BILLCSMUSIC BLOG

Download Far From Over, FrankMusik’s Brilliant New Record

It doesn’t take more than a few listens to realize that FrankMusik has taken a wild path to carve out the latest journey in his music career, arriving with his four song EP Far From Over, in anticipation of a full album release later this year. It’s a leap frog back to his uncompromising style of irreverent electronica that began with Complete Me in 2009 and took a sidestep towards more contemporary pop with Do It In The AM in 2011. But often more than not, the music that he released online for free before and after that last album told the stories which seemed to be stifled by record company disagreements and personal woes.

“Pop, to me, is anything that is mindful of its audience and has an intended structure that is based around deliberate melodic hooks and production techniques.” – FrankMusik

The new four song EP is nothing short of crackerjack. Frequently awash in glimmering, layered synths and effects, the vibrant melodies are led by Vincent Frank’s on-target voice and interesting and often cutting lyrics that are a release from the recent past. Brink Magazine‘s Anais Vaillant had the opportunity to interview FrankMusik in January for Brink’s February/March 2013 edition currently available. She didn’t have to ask many questions for an eager Vince to answer and elaborate further. Read the outstanding interview “The Reinvention of FrankMusik” starting on page 27.

“Inspiration only passes over me when I let the sky fall down on top of me.” – FrankMusik

Vince had already previewed “Captain”, and its frenetic but not chaotic pace keeps your ears glued while you try to keep up. “Map” is the song that sounds off the most, and as the single, it’s a great choice with a particularly accessible melody and rhythm that should find favour in dance clubs (yes, I can’t wait for remixes!). “Thank You” gravitates more towards pop in a gloriously upbeat kiss-off, while the inspiring “The Line” recalls British pop especially from the 70s and early 80s where you could sometimes find entertaining spoken interludes that work well. I can completely relate to the words.

“I want a generation of self-sufficient artists to come up with a definitive sound and style that is truly theirs.” – FrankMusik

I think that Far From Over is about to be an important catalyst for FrankMusik in his current mode as a newly independent performer striving to show that the music industry is made of more than record label-made successes. That he could likely make his mark doing so is impressive – after reading the Brink interview, I can picture him giving a keynote speech at a music conference one day. And it’s exciting to watch everything unfold through the social media. It is like being part of the project where fans and music lovers are taken seriously, allowing the genius and creativity of FrankMusik to flourish into fruition. Far From Over is a record I’ll be playing frequently throughout 2013.

One of the best things you could do in February is to download FrankMusik’s Far From Over for free with an email subscription. While you’re at it, feel free to make a donation to OXFAM. And listen to “Map” below, sung in Japanese!!

SPECIAL THANKS to Brink Magazine for connecting with me to help share their terrific interview with FrankMusik, and for their permission in using excerpts from their feature in this blog post.

FrankMusik “Map” (via Perez Hilton)

Seeing as how I mentioned its imminent release in last night’s blog, you can now listen to FrankMusik’s stunningly upbeat and cutting “Map” through the website of none other than Perez Hilton. I’m sure there’s a story behind this that will be told soon though perhaps Vince didn’t expect this kind of immediate promotion. Nonetheless, no one is going to argue if Perez is happy to to hear a new song from FrankMusik, and his EP Far From Over drops on Thursday. Click on the link below to hear the song through Perez’s site.

FrankMusik “Map”

Vince also posted a pic of the keyboard set up where he recorded Far From Over on Facebook:

BILLCS Top 30 #398 – February 11, 2013

The news on my latest chart is about all of the new songs that look like they will take over within the next few weeks, along with a few asides into songs not on the chart by FrankMusik and (a cover by) Neverest. Exciting! You can view the full Top 30 using the link under ***BILL’S PERSONAL CHART*** to the right, or you can click right here. You can hear all of the songs on the chart or watch their videos by clicking on the pics on the chart page. Any free downloads that are identified are sanctioned by the performer. There’s always a tiny place at the bottom of the blog post with tags and the statement “Leave A Comment” – please feel free to do so

If you watched the Grammy Awards last night, you will have seen a slim young gent sitting next to Carly Rae Jepsen, who alas didn’t win any of the categories in which she was nominated. That is indeed Matthew Koma, who still resides at the top of my chart with the crunchy rocker “1998”. The challenge in two weeks is to hold on to it against one of the most beautiful songs on release right now. That’s “The City” by Toronto’s River Tiber (below), edging up to #2 (they also have songs at #7 and #20!). “Time Bomb (Walk Away)” by Chris Wallace is up to #3 and you can see Chris again on TV in North America on the Kelly & Michael morning show on ABC in 9 days on Wednesday February 20. Rounding out the Top 5 is another top of the chart contender, “Clarity” by Zedd featuring Foxes.

Passion Pit comes to my city next weekend in a sold out show, and “Take A Walk” climbs to #6, while newest single from their Gossamer album, “Carried Away”, bows at #30. New to the Top 10 are the dance raveup “A World Apart” by Davis Redfield at #9, and “If I Lose Myself” by One Republic at #10 – still waiting for a video for the song as well as the Native album to arrive.

Holding at #8 and not on his upcoming EP Far From Over (due on February 14), but still available as a single on iTunes is “Fast As I Can” by FrankMusik. Far From Over looks to be one of the most riveting releases of 2013. FrankMusik has returned to the inventive electronica that won over so many fans with Complete Me in 2009, after heading in a more pop-oriented direction in 2011 with Do It In The AM. It appears to be about being lost in personal and professional turmoil, only to be rejuvenated and found again by returning to his humble beginnings, recording the EP entirely back in Croydon, England after being in L.A. for three years. The first single, “Map”, is as visceral as it is evocative of his earlier style – old becomes new again! I’ll be writing more about the EP after its release on Thursday. To whet your appetite, below is the artwork for Far From Over.

While the middle part of the chart sees songs on the rise from Ne-Yo, Conor Maynard featuring Ne-Yo, Chris Wallace (“Keep Me Crazy”), The Wallflowers featuring Mick Jones, Mika featuring Ariana Grande, Eric Saade, and Justin Timberlake & Jay-Z’s “Suit & Tie”), the fastest riser on the chart belongs to “Learn To Love Again” by UK foursome Lawson, who have found themselves in the UK Top 20 this week. I had the pleasure of seeing the lads in concert on February 2, and they performed a crisp, solid and generous 75 minute set which won over anyone who didn’t know what to expect – considering their album Chapman Square is still not on release over here (memo to Universal Canada: Make it happen!). First, here’s a snap of the band by yours truly.

A bonus to seeing Lawson for the first time in our country was to find out a week before the show that Toronto quartet Neverest would be opening. While they didn’t play for long (20-25 minutes), they sounded in fine voice and very tight musically after working on their new record. We got to hear their hits “About Us” and “Everything”, and even though I got burned on this song with all of its radio play, Neverest made Taio Cruz’s “Dynamite” sound fresh and engaging again. Video below – looking forward to Neverest’s next release… and more shows!

So, it was time for a little house cleaning on the chart, and the five remaining debuts should definitely go places, not only on my chart, but in the music world. I simply can’t get enough of “Lifted” by Kwik Fiks & Bongiovanni, which I wrote about last week, so it arrives as the highest debut at #24. This is a chilled out, deep house version of “Suga Suga” by Baby Bash & Frankie J, which got to #11 on my chart back in 2003. It’s available as a free download right here. “Sail Into The Sun” by Gentlemen Hall has such a shiny, clear sound, you can hear it beckoning Spring to arrive. It premieres at #25 and you can get it as a free download or buy it on iTunes. It follows The Hall’s 2012 appearance on the chart with “All Our Love”, which peaked at #7. While “Youth In Trouble” disappears from the chart after peaking at #20, a much stronger song from The Presets’ Pacifica album is the positively epic “A.O.”, which bows at #26. This one sounds like Blade Runner met Star Wars in a discotheque, with triumphant vocals and a steady build up reminiscent of the duo’s earlier songs like “My People”. Watch the live clip below.

Rounding out the debuts, at #28 is “Heaven” by Depeche Mode, which I wrote about recently, becoming the venerable band’s third song to appear on the chart since its inception (the first being the #1 “Dream On” in 2001) and their most recent being 2005’s “Precious” (#3). AVAN LAVA is a Brooklyn, NY pop/dance band that arrived on the scene in 2008 and has steadily built a following. I don’t think I’m too late to the game by debuting “It’s Never Over” on the chart at #29 about a year after the release of their EP Flex Fantasy. The trio hovers between beautiful lush pop and gritty nu-disco funk – I’d describe “It’s Never Over” as somewhere between Prince and his proteges and early 90’s pop such as Tara Kemp’s “Hold You Tight”. Watch the video below and download the song for free right here. AVAN LAVA headlines a show on March 2 in Brooklyn at the Music Hall of Williamsburg along with Nomi Ruiz of Jessica 6. Get to that show if you can (simply because I can’t!!).

Winter Popervescence #2 featuring Kwik Fiks & Bongiovanni, Nick, Travis Garland, Collin McLoughlin, Cheesa & Charice, and Ashton Zanecki

Kwik Fiks & Bongiovanni, “Lifted”

It’s a gem just waiting to happen. “Lifted” is a totally cool rework of the 2003 Top 10 hit by Baby Bash & Frankie J, “Suga Suga”. Kwik Fiks is producer/remixer Danny Voicu (you may have downloaded his highly futuristic-sounding remix EP of songs from River Tiber’s From Now On EP) along with Montreal based Victor Bongiovanni. “Lifted” is chilled out deep house that is meticulously produced and will keep even the most casual dance music listener on board. The future is now, folks. When I tweeted about the song last night, I included Baby Bash in a mention. And the highest endorsement can only come from the man himself who said “That was pretty dope!” “Listen below and download it for free!

Nick, “Love and War”

While we await what is anticipated to be a spectacular debut album, Nick Hagelin has dazzled us again with a sparkling cover of Tamar Braxton’s “Love and War”. ‘Blue-eyed soul’ and falsettos are two of my weaknesses so I’m akin to coming back for more and more. And the world is waiting for more Nick. Listen below.

Travis Garland, “Didn’t Stand A Chance”

After encountering and writing about his dynamic mashup of “Adorn” and “Diamonds” recently, I took to downloading Travis Garland’s free EP Fashionably Late from his website. Resembling Enrique Iglesias at times, Travis has made quite the progression from a few years back when I saw him performing “Believe” on TV. Like Nick Hagelin, it turns out that Travis has a lovely falsetto and the EP is full of R&B and hip hop inspired tunes, the best of which is this shiny ballad, made even better by his acoustic performance below.

Collin McLoughlin, “If I Lose Myself”

It’s always a daunting task to record a cover of a current favourite of mine, but former “The Voice” contestant Collin McLoughlin has a knack for making songs his own. I think TV show song choices prevented him from advancing further in “The Voice” competition, but Collin definitely has a bright future ahead if his self-produced cover of One Republic’s “If I Lose Myself” is any indication. Without the fancy high gloss of the original but with added soulful grittiness in Collin’s vocal, this is a mighty noteable alternate version. Not stuck on the video for it but regardless give a good solid listen.

Cheesa featuring Charice, “I’m Not Perfect”

In a most ear-catching pairing we find another “The Voice” contestant, Cheesa (pronounced “Chessa”), matched up with singer/actress Charice (from TV’s “Glee” as Sunshine a few years back). The vocals are highly complimentary but it’s definitely Cheesa’s showcase as “I’m Not Perfect” shows off both her power and restraint. And there’s a sublime, punchy, dubsteppy Max Stark remix that’s just been released to add to the fun. Listen below to both the full song and a teaser of the remix.

Ashton Zanecki, “Want U Back”

Sometimes you have to look past the song choice and go right for the gusto. I’ve never cared for Cher Lloyd’s “Want U Back”, but Pennsylvania singer Ashton Zanecki from Wilkes-Barre obviously does, and he has managed to make the song his own. My friends at EQ Music Blog first took notice, and I’m quickly and happily following along. Ashton proves that his imperfectly perfect voice – and I love voices that have that raw appeal *UHHH* – can deliver the goods. It’s a fantastically good natured, fun video too, and you will be smiling afterwords. Watch for yourself and be convinced (he begins singing after a minute of introductions). You Tube viral cover talent scouts, Ashton Zanecki is someone you shouldn’t miss out on.

Alt-Electro: Depeche Mode, Parralox, BAKER, SIRPAUL, Sergey Lazarev, and Everything Everything

Depeche Mode, “Heaven”

It’s rare that I get to write about a group or performer whose entire career has been roughly the same length as my adult life. So I’ve basically grown up with Depeche Mode from listening to – and not really liking – their first album Speak & Spell back in my college radio days in 1981. In fact I didn’t fully begin appreciating the multi-faceted talents of the band until 1984’s Some Great Reward, when it was extremely clear that they were more than just a new wave synth pop band and had to diversify to survive that era in music. And survive they did; they’ve actually made some of their best and most interesting music in recent years and have a repertoire that any band that’s been in the biz for 30 years would kill for.

“Heaven” (video below) is the first single from Depeche Mode’s upcoming album Delta Machine, due at the end of March, their first for Columbia and latest since 2009’s hit-and-miss Sounds Of The Universe. It’s a languid affair but it does feature a most compelling and passionate vocal by Dave Gahan that definitely pulls you in and brings you back again. I’m sure the band will mix it up for the new album, but think of the song for lack of exact comparisons as “I Feel You” (without the blistering guitar sounds) meets “Stripped” with a dash of “Precious”. Would love to hear some true Depeche Mode fan comments about this one!

Parralox, “Enjoy The Silence” and “Heaven”

In those 30-plus years, Depeche Mode has influenced an endless array of performers. I’ve been writing about Australian electronic duo Parralox recently, and they have been one of the first out of the gate not only with an electronic cover of “Heaven”, but also a reverent and most welcome cover of the band’s biggest North American hit “Enjoy The Silence”. This time John takes on lead vocals from Amii and brings another dimension to the duo’s growing catalogue of songs. It’s no mean feat to carry off covers like these but Parralox performs them in style and they can easily help make them contenders in electro dance this year after already receiving positive notice with “Sharper Than A Knife”. Watch the video for “Enjoy The Silence” and listen to their take on “Heaven” below.

BAKER, “Overload”

It’s only been a few weeks since the video for BAKER’s “If U Love Me” dropped, but after hearing the Red One-produced “Overload”, it’s absolutely no surprise why this one couldn’t wait. This is one of those exceptional powerhouse arpeggio-laden dance records that could send BAKER into the international dance charts. It’s sound goes hand-in-hand with Red One’s contemporaries like Calvin Harris, David Guetta, Ian Carey, and others, but what makes the difference here is BAKER’s stunning vocal, which helps raise the bar even higher. Listen below.

SIRPAUL, “Glow”

SIRPAUL is a New York singer/producer/remixer who has been making music by his own set of rules for the last 15 years. After establishing himself as a force in his own city, his music has been spreading around the world. To be honest, I had only just heard of him when his song “Going Down In La La Land” was a highlight on last year’s absolutely essential This Beat Is…Poptronik Volume One collection. Since then he’s released his latest album The Horse, from which comes the latest single “Glow”, highlighted by an expensive-looking video with some beautiful images below. The song sparkles and has a killer vocal that stands out from the rest.

Sergey Lazarev, “Take It Off”

Some of you may know Sergey Lazarev as one half of Russian group Smash during the last decade. Others may know him from his cover of Johnny Hates Jazz’s “Shattered Dreams”, whose video was clearly shot in my city and looks like Sergey had Yonge Street all to himself (below) 😉 “Take It Off” is from his latest album Lazarev, available on iTunes, a dance track with an upfront flirty intent. You can see how much Sergey’s vocals have progressed since “Shattered Dreams”; you can’t have such a tease of a song without having a commanding vocal. Watch the live performance of “Take It Off” from last summer below. A video for the song has been in production and I hope it will surface.

Everything Everything, “Cough Cough”

Mighty drums are ablaze and surely what will attract you to the latest single from UK quartet Everything Everything. “Cough Cough” comes from the band’s sophomore album Arc, released last month in the UK. It’s definitely an alt.mix of tribal rhythms and electronics that will lift you out of your seat and make you watch and listen, particularly if you like other similar bands such as The Presets or Depeche Mode. The band is signed to The Strokes’ singer Julian Casablancas’ label Cult Records for North American release, and will see an EP of “Cough Cough” on release February 5. Everything Everything also performs two shows at SXSW in March.

BILLCS Top 30 #397 – January 28, 2013

You can view the full Top 30 using the link under ***BILL’S PERSONAL CHART*** to the right, or you can click right here. You can hear all of the songs on the chart or watch their videos by clicking on the pics on the chart page. Any free downloads that are identified are sanctioned by the performer. There’s always a tiny place at the bottom of the blog post with tags and the statement “Leave A Comment” – please feel free to do so

The top of this edition’s chart is Matthew Koma territory. The punk-flavoured rocker “1998” (listen to the song up above) replaces his own “Parachute” at #1. For some neat chart geekery ;), this is the first time a performer has replaced himself at the top since Darren Hayes’ “How To Build A Time Machine” replaced his “Me Myself And (I)” at #1 at the end of 2007, though Simon Curtis’ “Laser Guns Up” got to #1 right after he was featured prominently in Ro Danishei’s “Wicked Baby” in Fall 2011.
River Tiber’s “The City” is Matthew Koma’s rival for #1 in two weeks. It’s a beautiful and unique song from the album Synapses, available as free download. If that’s not enough, River Tiber’s “What Are You Afraid Of” advances to #7, and the rockier opening song from the album, “Reverie”, premieres at #25 (listen below). River Tiber is once again playing Canadian Music Week in March in Toronto.
Chris Wallace’s “Time Bomb (Walk Away)” rises to #4, while my #2 song of 2012 “Remember When (Push Rewind)” is still gaining in airplay after four months on the Mediabase chart. This past week, Chris performed on the Jimmy Kimmel late night show on ABC, where he performed “Remember When” and my #15 song “Keep Me Crazy” (video clip below). He also now has over 305,000 followers on Twitter 😮

FrankMusik’s “Fast As You Can” (#8, video below) becomes the latest of the singer’s long line of Top 10 songs on this chart over the past two years. At this point, it looks like you will find the song only as a single on iTunes. Frank has retitled his EP Far From Over, and has revamped the song lineup (also excluding the gorgeous “Hurt You Again” 😦 ) and has set February 14 as the release date.
Passion Pit has sold out its Toronto show with Matt & Kim (missed my opportunity for tickets). The lead single from Gossamer, “Take A Walk”, has long lasting legs and rises to #9 this week. Meanwhile, Matt & Kim continue to climb with “Now” at #14.
The fastest riser on the chart at #10 belongs to Zedd’s emotional dance treatise “Clarity”, featuring perfectly matched vocals by Foxes (video below).

“If I Lose Myself” is One Republic’s best single in a few years, and it climbs to #12, while the uplifting “Let Me Love You” by Ne-Yo also moves up to #13. Ne-Yo’s also featured on Conor Maynard’s most enjoyable “Turn Around” at #21.
Some recent debuts have kicked into high gear: “Reboot The Mission” by The Wallflowers featuring The Clash’s Mick Jones as at #16, while Davis Redfield’s dancefloor stunner “A World Apart” bolts to #17. “Miss Unknown” to me is the better of two recent Eric Saade singles and it rises to #18. Videos for all are below.

Besides River Tiber’s “Reverie”, there are two other debuts. One is “Learn To Love Again” by UK quartet Lawson (video below), which I wrote about recently. The band is in my city and I’ll be checking out their show on February 2. But the highest of these is, not surprisingly, Justin Timberlake & Jay-Z’s “Suit & Tie” at #23. Given that the song is everywhere, I’m looking to see if it lasts or burns out. I’m still quite enjoying its breezy, retro-Motown flare (official lyric video below) – which promotes dressing up in style too. Nothing wrong with that! It’s JT’s first lead billing to chart since “What Comes Around…Goes Around” in mid-2007. He has shared billing since on “Until The End Of Time” with Beyonce, “4 Minutes” with Madonna & Timbaland, and “Hallelujah” with Matt Morris and Charlie Sexton. Of course JT has also been featured on charted songs by Timbaland, T.I., and Ciara. He’s had four #1’s on my chart – “Rock Your Body”, “SexyBack”, “FutureSex/LoveSound” and “LoveStoned/I Think She Knows”).

Rocking On: New Order, David Usher, Magneta Lane, and Final State

New Order, Lost Sirens

I had the pleasure of attending New Order’s October concert in Toronto, my fourth time seeing the now-quintet but the first time since 1993. New Order created some of my most favourite music of the 80s and early 90s – “Blue Monday”, “The Perfect Kiss”, “Temptation”, “Fine Time” among others. While the group no longer had Peter Hook’s one-of-a-kind bass playing in the mix, the diversity of their 30-year repertoire plus the bang-0n addition of bassist Tom Chapman and the return of keyboardist Gillian Gilbert to the fold all took precedence (multi-instrumentalist Phil Cunningham had replaced Gillian for the Get Ready album). It was probably the most entertaining and tight New Order show I’ve seen, with Bernard Sumner a particular joy on stage, the most communicative and appreciative the band has been. They announced at the show that Lost Sirens would be dropping in January, this set consisting of songs that didn’t make the final cut for the 2005 swan song with Hook, Waiting For The Sirens’ Call. There is so much great music out there in storage that none of us will ever hear, so I’m pleased that New Order chose to raid their vaults.

Lost Sirens is more than simply impressive as the group’s 9th album, even though it won’t see the light of the same kind of hype that a brand new album would be given by its record company. While the songs may not have fit into what they wanted in ’05, 8 years later they are highly contemporary while remaining definitively New Order. It doesn’t get much better than “Shake It Up”, which would normally be a New Order song that would take off in dance clubs. “Hellbent” has some driven guitar work and effects, while other songs like “California Grass” and “I’ve Got A Feeling” change up the mood as you might expect in any New Order album. Bernard sounds as fine here as he did in concert. So I hope Lost Sirens isn’t the last we hear from New Order. Peter Hook is also on tour playing songs from Joy Division’s records. Perhaps Bernard and Peter will bury their differences for at least one more album together, who knows? You can stream Lost Sirens in its entirety at Rolling Stone’s website right here.

David Usher, “Operator”/”Répondez-moi”

It’s hard to believe that I haven’t written about David Usher in these pages over the last three years. Having seen him about a half dozen times in concert and heard all of his albums, with many favourites I play regularly (“Black Black Heart”, “Blinded”, “Kill The Lights”, “The Music”, and more) I am having some difficulty connecting with his 8th solo album Songs From The Last Days On Earth. It’s essentially a mellow side of David that reminds me most of his debut solo album Little Songs, recorded in 1998 when he was on a break from his band Moist.

I guess I prefer a mix of edgier rock and soft songs from David, but I’m glad he’s released “Operator” as a single from Last Days On Earth. It has that familiar theme of wanting to call and talk to someone, but not getting through, but with a difference – it’s the end of the world. It’s a song that features one of David’s best vocals on the album and hopefully will help reignite my interest in it. Residing in Montreal and being bilingual, he’s been taking advantage of recording songs in French (most notably “Je repars” – the French version of “I’m Coming Down” – with Quebec chanteuse Marie-Mai two years ago), so “Operator” is also available as “Répondez-moi”. Listen to both below. If David is on tour, you can’t go wrong by checking out his show and his 14 year song catalogue.

Magneta Lane, Witchrock

Savvy Toronto indie scenesters will know all-girl trio Magneta Lane from their three previous releases, which were all recorded when they were teens between 2004 and 2009. When you thought that too much – well too much everything – had done in the band, they have resurfaced with the four song EP Witchrock. Since I hadn’t heard their early material, I’m treating Witchrock anew. Led by singer Lexi Valentine and featuring bassist French and drummer Nadia King, Witchrock is a bona fide throwback to post-punk women of the early 80s like Debbie Harry, Chrissie Hynde, and Joan Jett. The band also cites singers like Courtney Love and Patti Smith as inspiration, but with a three-piece band it’s hard not to think of The Runaways, but with a modern twist. Teaming up with producers Rick Jackett and James Black of Finger Eleven, Witchrock delivers a sparse but highly melodic sound that showcase’s Lexi’s forthright vocals. The best songs within are the scathing “Burn” and the bass-led rave-up “Lucky”. Witchrock is due for release on February 12 and the trio will be performing at Toronto’s The Rivoli on February 14. Watch the teaser trailer below.

Final State featuring Laurence Pagé, “Make Up Your Mind”

Every now and then I come across some bilingual songs from Quebec performers and I wonder why they can’t cross over to the rest of Canada. The latest is “Make Up Your Mind” by Final State, the Quebec City quartet led by singer Rick Pagano. Add female singer Laurence Pagé (noted for a viral cover of Flo Rida’s “Whistle”) and you have this insanely catchy slice of sincere and danceable pop/rock reminiscent of groups like The Midway State that deserves a wider audience. Watch the video below and see why!

Winter Popervescence #1: Gentlemen Hall, Andreas Moe, Adaku, Chloe Charles, Darin, Bastille, and Max Schneider

Two more of my 13 Performers To Watch for ’13 also have new music for us already – Gentlemen Hall and Andreas Moe – making it five (the others being River Tiber, Lawson and Baiyu).

Gentlemen Hall, “Sail Into The Sun”

The sharp melody of “Sail Into The Sun” will come at you from all directions, which is probably why Samsung has chosen to feature it in their 30 second ad for their smart camera. So you’ll be hearing the song for the better part of the year, and thus it’s perfect for pop radio. Aside from that melodic razzle dazzle, the song is as tight as anything you might expect from the Boston sextet, whose When We All Disappear EP continues to be a free download from their website. “Sail” and other songs from Gentlemen Hall’s upcoming album should put them all over the international map this year. “Sail” is also a free download from the band’s Soundcloud page below.

Andreas Moe, “This Year”

Swedish singer/songwriter Andreas Moe continues with the upbeat, melodic, and acoustic-based sound he began with on last year’s Collecting Sunlight EP with “This Year”, also the title of a new EP just released in Scandinavia, with the rest of the world to follow in March. Andreas has the fantastic ability to create music that anyone can relate to, and make it sound unlike anything out there, with sparkling multi-octave vocals, standing out as a rich effort in a crowded playing field. Watch “This Year” and listen to three other snippets from songs from the EP below.

Adaku, “Or You Can”

I first wrote about this song by Nigerian-born singer/songwriter Adaku last July, when its unique sounding take on retro R&B styles (and a catchy, singalong chorus) caught my ears. It’s taken sometime, but a video for the song surfaced last week, and I must say it’s one of the most enjoyable, best-directed videos I’ve seen in quite sometime. Rather than focus on a story based on the lyrics, the video has a 50s/60s look with an easy-going but engaging storyline that simmers along, making you unsure about what will happen until the last few frames. Both the song and video are such winners, watch below and spread the word! Adaku is currently working on a full album release. Fans of Jill Scott, Corinne Bailey Rae, and Norah Jones will particularly enjoy this.

Chloe Charles, “Business”

Canadian singer Chloe Charles has already established a solid following in eastern Europe, particularly Germany. Her classical jazz-influenced pop sound will appeal to those of you who enjoy Rufus Wainwright, Regina Spektor, and Kate Bush in “Business”, from her upcoming album Break The Balance (already on release in eastern Europe). Chloe is also a classically trained guitarist who has already been written up in major press worldwide. Watch for her to make a splash domestically in March (she’ll also be performing during Canadian Music Week). A bit of interesting trivia: She’s a step-sister of Julian Lennon, her mother being Cynthia Lennon.

Darin, “Playing with Fire”

There was a bit of a gap between recent single “Nobody Knows” and “Playing With Fire”, but the latter has now been released in Scandinavia in anticipation of the singer’s new album Exit, due on January 30. Darin Zanyar has been poised for international success since 2008’s Flashback album, but it hasn’t materialized after oodles of hits in Scandinavia and Germany, including “Breathing Your Love” (with Kat DeLuna) and “Lovekiller”. He’s shifted his style from being Europe’s equivalent to Jesse McCartney to a more dance-oriented pop sound this time around. Thematically, “Playing With Fire” is nothing new but Darin’s commanding vocal puts it over the top. I’ll be interested in hearing more from Exit to see if this will be the record to break him outside of Europe.

Bastille, “Pompeii” (Monsieur Adi remix)

Perhaps I’ve missed the initial buzz about this new UK quartet that has apparently signed with Virgin/EMI, but what better way to find out than through an exceptional 90’s sounding house-y Monsieur Adi remix? “Pompeii” scores big with Dan Smith’s Chris Martin-ish vocal and a verse (“How am I going to be an optimist about this?”) as they parallel being in the crumbling title city to the collapse of a relationship. Original version and remix are below for you to hear. Bastille’s album Bad Blood is due in March and they are playing SXSW.

Max Schneider, “Quicksand” and “So Sick” (cover)

Youngins will know New York-born Max as one of the featured cast of Nickelodeon’s now-cancelled “How To Rock” TV show, others will know him from being featured in a prominent Dolce & Gabbana campaign with Madonna a few years back (he also looks a bit like Nick Jonas). Well young Max has a fine, big, soulful voice that stands alone without special effects thank you, and he’s also a talented songwriter, composing songs for his former show, “Shake It Up”, and the TV movie “RAGS”. An album is due this year, and if its songs will be of the same calibre of “Quicksand” and his cover of Ne-Yo’s “So Sick” (with Kurt Schneider and Sam Tsui), then you can look for more about Max Schneider in this space.

BILLCS Top 30 #396 – January 14, 2013

There continues to be a significant one! two! three! punch leading my personal chart. Two of those come in the form of soon-to-be-powerhouse Matthew Koma, whose “Parachute” leads the way with “1998” at #3 and a contender for #1 in the coming weeks. Slotted in-between is “Yeah Yeah” by Willy Moon, which seems to be picking up more fans as the weeks go on. “Play The Girl” by Tao Hypah – who has another new song coming for you soon, glides to #4 (video below, if you haven’t yet seen it), while “Time Bomb (Walk Away)”, my choice for single #2 from Chris Wallace’s Push Rewind album, moves up to #5. Chris seems to be popping up everywhere in the USA; an L.A. show is on deck.

You can view the full chart using the link under ***BILL’S PERSONAL CHART*** to the right, or you can click right here. You can hear all of the songs on the chart or watch their videos by clicking on the pics on the chart page. Any free downloads that are identified are sanctioned by the performer. There’s always a tiny place at the bottom of the blog post with tags and the statement “Leave A Comment” – please feel free to do so

Making news in these pages again but this time on the chart is Toronto band River Tiber (pic at the top of this page), whose second album Synapses is available for free download from their website. In it you will find the song now at #10, “What Are You Afraid Of”, but becoming a huge deal with a debut at #6 is far and away one of the most unique songs of 2013, “The City”. I can’t provide you with a link to hear it online, so you’ll just have to take my word for it 😉 but perhaps Tommy Paxton-Beesley will offer something up in the near future 😀 Nevertheless, it’s a quiet but heartfelt song about moving on, set to a nifty electronic backdrop. River Tiber played an excellent set at The Drake Hotel on January 7 to an unexpected packed room. It’s amazing how far River Tiber has come since I saw them during Canadian Music Week in a 3 a.m. show.

Bim’s gorgeous and emotional “Burn” rises to #9 this week, while “O.V.E.R. U.” by Daniel Bedingfield becomes the second top tenner from Secret Fear-Stop The Traffik at #8. A video is in the works but below is a new official lyrics video that was introduced recently for the song.

I’m currently wading through the complexities that comprise Passion Pit’s sophomore album Gossamer. It has the unusual mix of highly personalized lyrics by leader Michael Angelakos along with an eclectic, fanciful blend of rock and electronica – nothing out there quite sounds like Passion Pit. And when you hear “Take A Walk” (below) it commands attention and heads start to bob. The song advances to #12, and after catching a repeat of Passion Pit’s songs on Saturday Night Live, I’m even more looking forward to seeing them in concert in February. Also playing on that bill in Toronto will be Matt & Kim, whose “Now” rises to #16.

The lower part of the chart is brimming with entries from the last few charts. Ne-Yo’s “Let Me Love You” is up to #17, with more Chris Wallace in the form of album track “Keep Me Crazy” at #18. The fastest riser is the unanticipated electronica-heavy “If I Lose Myself” by One Republic at #19. It looks like more than a smattering of influence of Swedish House Mafia has rubbed off on Ryan Tedder and band – you can kind of hear the melody of “Save (The World Tonight)” inside of “If I Lose Myself”. “Youth In Trouble” from The Presets’ latest album Pacifica lands at #20 (listen to the epic Green Velvet remix below – you can download it with your email addy for free right here), while “Reboot The Mission” by The Wallflowers jumps to #22.

Besides River Tiber’s “The City”, three other songs debut on the chart. Zedd & Foxes team up for “Clarity” at #21, soon to be one of my most played songs of the year, which I wrote about just recently. I also wrote about the dance explosion that is “A World Apart” by European producer/DJ Davis Redfield, featuring a fantastic yet hitherto unknown female voice, and it arrives at #27. At #29, somewhat belatedly but definitely a grower, is “Turn Around” by Conor Maynard featuring Ne-Yo. Conor already has chart experience in these pages with last Spring’s “Can’t Say No”, and this third single from his Contrast album definitely makes ears perk up when you find out how good the voices of Conor and Ne-Yo sound together (despite the weak-ish video below). This young English buck has the vocal chops, and his next album should really tell the tale.

Justin Timberlake featuring Jay-Z “Suit & Tie”

This early morning blog post is brought to you by the new single from Justin Timberlake, “Suit & Tie”, which was finally released today after a lot of online teasing last week. Well, let’s face it, JT is using the newer medium that was just on the rise at the time of his 2006 album FutureSexLoveSounds, when the music fan world was wrapped up with MySpace (which coincidentally he is instrumental in reviving).

“Suit & Tie” is definitely recorded by a guy in love. It’s a breezy, slight dash of blue-eyed soul, highly reminiscent of early 70s songs by Marvin Gaye or Smokey Robinson. I don’t think Jay-Z’s rap adds anything to the record personally. This is really all about JT’s voice, and less this time about the innovation that scored with “SexyBack” in ’06 (both that song and the album were my favourites of its year). So let’s see how it competes with the rest that’s out there!

Kudos to my fellow online music buff Kurt Trowbridge, who guessed both the name of the single and album (The 20/20 Experience) days before release. Well done!