It’s “10/10” #19: @Gina_Naomi_Baez @MikeLindup #Fubu & @DannyDeardenuk @omgRainMan & @PeteChosen @RobertBallmusic @OsvaldoSupino @TommieSunshine & @theDiscoFries (remixed) @LindaVargmusic @djKarazey & @EstyRichard @iamWiese

It’s time for “10/10” edition #19!  July has been an incredibly busy month for releases and in order not to get overwhelmed or to miss any songs that I think you need to hear, I’ve compiled 10 reviews into one neat blog post package.

For those not familiar with10/10,  I write about 10 hot and fresh songs in no particular order, for your kind consideration and attention.  I continue to write individual blog posts about certain songs.  That does not mean that songs in the 10/10 lists are any less than those featured individually, and they are not listed in any particular order.  Writing 10/10 posts means I can cover more songs in one shot.  So you get to learn about more new music that I hear but don’t always get a chance to write about.

  • GINA NAOMI BAEZ, “My Time”

There’s a good chance that you’ve seen NYC’s Gina Naomi Baez on “Orange Is The New Black” or Netflix’s “She’s Gotta Have It”, on Off-Broadway, or caught one of her viral You Tube videos that have given her a substantial social media following. However, you may not know Gina the singer/songwriter, and “My Time” is about to change all of that. It’s an immediately inspiring song that challenges you to make the most of your time and strive to new heights for yourself and no one else. Being a cancer survivor as a child, having to challenge herself regularly must be second nature to Gina, and her glorious vocal, which at times recalls the power of Sia, is certainly a knock out. “My Time” is also co-written and produced with extreme precision by Matthew Tryba (Taylor Swift, Ariana Grande).

  • MIKE LINDUP, “Time To Let Go”

If you’re a fan of 80’s pop, R&B or jazz, then you already know keyboardist Mike Lindup as one of the principals and vocalists in the amazing British group Level 42 (“Something About You”, “Lessons In Love”).  If not, then his new solo effort “Time To Let You”, is as good a song to get to know him and his fluid style as a new Level 42 song – and he and Mark King still head up the band to date, which performs live now and again, mainly in England (I saw them perform live back in the 80’s too).  “Time To Let Go” harkens back to earlier fan-favourite Level 42 records such as their self-titled album or The Pursuit of Accidents with its rhythmic jazz-R&B fusion, and will also appeal to fans of jazz masters of that era such as Pat Metheny or Jean-Luc Ponty. Mike’s recognizable tones and falsetto sound marvelous here, and I hope there is more to come!

  • FUBU and DANNY DEARDEN, “Under My Skin”

UK singer/songwriter Danny Dearden returns to “10/10” territory this time in collaboration with Scottish producer Fubu for “Under My Skin”.  You know a solid partnership has occurred when the producer and singer can elevate a song to be more than the sum of its parts.  In other words, Fubu’s no-holds-barred rhythms and Danny’s totally infectious vocal make the most of a song that in other hands could have been… ordinary. Fubu cut his teeth revitalizing songs like Lumidee’s “Never Gonna Leave You”, Blu Cantrell’s “Breathe” and “Freak Like Me” by Adina Howard, so that pedigree speaks for itself. “Under My Skin” is a fine release by a team-up worth repeating.

  • RAIN MAN & PETE CHO and REBECCA BRUNNER, “Over It”

“Over It” has designs on transporting you out of pandemic fatigue to either get prepared for or back out into the night life, depending on where you are in the world.  Chicago’s Rain Man and Pete Cho along with vocalist/co-writer Rebecca Brunner will make sure that you get there with a brisk rhythm track and zesty synths gliding underneath Rebecca’s world-weary but encouraging vocal. It’s been a while since we’ve heard from either Rain Man or Pete Cho, so “Over It” marks a welcome return for both. Rain Man of course had a huge dance radio hit a few years back with “Bring Back The Summer” (which landed on my personal chart too) and, as its third original member, was also the anchor of Krewella’s initial success with their hit “Alive”. Pete has had sporadic but consistently solid releases over the past few years after being a successful restauranteur for many years. I think club DJ’s will love “Over It” as a part of club goers’ return to nighttime living.

  • ROBERT BALL, “I Need A Man”

Toronto-born singer/songwriter Robert Ball is not a new name to performing or to Canadian music, having performed in theatrical productions at Stratford, Ontario, on Royal Caribbean cruises, and opened for or recorded with fellow Canadians such as Shawn Desman, Keshia Chanté, Maestro, and Saukrates.  And as a gay man, Robert lays his soul bare with his new single “I Need A Man”. It’s as if someone had transported early 70’s cabaret through the soft and sultry voices of Teddy Pendergrass, Luther Vandross and Jeffrey Osborne into a passionate, expressive song whose vulnerability will reach beyond LGBTQ2S+ audiences, making Robert Ball a vocalist to watch for and remember.

  • OSVALDO SUPINO, “Lights Down Low”

It’s been a few minutes since I’ve written about the songs of Italian LGBTQ2S+ singer Osvaldo Supino, who had some memorable moments in the last decade with beauties such as “I Have A Name” and “Goodbye”.  While he’s continued to record since that time (sometimes in Italian too), “Lights Down Low” came to my attention recently.  The song’s production endows it with a much-needed mystique to support Osvaldo’s soft but enticing vocal.  The video above also shows what you can create with a variety of costume changes to enhance his performance. “Lights Down Low” is another solid addition to Osvaldo’s repertoire and I think dance mixes could help send it over the edge at clubs.

  • TOMMIE SUNSHINE and THE DISCO FRIES, “Don’t Look Back” (Gerd Janson vocal remix)

When you just see the artists’ names, you know that a track like “Don’t Look Back” simply can’t miss. But what you might not know is that this is a remix of a song that Tommie Sunshine and The Disco Fries originally released in 2011, reviving Avicii-era vibes in a progressive remix by veteran German producer Gerd Janson.  Gerd melds the vocal track creatively with layers of synths for intriguing and contemporary results, making this one an easy mixing choice for club DJ’s.  Tommie and the Disco Fries guys have both made signature leaps and bounds over the years and “Don’t Look Back” is a cool choice for a revival.

  • LINDA VARG, “Standing In The Middle Of The Road”

Currently taking a path that isn’t often pursued these days, Sweden’s Linda Varg has massive music industry pedigree which includes being a finalist in Swedish Idol in 2010 and having a major label deal with the group Supernatural. “Standing In The Middle Of The Road” is a straight-forward, even retro-sounding pop-rock track with synth elements that give it a rich scope, and it will appeal to fans of Bebe Rexha and One Republic. “Standing” has a strong message and imagery – don’t wait for people to run over you and shatter your dreams, and, as Linda says “don’t live as a victim of your own bad thoughts.” Her unique persona and this energetic song (co-written by one of Sweden’s best internationally known talents, Ulf Nilsson, with whom Linda has previously recorded) should help Linda acquire worldwide attention.

  • KARAZEY and ESTY RICHARD, “Through My Mind”

“Through My Mind” is a breezy, effervescent pop/dance track brought two you by two artists from Kuala Lampur, Malaysia, producer Karazey and vocalist Esty Richard.  With its delightful, pulsating rhythm and a vocal by Esty that could remind you alternately of Halsey or Emily Warren albeit with some gentler tones. Karazey is another producer who is coming to your attention while still a teenager. He knows how to build good momentum and provide focus on the strong vocal while creating a backdrop that’s not flashy while still being memorable. “Through My Mind” is a fine introduction to both artists.

  • WIESE, “Hear Me”

The positive post-lockdown songs of the pandemic continue with “Hear Me” by Norwegian producer Wiese. He’s from Bergen – the same place from which hail Kygo and Alan Walker.  He’s definitely got a talent for creating a mix influenced by R3HAB and Imanbek in “Hear Me”, an uplifting song about all of the possibilities life still has to offer post-pandemic. Wiese’s mix of deft female vocal and pitched-down male vocal – likely by the same uncredited singer, Erin Jarvis – offers a welcome dynamic, and “Hear Me” works well for the dance floor with radio potential too.

 

 

 

 

UK vocalist @NatalieShay_ returns with pop radio-worthy “Medicine Boy”

NATALIE SHAY, “Medicine Boy”

Natalie Shay has a sharp, powerful voice that screams Taylor Swift-meets-Haim (and yes I know they have recorded together hehe), and she’s back with a super-catchy pop song called “Medicine Boy”.  The UK singer/songwriter often skews country flavours with her songs but has a diverse voice that has also graced some electronic dance releases. But “Medicine Boy” goes for the gusto, a song that compares having a relationship with recreational drug use, with the main point being that even a mediocre relationship can have addictive qualities about it that you will ultimately have to break in order to get something (and someone) better for yourself.  “Medicine Boy” has a striking, energetic arrangement full of bright synths and a memorable melody that should continue to help Natalie Shay move to the next level.

Published in: on July 16, 2021 at 2:58 pm  Leave a Comment  
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Get to know new Dutch singer/songwriter @NanaMRose with “4 AM” from her EP “Morning Drops & Lemon Seeds”

NANA M. ROSE, “4 AM”

With such a beautiful pitch-perfect voice, it’s no wonder that Nana M. Rose is receiving lots of her attention in her native country of The Netherlands, including with radio play.  Her song “4 AM” from her brand new EP Morning Drops & Lemon Seeds is a delightful pop showcase in which the singer longs for the memorable times being out with friends till the wee hours. It’s a common theme among young people during the pandemic, and as some of the world starts to emerge from its shadow, we’ll be able to make more memories. While the song is relatable, it does take a few listens to stir you inside because all of your attention is on Nana’s lovely vocal. In fact, she has been selected for this year’s “Popronde” in The Netherlands, a prestigious showcase festival with various shows happening between September and November this year. While she’s already played in the UK and New York City, let’s hope that will be a springboard for touring additional cities once that is possible later this year or in 2022.

 

Published in: on July 16, 2021 at 2:57 pm  Leave a Comment  
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Check out the earnest pop flavours of “Let’s Stay Up” by Ireland’s @iamFourNights from the EP “Bed”

FOUR NIGHTS, “Let’s Stay Up”

Four Nights is the recording name for Ireland’s Tommy Buckley, and he has a refreshing, earnest pop sound for 2021. He writes direct, easy-to-digest songs without sugar-coating his ideas or compromising his storytelling ability. “Let’s Stay Up” is his latest song that appears on his new EP Bed. You can hear him confidently sing about what might be an otherwise awkward time for some when getting to know someone a bit better and pulling what hopefully might be a romantic all-nighter. “Let’s Stay Up” is a gracious tribute to those times which will become memorable even if they don’t turn out to be special.  I enjoy Tommy’s commitment to his pop style and encourage you not only to check out “Let’s Stay Up” but also the Bed EP, which also features my favourite song of his to date, “Want You Always”, which recently reached #8 on my personal chart.

Published in: on July 11, 2021 at 11:27 pm  Leave a Comment  
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It’s 10/10 #18: @JarodGlawe @RobinVanemusic @Autografmusic @WinandWoo #Aibai #ColbyHansen @AmyCorreaBell @BeatVent @Daysormay @iamrebelwill @djPromiseLand @DannyDeardenuk @MonsieurAdi #Shoby @wallflowerPerry @dirty__es

My10/10 feature is back with edition #18, the first 10/10 since April.  There are just so many fine releases out right now and I don’t want to cast any aside that deserve your attention.

For those not familiar with10/10,  I write about 10 hot and fresh songs in no particular order, for your kind consideration and attention.  I continue to write individual blog posts about certain songs.  That does not mean that songs in the 10/10 lists are any less than those featured individually, and they are not listed in any particular order.  Writing 10/10 posts means I can cover more songs in one shot.  So you get to learn about more new music that I hear but don’t always get a chance to write about.

I must say that edition #18 has quite the global variety of musical flavours for you to check out!

  • JAROD GLAWE and ROBIN VANE, “Belong To You”

Chicago producer/songwriter/engineer Jarod Glawe is still a relative newcomer to the music scene, but he’s moved very quickly to receive remixes by the likes of Thomas Gold and AMPM, and to start his own Sony The Orchard-distributed label, Blu Ember Music.  “Belong To You” is the first release, and you might has well start off with a bang.  It’s a gorgeous deep house track full of emotion that’s heavily reliant on the vocal by Dutch singer/songwriter Robin Vane.  Together Jarod and Robin are a dynamic force.  Outside of the song’s chorus, Robin’s voice at times reminds me of Dan Smith of Bastille when he sang “Happier”, but he has soulful edges that perfectly suit the warmth of this song.  “Belong To You” is a delightful surprise waiting for you to hear it.

AUTOGRAF and WIN & WOO and SINGA, “Break Me Down”

Two of Chicago’s finest house production teams unite for “Break Me Down”.  The duos of Autograf and Win & Woo have released some of their best music within the last two years, particularly Autograf’s “Ain’t Deep Enough” and Win & Woo’s “Sleepwalking” (both landing in the Top 10 of my personal chart last year), so it’s intriguing to hear the results of their collaboration.  “Break Me Down” is a fairly easy going but atmospheric chill house track with lots of interesting synth sounds and an expressive vocal by Philadelphia’s SINGA.  It would be fitting to play this song early on in a club set to get the crowd moving.  Autograf and Win & Woo have given “Break Me Down” lots of layers that pull you in and keep you listening (and dancing).

  • AIBAI and COLBY HANSEN, “Aura”

“Aura” is a lilting and melodic slice of electronic pop from Minnesota, courtesy of producer Aibai and singer Colby Hansen. While the song narrates a queer relationship about being smitten with a cute girl while out dancing and wanting to dance with her, it is easily relatable for all genders. It leaves to chance about whether or not to pursue your thoughts and feelings, and be caught up in the excitement of a first-time encounter. Colby’s dreamy vocal basks in the blurred circumstances, while Aibai’s production will keep your feet moving, though it sometimes overwhelms Colby’s vocal towards the end. Nonetheless these two young women have created a tight collaboration that works.

  • AMY CORREA BELL, “Fuck It I’m Good” ( Beat Ventriloquists remix)

I’ve said many times before in these pages that I’m a big believer in remixes, and how they can transform a song. “Fuck It I’m Good” by San Fernando’s own Amy Correa Bell isn’t a new song, in fact it was released three years ago until the singer got the brilliant idea to reinvent it during the pandemic with a variety of producer friends. The resulting Beat Ventriloquists remix is certainly a fun deep house rework with a funky edge that keeps you guessing where it’s heading, particularly beyond the three minute mark. The new mix adds more spice to the feisty attitude that Amy brought with the original. So if you like your house mixes on the adventurous and unconventional side then be sure to check this one out.

  • daysormay, “Ego”

Vernon, British Columbia trio daysormay tackle Sigmund Freud in their own unique way in “Ego”. The indie rock group take influences from the likes of The Beastie Boys and Blink-182 and roll it all up into a convincing package which is a lot of fun if – when it doesn’t wear out its welcome.  The video for “Ego” is clever, with eyes very hard not to be on lead singer Aidan Andrews, who lends a lot of inspired energy to the proceedings.  Twin brothers Carson and Nolan Bassett round out the group, and they are often hidden under masks when not in synchronized rhythm with Aidan. While obviously filmed on a budget, the video does have its moments (some scenes from The Art Of Noise’s “Close (To The Edit)” come to mind), but like the song itself, is simply too long.  Less is often more but this is a fine first look at daysormay, and I’m looking forward to more from them.

  • iamrebelwill, “Addicted”

iamrebelwill is a talent for the 2020’s.  A queer black singer born in Montreal but based in Toronto, he created “Addicted” as an anthem about being hopelessly in love – and being just fine with that – after spending his early years afraid of being himself.  He’s got an engaging voice and personality in this song, and influences seem to be drawn most from the late 90’s such as The Fugees, Lauryn Hill, and OutKast. With a tight groove and lyrics co-written by Tafari Anthony, whose own music has appeared in these blog pages, there’s a lot to enjoy about “Addicted”, and iamrebelwill is certainly a name worth remembering for future releases.

  • PROMISE LAND x DANNY DEARDEN, “You Turn My Love Around”

Veteran Italian duo Promise Land (Nazario and Fabio) team up with UK singer/songwriter sensation Danny Dearden for house music that oozes positive vibes in “You Turn My Love Around”.  Promise Land has been releasing music for about 12 years, and have had great success with many of their Spinnin’ Records releases, as well as with remixes for Fedde LeGrand, Flo Rida, and especially with Swedish House Mafia’s “Don’t You Worry Child”! Danny is becoming a go-to voice in dance music with his versatile tones and seasoned songwriting skills. “You Turn My Love Around” mixes 90’s European house vibes with bright synths. At times the production and its high synth notes seems to compete with Danny’s high register, but it’s a minor quibble in this quick but lively release.

MONSIEUR ADI, “Guardian”

In true surprise fashion, French-American musician/producer Monsieur Adi returns to the music scene rather inauspiciously with “Guardian”. In the former part of the last decade, Adi remixed songs by the likes of Katy Perry, Britney Spears, Ellie Goulding and Lana Del Rey, and also released a number of solo releases which often had vocals by others.  In 2014, he was the opening DJ on Beyoncé’s “Mrs. Carter” European tour, and was poised to break out with his rework of Soul II Soul’s “Back To Life” as “What’s Going On” (featuring A*M*E, which peaked at #2 on my personal chart). Since that time, he’s released a scattered few singles, so it’s nice that “Guardian” surfaced as some of our strange times are coming to an end. It’s a warm and mellow song, almost like a fable that unfolds about some unknown presence who is there to guide and perhaps look after you.  The vocal for “Guardian” is also by sung Adi for the first time and it’s a pleasing performance. Hopefully “Guardian” will be followed up soon with more new music from Monsieur Adi.

SHOBY & VICTOR PERRY, “Hero”

It’s not covered very often, but there’s no one else I could think of who could do Enrique Iglesias’ smash from the early 2000’s more justice than NYC singer Victor Perry.  It’s a faithful version of “Hero” which is turned into a mid-tempo house number spiced with a lot of sax sounds by German producer Shoby.  It was especially important to my ears to get the bridge down right and Victor embraces it right down to the quiver in his voice.  The pair bring the song up to date while paying homage to it, so be sure to give it a listen particularly if you’re a big fan of Enrique or the song itself. “Hero” has also been released through Warner Denmark, no less.

DIRTY RUSH & GREGOR ES, “The Rhythm”

Dirty Rush and Gregor Es are two Polish producer/DJ’s who have a pretty wild output of house-flavoured music. They are tamed somewhat in their latest release “The Rhythm”, which shows off their slick skills without needing to embellish them too much with effects or crazy ideas.  The beats are huge, with plenty of bounce, so it’s not hard to picture “The Rhythm” being played around midnight in a club to crank up the party.

 

#BILLCSTop30 #616 – June 21/21

It’s officially summer in Canada and as things start to reopen, I expect there will be a need for more high energy dance music.  I’ve noticed that there are also a lot of personal and reflective songs being released because of people’s experiences in the pandemic.  But all of these songs should make it a quite interesting next few months!

Zipping back to #1 is Los Angeles-based producer Mahalo with “Got That Love”.  This one is all about the build up to the rollicking chorus, a bit different from what Mahalo has produced before, but I’m loving it all the same.  You’ll recall that Mahalo’s “Not Watching Anymore”, which just departed the chart, was #1 right before Idris Elba and Inner City’s “No More Looking Back” which held court for four appearances (eight weeks).  “Got That Love” is Mahalo’s third #1 on this chart.

Moving up 3-2  is Lordnox and Victor Perry’s “Myself In You”. This is a dance release that shows off Victor’s amazing range, and matches the #2 peak of his ballad from last year called “What I Deserve”. Victor’s latest concurrent chart entry, this time with French producer Kislaw, also moves up the chart.  “Slip Away” climbs 25-20.

Jessie Ware’s glorious “Please” soars 6-3 and matches the #3 peak of last year’s “Save A Kiss”, also from the What’s Your Pleasure album.  Jessie has been to #1 twice before, in 2014 with “Say You Love Me” and just before that with her appearance on Miguel’s reworked “Adorn”.

Also with its designs on #1 is “Sideways” by the excellent collaboration of Illenium, singer Valerie Broussard, and fellow producer Nurko.  From Illenium’s forthcoming album Fallen Embers, it climbs 15-7 to become Illenium’s 8th Top 10 entry.

 

Singer/songwriter Chris Blue gets his first Top 10 with “Moon” climbing 11-8.  I’m looking forward to hearing what this Season 12 winner of “The Voice” has coming up next!

Vancouver’s Glass Petals arrive in the Top 10 with “Heartbeat” rising 13-9.  It’s one of those great dance songs I referenced up top that you might not hear in a club yet but you can enjoy wholeheartedly before they reopen.

 

The same sentiments go for “I Want Love” by Gryffin in a punchy Cat Dealers remix that moves up 12-10.  The Brazilian brothers who are Cat Dealers will be touring North America, but just got hit with a setback with passport issues, so hopefully they will be resolved soon!

The Fastest Riser on the chart is the no holds barred rave up by Cash Cash and Alex Newell called “The Feels”.  It vaults 23-12 and is culled from Cash Cash’s new album Say It Like You Feel It.

Also making a bold move is Greyson Chance, who has also announced a fall North American tour that will be coming to a city near you!  From his upcoming album Trophies is the fun and seductive “Hellboy”, moving up 22-16.

The highest of four debuts belongs to Sweden’s Darin with his English-language pop/dance delight “Can’t Stay Away”, which arrives at #22.  It’s Darin’s first chart entry since 2010’s #8 “Lovekiller”, so a big ‘welcome back’ is in order!

Next up at #25 is Toronto indie teenage singer of Portuguese heritage who calls herself CMagic5. Her sultry new single “Love Me If You Can” deserves your attention with its incredibly catchy chorus.

Then at #27 there’s the first appearance on the chart for Dutch producer Regard with “You”. It’s a unique track boosted by excellent vocals from Troye Sivan (his 9th chart entry) and Canada’s Tate McRae, also appearing on the chart for the first time.

The final new addition to the chart is the beautiful new electropop song “Waves” by Belgian producer Anzano and go-to vocalist/songwriter Robbie Rosen at #28.  It’s Robbie’s fourth consecutive entry – though “Habits” departs after reaching #20, “When I Lost You” is still hanging in at #15 after peaking at #4. 

NEW!! I’m pleased to announce that I will be your weekend announcer on Halton Hills Online and Radio GTA starting in July for my show “Your Weekend Music Mix”.  The show will air Saturday and Sunday afternoons on Halton Hills Online and Saturday and Sunday evenings on Radio GTA.  Watch for it in less than two weeks!!

Planet Radio Canada has returned to the interwebs with ‘The Musicman’ James Rogers and his “3D Variety Show” each week for three hours of great music as well as a few features.  Listen to my New Music Pick of the Week (usually featuring a song on the chart) in the second hour of the show.  Tomorrow, the show will feature the music of The Bee Gees!  Planet Radio Canada’s “3D Variety Show” is simulcast on http://www.classichits.ca and http://www.radiogta.ca from 6 to 9 pm EST.

The music from this chart and blog are also featured regularly on the online radio station Radio GTA. You can hear their Big 20 on Wednesday evenings, also with ‘The Musicman’ James Rogers, and listen for songs from the chart too 🙂Scroll down the station’s main page to listen to lots of variety from across the decades!   You can start by joining Radio GTA’s new interactive Facebook group too!!

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

 

 

Boston’s @AlmostOwenmusic returns with post-pandemic anthem “State of Mind”

ALMOST OWEN, “State of Mind”

I’ve written about the music of Boston’s indie alt.rocker Almost Owen several times over the past few years. He’s an inventive songwriter, singer and musician who has unique perspectives on life that get translated into song.  I didn’t connect with many of his songs last year, but “State of Mind” is a refreshing and joyous anthem that he wrote as a way to break out of the pandemic rut that we’ve all experienced.  The video is bright and uplifting, and we now get to see an updated visual side of Almost Owen that only makes you want more.  I particularly like his vocal in “State of Mind”, it seems to have drawn some soulful inspiration from Jamie Foxx’s “Blame It”.  All I can ask is for more songs like “State of Mind” please!

Published in: on June 18, 2021 at 11:20 pm  Leave a Comment  
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Watch out for Toronto’s @_MaxParkermusic with pop earworm “Good Time”

MAX PARKER, “Good Time”

You won’t find a much more ear-catching pop tune around than “Good Time” by new Toronto pop singer/songwriter Max Parker.  This one is already being played nationally on radio in Canada, much thanks to Max being named as an iHeart Radio Future Star.  Max also previously had one of his songs featured among the Top 12 of one of CBC Radio’s previous Music Searchlight competitions.  So it’s quite clear that  his talent is shining through the rest, and comparisons to the music of fellow Canucks Tyler Shaw, Johnny Orlando or even Justin Bieber are not unwarranted.  Max Parker is definitely one to watch in 2021.

Published in: on June 14, 2021 at 9:14 pm  Leave a Comment  
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“Daisies” is a bright, shiny delight from L.A. singer/songwriter RayeRobinson @itsjustraye

RAYE ROBINSON, “Daisies”

L.A.’s Raye Robinson is out to charm you with her new single “Daisies” from an upcoming EP called Crushes & Love Songs.  “Daisies” puts her in a bright, sometimes comical “he loves me, he loves me not” setting, and the song melodically transports me back to classic early 1970’s pop songs sung by Karen Carpenter, Carly Simon and others.  Looking to more contemporary vocal comparisons, Lily Allen and Katy Perry (she of another “Daisies” song) come to mind. Wherever your thoughts might take you, there’s no denying the hook and vocal prowess of “Daisies” should be enough to get Raye Robinson some attention from key music industry tastemakers.

Published in: on June 14, 2021 at 9:14 pm  Leave a Comment  
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Pittsburgh-based indie singer/songwriter Bishop Ivy brings touching new pop single “tunnel vision”

BISHOP IVY, “tunnel vision”

Set to a soothing, lilting melody that will stay stuck in your head, Pittsburgh indie singer/songwriter Bishop Ivy returns with “tunnel vision”. This song finds the protagonist in the dilemma where he can’t bring himself to let go of a relationship.  Many other listeners will truly relate as the song starts off as more of a narrative that gradually becomes more affecting right down to the distorted vocal near the end. “tunnel vision” is not the first I’ve heard from Bishop Ivy, in fact his songwriting has grown considerably compared to the others that I’ve heard over the past few years. With songs like “tunnel vision”, Bishop Ivy is sure to find fans who appreciate his down-to-earth style that comes complete with several twists.

Published in: on June 14, 2021 at 9:14 pm  Leave a Comment  
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