“Chasing Feelings” by UK dance producer @JeromePriceuk and singer @CallyRhodes continues the recent flurry of major dance club bangers

JEROME PRICE and CALLY RHODES, “Chasing Feelings”

I don’t like to overuse terminology, but I know a huge club banger when I hear one. To follow up songs like “Rain On Me” by Lady Gaga and Ariana Grande, “Head & Heart” by Joel Corry and MNEK, and “Undo My Heart” by Karen Harding and Digital Farm Animals (all currently on my personal chart), is “Chasing Feelings”. Although Jerome Price is already well-established in his native UK and Europe thanks to remixes of Tim Berg’s “Seek Bromance” and Justin Bieber’s “Where Are You Now”, as well as “Now You’re Gone” (featuring Zara Larsson) and other remixes for Jonas Blue and Troye Sivan, the pandemic put a pause on his (and others) transition to the rest of the world. So the Perfect Havoc label wisely follows Joel Corry’s smashes with “Chasing Feelings”, a co-write with fellow Brit, singer Cally Rhodes. It’s a warm and fuzzy deep house track that recalls other similarly flavoured songs by Mahalo and Alesso. But yes, it is also a slamming banger that will immediately call your attention.

Published in: on September 17, 2020 at 4:31 pm  Leave a Comment  
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“Getaway” is tight, emotional pop/dance from Halifax’s @djDezza and vocalist EMME

DEZZA and EMME, “Getaway”

“Getaway” is the title song from the 6-track EP by Halifax producer Dezza. The EP also contains “Carry Me”, a current favourite of mine featuring singer/songwriter Mike Schmid that resides at #7 on my personal chart. Dezza’s songs seem to need a listen or two to grab you, but he has the winning ability to concoct tight ear-grabbers with his co-writers. Such is the case with “Getaway”, co-written with singer EMME, whose vocal brings both fragility and desperation to the lyrics. Like with “Carry Me”, the melody of “Getaway” is more geared towards pop than a heavier deep house track, which I’m sure will continue to open doors for Dezza, who is currently signed to Tritonal’s Enhanced label. The 6 tracks include extended versions of the EP’s three songs, which also include the more progressive “Tilt Shift”.

Published in: on September 17, 2020 at 4:31 pm  Leave a Comment  
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#BILLCSTop30 #596 – September 14/20

The new, post-surgery chart is here, and will hopefully serve as stimulation for more blog posts in the coming weeks, since I could only manage to craft a handful before my surgery last week.

I think it’s increasingly important to point out that almost half of this chart is comprised of songs either released independently by the artists themselves, or released independently without a major label distributor. It’s critical for me to continue to write about these artists and performers on these labels’ rosters because they are making as solid recordings as the major label releases. You really owe it to yourself to incorporate discovery into your listening time so you don’t miss out on these and other performers.

It shouldn’t be a surprise that none of the Top 3 songs have changed. Joel Corry and MNEK’s irresistible “Head & Heart” (above) gets a second appearance at #1, while Victor Perry’s beautifully earnest and emotional “What I Deserve” (below) and “Dancing Next To Me” by Greyson Chance hold at second and third.

With two consecutive dance bangers at #1, is there room for a third? “Undo My Heart” by England’s Karen Harding and Digital Farm Animals puts that case forward as this huge dance record soars 10-4.

I will have words about Canadian producer Dezza’s latest release called “Getaway” later in the week. In the meantime, “Carry Me”, featuring co-writer Mike Schmid on vocals, climbs 11-7. Dezza, among other artists such as Matt Fax, has announced a 40-artist new music compilation which you can pre-order called Colorscapes Volume 2.

The hard-hitting, futuristic banger by Australia’s Fisher called “Wanna Go Dancin'” (above) moves up 12-9, while UK indie singer/songwriter Benedict Cork gets his second Top 10 with “One Last Song” (below) rising 16-10. Benedict’s “Breaking Hearts” reached #3 last year.

Inching closer to the Top 10, up 15-11, are the wacky antics of Greece’s The Prince Karma with “Superstar” and its “Night at the Roxbury”-inspired video.

The Fastest Riser on the chart is one that should immediately put you on your feet to groove with all of its marvelous saxophone playing. It’s by Germany’s Stan Sax called “House Is Happiness”, which vaults 27-18.

If you haven’t delved deeper into Troye Sivan’s latest EP beyond the interesting singles that preceded it, you owe it to yourself to soak in its meltworthy title song, which is “In A Dream”. It moves up 26-21.

The Highest Debut of two belongs to new L.A. trio Fames with their big earworm called “scared of the dark”. It arrives at #25.

The second debut will wrap you up in a big progressive electronic hug. “We Are Home” is the latest from Florida singer/songwriter Lauren Mayhew in collaboration with new Moroccan producer Mariline, and bows at #27.

A reminder that the music from my chart and blog are featured regularly on the new online radio station Radio GTA. You can hear their Big 20 on Wednesday evenings with ‘The Musicman’ James Rogers and listen for songs from the chart too 🙂 Scroll down the station’s main page to listen to lots of variety from across the decades!  I’m the new music consultant for the station so you can expect even more in 2020 🙂  You can start by joining Radio GTA’s new interactive Facebook group too!!

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

Want to see what I’ve been listening to and charting for the past 22 years?  Rummage through the BILLCS Top 30 Archive (where you can click on the link within) when you have a chance!! 

Get to know the many faces of UK singer/songwriter @iamLeFil with “Put Your Money Where Your Mouth Is”

LE FIL, “Put Your Money Where Your Mouth Is”

UK singer/songwriter Le Fil is definitely one to watch for many reasons thanks to his intriguing new single and video for “Put Your Money Where Your Mouth Is”. Le Fil is of Chinese descent and grew up in a small town in the UK, which obviously had its limitations for this massively creative queer artist. He has channeled that into an optimistic and fun presentation which is sometimes in contrast to the pointed lyrics of “Money”. The appealing music in “Money” is surely inspired by a few pages from the mid-60’s songbook, where you can almost visualize the go-go- dancers. The voice of Le Fil makes you think of 50’s idols like Frankie Avalon on one hand, combined with the soulfulness of Boy George on the other. And the outstanding video is a home production made during the current lockdown in Le Fil’s kitchen through green-screen – colourful, entertaining and flamboyant, and you can enjoy it and his many interesting characterizations up top.

Published in: on September 7, 2020 at 10:49 pm  Leave a Comment  
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Victor Perry @wallflowerperry has two for you this week: “Call Me” with Italian producer @DannyDarkomusic, and “Desire” with newcomer The Peed

DANNY DARKO & VICTOR PERRY, “Call Me”

THE PEED and VICTOR PERRY, “Desire”

It’s seems that Victor Perry’s music is everywhere in 2020, for a new song that he’s written and sung appears almost weekly, which is great exposure for the very talented young NYC-based singer/songwriter.

First up is “Call Me”, one of Victor’s most beautiful compositions created in partnership with music by Italian producer and musician Danny Darko. Danny released his first new music in 2020 after a few years, and has millions of streams and hundreds of monthly Spotify listeners to his credit, sometimes under the name Starchaser. The song really takes roots after the first minute when Victor’s voice begins to soar and the story unfolds. Although it doesn’t have anything to do with the movie or book, the refrain of the now popular phrase ‘call me by your name’ is very touching, and with the lilting, almost tropical sounding guitar and synths, the song works well as a whole.

Next, there is “Desire”, made in collaboration with new producer The Peed. This one is quite different for Victor in subject matter and vocal. He sings most of the song in a lower range, which completely suits the song. The song has a deliberate, sultry vibe that’s perfect for a mid-to-late evening setting. Like with “Call Me”, “Desire” contains an ear-catching guitar riff that offsets the rhythm and compliments Victor’s vocal nicely.

Published in: on September 7, 2020 at 10:49 pm  Leave a Comment  
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Check out the propulsive collaboration of Russia’s @Proxxxy and @sashaDZA in “Hater”

PROXY and DZA, “Hater”

Russian producer Proxy steps back a few steps from his usually very aggressive and hard hitting electronica with “Hater”, a collaboration with fellow Russian producer and performer DZA. The relentless and bleak spoken vocal sometimes recalls early Ministry from the 80’s, while the flashy synth work can easily set “Hater” alongside music by Fisher among others. It’s a propulsive, dynamic dance track that’s meant for late nights when clubs are jumping. I’m sure club DJ’s will remember to play this one once clubland resumes again.

Published in: on September 7, 2020 at 10:49 pm  Leave a Comment  
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“Too Busy” marries future bass with soulful vocals from Australian producer @Noymusicau and singer @Sophiegrophy

NOY and SOPHIEGROPHY, “Too Busy”

“Too Busy” packs an immediate double-whammy punch thanks to rich production by Australia’s Noy and ear-catching vocals by Nigeria-born, New Zealand raised Sophiegrophy, who is a new singer to me but one I will be on the lookout for again. It’s a rare happy mix of future bass with pop/soul, with big and fresh synth sounds from Noy which lend a commanding presence to Sophiegrophy’s voice. Every year there are always surprises that come from talented Australian musicians and singers like these. “Too Busy” is a follow up to Noy’s collaboration with Jordan Burns which I wrote about this past July on the solid progressive electronic EP Like Me.

Published in: on September 7, 2020 at 10:49 pm  Leave a Comment  
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#BILLCSTop30 #595 – August 31/20

In less than a month, it will be Autumn! But I’m not going to say goodbye to the summer and all of the great new music that it has given us, despite our ongoing COVID-19 circumstances.

There is a switch-up at the top, and it’s a big one! Joel Corry and MNEK soar from 6 to 1 with “Head & Heart”. This banger is one of the biggest hits of the year in the UK and on dance radio in North America. This year has been full of songs like “Head & Heart” which have great hooks or choruses.

Victor Perry obtains his highest placing in this chart as the enthralling “What I Deserve” (above) climbs 3-2. In the wondrous never-ending slew of new music by or featuring Victor, check out his new song with British producer Ficci called “Gone” (below). This electronic alt.soul is a perfect accompaniment to Victor’s solo EP Rewind.

“Dancing Next To Me” by Greyson Chance (above) also climbs up a notch from 4-3. Literally, it would be #1 had two stronger songs not been in front of it, so it’s a very ‘high’ #3! Also check out Greyson’s latest single, inspired by his personal and ongoing battle against anorexia, called “Bad To Myself” (below).

Toronto’s Francesco Yates will be following up his Superbad EP with more new music in September. In the meantime, “Bad Decisions”, the fun second single from that EP, holds at #5, and it’s Francesco’s highest ranking song on the chart to date.

Both Jonas Blue and MAX are back in the Top 10, this time together with “Naked” rising 12-8.

Florida-based progressive electronic producer Trivecta acquires his first Top 10 on this chart with “Leave It All Behind” (featuring vocalist/co-writer Fagin) moving up 11-9.

The Fastest Riser on the chart puts three huge bangers in the Top 10. Next to “Head & Heart” and “Rain On Me” there’s “Undo My Heart” by British artists Karen Harding and Digital Farm Animals. It vaults 23-10.

“Carry Me” by Canadian producer Dezza and vocalist/co-writer Mike Schmid continues to show resilience and climbs 17-11.

Right behind two weeks in a row is manic Australian producer/DJ Fisher with the irresistible “Wanna Go Dancin'”, rising 18-12.

In any other week, the beautiful “One Last Song” by UK indie singer/songwriter Benedict Cork, would be the fastest riser as it climbs 26-16. More new music is coming from Benedict this week!

It’s steady as it goes for another UK indie singer/songwriter, Jazz Mino, as her thoughtful and unique point of view in “Like A Drunk Girl” moves up 20-17.

L.A.-based production trio Giiants settles comfortably in the Top 20 as “Waiting For You” (above) rises 24-18. Even newer from Giiants is their collaboration with Disco Fries on “Believer” in a Giuseppe Marcellino remix (below).

While the more experimental nature of Troye Sivan’s new songs is certainly interesting, I had to wait for the arrival of his new EP In A Dream to find a song that’s as captivating as in either his albums Bloom or Blue Neighbourhood. The simply gorgeous title song, “In A Dream”, bows at #26. It’s Troye’s 8th song to appear in this chart.

If you want dance music that is nothing but sheer fun, then look no further as German producer Stan Sax’s “House Is Happiness” arrives at #27. It’s an instrumental full of saxxy goodness and a slamming beat. While Stan has been on the chart before as part of Saxity and, more recently, in his other pseudonym of ZEROBADDAYS, he has appeared on the chart one other time under the current moniker when he gave a refreshing remix to Fabian Luttenberger’s “Vague”, which got to #10 in late 2016.

The third debut belongs to new Philadelphia trio Time For Three with the beautiful “Vertigo” at #28. The lead vocal alternately reminds me of Steve Perry of Journey or Dennis De Young formerly of Styx. Love the strings arrangement!

A reminder that the music from my chart and blog are featured regularly on the new online radio station Radio GTA. You can hear their Big 20 on Wednesday evenings with ‘The Musicman’ James Rogers and listen for songs from the chart too 🙂 Scroll down the station’s main page to listen to lots of variety from across the decades!  I’m the new music consultant for the station so you can expect even more in 2020 🙂  You can start by joining Radio GTA’s new interactive Facebook group too!!

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

Want to see what I’ve been listening to and charting for the past 22 years?  Rummage through the BILLCS Top 30 Archive (where you can click on the link within) when you have a chance!! 

It’s “10/10” #14!: @brightlightx2 & @caveboymusic @weareApolloLTD #Calvo @egzodmusic @HVNNIBVL @KidBloomusa @KiNGMALAmusic @Pawl_official & #Discrete @SteveVoidmusic #KaiStevens & @EmilyMcsings

It’s 10/10 – Edition 14!! 

This is the first 10/10 post since June.

In 10/10,  I write about 10 hot and fresh songs in no particular order, for your kind consideration and attention.

I continue to write individual blog posts about certain songs.  That does not mean that songs in the 10/10 lists are any less than those featured individually, and they are not listed in any particular order.  Songs by Yello and Jazz Mino that were featured in edition #13 are currently moving up on my personal chart 🙂

Writing 10/10 posts means I can cover more songs in one shot.  So you get to learn about more new music that I hear but don’t always get a chance to write about. 

  • BRIGHT LIGHT BRIGHT LIGHT and CAVEBOY, “It’s Alright, It’s OK”

“It’s Alright, It’s OK” is the fourth preview from Bright Light Bright Light’s upcoming fourth album called Fun City. This time collaborating with the noted all-women Canadian trio Caveboy, the song is a reassurance for anyone who is having trouble with their identity that everything will work out in the end if you just be yourself. It’s another joyous delight from NYC-based Wales-born Rod Thomas, more of a pop/house workout like the initial single “This Was My House”, full of great synth work and vocals that truly compliment each other. “It’s Alright, It’s OK” is also available on an EP chock full of remixes.

  • APOLLO LTD, “Patient”

The Nashville duo of Jordan and Adam produced one of my favourite albums of 2019 called Out Of Sight, which demonstrated a range of different styles, from ballads to anthems. Apollo LTD are back with “Patient”, more anthem-styled power pop as a plea to the singer’s partner to help him be patient to get through whatever troubles are ailing him. It’s a logical successor to songs from Out Of Sight like “On The Way Up 2.0” which dazzle your ears with seamless production and vocals. Why a major label has not yet snatched up Apollo LTD for their roster is a mystery. The duo consistently provides well-written, quality songs that deserve radio exposure. Check out the new lyric video for “Patient” above.

  • HVNNIBVL, “Worth It”

Now based out of Los Angeles, Buffalo NY singer/songwriter HVNNIBVL quickly follows up his cheery slice-of-life single “Who’s Gotcha” with “Worth It”. Like “Who’s Gotcha”, “Worth It” sends positive vibes in your direction, particularly aimed at people with depression or anxiety whose condition constantly makes them ask themselves if they are good enough. Everyone has their moments in life, so it’s time to step out and shine. “Worth It” is self-produced and showcases HVNNIBVL’s great voice to the max. Sometimes the synth effects are too razzle dazzle to me for this kind of song, and less can often be more. But “Worth It” will certainly move HVNNIBVL more steps forward and I’ll happily be listening for the next one.

  • KID BLOOM, “Blood Sugar”

The L.A.-based singer/songwriter follows up “Wounded/Surrounded” (featured in my 13th “10/10” blog post) with “Blood Sugar”, which is also the title of his recently released EP. After a long relationship, thoughts and feelings always linger, and in Kid Bloom’s take, it’s like being inside your blood. So he sings about emotional entrapment set to a bass synth rhythm which pulsates like whatever is stuck inside his head. His invested vocal and an arrangement that shakes the mix loose of its dark trappings from time to time all make “Blood Sugar” a captivating listen.

  • CALVO, “Broke In Amsterdam”

German producer/DJ Calvo’s latest single “Broke In Amsterdam” has caught my ear with its shiny production that creates a delightful pop/dance confection. Co-written with the always amazing Daniel Volpe, “Broke” is a happy slice-of-life story reminiscing about younger days where life seemed more carefree. It’s just the kind of tonic we need to help us continue to get through these strange times. Calvo has numerous listeners in Europe, who have brought his song stream tally into the 50 million range. Perhaps “Broke In Amsterdam” will expand that audience further into North America.

  • EGZOD, “Ride The Wave”

“Ride The Wave” continues the evolution of Florida-based electronic dance producer EGZOD, about whom I’ve written several times since he arrived on the scene in 2016. More than around 20 million streams later, EGZOD – otherwise known as Carlos Carvalho-Martins – can shift flawlessly between the heaviest trap/dub step and much lighter fare, the latter applying to “Ride The Wave”, which I would call ‘mid-summer beach pop’. The spry uncredited female vocal is appealing and distinct, while EGZOD weaves more harmonies into this song than usual. “Ride The Wave” has some bold singalong moments and washes down as easy as gliding into shore from one of those waves. Watch for EGZOD’s new EP The Revolution next month!

  • KAI STEVENS and EMILY McNALLY, “Hero”

As Summer-themed tunes ride out the last sunsets of the next month, the arrival of a softer song or two for Autumn is always becoming the new season. Kai Stevens is a 17 year old producer and multi-instrumentalist from NYC who has emerged over the last year with songs that keep getting better and better. While this release is nowhere in the league of big productions by Illenium or other similar artists, “Hero” strikes the emotional chords that you would find in the progressive ‘sad boi’ electronica sub-genre. It’s sung by another young New Yorker, Emily McNally, whose graceful and delicate voice is compelling and convincing amid the bigger synth breaks within. “Hero” is a promising song most deserving of electronic dance music fans’ attention.

  • FETS, FORMAL CHICKEN & STEVE VOID, “Pushing On”

Don’t let the billing fool you – I think that “Pushing On” is entirely a Steve Void production. The talented young Dutchman has produced quite a variety of house and dance/pop releases on his Strange Fruits label over the past few years, and he has even opened his own restaurant! While he’s been mainly dabbling in covers of late, “Pushing On” is a brisk, deep house update of a more obscure 2014 track by Germany’s Oliver $ & Jimi Jules. It’s slick and goes down easy, with pitched-down vocals giving it qualities you’d normally find in a soulful UK house track.

  • PAWL & DISCRETE, “Type Like That”

“Type Like That” is a snappy, tautly-produced house single in a partnership between two Swedish producers, Pawl and Discrete. In tandem with direct support from LoudKult Records owner Lucas Estrada, with whom he has also recorded, Pawl’s music has acquired over 20 million streams across platforms since he emerged five years ago. Discrete is newer to the genre, having released an EP and a few singles thus far. But the guys have released one super-catchy, sultry song in “Type Like That”, which is a good bookend with last year’s release by Revelries and Oktavian called “Don’t Think Twice”. The song-writing here is spot on, calling out a long line of so-and-so’s who all behave the same, hence “you’re just a type like that”. This one will stick with you with repeated listens, so don’t say you weren’t warned!

  • KiNG MALA, “sugarblind”

KiNG MALA is the moniker for L.A.-based singer/songwriter Areli Castro, and her music will appeal to fans of Ashe, Bishop Briggs and Maty Noyes. It’s complex alt.rock with a tough exterior (“Mala” means ‘bad bitch’ in Spanish, hence “King Bad Bitch”), underneath which you will find infectious hooks and melodies that will take older fans back to the time of heyday of Kate Bush and Siouxsie Sioux. KiNG MALA is relatively new on the scene, with “sugarblind” her third single release and most streamed one to date. Great talent takes time to develop, so she is definitely one to watch in the coming years, and alt.rock radio should welcome her unique style.

Irish pop/dance singer @DeanRobertmusic returns with 80’s inspired “Morning”

DEAN ROBERT, “Morning”

“Morning” is the latest bop by Germany-based Irish singer/songwriter Dean Robert that’s guaranteed to make you dance while a deeper story unfolds. The singer ponders what it would be like to give up one-night stands and wake up with the same person next to him in the morning. Its “I know better but don’t really know what to do” approach leaves the listener to help solve the dilemma with him. It doesn’t make the song any less danceable, and like its energetic predecessor “Get Up”, there’s a lot about Dean’s music that would sound smashing on the radio. “Morning” is amiable, smart pop that’s fun in its own right.

Published in: on August 23, 2020 at 10:42 pm  Leave a Comment  
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