#BILLCSTop30 #569 – September 2/19

September marks a big change-up on the new chart.  Not only is there a new #1 which more people need to discover, there are five new entries.  And it was a tough decision as to which songs debuted as there is quite a line-up of chart-worthy recent releases.  So while leaves will begin to tumble and the cooler air sets in where I am in Toronto, the music on the chart is free-flowing and most deserving of your attention!

It’s Ukrainian dance ensemble Kazaky who reign supreme on the chart now with “Push” and its stunning video (above).  It’s rare that you will see such physical choreography, and much of it danced in stilettos, so these guys must be so disciplined and committed.  Plus it’s a great song with early 90’s Depeche Mode all over it married with modern synths.

Kygo’s redux of Whitney Houston’s 1990 recording of “Higher Love” climbs to #2.  I must say I’m calling out radio in North America for not supporting such a great record.  The rest of the world indeed has much better taste these days, and so do dance clubs, where it’s already been a #1 hit.

“Time” is my favourite song from the Emanate album by EMAN8 (Brandyn Burnette). He’s been in my Top 10 numerous times over the last five years, but “Time” rises 9-6, his first time this high on the chart since “Run” got to #4 a little over a year ago.

Three songs climb into the Top 10, and they are Sam Dickinson’s joyous “All We Are” (11-7, above – all of Sam’s charted songs have reached the Top 10!), Avicii’s “Tough Love” (13-9, also above) and Italian musical mirth-makers Eric Zava & DJ Mirko B with “Even In Confusion” (12-10, below).

There’s lots of activity immediately below the Top 10, as the dark and mysterious deep house of “Alone Again” (above) by Mahalo and Polish producer Milkwish climbs 16-11.  Right behind is Loud Luxury and Bryce Vine with their huge Canadian radio hit that deserves to spread worldwide, “I’m Not Alright” (below), moving up 18-12.

The fastest riser on the chart is the highest debut from two weeks ago, “Dreamer” by Australian producer Throttle, which soars 22-13.  I’m hoping this is Throttle’s breakout record – dance music radio really needs to jump all over its refreshing sound.

The other debuts from the last chart also make progress.  Nashville duo Apollo LTD have one of my favourite albums of the year called Out Of Body, and their song “On The Way Up 2.0” (above) rises 24-20.  Then the unexpected dream team of Tiësto, Jonas Blue and Rita Ora move up 26-21 with “Ritual” (below).

The highest of five premieres this week belongs to England’s Lostchild with the charming and fun “Like Like” in its OKJAMES remix arriving at #23.  Lostchild reached #5 last year with the equally engaging “Blacklist”, so watch for great things for “Like Like”.  Both OKJAMES remix and the video for the original version of the song are above.

Someone else who is no stranger to this chart is Florida-born producer PLS&TY, whose latest engaging single “Run Wild” bows at #24.  Its repeated sample of a Finnish acoustic song is infectious and refreshing.  The Morgan Page of PLS&TY’s “Down For Me” got to #6 last year.

Chicago’s Win & Woo make their debut on the chart as lead performers with possibly their best single to date so far, which is the biting “Here U R”, featuring and co-written by singer Sara Skinner.  It arrives at #26.  Win & Woo’s other chart appearance was in 2016 providing a good-natured remix of Brandyn Burnette’s “Made Of Dreams” (#5), which I still play a lot.

Australia’s Peter Wilson returns to the chart after getting to #2 last year with Sean Smith in the unique duet called “Verona”.  It’s the Stormby edit of “Don’t Break My Heart Again” that bows at #27 from the EP of remixes for the song.  You’ve also seen Stormby on this chart before, with one of my favourite remixes of this decade, Kaden’s “Black Light”, which got to #1 in 2013.

The fifth debut will keep the heat of the summer continuing, in music anyway.  It’s the soulful, lazy melody of “Poolside Vibe” courtesy of two gents usually known as producers, Pretty Sister (Zak Waters) and MarcLo (Marc Lomax of The Monsters & The Strangerz collective), entering at #29.

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

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#BILLCSTop30 #568 – August 19/19

As the ides of August pass by, a close battle for the top on this new chart did not change too much. 

For with the arrival of his new album Ascend, Illenium along with vocalist Jon Bellion once again take #1 with “Good Things Fall Apart”.  That makes it 5 appearances – 10 weeks – at the top, which has only been achieved by one other record in this decade, and that is “I Wanna Be (Free)” by Brandyn Burnette (now recording as EMAN8, and in the chart at #9 with “Time”), my #1 song of 2015.  After listening to Ascend, I am very lost for words and it needs another go through.  But it’s an outstanding record sonically, musically, and lyrically, with many fine collaborations.  

That means that “World At Our Feet” has another close call for #1 but stays at #2 for a 3rd appearance for Australia’s Timmy Trumpet.  Still, it’s a true favourite of mine for ’19.

Unless “World At Our Feet” succeeds “Good Things Fall Apart” at #1, then it should be Push by Ukrainian dance music group Kazaky that gets there next.  “Push” would sound great next to any late 80’s or early 90’s Depeche Mode song, and it climbs 8-3.  And watch the video to see what these five guys do with choreography and huge stiletto heels!

The cool, relaxed vibe of “Monday Blues” helps send this dance track up 7-5 for L.A. producer Eric Sharp and vocalist Kenny Zhao.  Play it after “Cola” by Camelphat and Elderbrook and you’ll see what I mean.

Showtek and Leon Sherman’s “Listen To Your Momma” (A-Trak remix) continues its journey into the Top 10 landing at #8.

Sam Dickinson’s beautiful and affecting “All We Are” will become the UK singer/songwriter’s fourth Top 10 entry on this chart in two weeks, but for now it climbs 14-11.  Sam has a new single coming called “Diamond Skin” and Pt. 3 of his EP trilogy From The Glass House.

Cutting loose through the middle with a lovely orchestral hook is “Tough Love” by Avicii featuring Swedish chanteuse Agnes plus Avicii’s long time collaborators Vargas and Lagola.  It rises 19-13.

It was never an issue if “Alone Again” by Mahalo and Milkwish would leave the lower 10, it was just a matter of time, amid fierce competition on the chart.  “Alone Again” rises 21-16.

Right behind “Alone Again” again is “Flying On My Own” by Celine Dion, which also makes its presence known, climbing 22-17.

The Fastest Riser on the chart is “I’m Not Alright” by Canadians Loud Luxury with vocalist Bryce Vine.  It’s one for the lazy, hazy end of summer days and moves up 26-18.

The Highest Debut belongs to Australian producer Throttle with “Dreamer” at #22.  This one’s a real grower and you pick up the sincerity in the song as you hear it more.  Plus it’s got a knockout beat to keep you grooving.  It’s also a rare appearance on this chart for Canadian dance music label Monstercat, which previously charted with Hellberg’s “Synchronize” (#8) in 2016.  “Dreamer” is Throttle’s second appearance on the chart following his playful take on Michael Bublé’s “My Kind Of Girl” (#21) in 2017, but don’t forget he also had a #1 remix with Troye Sivan’s “My! My! My!”.

The next new arrival is at #24, Nashville duo Apollo LTD’s “On The Way Up 2.0” from their wonderful album Out Of Body.  These guys know how to write songs and put together an album that flows from song to song.  The “2.0” in the title does signal a new version of a previous single that perhaps sounded initially too much like an Imagine Dragons kind of song.  Keeping the anthemic appeal intact, “2.0” takes the song down a few notches and lets us bask in its fine melody and great vocal.

The third debut will become an easy go-to record for me.  It’s “Ritual”, a collaboration of Tiësto, Jonas Blue and Rita Ora, which arrives at #26.  While Tiësto and Jonas Blue are no strangers to the chart, it is Rita Ora’s first entry and definitely one of her best vocals.  The hook in “Ritual” is just insane and had me singing along right away.

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

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#BILLCSTop30 #547 – October 29/18

There’s plenty of new music to be abuzz about, including four new entries, and lots of songs rising up into the Top 10 to challenge for the top!  And the top of the new chart is all about wonderful singers.

The Top 10

  • Reigning at the top appropriately for Hallowe’en is the delightfully over-the-top “Phantom Of The Dance Floor” by Kiesza featuring Philippe Sly.  I think this is the first time in the 20 years of my chart that I’ve had a Hallowe’en-oriented song at the top.  Couldn’t happen to a nicer song by incredibly talented singers.
  • It’s not the only song in contention for the top, but “Verona” by Peter Wilson and Sean Smith makes its key move, up 4-2.  What’s not to love about such an intriguing story sung by singers who sound so different separately but create fantastic harmony together.

  • Despite its pop facade, “All For You” by Years & Years, up 8-6, has quite a set of telling lyrics for you to enjoy as part of their sophomore album Palo Santo.

  • It’s a pop dance bop all right – “One Last Time” by Gromee featuring Jesper Jenset climbs 10-7.

  • It took a bit of time but “Rise” by Jonas Blue and Jack & Jack slides into the Top 10, up 11-8, becoming Jonas’ second Top 10 on this chart, after his cover of “Fast Car” got to #3 two years ago.
  • Odesza’s slamming crowd favourite “Loyal” sets a new benchmark for progressive dance music and glides into the Top 10, moving 14-9.

Movin’ On Up

  • The intense Morgan Page remix of “Down For Me” by Florida’s PLS&TY is a stunning redo of an already fine song that jumps 15-11.

  • There are plenty of old school house vibes on this particular chart, so it makes sense that “DJ’s Gotta Dance More” by Montreal’s A-Trak, with house legend Todd Terry on vocals, is the fastest riser, soaring 24-13.

  • Ariana Grande’s “Breathin” is still delightful and fresh and climbs 19-15.
  • More Canadians in the form of east coast duo Botnek grab a hold of house rhythms and shake them down in “Days Of Disco”, moving up 21-16.

  • The Knocks kick it NYC-style with Method Man for “Goodbyes”, from the duo’s album New York Narcotic, rising 23-17.
  • And France’s Mercer highlights a lot of 70’s flavour in “Fireworks”, which climbs 25-19.

Debuts

  • England’s Sam Dickinson has the highest entry with his new effortless-sounding single “Wild Sun” from the forthcoming EP From The Glass House: Part One (video above).  And what’s even better about “Wild Sun” is that remixes are coming on November 16, including my favourite which is the “Handbag House remix” that you can hear at the Spotify link below.  “Wild Sun” arrives at #23 to make Sam’s third entry onto the chart.
  • With Denver’s Illenium having so many fans in the dance music scene, if you’re going to do a remix, it’s best to get the man’s blessing.  L.A.’s PatrickReza did just that for his fierce take on “Crawl Outta Love” (featuring Annika Wells), and it bows at #25.  It’s also available at the link above as a free download.
  • UK singer Jessie Ware is back and sounding better than ever after the solid Glasshouse album with “Overtime”, which returns more to the Prince-inspired funk-pop of Tough Love.  “Overtime” premieres at #27.  Jessie previously got to the top of the chart with “Say You Love Me”.
  • NYC-based singer/songwriter Victor Perry is a name you’ve already seen on this chart in the Top 10 a number of times these past two years.  With his pristine vocal in “Gravity”, Victor appears under the guise of Labrose, his latest single in his project with British producer Ficci.  “Gravity” debuts at #28.

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

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#BILLCSTop30 #546 – October 15/18

The Ides of October are upon us already, and that means Summer favourites are departing the chart.  To replace them though, there’s no shortage of great tunes.  There are three debuts and a brand new #1!

The Top 10

  • Calgary’s Kiesza gets her first #1 on this chart with the season-appropriate “Phantom Of The Dance Floor”, featuring Quebec opera singer Philippe Sly, in only its third appearance on the chart.  It’s a fun song and an even more fun, manic video.  Spread the news about this one kids as people are missing out.  It’s also the first #1 by a Canadian since this year at this very time when Loud Luxury and Nikki’s Wives held court with “Show Me”.  Benny Benassi & Sofi Tukker’s “Everybody Needs A Kiss” slides to #2, still one of my faves of the year, and it will hang around for a while.
  • Another song that I can’t stop playing is “Verona” by Australia’s Peter Wilson and England’s Sean Smith.  It advances 9 to 4 this week, and the combination of 80’s musical flavour/production, great storytelling, and fine singing make “Verona” the total package!
  • Philadelphia’s N i G H T S get their second Top 5 hit with “Eyes”, following last year’s totally different “P A R T Y”.  Give these guys some time and they will make their mark, with so many songs up their sleeves.

  • Both “High On Life” by Martin Garrix and Bonn (above), and “All For You” by Years and Years (below), finally break into the Top 10 after a lot of patient waiting for some of my favourites to depart.  “High On Life” climbs 11-7 and “All For You” is up 12-8.  

  • “Vacant Love” by Caden Jester and Blake Rose hits another new peak, climbing 10-9.

  • Norway’s Jesper Jenset gets his second Top 10 as featured vocalist in Gromee’s “One Last Time” (above), which climbs 13-10.  He’s also featured in Lost Kings’ new single “Drunk As Hell” which you can check out below in its amusing Simpsons-ish looking video.

Movin’ On Up

  • It’s sort of peaked already but “Rise” by Jonas Blue and Jack & Jack (above) has been slowly making its way up my chart.  It climbs 15-11 this week.  Jack & Jack recently dropped their new song “No One Compares To You” (below).

  • Netherlands-based producers Revelries also continue to climb with their latest original “Infinitum”, featuring Australia’s Beamish Boys on vocals.  It rises 14-12.
  • The fastest riser on the chart is “Loyal” by Odesza, up 24-14.  This should be no surprise; it’s one of the most intriguing and unpredictable songs on the chart with a soulful female vocal (sample or no?) that drives it home.

  • Also making a significant leap is PLS&TY’s “Down For Me” in its club-ready Morgan Page extended mix, climbing 21-15.

  • Though it made a small move two weeks ago, “Soldier” by Sidney Samson & GWise is hardly done, and jumps 27-22.

3 Debuts

  • It took a few spins for me to really dig this record, but now there’s no stoppin’ me playing it!  My fellow Canadian A-Trak is back with a fun, inspiring original called “DJ’s Gotta Dance More”, made even more genuine with legend Todd Terry on vocals!!  This song is a MUST for every club DJ.  It’s classic, reverent house with a great message.  It bows at #24.  A-Trak was last on the chart as part of the trio with Kimbra and Foster The People’s Mark Foster in 2012 for “Warrior” (#10), a freebee at the time courtesy of Converse.
  • Mercer returns to the chart after his #1 “Satisfy” with “Fireworks”, a 70’s retrotastic song I’ve been playing for months that is re-released as part of French producer’s new EP Neo Disco, along with another new song “Monte Carlo”.  “Fireworks” arrives at #25.

  • The Chainsmokers are also back making a collaboration with Country singer Kelsea Ballerini work so well with “This Feeling”.  Their other recent single “Side Effects” failed to resonate with me, sounding too much like other dance pop on the charts.  “This Feeling” premieres at #26.

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

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#BILLCSTop30 #545 – October 1/18

And the new music keeps on coming, making for what’s turning out to be a faster moving chart in years.  Very few songs this year have attained the maximum chart run of 10 appearances (20 weeks) – only 14, including this chart’s “Pink Lemonade” by James Bay, but they will be joined next chart by The Him and Parson James’ “Broken Love”.

The Top 10

  • “Everybody Needs A Kiss” by the dynamic team of Benny Benassi and Sofi Tukker is snug at #1 for a second appearance, but it’s being challenged by several songs below vying to take its place in two weeks.  I’m honestly surprised this one hasn’t been much bigger at dance clubs!

  • Tony Moran and Jason Walker have their best chart showing yet as the Victor Dinaire/Bissen remix of “I’m In Love With You” climbs to #2.

  • The gorgeous melody and riveting beats of “Tim” by Arty allow the lovely tribute to Avicii to rise 7-3.

  • The prolific Philadelphia duo N i G H T S move up 9-6 with “Eyes” (above), but have released yet another single, their 4th since “Eyes”, called “Paradise” (below).

  • The one to watch on the chart is the fastest riser, perfectly timed for Hallowe’en, “Phantom Of The Dance Floor” by Kiesza featuring Quebec opera singer Philippe Sly.  Everyone in the video above is having a blast.  We so needed this campy injection of fun right now 🙂
  • Another one to watch is “Verona”, featuring compelling vocals, both solo and together, by Australia’s Peter Wilson and England’s Sean Smith.  It climbs 15-9, becoming Sean’s second trip to the Top 10 after last year’s “Magic” (#7).
  • And it’s a first time visit to the Top 10 for L.A. producer Caden Jester with “Vacant Love”, up 11-10, and featuring the voice of Blake Rose.

Movin’ On Up

  • These past few weeks have seen the arrival of the video for “All For You”, the third single from Palo Santo by Years & Years, and the song climbs 14-12.  I look forward to seeing Olly, Mikey, and Emre for the third time on Friday October 5 in Toronto at The Phoenix!!
  • The Netherlands-based Emerati production duo Revelries moves up 18-14 with their original “Infinitum”, featuring Australia’s Beamish Boys on vocals.  

  • It recently got to #1 on Billboard’s Dance Club Play chart – “Rise” by Jonas Blue featuring You Tube stars Jack & Jack, rises 19-15.

  • Florida’s PLS&TY has his first original on the chart, and in its Morgan Page remix, “Down For Me” is definitely tailored for clubs, climbing 28-21.
  • The delightful short story of “Voice Mails” by L.A.-based producer Kooky, is no flash in the pan, moving up 30-23.

Three Debuts

  • The Highest Debut of the week belongs to acclaimed, Grammy-nominated Seattle duo Odesza with their first appearance with the huge sounds of “Loyal” at #24.  It’s a fan favourite that Odesza has had in their set for some time now.  However they’ve replaced a Marvin Gaye sample with a soulful, vibrant female vocal – not sure if it’s a sample or an original recording.  After a lot of thinking, I thought it might have been an excerpt from Cheryl Lynn’s 1979 disco smash “Star Love” but alas it’s not!  Guesses, anyone?
  • Next up is established Nova Scotia production duo Botnek with “Days Of Disco” at #25, which also sounds like it uses a sample of the telephone ringing right out of disco days’ “Doctor’s Orders” by Carol Douglas, but that doesn’t appear to be so.  In any case the song is insanely catchy and will liven up any dance club set!

  • The third and final debut belongs to The Knocks, who released their second full album this past week, New York Narcotic.  Equally as entertaining as their 2016 debut 55, the song from Narcotic that bows on the chart is “Goodbyes” featuring none other than Method Man – he’s the second rap voice, the first is of course The Knocks’ own Mr. JPatt!  “Goodbyes” is The Knocks’ 6th chart appearance. They’ve been to #1 before with 2015’s “Kiss The Sky” featuring Wyclef Jean.

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

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#BILLCSTop30 #542 – August 20/18

My last chart of August is a transitional one, since I’ve had 10 songs debut in the last month.  So plenty of songs continue to head up the chart, to compete with favourites that I’ve been savouring for a bit longer.  In other words, you’ll find mainly small chart moves, aside from a couple that are breaking through and becoming successors to my current big favourites.  But there are still four more debuts!!

The Top 10

  • Continuing to play festival and club after festival and club, the very in-demand Dutch duo The Him hold with a fierce grip on #1 with “Broken Love”, featuring the enormously talented Parson James.  

  • James Bay’s Electric Light is one of my favourite pop albums of 2018 because it took risks to try a lot of different styles within the genre on one album.  The result was with no one single that the industry could fawn over, but the 80’s new wave-influenced “Pink Lemonade” is also one of my favourite songs of 2018 and advances a bit belatedly to #2!

  • More new Rüfüs Du Sol means that their album is finally coming!  Check out “Underwater” below, while “No Place” (above) climbs 5-3.

  • The contagious party feel of “Get Down” by French producer RetroVision has caused it to zip through the Top 10 this week, soaring 9 to 5 🙂

  • “I’m In Love With You” by Tony Moran and Jason Walker reached the summit of the Billboard Dance Club Play chart this week in their third #1 pairing, and it also becomes their third Top 10 in this chart, rising 12-9.
  • L.A.’s Bobby Nourmand has one of the most interesting repertoires as a dance producer.  This week he has three songs in the Top 10, thanks to the double whammy former #1 EP of “Subterranean” and “Estranged” at #4.  “The Sun” (above), featuring Blonde’s Adam Engle, rises a notch to #10 to become Bobby’s 3rd Top 10 entry this year and 5th overall!  Bobby has also prepared a progressive remix for”Sparrows” by New Mystics (below), a new release on his DITN label below.

Movin’ On Up

  • Benny Benassi and Sofi Tukker plough through the competition and set their sights on the top of the chart with “Everybody Needs A Kiss”.  It’s the fastest riser this week, climbing 19-11.

  • The fastest riser from the last chart continues to build momentum for the Top 10.  And that’s “Casually” by Alyx Ander and Redondo featuring Maria Z, which advances 14-12.
  • Evan and Corey, aka Philadelphia duo NiGHTS, are not holding back with their releases!  Not only does “Eyes” (above) move up 22-19, but they’ve since released both “Tequila” and “Stranger”, both below.

 

  • Two of the most inspiring songs on the chart should take off in two weeks.  Martin Garrix and Bonn’s “High On Life” (below) is one of those songs that makes you think about all of the good times, and it rises 23-20.  Right behind it is Arty’s heartwarming instrumental tribute to Avicii, appropriately called “Tim” (also below), moving up 25-21.

4 Debuts

  • Guy James Robin, aka UK producer Jonas Blue and immensely popular in Europe, may finally have his calling card in North America with the jubilant “Rise” at #26.  Great to see US ‘Net sensations Jack & Jack carrying the song away with their spot-on vocals, it’s been a while since they’ve appeared in these blog pages!  It’s Jonas’ second appearance on this chart following 2016’s cover of Tracy Chapman’s “Fast Car” (#3).

  • As “Lonely” by Matoma and MAX departs the chart after reaching #10, a new and somewhat unexpected duet replaces it!  This time it’s with new buddy Enrique Iglesias with the insanely catchy “I Don’t Dance (Without You)”, which also features seasoning from the islands courtesy of vocalist Konshens.  This one deserves a lot more attention than it’s getting, especially with Enrique giving one of his best vocals in years.  It bows at #27 – it’s Enrique’s 9th appearance on this chart and first since 2011.

  • New and independent and very worthy of your ears and dancing feet is “The Pain I Feel” by UK singer Marlon Percy and the UK/France production duo LoFrames.  It’s a nice mix of soul, blues and house music, with stellar production, and arrives at #28.

  • I think he may be the first Polish artist to appear in this chart, but veteran producer Gromee has a winner with “One Last Time”, featuring an appealing Shawn Mendes-like vocal by Norway’s Jesper Jenset, who got to #3 two years ago on the chart with “High” in a Young Bombs remix.  “One Last Time” enters at #29.  It’s also a good sonic companion to Jonas Blue’s “Rise” above 🙂

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

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