#BILLCSTop30 #597 – September 28/20

This week, the BILLCS Music Blog turns 11! And this week I will be working on a new project that will support the blog and chart, and a great deal of new music and artists, if it all works out. So watch for more news on that front.

In the meantime, the new chart had four new entries while the upper region continues to look similar to the past four weeks of music.

What will Joel Corry do next for dance music, following the success of “Lonely” and “Head & Heart”, which continues at #1 on my chart for a third appearance (six weeks). Collaborating with co-writer and singer MNEK was definitely a blessing, and I hope they will reteam in the future. In the meantime, who will be next?

“Dancing Next To Me” by Greyson Chance is a dance anthem for anyone who’s been cheated or denied their opportunity to be with someone of mutual attraction. It moves up 3-2.

Greyson or the song at #3 seem poised to challenge “Head & Heart” in two weeks. And that song is “Undo My Heart” by Karen Harding & Digital Farm Animals, climbing 4-3. This one can go side-by-side with the likes of “Nobody’s Supposed To Be There” or “Un-break My Heart” in my books!

Also moving up from 6-5 is “Naked” by another dream team, which is British producer Jonas Blue and NYC singer/songwriter MAX. Both artists had huge events this past week. Jonas performed the virtual show Electronic World this past weekend; long-time fave and chart veteran MAX released his new album Colour Vision, and performed all of the songs virtually (and solo, where there are usually collaborators). Check out MAX’s amazing song with BTS’ Suga called “Blueberry Eyes” below.

UK indie singer/songwriter Benedict Cork has more new music this week just ahead of the release of his new EP Piano Tapes Vol. II. “One Last Song” continues its upward movement, rising 10-8. Watch for “Wild One” on Wednesday!

Giiants obtain their second Top 10 on my chart with their latest single “Waiting For You”, which climbs 13-9. They previously reached #3 with “Small Talk”. And of course two of the members, Cam and Adam, also recorded as DATABOY, who had three #1’s here in the last decade.

The Fastest Riser on the chart, for the second time in a row, is a blazing instrumental that will make you get out of your seat and move! That is mission accomplished for “House Is Happiness” by Germany’s Stan Sax, which soars 18-10!

L.A.-based trio Fames have a catchy winner with “scared of the dark”, which moves up 25-20.

“We Are Home” by Florida-based singer/songwriter Lauren Mayhew and Moroccan producer Mariline moves up a brisk 27-22. It’s also the second entry on the chart for indie dance label Tipsy Records!

The Highest Debut on the chart is the first entry for Sweden’s Pawl & Discrete with the irresistibly infectious, snappy house track “Type Like That”, which arrives at #24. It’s also the first release on the chart for dance label LoudKult.

Returning for the first time to the chart as a solo artist since 2011 is Sweden’s Agnes Carlsson with “Fingers Crossed” at #26. She of course was part of Avicii’s belated but amazing “Tough Love” last year, which got to #3. Agnes’ “Don’t Go Breaking My Heart” was her last solo entry, which reached #7, but her first entry in 2009, “Release Me”, went to #1.

Debuting on the chart are the brothers Lynch, Ross and Rocky, aka The Driver Era, with the beautiful “Take Me Away” at #27. When she was a pre-teen, my daughter was a big fan of Ross’ TV show from early last decade, “Austin & Ally”, and I became acquainted with his music and additional talent by taking her to a couple of shows by his family band R5. Since then Ross has developed quite a resumé as an actor – I watch him in episodes of “The Chilling Adventures Of Sabrina” – and as a singer, even recording with the likes of dance producers Tritonal a few years ago. The Driver Era is a cool alternative pop/rock project that deserves to flourish.

The fourth new entry is by another one of my chart veterans, Bright Light Bright Light, who has been going strong in my music world since 2010! With the recent release of his fourth album Fun City, there is so much great music from which to choose, but the unbridled anthemic joy of “It’s Alright, It’s OK” resonates with me and it arrives at #28. It’s a collaboration with a trio of talented women from Montreal called Caveboy. The first single from Fun City, “This Was My House”, peaked at #5 this past summer.

A reminder that the music from my chart and blog are featured regularly on the new online radio station Radio GTA. You can hear their Big 20 on Wednesday evenings with ‘The Musicman’ James Rogers and listen for songs from the chart too 🙂 Scroll down the station’s main page to listen to lots of variety from across the decades!  I’m the new music consultant for the station so you can expect even more in 2020 🙂  You can start by joining Radio GTA’s new interactive Facebook group too!!

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

Want to see what I’ve been listening to and charting for the past 22 years?  Rummage through the BILLCS Top 30 Archive (where you can click on the link within) when you have a chance!! 

#BILLCSTop30 #595 – August 31/20

In less than a month, it will be Autumn! But I’m not going to say goodbye to the summer and all of the great new music that it has given us, despite our ongoing COVID-19 circumstances.

There is a switch-up at the top, and it’s a big one! Joel Corry and MNEK soar from 6 to 1 with “Head & Heart”. This banger is one of the biggest hits of the year in the UK and on dance radio in North America. This year has been full of songs like “Head & Heart” which have great hooks or choruses.

Victor Perry obtains his highest placing in this chart as the enthralling “What I Deserve” (above) climbs 3-2. In the wondrous never-ending slew of new music by or featuring Victor, check out his new song with British producer Ficci called “Gone” (below). This electronic alt.soul is a perfect accompaniment to Victor’s solo EP Rewind.

“Dancing Next To Me” by Greyson Chance (above) also climbs up a notch from 4-3. Literally, it would be #1 had two stronger songs not been in front of it, so it’s a very ‘high’ #3! Also check out Greyson’s latest single, inspired by his personal and ongoing battle against anorexia, called “Bad To Myself” (below).

Toronto’s Francesco Yates will be following up his Superbad EP with more new music in September. In the meantime, “Bad Decisions”, the fun second single from that EP, holds at #5, and it’s Francesco’s highest ranking song on the chart to date.

Both Jonas Blue and MAX are back in the Top 10, this time together with “Naked” rising 12-8.

Florida-based progressive electronic producer Trivecta acquires his first Top 10 on this chart with “Leave It All Behind” (featuring vocalist/co-writer Fagin) moving up 11-9.

The Fastest Riser on the chart puts three huge bangers in the Top 10. Next to “Head & Heart” and “Rain On Me” there’s “Undo My Heart” by British artists Karen Harding and Digital Farm Animals. It vaults 23-10.

“Carry Me” by Canadian producer Dezza and vocalist/co-writer Mike Schmid continues to show resilience and climbs 17-11.

Right behind two weeks in a row is manic Australian producer/DJ Fisher with the irresistible “Wanna Go Dancin'”, rising 18-12.

In any other week, the beautiful “One Last Song” by UK indie singer/songwriter Benedict Cork, would be the fastest riser as it climbs 26-16. More new music is coming from Benedict this week!

It’s steady as it goes for another UK indie singer/songwriter, Jazz Mino, as her thoughtful and unique point of view in “Like A Drunk Girl” moves up 20-17.

L.A.-based production trio Giiants settles comfortably in the Top 20 as “Waiting For You” (above) rises 24-18. Even newer from Giiants is their collaboration with Disco Fries on “Believer” in a Giuseppe Marcellino remix (below).

While the more experimental nature of Troye Sivan’s new songs is certainly interesting, I had to wait for the arrival of his new EP In A Dream to find a song that’s as captivating as in either his albums Bloom or Blue Neighbourhood. The simply gorgeous title song, “In A Dream”, bows at #26. It’s Troye’s 8th song to appear in this chart.

If you want dance music that is nothing but sheer fun, then look no further as German producer Stan Sax’s “House Is Happiness” arrives at #27. It’s an instrumental full of saxxy goodness and a slamming beat. While Stan has been on the chart before as part of Saxity and, more recently, in his other pseudonym of ZEROBADDAYS, he has appeared on the chart one other time under the current moniker when he gave a refreshing remix to Fabian Luttenberger’s “Vague”, which got to #10 in late 2016.

The third debut belongs to new Philadelphia trio Time For Three with the beautiful “Vertigo” at #28. The lead vocal alternately reminds me of Steve Perry of Journey or Dennis De Young formerly of Styx. Love the strings arrangement!

A reminder that the music from my chart and blog are featured regularly on the new online radio station Radio GTA. You can hear their Big 20 on Wednesday evenings with ‘The Musicman’ James Rogers and listen for songs from the chart too 🙂 Scroll down the station’s main page to listen to lots of variety from across the decades!  I’m the new music consultant for the station so you can expect even more in 2020 🙂  You can start by joining Radio GTA’s new interactive Facebook group too!!

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

Want to see what I’ve been listening to and charting for the past 22 years?  Rummage through the BILLCS Top 30 Archive (where you can click on the link within) when you have a chance!! 

#BILLCSTop30 #594, August 17, 2020

This chart marks the week where I close the door on my career in education in human resources.  It’s a bittersweet feeling, especially during these strange times where you can’t say goodbye to people in person, though that will happen later.  

This also opens the door for me to spend more time with music and working on music projects.  I’m looking to help individuals or businesses fill a gap with whatever knowledge and skills I can bring to table.  If you’re interested in talking with me more about it, you can drop a line to me in one of the following three places:  On Twitter, Instagram, or Facebook.

Getting back to the new chart, the Top 2 hold steady, but there’s a lot of movement, and for the first time in quite some time, there are 6 new entries.  Songs are going up and down the chart faster than ever because of the volume of great new music out there.

Locked in at the top though is Lady Gaga & Ariana Grande’s “Rain On Me” (above), now in its 4th appearance at #1.  It’s the first song to obtain 4 appearances (8 weeks) at the top since “Push” by Kazaky last Fall.  Also staying put at #2 is “Never Let Me Down” by VIZE and Tom Gregory (below), which is starting to break out on dance music radio in the US.

Victor Perry’s lovely and sad “What I Deserve” (above) glides up to #3, to tie with “Sail” (with Levi) as his highest charting song to date.  Now it’s in a battle with the top two when they start to weaken a bit.  A new release featuring Victor’s vocal is “Ma Cherie” (below) by Swedish producer Behmer, who was also involved in the recent cover of Modern Talking’s “You’re My Heart, You’re My Soul”, which also featured Victor’s vocal.  This is a delightful slice of Eurodisco that sounds very little like our Victor, with his vocal pitched down, though you can certainly recognize his phrasing and some of his vocal qualities amid the production.

Another one to keep your eyes on is “Head & Heart” by Joel Corry and MNEK, still at the top of the UK charts, as it climbs 10-6.  It’s actually a perfect compliment to the top two songs so we’ll see what happens.

Rufus Wainwright has his first Top 10 hit on this chart since 2007 as the whimsical “You Ain’t Big” (above) rises 13-9.  Right behind it is Canadian pop/R&B singer/songwriter Tafari Anthony with the cutting lyrics of “Centerfold” (below), which moves up 12-10.

My discussions are limited for the songs on the rise, but the Fastest Riser on the chart belongs to two gents who are no stranger to the chart, but had never worked together until now.  UK producer Jonas Blue and US singer MAX make a formidable pair as “Naked” soars 21-12.  A bit of behind the scenes trivia: One of its songwriters is the much-praised Ed Drewett, who has been a co-writer on huge hits by One Direction (“Best Song Ever”), The Wanted (“Glad You Came”), Little Mix (“Black Magic”), and even more Jonas Blue (“Rise”).

Two recent debuts also make promising moves.  “Wanna Go Dancin'” by Australian dance producer Fisher (above) climbs 25-18, while UK indie singer/songwriter Jazz Mino rises 28-20 with her lyrical gem “Like A Drunk Girl” (below).

The Highest Debut on the chart, like “Rain On Me” and “Head & Heart” is one of the ‘bangers’ of 2020.  It’s “Undo My Heart” by British dance singer Karen Harding in collaboration with co-songwriter and co-producer Digital Farm Animals (aka Nick Gale).  “Undo” arrives on the chart at #23.  It’s Karen’s first appearance, but the second for Digital Farm Animals, who got to #11 with Alan Walker and Noah Cyrus on “All Falls Down” two years ago.

L.A. based trio Giiants return to the chart for the first time in over two years with the insanely catchy “Waiting For You” at #24.  Their earworm “Small Talk” previously reached #3, and in another incarnation, members Cam and Adam (as DATABOY) topped this chart three times in 2011, 2012 and 2013 respectively with “Just Once”, “Dreams Are Gold”, and “Memorize Me” (with Rune RK).

The title song from Jessie Ware’s elegant electronic dance/disco album “What’s Your Pleasure” arrives at #25 to join “Save A Kiss”, which peaked at #3 two weeks ago.

UK singer/songwriter Benedict Cork, who has written for Adam Lambert and others, returns to the chart with his engaging ballad “One Last Song” at #26.  Benedict’s “Breaking Hearts” reached #3 last Fall.

If you couldn’t get enough of The Brothers Macklovitch’s remix of Raphael Saadiq’s “So Ready” like me – it peaked at #4 here a while back – then you will equally enjoy the first official single from les bros Canadiens (who are A-Trak and Dave from Chromeo) which is a soulful slice of house music called “Give Love To Get Some” (featuring vocal by Leven Kali) at #28.

After going viral during the past few years with the now-club staple “U Got That”, Atlanta duo Halogen return to the chart for the first time in almost three years with “The Reason”, featuring vocalist and songwriter Kelli-Leigh, at #29.  Halogen’s “Can’t Resist” previously peaked at #14.

A reminder that the music from my chart and blog are featured regularly on the new online radio station Radio GTA. You can hear their Big 20 on Wednesday evenings with ‘The Musicman’ James Rogers and listen for songs from the chart too 🙂 Scroll down the station’s main page to listen to lots of variety from across the decades!  I’m the new music consultant for the station so you can expect even more in 2020 🙂  You can start by joining Radio GTA’s new interactive Facebook group too!!

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

Want to see what I’ve been listening to and charting for the past 22 years?  Rummage through the BILLCS Top 30 Archive (where you can click on the link within) when you have a chance!! 

 

 

 

 

 

 

#BILLCSTop30 #593 – August 3/20

While 2020 may now be more than half over (and some would say thank you for that), it has been chock full of great music.  Right now, my Top 5 on this new chart would seem to be untouchable for the next several weeks, though a couple of up-and-comers may change that.  

I’ve often been asked why I don’t increase my chart to a Top 40 or a Top 50.  You’re more than welcome to weigh in on this, but the BILLCS Top 30 is a chart of my current favourite songs, and that’s all there is to it.  There’s no science to it at all.  However the chart has been online for 22 years, so it is at least known in some music circles.  If it’s meaningful for a new performer to be on someone’s chart at #40 then I can understand the interest.  But it’s probably more meaningful if I’ve written about that song than if it appears on my chart.  This blog is going into its 11th year online – over 2,400 posts about all kinds of pop music form its library!

So while Lady Gaga & Araina Grande’s “Rain On Me” (above) gets a 3rd appearance (6th week) at #1, and “Never Let Me Down” by VIZE and Tom Gregory (also above) holds at #2, I’ll throw this chart’s upper spotlight on Jessie Ware.  Her sophisticated disco/dance album What’s Your Pleasure is one of my faves of the year.  “Save A Kiss” (below) remains at #3, but the title track is now also a single so check it out, also below.

NYC-based singer/songwriter Victor Perry has one slew of new music still to come this year.  His stunning and heartfelt ballad “What I Deserve” (above, from the excellent EP Rewind), climbs to #4 and is his biggest solo song to date on my chart.  Victor has recently worked with two young Swedish producers, B3NTE and Behmer, to create a tantalizing cover of Modern Talking’s massive 80’s European hit “You’re My Heart, You’re My Soul”.  My only complaint is that it’s sooo short at only 2:19, but that’s nothing that a good extended remix can’t remedy.  Take a listen to this excellent cover choice, below.

I adore the overall theme of Greyson Chance’s “Dancing Next To Me”, which soars 11-5. It’s one of those songs that sits in your gut and gets stuck in your head for a long time.

Francesco Yates’ “Bad Decisions” (up 14-7, from his EP Superbad) becomes the Canadian singer’s second Top 10 on this chart, following his first hit “Better To Be Loved”, which reached #6 5 summers ago.  Check out the top drawer song “Queen Street Blues”, also from the EP, below.

The third new entry in the Top 10 is also the Fastest Riser on the chart, which is holding at #1 in the UK for a second week.  When dance music is large and in charge you have songs like “Rain On Me” and “Head & Heart” by Joel Corry & MNEK leading the way.  “Head & Heart” flies up the chart 21-10.

Trivecta and Fagin’s electronic anthem “Leave It All Behind” cuts through the middle of the chart and moves up 19-14.

In addition to their current banger “Tragic” (featuring Amber Van Day, up 17-15), Dutch producers The Him mix it up with Yall, Royale Avenue and Jay Nebula in their new anthemic single “Believe”, below.

The remaining debuts from the last chart are stuck behind a lot of great songs and are unable to make bigger moves.  Check out the fun video for The Prince Karma’s “Superstar” (22-19), above.  You’ll see a snazzier video for “Naked” (26-21, below) which makes Jonas Blue and MAX look fabulous.  and “Carry Me” (also below) by Canadian producer Dezza and starring veteran session vocalist Mike Schmid is definitely in it for the long run, rising 27-23.

I didn’t latch on to his biggest hit, the Grammy-nominated “Losing It”, until long after it had peaked.  But I’ve been loving Aussie producer Fisher’s strut-worthy “Wanna Go Dancin'” since it came out as ‘the flip’ of his single “Freaks” a while back.  “Wanna Go Dancin'” bows on the chart at #25.  Did you all know that Paul Fisher was once one half of the well-respected production duo Cut Snake??

The masters are back!  The Swiss duo Yello (Dieter Meier and Boris Blank) produced some of the most off-kilter, wacked out, fun dance music of the 80’s.  They are most noted for “Oh Yeah”, the song that was prominently featured in the classic “Ferris Bueller’s Day Off”, and became a hit a few years after its initial release.  But their other songs are innovative and unique:  “Bostich”, “I Love You”, “Lost Again”, “The Race”, and “Goldrush I” among others.  They have a new album coming soon called Point, their first release in almost three years.  Check out their wizardry in the electronic nonsense called “Waba Duba” above.  Whatever it may be about, it arrives on the chart at #27.  It’s their first entry on my chart, though if I had one before 1998 they would have appeared many, many times.

UK singer/songwriter Jazz Mino returns to the chart at #28 with her thought-provoking lyrical pop with “Like A Drunk Girl”.  She first charted two summers ago with “Misunderstand”, which reached #15.  Yesterday I wrote about her new single “New Girlfriend”.

A reminder that the music from my chart and blog are featured regularly on the new online radio station Radio GTA. You can hear their Big 20 on Wednesday evenings with ‘The Musicman’ James Rogers and listen for songs from the chart too 🙂 Scroll down the station’s main page to listen to lots of variety from across the decades!  I’m the new music consultant for the station so you can expect even more in 2020 🙂  You can start by joining Radio GTA’s new interactive Facebook group too!!

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

Want to see what I’ve been listening to and charting for the past 22 years?  Rummage through the BILLCS Top 30 Archive (where you can click on the link within) when you have a chance!! 

 

 

 

 

#BILLCSTop30 #592, July 20, 2020

My songs of Summer ’20 are here!  The Top 3 songs will be pretty unshakeable over the next four to six weeks despite a bevy of challengers on the rise.  How many of you can’t wait to get back to clubs and festivals to dance to the music that has not played in those venues yet, such as the songs from Lady Gaga’s Chromatica album?  Who’d have believed she would pull off such a strong electronic dance music record.  

When I’m faced with an adverse situation like we’ve been in for the last four months, I look towards whatever escape is available to me in music – and that for the most part is dance music.  The chart is full of it 🙂 but when other songs aren’t in the dance music genre – and I can count the entries on one hand – they are truly exceptional.

So yes it’s Lady Gaga and Ariana Grande who continue to stay put at #1 with the indefatigable “Rain On Me” (above) from Chromatica.  Gaga and Elton John also move up a notch with the intense “Sine From Above” at #12 (below).  Be sure not to overlook “Alice” and “1000 Doves” too.

Sometimes all it takes is a simple hook that takes someone like me back to the 1960’s school of songwriting.  “Never Let Me Down” by Germany’s VIZE with British singer/songwriter Tom Gregory advances 3-2 thanks to the singalong hook in this appealing bop.

Also moving up 4-3 is the luscious Jessie Ware song from her latest album What’s Your Pleasure called “Save A Kiss”.  That album is also one of your must-hears for the summer.

Multiple Juno Award winner Rezz has lit up alt.rock radio with her electronic and grungy pairing with Grabbitz called “Someone Else”, which rises 6-5.

The Fastest Riser on the chart is one of the exceptions to dance music on this chart – though the singer/songwriter in question is no stranger to that genre at all.  NYC-based Victor Perry soars 16-6 with the gorgeous “What I Deserve” (above) from his solid indie EP Rewind.  And to give you that taste of Victor in the dance genre, check out his latest single below with Dutch producer Laurentius called “Stay The Night”, whose beginning and end sounds like a distant cousin of The Chainsmokers’ & Daya’s “Don’t Let Me Down”.

It’s been a slow and steady rise but L.A.-based producer Jerin James is up 8-7 with the lush electronics of “Birds and Bees”, featuring Deverano on vocal.

New to the Top 10, at least as the artists rather than remixers, are Chicago’s Win & Woo featuring Kyan Palmer with “Sleepwalking” (above), climbing 11-9.  Win & Woo got to #5 as remixers (with Kiso Armic) previously for Brandyn Burnette’s “Made Of Dreams”.  Check out their latest below which is another banger called “Feel Em All”.

Canada’s Loud Luxury has kept their Top 10 streak intact as their 5th chart entry arrives at #10, “Aftertaste”, with vocal by Morgan St. Jean.

Even with its similar title, I think that Greyson Chance’s “Dancing Next To Me” is this decade’s “Dancing On My Own” for the younger crowd.  The song is full of many fine vocal moments from Greyson, and it vaults 18-11.

Toronto’s Francesco Yates has a top notch new EP that you’re missing called Superbad, and from that record comes his latest single, the soulful and fun “Bad Decisions”, which leaps 22-14.

Another atypical song on the chart for me is the whimsical “You Ain’t Big” by Rufus Wainwright from his album Unfollow The Rules.  This charmer rises 21-15.  Between 1998 and 2007, Rufus was a regular on this chart, appearing 13 times, including three times at #1, with “Foolish Love”, “April Fools” and “California”.

If you want no holds barred classic house music then look no further than British producer Eli Brown’s “Desire”, which wastes no time climbing 25-18.

Trivecta’s “Leave It All Behind” (above, featuring Fagin) from his EP Everyday is going to be his new signature song at concerts when they resume.  It moves up 24-19, and has recently been given a melodic remix by producer Nurko on the Everyday Remixes EP, which you can check out below.

UK singer/songwriter Sam Dickinson continues to be busy preparing for the launch of his third album Off Script this Fall.  While second single “Cry Wolf” is off to a great start rising 28-20, the title song has been released as the third single.  You can check out its fun video below.

The Highest Debut on the chart is destined to be one of 2020’s dance classics which has already crossed over to pop radio in Europe, and should do the same here.  It’s “Head & Heart” by Joel Corry featuring a fantastic vocal by MNEK, someone whose career I’ve been following since he scored as a teenage producer and songwriter – he’s currently all of 25 – with his work on records by The Saturdays, Duke Dumont and Gorgon City.  “Head & Heart” arrives at #21.

One new release that spells PARTY is “Superstar” by Greek producer The Prince Karma from his EP of the same name, which debuts at #22.  Expect big things for this one.  Check out his other fun track “It’s The DJ”, featuring Chicago house legend Ron Carroll weaving a one-of-a-kind story.

UK producer Jonas Blue returns to the chart and this time he’s bringing one of my favourites, the amazing MAX with him, on his latest single “Naked”, which bows at #26.  This is one to which you can really shake loose.  It’s Jonas’ fourth appearance on the chart and it’s expectant dad MAX’s ninth entry as either lead or featured vocalist!

Canadian producer Dezza makes his debut with a danceable late night grower called “Carry Me” at #27. It features co-writer and quality session vocalist Mike Schmid, and appears on a recently released Remixes EP.

A reminder that the music from my chart and blog are featured regularly on the new online radio station Radio GTA. You can hear their Big 20 on Wednesday evenings with ‘The Musicman’ James Rogers and listen for songs from the chart too 🙂 Scroll down the station’s main page to listen to lots of variety from across the decades!  I’m the new music consultant for the station so you can expect even more in 2020 🙂  You can start by joining Radio GTA’s new interactive Facebook group too!!

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

Want to see what I’ve been listening to and charting for the past 22 years?  Rummage through the BILLCS Top 30 Archive (where you can click on the link within) when you have a chance!! 

 

 

#BILLCSTop30 #572 – October 14, 2019

I have a briefer blog post for you as a result of a combination of a busy Canadian Thanksgiving weekend and illness.  I will be back with more about the Top 30 for you in two weeks, and of course with blog posts in-between.

I am pleased to announce that music from my chart and blog will be featured regularly on the new online radio station Radio GTA.  You can hear their Big 20 on Wednesday evenings and listen for songs from the chart too 🙂 Scroll down the main page to listen to lots of variety from across the decades!

“Push” by Ukrainian dance group Kazaky once again holds court at the top, giving the Depeche Mode-influenced song 4 appearances (8 weeks) at #1.  We’ll see what this talented group plans as a follow up!

Looking to challenge in two weeks is “Dreamer” by Australian producer Throttle, which climbs 6-2, as Throttle’s first ever EP Where U Are is released.  It uniquely mixes thoughtful lyrics and a variety of dance styles and genres which will appeal to fans of both pop and dance music.  There are even vocals by Throttle himself!  Check out the full EP below, and listen to the songs consecutively as he suggests, which include “Dreamer” and his other previous single “Japan”.

“I’m Not Alright” by Loud Luxury and Bryce Vine advances 5-4 and now has its own video, check it out above.

Also eyeing the top of the chart is the OKJAMES remix of UK indie electronic performer Lostchild’s “Like Like” (below), which zips into the Top 10, up 11-5.  Check out the video of the original version of the song above.

Half of the Top 10 are independent releases with no label power, and one I’m happy to see climbing 12-8 is from Nashville duo Apollo LTD with the commanding “On The Way Up 2.0” from their must-hear album Out Of Body.

The other new entry to the Top 10 is a Top 30 hit in the UK and a dance hit as well.  It’s “Ritual” by Tiësto, Jonas Blue and Rita Ora, moving 13-10.

The fastest riser on the chart is by another independent performer from the UK.  The golden voice of Benedict Cork carries “Breaking Hearts” 20-12.

I’m sooo glad Pet Shop Boys and Years & Years teamed up for a record because it is absolutely a treat to listen to each time.  “Dreamland” rises 21-14.  Remixes are coming in all physical formats on October 25!

While other upward moving songs between 15 and 24 should break loose in some way or form in two weeks, you can’t deny the power of the highest debut at #25.  Harry Styles’ “Lights Up” simply should be one of the biggest hits of 2019, and the signs will show in the coming weeks.  Any vocalist should be in awe of his performance here, in such a different style from his previous album two years ago too.  The video above has almost 20M views since October 11!

As “Good Things Falls Apart” tumbles off the chart after the maximum 10 appearances (20 weeks), 5 of which were at #1, it gives room for another Illenium song.  “Broken Ones”, featuring the stunning voice of Anna Clendening, arrives at #26.  If you saw one of Illenium’s recent shows, you also saw Annika Wells (known for her vocal on “Crawl Outta Love”) sing it as if she recorded it.

The last two premieres on the chart were hard to fill, but both artists have appeared on the chart a number of times.  At #28 (above) is the infectious “Punching In The Dark” by Sweden’s Hellberg featuring the easily identifiable voice of Aloe Blacc.  And arriving at #29 is “Walk Alone” (below), the early ’10’s and very welcome melodic house throwback by Dutch producers The Him.  Both Hellberg and The Him have been to the top of the chart, Hellberg with Dzeko & Torres and “Care For Me” in 2016, and The Him in 2018 with Parson James and “Broken Love”.

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

#BILLCSTop30 #569 – September 2/19

September marks a big change-up on the new chart.  Not only is there a new #1 which more people need to discover, there are five new entries.  And it was a tough decision as to which songs debuted as there is quite a line-up of chart-worthy recent releases.  So while leaves will begin to tumble and the cooler air sets in where I am in Toronto, the music on the chart is free-flowing and most deserving of your attention!

It’s Ukrainian dance ensemble Kazaky who reign supreme on the chart now with “Push” and its stunning video (above).  It’s rare that you will see such physical choreography, and much of it danced in stilettos, so these guys must be so disciplined and committed.  Plus it’s a great song with early 90’s Depeche Mode all over it married with modern synths.

Kygo’s redux of Whitney Houston’s 1990 recording of “Higher Love” climbs to #2.  I must say I’m calling out radio in North America for not supporting such a great record.  The rest of the world indeed has much better taste these days, and so do dance clubs, where it’s already been a #1 hit.

“Time” is my favourite song from the Emanate album by EMAN8 (Brandyn Burnette). He’s been in my Top 10 numerous times over the last five years, but “Time” rises 9-6, his first time this high on the chart since “Run” got to #4 a little over a year ago.

Three songs climb into the Top 10, and they are Sam Dickinson’s joyous “All We Are” (11-7, above – all of Sam’s charted songs have reached the Top 10!), Avicii’s “Tough Love” (13-9, also above) and Italian musical mirth-makers Eric Zava & DJ Mirko B with “Even In Confusion” (12-10, below).

There’s lots of activity immediately below the Top 10, as the dark and mysterious deep house of “Alone Again” (above) by Mahalo and Polish producer Milkwish climbs 16-11.  Right behind is Loud Luxury and Bryce Vine with their huge Canadian radio hit that deserves to spread worldwide, “I’m Not Alright” (below), moving up 18-12.

The fastest riser on the chart is the highest debut from two weeks ago, “Dreamer” by Australian producer Throttle, which soars 22-13.  I’m hoping this is Throttle’s breakout record – dance music radio really needs to jump all over its refreshing sound.

The other debuts from the last chart also make progress.  Nashville duo Apollo LTD have one of my favourite albums of the year called Out Of Body, and their song “On The Way Up 2.0” (above) rises 24-20.  Then the unexpected dream team of Tiësto, Jonas Blue and Rita Ora move up 26-21 with “Ritual” (below).

The highest of five premieres this week belongs to England’s Lostchild with the charming and fun “Like Like” in its OKJAMES remix arriving at #23.  Lostchild reached #5 last year with the equally engaging “Blacklist”, so watch for great things for “Like Like”.  Both OKJAMES remix and the video for the original version of the song are above.

Someone else who is no stranger to this chart is Florida-born producer PLS&TY, whose latest engaging single “Run Wild” bows at #24.  Its repeated sample of a Finnish acoustic song is infectious and refreshing.  The Morgan Page of PLS&TY’s “Down For Me” got to #6 last year.

Chicago’s Win & Woo make their debut on the chart as lead performers with possibly their best single to date so far, which is the biting “Here U R”, featuring and co-written by singer Sara Skinner.  It arrives at #26.  Win & Woo’s other chart appearance was in 2016 providing a good-natured remix of Brandyn Burnette’s “Made Of Dreams” (#5), which I still play a lot.

Australia’s Peter Wilson returns to the chart after getting to #2 last year with Sean Smith in the unique duet called “Verona”.  It’s the Stormby edit of “Don’t Break My Heart Again” that bows at #27 from the EP of remixes for the song.  You’ve also seen Stormby on this chart before, with one of my favourite remixes of this decade, Kaden’s “Black Light”, which got to #1 in 2013.

The fifth debut will keep the heat of the summer continuing, in music anyway.  It’s the soulful, lazy melody of “Poolside Vibe” courtesy of two gents usually known as producers, Pretty Sister (Zak Waters) and MarcLo (Marc Lomax of The Monsters & The Strangerz collective), entering at #29.

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

#BILLCSTop30 #568 – August 19/19

As the ides of August pass by, a close battle for the top on this new chart did not change too much. 

For with the arrival of his new album Ascend, Illenium along with vocalist Jon Bellion once again take #1 with “Good Things Fall Apart”.  That makes it 5 appearances – 10 weeks – at the top, which has only been achieved by one other record in this decade, and that is “I Wanna Be (Free)” by Brandyn Burnette (now recording as EMAN8, and in the chart at #9 with “Time”), my #1 song of 2015.  After listening to Ascend, I am very lost for words and it needs another go through.  But it’s an outstanding record sonically, musically, and lyrically, with many fine collaborations.  

That means that “World At Our Feet” has another close call for #1 but stays at #2 for a 3rd appearance for Australia’s Timmy Trumpet.  Still, it’s a true favourite of mine for ’19.

Unless “World At Our Feet” succeeds “Good Things Fall Apart” at #1, then it should be Push by Ukrainian dance music group Kazaky that gets there next.  “Push” would sound great next to any late 80’s or early 90’s Depeche Mode song, and it climbs 8-3.  And watch the video to see what these five guys do with choreography and huge stiletto heels!

The cool, relaxed vibe of “Monday Blues” helps send this dance track up 7-5 for L.A. producer Eric Sharp and vocalist Kenny Zhao.  Play it after “Cola” by Camelphat and Elderbrook and you’ll see what I mean.

Showtek and Leon Sherman’s “Listen To Your Momma” (A-Trak remix) continues its journey into the Top 10 landing at #8.

Sam Dickinson’s beautiful and affecting “All We Are” will become the UK singer/songwriter’s fourth Top 10 entry on this chart in two weeks, but for now it climbs 14-11.  Sam has a new single coming called “Diamond Skin” and Pt. 3 of his EP trilogy From The Glass House.

Cutting loose through the middle with a lovely orchestral hook is “Tough Love” by Avicii featuring Swedish chanteuse Agnes plus Avicii’s long time collaborators Vargas and Lagola.  It rises 19-13.

It was never an issue if “Alone Again” by Mahalo and Milkwish would leave the lower 10, it was just a matter of time, amid fierce competition on the chart.  “Alone Again” rises 21-16.

Right behind “Alone Again” again is “Flying On My Own” by Celine Dion, which also makes its presence known, climbing 22-17.

The Fastest Riser on the chart is “I’m Not Alright” by Canadians Loud Luxury with vocalist Bryce Vine.  It’s one for the lazy, hazy end of summer days and moves up 26-18.

The Highest Debut belongs to Australian producer Throttle with “Dreamer” at #22.  This one’s a real grower and you pick up the sincerity in the song as you hear it more.  Plus it’s got a knockout beat to keep you grooving.  It’s also a rare appearance on this chart for Canadian dance music label Monstercat, which previously charted with Hellberg’s “Synchronize” (#8) in 2016.  “Dreamer” is Throttle’s second appearance on the chart following his playful take on Michael Bublé’s “My Kind Of Girl” (#21) in 2017, but don’t forget he also had a #1 remix with Troye Sivan’s “My! My! My!”.

The next new arrival is at #24, Nashville duo Apollo LTD’s “On The Way Up 2.0” from their wonderful album Out Of Body.  These guys know how to write songs and put together an album that flows from song to song.  The “2.0” in the title does signal a new version of a previous single that perhaps sounded initially too much like an Imagine Dragons kind of song.  Keeping the anthemic appeal intact, “2.0” takes the song down a few notches and lets us bask in its fine melody and great vocal.

The third debut will become an easy go-to record for me.  It’s “Ritual”, a collaboration of Tiësto, Jonas Blue and Rita Ora, which arrives at #26.  While Tiësto and Jonas Blue are no strangers to the chart, it is Rita Ora’s first entry and definitely one of her best vocals.  The hook in “Ritual” is just insane and had me singing along right away.

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

#BILLCSTop30 #547 – October 29/18

There’s plenty of new music to be abuzz about, including four new entries, and lots of songs rising up into the Top 10 to challenge for the top!  And the top of the new chart is all about wonderful singers.

The Top 10

  • Reigning at the top appropriately for Hallowe’en is the delightfully over-the-top “Phantom Of The Dance Floor” by Kiesza featuring Philippe Sly.  I think this is the first time in the 20 years of my chart that I’ve had a Hallowe’en-oriented song at the top.  Couldn’t happen to a nicer song by incredibly talented singers.
  • It’s not the only song in contention for the top, but “Verona” by Peter Wilson and Sean Smith makes its key move, up 4-2.  What’s not to love about such an intriguing story sung by singers who sound so different separately but create fantastic harmony together.

  • Despite its pop facade, “All For You” by Years & Years, up 8-6, has quite a set of telling lyrics for you to enjoy as part of their sophomore album Palo Santo.

  • It’s a pop dance bop all right – “One Last Time” by Gromee featuring Jesper Jenset climbs 10-7.

  • It took a bit of time but “Rise” by Jonas Blue and Jack & Jack slides into the Top 10, up 11-8, becoming Jonas’ second Top 10 on this chart, after his cover of “Fast Car” got to #3 two years ago.
  • Odesza’s slamming crowd favourite “Loyal” sets a new benchmark for progressive dance music and glides into the Top 10, moving 14-9.

Movin’ On Up

  • The intense Morgan Page remix of “Down For Me” by Florida’s PLS&TY is a stunning redo of an already fine song that jumps 15-11.

  • There are plenty of old school house vibes on this particular chart, so it makes sense that “DJ’s Gotta Dance More” by Montreal’s A-Trak, with house legend Todd Terry on vocals, is the fastest riser, soaring 24-13.

  • Ariana Grande’s “Breathin” is still delightful and fresh and climbs 19-15.
  • More Canadians in the form of east coast duo Botnek grab a hold of house rhythms and shake them down in “Days Of Disco”, moving up 21-16.

  • The Knocks kick it NYC-style with Method Man for “Goodbyes”, from the duo’s album New York Narcotic, rising 23-17.
  • And France’s Mercer highlights a lot of 70’s flavour in “Fireworks”, which climbs 25-19.

Debuts

  • England’s Sam Dickinson has the highest entry with his new effortless-sounding single “Wild Sun” from the forthcoming EP From The Glass House: Part One (video above).  And what’s even better about “Wild Sun” is that remixes are coming on November 16, including my favourite which is the “Handbag House remix” that you can hear at the Spotify link below.  “Wild Sun” arrives at #23 to make Sam’s third entry onto the chart.
  • With Denver’s Illenium having so many fans in the dance music scene, if you’re going to do a remix, it’s best to get the man’s blessing.  L.A.’s PatrickReza did just that for his fierce take on “Crawl Outta Love” (featuring Annika Wells), and it bows at #25.  It’s also available at the link above as a free download.
  • UK singer Jessie Ware is back and sounding better than ever after the solid Glasshouse album with “Overtime”, which returns more to the Prince-inspired funk-pop of Tough Love.  “Overtime” premieres at #27.  Jessie previously got to the top of the chart with “Say You Love Me”.
  • NYC-based singer/songwriter Victor Perry is a name you’ve already seen on this chart in the Top 10 a number of times these past two years.  With his pristine vocal in “Gravity”, Victor appears under the guise of Labrose, his latest single in his project with British producer Ficci.  “Gravity” debuts at #28.

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

#BILLCSTop30 #546 – October 15/18

The Ides of October are upon us already, and that means Summer favourites are departing the chart.  To replace them though, there’s no shortage of great tunes.  There are three debuts and a brand new #1!

The Top 10

  • Calgary’s Kiesza gets her first #1 on this chart with the season-appropriate “Phantom Of The Dance Floor”, featuring Quebec opera singer Philippe Sly, in only its third appearance on the chart.  It’s a fun song and an even more fun, manic video.  Spread the news about this one kids as people are missing out.  It’s also the first #1 by a Canadian since this year at this very time when Loud Luxury and Nikki’s Wives held court with “Show Me”.  Benny Benassi & Sofi Tukker’s “Everybody Needs A Kiss” slides to #2, still one of my faves of the year, and it will hang around for a while.
  • Another song that I can’t stop playing is “Verona” by Australia’s Peter Wilson and England’s Sean Smith.  It advances 9 to 4 this week, and the combination of 80’s musical flavour/production, great storytelling, and fine singing make “Verona” the total package!
  • Philadelphia’s N i G H T S get their second Top 5 hit with “Eyes”, following last year’s totally different “P A R T Y”.  Give these guys some time and they will make their mark, with so many songs up their sleeves.

  • Both “High On Life” by Martin Garrix and Bonn (above), and “All For You” by Years and Years (below), finally break into the Top 10 after a lot of patient waiting for some of my favourites to depart.  “High On Life” climbs 11-7 and “All For You” is up 12-8.  

  • “Vacant Love” by Caden Jester and Blake Rose hits another new peak, climbing 10-9.

  • Norway’s Jesper Jenset gets his second Top 10 as featured vocalist in Gromee’s “One Last Time” (above), which climbs 13-10.  He’s also featured in Lost Kings’ new single “Drunk As Hell” which you can check out below in its amusing Simpsons-ish looking video.

Movin’ On Up

  • It’s sort of peaked already but “Rise” by Jonas Blue and Jack & Jack (above) has been slowly making its way up my chart.  It climbs 15-11 this week.  Jack & Jack recently dropped their new song “No One Compares To You” (below).

  • Netherlands-based producers Revelries also continue to climb with their latest original “Infinitum”, featuring Australia’s Beamish Boys on vocals.  It rises 14-12.
  • The fastest riser on the chart is “Loyal” by Odesza, up 24-14.  This should be no surprise; it’s one of the most intriguing and unpredictable songs on the chart with a soulful female vocal (sample or no?) that drives it home.

  • Also making a significant leap is PLS&TY’s “Down For Me” in its club-ready Morgan Page extended mix, climbing 21-15.

  • Though it made a small move two weeks ago, “Soldier” by Sidney Samson & GWise is hardly done, and jumps 27-22.

3 Debuts

  • It took a few spins for me to really dig this record, but now there’s no stoppin’ me playing it!  My fellow Canadian A-Trak is back with a fun, inspiring original called “DJ’s Gotta Dance More”, made even more genuine with legend Todd Terry on vocals!!  This song is a MUST for every club DJ.  It’s classic, reverent house with a great message.  It bows at #24.  A-Trak was last on the chart as part of the trio with Kimbra and Foster The People’s Mark Foster in 2012 for “Warrior” (#10), a freebee at the time courtesy of Converse.
  • Mercer returns to the chart after his #1 “Satisfy” with “Fireworks”, a 70’s retrotastic song I’ve been playing for months that is re-released as part of French producer’s new EP Neo Disco, along with another new song “Monte Carlo”.  “Fireworks” arrives at #25.

  • The Chainsmokers are also back making a collaboration with Country singer Kelsea Ballerini work so well with “This Feeling”.  Their other recent single “Side Effects” failed to resonate with me, sounding too much like other dance pop on the charts.  “This Feeling” premieres at #26.

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂