#BILLCSTop30 #590 – June 22, 2020

I’m looking forward to the day when I have more time to work on my music hobbies, including blog writing.  That day is coming soon as I create my sunset on my daytime career later this summer.  I’m sure kicking start the music industry again will need all the help it can get so that both big and small artists can flourish.  But it all starts with the music, which is why I continue to want to share what I’m enjoying every two weeks with you all in the BILLCS Top 30 🙂

Gareth Emery stays at #1 by a proverbial hair with “You’ll Be OK” (with Annabel on vocals) and that’s largely thanks to his online performance last week called “High AF”, in which Gareth’s set used an L.A. backdrop from 71 stories up as the sun was setting.  It was a great set which you can watch above along with the video for “You’ll Be OK”.  You can check out his latest preview from his album The Lasers below called “Gunshots”.

“Rain On Me” by Lady Gaga and Ariana Grande seems to be a sure bet for #1 in two weeks and is many people’s choice for song of the summer, and deservedly so.  It’s the first time since Gaga has appeared in my Top 5 since “Applause” (#2, 2013) and is Ariana’s highest peaking song to date.

An 8 point jump by “Rain On Me” was not enough to become the Fastest Riser on the chart.  That feat belongs to “Never Let Me Down” by Germany’s VIZE with British vocalist/songwriter Tom Gregory, which soars 17-7 thanks to it’s immediately recognizable and blazing, infectious hook.  It will be a contender for the top.

Two other songs climb into the Top 10.  The Weeknd’s “After Hours” (above) clocks in at over 6 minutes but it moves along briskly and influences from pals Daft Punk are felt throughout.  It rises 12-8, becoming The Weeknd’s 5th trip to my Top 10, while L.A. producer Jerin James’ gracious and soulful debut “Birds and Bees” (below), featuring the voice of Deverano, leaps 15-10.  From having a daughter who took competitive dance lessons for 10 years, I can visualize many a lyrical dance routine to this one (though a creative tap routine would also work)!

Alesso has been busy with online performances,  as with one for Stella Sessions this past weekend, below.  His underrated single “Midnight” (above), featuring an excellent vocal by Liam Payne, rises 14-11.

The more I play it, the more I love it.  “Sleepwalking”, despite its title, has an amazingly energetic vibe about it courtesy of Win & Woo with vocalist Kyan Palmer, and it climbs 16-13.  Other than remixes, it’s Win & Woo’s highest ranking song to date on the chart.

With designs set on the Top 10 very soon, the sultry and soulful “Save A Kiss” by Jessie Ware rises 21-14.  Check out the slick PS1 remix above!

Loud Luxury was everywhere on the weekend, I caught them performing in two online festivals plus being interviewed on TV.  The lads of course are promoting their EP Nights Like This to the hilt, and from that comes the rollicking “Aftertaste” featuring singer and co-writer Morgan St. Jean, moving up 20-15.

Out of the four debuts two weeks ago, Toronto singer/songwriter Tafari Anthony gets the biggest showing with a 29-21 move for the brusque but soulful “Centerfold”, which calls out a former lover in no uncertain terms.

I’m a bit of a latehead on the highest debut this week, but it’s also a perfect song for Pride month, quite obviously inspired by Robyn’s “Dancing On My Own” and it provides an alternate take on that song.  “Dancing Next To Me” is the heartwarming, highly danceable first entry on my chart for Greyson Chance and it arrives at #24.

As “Lost Boy” slips to #26, Victor Perry’s first single from his upcoming EP Rewind arrives at #25.  The gorgeous heartache of “What I Deserve” is being featured all this week on NYC’s Afterglow On Air from 7 to 9 a.m. so tune in to catch it in the mix!  

One of my favourite singers returns to the chart for the first time since 2007 and that is Montreal-born Rufus Wainwright.  He has a new album coming called Unfollow The Rules, which has been preceded by the EP “You Ain’t Big”.  The whimsical title song, with one of Rufus’ best vocals in years, arrives at #27.  “You Ain’t Big” is Rufus’ 14th chart entry.  He has had three number ones:  “April Fools”, “Foolish Love” (both 1998, from his debut album) and “California” (2001, from Poses).

The song that battled it out for the fourth debut on the chart is the emotional anthem “Leave It All Behind” by Florida’s Trivecta featuring vocalist Fagin.  It comes from Trivecta’s EP Everyday, which I wrote about recently.

A reminder that the music from my chart and blog are featured regularly on the new online radio station Radio GTA. You can hear their Big 20 on Wednesday evenings with ‘The Musicman’ James Rogers and listen for songs from the chart too 🙂 Scroll down the station’s main page to listen to lots of variety from across the decades!  I’m the new music consultant for the station so you can expect even more in 2020 🙂  You can start by joining our new interactive Facebook group too!!

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

Want to see what I’ve been listening to and charting for the past 22 years?  Rummage through the BILLCS Top 30 Archive (where you can click on the link within) when you have a chance!! 

 

 

 

 

#BILLCSTop30 #586 – April 27/20

As the weeks of the shutdown/quarantine continue, I am surrounded by more music than ever, both in the forms of new music, older music which I have time to play now, as well as the bevy of online festivals, most of which have been created for charitable purposes.  So it’s fitting that there are six smashing debuts on the new chart for you to enjoy.

So while the Top 3 songs on the chart remain the same, I’ll focus on who’s on top, that being Chicago producer Whethan with “All In My Head” (featuring grandson, above) getting a third appearance at #1, the longest-running #1 so far this year.  Not only did Whethan drop another preview single from his upcoming album Fantasy, another sly slice of alt.rock electronica called “So Good” (featuring Canadian vocalist bülow, below), he was also the surprise performer in the Room Service online festival on the weekend.  Unfortunately he appeared well past my bedtime for a work night, so I will have to catch up with it. The young man is definitely making key moves and I’ll look forward to when the album drops.

There’s plenty of flavours of electronic dance music in the Top 10.  One of my instant favourites is “I Don’t Wanna Go Home” (6-5, above) by L.A. producer The Prizm featuring co-producer/writer ARTFCAL on vocal.  The Prizm has plenty of new music to drop, but most recently there was “Waiting For You” (below).

The Fastest Riser on the chart was the Highest Debut two weeks ago.  “All On You” by Nashville producer Super Duper soars 16-6.  The song structure now reminds me of a mid-80’s new wave classic by Talk Talk called “Life’s What You Make It”, and “All On You” gets under your skin with its infectious melody line and rich synths.

As “Daydreams” departs the Top 10, the anthemic and uplifting “You’re Not Alone” by Arty featuring vocalist Griff Clawson arrives, leaping 13-8.

His record remains unblemished as UK singer/songwriter Sam Dickinson obtains his 5th consecutive Top 10 hit with “Diamond Skin” rising 12-10.  It’s from Sam’s forthcoming album Off Script, scheduled for a Fall release.  The follow up to “Diamond Skin”, called “Cry Wolf” comes your way next month.

Gareth Emery’s second chart entry, following the current #3 “Yesterday”, is the emotional “You’ll Be OK” (featuring Annabel), which rises 21-14, from his forthcoming album The Lasers.

Former Tony! Toni! Tone! singer Raphael Saadiq climbs 24-17 with the Macklovitch Brothers remix of “So Ready” from his current album Jimmy Lee.  Of course, the Macklovitches are Alain (aka A-Trak) and Dave (one half of Chromeo).

The glorious duo of Chet Porter and Alison Wonderland move up 26-21 with their original sound with 80’s retro appeal in “Bummed”.

NYC-based singer/songwriter/producer Bright Light Bright Light scores his 19th chart entry as a lead artist with the 90’s inspired dance rhythms of “This Was My House”, which bows at #20.  Add two featured appearances to his repertoire and it is his 21st entry, all during the last 10 years.  It’s from BLx2’s upcoming album Fun City, and there’s another single called “Sensation” dropping on Friday May 1 (featuring Jake Shears, also himself charting right above “This Was My House” at #19 with “Meltdown”).  2019 was the first year in the last 10 years without a BLx2 song on the chart (as a lead act anyway) so these new songs are all definitely worth the wait!

From the biggest album in North America comes the title track “After Hours” by The Weeknd at #23, as “Blinding Lights” departs after peaking at #4.  It’s a long song at over 6 minutes and there definitely has to be some Daft Punk/Gesaffelstein inspiration behind it.  Cap that with an outstanding vocal and it was easy to become one of my faves.  It’s The Weeknd’s 7th chart entry.  Check out the ‘short film’ of the song above.

It’s taut and hot and a first time appearance for Toronto-based electronic producer Rezz in partnership with vocalist Grabbitz on “Someone Else” at #24.  Rezz’s performance in the Room Service online festival on the weekend was eerie and dazzling as she kept melding in with the background as the glowing eyes became disembodied periodically!  Check out the video above which just dropped today!

Now based in Toronto but recently from Halifax is Famba, who is back with his 4th chart appearance called “I Feel Your Pain” (featuring vocalist David Aubrey) at #26 in its Young Bombs remix.

Chicago/L.A. production duo Win & Woo has a second chart entry within the last 7 months with the catchy “Sleepwalking” arriving at #27 featuring vocalist Kyan Palmer.  Their previous energetic entry with Sara Skinner called “Here U R” peaked at #14 last Fall.

The sixth debut belongs to L.A.-based producer Jerin James whose single “Birds And Bees” (#28) features vocalist Devorano.  It’s a short and deliberate song with some classical-sounding elements and a tight, soulful vocal that makes you want more!

A reminder that the music from my chart and blog are featured regularly on the new online radio station Radio GTAYou can hear their Big 20 on Wednesday evenings with ‘The Musicman’ James Rogers and listen for songs from the chart too 🙂 Scroll down the station’s main page to listen to lots of variety from across the decades!  I’m the new music consultant for the station so you can expect even more in 2020 🙂  You can start by joining our new interactive Facebook group too!!

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

 

 

It’s 10/10 #08: @GarethEmery @WinandWoo @KyanPalmer @ChetPorter @AWonderland @JessieReyez @Dzekomusic @Kiesza @MattFaxmusic @TheHim @SuperDuper808 @MadisonMalonem @JerinJamesmusic @iamDeverano

For the first time since January, I bring you my 10/10 feature!!

In 10/10 (or tenoutoften) ,  I write about 10 hot and fresh songs in no particular order, for your kind consideration and attention.

I continue to write individual blog posts about certain songs.  That does not mean that songs in the 10/10 lists are any less than those featured individually.  In fact my recent #1 “Shivohum” by Tritonal & Henry Dark, was included in a previous 10/10!

Writing 10/10 features means I can cover more songs in one shot.  So you get to learn about more new music that I hear but don’t always get a chance to write about. 

tenoutoften

  • GARETH EMERY and ANNABEL, “You’ll Be OK”

British electronic dance producer Gareth Emery says “You’ll Be OK” is the best song he’s released to date.  And he has many reasons to say that, for it’s a gorgeous song with trance-drenched synths and some big, frenetic beats.  It’s also actually a personal story about being on a plane he thought would crash, and based on a letter he was writing to his wife at the time.  Its video above has an emotional ‘life flashing before your eyes’ story as a result.  “You’ll Be OK” has many soft and peaceful moments, which hit home a little more knowing this information.  Vocalist Annabel personifies it all with her rich and gentle voice, and it’s extremely appropriate as a backdrop to what’s going on in the world right now.  “You’ll Be OK” is an amazing follow up to Gareth’s current hit “Yesterday” and is culled from his forthcoming album called The Lasers.

  • WIN & WOO and KYAN PALMER, “Sleepwalking”

American dance producers Win & Woo continue with a series of songs released through Armada that portray how much better they keep getting at their craft.  “Sleepwalking” features Arizona-born, L.A. based singer Kyan Palmer, who has been gracing other electronic dance records over the past few years with his R&B-influenced style.  “Sleepwalking” is a big, bouncy, fun record that can easily ignite a set at a key point in the evening at a dance club.  It also has big potential for dance music radio airplay.

  • CHET PORTER and ALISON WONDERLAND, “Bummed”

We’re all “Bummed” that his upcoming club tour was cancelled, but we’ll just get more time to enjoy the unconventional sound of “Bummed”, Torontonian Chet Porter’s collaboration with Australian electronic producer Alison Wonderland.  “Bummed” has an early 80’s DIY new wave vibe about it that’s utterly charming, complete with old school drum machine sound.  Chet and Alison collaborated on a song that suits their voices and has plenty interesting that’s going on within.  Go deeper and you’ll find all of those delightful melodic flourishes that you get inside every Chet Porter song.  “Bummed” is a both a refreshing surprise and a winner.  Definitely play it alongside Porter Robinson’s new music for starters.

  • THE HIM, “Freestyle Scientist”

It looks like Dutch producers The Him have been immersed in late 90’s techno-house, if “Freestyle Scientist” is any indication.  It’s an extremely playful departure from the duo’s pop-leaning deep house tracks which have graced these blog pages (and my personal chart) many times in the last four years.  Brace yourself this one.  Add some early Chainsmokers-flavoured synth vibes into the mix and it looks like “Freestyle Scientist” could be the start of a new musical era for The Him. Check out the trippy video above.

  • JESSIE REYEZ, “Love In The Dark” (Dzeko remix)

Award-winning Canadian singer/songwriter Jessie Reyez has a Canadian radio hit with her latest single “Love In The Dark”.  And with her recognition earlier this year as a Grammy nominee, you can bet that the song will garner attention stateside as well.  It’s amped up for clubs by fellow Canadian and esteemed electronic dance producer Dzeko.  He puts just the right kind of propulsion behind the deep house rhythms, and you’ll wonder why it wasn’t a dance track in the first place.  Club DJ’s will want to showcase this remix of “Love In The Dark” in a mid-evening set for immediate reaction.

  • SUPER DUPER, “All On You”

Hailing from Nashville’s vibrant music scene, which includes a lot of electronic dance music, is Super Duper (aka Josh Hawkins) who definitely pushes some interesting boundaries in “All On You”.  The song honestly starts out like nothing special, with a distorted vocal and a rather uneventful lead in.  But Super Duper totally shifts the rhythm and feel of the song just after the first minute, and “All On You” grabs you with a sudden WTF magnetic force.  The beats kick in and you immediately start having flashbacks to songs like M83’s “Midnight City”.  “All On You” now has you completely under its spell and so it succeeds rather well in a roundabout way.  Super Duper’s latest is released by the Fader label and is currently being featured on every major streaming platform. Remixes could help push “All On You” further.

  • MATT FAX, “Light On”

French producer Matt Fax eloquently captures the current rise of old-style trance and techno vibes in his latest release, the instrumental “Light On”.  This percolating track will sit nicely next to tracks by Gabriel & Dresden or Above & Beyond in a late night trance set.  Matt keeps the atmospherics working and ever changing which makes “Light On” a synth-filled feast for the ears.

  • KIESZA, “All Of The Feelings”

Calgary’s Juno Award-winning Kiesza has brought us many fine vocals since coming back to the music scene as an independent artist after suffering a life-altering accident.  “All Of The Feelings” is one of those feel-good, vibrant songs that has ‘hit’ written all over it, and many people would hear this as a return to the pop/dance style that brought us “Hideaway” back in the day.  We’ve seen how versatile Kiesza can be with her songs, most of which are original co-writes.  “All Of The Feelings” may skew a more commercial slant but it’s such a well-written and performed release that no one should quibble.  And you can see her perform it in the video above.

  • MADISON MALONE, “Fragile Heart 1”

L.A.-based singer/songwriter Madison Malone dazzles us with her pitch perfect voice on “Fragile Heart 1” from her unique album called I & II (that’s One and Two).  The highly listenable album consists of five songs each recorded in two different versions, all of which work pretty well because the songs themselves are so strong.  But it’s “Fragile Heart 1” that stands out – kind of what could happen if a minimalist Rufus Wainwright song somehow transformed into one with Sarah McLachlan inspiration.  “Fragile Heart 1” is emotional and vulnerable but still very hopeful.  Madison has made herself known at festivals like SXSW and on a recent US tour, so definitely keep your eyes and ears out for her.

  • JERIN JAMES and DEVERANO, “Birds And Bees”

Jerin James is a new name to the dance music biz though he is hardly a newcomer, having previously recorded under another name and had other roles in the industry.  “Birds And Bees” is all about atmospherics and vocals, and even if the song overall to me is a bit familiar and what I would call ‘much ado about nothing’, it works quite well.  The dramatic, sophisticated production is enhanced by Deverano’s stylish and often far-reaching vocal – he’s graced a number of dance records and always gives them a big lift when they need it.  “Birds And Bees” is a compelling start for Jerin James.

A new supplement to the 10/10 feature is my new Spotify playlist called the BILLCS Viral Weekly.  Check it out below as it contains some of the songs in this 10/10 blog post!