time Bomb (Walk Away) – Chris Wallace
  4. Parachute – Matthew Koma
  5. Clarity – Zedd featuring Foxes

2008

  1. How To Build A Time Machine – Darren Hayes
  2. Chasing Pavements – Adele
  3. Bleeding Love – Leona Lewis
  4. Calabria – Enur featuring Natasja
  5. Best Days – Matt White

2003

  1. The Sound of Violence – Cassius featuring Steve Edwards
  2. Serve The Ego (Gabriel & Dresden remix) – Jewel
  3. James Dean (I Wanna Know) – Daniel Bedingfield
  4. Cry Me A River – Justin Timberlake
  5. Two Months Off – Underworld

 

 

 

#BILLCSNewMusicReport – February 1/23 spotlighting new songs by @_Patrick_Wolf Boy Aries @JordanRadics @Cobimusic @SurfMesa & @theSelahSol

I’m hoping that you are enjoying the updated format of the BILLCS New Music Report, which I began at the end of October, to reduce the pressure of writing every day or every other day, and to compact my reviews into a tidy, weekly showcase mainly for songs that are released independently. In 13 weeks, that has allowed me to write about over 100 songs which I put forward for your enjoyment. It’s impossible to keep up with the pace of releases, so I’m always happy when I even find a great song or two to write about that is still within 6-8 months of its release date. It’s all about discovery.

With the latest revival of older releases which I wrote about two weeks ago, the often offered insight by writers and other people in the biz that songs which were released more than two or three weeks ago are no longer up for consideration/their attention is hereby tossed into the waste bin. It’s no surprise that some independent performers are looking into their back catalogue of releases to ignite interest in songs that did not get their fair due at the time. To paraphrase the adage, “miss it once, shame on you, miss it twice, shame on me”.

In addition to the posts about individual songs, you can read about my pick of the week, along with picks from online radio buddies “Big Daddy” Russ Horton and Hunter Wilbur.  “The Musicman” James Rogers has a thing about songs from 1991 – the year of the big rock ballad – this week with his Classic Five pop hits feature. Because I’m always crazy about charts and lists, you’ll see what’s #1 and the Fastest Riser on the BILLCS Top 30, and I also include a list of the songs that were #1 on my chart this week over the past 25 years – so hard to believe that Martin Garrix’s “Animals” is 9 years old!!

The BILLCS New Music Report is a work-in-progress and I welcome your suggestions so feel free to contact me @billcs on Twitter @thebillcs on Instagram or @BILLCSMusicProjects on Facebook.

SPOTLIGHTING

PATRICK WOLF, “Enter The Day”

It was so nice to learn (thanks to Stephen Sears) of new music by London’s Patrick Wolf, his first in 11 years! The creative, unorthodox alternative pop singer/songwriter is known primarily for his albums The Magic Position (2007) and Lupercalia (2011), and their delightful songs “The Magic Position” and “The City”, both of which appeared on the BILLCS Top 30, reaching #4 and #10 respectively. “Enter The Day” is an entirely different affair though, a lyrical and thought-provoking song that extends hope to someone who is going through rough times in their life and hoping they “land in the golden mean” “where they oughta be”. Patrick gives a magnetic performance and, accordingly, the song immediately pulls you in. He’s got more music up his sleeve too. To coincide with the 20th anniversary of his debut release Lycanthropy, an EP called The Night Safari is due later this year.

BOY ARIES, “Drive”

Toronto duo Boy Aries follow up their single “Comets + The Death of Time”, which I wrote about recently, with an even more compelling song called “Drive”. The song’s about calling out someone when they’re wrong, and when apology is clearly due.  Jordan Radics’ commanding, inspired vocal turns the four words “turn your car around” into a signature unto itself – and the signal to do the right thing and mend fences. The production by Chris Perry with music by Turbo Bobbi is haunting and relatable. It will transport you back in time to a similar situation where you may or may not have received an apology. Certainly, “Drive” is slow and moody, but it’s an easy, fascinating listen thanks to a standout vocal.

COBI, “All On You”

I am all for Cobi’s current era of bluesy pop and rock songs that work so well with his voice. He scales it back to acoustic guitar for “All On You” to make both his voice and the lyrics in the song positively gleam. The harmonies break up the mix from being too static. “All On You” is simply a great song and with its fine performance it doesn’t need any additional trappings to change it or make it work any better.

SURF MESA, SELAH SOL, “City Of Love”

After breaking through the proverbial glass ceiling unexpectedly with the Dance Club Play chart #1 and Hot 100 Top 30 hit “ily (i love you baby)” in 2019, Seattle’s Surf Mesa (aka 22 year old Powell Aguirre) is back with the wistful bop “City Of Love”, which follows up last year’s wild “Marching Band” with Nitti Gritti. Led by a fresh vocal from newcomer Selah Sol, who sounds like a cross between Brandyn Burnette and Brando (singer on Loud Luxury’s “Body”), “City Of Love” is about trying to escape loneliness in the big city after a relationship has ended, but the thoughts of that person won’t go away. The song has a fine house bounce to it, which will go down well at festivals. I’ve seen Surf Mesa perform a super fun set in concert. He’s got great ears for mixing and for keeping the flow going in concert, so be sure to check out his show and listen for “City Of Love” in the mix.

FEATURING

R3HAB, AFROJACK, “Shockwave”

“Shockwave” is one of those short (2:03) blasts of solid fun that’s destined to be a club and crowd pleaser. It slams hard from the first note and is produced in a classic electronic banger structure – that could go on a lot longer with more drops – from veterans R3HAB and Afrojack. As much as I enjoy “Shockwave”, I’d love it if they’d team up next time for something even more powerful (which each has done many times before solo) that will really get under your skin.

JAMES PATTERSON, “To A Disco”

James Patterson (aka Mr JPatt) is one half of The Knocks, hardly strangers to these blog pages or my chart over the last 10 years, and “To A Disco” is his first solo release. Anyone who has ever attended a show by The Knocks is sure to love this funky ode to disco and its related good times in the 70’s – even though the artist himself was not around for it – because that’s the spirit they embrace without any pretentions. The Knocks often use other vocalists but at other times when Mr JPatt takes the lead the results have been smashing (example, “The Key” from their album 55). Any dance music lovers who know that disco is not a dirty word will thoroughly embrace “To A Disco”.

PETER WILSON, “Simone” (Matt Pop remix) and “Gone for Good”

It’s always a pleasure when two Peter Wilson delights come to my attention, but I must say I’m remiss for not knowing about the release of the Aussie singer/songwriter’s album The Great Unknown last summer, which includes both songs. But “Simone” (above) gets a percolating Matt Pop remix, which is always a good thing, adding zest to a lovely song about losing someone, which Peter conveys so well. “Gone For Good” (below) has the benefit of being co-produced by Stock-Aitken-Waterman mixmaster extraordinaire Pete Hammond. Indeed, fans of S-A-W will be mighty pleased with its slick arrangement which incorporates familiar Italodisco elements that always suit Peter’s voice, and are particularly engaging on this track.

LORI CULLEN, BETA ONE, “Here’s Where The Story Ends”

90’s alternative music fans will know right away that “Here’s Where The Story Ends” is indeed a cover of The Sundays’ memorable 1990 release. The singer is Toronto’s Lori Cullen, who has previously been a Juno Award nominee in the jazz category. She’s supported by Canadian electronic producer Beta One (aka James de Pinho) who gives the song a modernistic backdrop. Lori’s cool tones are definitely the star, and she evokes the same appeal of Harriet Wheeler of The Sundays, which will appeal to fans of the original. The pace is a bit slower and deliberate but that does not get in the way of enjoying “Here’s Where The Story Ends” for the fine electronic pop interpretation that it is.

AXEL MANSOOR, “Frame Of Mind”

After a lot of soul searching and travelling which has taken him away from creating music over the past few years, L.A.’s Axel Mansoor is back with a snappy ditty called “Frame of Mind”. It’s a really short (2:02) ode to being positive, and enjoying how you feel while it’s happening. After his more recent, complex and deeply personal and cathartic releases, “Frame of Mind” is hopefully a taste of even more good songs to come soon. Axel has been nominated for a daytime Emmy Award, was the face of Clubhouse for 7 weeks, was a contestant on TV’s “Songland”, and has even got to #1 on the BILLCS Top 30, twice! I’m sure there’s a lot brewing behind-the-scenes that I’m confident is waiting for us to hear!

BILL’S NEW MUSIC PICK OF THE WEEK

My New Music Pick of the Week  is a 5-7 minute radio segment that airs more than 20 times/week on online radio stations around the world.

Everything But The Girl’s “Nothing Left To Lose” and its cool one-take video

“BIG DADDY” RUSS HORTON’S PICK OF THE WEEK

“Big Daddy” Russ Horton is the owner of online stations Radio GTA, Halton Hills Radio Online, & FM108.ca.

“Pepper” by Death Cab For Cutie

HUNTER J. WILBUR’S BOP OF THE WEEK

Hunter J. Wilbur is the host of the online radio shows “Modern Hype” and “Addictive Energy” which can be heard on several online stations including Classic Hits Canada.

“Kelly Time” by Owl City, who brought us “Fireflies” back in 2009

“THE MUSICMAN” JAMES ROGERS’ CLASSIC FIVE

“The Musicman” James Rogers is the owner and host of The 3D Variety Show heard Tuesdays on Planet Radio Canada. The Classic Five is “pop music 101” of the post-Beatles era – classics you need to know! Each title is linked to a Spotify stream of the song.

Bryan Adams – ( Everything I Do) I Do It For You
Extreme – More Than Words
Roxette – Joyride
Wilson Phillips – Hold On
Mr. Big – To Be With You

BILLCS Top 30 #1 SONG

“Satisfaction” by Darin

BILLCS Top30 FASTEST RISER

“Wish On An Eyelash, Pt. 2” by Australian singer Mallrat and The Chainsmokers (19-12)

25 YEARS OF BILLCS TOP 30 #1’s

Songs that rocked my personal chart at this time during the last 25 years.

1998 ANGEL Joée
1999 LOST ONES Lauryn Hill
2000 FADED soulDecision
2001 HANGING BY A MOMENT Lifehouse
2002 COME ON DOWN Crystal Waters
2003 THE SOUND OF VIOLENCE Cassius featuring Steve Edwards
2004 MY TIME Dutch featuring Crystal Waters
2005 THE LETTER SONG Tyler Hilton
2006 THUNDER IN MY HEART AGAIN Meck featuring Leo Sayer
2007 DOCTOR BLIND Emily Haines & The Soft Skeleton
2008 HOW TO BUILD A TIME MACHINE Darren Hayes
2009 YOU CAN NEVER GO BACK Jon Mclaughlin
2010 DELUSIONAL Simon Curtis
2011 GOLDEN TRAIN Penguin Prison
2012 MEMORIZE ME Rune RK & DATABOY
2013 1998 Matthew Koma
2014 ANIMALS Martin Garrix
2015 GOIN’ DOWN Deniz Koyu vs Twoloud
2016 NOTHING AT ALL Brandyn Burnette
2017 D E E P IN NY Bobby Nourmand featuring DOC & Goodmorning
2018 PINEAPPLE SKIES Miguel
2019 DJ’S GOTTA DANCE MORE A-Trak featuring Todd Terry
2020 FLAMES R3HAB, Zayn & Jungleboi
2021 GIVE IT BACK The Disco Fries & GIIANTS featuring Allison Park
2022 UNBREAKABLE TELYKast featuring Sam Gray