BILLCSMUSIC BLOG

BILLCS New Music Report – November 15/23 with new music by @BensonBoone @thisisWH0 @Prince_Paris @iamLoSpirit @TheDiscoFries #TheCapris #CayoCoco @Seven_Spies

In this week’s report, I have another varied selection of new tunes to check out, and it’s kind of a surprise that alternative pop/rock songs have been tweaking my ears in recent weeks more than electronic and dance music. But in remembering all my years and what music has been associated with them – even in the early 90’s where I took a brief liking to some “hair band metal” songs – dance music has always been some part of it. And you can look at my year end lists of favourites from the 90’s and you’ll also see a whole lot of alternative rock, which is no surprise given my college radio roots.

Among the features in the Report, you can check out my pick of the week, along with one from the host of online radio’s “Top 40 Timeline”, “Big Daddy” Russ Horton, plus “Modern Hype” online radio host Hunter Wilbur’s “Bop of the Week”. “The Musicman” James Rogers from online radio’s “3D Variety Show” has his Classic Five pop hits, which is an 80’s treasure trove of Canadian music this week. You’ll also find out what songs were in my Top 5 on the BILLCS Top 30 5, 10, 15 and 20 years ago.

As you may have noticed, I’ve decided to no longer use the words “Spotlighting” or “Featuring” because in truth all of the songs are worth checking out, or else I wouldn’t be writing about them!

The BILLCS New Music Report is always a work-in-progress and I welcome your suggestions so feel free to contact me at through my social media links right here.

BENSON BOONE, “To Love Someone”

While ballads by male singers are not exactly in vogue right now, there is no shortage of fine ones if you care to look. Benson Boone’s “In The Stars” made a surprise breakthrough to Top 40 radio this past summer, more than a year after it was released (it peaked at #2 on the BILLCS Top 30 last year). By then, Benson had been touring a lot and released a solid follow up EP Pulse, which featured some rock efforts like the infectious “Coffee Cake” (it recently peaked at #3 on the BILLCS Top 30). So with the belated success of “In The Stars”, it’s no surprise that another ballad has been released, but it is indeed a beaut. “To Love Someone” has a composed, fervidly emotional vocal by Benson and a story with which anyone will identify. I’m not normally a ballad fan, but with the right singer, production and lyrics, it can hit a home run. Ballad lovers and fans of great pop songs need to put “To Love Someone” on their priority listening list.

WH0, “Rock The Party”

With their recent 90’s flavoured house track “What You Need” with Steve Angello topping the BILLCS Top 30, we get to take another dive into the latest from UK mystery dance producers WH0. These guys know their pop and house music history and how to create a sneaky groove with some inspired Daft Punk influence. Instantly recognizable is the hook from the 1988 house classic “Weekend” by the amazing Todd Terry, which some of you may know more when it was sampled in “Tonight It’s Party Time” by the Barry Harris 90’s project Outta Control. Along with original synth work, they have melded it with funky beats from The Clash’s “Rock The Casbah”. “Rock The Party” is a quick but slick slice of fun that is an instant club party starter.

PRINCE PARIS, “Where I Wanna Be”

Montreal’s Prince Paris returns to the dance music scene, having only released a handful of singles since 2019, with the clever “Where I Wanna Be”. In his early career, Prince Paris, as part of DJ duo Paris & Simo, toured with David Guetta and played some of the biggest festivals in the world. Striking out on his own in 2016, he released singles with the likes of Karen Harding and Billie Eilish’s award winning brother Finneas. “Where I Wanna Be” brings him back full circle, with a Eurohouse-meets-trance melody that’s set to parts of Beverley Craven’s Top 5 1991 UK hit “Promise Me”, which dance music fans will also know was sampled by producer Lazard in 2002 for “4 O’Clock in the Morning” (which peaked at #8 on the BILLCS Top 30). I’m totally digging the trance revival of sorts this year and “Where I Wanna Be” is a dynamic addition for any club DJ’s who know that their audiences love a mix of house and trance. I’d also pitch it to dance music radio programmers looking to spice up their playlists with a tight and friendly slice of ear candy.

LØ SPIRIT, “Wild Things”

One of my biggest surprises of 2023 came early on when progressive electronic dance producers Dabin and Kai Wachi brought Atlanta singer/songwriter Lø Spirit (aka Josh Landry) aboard for “Hollow”. That explosively emotional slice of future bass reached #5 on the BILLCS Top 30, and with the more alternative rock-oriented “Wild Things”, we get to hear more what Lø Spirit offers as a solo artist. “Hollow” showed off Lø Spirit’s vocal range – a singer who can scream from the bottom of his lungs and still have amazing control and resonance in his singing voice. “Wild Things” shows some of that power in the chorus, but the emphasis here is more on melodic structure and lyrics about taking a chance to follow your hopes and dreams for something better. It’s a lovely song that continues to showcase the potential of Lø Spirit.

THE DISCO FRIES, “Turn The Lights Off”

New Jersey Disco Fries guys Nick and Danny follow up their recent album Another World with the gritty deep house of “Turn the Lights Off”. Led by an uncredited spoken/sung male vocal, this original composition is a quickie at only 2:19, so you might want to opt for the extended mix (above) at 3:03. It’s a taut, late night track that veers away from the pop/dance delights that The Disco Fries often present to us. So while it’s not recognizably Disco Fries, “Turn The Lights Off” is totally geared for clubs and DJ’s can have a lot of fun with it.

THE CAPRIS, “Melancholy Blues”

Meet The Capris, a new quartet from County Tyrone, Ireland that comprises vocalist Odhran, bassist Jonny, guitarist Padraic, and drummer Delaney. What hits you right in the face about “Melancholy Blues” when it begins to soar is that Odhran’s voice is a ringer for Kings of Leon’s Caleb Followill, equally expressive, raspy, and passionate in his performance. The Capris have a stalwart, world-weary sound about them that will resonate with rock music fans. There isn’t a lot of flash but their sound is tidy and earnest, and will undoubtedly sound their best in live performance. I’m not too sure what “Melancholy Blues” is all about in the end but it’s an enjoyable first listen from The Capris.

CAYO COCO, “Stay Awhile”

Get a taste of L.A.-based indie singer/songwriter Cayo Coco’s second album Cosmic Healing with “Stay Awhile”. While the album was just released last week, “Stay Awhile” and another track, the much fiercer rocker “Haunt”, previewed the album as single releases. They certainly show two sides to Cayo Coco, whose real name is Lumen Loraine. “Stay Awhile” is a more melodic rocker that shows the singer in restless mode, alone and not knowing how to read people before jumping into a relationship, and looking to heal and understand it all better. While Cayo Coco is American, I hear a lot of British influence – intended or not – in this song, reminding me of early 80’s new wave and 2000’s UK singers like Patrick Wolf. The cool thing about “Stay Awhile” is that the song doesn’t seem to be headed in a particular direction at the start, but it shifts a few times, keeping your attention the entire time, and ends up somewhere unexpected by the end that I think you’ll enjoy.

SEVEN SPIES, “Lie”

“Lie” is only the second single release from London alternative rock duo Seven Spies, which comprises guitarist, pianist and vocalist David Blomiley and drummer/vocalist Olly Brown. It’s a touching rock ballad about love that is never meant to be, for whatever reason or excuse, because the other person is not ready and can’t seem to articulate that. The intense chorus captures those times of confusion and anger when you just can’t figure out what is going on. The sound of Seven Spies seems to draw from the likes of Muse, Linkin Park and Bring Me The Horizon, and “Lie” was mastered at Abbey Road Studios by Alex Wharton (The Beatles, Radiohead and many more). At times I think the recording holds back a bit but thanks to a memorable chorus, “Lie” serves as a fitting introduction to Seven Spies.

BILL’S NEW MUSIC PICK OF THE WEEK

My New Music Pick of the Week is a 5-7 minute radio segment that airs more than 30 times/week on online radio stations around the world.

Spain’s The Boy from the South with “Man Down”

“BIG DADDY” RUSS HORTON’S PICK OF THE WEEK

“Big Daddy” Russ Horton is the host of the “Top 40 Timeline” radio program and owner of online stations Radio GTA, Halton Hills Radio Online, & FM108.ca. You can hear my Retro Pick of the Week every week on the “Top 40 Timeline”.

Russ’ pick of the week will return

HUNTER J. WILBUR’S BOP OF THE WEEK

Hunter J. Wilbur is the host of the online radio shows “Modern Hype” and “Addictive Energy” which can be heard on several online stations including Classic Hits Canada.

NYC pop and musical theatre artist Vinny Marchi with buddy Jason Juliano for “Bad Days Good”

“THE MUSICMAN” JAMES ROGERS’ CLASSIC FIVE

“The Musicman” James Rogers is the owner and host of The 3D Variety Show heard Tuesdays on Planet Radio Canada. The Classic Five is “pop music 101” of the post-Beatles era – classics you need to know! Each title is linked to a Spotify stream of the song.

Martha and The Muffins (M+M)- Black Stations/White Stations (1984)
Parachute Club – Walk To The Rhythm of Your Heartbeat (1986)
Pukka Orchestra – Might As Well Be on Mars (1984)
Spoons – Nova Heart (1982)
Platinum Blonde – Doesn’t Really Matter (1984)

THE BILLCS TOP 30 – 5-10-15-20…

The Top 5 songs from the BILLCS Top 30 5, 10, 15, and 20 years ago…

2018

01 PHANTOM OF THE DANCE FLOOR – Kiesza featuring Philippe Sly

02 VERONA Peter Wilson & Sean Smith

03 LOYAL Odesza

04 TIM Arty

05 ONE LAST TIME Gromee featuring Jesper Jenset

2013

01 ADORN Miguel (remix featuring Jessie Ware)

02 WHAT’S GOING ON Monsieur Adi featuring A*M*E

03 SOMEBODY LOVES YOU Betty Who

04 APPLAUSE Lady Gaga

05 CAN’T HOLD BACK Anton Ewald

2008

01 RELAPSE Jesse McCartney

02 SPIRALLING Keane

03 KILL THE LIGHTS David Usher

04 LET IT ROCK Kevin Rudolf featuring Lil Wayne

05 ELECTRIC FEEL MGMT

2003

01 SUPERFABULOUS BT featuring Rose McGowan

02 DEEPEST BLUE Deepest Blue

03 THE FORCE OF GRAVITY BT featuring JC Chasez

04 NOW YOU’RE GORGEOUS NOW YOU’RE GONE Joe Firstman

05 VIBRATE Rufus Wainwright

BILLCS New Music Report – November 8/23 with new releases by @Cobimusic #Trans-CanadaHighwaymen @NeroUK @MattBoylanSmith @CapitalCities @JerinJamesmusic #LouisPax and @Koussmusic

Recently, Spotify announced that it will demonetize tracks with 1,000 plays or less, which will come as a shock for those folks who have got used to casually adding their latest work to streaming platforms for listeners to find. I think this is a good thing because there are other platforms for independent performers to grow their audiences, to the point where their songs can attract enough people on streaming services to make a bit of money. Another new policy also puts a stop to individuals spamming Spotify’s platform with other recorded stuff that isn’t music, as well as fining distributors and labels for adding fraudulent product to the service.

Independent artists struggling to get 1,000 plays on a song will have to resort to more promotion of their music to blogs and influencers as a prelude to streaming platform play. Those who are serious about it will not give up. Those who have been adding their songs to Spotify just on a whim will need to do a rethink.

Among the features in the Report, you can check out my pick of the week, along with one from the host of online radio’s “Top 40 Timeline”, “Big Daddy” Russ Horton, plus “Modern Hype” online radio host Hunter Wilbur’s “Bop of the Week”. “The Musicman” James Rogers from online radio’s “3D Variety Show” has his Classic Five pop hits, which take us back to the 1986-87 era. And in case you missed them on Monday, you’ll find out what songs are #1 and the Fastest Riser on the latest BILLCS Top 30.

As you may have noticed last week, I’ve decided to no longer use the words “Spotlighting” or “Featuring” because in truth all of the songs are worth checking out, or else I wouldn’t be writing about them!

The BILLCS New Music Report is always a work-in-progress and I welcome your suggestions so feel free to contact me at through my social media links right here.

COBI, “Where We Belong”

“Where We Belong” is the powerful ballad companion piece that I’ve been awaiting from L.A.-based singer/songwriter Cobi for his song “Telepathic Powers”, the dreamy, bluesy release from earlier in the year which reached #5 on the BILLCS Top 30. “Where We Belong” is the kind of song that draws a hush over a crowd. With the majority of the song solely piano and voice, its grounded story is comforting and reassuring to those who are feeling lost and alone, driven by Cobi’s passionate vocal. And just wait for Cobi’s lucid guitar work later in the song to really lift it up and bring it home. Don’t miss this one.

TRANS-CANADA HIGHWAYMEN, “Undun”

The Trans-Canada Highwaymen is a new Canadian supergroup comprising biz veterans Moe Berg (Pursuit of Happiness), Chris Murphy (Sloan), Craig Northey (The Odds) and Steven Page (ex-Barenaked Ladies), which means that their album of covers of largely Canadian hits, appropriately titled Explosive Hits Vol. 1 (love the K-Tel-inspired cover art!), is well worth checking out. While these talented guys put their spin on a variety of pop songs by April Wine, Michel Pagliaro, Paul Anka, The Stampeders, and even a well-done update of the DeFranco Family’s 1973 smash “Heartbeat – It’s A Lovebeat”, it’s their take on The Guess Who’s 1969 international hit “Undun”, with lead vocal by Steven Page, that stands out the most. The spirit and urgency of the original are there, minus the psychedelic undertones of that era, and Steven’s vocal is outstanding. All of the guys get their opportunities to shine on the album, which is highly recommended for any of their fans as well as lovers of Canadian music in general.

NERO, “Truth”

For many long-time electronic music fans, British trio Nero ranks with the best artists in the genre. They’ve been together for over 20 years, and their most recognizable work appeared over a decade ago, culminating in a Grammy (along with pal Skrillex) for best remixed (non-classical) recording of their UK #1 smash “Promises”. Their second album Between II Worlds became a North American #1 electronic dance chart hit in 2015, and after that members worked on solo projects and raised families. Only last year did they surprise fans and resurface on Deadmau5’s tour, and have since started releasing new music again. The propulsive dubstep banger “Truth” follows up “Renegade” (with R.L. Grime) and comes from Nero’s upcoming long-awaited third album Into The Unknown. It’s a busy, clever track that will jar you with its push-pull rhythm and otherworldly vocal. “Truth” is a gleaming, futuristic forecast of what electronic music has in store for us.

MATT BOYLAN-SMITH, “The Only Eyes I’ve Ever Known”

It’s been a while since I first introduced you to indie Australian singer/songwriter Matt Boylan-Smith, who is back with his lovely tribute to family, “The Only Eyes I’ve Ever Known”. As much as it fits alongside the folk-pop of artists like The Lumineers, “Only Eyes” has wider appeal, a cross between Newton Faulkner and Ed Sheeran with a few dashes of The Waterboys and The Proclaimers. Matt’s songwriting leaves you hanging on each verse as his story unfolds, and the chorus becomes a singalong that you’ll wait to hear again and again. Folk-influenced pop has been making great strides these past few years to get back into the public consciousness and stay there, instead of being led by a handful of successful one-off’s, and artists like Matt will help it get there.

CAPITAL CITIES, “Skeleton Man”

L.A. based duo Capital Cities follow up their first releases in about 5 years, “Together” (with Bobby Nourmand, reached #12 on the BILLCS Top 30) and “Summertime with U” (with former member Spencer Ludwig, which I also wrote about a while back), with the danceable bop “Skeleton Man”. Its bright and funky synth pop melody accompanied by trumpet – courtesy once again of Spencer Ludwig, who may as well use “Safe and Sound” as his middle name – as well as xylophone effects that are part of a bounty of sounds and flourishes for you to absorb. Ryan and Sebu keep it light with bone references throughout. Smooth production and fluid harmonies make it easy to invest some time with “Skeleton Man”. The group has made the song available on their website for free download for now so get it while you can by clicking on the following song title: “Skeleton Man”.

JERIN JAMES, “Wildfire”

“Wildfire” follows up L.A.-based electronic producer Jerin James’ recent release “Fly Away”, which I wrote about a while back, and both come from his forthcoming album. “Wildfire” is an imaginative and melodic track featuring an uncredited female vocalist singing a brief set of lyrics that frame the song. It has loads of sync possibilities for scenes in video games, action films or documentaries. “Wildfire” develops a distinct impression for the listener as the vocal evolves into a convincing and compelling distorted effect, and ultimately lets us conjure up whatever appropriate imagery will go with the flow.

LOUIS PAX, “this is not america (i heard it on the news)”

Swedish pop/rock trio Louis Pax return with a new EP called in case I don’t see ya, pt. 1, which includes the previous singles “The Road Back” and “in case I don’t see ya”. “this is not america” is a thought-provoking song depicting contemporary America as seen through the eyes of Europeans on the news. America is often seen as the example to follow for the rest of the world, and the song is critical about whether or not that should be the case. Sometimes the most obvious path is not the one to take and we need to reflect and choose what’s right for us regardless of popularity. So yes, “this is not america” seems a little more downbeat than usual to start, but the melody and Oscar Reingsdahl’s vocal make it rise part way, allowing the song to finish on a high, upbeat note. Louis Pax continue to portray themselves through their music as a tight often introspective band that wears its good intentions on its sleeves.

KOUSS, ANNA KLINE, “Can’t Go Back”

As readers of this blog will know, you were first tipped off to “Can’t Go Back” by my online radio buddy Hunter Wilbur, who designated it as his Pick of the Week a few weeks back. And with repeated plays at my end, I’ve found that I’ve been enjoying it too. Kouss is a DJ/producer and multi-instrumentalist from south Florida who experienced being signed to a major label as part of a band. An accident in 2020 left him unable to play drums for an extended period, during which he developed his production skills. “Can’t Go Back” is actually Kouss’ debut release, a slick pop/dance single for him featuring a fine vocal from Nashville-based, Ohio-born Anna Kline, who has written hundreds of songs and is a sought-after top-liner. The result is a catchy slice of ear candy that you’ll find yourself playing on repeat. It’s always nice to be in on a debut single and “Can’t Go Back” is off to a solid start for Kouss.

BILL’S NEW MUSIC PICK OF THE WEEK

My New Music Pick of the Week is a 5-7 minute radio segment that airs more than 30 times/week on online radio stations around the world.

“Curfew” by Australian indie rock quintet Moonwood from their EP Curfew Hours

“BIG DADDY” RUSS HORTON’S PICK OF THE WEEK

“Gone Forever” is by Windsor, Ontario artist MELØ

HUNTER J. WILBUR’S BOP OF THE WEEK

Hunter J. Wilbur is the host of the online radio shows “Modern Hype” and “Addictive Energy” which can be heard on several online stations including Classic Hits Canada.

“Big Sky, MT” is by Nashville-based acoustic trio The Arcadian Wild

“THE MUSICMAN” JAMES ROGERS’ CLASSIC FIVE

Robbie Robertson – Somewhere Down The Crazy River (1987)
Billy Ocean – There’ll Be Sad Songs (To Make You Cry) (1986)
Bruce Hornsby and The Range – The Way It Is (1986)
Atlantic Starr – Always (1987)
Lisa Lisa and Cult Jam – Lost In Emotion (1987)

BILLCS Top 30 #1 SONG

Steve Angello & WH0’s “What You Need” is the chart’s new #1

BILLCS Top 30 FASTEST RISER

Bright Light Bright Light’s “Down To One”, accompanied by a fun horror movie-themed video, rises 12-5 as the Fastest Riser for a second chart in a row

#BILLCSTop30 #678 – November 6/23

Although my ears have been tuned to songs in other genres for the past few weeks, the outbreak of great dance releases at the end of summer is showing its presence on the new BILLCS Top 30.

Here’s the link to the online version of the chart: BILLCS Top 30

Here’s the link to my Spotify playlist of the chart: Chart Playlist

Check out my ONLINE RADIO SHOWS below as they are increasingly tied in with this blog. As most of you know, I host 3 online radio shows – The Big 20 and two iterations of Your Weekend New Music Mix – and produce 2 online radio segments – my new music and retro picks of the week – that are all pre-recorded.

Swedish House Mafia’s Steve Angello gets his first #1 as a solo artist and label owner with “What You Need” on his Size Records imprint. As part of SHM, Steve reached #1 in 2012 with “Don’t You Worry Child”. “What You Need” is also the first #1 for UK mystery producers WH0. As I mentioned previously, the song contains a sublime sample of the disco hit “Gotta Keep Dancing” by Carrie Lucas.

Claiming the runner up spot is “Want My Lovin'” (5-2), the other sensational retrotastic house track by British producers Marvel Riot and American R&B/pop/dance singer MOYA. It samples Felix’s 1992 gem “Don’t You Want Me” as the instrumental hook.

Denver-based producer Voyajer is up another notch with “Come Around” climbing 4-3.

L.A.’s Michael Medrano gets a personal best on the chart as the deliciously innuendo-laden “Disco Sleaze” (in its raw and uncut remix) rises 6-4. Michael recently shot his first video for his single “Karma”. To finally see the disco dad behind the music in action, click on the photo below.

For the second chart in a row, Bright Light Bright Light’s “Down To One” is the Fastest Riser, soaring 12-5, becoming BLx2’s 10th Top 5 entry on the chart.

The second entry into the Top 10 is the first for both artists. Sweden’s John Dahlbäck and Nashville’s Davis Mallory climb 13-10 with the uplifting “Top of the World”.

Although it was a Top 20 hit in the UK in the summer, I can’t get enough of the bop that is the ALTÉGO remix of Tom Grennan’s “How Does It Feel”. The song has been rising slowly but breaks through and moves 19-13.

Miami producer Gt_ofice has a flurry of activity happening with his two recent singles. “Can’t Deny” (above), with JAYEM and Alix Robson, charges up 21-16, while “Feels Like Us” (below), the breezy end of summer song with ALWZ SNNY and Robbie Rosen, climbs 29-23.

Not to be discounted is the immensely enjoyable single by Chicago producer Pete Cho called “Fan of You” which moves up 22-17.

With the release of his new album Golden causing all kinds of waves this past week, BTS’ Jung Kook and new BFF Jack Harlow move up 26-20 with “3D”.

While it hardly seems like long ago that “Antidote” graced the chart (peaking at #10), Audien returns with the super-infectious “Superhero” at #26. The uncredited vocalist is co-writer and British singer Joe Jury, who was credited on Audien’s big dance radio hit “Drifting Away” last year. Look for “Superhero” to make short work of the dance radio charts too.

In at #27 is the first entry for Australia-based rockers Moonwood with “Curfew” from their smashing new EP Curfew Hours. The band is actually a hybrid of Australian, American and Canadian talent.

Spain’s The Boy From The South recently returned home from a huge tour of Mexico and some South American countries, which included many stops at radio stations. He has more gigs planned in Barcelona and London, and his latest good-natured grower of a song “Man Down” (#28) should help take him through to them.

Rounding out the new entries at #29 is the deep house track “Sacredly” by Washington DC producer and frequent blog visitor Manila Killa and vocalist/songwriter Linney. It’s Manila Killa’s 5th chart entry, with “Dusk” (with Lights) reaching #2 last year, and it’s Linney’s 3rd visit, reaching #3 previously singing Gareth Emery & NASH’s 2020 entry “Yesterday”.

ONLINE RADIO SHOWS

You can hear me and many of my blog choices on this growing list of online radio stations and features!

Radio GTA

Listen to The Big 20 from 10pm to Midnight EST on Wednesdays as “The Musicman” James Rogers and I bring you the latest in new songs. The show also repeats on Saturday mornings at 10 a.m. EST and Sunday mornings at 2:00 AM EST. You can hear recent episodes of The Big 20 at this link.

On Saturdays and Sundays from Noon to 6pm EST I bring you “Your Weekend New Music Mix” six hours of commercial-free music from the 2000’s including many song choices from this blog.

At Midnight EST on Saturdays, you can also hear my new “Retro Pick of the Week” on Russ Horton’s amazing “Top 40 Timeline” oldies show.

Halton Hills Online

“Your Weekend Music Mix” has a second home on Saturday and Sunday evenings from 8pm to Midnight EST! It’s a different mix from Radio GTA’s show, and like that one it is also commercial free.

“The Big 20” also airs on this station at 6pm EST Saturdays, and my “Retro Pick of the Week” plays on Russ Horton’s “Top 40 Timeline” at 4pm EST.

The 3D Variety Show by Planet Radio Canada

I’m featured Tuesdays between 7 and 7:30 pm EST with my New Music Pick of the Week which debuts every week on “The 3D Variety Show” with “The Musicman” James Rogers, and I also join occasionally for looks at music from our past through some live segments. A repeat of “The 3D Variety Show” airs on Wednesdays at 7pm EST on Radio GTA. My pick of the week airs more than 30 times during the week and you can view its schedule by clicking here. You can hear recent episodes of The 3D Variety Show at this link.

Addictive Energy

This is a weekly show hosted by Hunter Wilbur that airs on several online stations but is anchored at Mix88.ca on Saturdays beginning at 8pm EST. You can hear recent episodes of Addictive Energy at this link.

FM 108

You can also listen to my “Retro Pick of the Week” on Russ Horton’s “Top 40 Timeline” on this station at 6pm EST Saturdays.

For other details about all of the shows, such as dates and times of broadcasts, go to my home page and scroll down to the bottom right side! The schedules are up-to-date.

BILLCS New Music Report – November 1/23 bringing you new songs by Audien, YEBBA, Benedict Cork, Vion Konger & Lusso, Kacey Fifield, MELO, Modern Machines and NOANNE

I’ll let the music do the talking this week. I hope you continue to enjoy the refreshing selection of new tunes I bring to you every week.

Among the features in the Report, you can check out my pick of the week, along with one from the host of online radio’s “Top 40 Timeline”, “Big Daddy” Russ Horton, plus “Modern Hype” online radio host Hunter Wilbur’s “Bop of the Week”. “The Musicman” James Rogers from online radio’s “3D Variety Show” has his Classic Five pop hits, which this week teleport us back to 1974. You’ll also find out what the BILLCS Top 30 looked like 23 years ago!

I’ve made one change to the Report. I’ve decided to no longer use the words “Spotlighting” or “Featuring” because in truth all of the songs are worth checking out, or else I wouldn’t be writing about them!

The BILLCS New Music Report is always a work-in-progress and I welcome your suggestions so feel free to contact me at through my social media links right here.

AUDIEN, “Superhero”

“Superhero” is bound to be a new festival favourite by electronic dance producer Audien, who continues to have another great year with releases following his #1 dance radio hit “Antidote”. If you know his song from last year, “Drifting Away”, you’ll instantly recognize the uncredited vocal – and why it’s uncredited is puzzling – of British singer/songwriter Joe Jury, who is also one of the co-writers. Joe’s vocal is delightfully dreamy and the early 2010’s throwback piano house melody is just the tonic that a lot of us need right now. Cue the cell phone flashlights, “Superhero” tugs at those emotional strings and should be taking over dance music charts anytime soon.

YEBBA, “Waterfall (I Adore You)”

She’s got one of the best voices on the pop scene since she emerged in 2016, with a Grammy Award to whit, and Nebraska-born YEBBA is back with her first new studio recording of 2023, the dreamy alternative pop ballad “Waterfall (I Adore You)”. It’s a welcome diversion from her often complex and personal songs, which formed the basis of her 2021 album Dawn. We all get caught up in the moment at the time and don’t want to change the mood, preferring it to linger as long as it possibly can. YEBBA knows that she has to follow her own lead and calls out naysayers right from the get-go. Her vocal is pristine and the song is a soulful foray into infatuation, supported by relaxing backdrop of bright melodies. Let’s hope that YEBBA doesn’t slip away for another year without more new music. “Waterfall (I Adore You)” definitely begs for more.

BENEDICT CORK, “Soulmates”

Following up his late 2022 release “Dream of You” (which peaked at #7 on the BILLCS Top 30), Hertfordshire-born Benedict Cork brings us the inspiring “Soulmates”. Benedict is now so recognizable as a singer, songwriter and pianist that “Soulmates” is really a sum of all of the best of what he does. His voice soars, the piano twinkles, and the words transport us elsewhere where we may just have a soulmate. For those of us who only dream of such a thing, the song is very fanciful, and for those of us who once had one, or thought we had one, it gives us hope that someone else is waiting for us. “Soulmates” is top notch stuff, and you can be assured you’ll be humming along all winter.

VION KONGER, LUSSO, “Wait For The Drums”

If you’re looking for a heavy banger that will test the power of your biggest speakers, then “Wait For The Drums” by Russian producer Vion Konger and rising NYC producer/remixer Lusso will leave you mighty satisfied. “Drums” has to be one of the hardest hitting deep house songs of the year, a relentless, loud production full of bounce that leaves no stone unturned. Think of producers like Hardwell, Dimitri Vegas & Like Mike, and Timmy Trumpet when they just let loose – “Wait For The Drums” is dynamic and fun, and will certainly leave you breathless on the dance floor.

KACEY FIFIELD, “Vegas”

“Vegas” is the latest release from Kacey Fifield, recently relocated to NYC from L.A., an edgier, more provocative electronic pop song than what we’ve heard from her recently. It follows the lead of previous single “Self Sabotage” and its refreshing, uncluttered and vulnerable story. Instead of self-reflection, “Vegas” focuses on the young playboys types who start sordid lives with gambling and drugs, and revealing them when they cheat on their girlfriends. The straight-forward melody is memorable, and “Vegas” is once again a stalwart collaboration between Kacey and Robbie Rosen, who also produced.

MELØ, “Memento” (as featured in the short-film “Farewell For Now”, above)

Windsor-based alternative artist MELØ has released an EP and its accompanying short film called “Farewell For Now”. The film is about a life well-lived, obstacles (such as blindness), loss (specifically of his father), as well as hope, adapting and moving on. It’s beautifully shot and nuanced, taking its time to unfold its sad and touching story, a collaborative work by MELØ with his family and friends. The EP consists of three songs, “Sleep Alone”, the interlude “Exit Stage Light”, and “Memento”. The shift to “Memento” in the film is riveting, like those turning points in life where you abruptly realize that you simply must do something. The infectious guitar/synth melody reminds me of BT and Tori Amos’ “Blue Skies” meeting songs by new wave groups like New Order half way. It’s one of MELØ’s most compelling songs to date. There are a lot of take away’s from “Farewell For Now”, and “Memento” is an impressive bridge to whatever’s next.

MODERN MACHINES, “Brooklyn”

With a nod to his current home, NYC’s Modern Machines (aka Dimitry Mak) brings us “Brooklyn”, a fast-paced house track with an irresistible and invigorating melody. The use of an uncredited repeated female vocal sample here is effective and the brevity and euphoric nature of the song allow the repetition to work for the song rather than against it. Modern Machines has been honing his craft for the best part of the last decade, often as a remixer (such as for The Knocks and Foster The People’s “Ride or Die”) but also with his originals, which have been released on many of the biggest dance labels. This has allowed him to play the best of North American dance clubs and festivals while maintaining a steady social media presence, lately on the Threads app. “Brooklyn” is an enjoyable rave up that club DJ’s shouldn’t miss out on.

NOANNE, “Goodwill”

“Goodwill” is an unconventionally theatrical slice of alternative pop brought to you by Prague-based singer/songwriter/actress NOANNE. Choosing to be an enigma, she lets her music and images do the talking, and there is lots to talk about in the video for “Goodwill”. Based on the premises that “the road to hell is paved with good intentions”, the story of love gone sour is full of dramatic and startling images, stunning cinematography (much of it through the use of AI), and compelling direction. In it NOANNE has a anti-hero presence like Madonna had in some of her videos, while her vocal tones at times recall the power of Annie Lennox. “Goodwill” is bold and fanciful, especially for those of you who enjoy their engaging pop songs with a strong dose of melodrama.

BILL’S NEW MUSIC PICK OF THE WEEK

My New Music Pick of the Week is a 5-7 minute radio segment that airs more than 30 times/week on online radio stations around the world.

“Real Love” by Martin Garrix and South African vocalist Lloyiso

“BIG DADDY” RUSS HORTON’S PICK OF THE WEEK

In their new album Hackney Diamonds, The Rolling Stones collaborate with Lady Gaga and Stevie Wonder on “Sweet Sounds of Heaven”

HUNTER J. WILBUR’S BOP OF THE WEEK

Hunter J. Wilbur is the host of the online radio shows “Modern Hype” and “Addictive Energy” which can be heard on several online stations including Classic Hits Canada.

“Beyond The Sky” NYC electronic dance producer Deerock and vocalist Britt

“THE MUSICMAN” JAMES ROGERS’ CLASSIC FIVE

Al Wilson – Show And Tell
Hues Corporation – Rock The Boat
Roberta Flack – Feel Like Makin’ Love
Billy Swan – I Can Help
Helen Reddy – Angie Baby

BILLCS Top 30 FLASHBACK CHART – 2000

These are officially ‘golden oldies’ as we used to put it! As you’ll see I was crazy about Dido’s album No Angel, which had three new entries.

01 01 TWISTED TENDERNESS Electronic

03 02 CASE OF THE EX (WHATCHA GONNA DO) Mya

05 03 SHE BANGS Ricky Martin

02 04 NO MORE Ruff Endz

04 05 LET ME KNOW Jake

07 06 LATE AT NIGHT Electronic

NEW 07 HERE WITH ME Dido

08 08 RESCUE Eve 6

11 09 TAKE MY HEART AWAY Jake

15 10 ROCK DJ Robbie Williams

16 11 BEAUTIFUL DAY U2

13 12 MOST GIRLS Pink

17 13 MONEY JANE Baby Blue Sound Crew

06 14 PINCH ME Barenaked Ladies

NEW 15 YELLOW Coldplay

NEW 16 TAKE MY HAND Dido

12 17 VIVID Electronic

25 18 I’M LIKE A BIRD Nelly Furtado

10 19 BETTER LIFE 3 Doors Down

24 20 SILENCE Delerium f/ Sarah McLachlan

23 21 SAD EYES Enrique Iglesias

09 22 BANG BANG BOOM The Moffatts

NEW 23 MY LOVER’S GONE Dido

18 24 OOH IT’S KINDA CRAZY soulDecision

19 25 CAROUSEL Brattt Pack

21 26 PROMISE Eve 6

28 27 IF YOU’RE GONE Matchbox Twenty

29 29 STILL ON YOUR SIDE BB Mak

NEW 30 IF I AM Nine Days

BILLCS New Music Report – October 25/23 Spotlighting new songs by @Moonwoodmusic @YearsofWarmusic @RossLynch & @TheDriverEra @PartyPupils, @MAXmusic, @bbnomula & #MILLI

Like last week, my attention with the current week’s selections again drifted away from dance music – though there are three wonderful new dance tracks in this edition of the Report. Be sure to check out all eight of these very strong songs, varying from future bass through alternative rock through pop/R&B. Variety, as they say, is the spice of life!

Among the features in the Report, you can check out my pick of the week, along with one from the host of online radio’s “Top 40 Timeline”, “Big Daddy” Russ Horton, plus “Modern Hype” online radio host Hunter Wilbur’s “Bop of the Week”. “The Musicman” James Rogers from online radio’s “3D Variety Show” has his Classic Five pop hits, which zeroes in on a quintet of tunes from 1976. And in case you missed it, you’ll find out what were my number one song and the fastest riser on the latest BILLCS Top 30.

The BILLCS New Music Report is always a work-in-progress and I welcome your suggestions so feel free to contact me at through my social media links right here.

REMINDER: Click the photo above the artist’s name and song title to hear the song or watch the video.

SPOTLIGHTING

MOONWOOD, “Curfew”

Australia-based rock quintet have a lot of top quality songs waiting for the world to hear in their new 5 song EP Curfew Hours. It includes the heart-wrenching ballad “Let It Go”, which I wrote about recently. I rarely repost about a song I’ve written about, but with the release of this EP, “Curfew” has grown on me a lot since my original take on it, which I now feel was incomplete. It’s a radio-friendly rocker that college and alternative radio stations would eat up. Moonwood is a tight outfit which has a dynamic vocalist/songwriter in Jake McCullough, and I enjoy when his voice has the opportunity to soar. For whatever reason, the song structure of “Curfew” reminds me of the mid-80’s UK new wave era, and retro appeal like that never hurts. You really can’t go wrong though with other songs in Curfew Hours like “Cool If I Love You?”, and you’re bound to latch on to a new favourite. And if you’re in Australia, you might want to keep an eye out for local show dates from Moonwood in future as their songs are likely heard best live.

YEARS OF WAR, “Used To Be”

Years of War is the new artist name for NYC-based electronic dance talents Rico & Miella – I guess we can now properly call them Rico and Michelle! – with “Used To Be” their second single under the new moniker. Just when you least expected after the 40 second vocal intro, this fresh song revs up into a future bass frenzy by the end of the first 70 seconds, creating immediate curiosity and anticipation for what’s next. Michelle’s touching vocal alternates between tender and urgent moments and the second, even wilder build up before another drop exceeds what electronic music fans would expect. I’ll pitch “Used To Be” to fans of Illenium, Trivecta, Seven Lions, and Nurko, but it’s a top notch song which could attract dance music fans outside of the harder core sub-genres.

ROSS LYNCH, THE DRIVER ERA, “Rumours”

I’m always happy to write about a good new song by L.A.’s Ross and Rocky Lynch under their project name The Driver Era, though Ross’ name has now been added I suppose for marquee value. I saw the Lynches and their siblings perform live as R5 10 years ago and since then have been captivated by their cohesive talent (Ross was pretty good in Netflix’s “Chilling Adventures of Sabrina” too!). Their 2020 single “Take Me Away” also got to #11 on the BILLCS Top 30. “Rumours” is a kiss-off song to an ex who has nothing better to do than gossip about her former boyfriend’s new love life, while he couldn’t care in the least (in fact, he enjoys it). It’s a snappy guitar-drums rocker filled up in the background by a wash of soft keyboards, that focuses on the vocals and harmonies to make it resonate easily. It follows up last year’s Summer Mixtape and the guys’ second album Girlfriend, but this time as a self-released indie, so I’m hoping that a third album is in the works for next year. “Rumours” is a great way to kick it all off.

PARTY PUPILS, MAX, bbno$, MILLI, “Girlfriend”

NYC’s Party Pupils is MAX’s ongoing side project with his producer/guitarist buddy Ryan Siegel, and Ryan has continued to release several recent songs under this moniker, including last year’s “Me Without You” with rising dance music star Kaleena Zanders. Aside from some streaming shows during the pandemic, “Girlfriend” is actually MAX and Ryan’s first recorded project together since 2020. It’s a zippy, enjoyable track to which you can let loose, with the streetwise addition of Canada’s bbno$ and Thailand’s MILLI worked aptly into the mix. Their respective refreshing raps flesh out the song and increase the playfulness count. If you enjoy recent R&B flavoured dance releases by A-Trak or Purple Disco Machine, then “Girlfriend” is worth adding to your favourite playlist. You can check out the video above.

FEATURING

JAY BIRD, ALLIEY XO, “Touch”

Bay area electronic dance producer Jay Bird continues his immersion into deep house, sometimes with retro flavours or inspiration, and “Touch” is another fun track. In collaboration with L.A. vocalist/DJ Alliey XO, “Touch” benefits from a playful vocal and some 90’s techno touches which bring to mind Wildfire’s classic “Renegade Master” or music by the likes of Groove Armada or Deep Dish. “Touch” is a great addition for club DJ’s looking to build excitement in their sets where their audience/dancers can have a great time.

CHURCH OF TREES, “Pet Sematary”

A cover of The Ramones’ 1989 movie theme “Pet Sematary” may not have been exactly something that has crossed your mind, but Ottawa’s Church Of Trees intends to convince you that it is indeed a good thing with their thoughtful take on the song. Picture if you will a slowed-down acoustic piano version that has been expanded to include rock instruments along with some lush synths, which give it a larger-than-life sound, shadowing the late Jim Steinman’s school of production. It features guest Heather Brazeau’s fervid vocal, with breadth in the same vein as Amy Lee or Hayley Williams but with possible nods to Heart’s Ann Wilson and Grace Slick when they’ve sung ballads. Co-produced by CoT’s Bernard Frazer and Blinker The Star’s Jordan Zadorozny (who also plays drums), “Pet Sematary” may just be that new surprise to tickle your fancy. Church of Trees’ next album Transience is due in early 2024.

MATT TERRY, “You Don’t Know Nothing”

The music business can be merciless, and despite two Top 10 hits (which included “Subeme La Radio” with Enrique Iglesias and Sean Paul), that didn’t seem enough for his label and other supposed advocates to support Matt Terry back in 2018. So 2017 the X-Factor UK winner who hails from Bromley in greater London is back as an indie talent, after refocusing his songwriting skills and performing in UK theatre and on cruise ships these past few years, with a funky downtempo slice of business called “You Don’t Know Nothing”. It’s a solid original that’s a step in the right direction, joining the always interesting UK soul and dance genre where some interesting opportunities could await him. It also takes him away from being classified as an interpreter. If you enjoy the songs of Samm Henshaw or Leon Bridges, then be sure to check out the video for “You Don’t Know Nothing” above.

RiTcH, “Big Dream”

“Big Dream” is my big new surprise of a fresh bop this week, only the third single release from British singer/songwriter RiTcH (aka Richard Scholes) who hails from Warrington in Cheshire, England. “Big Dream” is top notch indie bedroom production that immediately caught my ear along with its tale of a former girlfriend who returns coincidentally when the protagonist garners some success, though he’s ready to confront it because he knows she has selfish, ulterior motives. Its uptempo exterior doesn’t clash with the rather sullen nature of the plot. RiTcH provides a solid vocal in the guise of just another guy next door, which puts him on the same playing field as the listener, making “Big Dream” an easily relatable, fine release.

BILL’S NEW MUSIC PICK OF THE WEEK

My New Music Pick of the Week is a 5-7 minute radio segment that airs more than 30 times/week on online radio stations around the world.

“3D” is a fun collaboration between BTS’ Jung Kook and American rapper Jack Harlow

“BIG DADDY” RUSS HORTON’S PICK OF THE WEEK

“Heartbreak Kid” is by West London rock quartet The Vaccines

HUNTER J. WILBUR’S BOP OF THE WEEK

Hunter J. Wilbur is the host of the online radio shows “Modern Hype” and “Addictive Energy” which can be heard on several online stations including Classic Hits Canada.

Wales-born singer/songwriter twst with “Catch Me (Beautiful Fall)”

“THE MUSICMAN” JAMES ROGERS’ CLASSIC FIVE

Vicki Sue Robinson – TurnThe Beat Around
Diana Ross – Love Hangover
Chicago – Another Rainy Day In New York City
John Sebastian – Welcome Back
Steve Miller – Rock’n Me

BILLCS Top 30 #1 SONG

With the release of his 3rd album Something To Give Each Other, Troye Sivan gets a 3rd appearance at #1 with “Rush”

BILLCS Top 30 FASTEST RISER

Bright Light Bright Light’s “Down To One”, and its fun horror movie-themed video, soars 24-12

#BILLCSTop30 #677 – October 23/23

What is wrong in the music business when collaborators can’t even given their vocalists proper credit? I’m not talking about vocalists whose upfront arrangement with their collaborators declines credit, that’s a personal decision. I’m talking about situations like the following:

Vocalist is paid a lump sum NOT to be credited, which is harsh if the vocalist isn’t a songwriter
Vocalist is “new” and because s/he has no “identity”, is deemed not to be credit-worthy
When promoting the song on social media, collaborators don’t even mention or thank the vocalist if otherwise credited
Collaborators don’t decide splits until long after the start of a song was created, and give the vocalist either a puny portion or none at all
Collaborators decide to proceed with recording a song even if the vocalist is not in agreement, which usually results in the vocalist not being credited

I’ve seen all of these scenarios play out. The sooner some artists stop focusing on being “the star” or upholding their “image” and develop a friendlier part of the recording process, the less animosity between artists will occur. Right now many vocalists are simply getting shafted and that wouldn’t have happened before 15-20 years ago, when the majority of the time they were deemed the stars of their recordings.

Here’s the link to the online version of the chart: BILLCS Top 30

Here’s the link to my Spotify playlist of the chart: Chart Playlist

Getting a third appearance at #1 is Troye Sivan with “Rush” (above). His new 3rd album Something To Give Each Other impressively reached #1 in Australia! And then there’s also the enjoyably titillating video for “One of The Girls” which also stars Ross Lynch, which you can check out below.

It looks like “Rush” will be replaced at the top in two weeks by Steve Angello and WH0, whose super-infectious retro 90’s house track “What You Need” climbs 6-2. I learned recently that the song includes a brief sample of Carrie Lucas’ disco classic “Gotta Keep Dancing”. What I’d like to know is what powerhouse vocalist lent her voice to the track because she is awesome!

MAX’s “Strings”, with JVKE and Bazzi, rises 4-3 to match the #3 peak of the song to which it is a sequel of sorts, “Lights Down Low”. Only MAX’s 2015 release “Wrong” (featuring Lil Uzi Vert) has gone higher, reaching #1.

Some of the long-lasting favourites in the Top 10 clear out this week, allowing Denver electronic dance producer Voyajer’s fantastic indie release “Come Around” to move up 7-4.

Michael Medrano’s fun party track “Disco Sleaze” (above) climbs 9-6, and you can check out his latest dance release “Karma” below.

“Need Your Love” (above) by Felix Cartal and Karen Harding soars 17-8, becoming Felix’s 4th Top 10 entry (which includes a #5 “Heartbeat” by his side project Glass Petals) and Karen’s 8th consecutive Top 10 entry, while the lead track from her album Take Me Somewhere, “Wrong Places” (below) rises 30-23.

UK’s Sam Dickinson obtains his 6th Top 10 entry and first since 2020 with the house track “Falling”, which advances 11-9.

Moving 13-10 is “What Do I Got To Do” featuring the slick R&B/pop sounds of Toronto-based singer/songwriter JRDN.

The Fastest Riser on the chart is the increasingly infectious “Down To One” by Bright Light Bright Light, which vaults 24-12. If you haven’t checked out the fun, horror movie-themed video for the song, I’ve put the direct link to the video above. BLx2 is a horror movie connoisseur so you know some of the scenes he borrows are sublime.

“Top Of The World” (above) by Sweden’s John Dahlback and Nashville-based singer Davis Mallory rises 21-13, and it’s another independently released house track deserving of your attention. Davis recently also teamed up with producers D’Amico & Valax, Matisso and Fenox for “Artificial Love”, below.

James Bay’s “Goodbye Never Felt So Bad” (above) continues to move up 20-16, and you can check out the video to his affecting new follow up release “All My Broken Pieces” below.

Miami electronic dance producer Gt_ofice gets two entries on the chart this week! His first, with JAYEM and Alix Robson, “Can’t Deny” (above), moves up 27-21, while his second collaboration with Maryland masked producer ALWZ SNNY, “Feels Like Us” (below) featuring vocalist Robbie Rosen, arrives on the chart at #29. It’s also Robbie’s 11th chart entry since 2020.

The Highest Debut at #26 belongs to BTS’ Jung Kook with hip hop artist Jack Harlow called “3D”. It comes from Jung Kook’s forthcoming album, Golden. He’s the second BTS member to reach the chart as a solo act. The first was JIMIN, whose “Like Crazy” (English version) held court atop the BILLCS Top 30 earlier this year for 4 appearances (8 weeks). Check out the live performance video above.

Then at #27 is another familiar name on the chart, Dutch electronic dance producer Martin Garrix, whose direction in 2023 has seemed to be for more radio friendly hits rather than for clubs. His collaboration with South African vocalist Lloyiso, “Real Love”, recalls Aloe Blacc’s work with Avicii. It’s Martin’s 13th chart entry, following his #1 from earlier this year with JVKE, “Hero”.

Rounding out the debuts at #30 is “Breathe” by Toronto-area producers DVBBS and L.A. vocalist Jesse Jo Stark. It’s quite an unconventional song for both, with eerie trance-inspired production and a sultry vocal outside of Jesse Jo’s usual rock songs. It’s DVBBS’ 5th chart entry, following last year’s “Summer Nights” (#7, with Brandyn Burnette).

ONLINE RADIO SHOWS

You can hear me and many of my blog choices on this growing list of online radio stations and features!

Radio GTA

On Saturdays and Sundays from Noon to 6pm EST I bring you “Your Weekend New Music Mix” six hours of commercial-free music from the 2000’s including many song choices from this blog.

At Midnight EST on Saturdays, you can also hear my new “Retro Pick of the Week” on Russ Horton’s amazing “Top 40 Timeline” oldies show.

Halton Hills Online

“Your Weekend Music Mix” has a second home on Saturday and Sunday evenings from 8pm to Midnight EST! It’s a different mix from Radio GTA’s show, and like that one it is also commercial free.

“The Big 20” also airs on this station at 6pm EST Saturdays, and my “Retro Pick of the Week” plays on Russ Horton’s “Top 40 Timeline” at 4pm EST.

The 3D Variety Show by Planet Radio Canada

Addictive Energy

FM 108

You can also listen to my “Retro Pick of the Week” on Russ Horton’s “Top 40 Timeline” on this station at 6pm EST Saturdays.

For other details about all of the shows, such as dates and times of broadcasts, go to my home page and scroll down to the bottom right side! The schedules are up-to-date.

BILLCS New Music Report – October 18/23 spotlighting new songs by @ManilaKilla & @Linneymusic @NiGHTS_official @CamBlakemusic & @theCodyLawless #The004

Regular readers of this blog and the BILLCS New Music Report know that I write about a lot of upbeat dance tracks, and even this week’s Report spotlights one banger that’s especially versatile. I don’t know whether it was just the selection that I listened to this week, but a lot of the upbeat dance tracks that I heard were much of the styles that are growing stale and tiresome, such as the classic pop/dance song geared for radio play and nothing else, or the more progressive, somewhat adventurous songs that have no hook or lasting ability, and therefore don’t go anywhere. Or, maybe it was just an off week. So the rest of this week’s eight spotlighted and featured songs largely veer away from more conventional dance music, into vocal pop, rock, and hip hop, as well as electronic.

Among the features in the Report, you can check out my pick of the week, along with one from the host of online radio’s “Top 40 Timeline”, “Big Daddy” Russ Horton, plus “Modern Hype” online radio host Hunter Wilbur’s “Bop of the Week”. “The Musicman” James Rogers from online radio’s “3D Variety Show” has his Classic Five pop hits, which span from the mid-60’s to early 70’s this week. You’ll also find out which songs were #1 on the BILLCS Top 30 in each year over the last 25 years.

The BILLCS New Music Report is always a work-in-progress and I welcome your suggestions so feel free to contact me at through my social media links right here.

REMINDER: Click the photo above the artist’s name and song title to hear the song or watch the video.

SPOTLIGHTING

MANILA KILLA, LINNEY, “Sacredly”

“Sacredly” is an unexpected 90’s techno-flavoured banger from Manila Killa, who doesn’t hesitate to take any risks with his most recent releases. With a fun, herky-jerky rhythm, plenty of bounce, and an other-worldly vocal from frequent dance music vocalist/songwriter Linney, Also co-written with Damon Sharpe, “Sacredly” reignites the essence of dancing at a club as an ongoing religious experience of its own that’s been driven by past favourites like “God Is A DJ” by Faithless. The music recalls the late 90’s era of The Chemical Brothers and Darude, and is destined to be a new club favourite.

N i G H T S, XYC, “Spotlight”

Earlier this year, Philadelphia electronic hip hop duo N i G H T S revived their 2018 release “Boyband” with a new video, and this song, which I missed the first time around, really caught my ear, reaching #6 on the BILLCS Top 30. The guys’ latest release “Spotlight” finds them in similarly chill, moody hip hop territory with help from rapper XYC. While their sound sometimes sounds disembodied or disinterested, there are enough playful, if sometimes quite subtle, add-on moments in “Spotlight” which shows how well N i G H T S have honed their unpretentious style over most of the last decade. While it’s not for everyone, if you enjoyed “Boyband” or other songs by N i G H T S then make damn sure you listen to “Spotlight”.

CAM BLAKE, CODY LAWLESS, MYTHOS “Gravity”

Vancouver, B.C. based alternative rock artist and producer Cam Blake offers an unconventional mix of guitars and synths on his new track “Gravity”, which also features fellow Canadian singer/songwriter Cody Lawless (formerly of the project KNOWN) and electro-acoustic artist Mythos. It follows last year’s EP Finding My Way Home and Cam’s debut 2021 album Bad Vacation, in advance of his sophomore release Satisfaction of Sameness next year. Cam has a sometimes gritty voice that stands out in a Geddy Lee kind of way and lends a driving energy to “Gravity” from the slick instrumentation within. The bright and fluid synths sound like a throwback to the 1970’s, yet the song all comes together as an unexpectedly cohesive package which doesn’t quite sound like anything out there, packing an anthemic punch and singalong chorus. Check out the extended video version of the song above.

THE 004, “Can’t Let You Go”

Earlier this year I introduced you to Dutch trio The 004 (Mike, Kelly, and Janet), who have been singing together for over 20 years, and have now released their debut album of 10 songs called We Are. The album is especially tailored for listeners who enjoy a focus on vocal talent, and from it “Can’t Let You Go” could become your go-to track. With minimal instrumentation and clean production, “Can’t Let You Go” is a convincing mid-tempo ballad about doing the right thing and trying to work out your issues with your special someone. The song starts out rather suddenly with Mike’s firm lower register but the momentum builds naturally with the addition of Kelly and Janet, and everything gels completely. Somehow the mood of “Can’t Let You Go” reminds me a bit of Kleerup and Robyn’s 2007 UK #1 collaboration “With Every Heartbeat”, and like that song works its way into being a lovely, heartfelt story.

FEATURING

ERIC OSMOND, “Misfire (Forget Me)”

Electronic music and gaming fans should know that an Osmond is in their midst! The Osmond family name continues on in showbiz with 32 year old singer/actor/fitness trainer Eric Osmond, son of Jay and nephew to Donny and Marie. Eric’s also involved in the gaming world, so knowing this it’s not surprising that “Misfire (Forget Me)” is a darker, electronic release that could easily be part of a gaming soundtrack. It’s a short track that gives you a taste of Eric’s smooth and warm lower register set to compelling, lush synths, and it certainly makes me want to hear more.

CARL MAN, “Celebrities”

UK-Asian singer Carl Man has been keeping busy these past several years on the UK’s west side performing and receiving rave reviews in prominent roles in the plays “Wicked” and “& Juliet”, so I was pleased to hear his first single in three years called “Celebrities”. It’s a light pop delight featuring Carl sounding at his best, initially recorded for an album a few years back that never came to fruition. Some of you may find that the melody and wordplay harken back to Katy Perry’s “Teenage Dream” era, but Carl puts his own playful, energetic spin on it. Carl’s talents first came to my attention years ago with now hard-to-find dance releases “Electrify The Night” and “Music Gods”, about which you can dig further back into my blog pages, and it’s great to have him back with with solid pop like “Celebrities”.

DLG., “Over My Head!”

L.A.-based electronic producer DLG. follows up his recent mellow single “Kung Fu” with the much perkier “Over My Head!”. This release, which has elements of drum ‘n bass and perhaps even hip hop, uses a similar-sounding synth backdrop that reminds me of 60’s go-go music, as well as a spoken/sung vocal style, but additional layers of production give it some added zing which will grab your attention. “Over My Head!” is a brisk, rhythmic track that is one of DLG.’s best releases of the year thus far.

MIKALYN, “Prisoner”

Mikalyn is a promising new pop singer from Guelph, Ontario (just west of Toronto) whose style seems to fall into the relatively new dream pop sub-genre. Her beautiful, poised tone is set to an atmospheric backdrop in “Prisoner” which tells the story about a relationship that is going nowhere, and you know that the only way to fix it is to end it. The hopeful message and soothing tone of the song sound fresh and “Prisoner” is a candidate for all of those morning playlists to help elevate your day.

BILL’S NEW MUSIC PICK OF THE WEEK

My New Music Pick of the Week is a 5-7 minute radio segment that airs more than 30 times/week on online radio stations around the world.

The pairing of two electronic producers, Australia’s Throttle and L.A.’s Helloworld with “Weightless Feeling”

“BIG DADDY” RUSS HORTON’S PICK OF THE WEEK

Bay area electronic dance producer Jay Bird with “Losing My Mind”

HUNTER J. WILBUR’S BOP OF THE WEEK

Hunter J. Wilbur is the host of the online radio shows “Modern Hype” and “Addictive Energy” which can be heard on several online stations including Classic Hits Canada.

L.A.-based producer Kouss with vocalist Anna Kline with “Can’t Go Back”

“THE MUSICMAN” JAMES ROGERS’ CLASSIC FIVE

Crosby, Stills, Nash & Young – Déjà Vu (1970)
Delaney & Bonnie and Friends – Only You Know And I Know (1971)
The Band – The Shape I’m In (1970)
Steppenwolf – Born To Be Wild (1968)
Lovin’ Spoonful – Did You Ever Have To Make Up Your Mind (1966)

25 YEARS OF BILLCS TOP 30 #1’s

Songs that rocked my personal chart at this time during the last 25 years.

2022 JIMI, Francesco Yates

2021 SANCTUARY, Howen & Robbie Rosen

2020 UNDO MY HEART, Karen Harding & Digital Farm Animals

2019 PUSH, Kazaky

2018 PHANTOM OF THE DANCE FLOOR, Kiesza featuring Philippe Sly

2017 SHOW ME, Loud Luxury featuring Nikki’s Wives

2016 NATIVE SON PREQUEL (Jeneau remix), Gramatik featuring Leo Napier

2015 LET YOU GO, River Tiber

2014 I’M NOT THE ONLY ONE, Sam Smith

2013 REWIND, Neverest

2012 SPECTRUM, Zedd featuring Matthew Koma

2011 LASER GUNS UP, Simon Curtis

2010 LOVE PART II, Bright Light Bright Light

2009 SYMPHONIES, Dan Black

2008 SPIRALLING, Keane

2007 APOLOGIZE, Timbaland featuring One Republic

2006 FUTURESEX/LOVESOUND, Justin Timberlake

2005 PRETTY VEGAS, INXS

2004 LOLA’S THEME, The Shapeshifters

2003 SUPERFABULOUS, BT featuring Rose McGowan

2002 SPIN, Lifehouse

2001 BLACK BLACK HEART, David Usher

2000 TWISTED TENDERNESS, Electronic

1999 THE FUTURE OF THE FUTURE, Everything But the Girl with Deep Dish

1998 FOOLISH LOVE, Rufus Wainwright

BILLCS New Music Report – October 12/23 spotlighting new songs by @DVBBS & @JesseJoStark @itsJudeYork @Gt_ofice x @AlwzSnny x @RobbieRosenlive @UltraNatemusic @Les_Bisous

The Autumn months are bringing us some pretty unexpectedly diverse new releases, and I’ve captured eight of them for you in this week’s report, so be sure to give them your attention!

Among the features in the Report, you can check out my pick of the week, along with one from the host of online radio’s “Top 40 Timeline”, “Big Daddy” Russ Horton, plus “Modern Hype” online radio host Hunter Wilbur’s “Bop of the Week”. “The Musicman” James Rogers from online radio’s “3D Variety Show” has his Classic Five pop hits, with a selection from 1975-76. You’ll also find out what are my #1 song and Fastest Riser on the BILLCS Top 30, in case you missed them earlier in the week.

The BILLCS New Music Report is a work-in-progress and I welcome your suggestions so feel free to contact me at through my social media links right here.

REMINDER: Click the photo above the artist’s name and song title to hear the song or watch the video.

SPOTLIGHTING

DVBBS, JESSE JO STARK, “Breathe”

Even after more than 10 years in the music business, artists can still surprise with something most of us wouldn’t have expected from them. The brothers DVBBS (Alex and Chris, originally from Orangeville, Ontario) crashed the UK chart at #1 back in 2014 with Borgeous and Tinie Tempah on “Tsunami”, which opened doors for their dance music around the world, as well as for a steady stream of domestic pop radio hits, like last year’s “Summer Nights” (with Brandyn Burnette). “Breathe” is one of the darkest, eeriest-sounding tracks (just in time for Hallowe’en) I’ve heard in quite some time, perfect for night time at festivals. DVBBS really embrace early trance and techno as well as drum ‘n bass flourishes, with the potent, hypnotic, sometimes minimalist synths and an alluring vocal by L.A.’s Jesse Jo Stark, who is usually found in alternative rock settings. I enjoy it when artists take risks, so DVBBS, Jesse and Spinnin’ Records are to be commended for not letting a great song like “Breathe” gather dust. Club DJ’s will have fun with this one into the wee hours before patrons trek off to their favourite 24 hour diner for breakfast.

GT_OFICE, ALWZ SNNY, ROBBIE ROSEN, “Feels Like Us”

Miami’s Gt_ofice and Maryland’s sunshine-masked ALWZ SNNY saw their early summer bop “Every Thought of You” attain some key national dance radio airplay, which led them to play some shows together too. They follow it up with “Feels Like Us”, and have brought frequent blog visitor Robbie Rosen into the fold. It’s an even better release with a singalong hook, an ode to beautiful summer sunsets and nights where everything about them reminds you of that special someone. Robbie knocks it out of the park with his warm vocal and the producers complement it with a joyous, classically-styled melody. Sometimes you just don’t need to mess with a fine song with needlessly frilly synth effects, and the straight-forward pop/house of “Feels Like Us” should continue to open more doors for these talented artists.

JUDE YORK, “All My Friends Hate Me”

You’ve got to hand it to Australia’s Jude York for taking his initial bunch of alternative pop singles in wildly different directions, from the dreamy ballads “All I See Is Him” and “Mr. Porcelain” through to the knowing but fun “All My Friends Hate Me”. It’s a pop dance track that will appeal to fans of Jessie Ware and Troye Sivan – a perfect companion piece to Troye’s “Dance To This” – but with the affecting and sometimes theatrical vocal flair that we’ve grown to enjoy from Jude. Some dialogue is added to give it extra dimension and connection to his audience, but “All My Friends Hate Me” can probably stand tall as Jude York’s best release thus far.

ULTRA NATE, LES BISOUS, “Dangerous (So Dare Me)”

Legendary American dance music singer Ultra Naté has been a continuing force in the genre years after her halcyon days which gifted us with anthems like “Free” and “Found a Cure”, and even found her on the pop charts with the cover of Gordon Lightfoot’s “If You Could Read My Mind” with Amber and Jocelyn Enriquez. “Dangerous (So Dare Me)” is dance music radio-ready and retools The Pointer Sisters’ 80’s hit “Dare Me” – a familiar place for Ultra Naté to revisit, since one of her biggest club hits was a cover of the Sisters’ “Automatic”. In any event, the punchy percussive and jazz-tinged house backdrop by French producers Les Bisous makes her sound just wonderful, and I’d highly recommend it to club DJ’s who want an alternative to Junior Jack’s early 2000’s wonky “Stupidisco”, another take on “Dare Me”. There is always an audience waiting to get down to fun and invested performances like this!

FEATURING

SURF MESA, GRIFF CLAWSON, “Run”

Surf Mesa (aka 23 year old Powell Aguirre) is the latest dance producer to dabble in trance/techno synth sounds that seem to be in full comeback swing, with his latest track “Run” featuring L.A.-based go-to singer/songwriter Griff Clawson, known for his previous work with Arty and Matoma among others. It follows up Surf Mesa’s recent “City of Love”, a pop-oriented grower that attracted some national dance radio stations and got to #4 on the BILLCS Top 30, but which deserves more attention. While “Run” is infectious enough with its vocal hook, I would tend to pitch it more to dance clubs, who should be able to work with well with those lucid synths to keep their dancers on the floor.

DANIEL RICHTER, “Survive”

Canada’s Daniel Richter, the former voice of hitmakers Eleven Past One, returns with the follow-up to his cathartic ballad “Forget You”, the spirited and reflective “Survive”. Daniel once again sounds in great form with thoughtful lyrics over a familiarly styled pop melody. The theme of remembering and standing by those who support you through tough times is bang on in these times when people need all of the love and understanding they can get. Daniel recently won a local Durham Music Award for his songwriting talents, so we can expect ongoing high quality releases from him.

ROSEBURG, “See You Never”

Last year I introduced you to Utah-based Roseburg, an alternative rock quartet who hail from and proudly rep their hometown Roseburg, Oregon. From their new EP 2 In A Million, I bring you the energetic dis song “See You Never”. Recalling other similar songs by the likes of Paramore but say with inspiration via The Ramones, “See You Never” benefits from great vocals and tight musicianship in a tightly woven, short production. It’s top notch garage rock that makes you want to hear more from Roseburg.

ALEX SAMPSON, “Til The World Gets Sick Of Us”

Although he’s been known to make his social media following swoon with a ballad or two online, Canada’s 19 year old singer/songwriter Alex Sampson clearly also likes to rock out. His previous single, the anthemic Marianas Trench-esque “WANT YOU!” is riding at #16 on the BILLCS Top 30, and its vibrant video has over 300K spins on You Tube. “Til The World Gets Sick Of Us” is a similarly spun, quick anthem that recalls early Fall Out Boy and other bands from the same time like American Hi-Fi. But, with props to producer Dylan Rouda, you can hear Alex’s exceptional vocal tone throughout it all, and the rebellious theme of the song is infectious.

BILL’S NEW MUSIC PICK OF THE WEEK

My New Music Pick of the Week is a 5-7 minute radio segment that airs more than 30 times/week on online radio stations around the world.

From his forthcoming 5th album, it’s Bright Light Bright Light with “Down To One”

“BIG DADDY” RUSS HORTON’S PICK OF THE WEEK

Long Beach, California rock quartet Cold War Kids with “Run Away With Me”

HUNTER J. WILBUR’S BOP OF THE WEEK

Hunter J. Wilbur is the host of the online radio shows “Modern Hype” and “Addictive Energy” which can be heard on several online stations including Classic Hits Canada.

It’s the remix of Noah Kahan’s “Dial Drunk” featuring Post Malone

“THE MUSICMAN” JAMES ROGERS’ CLASSIC FIVE

Paul Simon – 50 Ways To Leave Your Lover (1976)
Glen Campbell – Rhinestone Cowboy (1975)
Neil Sedaka – Laughter In The Rain (1975)
Carpenters – Please Mr. Postman (1975)
Chicago – If You Leave Me Now (1976)

BILLCS Top 30 #1 SONG

Troye Sivan has a second appearance at #1 with “Rush”

BILLCS Top 30 FASTEST RISER

Michael Medrano’s “Disco Sleaze”, in its raw and uncut remix, moves up 17-9

BILLCS Top 30 #676 – October 9/23

While this current streaming era reminds me of the early 1970’s, when record company radio promoters wanted a fast turnover of songs at AM radio to get more and more hits, it also reminds me of the early 2000’s in terms of this personal chart. The difference between 20 years ago and now for me is that I want songs to endure, instead of removing some of them hastily from the chart. While they don’t always make it into my Top 10, all of the songs are added to the chart with that potential in mind. But having 100+ favourites or so each year and keeping them all defined as such in my mind also seems to be an underlying goal amid the plethora of the music that I each week.

Troye Sivan is locked in at #1 again with “Rush” as the October 13 release date of his new album Something To Give Each Other approaches!

“Strings” (7-4) becomes the sixth Top 5 entry on my chart for MAX, his first since “Love Me Less” (#4, 2020). It’s also the third for this year’s go-to guy JVKE, and first for Bazzi.

Steve Angello & WH0’s “What You Need” as its retro 90’s house is making short work of the chart as it climbs 10-6.

The Top 10 is exceptionally busy with three new entries:

Marvel Riot and MOYA advance 11-8 with another 90’s retro house track “Want My Lovin'”. It’s the first Top 10 entry for both artists.

The Fastest Riser on the chart is Michael Medrano’s “Disco Sleaze” in its raw and uncut remix, which soars 17-9 and becomes Michael’s second Top 10 entry following late 2021’s “i don’t wanna talk about love”, which peaked at #5.

GATTUSO returns to the Top 10 with the rollicking “Unstoppable” moving up 12-10. It’s his second Top 10 entry following last year’s “Afterglow” (#8).

The soulful voice of Toronto-based comeback kid JRDN is in full effect on his Canadian Top 40 radio hit “What Do I Got To Do”, which climbs 19-13.

Be sure not to miss out on John Dahlbāck and Davis Mallory’s deep house collaboration “Top of The World”. This uplifting and insanely catchy track climbs 27-21.

The Highest Debut belongs to a huge BILLCS Top 30 regular, Bright Light Bright Light, with the carpe diem dance music energy behind “Down to One”, which arrives at #24. It’s BLx2’s 24th appearance on the chart (including two features with Final DJS) since his first entry in 2010, and he has accumulated 6 number ones. “Down to One” is easily one of my favourites from the last several years, and comes from his forthcoming 5th album. Watch for the horror movie-themed video on Friday October 13 (of course)!

The next debut at #25 is the poignant progressive electronica of “Weightless Feeling” by Australian producer Throttle and L.A. producer Helloworld. Both producers also sing on this track and sound amazing together. While it’s Helloworld’s first appearance on the chart, it’s Throttle’s fourth, but first since 2020. Throttle got to #1 in 2019 with “Dreamer”. “Weightless Feeling” also features a guitar cameo from the awesome San Holo.

“Can’t Deny” is the collaboration between Miami’s GT_ofice, NYC’s Jayem and British singer Alix Robson which premieres at #27. This powerful and fun dance track marks a second visit to the chart for GT_ofice, who charted last year with VASSY on “Tuff” (#11).

Chicago’s Pete Cho is a former restauranteur whose attraction to the music world prompted him to leave the hospitality sector. His latest release, the pop/dance track “Fan Of You”, has a hook that can’t be denied and lands on the chart at #29.

From the new album Take Me Somewhere, Karen Harding gets a second concurrent chart entry with the edgy, darker dance track “Wrong Places” which bows at #30. Her collaboration with Canada’s Felix Cartal, “Need Your Love”, also climbs 20-17. “Wrong Places” is Karen’s 9th entry on this chart since 2020.

ONLINE RADIO SHOWS

You can hear me and many of my blog choices on this growing list of online radio stations and features!

Radio GTA

On Saturdays and Sundays from Noon to 6pm EST I bring you “Your Weekend New Music Mix” six hours of commercial-free music from the 2000’s including many song choices from this blog.

At Midnight EST on Saturdays, you can also hear my new “Retro Pick of the Week” on Russ Horton’s amazing “Top 40 Timeline” oldies show.

Halton Hills Online

“Your Weekend Music Mix” has a second home on Saturday and Sunday evenings from 8pm to Midnight EST! It’s a different mix from Radio GTA’s show, and like that one it is also commercial free.

“The Big 20” also airs on this station at 6pm EST Saturdays, and my “Retro Pick of the Week” plays on Russ Horton’s “Top 40 Timeline” at 4pm EST.

The 3D Variety Show by Planet Radio Canada

Addictive Energy

FM 108

You can also listen to my “Retro Pick of the Week” on Russ Horton’s “Top 40 Timeline” on this station at 6pm EST Saturdays.

For other details about all of the shows, such as dates and times of broadcasts, go to my home page and scroll down to the bottom right side! The schedules are up-to-date.

BILLCS New Music Report – October 3/23 spotlighting new songs by @LSRCity, #LohraspKansara & #NormanAlexander, @VASSY, and @KarenHarding

I don’t generally go to many concerts in the colder months, so the only concert I have left scheduled for the rest of this year is Jessie Ware’s first show in Toronto in 9 years on October 23. If I travel to warmer climates then usually a show or two will happen, but I have nothing planned at this time. Otherwise my next show is in March for Gareth Emery’s LSR/CITY new concert laser experience (see first spotlighted song below)! I have missed Gareth the last two times he’s played Toronto, so I think this one will be quite special.

Among the features in the Report, you can check out my pick of the week, along with one from the host of online radio’s “Top 40 Timeline”, “Big Daddy” Russ Horton, plus “Modern Hype” online radio host Hunter Wilbur’s “Bop of the Week”. “The Musicman” James Rogers from online radio’s “3D Variety Show” has his Classic Five pop hits of southern 70’s rock (yee-haw!). I also have a flashback BILLCS Top 30 for you, this time from the formative year 2016!

The BILLCS New Music Report is a work-in-progress and I welcome your suggestions so feel free to contact me at through my social media links right here.

REMINDER: Click the photo above the artist’s name and song title to hear the song or watch the video.

SPOTLIGHTING

LSR/CITY, ANNABEL, “Like A Prayer”

LSR/CITY is the new project launched by producer Gareth Emery to coincide with his upcoming mega-laser concert extravaganza of the same name. It’s kickstarted with a fast-paced trance cover of Madonna’s 1989 smash with a huge, dramatic arrangement that is offset by the soothing vocal by Annabel, whose voice gave us plenty of feels on Gareth’s “You’ll Be OK” (a 2020 BILLCS Top 30 #1). This refreshing redo of “Like a Prayer” does the original justice and trance music fans will revel in the complex layers of Gareth’s production. I can’t wait to see what kind of laser effects accompany this song when it’s played in concert in my city on March 9! Check out the extended visual mix by clicking on the above photo.

LOHRASP KANSARA, NORMAN ALEXANDER, “Follow Me”

Although it didn’t become a bonafide dance club hit until 10 years later in a Full Intention remix, the original 1992 version of “Follow Me” by New Jersey R&B/dance outfit ALY-US left its imprint on the house music scene with its uplifting lyrics and melody, and even scored pockets of radio play. NYC dance producer Lohrasp Kansara puts a reverent, contemporary spin on “Follow Me”, long a personal favourite of mine (I have the original cassette single!), with a convincing and fresh vocal by Norman Alexander that matches Eddie Lewis’ original. Despite being revived several times over the last 20 years in different forms, in the hands of the right club DJ’s and promoters, this version of “Follow Me” could not only find its way to big clubs and festivals, but could also be embraced by dance music radio all over again.

VASSY, “Krazy”

Australia’s sensational VASSY returns with an anthemic track that has its sight on dance music radio domination again called “Krazy”. A familiar house music instrumental hook certainly helps tease the listener in, and VASSY’s trademark vocal belt kicks in within 30 seconds for the chorus. You’ll also be impressed by the rest of her vocals, which passionately let a story about overcoming obstacles unfold. While it might be a cathartic kind of song, it’s also loads of fun for the listener and club goer, and will undoubtedly please fans who have been waiting for more from VASSY.

KAREN HARDING, “Wild Wild Water”

Karen Harding’s debut album Take Me Somewhere is finally here, and it’s a generous 13 song package, nearly 10 years in the making, including her best known hits “Say Something” and “Undo My Heart” among the songs previously released, plus six new songs. The album was preceded by the alternative dance pop of “Wrong Places”, and “Wild Wild Water” finds Karen dabbling in drum ‘n bass territory. The arrangement gives her voice a workout like you really haven’t heard it before. The songs within the album reinforce Karen’s strength as a gifted songwriter, and they offer her voice in a variety of settings, whether as a deep house belter or a more conventional pop/dance artist. Like “Wrong Places”, “Wild Wild Water” is a highlight of the new songs that you’ll want to check out.

FEATURING

MELØ, “Gone Forever”

Windsor’s MELØ continues to show his versatility with each release, this time with the hopeful alternative synth pop ballad “Gone Forever”. It’s a heartfelt, straight-forward song that reminisces about a past love, but knowing that it’s long over, and time to move on. The ear-catching layers of harmonies really give “Gone Forever” a huge choral lift. From dance pop to alternative rock, MELØ nicely comes full circle with “Gone Forever”.

WAITING FOR SMITH, “White Light of Love”

You have to hand it to Harry Lloyd, the Netherlands-based British force behind Waiting For Smith, and how he manages to spread goodwill and love through his recent songs like the latest, “White Light of Love”, without even a hint of preaching. Written while on a trip to South Africa, the song makes you truly wonder what that white light feels like, and if you’ve ever really felt it before. It’s something only an individual knows, but whatever it is, Harry has a handle on it and why it’s out there. The gentle story-telling behind “White Light” set to an acoustic arrangement is captivating and those of you in the UK can catch Waiting For Smith on tour this month in a variety of cities (check out his IG for further info).

OSVALDO SUPINO, “It Takes A Fool To Remain Sane”

With the emotional pop of “It Takes A Fool To Remain Sane”, Italy’s Osvaldo Supino once again shows off his skills as an interpreter in his latest release. Some of you may know versions of this song by Sweden’s Cornelia Jakobs or Venezuela’s Omar Rudberg, but with his charming and thoughtful vocal, Osvaldo makes the song his own. “It Takes A Fool” is a breezy, bright slice of pop, and the arrangement and vocal give it a lovely sense of urgency.

LATCHMERE, “Fire In The Sky”

After a three year break, it’s a big welcome back to Australian producer Latchmere (aka Shaun Galvin) with his new EP Fire In The Sky, from which I’m highlighting the title track. The song is a brisk mix of pop and deep house that in the aftermath of a love affair seems to reflect on when that love burned at its brightest. Latchmere once again provides his own vocals, which shift from intense to reminiscing. The production balances all of the elements, imagery and emotions which make “Fire In The Sky” memorable.

BILL’S NEW MUSIC PICK OF THE WEEK

My New Music Pick of the Week is a 5-7 minute radio segment that airs more than 30 times/week on online radio stations around the world.

Following up his third album Leap is “Goodbye Never Felt So Bad” by James Bay

“BIG DADDY” RUSS HORTON’S PICK OF THE WEEK

From the upcoming album Hackney Diamonds, it’s “Angry” by The Rolling Stones

HUNTER J. WILBUR’S BOP OF THE WEEK

Hunter J. Wilbur is the host of the online radio shows “Modern Hype” and “Addictive Energy” which can be heard on several online stations including Classic Hits Canada.

“Greatest Mistake” by County Armagh, Ireland born singer/songwriter Ohdrán Murphy

“THE MUSICMAN” JAMES ROGERS’ CLASSIC FIVE

ZZ Top – Tush (1975)
Charlie Daniels Band – The Devil Went Down To Georgia (1979)
Lynyrd Skynyrd – Sweet Home Alabama (1977)
Doobie Brothers – Long Train Runnin’ (1973)
Eagles – Desperado (1973)

BILLCS Top 30 FLASHBACK CHART – 2016

Many performers on this chart from 7 years ago continue to visit the chart regularly such as The Chainsmokers, MAX, Charlie Puth, Victor Perry, Adam Lambert, Matoma, The Disco Fries, Chet Porter, Martin Garrix, Brandyn Burnette, Bright Light Bright Light, and The Weekend!! A formative year for me for sure!

01 01 CLOSER The Chainsmokers F/ Halsey
02 02 NATIVE SON PREQUEL (Jenaux remix) Gramatix F/ Leo Napier
06 03 BALANCE The Him F/ Oktavian
04 04 REST OF MY LIFE Electric Bodega F/ Matt Beilis
09 05 LIGHTS DOWN LOW (Two Friends remix) MAX
07 06 WE DON’T TALK ANYMORE Charlie Puth F/ Selena Gomez
08 07 RAINBOWS Victor Perry
05 08 SHY The Magician F/ Brayton Bowman
12 09 BROKEN Tritonal & Jenaux F/ Adam Lambert
13 10 FALSE ALARM Matoma F/ Becky Hill
11 11 BORN READY The Disco Fries F/ Hope Murphy
03 12 HER AND HIM Mi Disguise x Rouse
14 13 ELEVATED (Joe Mason remix) RKCB
16 14 STAY Chet Porter F/ Chelsea Cutler
22 15 HIGH (Young Bombs remix) Jesper Jenset
20 16 IN MY HEAD Steve James F/ RKCB
18 17 IN THE NAME OF LOVE Martin Garrix & Bebe Rexha
19 18 CLOSER (Sean Turk remix) Brandyn Burnette
21 19 LOVE ON THE BRAIN Rihanna
24 20 LUMINARY Liquid Diet
26 21 I ONLY WANT TO PLEASE YOU Bright Light Bright Light F/ Ana Matronic
27 22 JUST A DREAM Molly Moore F/ Brandyn Burnette
New 23 PLANS Elephante F/ Brandyn Burnette
New 24 STARBOY The Weeknd F/ Daft Punk
10 25 WORSHIP Brandyn Burnette
15 26 SO HAPPY Tony Moran F/ Jason Walker
New 27 UNDERTOW (Anden remix) Satchmode
New 28 VAGUE (Stan Sax remix) Fabian Luttenberger
23 29 DANGEROUS Built By Titan F/ Jesse McCartney
25 30 TAKE ME APART LZRD x Spirix F/ REMMI