It’s 10/10 #9: @BrightLightx2 @MonsieurAdi @SIRPAUL @Biicla @nodisco_mp3 @TafariAnthony @Alice_Triskel #AEORO @Sistek_official @DJSHADESmusic @Tonnermusic

Are you ready for another 10/10 feature, so soon after the last one a week and a half ago?

In 10/10 (or tenoutoften) ,  I write about 10 hot and fresh songs in no particular order, for your kind consideration and attention.

I continue to write individual blog posts about certain songs.  That does not mean that songs in the 10/10 lists are any less than those featured individually.  In fact my recent #1 “Shivohum” by Tritonal & Henry Dark, was included in a previous 10/10, and others are currently on my personal chart too.

Writing 10/10 features means I can cover more songs in one shot.  So you get to learn about more new music that I hear but don’t always get a chance to write about. 

  • BRIGHT LIGHT BRIGHT LIGHT, “This Was My House” (original and Monsieur Adi remix)

Many of us have been waiting for our fix of new music from Wales-born, NYC-based Bright Light Bright Light (Rod Thomas).  He’s been a fixture in my blog and on my chart for the last 10 years, and consistently brings us beautifully sung songs with every release. 

“This Was My House” (above) is from his forthcoming album Fun City, and in the song BLx2 wears some key influences proudly.  Musically, this one is all about early fun and vibrant 90’s dance pop – songs by Madonna, Mariah, CeCe Peniston, Robin S., to name a few.  Lyrically, it’s another astute observation about the demise of a relationship where “it’s cold outside but I can brave the weather” before returning to his house, “a place that I was not supposed to fear” – and I can totally relate to it. 

Heartbreak always sounds great on the dance floor and BLx2 – along with Madonna’s noted, fabulous backup vocalists Niki Haris (herself also featured prominently on pop and dance hits by Natural Selection (“Do Anything”), Snap! (“Exterminate!”), and The Perry Twins’ “Bad Bad Boy”) and Donna DeLory (Madonna even sang back up and co-produced her 1993 dance hit “Just A Dream”!) – moves on to the after party in full force.  Also, a big welcome back to producer Monsieur Adi, who lends his sophisticated sheen to the ultra-club-friendly remix (below).

  • SIRPAUL, “Out Of Our Minds”

NYC-based singer/songwriter/producer SIRPAUL has been away from the dance music scene for much too long, with his last album release in 2016.  So it’s wonderful to hear a return that is as chipper and feel good as “Out Of Our Minds”.  His distinct vocal simply speaks for itself, and the 80’s-flavoured melody and beats are refreshing.  Long-time fans may miss the sexy and sensual side of SIRPAUL that has been showcased so well on previous releases, but “Out Of Our Minds” is a charming, welcome, and noteworthy reboot.

  • BIICLA and MODENESS, “Deeper”

Dark and moody, “Deeper” by Russian electronic producer Biicla and vocalist MODENESS uses some interesting methods to draw you in.  The hook is in the synth melody, and usually these kind of repetitive hooks can grate on me. But because Biicla showcases it and then pulls it back and reworks it as kind of a musical underpadding that soaks it up and lets the song evolve.  MODENESS has a kind of gritty, guy-next-door quality with his singing, which helps make “Deeper” a song to remember.

  • nodisco., “Moonlight In My Bedroom”

Hailing from my city of Toronto is another promising DIY talent who calls himself nodisco. with one of a few of his recent single releases, “Moonlight In My Bedroom”.  The song is set when the singer reads a breakup note in the setting of the title.  It’s a wistful, retrospective song and nodisco. has a soulful, Charlie Puth-like voice which is instantly appealing.  He also knows his way around a pop song and with its clever hook, “Moonlight In My Bedroom” more than sustains its three and a half minutes.  

  • TAFARI ANTHONY, “Centerfold”

Another Torontonian, R&B singer Tafari Anthony (his first name is pronounced “ta-far-eye”), joins that city’s flourishing cadre of soulful talents – think The Weeknd, Daniel Caesar, Jessie Reyez, Alessia Cara – with his rich and expressive voice.  “Centerfold” is a no holds barred call-out to the gal who shows her true colours while feeling that she should always be the centre of attention.  Tafari’s voice compares to a Seal-meets-Terence Trent D’Arby likeness, with many influences obviously from other, longtime classic performers.  With Michael Bublé praising him and performances with singers like MAX in his repertoire, Tafari Anthony has the makings of a breakout happening, and “Centerfold” is a worthy song to help make that happen.

  • ALICE TRISKEL, “Conquer”

Alice Triskel is a new singer from Barcelona who is out to slay the electronic dance music genre with her powerful and compelling songs.  She’s released several singles during the last year or so, and her voice has the command of a Florence Welch and the lustre of a Kristine W.  Sometimes the songs go a bit over the top with aggressive production, but “Conquer”, released late last year, offers probably the best balance.  Its interesting story helps show off Alice’s range, and the production breaks away from the vocal showcase with some lovely melodic breaks and flourishes.  With her obvious talents, Alice Triskel should be able to navigate her way through the busy electronic music scene with songs that easily make you stop in your tracks.

  • AEORO, “Slippery”

“Slippery” is a fanciful slice of romantic pop from Florida-based singer/songwriter/ producer AEORO.  I’ve already written about her exploring gentle pop (“Crushing On You”) and being a bit of a rocker chick (“Babe’s A Rockstar”).  And while she explores to find her best brand among all of the different DIY styles, what will always draw you back to her music is that voice.  Dress it up however you like, but her pitch-perfect tones and resonance always shine through the song itself.  Add AEORO’s fun, free-spirited personality to the talents and the potential here is endless.  “Slippery” is a warm, welcome hug waiting just for you.

  • SISTEK and TUDOR, “No Fair Game”

Love may as well be a battlefield when the rules keep changing.  Such is the basis of “No Fair Game” by Chilean producer Sistek with newcomer vocalist Tudor.  “No Fair Game” is a solid electronic alt.pop release that tells it like it is – buddy, you’re f**cked if you crawl back to that person – when you’ve been burned one too many times.  Tudor’s knowing vocal sings that truth while Sistek lays an uncomplicated melody underneath that will have you swaying.

  • SHADES and JUSTIN KIM, “IDK”

Sometimes in relationships there are circumstances where you just shake your head and don’t know what to say, and usually feel badly for it.  In this case that means ‘I don’t know’, stylized as “IDK” by NYC producers SHADES and new vocalist Justin Kim, from the duo’s new album Carousel.  It’s a change of pace for SHADES, who are returning with original music after a number of notable remixes a few years back for songs by The Chainsmokers, XYLØ, Grace Vanderwaal and others, and they spice up the song with some interesting synths and effects.  “IDK” is brooding electronic alt.pop that puts a lot of focus on Justin’s vocal as you wonder if the subject really does know what to say or not, which leads to a bit of an unexpected but satisfying conclusion.  

  • TONNER, “Criminal”

Tonner is a new singer/songwriter currently based in Orlando, Florida.  “Criminal” is a well-written slice of softer alt.rock, all about when you find out that your special someone is not who she says she is.  In this case, Tonner calls her out in the first minute of the song, and the rest of it reconciles what’s going on as the singer will have to move on without her.  Tonner mixes it up, gradually inflicting more emotion into his otherwise warm vocal, and there’s a slick, jazzy guitar playing the notes of sweet heartbreak along the way.

 

 

 

#BILLCSTop30 #584, March 30/20

First of all, I hope that everyone is staying well and safe.  It’s so important to self-enforce social distancing, as difficult as it may be.  Fortunately for me, I have a day job that continues to be busy working from home, and a music hobby that also keeps me busy outside of work hours.  And that’s why there’s only been one – albeit larger than usual – blog post these past few weeks.  I’ve been jumping on every opportunity to watch performers online I’ve never seen in concert and enjoy very much.  This weekend was chock full with Beatport’s electronic online dance festival, Melissa Manchester, Charlie Puth, and Brandyn Burnette!  Music is a tremendous distraction that can cheer you up in minutes, so lean on it if you have to!!

There’s so much wonderful music on the chart that I wish I could write about all of it, but I have to be selective.  There’s a new #1 and four debuts.  So what succeeded “Adore You” by Harry Styles at the top?

Moving up from #11 two weeks ago,  the Fastest Riser on the chart belongs to Chicago’s Whethan, who acquires his first #1 here with the dance/alt.rock of “All In My Head” and its distinct, ear-grabbing vocal by Toronto’s own grandson.  I’m hoping other young producers will look to this song as an outside-of-the-box effort that really gets underneath your skin.  It’s from Whethan’s upcoming album called Fantasy.

Italy’s Deep Chills wrote “Backfire” on an airplane trip to L.A. where he was to meet up with vocalist and songwriter Not Famous.  By the time he got there, all of the music was written and they came up with such an inviting story.  “Backfire” moves up 4-2.  You can see both artists in the video above.

UK producer Gareth Emery with fellow producer Nash soars 12-5 with the pensive “Yesterday” (above) featuring vocals by L.A.’s Linney.  Last week, Gareth announced his upcoming album The Lasers, which I assume will be accompanied by a tour.  He also makes another entry into the chart, with “You’ll Be OK” (featuring Annabel, video below) arriving at #29.  The man is on a roll with great, thoughtful songs with engaging melodies!

The third new song in the Top 10 moves 13-10 and it’s “Fall-Out” by Emirati producers Revelries with fellow producers Boyboyboy and vocalist Will Church.  It’s Revelries second Top 10 on this chart, following last year’s #2 “Don’t Think Twice” (featuring Oktavian).

Quick! Check out and engage yourself in Porter Robinson’s amazing new site to support his upcoming album http://nurtu.re!  “Get Your Wish” climbs 17-11.

One of the performers in this past weekend’s Beatport online festival was A-Trak.  My fellow Canadian performed an amazing, interactive set – complete with his masterful scratching – from his NYC apartment.  His release “Blaze”, with UK’s Friend Within, rises 14-12.

The Highest Debut of the week belongs to new L.A. producer The Prizm with “I Don’t Wanna Go Home” at #13, featuring co-producer/songwriter and vocalist ARTFCAL.  This is a joyous pop/dance song with some underlying vulnerability that totally works.  Plus it’s carried by a heavy beat throughout which is guaranteed to make you move.  Self-isolating be damned, just dance!!

Toronto electronic-rock duo Homestead continues to inch its way up the chart with the potent “Lifeline” rising 15-14.

UK singer/songwriter Sam Dickinson dropped his faithful and soulful cover of Everything But The Girl’s classic “Missing” (below) recently, to accompany his recent single “Diamond Skin” (above), which climbs 21-18.  “Diamond Skin” is from his forthcoming album Off Script, due in the Fall but available for pre-order on all platforms.

Watch for L.A.’s Mahalo online for some shows too!  He’s back on the chart with his 8th entry “Tongue Tied” at #25 in its Danny Quest remix.  Mahalo created this song with fellow producers Disco Killerz and vocalist/songwriter Brandyn Burnette (aka EMAN8).  This is Brandyn’s 15th appearance on the chart as a lead artist, whether it’s under his name or EMAN8.  Then there are his other entries as featured artist or as one half of Cosmos & Creature too!

The fourth debut on the chart is “Lost Boy” by German producer Levi featuring NYC-based singer/songwriter Victor Perry.  Victor’s recent entry with ZEROBADDAYS called “Starlight” slides to #21, but look for the earnest, winning “Lost Boy” to take off in the coming weeks.  It’s Levi and Victor’s second charting collaboration, following 2017’s #3 “Sail”.

The BILLCS Viral Weekly is back 🙂 and will indeed be a weekly feature despite not appearing last week.  Some of the songs will change every week, particularly those by bigger name artists, and it will always include a mix of newer and independent artists with those who are more popular.  Check it out below!

A reminder that the music from my chart and blog are featured regularly on the new online radio station Radio GTAYou can hear their Big 20 on Wednesday evenings with ‘The Musicman’ James Rogers and listen for songs from the chart too 🙂 Scroll down the station’s main page to listen to lots of variety from across the decades!  I’m the new music consultant for the station so you can expect even more in 2020 🙂  You can start by joining our new interactive Facebook group too!!

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

 

 

It’s 10/10 #08: @GarethEmery @WinandWoo @KyanPalmer @ChetPorter @AWonderland @JessieReyez @Dzekomusic @Kiesza @MattFaxmusic @TheHim @SuperDuper808 @MadisonMalonem @JerinJamesmusic @iamDeverano

For the first time since January, I bring you my 10/10 feature!!

In 10/10 (or tenoutoften) ,  I write about 10 hot and fresh songs in no particular order, for your kind consideration and attention.

I continue to write individual blog posts about certain songs.  That does not mean that songs in the 10/10 lists are any less than those featured individually.  In fact my recent #1 “Shivohum” by Tritonal & Henry Dark, was included in a previous 10/10!

Writing 10/10 features means I can cover more songs in one shot.  So you get to learn about more new music that I hear but don’t always get a chance to write about. 

tenoutoften

  • GARETH EMERY and ANNABEL, “You’ll Be OK”

British electronic dance producer Gareth Emery says “You’ll Be OK” is the best song he’s released to date.  And he has many reasons to say that, for it’s a gorgeous song with trance-drenched synths and some big, frenetic beats.  It’s also actually a personal story about being on a plane he thought would crash, and based on a letter he was writing to his wife at the time.  Its video above has an emotional ‘life flashing before your eyes’ story as a result.  “You’ll Be OK” has many soft and peaceful moments, which hit home a little more knowing this information.  Vocalist Annabel personifies it all with her rich and gentle voice, and it’s extremely appropriate as a backdrop to what’s going on in the world right now.  “You’ll Be OK” is an amazing follow up to Gareth’s current hit “Yesterday” and is culled from his forthcoming album called The Lasers.

  • WIN & WOO and KYAN PALMER, “Sleepwalking”

American dance producers Win & Woo continue with a series of songs released through Armada that portray how much better they keep getting at their craft.  “Sleepwalking” features Arizona-born, L.A. based singer Kyan Palmer, who has been gracing other electronic dance records over the past few years with his R&B-influenced style.  “Sleepwalking” is a big, bouncy, fun record that can easily ignite a set at a key point in the evening at a dance club.  It also has big potential for dance music radio airplay.

  • CHET PORTER and ALISON WONDERLAND, “Bummed”

We’re all “Bummed” that his upcoming club tour was cancelled, but we’ll just get more time to enjoy the unconventional sound of “Bummed”, Torontonian Chet Porter’s collaboration with Australian electronic producer Alison Wonderland.  “Bummed” has an early 80’s DIY new wave vibe about it that’s utterly charming, complete with old school drum machine sound.  Chet and Alison collaborated on a song that suits their voices and has plenty interesting that’s going on within.  Go deeper and you’ll find all of those delightful melodic flourishes that you get inside every Chet Porter song.  “Bummed” is a both a refreshing surprise and a winner.  Definitely play it alongside Porter Robinson’s new music for starters.

  • THE HIM, “Freestyle Scientist”

It looks like Dutch producers The Him have been immersed in late 90’s techno-house, if “Freestyle Scientist” is any indication.  It’s an extremely playful departure from the duo’s pop-leaning deep house tracks which have graced these blog pages (and my personal chart) many times in the last four years.  Brace yourself this one.  Add some early Chainsmokers-flavoured synth vibes into the mix and it looks like “Freestyle Scientist” could be the start of a new musical era for The Him. Check out the trippy video above.

  • JESSIE REYEZ, “Love In The Dark” (Dzeko remix)

Award-winning Canadian singer/songwriter Jessie Reyez has a Canadian radio hit with her latest single “Love In The Dark”.  And with her recognition earlier this year as a Grammy nominee, you can bet that the song will garner attention stateside as well.  It’s amped up for clubs by fellow Canadian and esteemed electronic dance producer Dzeko.  He puts just the right kind of propulsion behind the deep house rhythms, and you’ll wonder why it wasn’t a dance track in the first place.  Club DJ’s will want to showcase this remix of “Love In The Dark” in a mid-evening set for immediate reaction.

  • SUPER DUPER, “All On You”

Hailing from Nashville’s vibrant music scene, which includes a lot of electronic dance music, is Super Duper (aka Josh Hawkins) who definitely pushes some interesting boundaries in “All On You”.  The song honestly starts out like nothing special, with a distorted vocal and a rather uneventful lead in.  But Super Duper totally shifts the rhythm and feel of the song just after the first minute, and “All On You” grabs you with a sudden WTF magnetic force.  The beats kick in and you immediately start having flashbacks to songs like M83’s “Midnight City”.  “All On You” now has you completely under its spell and so it succeeds rather well in a roundabout way.  Super Duper’s latest is released by the Fader label and is currently being featured on every major streaming platform. Remixes could help push “All On You” further.

  • MATT FAX, “Light On”

French producer Matt Fax eloquently captures the current rise of old-style trance and techno vibes in his latest release, the instrumental “Light On”.  This percolating track will sit nicely next to tracks by Gabriel & Dresden or Above & Beyond in a late night trance set.  Matt keeps the atmospherics working and ever changing which makes “Light On” a synth-filled feast for the ears.

  • KIESZA, “All Of The Feelings”

Calgary’s Juno Award-winning Kiesza has brought us many fine vocals since coming back to the music scene as an independent artist after suffering a life-altering accident.  “All Of The Feelings” is one of those feel-good, vibrant songs that has ‘hit’ written all over it, and many people would hear this as a return to the pop/dance style that brought us “Hideaway” back in the day.  We’ve seen how versatile Kiesza can be with her songs, most of which are original co-writes.  “All Of The Feelings” may skew a more commercial slant but it’s such a well-written and performed release that no one should quibble.  And you can see her perform it in the video above.

  • MADISON MALONE, “Fragile Heart 1”

L.A.-based singer/songwriter Madison Malone dazzles us with her pitch perfect voice on “Fragile Heart 1” from her unique album called I & II (that’s One and Two).  The highly listenable album consists of five songs each recorded in two different versions, all of which work pretty well because the songs themselves are so strong.  But it’s “Fragile Heart 1” that stands out – kind of what could happen if a minimalist Rufus Wainwright song somehow transformed into one with Sarah McLachlan inspiration.  “Fragile Heart 1” is emotional and vulnerable but still very hopeful.  Madison has made herself known at festivals like SXSW and on a recent US tour, so definitely keep your eyes and ears out for her.

  • JERIN JAMES and DEVERANO, “Birds And Bees”

Jerin James is a new name to the dance music biz though he is hardly a newcomer, having previously recorded under another name and had other roles in the industry.  “Birds And Bees” is all about atmospherics and vocals, and even if the song overall to me is a bit familiar and what I would call ‘much ado about nothing’, it works quite well.  The dramatic, sophisticated production is enhanced by Deverano’s stylish and often far-reaching vocal – he’s graced a number of dance records and always gives them a big lift when they need it.  “Birds And Bees” is a compelling start for Jerin James.

A new supplement to the 10/10 feature is my new Spotify playlist called the BILLCS Viral Weekly.  Check it out below as it contains some of the songs in this 10/10 blog post!

 

#BILLCSTop30 #583, March 16/20

In difficult times, music is a distraction that we should never take for granted.  It gets us through the best and the worst of times.  So I’m pleased to bring you the new chart, which underwent several changes up to last night, including a few eye-popping moves!

But nothing was going to change the Top 2 songs which hold tightly, at least for two more weeks.  Harry Styles’ jaunty and thoughtful “Adore You” (above) gets a second appearance at #1, while former #1 “Flames” by R3HAB, Zayn and Jungleboi remains solidly right behind it.

Young Bombs’ smash Canadian radio hit and North American dance hit “Better Day”, featuring the golden tones of Aloe Blacc, moves up 6-3.  Could it be on top in two weeks?

It’s a BIIIG 12-4 move for “Backfire” by Italy’s Deep Chills with L.A.’s Not Famous offering the highly listenable, showcased vocal.  Like “Better Day”, it’s definitely a contender for the top, but, since the chart is drenched with movement, it’s not the only one…

Arty has a big week, receiving his second Top 10 hit on this chart, following 2018’s #3 “Tim”, with the Sultan + Shepard ‘echoes of life’ remix of “Daydreams” (13-8, above) featuring a Ryan Tedder-ish vocal by Cimo Fränkel.  Not only that but Arty’s equally brilliant follow up, “You’re Not Alone” (featuring Griff Clawson, below) bows on the chart at #26!  AND… Arty has yet another new song called “Outburst” (featuring Stellz) which you can also check out below.

When veteran producers get together there is often magic.  And that is the case as Chocolate Puma and Firebeatz team up again, this time for the rich deep house of “Soul Fifty” (below), which climbs 11-9.

The Fastest Riser on the chart is THE song to watch.  Whethan’s 80’s alt.dance.rock throwback “All In My Head” (above) soars 25-11 and that has lots to do with his production as it marries with the vocal by Toronto’s grandson.  It’s from Whethan’s forthcoming album Fantasy, which also includes the third preview single called “Upside Down” (below), this time featuring L.A.’s Grouplove.

Right behind are two songs which are following each other to new heights.  Gareth Emery & Nash’s “Yesterday” (above) is another slice of 80’s-oriented electronic dance music featuring a beauty of a vocal by L.A. singer Linney, rising 20-12.  You can expect Gareth’s new single, the affecting “You’ll Be OK” (featuring Annabel, also above) to join it on the chart mighty soon!  And leaping 21-13 is “Fall-Out” (below) by Netherlands/Emirati producers Revelries working this time with fellow producers Boyboyboy and vocalist Will Church.

Another song set to soar is Porter Robinson’s gentle and touching “Get Your Wish” (above) which climbs 28-17.  And yes, Porter has already released a follow up called “Something Comforting” which you can hear below.

There are two more newcomers to the chart besides Arty’s “You’re Not Alone”.  The Highest Debut belongs to Swedish duo Mary Jane and Victor – you know them as Smith And Thell.  Their encouraging new song “Goliath” has radio hit spelled all over it after their last single “Hotel Walls” received a lot of attention.  “Goliath” (above) arrives at #24.  Then, at #30 is the first solo appearance for Jake Shears of Scissor Sisters with his outstanding independent release “Meltdown” (below).  This is one rollicking and engaging dance track that club DJ’s should embrace instantly.  Scissor Sisters previously appeared on this chart, hitting the Top 10 both times, with “I Don’t Feel Like Dancin'” (#8) in 2006 and “Only The Horses” (#5) in 2012.  Jake also provided vocals on “The Other Boys” (#5) with NERVO, Kylie Minogue and Nile Rodgers in 2015.

The BILLCS Viral Weekly is back 🙂 and will indeed be a weekly feature despite not appearing last week.  Some of the songs will change every week, particularly those by bigger name artists, and it will always include a mix of newer and independent artists with those who are more popular.  Check it out below!

A reminder that the music from my chart and blog are featured regularly on the new online radio station Radio GTAYou can hear their Big 20 on Wednesday evenings with ‘The Musicman’ James Rogers and listen for songs from the chart too 🙂 Scroll down the station’s main page to listen to lots of variety from across the decades!  I’m the new music consultant for the station so you can expect even more in 2020 🙂  You can start by joining our new interactive Facebook group too!!

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

 

L.A. producer @PrizmOfficial shows versatility with standout “Her Symphony” and earworm “Baby Do” featuring @RapperJayCee

THE PRIZM “Her Symphony”

THE PRIZM and RAPPERJAYCEE, “Baby Do”

L.A. progressive electronic and dance producer The Prizm recently unveiled his debut self-titled album.  It seems to be a conceptual piece about the search for a mysterious and important woman or entity called “ID”.  I previously wrote about the lead-off single “Hello” featuring pitched up vocals by singer McEwen.  The album will definitely appeal to those who enjoy Illenium in particular but other artists like Ekali, Crystal Skies, and Trivecta, and is tightly packed at only 32 minutes long. But the standout track is “Her Symphony”.  The soothing female vocal honestly just gets stuck in your head and the song has a nuanced, almost classically-based melody.  It’s also not quite like what the other artists I’ve mentioned are creating, so appropriately it really stands out.

Right after the release of the album came an almost instantaneous release of “Baby Do”, featuring Maryland’s RapperJayCee.  It’s completely in a different space than the music in the album.  “Baby Do” is a radio-friendly earworm that draws from late 90’s and early 00’s europop like Alice Deejay and marries it with a likeable rap style that you might hear in releases by Big Sean and definitely Drake.  It’s also got a positive message about ‘just doing you’ – no need for phoniness when you’re trying to attract someone’s attention.  “Baby Do” is a real surprise and well-worth hearing – because you’ll keep playing it!

“For What It’s Worth” is crystalline dance/pop from the UK’s @TiggyHawke and @Sondrofficial

TIGGY HAWKE and SONDR, “For What It’s Worth”

Don’t worry, it’s not a dance version of the Buffalo Springfield classic!  The UK’s Tiggy Hawke and producers Sondr (who recently brought us their own unique spin on Eiffel 65’s “Blue” called “So Blue”) pair up for “For What It’s Worth”.  It’s a bright, positive, crystalline-sounding slice of dance/pop that might need a few listens, as it did with me, before it sinks in.  It’s a nice blend of melodic and tropical house vibes carried by Tiggy’s distinct and knowing vocal, which doesn’t sound an awful like other singers from England.  Dance music radio should enjoy this one and it’s clear that its record company Armada definitely believes in this song, which also has the potential to resonate at spring and summer festivals.

NYC’s @Reigenmusic encourages those “Wild Nights”

REIGEN, “Wild Nights”

What’s there not to like about a song that goes right for the gusto with “ay yippie oh ki yay” and a banjo within its first 30 seconds?  NYC singer/songwriter Reigen has another zesty, soulful winner with “Wild Nights”.  I enjoy its unbridled enthusiasm which will become more affecting in the summer months.  The underlying piano is charming and Reigen is hardly uncomfortable when he breaks loose into a higher vocal range.  The results may sound straight-forward but I must say I enjoy all of the layers in the song as well as Reigen’s always entertaining voice.  Check out the video for “Wild Nights” above.

Published in: on March 14, 2020 at 9:50 pm  Leave a Comment  
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Progressive electronic producer @Kantormusic tantalizes with “Concrete Jungle” and new live #DDR Launchpad video

KANTOR, “Concrete Jungle”

Following up the intriguing “Enter The Grid” is the equally tantalizing “Concrete Jungle” by progressive electronic producer Kantor.  He’s also created a new launchpad for DanceDanceRevolution which you can witness in the above video.  I really enjoy how this song builds and then lets loose with its frenzy of synths and effects.  I can’t comment on DDR, because I know little about it, but know that its fans will find the video of great interest.  “Concrete Jungle” could also use another video perhaps that depicts nightlife in the big city.  Its future bass style isn’t as heavy as that of someone like Wooli and favours progressive electronics instead.  Fans of that sub-genre will undoubtedly be completely satisfied.

Published in: on March 14, 2020 at 9:50 pm  Leave a Comment  
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The dynamic duo of @itsLeviofficial and Victor Perry @wallflowerperry return with the enchanting deep house of “Lost Boy”

LEVI and VICTOR PERRY, “Lost Boy”

German producer Levi and NYC Victor Perry are back to dazzle us again with the enchanting new single “Lost Boy”.  The pair previously reached #3 on my chart in 2017 with “Sail” and also brought us the bubbly “Moonlight” not long after.  “Lost Boy” is more of a natural follow up to “Sail”, alternately gentle and captivating thanks to a familiar, bassy deep house rhythm carried by acoutic guitar work (reminiscent of Mako’s “Breathe”) over which Victor weaves his vocal magic.  “Lost Boy” quickly draws you in and keeps you there with its affecting chorus “I’m a lost boy with a treasure of gold, and I’m trying to find my way home” hitting the emotional chords.  The song also has tremendous club potential which I think could be unlocked even more by some remixes.

Published in: on March 5, 2020 at 10:12 pm  Leave a Comment  
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“2:25” is a stellar dance/pop EP from NYC producer @AdamKahatimusic

ADAM KAHATI, 2:25 (EP)

NYC producer Adam Kahati has the flair to create bright and easy-to-digest dance/pop, and his EP 2:25 has five shining examples of what to do right.  You won’t hear a lot of splashy effects because they would take away what these solid songs have to offer.  Adam surrounds himself with fine vocalists – you already heard Gabi Sklar last year in the standout “Tell Me”, and there’s also the crystalline voice of Danielle Goz in the country-tinged title song, Danni Carra and rapper Ben Beal in ‘Because Of You”,  Jess Meilman in the gentle but club-worthy “Fall Into Place”, and an uncredited winner in another previous single, the tropical-flavoured “Let You Go”.  But everything is spot on – all of the songs are positive and agreeable and, of course, danceable.  Sure it’s not for those who like their dance music full of heavy drops and big synths, but trust me when I say that the songs in 2:25 will definitely leave you with a big smile on your face.

Published in: on March 5, 2020 at 10:12 pm  Leave a Comment  
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