As Autumn has rolled around, some housecleaning generally occurs. A bunch of long-lasting favourites have now departed the BILLCS Top 30 and make room for six more newcomers to breath some more life into the chart, so be sure to check these ones out.
Check out information about my ONLINE RADIO SHOWS after the chart commentary below as they are directly tied in with this blog. As most of you know, I host 3 online radio shows – the all-Canadian The MAPL Tapes, and two iterations of Your Weekend New Music Mix – and produce The MAPL Tapes and 2 online radio segments – my new music and retro picks of the week – that are all pre-recorded. The MAPL Tapes, and the picks of the week are happily being syndicated and you can find the current schedule for all at the bottom of the home page of this blog.
Scott Helman’s fantastic “Mr. Record Label” gets a second appearance at #1, and there doesn’t appear to be anything stopping it for a third in two weeks.
Madonna’s “Danceteria” advances 7-4, tying at a #4 peak with 2008’s “4 Minutes” (with Justin Timberlake), with only 2006’s “Sorry” reaching #2.
Navan’s bilingual French-Farsi release “C’est toi (Bidaram Kon)” inches up 6-5, becoming his second Top 5 entry, following the #3 “Embrasse-moi (Mara Beboos)” with MashBit, who has one the debuts below.
“Devour” by Montreal’s Rêve continues to pounce on the chart, jumping 9-6.
“fire escape” by Two Friends and iann dior (11-7) becomes Two Friends’ second highest entry outside of remixes next to 2024’s “Wrong Way” with Alexander Stewart, which peaked at #3. Couldn’t happen to nicer guys!
The other new entry to the Top 10 is talented first time charting artist Ian Cobiella with his just lovely “Have I Been Good to You” sailing up the chart 13-10. The song comes from his EP All I Have to Give.
The Fastest Riser on the chart is dance rave-up “Who Can Dance” by WH0, which soars 20-11. Could it get to #1 like past WH0 entries “What You Need” and “Rock the Party”?
Italian singer Lia Lefay’s sassy and classy slice of fun, “Champagne Trouble”, has the Top 10 on its route up the chart, and moves up this week 17-12.
Though appearing on the chart somewhat belatedly, Cameron Whitcomb’s “Kingdom of Fear” (above) is well on its way, up 21-17. And Cameron gets a second concurrent appearance on the chart as his dance music collaboration with Diplo, “Would U Still Love Me” (below), arrives on the chart at #30. It’s also a first time appearance for veteran producer Diplo.
Greyson Chance’s first chart entry since last year’s stand-alone single “Flip the Record” (#6), “Dirty Laundry” dives into the Top 20, up 27-20, from his 5th album and first independent release, Boystown.
The Highest Debut on the chart is a fun throwback, “AEIOU” by the terrific trio of Dutch producer Oliver Heldens, and British producers Kryder and The Young Punx at #25. It’s a cover of the 1983 release “IOU” by American group Freeez, which became a #2 hit in the UK and a smash all over Europe, as well as a #1 US dance club play chart hit. It’s the second appearance on the chart for Oliver, who reached #8 with Party Pupils and MAX on “Set Me Free” in 2021, but first appearances for the others.
At #26 is the new entry I mentioned above from Dallas producer MashBit with “My Love” in collaboration with Atlanta vocalist Alto Moon. It’s the fourth appearance on the chart for MashBit and third as an artist, following this year’s #4 “Holding On” (with Luke Alexander and sunsett.) and “Embrasse-moi (Mara Beboos)” (#3) with fellow artist of Persian heritage, Canadian singer Navan.
At #27 is Juno Award-winning Indiginous singer/songwriter Crystal Shawanda, who hails from Manatoulin Island in Canada, with “Come unto Me” from her latest album Homesick Indian Blues. Crystal originally began her career breaking out of the US in the country genre, but during this decade she has made three highly regarded blues albums. “Come unto Me” is a powerful bluesy-rock release.
As “Misery” makes its chart descent after peaking at #4 two weeks ago, L.A.-based Canadian Alex Sampson bows with “How Lucky Am I” at #28 from his EP Growing Pains, his fourth chart entry. To me, this is the obvious next single choice after “Misery”, but that may not happen as I expect “Misery” to continue on Canadian pop radio charts for most of the rest of this year.
The sixth debut on the chart at #29 comes from Czechia’s Nicola Nicoletti with “Something True” from his EP Rewritten. It follows his insanely catchy #2 entry from earlier this year, “Perfect’s Overrated”. Nicola provides an outstanding melody and vocal on this one.
ONLINE RADIO SHOWS
You can hear me and many of my blog choices on this growing list of online radio stations and features!
The MAPL Tapes offers the best of Canadian music past and present, and can be heard Mondays at 6pm EST as well as on five other stations between Monday and Sunday.
On Saturdays and Sundays from 8pm to Midnight EST I bring you “Your Weekend New Music Mix”, four hours of commercial-free music from the 2000’s including many song choices from this blog. My New Music Pick of the Week is played both days at 10pm ET, and airs several times during the week on other stations. You can view its schedule by clicking at the following link: Schedule.
The 3D Variety Show by Planet Radio Canada (which is on a two week break till October 20)
I’m featured Tuesdays between 7 and 7:30 pm EST with my Retro Pick of the Week on the live online radio show “The 3D Variety Show”, powered by www.xstreamrockradio.com with “The Musicman” James Rogers. I also join occasionally for looks at music from our past through some live segments.
The Retro Pick of the Week also airs on at 12:25 pm ET on Tuesdays on KPHR.
Chicago’s Lake Online Radio now anchors Hunter Wilbur’s “Modern Hype” on Sundays at Midnight EST, which airs my New Music Pick of the Week. You can also hear the new music pick on Hunter’s other show Fridays at 8pm EST on “Hot Hits with Hunter” on UK station Dodge Radio.
For other details about all of the shows, such as dates and times of broadcasts, go to my home page and scroll down to the bottom right side! Schedules are updated regularly.



























































































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