disco – BILLCSMUSIC BLOG

BILLCS New Music Report – July 18/24 with songs by @itsJudeYork, @Mercer_music & @RonCarrollBMC, @AndrewBayer & @djOliverSmith,Eyeglasses @iainsforrest,@grabbitz, and @NathanBallhq

It’s been a busy week, so I have no additional commentary to preface this edition of the BILLCS New Music Report. Enjoy the songs and features!!

In the Report, you can also check out my pick of the week, along with a record of the week from the host of online radio’s “Top 40 Timeline”, “Big Daddy” Russ Horton, plus “Modern Hype” online radio host DJ Hunter’s “Bop of the Week”. In case you missed them on Monday, you’ll also find out what songs are #1 and the Fastest Riser on the current BILLCS Top 30. Please note that “The Musicman” James Rogers’ Classic Five is currently on hiatus.

The BILLCS New Music Report is always a work-in-progress and I welcome your suggestions so feel free to contact me at through my social media links right here.

Reminder: Click on the photo to watch the video or listen to the song.

JUDE YORK, “Monaco”

Australia’s Jude York has acquired a worldwide following with his unique brand of pop, sometimes mixed with danceable rhythms. From the swoon-worthy old school sounds of “I Won’t Need To Dream” to the lyrical wordplay towards the man of his affection with “Mr. Porcelain” and the pop rave up of “All My Friends Hate Me”, all previously written up in this blog, Jude has put his thoughts and personality on full display these past few years. “Monaco” brings it all together with Kylie Minogue flair in a song completely written and produced by Jude. It’s got an irresistible chorus which transports you to sunny Monaco for a three minute pop-dance vacation. Jude has recorded dance music previously under other names, so this is a full-circle moment. “Monaco” has huge dance radio potential and its release on Spinnin’ should help it get there.

MERCER, “Disco Sermon featuring Ron Carroll”

French dance producer Mercer has had the distinction of acquiring three number one’s on the BILLCS Top 30 to date out of his four charted entries. Little did I know until recently that he co-wrote Lady Gaga’s “Applause”, one of my Gaga faves which got to #2 as well, and he has worked closely with artists like DJ Snake, Cerrone, Tchami and Malaa, sometimes in the background as an engineer. And Mercer is one of a few contemporary producers who does disco proud. His latest release “Disco Sermon featuring Ron Carroll” is no exception, as he partners once again with the Chicago house notable (their first collaboration was 2018’s “Satisfy”, which samples Don Ray’s disco hit “Got To Have Loving”, and is one of those BILLCS Top 30 #1’s). And what better to preach the word of disco than the expressive voice of Ron Carroll? This “Disco Sermon” will unite club goers on the dance floor, for the power and presence of the 70’s most enjoyable music genre is very much alive, it never really went anywhere except back underground while other sub-genres which couldn’t have existed without it (house, trance, etc.) rose to the fore. “Disco Sermon” is a lot of fun, and any club DJ who appreciates the history of dance music and the impact of disco should be playing it.

ANDREW BAYER, OLIVER SMITH, “Rude Boyz”

Two Anjunabeats headliners, Grammy-nominated Washington DC native Andrew Bayer and the UK’s Oliver Smith (the first artist signed to the label), combine forces with the fun trance-flavoured bop “Rude Boyz”. It’s essentially an instrumental, with some vocals used as effects, and it plays on some familiar trance sounds and effects, but then tosses in arpeggios and some cool drops to really diversify the mix. Having been to see an Anjunabeats show before (which included Oliver), I’m certain that “Rude Boyz” would be an in-demand crowd-pleasing highlight when played in a set by Andrew or Oliver. Its euphoric melody will keep the audience raging and bouncing, so it deserves to be a centrepiece of a set.

EYEGLASSES, “Beautiful Things”

It’s hard to listen to covers of one of your favourite songs, knowing that none is likely to match it. But this cello instrumental take on Benson Boone’s massive “Beautiful Things” (a BILLCS Top 30 #1) manages to stand on its own. Eyeglasses is the performing name for Iain S. Forrest, who is a medical student in New York City and plays free performances in subways and throughout NYC. He’s received notice on social media and TV for his performances, and sadly last year, he was attacked in a subway by a deranged person and was struck on the head with a big object. While it took him some time to recover, particularly psychologically, from the incident, Iain is back performing in public. His arrangement of “Beautiful Things” is stunning and captivating, his cello sings on its own, so be sure to check it out. He’s also begun releasing vocal originals like “Tomorrow’s Dawn” which you can listen to at the following Spotify link: Eyeglasses.

GRABBITZ, “In The Dark”

Acclaimed electronic artist Grabbitz continues to dazzle with songs like the title track from his 3-song EP In The Dark. The L.A.-based, Buffalo, New York singer, songwriter and producer offers a creative mix of progressive electronica and dubstep in this compelling track. The production is highly layered and brings some surprises, like a short spoken word interlude. With taking some risks in the production, “In The Dark” stands apart from a lot of same-sounding progressive electronic dance music. Its theme of self-isolation could prompt a discussion about mental health and the need for some people to be alone at certain times, which often leads others to worry rather needlessly instead of trying to understand the big picture. To the special attention of producers/remixers, he has also placed the stems for his songs on his website for your use. Website link: Grabbitz.com. The website also includes a digital booklet containing the lyrics to the three songs on his EP.

NATHAN BALL, “Stateline”

House music fans know Cornwall, England-based talent Nathan Ball as the current touring vocalist for the seminal dance band Faithless, who frequently tour in the UK, Europe and Australia. In fact, Faithless reached #1 on the BILLCS Top 30 with the mesmerizing “Synthesizer” in 2021, which featured Nathan on lead vocals. But with “Stateline”, Nathan steps back into a grounded indie singer/songwriter pop/folk mode in refreshing song about being young, dreaming, and in love, only to reach that stage that eventually happens to us all when reality bites. It’s hard not to like a song like this with an earnest vocal which would appeal to fans of Niall Horan and Ed Sheeran. While it’s great to hear Nathan as part of the ongoing Faithless clan, it’s also cool to see him creating a parallel identity which could serve him well long after his time in Faithless comes to an end.

BILL’S NEW MUSIC PICK OF THE WEEK

My New Music Pick of the Week is a 5-7 minute radio segment that airs on several online radio stations around the world, and debuts throughout the summer each Wednesday at 10pm EST on The Big 20 on Halton Hills Radio Online. “The 3D Variety Show” in which it normally debuts on Tuesdays, is on hiatus and will return in September.

Swedish electronic production duos Jubël and NOTD pair up for the irresistible “Chocolate”

“BIG DADDY” RUSS HORTON’S RECORD OF THE WEEK

“Big Daddy” Russ Horton is the host of the “Top 40 Timeline” radio program and owner of online station Halton Hills Radio Online. You can hear my Retro Pick of the Week every week on the “Top 40 Timeline”. Russ’ record of the week can also be heard each week on “The Big 20”.

“Better Days” is by veteran rockers Staind

DJ HUNTER’S BOP OF THE WEEK

DJ Hunter is the host of the online radio shows “Modern Hype”, which can be heard on several online stations, and “Pyjama Party”, with both shows anchored at Energy 885. Hunter can also be heard weekdays at 2pm EST on Party Dog Radio. Hunter’s bop of the week can now be heard each week on “The Big 20”.

It’s Belgian alt.pop singer Tessa Dixson with “Way Back”

“THE MUSICMAN” JAMES ROGERS’ CLASSIC FIVE

The “Classic Five” will return.

BILLCS Top 30 #1 SONG

Felix Cartal and Lights continue at #1 with the Live String Version of “feel less”

BILLCS Top 30 FASTEST RISER

Rising 27-18 it’s “Mi Amor” by Sam Feldt, JVKE and Anitta

#BILLCSNewMusicReport – July 27/23 spotlighting songs by @SteveAngello & @thisisWH0 @GATTUSO @SamDickinson Michael Medrano @stachepapi

There were so many songs that came my way over the past few weeks that are heavily influenced or inspired by the original disco music of the 1970’s, that I had to bundle them together for you, in an energy-filled Report this week. What’s been labelled as Nu Disco never really graduated to the big time over the past few years, but the way that some of this year’s producers are incorporating classic disco style in their songs could spark a very happy trend! You need to have lived through it, but disco music created some of the best times of people’s lives, and to be able to feel that again in today’s music is special. Coincidentally, today’s WORDLE game answer was DISCO (but I got it in five tries :P).

Among the features in the Report, you can check out my pick of the week, along with one from the host of online radio’s “Top 40 Timeline”, “Big Daddy” Russ Horton, plus “Modern Hype” online radio host Hunter Wilbur’s “Bop of the Week”. “The Musicman” James Rogers from online radio’s “3D Variety Show” has his Classic Five pop hits feature with some classics from 1979. I also have the list of songs that topped my chart at this time of year since 1998.

The BILLCS New Music Report is a work-in-progress and I welcome your suggestions so feel free to contact me at through my social media links right here.

REMINDER: Click the photo above the artist’s name and song title to hear the song or watch the video.

SPOTLIGHTING

STEVE ANGELLO, WH0, “What You Need”

Swedish House Mafia’s Steve Angello kicks off his new Size record label with a ferocious start with “What You Need”, in collaboration with masked British producers WH0. The song blends in a lot of contemporary elements with early 90’s eurohouse vibes. There’s a potent uncredited female vocal which sounds like a cross-between Tina Turner and Loleatta Holloway, and some orchestral synths which provide some genuine disco flair. Add a brisk pace and you have a masterful record that by all rights should be a club and festival smash and is totally unexpected, so make sure this one gets your full attention.

GATTÜSO, “Unstoppable”

The latest from New York-based, Israel-born dance producer GATTÜSO (aka Reem Taoz), “Unstoppable” (no relation to the Sia song) is one swirling, energetic firecracker. I’ve been hearing a lot of piano-led house lately and loving it, so it’s no wonder that “Unstoppable” stands out big time among today’s releases. The uncredited male vocal is infectious and affecting, giving the proper drive that the frenetic pace of the song needs. GATTÜSO has been on a splendid roll with recent releases “Out Of My Mind” and “I’ll Be There”, and next up is a collaboration with Laidback Luke.

SAM DICKINSON, “Falling”

UK singer/songwriter Sam Dickinson returns after a few years’ absence during which he evaluated what direction he was going into with his music. His songwriting is always of high calibre, he’s received oodles of praise from Graham Norton, and Sam’s been a regular visitor to this blog since the release of his debut album The Stories That Occurred 10 years ago. Happily, Sam continues in a dance music direction laid by previous singles “Diamond Skin” and “Carefree”, and “Falling” is a disco-flavoured house track with a vibrant synth hook, co-written with Adam Dixon, that would sound great in concert. Sam’s edgy, soulful voice matches perfectly with this genre and the unique sound of “Falling” is ear-catching, making it a good one to start off a club set. Sam’s got much more in store for us and “Falling” comes from his next album, Stories: The Collection, due in the Fall.

MICHAEL MEDRANO, “Disco Sleaze (Raw and Uncut)”

Perhaps when L.A.’s Michael Medrano and his fans gave him the moniker of “disco dad”, they were a touch ahead of the game, given the other disco and retro-flavoured songs that are included in this week’s report. Michael’s been making disco-flavoured songs for the last few years now, so a likeable song from him called “Disco Sleaze” isn’t unexpected. He follows up his recent album LoveSexDrugs with an entertaining and extended redux of one of its tracks, now with the subtitle “raw and uncut”. And “Disco Sleaze” is grittier, dirtier and well-hung 😛 in its new version, which improves immensely on the previous version, which isn’t anywhere near as playful. “Disco Sleaze (Raw and Uncut)” is a winner, so put on your platform shoes or cowboy boots with pride, and get down and boogie or whatever you might do!

FEATURING

DISCO DOM, YUNG BAE, “Be The One”

Disco Dom is another side to France-born, Miami-based producer Dombresky, who made a fast rise from remixes to concert sellouts at the end of the last decade. In the 1970’s there was a lot of great disco music that came out of France, so Disco Dom reaches back into his heritage to put his own spin on it with “Be The One”, the ‘A’ side to his release called Inferno No. 1. And to partner up with Oregon-born Yung Bae, a producer who I saw perform last year in Miami, is simply kismet. Yung Bae (who has another collaboration coming with Nile Rodgers) has a lot of disco up his sleeves too, and the audience last year ate it all up. “Be The One” employs uncredited Gospel-flavoured vocals against a surprisingly traditional disco arrangement that recalls specifically 70’s French acts like Voyage and the late Patrick Juvet. “Be The One” is a lot of fun, if a little on the repetitive side, but the spirit of disco lives on in songs like this.

OLD JIM, VICTOR PERRY, “Beat It”

To get your first question out of the way, yup, this is a cover of Michael Jackson’s classic. And while Italian producer Old Jim fashions a creditable contemporary arrangement for the song, its secret weapon is NYC-based singer Victor Perry, whose voice hasn’t sounded better! I’ve written before how much at times Victor can sound like Michael, and by covering “Beat It” the resemblance continues at its strongest without entirely trying to copy him throughout the song, so still sounding like Victor in the process. But the critical parts of the song where Michael’s voice is needed are impressive and well-represented by Victor. It’s hard to slay a somewhat “untouchable” classic like this and give it new wings but Old Jim and Victor Perry’s take on “Beat It” goes down just fine.

JRDN, “What Do I Got To Do”

The return of the soulful voice of Toronto-based, Halifax-born JRDN has been a welcome surprise so far in 2023 starting with his previous release “Call My Name”. JRDN’s first Canadian successes occurred before The Weeknd arrived on the scene, and songs like “What Do I Got To Do” can easily co-exist next to The Weeknd’s hits on the radio. “What Do” moves along briskly to make you dance, and relies heavily on JRDN’s striking falsetto. I’ve long thought that Canada needs to do a better job with promoting its talented R&B singers who have somehow ended up in the shadow of The Weeknd’s success despite their unique talents. Even before The Weeknd, singers like Melanie Fiona also had to go to the US to get recognized before receiving similar acknowledgement at home. “What Do I Got To Do” has fortunately popped into Canada’s Top 40, so I’m hoping it continues another string of hits for JRDN.

BEN DAVIDSON, “Wow”

It’s a pleasure to be writing about Scotland’s Ben Davidson after a while with his new house-flavoured pop single “Wow”. Continuing a collaboration with producer Dan Scholes, Ben gives one of his best vocals in the anthemic “Wow”. He can sit up in his head voice like some of the best of ’em, and here he delivers a joyous song in “Wow” that is quite the bouncy, memorable bop. I’ll be exceedingly happy if Ben continues to pump out songs like this one.

BILL’S NEW MUSIC PICK OF THE WEEK

My New Music Pick of the Week is a 5-7 minute radio segment that airs more than 30 times/week on online radio stations around the world.

“Blame Brett” is the #1 Canadian alternative radio smash from Toronto quartet The Beaches

“BIG DADDY” RUSS HORTON’S PICK OF THE WEEK

“Big Daddy” Russ Horton is the host of the “Top 40 Timeline” radio program and owner of online stations Radio GTA, Halton Hills Radio Online, & FM108.ca. You can hear my Retro Pick of the Week every week on the “Top 40 Timeline”!

L.A. based rock trio TV Girl with “Shame”

HUNTER J. WILBUR’S BOP OF THE WEEK

Hunter J. Wilbur is the host of the online radio shows “Modern Hype” and “Addictive Energy” which can be heard on several online stations including Classic Hits Canada.

Philadelphia producer Sauniks teams up with Arkansas’ Skyline Drive for the electronic ballad “Nightlight”

“THE MUSICMAN” JAMES ROGERS’ CLASSIC FIVE

“The Musicman” James Rogers is the owner and host of The 3D Variety Show heard Tuesdays on Planet Radio Canada. The Classic Five is “pop music 101” of the post-Beatles era – classics you need to know! Each title is linked to a Spotify stream of the song.

Supertramp – The Logical Song
Doobie Brothers – What A Fool Believes
Chic – Good Times
The Knack – My Sharona
Eagles – Heartache Tonight

25 YEARS OF BILLCS TOP 30 #1’s

Songs that rocked my personal chart at this time during the last 25 years. Interestingly, 8 of these songs were my #1 songs of their respective years.

2022 DAYDREAMING Harry Styles

2021 SIDEWAYS Illenium, Valerie Broussard and Nurko

2020 RAIN ON ME Lady Gaga & Ariana Grande

2019 GOOD THINGS FALL APART Illenium & Jon Bellion

2018 BROKEN LOVE The Him featuring Parson James

2017 ATTENTION Charlie Puth

2016 SO BAD Brandon Skeie (now Brandon Colbein)

2015 I WANNA BE (FREE) Brandyn Burnette

2014 ELECTRIFY THE NIGHT House Rockerz & Davis Redfield featuring Carl Man

2013 VOCAL Pet Shop Boys

2012 DREAMS ARE GOLD DATABOY

2011 FLESH Simon Curtis

2010 A NEW WORD TO SAY Bright Light Bright Light

2009 MANNEQUIN Noah

2008 AFTER TONIGHT Justin Nozuka

2007 STEP INTO THE LIGHT Darren Hayes

2006 IS IT ANY WONDER Keane

2005 MJB DA MVP Mary J. Blige featuring The Game

2004 SATELLITE Oceanlab featuring Justine Suissa (Oceanlab is Above & Beyond)

2003 AS THE RUSH COMES Motorcycle (aka Gabriel & Dresden)

2002 GOTTA GET THRU THIS (D’n’D radio mix) Daniel Bedingfield

2001 CALIFORNIA Rufus Wainwright

2000 DRIFTWOOD Travis

1999 THE CUP OF LIFE Ricky Martin

1998 EVERYBODY HERE WANTS YOU Jeff Buckley

#BILLCSTop30 #664 – April 24/23

They say that Spring is a season of change, and the new edition of my chart certainly speaks to that. In fact, half of the Top 5 is replaced by songs on the rise, there’s a new #1, and four songs make their debuts.

REMINDER: As with the BILLCS New Music Report, I’m now embedding the video link in the artwork for the song or the artist, which hopefully will allow the blog page to load faster and smoothly. So you now have to click on the photos above the write up to hear the song or watch the video. Let me know how it works for you! I am also using Alt Text where possible to assist readers with visual impairments.

The best places to communicate with me continue to be Twitter @billcs or Instagram @thebillcs or Facebook @BILLCSMusicProjects. Follow this blog using the “Follow” button at the bottom of the home page.

Check out my ONLINE RADIO SHOWS below too as they are increasingly tied in with this blog. As most of you know by know, I host 3 online radio shows – The Big 20 and two iterations of Your Weekend New Music Mix – and produce 2 online radio segments – my new music and retro picks of the week – that are all pre-recorded.

Classic-90’s house peppers the new #1 song on the chart! UK producer Lewis Thompson and singer/songwriter Clementine Douglas grab the pole position with the divine “Enchanté”. Lewis has been to #2 before as part of Just Kiddin’ (“Good Things”, with Cedric Gervais, in 2019) and Clementine’s voice was heard on her co-write with Matoma earlier this year called “The Power”, which reached #3.

After being parked at #4, “I Go Dancing” by Toronto’s Frank Walker and UK singer Ella Henderson climbs to #2, making it one of several challengers for “Enchanté” in the coming weeks.

His album Mystical Magical Rhythmical Radical Ride is still on the way, but Jason Mraz’s funky ‘n fun “I Feel Like Dancing” rises 5-3.

The Fastest Riser on the chart, whether or not radio ever embraces it, is JIMIN’s gorgeous English language version of “Like Crazy”, from his album Hope, which soars 22-5 with all eyes on #1. Not being played on radio is just an epic fail by program directors to embrace a song that to me has “hit” written all over it.

Also moving up the chart briskly is Barcelona’s The Boy From The South’s first chart entry “Amazing-Man”, which bolts 13-7.

N i G H T S’ “Boyband” was actually recorded back in 2018, which was the last time they appeared in the Top 10 too with “Eyes”. “Boyband” moves up comfortably 12-8.

Kx5 (Kaskade and Deadmau5) and Sofi Tukker rise 11-9 with “Sacrifice”. It’s Sofi Tukker’s 5th visit to the Top 10, while for veterans Kaskade and Deadmau5 it’s their first.

Toronto duo Boy Aries climb 15-10 with “Drive”. Singer Jordan Radics was previously singer with the group BLAJK which got to #6 in 2017 with “Lethal”.

Eyeing the Top 10 in two weeks are the forlorn pop/dance track “City of Love” (above) by Seattle producer Surf Mesa with singer Selah Sol (18-11), and the spicy trance of “Never Temporary” (below) by NYC producer Greg Oakland with singer Tara Louise (19-12).

James Bay’s album track “Brilliant Still” from his third album Leap rises 24-16, and it’s definitely a song you need to check out.

As we get closer to the EuroVision contest, Loreen’s “Tattoo”, Sweden’s entry, rises 27-19.

Jay Bird’s deep house party track “All Night Long” wastes no time with lift off, climbing 29-22.

Toronto’s Amanda Marshall makes a big splash onto my chart for the first time with “I Hope She Cheats”, her new single from her upcoming album Heavy Lifting, as the Highest Debut at #25.

Also making their debuts on the chart are Connecticut dance producer Audien and British producer Codeko with their collaboration “Antidote” at #26. The song features prominent vocalist and songwriter J.T. Roach, and is already charting at dance radio nation-wide.

Although he’s had many releases since, Atlanta’s Niko The Kid returns to the chart as a lead artist with vocalist/songwriter MAYLYN on “Only One” at #27. Niko was previously featured on one of his first releases, DATABOY’s “When It Rains, It Pours”, which peaked at #7 in 2015.

Italy’s DJ Mirko B also returns to the chart for the first time since 2019 with his third entry, the intense dark house of “Sun Freezes Cold”, at #28. His last entry, “Even In Confusion” with producer Eric Zava and vocalist Daniel Gorash, reached #10.

View the full BILLCS Top 30 right here! Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! You can also follow me on Spotify at the following link: BILLCS Top 30 Songs.

ONLINE RADIO SHOWS

You can hear me and many of my blog choices on this growing list of online radio stations and features!

Radio GTA

Listen to The Big 20 from 10pm to Midnight EST on Wednesdays as “The Musicman” James Rogers and I bring you the latest in new songs. The show also repeats on Saturday mornings at 10 a.m. EST and Sunday mornings at 2:00 AM EST. You can hear recent episodes of The Big 20 at this link.

On Saturdays and Sundays from Noon to 6pm EST I bring you “Your Weekend New Music Mix” six hours of commercial-free music from the 2000’s including many song choices from this blog.

At Midnight EST on Saturdays, you can also hear my new “Retro Pick of the Week” on Russ Horton’s amazing “Top 40 Timeline” oldies show.

Halton Hills Online

“Your Weekend Music Mix” has a second home on Saturday and Sunday evenings from 8pm to Midnight EST! It’s a different mix from Radio GTA’s show, and like that one it is also commercial free.

“The Big 20” also airs on this station at 6pm EST Saturdays, and my “Retro Pick of the Week” plays on Russ Horton’s “Top 40 Timeline” at 4pm EST.

The 3D Variety Show by Planet Radio Canada

I’m featured Tuesdays between 7 and 7:30 pm EST with my New Music Pick of the Week which debuts every week on “The 3D Variety Show” with “The Musicman” James Rogers, and I also join occasionally for looks at music from our past through some live segments. A repeat of “The 3D Variety Show” airs on Wednesdays at 7pm EST on Radio GTA. My pick of the week airs more than 25 times during the week and you can view its schedule by clicking here. You can hear recent episodes of The 3D Variety Show at this link.

Addictive Energy

This is a weekly show hosted by Hunter Wilbur that airs on several online stations but is anchored at Mix88.ca on Saturdays beginning at 8pm EST. You can hear recent episodes of Addictive Energy at this link.

For other details about the shows, such as dates and times of broadcasts, go to my home page and scroll down to the bottom right side! The schedules have been updated.

FM 108

You can also listen to my “Retro Pick of the Week” on Russ Horton’s “Top 40 Timeline” on this station at 6pm EST Saturdays.

#BILLCSNewMusicReport – April 12/23 spotlighting songs by @TheDiscoFries & @EchePalante @TheFatRat & @Shiahsings @TELYKast & @GeorgiaKu #BenEllis

In these blog posts lately, I seem to be zeroing in on upbeat, fun tracks, and seven out of the eight varied songs in this week’s Report are just that, while one creatively covers a well-established country-pop song in a way you’d be hard pressed to anticipate.

Among the other features in the Report, you can check out my pick of the week, along with one from the host of “Top 40 Timeline”, “Big Daddy” Russ Horton, plus Hunter Wilbur’s “Bop of the Week”. “The Musicman” James Rogers has his Classic Five pop hits feature, focusing in on some big hits from 1971 this time. Plus I have my #1 song on the BILLCS Top 30 and the Fastest Riser on the chart.

The BILLCS New Music Report is a work-in-progress and I welcome your suggestions so feel free to contact me @billcs on Twitter @thebillcs on Instagram or @BILLCSMusicProjects on Facebook.

REMINDER: Click the photo above the artist’s name and song title to hear the song or watch the video.

SPOTLIGHTING

THE DISCO FRIES, ECHE PALANTE, “Give Me Your Soul”

The Disco Fries let the music do the talking and create an anthemic dance track around the words in its title, “Give Me Your Soul”. This one’s guaranteed to make you bounce and should be an instant festival hit this spring and summer. Nick and Danny have partnered this time with Miami producer Eche Palante, who has had a number of successes with remixes as well releases through Spinnin’ and Universal in the last decade or so. A few years back he tapped into some thoughtful and memorable house tracks in “The Lonely” and “Midnight”. So “Give Me Your Soul” is a well-rounded collaboration, and I would pitch it to fans of Showtek and Afrojack.

THEFATRAT, SHIAH MAISEL, “Out of the Rain”

German electronic producer TheFatRat creates some of the most imaginative music for gaming fans, as well as for dance music lovers who enjoy generally upbeat, fun and compelling songs. “Out of the Rain” is an intriguing collaboration with NYC vocalist Shiah Maisel which adds a light Caribbean flavour to the rhythm. The lyrics tell a story of a world besieged by rain and those who are determined to leave it for a brighter future, so it sounds like it might be the start of a series of conceptual songs (and maybe videos) from TheFatRat. “Out of the Rain” is one of his best recent releases that should find favour with electronic music lovers well outside of his fanbase.

TELYKAST, GEORGIA KU, “You Got Me”

As more and more dance songs draw increasingly from melodic house of the early 2010’s, you can always count on L.A. production trio TELYKast to create something mighty enjoyable without sounding derivative. Teaming up this time with go-to dance vocalist and songwriter Georgia Ku, “You Got Me” oozes positivity and will find favour especially with lovebirds on the dance floor. After their huge breakthrough early last year with “Unbreakable” (a BILLCS Top 30 #1), TELYKast continues to focus on making high quality productions and collaborations which have helped them secure big concert and festival gigs. I’ll be very happy with more like “You Got Me”, please!

BEN ELLIS, “Ed’s House”

Welsh singer/songwriter Ben Ellis has only released a handful of singles, but “Ed’s House”, as recommended in the Report last week by my music buddy Hunter Wilbur, is definitely is ticket to the next level. It’s a fun bop-and-a-half that recalls house parties as a teenager, with some interesting pop culture references – I think Wheatus’ “Teenage Dirtbag” might have been released before Ben was born, though it fits well in the story! Ben and his mates who wrote the song definitely have a way with words and the melody is light-hearted with the right kind of feel-good vibe. Like other young UK artists such as Alfie Templeman, Ben Ellis has zeroed in on a “sound” early and I think it will take him far.

FEATURING

ANGEL X STAR, “Jolene”

Angel X Star is a brother-sister duo from Hertfordshire, England and they’ve done what many might feel is unthinkable, and turned Dolly Parton’s “Jolene” inside out and sideways – well somewhat anyway. But in doing so, their rendition works quite well as a bouncy Afro R&B track with the message of heartbreak ever-present, but knowing that the root of heartbreak is love. Angel X Star’s version of “Jolene” gets better with each listen, when you realize they are not messing with the song at all but providing an alternate interpretation. Both Angel and Star have fine voices and the uncomplicated production provides an earthy backdrop where much can be left to your imagination.

PLS&TY, LOST BOY, “Party In My Head”

Summer has arrived early with the cheery feels of “Party In My Head”, which is the first new release in two years for L.A.-based, Florida-born dance producer PLS&TY. And he’s brought along fellow L.A.-based vocalist/songwriter Lost Boy, who provides a fun pop vocal to carry the house rhythms of the track. “Party in My Head” features slick production and its good-natured, carefree energy reminds me of dance music from about eight years ago, particularly when Justin Bieber released his Justified album and collaborated with Diplo and Skrillex, which is a sound I think dance music lovers currently miss. The record is a fine welcome back for PLS&TY and I’ll welcome another collaboration with Lost Boy anytime.

D’AMICO & VALAX, FAYZONE, “Mirage of My Heart”

Italian dance production team D’Amico & Valax are on a roll with their latest melodic deep house track, “Mirage of My Heart”. American singer/songwriter Fayzone has a boy-next-door voice that works well in this song, particularly as it goes along. The seductive mystery of the song also becomes more apparent as the production becomes increasingly layered with synths and effects. “Mirage of My Heart” will fit in nicely on playlists next to songs by Meduza, Gryffin and more.

JAKE HUFFMAN, “Babe”

Following up his single release from earlier this year which I wrote about called “Martyr”, Connecticut musician Jake Huffman returns with a song that will have you humming or toe-tapping called “Babe”. Jake wrote the song with intentions of creating a dark romance inspired by horror and sci-fi movie. And while the song has elements of that, particularly at the start, its lyrics are broad enough to fit a myriad of situations. “Babe” does have an undeniably catchy chorus though which will leave the song firmly planted in your head.

BILL’S NEW MUSIC PICK OF THE WEEK

My New Music Pick of the Week is a 5-7 minute radio segment that airs more than 25 times/week on online radio stations around the world.

“Brilliant Still”, an album track by James Bay from his third album Leap.

“BIG DADDY” RUSS HORTON’S PICK OF THE WEEK

“Big Daddy” Russ Horton is host of the “Top 40 Timeline” radio show and the owner of online stations Radio GTA, Halton Hills Radio Online, & FM108.ca.

“I Hope She Cheats” by Amanda Marshall from her forthcoming album Heavy Lifting.

HUNTER J. WILBUR’S BOP OF THE WEEK

Hunter J. Wilbur is the host of the online radio shows “Modern Hype” and “Addictive Energy” which can be heard on several online stations including Classic Hits Canada.

Maryland rockers All Time Low with “Sleepwalking”

“THE MUSICMAN” JAMES ROGERS’ CLASSIC FIVE

Rod Stewart – Maggie May
Janis Joplin – Me And Bobby McGee
Carole King – It’s Too Late
James Taylor – You’ve Got A Friend
Melanie – Brand New Key

BILLCS Top 30 #1 SONG

“The Only One” by Cerrone & Mercer featuring Brendan Reilly

BILLCS Top30 FASTEST RISER

“I Feel Like Dancing” by Jason Mraz (20-5)

#BILLCSTop30 #663 – April 10/23

After a significant change-up at the top of the chart two weeks ago, the songs at the top settle in, as a new groundswell of activity forms further down. And I really fought a battle with myself with some of the songs that debuted this week, so I suspect that the ones that didn’t will follow suit in two weeks.

REMINDER: As with the BILLCS New Music Report, I’m now embedding the video link in the artwork for the song or the artist, which hopefully will allow the blog page to load faster and smoothly. So you now have to click on the photos above the write up to hear the song or watch the video. Let me know how it works for you! I am also using Alt Text where possible to assist readers with visual impairments.

Sitting comfortably at #1 for a second time is “The Only One” by the comeback kid himself, 70’s disco producer, with fellow French producer Mercer and UK vocalist Brendan Reilly, from the album Cerrone By Cerrone. Long may Cerrone continue to make music! At 70 years old, I do believe he is the second oldest artist to reach #1 on this chart. Bettye LaVette, at 76 last year, technically holds that record with “The Last Goodbye” with Odesza, though she was a teenager when she recorded her original “Let Me Down Easy” in 1965.

“I Go Dancing” by Frank Walker and Ella Henderson holds tight at #4, above. Frank has a new one out now, teaming up with Stephen Puth again, for “Waiting”, below.

“I Feel Like Dancing” by Jason Mraz (above) puts the kapow in the chart this week by soaring 20-5 as the Fastest Riser for a second chart in a row, throwing it immediately into contention for #1 along with the four songs above it. Jason also has another preview of his upcoming album Mystical Magical Rhythmical Radical Ride available called “You Might Like It”, check it out below. “I Feel Like Dancing” is Jason’s 5th Top 5 entry.

Also landing in the Top 10 are two very different songs back to back. The progressive melodic electronic track “Hollow” (above) by Dabin, Kai Wachi and Lø Spirit climbs 13-9, becoming Dabin’s second Top 10 entry. And UK-born artist Waiting For Smith’s gentle, feel-good track “Heal” (below) rises 12-10.

In any other week it would have been the Fastest Riser, but Spain’s The Boy From The South is Top 10 bound with the jaunty “Amazing-Man”, which vaults 25-13.

Toronto duo Boy Aries breaks loose of the lower reaches of the chart and their song “Drive” and its insanely catchy verse “turn the car around” leap 22-15.

“Memento” by St Humain is another track with a strong melodic hook and it climbs 27-21, from his new EP Metadramatic.

For the next several weeks I’ll continue to rave about JIMIN’s track “Like Crazy”, whose English version deservedly debuted at #1 last week on the Billboard Hot 100. I’m certainly wasting no time putting it on my chart at #22. JIMIN’s parent group BTS had one entry on this chart with “DNA” back in 2018, while fellow band member SUGA was featured on MAX’s “Blueberry Eyes” in late 2020. Both of the latter songs reached #13. “Like Crazy” really deserves to be a Top 40 radio hit too.

Returning to the chart for a fourth appearance is UK singer/songwriter James Bay with a track from his new album Leap called “Brilliant Still” at #24. It’s a heartfelt song about helping out someone close when they need it. The album has had an inauspicious debut but James Bay fans are certainly digging it. All of James’ previous entries on this chart have reached the Top 10, with 2018’s “Pink Lemonade” getting to #2.

Lorine Talhaoui, the Swedish singer otherwise known as Loreen, has had a nearly 20 year career in her native country, which culminated in her winning EuroVision in 2012 with the still-vibrant “Euphoria”. Two albums and several awards later, and Loreen won Sweden’s Melodifestivalen contest again in March to represent her country at EuroVision for a second time. The song is “Tattoo”, with its wonderful taut and dramatic arrangement that showcases Loreen’s voice, and it arrives at #27.

Jay Bird returns to the chart for a fourth appearance with the fun deep house party track “All Night Long”, which debuts at #29. Fans of the genre who enjoy Fisher, Hugel, John Summit or Acraze will totally dig this one. Jay Bird’s last chart entry, “Float”, peaked at #3 in early 2022.

View the full BILLCS Top 30 right here! Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! You can also follow me on Spotify at the following link: BILLCS Top 30 Songs.

ONLINE RADIO SHOWS

You can hear me and many of my blog choices on this growing list of online radio stations and features!

Radio GTA

On Saturdays and Sundays from Noon to 6pm EST I bring you “Your Weekend New Music Mix” six hours of commercial-free music from the 2000’s including many song choices from this blog.

At Midnight EST on Saturdays, you can also hear my new “Retro Pick of the Week” on Russ Horton’s amazing “Top 40 Timeline” oldies show.

Halton Hills Online

“Your Weekend Music Mix” has a second home on Saturday and Sunday evenings from 8pm to Midnight EST! It’s a different mix from Radio GTA’s show, and like that one it is also commercial free.

“The Big 20” also airs on this station at 6pm EST Saturdays, and my “Retro Pick of the Week” plays on Russ Horton’s “Top 40 Timeline” at 4pm EST.

The 3D Variety Show by Planet Radio Canada

Addictive Energy

For other details about the shows, such as dates and times of broadcasts, go to my home page and scroll down to the bottom right side! The schedules have been updated.

FM 108

You can also listen to my “Retro Pick of the Week” on Russ Horton’s “Top 40 Timeline” on this station at 6pm EST Saturdays.

#BILLCSTop30 #661 – March 13/22

I’m using this space this week to provide readers and chartphiles with a little bit of insight into how I compile my chart and what I take into consideration. First and foremost, it is entirely based on my own opinion. But what you have to realize, is that I really do love all of the songs on the chart.

There are only 30 of about 60 or more that are on my personal, private playlist that I play regularly throughout the week. More than 40% of the songs on my chart are released independently, but you may have noticed that this is the only space where I would write about most of those songs released on major labels. Most of those songs don’t need my help with inclusion in the BILLCS New Music Report but I’m not going to disregard a song I love because it’s released on a major label.

Songs are added to the chart with the intention that they could reach my Top 10. Some don’t simply due to the competition. Some songs wear out faster than others. And then there are songs that are “growers” and take time to travel up the chart too. Very few songs peak at #20 or below as a result. And yes, sometimes I may chart a song and soon get sick of it, or retrospectively feel that I should have charted one when I didn’t.

Submissions from artists, managers, and publicists always take priority, but the most important thing – submission or not – is my gut feeling about a song through the discovery process.

Check out my ONLINE RADIO SHOWS below too as they are increasingly tied in with this blog.

Getting a third appearance at the top of the chart is “Hero” by Martin Garrix and JVKE, surpassing Martin’s previous #1’s “Animals” and “Proxy”, which each had two appearances at #1 in 2014. It’s hard to say what song will succeed “Hero” at the top as early as in two weeks.

“Lose You” by Afrojack and James Arthur climbs 7-5 and is one of those songs that gets even better with frequent plays.

“The Only One” by Cerrone, Mercer, and Brendan Reilly leaps 13-6, becoming Mercer’s fourth trip to the Top 10. It’s from the excellent album Cerrone By Cerrone, wherein the renown French disco producer reboots his biggest classics in fine fashion too.

“I Go Dancing” by Frank Walker and Ella Henderson climbs 17-9, becoming Frank’s second release to get to my Top 10 after 2021’s #1 “Like Gold” with Loud Luxury and Stephen Puth. You can catch Frank throughout North America this summer as support for acts like Loud Luxury at major venues.

The Fastest Riser on the chart is the 90’s house-soaked “Enchanté” by Just Kiddin’s Lewis Thompson and singer/songwriter Clementine Douglas, which soars 20-10. It’s Clementine’s third visit to the Top 10, previously credited on Sonny Fodera’s “Angel” (#4) and uncredited on Matoma’s “The Power” (#3).

Toronto-born electronic producer Dabin played a sold out show in his home town on March 12, and his latest collaboration “Hollow” with Kai Wachi and vocalist Lø Spirit moves up 21-16.

“Sacrifice” is a beautiful, complex effort from Kx5 (Kaskade and Deadmau5) in collaboration with Sofi Tukker, and it rises 23-17.

Think of “Like U” by L.A.’s Party Nails and Austin’s Boy Sim as a pre-summer bop. This engaging release moves up 27-21.

Philadelphia duo N i G H T S are all about the hip hop inspired atmosphere in “Boyband”, which climbs 28-22. I’m really not sure what the song is all about, but its vibe is hypnotic and I’m glad it’s getting deserved attention five years after its original release.

The Highest Debut belongs to Seattle’s Surf Mesa (aka 22 year old Powell Aguirre) with vocalist Selah Sol and “City of Love” at #28. This melodic house track stirs up the feels for anyone who has felt out of place in big city surroundings after a breakup. You can catch Surf Mesa on the festival circuit this year, and he plays a captivating set.

Next at #29 is NYC-based indie electronic producer Greg Oakland with his trance-influenced “Never Temporary”, featuring a potent vocal by Tara Louise. Greg actually sent to me the song to hear months ago, and I’m so glad the team at Future Sounds of Egypt had the inspired taste to release another song by Greg. And here it is on my chart!

Arriving at #30 is what I would call a “comeback” record for Jason Mraz and a return to the whimsical pop sound which got him his first hit 20 years ago. The song is “I Feel Like Dancing” from the upcoming album Mystical Magical Rhythmical Radical Ride (I dare you to keep those words in proper order!), and be sure and check out the seamlessly filmed and well-choreographed video above. It’s Jason’s 10th appearance on my chart but his first since 2012.

View the full BILLCS Top 30 right here! Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! You can also follow me on Spotify at the following link: BILLCS Top 30 Songs.

ONLINE RADIO SHOWS

You can hear me and many of my blog choices on this growing list of online radio stations and features!

Radio GTA

On Saturdays and Sundays from Noon to 6pm EST I bring you “Your Weekend New Music Mix” six hours of commercial-free music from the 2000’s including many song choices from this blog.

At Midnight EST on Saturdays, you can also hear my new “Retro Pick of the Week” on Russ Horton’s amazing “Top 40 Timeline” oldies show.

Halton Hills Online

“Your Weekend Music Mix” has a second home on Saturday and Sunday evenings from 8pm to Midnight EST! It’s a different mix from Radio GTA’s show, and like that one it is also commercial free.

“The Big 20” also airs on this station at 6pm EST Saturdays, and my “Retro Pick of the Week” plays on Russ Horton’s “Top 40 Timeline” at 4pm EST.

The 3D Variety Show by Planet Radio Canada

Addictive Energy

For other details about the shows, such as dates and times of broadcasts, go to my home page and scroll down to the bottom right side! The schedules have been updated.

FM 108

You can also listen to my “Retro Pick of the Week” on Russ Horton’s “Top 40 Timeline” on this station at 6pm EST Saturdays.

#BILLCSTop30 #637 – April 11/22

This new edition of the chart was a particularly tough one to compile. It’s because there’s so much music out there that I enjoy, even beyond those songs that I write about. So what happens is that the songs now move up and down and off the chart quickly. The oldest songs now in my Top 30 are 16 weeks old (8 appearances) – from the first chart of this year! – and just about any artist with a song on the chart for 10 weeks (5 appearances) has already released one or more songs in follow up. Songs deserve a longer shelf life – the maximum a song can remain on my chart is 20 weeks (10 appearances), and songs don’t reach 10 appearances very much anymore. The music industry currently alludes that the more you write and release, the more money and exposure you might get. At one level perhaps that’s true, but I don’t think that’s the case at all with most indie artists. This is a model that is fracturing that the music industry will have to mend soon. It means burnout – physical and financial – for indie artists, and a short life span for some very worthy songs.

That being said, there’s a new #1 and four debuts!

Make sure you read about my ONLINE RADIO AFFILIATES (see details after the post)!

Washington electronic duo Odesza achieve something rare on the chart – two consecutive number ones, nearly four years apart, which are their only chart appearances to date. Their jaw-dropping rework of Bettye LaVette’s 1965 R&B hit “Let Me Down Easy”, as “The Last Goodbye” (which will be the title of their upcoming album) charges up the chart 4-1, following the lead of their now-classic “Loyal” in the Fall of 2018. And yes, I’ve got my ticket to their concert in my city on their summer tour. Watch the magnetic video performance above too.

That means “High” by The Chainsmokers holds at #2, but it’s in great company, because next to their three number ones on the chart, it becomes their fourth #2, following “Let You Go”, “Sick Boy”, and “Everybody Hates Me”. Their new album So Far So Good arrives on May 13.

Frankmusik’s gorgeous “The Half Moon Came Up In The Sky” advances 6-3, becoming his highest reaching chart entry since 2013’s #1 “Map”.

One of the most melodic pop singles out there is “Don’t Wake Me Up” by Jonas Blue and Why Don’t We, which rises 7-5. It’s the second Top 5 entry for Jonas Blue, following 2016’s “Fast Car” (#3).

The Fastest Riser on the chart soars 25-8, and it’s “Aretha” by French dance producer Mercer. It’s his third Top 10 entry on the chart.

“Oxygen” climbs 11-9, becoming the 4th Top 10 on the chart for German producers Saxity, and it’s also their third Top 10 with Victor Perry on vocals. For Victor however, it’s his 13th Top 10 entry. Still, it’s hard to beat a team like this!

Rounding out the Top 10 is “Reflection”, a deep cut from Years & Years’ deluxe edition of the Night Call album, which moves 12-10. It’s Olly Alexander’s 10th song to reach the Top 10.

“Hold Me Down” by Italy’s Luca and Giam with vocal by Florida’s Sam Merkin is quickly becoming one of the chart’s highlights as it rises 19-11.

Florence Welch hasn’t sounded as good in years as on “My Love” (above), from Florence & The Machine’s upcoming album Dance Fever. The song climbs 28-17, and was recently remixed simply as the “Dave Glass Animals Remix”. You can check out what a fine job Dave did below.

“Tuff” by VASSY and gt_ofice is a fun national dance radio hit and moving up the chart nicely, as it advances 27-21.

To the surprise of no one, the highest debut on the chart belongs to Harry Styles with the magnetic “As It Was” at #25. It now has the task of following 2019/20’s “Lights Up” and “Adore You” to the top of the chart. Think Harry can do it again? “As It Was” also continues to prove what a great voice he has. It’s from his forthcoming album called Harry’s House.

At #27 is “First Time” by L.A.’s Damon Sharpe in collaboration with the #1 future house producer/DJ in Asia, Tokyo-based VIVID. “First Time” follows up last year’s “15 Minutes” (#5) by Damon with The Disco Fries.

“Fall Into Me” is destined to be an inescapable progressive electronic song of the summer for festival goers and fans of its L.A.-based producers, NGHTMRE and SLANDER, and its vocalist, Dylan Matthew, who all appear on the chart for the first time. “Fall Into Me” bows at #28.

Completing the chart at #30 is Toronto area native Ryan Shepherd with vocalist Bella Renee on their single “The High”. It’s Ryan’s fourth chart entry, and he’s playing an already sold-out show at The Garrison in Toronto on May 7 with LUN and Glass Petals.

View the full BILLCS Top 30 right here! Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! You can also follow me on Spotify at the following link: BILLCS Top 30 Songs.

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

ONLINE RADIO AFFILIATES

You can hear me and many of my blog choices on this growing list of online radio stations and features!

Radio GTA – listen to The Big 20 from 10pm to Midnight EST on Wednesdays as “The Musicman” James Rogers and I bring you the latest in new songs. And on Saturdays and Sundays from Noon to 6pm I bring you “Your Weekend New Music Mix” six hours of commercial-free music from the 2000’s including many song choices from this blog.

Halton Hills Online – “Your Weekend Music Mix” has a second home on Saturday and Sunday evenings from 8pm to Midnight! It’s a different mix from Radio GTA’s show, and like that one it is also commercial free, now brought to you by the Appalachian Pub & Eatery in Georgetown, Ontario!

The 3D Variety Show by Planet Radio Canada – I’m featured Tuesdays between 7 and 7:30 pm with my New Music Pick of the Week on “The 3D Variety Show” with “The Musicman” James Rogers, and I also join occasionally for looks at music from our past through some live segments. A repeat of “The 3D Variety Show” now airs on Wednesdays at 7pm EST on Radio GTA . NOTE: The show will not air on April 12 and 13.

My New Music Pick of the Week also now airs on Radio GTA Wednesdays at 11:00 pm EST, Saturdays and Sundays at 3pm EST, on Halton Hills Online on Saturdays and Sundays at 10pm EST, on Mix88.ca‘s “Addictive Energy” show with Hunter Wilbur on Saturdays at 9pm EST, and now on WXNZ, community radio in Maine!

It’s “10/10” edition #24: #Klaas @Syenceofficial & @BrittLari @FLouisemusic @_ANIQO @Lornemusic @NightsinStereo #Arden #Engstrom & @RobbieRosenlive @JarodGlawe #henrikz & @DannyDeardenuk

This is my first “10/10” feature since early February. And fine new music still keeps coming in droves, so writing 10 reviews in slightly more bitable chunks is a good way to help bring attention to these songs and their artists. In “10/10”, I write about 10 hot and fresh songs in no particular order, for your kind consideration and attention. I continue to write individual blog posts about certain songs. That does not mean that songs in the “10/10” lists are any less than those featured individually. So you get to learn about more new music that I hear but I wouldn’t otherwise get to write about. One song featured in the last edition of “10/10”, “Prisoner” by Shadowkey and Jordan Jane is currently on my chart, and some of the artists in this edition have also been included in previous “10/10” features.

KLAAS, “First Girl On The Moon”

Hailing from Cologne, Germany, Klaas is the prolific veteran producer who rose to fame when he remixed the 2008 reboot of the late Guru Josh’s 90’s dance hit “Infinity”. His association with other producers such as Like Mike & Dimitri Vegas, The Bodybangers and others have helped keep him busy and in demand, and he scored a #1 Billboard Dance Club hit a couple of years ago with his redux of Londonbeat’s “I’ve Been Thinking About You”. Like many of his other releases, “First Girl On The Moon” is an original, with a particularly beautiful uncredited female vocal, as well as great lyrics which come courtesy of the pedigree of the esteemed Daniel Volpe. “First Girl On The Moon” is imaginative pop/dance that stands out from the rest.

SYENCE and BRITT LARI, “don’t you wanna know”

Syence is a California electronic dance production duo who have been honing their craft through releases over the past five years through high profile indie dance labels like Strange Fruits, Lowly Palace, and Seeking Blue. “don’t you wanna know” however is an Armada offering, and despite its American roots it’s got European flavours down pat, especially with its distinct synth hook. Britt Lari is a Peru-born singer and co-writer with the pristine voice that works up the excitement level in this release. “don’t you wanna know” is destined for festival and club play over the next while because it simply doesn’t let up for its three and a half minutes and is befitting for the attention of some great remixers.

Syence plays The Clevelander, Miami South Beach, on Saturday March 25 as part of Miami Music Week

FRANCESCA LOUISE, “For Michael”

“For Michael” is a compelling and poignant story of tragic loss by British pop/folk singer/songwriter Francesca Louise. After losing a close family friend suddenly three years ago, “For Michael” became an outlet for Francesca on how to deal with that passing. It’s a quiet record that could easily cause you to shed some tears before it’s over, although I’d recommend you check out the video above which has some uplifting moments. The vocal was recorded without any production, just a microphone in a quiet room, which immediately lends the feeling of isolation to the song, and is helped by an acoustic guitar melody. But as you listen to the words, remember this is a shared story and is intended to help others heal too. It’s a beautiful song that deserves attention.

ANIQO, “Vivre Libre”

“Vivre Libre” is the opening track and the final installment from the new album Birth by Germany’s ANIQO (Anita Goβ). Birth has been several years in the making, and I’ve been happy to write about the songs that I’ve enjoyed along the way that now form parts of the album. “Vivre Libre” is an engaging celebration of life, as is the closing song on the album, “Love Life”. Stylistically, it sometimes reminds me of Florence Welch meets The Cocteau Twins. ANIQO is a chameleon though, and I wouldn’t want to put her in one pop category, though her style overall is often referred to as psychedelic pop. With influences including David Bowie and Nick Drake, and a flair for making inventive, well-made videos (check out “Fear” particularly), all of ANIQO’s music is now on display for you to hear in the 10 songs in the album Birth. There’s something in it for everyone’s pop taste, and that’s how it is being aptly promoted. And what’s next for ANIQO is anyone’s guess!

LORNE, “Bow Out”

“Bow Out” is the first release in five years by UK singer/songwriter and pianist Lorne. Being a classically trained pianist, there’s no getting around the gorgeous structure of the song which keeps you hanging on every piano chord, though some invested added production helps immensely. “Bow Out” is about finding the escape route out of difficult situations, and ultimately ones where you must simply and physically leave. Lorne’s vocal at times reminds you of Coldplay’s Chris Martin without the rough edges, as well as Damien Rice without the rawness, but his songs are mainly inspired by Peter Gabriel, in whose softer songs you will find similarity. When “Bow Out” hits its most affecting, even exhilarating moments, Lorne is in his element, very reminiscent of Steve Winwood in that way if not stylistically. It’s the kind of song might also suit a full orchestra backdrop.

NIGHTS IN STEREO, “Open Door”

Based in L.A., Nights In Stereo is an alt.rock trio and “Open Door” is their first release. What gives the band notoriety is one of its members – actor Ronen Rubenstein, the Israel-born star of “9-11: Lone Star” who also had roles TV’s in “Orange Is The New Black”, “Dead Of Summer”, and “American Horror Stories”. And he and his band acquit themselves quite well, with a fluid, driving rock sound that could have easily stepped right out of the 90’s, with inspiration perhaps from bands like Weezer, 311, and Red Hot Chili Peppers as channeled through Green Day and Cage The Elephant. “Open Door” is a promising start and I’ll anticipate a follow-up soon.

ARDEN, “Room To Climb”

Meet Elliott Meldrum, 19 year-old Londoner otherwise known as Arden, with his debut single “Room to Climb”. What might seem like another slice of British indie bedroom alt.pop to follow the success of artists like Sam Fender or Tom Grennan is based on a superficial first listen. “Room to Climb” is a grower with an enlightening and uplifting story from a young rough-around-the-edges singer/songwriter who offers some wisdom beyond his years. Arden will go a long way creating music like this that’s earnest and from the heart. While “Room To Climb” has a safe and familiar overall sound, it’s solid song and Arden is off to a great start with it.

ENGSTROM & ROBBIE ROSEN, “Gives Me Hell”

I’m not sure how I initially missed “Gives Me Hell”, which has been on release for a little while now, but I’m sure glad I fell back deep into the bountiful Robbie Rosen discography to discover it! This time Robbie teams up with Swedish producer Engstrom to deliver a relatable slice-of-life story where one door closes on a relationship and another one opens. And so the title comes from the usually hopeful paraphrasing of what “I wish you well” might really mean at the end of that relationship. Robbie’s gentle and sincere delivery combined with the dance-bop rhythm and synths from Engstrom make “Gives Me Hell” a worthwhile find.

JAROD GLAWE, “Forever”

“Forever” is a sparkling, fast-paced house track that’s timely as Spring begins to unfold. This new tale of contemporary romance is brought to you by Chicago producer Jarod Glawe, who last year released the dazzling “Belong To You” featuring vocalist Robin Vine. This time, the uncredited female singer convincingly expounds all that is wondrous about being in love forever while Jarod directs the synth melody and rhythm with finesse. “Forever” is a great dance floor draw that will waste no time in persuading young lovers to prove their mettle on the dance floor.

HENRIKZ & DANNY DEARDEN, “Mind Of Mine”

Danish producer henrikz and British singer/songwriter Danny Dearden follow up their previous collaboration “Arcade” with the deep house bounce of “Mind Of Mine”. The pair don’t waste a moment of the song which includes an intriguing first minute to pull you in, some smart if brief progressions, and Danny’s absolutely gorgeous high register which will help to leave the song stuck in your head for days. In fact there are moments in the song where Danny isn’t even singing lyrics that shows his strength in carrying a song. But as a producer hendrikz is also a talented foil which makes “Mind Of Mind” such a double-pronged success.

#BILLCSTop30 #635 – March 14/21

The pace of the music industry is not letting up, and with festival season setting in, I expect tons of dance music to flood the market. It’s making it harder to choose new songs for a Top 30 every two weeks, but after 24 years it will continue (he says, turning on new tunes to listen to hehe)! I’ve always intended for songs to have a long stay of 5+ appearances (10 weeks) and only rarely does that not work out. So I’m not sure if shorter stays on the chart will prevail on the chart for some songs, so I’ll wait on that. In any case, there’s a new #1 and four more debuts!

Make sure you read about my ONLINE RADIO AFFILIATES (see details after the post)!

Darren Hayes returns to #1 for the first time since 2007 with the intensely beautiful “Let’s Try Being In Love” (above). It’s his 5th #1, following 2002’s “Crush (1980 ME)”, and 2007’s “Step Into The Light”, “Me, Myself & I” and “How To Build A Time Machine”. It looks like Darren is planning much more new music to release this year, in addition to his already announced Australian tour, as he has quickly followed it up with 80’s flavoured, Prince-influenced “Do You Remember” (below).

The Chainsmokers continue to move up with “High” (above) climbing 6-4. It’s the current #1 song on dance radio right now, and they also have followed it up quickly with “iPad” (below).

Martin Garrix, Matisse & Sadko and John Martin soar 9-5 with “Won’t Let You Go”. It’s Martin’s 6th time in the Top 5. He’ll also be playing just about every festival around this year – you’ll recall he was sidelined with a fractured leg a few years back which prevented him from touring.

Frankmusik appears in the Top 10 for the first time since 2014’s “Dear Nicole” (#6) with “The Half Moon Came Up In The Sky”, which vaults 16-8.

Jonas Blue and Why Don’t We also both return to the Top 10 with their collaboration “Don’t Wake Me Up” rising 13-9.

While “Sweet Talker” leaves the Top 10, Years & Years moves up 15-10 with “Night Call” (above), the title track from the album. And there’s also another deep cut on the rise as the Deluxe Edition-only “Reflection” (below) jumps 26-18.

“Careless” by Mahalo, Milkwish and Lena Leon climbs 18-11, and is finally starting to make inroads on the dance radio airplay charts.

The Fastest Riser on the chart, not surprisingly, is Odesza’s massive “The Last Goodbye” (above), which revamps Bettye LaVette’s 1965 single “Let Me Down Easy”, to extraordinary effect. The song rises 23-13, and Odesza has already followed it up with another promising release with vocalist MARO called “Better Now”, below.

One bright indie release on the chart that should not be overlooked is Gabe James’ charming “Gracie”, which continues to make its way up the chart, moving 19-16.

Jully Black’s latest single, the empowerment jam called “No Relation” (above), moves up 28-20. She’s also recently released a duet with Grammy and Juno Award winner Dan Hill called “Something More”, below.

The Highest Debut at #24 has been around for a while, but it’s a song that just keeps giving. It’s the rollicking deep house track from the UK’s Shadowkey and Jordan Jane, “Prisoner”.

Italian producers Luca + Giam debut at #25 with the incredibly catchy 90’s flavoured house track “Hold Me Down” featuring singer Sam Merkin.

L.A.’s Michael Medrano makes it a two-fer on the chart as his collaboration with Funk LeBlanc of the “Dance Floor Version” of “It’s Your Thing” arrives on the chart at #27. It’s back-to-back with his #5 “I don’t wanna talk about love” (#26).

The fourth debut at #30 is a second visit to the chart for Glass Petals, the dance production side project for Felix Cartal and Johnny Jover, with “Leave Your Mind Behind”.

View the full BILLCS Top 30 right here! Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! You can also follow me on Spotify at the following link: BILLCS Top 30 Songs.

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ONLINE RADIO AFFILIATES

Halton Hills Online – “Your Weekend Music Mix” has a second home on Saturday and Sunday evenings from 8pm to Midnight! It’s a different mix from Radio GTA’s show, and like that one it is also commercial free, proudly brought to you by Symposium Cafe Restaurant & Lounge in Georgetown, Ontario!

My New Music Pick of the Week also now airs on Radio GTA Wednesdays at 11:15 pm EST, Saturdays and Sundays at 3pm EST, on Halton Hills Online on Saturdays and Sundays at 10pm EST, and now on Mix88.ca‘s “Addictive Energy” show with Hunter Wilbur on Saturdays at 9pm EST.

SoCal’s resident disco dad Michael Medrano @stachepapi will keep those butts shaking with “Do Your Thing” (Dance Floor version) with @FunkLeBlanc

MICHAEL MEDRANO and FUNK LeBLANC, “Do Your Thing” (Dance Floor version)

Michael Medrano, gradually becoming everyone’s favourite disco dad, is channeling 70’s disco at its best (take it from someone who lived through that era), and he might have a corner on that market in the indie US scene. Taking some cues from artists like The Knocks and Sofi Tukker, “Do Your Thing” in its dance floor version with Funk LeBlanc, is a joyous butt-shaking celebration of you being you wherever you want to just be you. A dance floor in a club is always a safe and welcoming environment for exactly this, and Michael’s R&B-flavoured graceful tones have a field day with “Do Your Thing”. It’s a great follow-up to recent singles “i don’t wanna talk about love” (currently Top 5 on my personal chart) and “Personal Heaven”.