It’s “10/10” #15!: @chriswallace101 #BewareTheBear & @SeanSmithsolo @HotelGaruda @Lawsonofficial @SamDickinson @BrandonColbein @JayB1rdmusic & @ChandlerBlase @Mollydotmusic @TheTrustedband @theTysonKelly

Surprise! It’s 10/10 – Edition 15!! 

This is the first 10/10 post since August.

In 10/10,  I write about 10 hot and fresh songs in no particular order, for your kind consideration and attention.

I continue to write individual blog posts about certain songs.  That does not mean that songs in the 10/10 lists are any less than those featured individually, and they are not listed in any particular order.  Songs by Bright Light Bright Light and Pawl & Discrete that were featured in edition #14 debuted yesterday on my personal chart 🙂

Writing 10/10 posts means I can cover more songs in one shot.  So you get to learn about more new music that I hear but don’t always get a chance to write about. 

  • CHRIS WALLACE, “Daydreaming”

L.A. based singer/songwriter Chris Wallace has been busy regathering his many fans, and a number of new ones too, after resurfacing this year after several years’ absence on the recording scene, though he continues to be a sought-after songwriter (such as for The Vamps). “Daydreaming”, his most recent release, is a certified bop, guaranteed to make you groove and revel in all those things you long to do. It’s delightfully straight-forward and guaranteed to offer you a great time.

  • BEWARE THE BEAR and SEAN SMITH, “Wishing On The Water”

“Wishing On The Water” is British singer/songwriter Sean Smith’s second collaboration with Portsmouth duo Beware The Bear, following last year’s “Show Me Love”, which ended up receiving international attention when featured in the TV show “MotherFatherSon”. “Wishing On The Water” is definitely a smooth, radio-ready pop song which takes a few spins before you latch onto its hook. Sean sounds wonderful in this more uptempo setting, and I’ll direct this one to the enjoyment of fans of Bastille and Coldplay.

  • HOTEL GARUDA, “Leave You”

I’ve been enjoying all four songs from Hotel Garuda’s latest EP This Tension, but have zeroed in on the playful-sounding positivity of “Leave You”. The man known otherwise as Aseem Mangaokar has taken a break from the deeper house vibes, which I’ve had the pleasure of hearing in concert, in favour of a highly danceable but more pop-flavoured sound, likely the result of working with a number of different contributing producers and writers. Despite its title, “Leave You” is about not wanting to leave someone, and the high level of energy is definitely in the spirit of loyalty, companionship, and love.

  • LAWSON, “Four Letters”

The engaging British quartet who were stars in their native country have returned this year after a four year absence with a number of solid new songs, and even performed online a few weeks ago to the delight of their fans. “Four Letters” is probably the best of these new songs, and it’s also exceedingly familiar, with a hook that is like a companion to their previous hit “When She Was Mine”. This all works wonderfully well, and in particular vocalist/songwriter Andy Brown is at his best here.

  • SAM DICKINSON, “Nothing’s True”

UK indie singer/songwriter Sam Dickinson continues to preview his much-awaited second full album Off Script, due in October, with “Nothing’s True”. This album is full of assorted soulful, danceable pop songs, and this new one does not disappoint. Taking big cues from 70’s and 80’s disco and UK soul, “Nothing’s True” contains a sharp vocal and some excellent guitar work which make this one stand out in Sam’s growing repertoire.

  • BRANDON COLBEIN, “Mean To Me”

“Mean To Me” by California-based singer/songwriter Brandon Colbein is a fascinating new song about staying in a flawed relationship when you don’t know what else to do about it. It’s catch line is “I let you be mean to me because of what you mean to me” – and that’s a real dilemma when you may be choosing your idea of love over your own well-being. Some people stick it out in that relationship and succeed; others do not. Brandon often zeros in on affecting topics that have different perspective. The song features one of his best recent vocals, and you can find other songs that he’s written, but not recorded himself, through recent releases by Zayn, Liam Payne, Hayley Kiyoko and Kehlani, among others.

  • JAY BIRD and CHANDLER BLASE, “Storm”

“Storm” is an atmospheric, quieter lyrical slice of electronica from California producer Jay Bird and featuring the gentle voice of Chandler BlasĂ©. It continues Jay Bird’s transition into a producer and performer whose music will appeal to fans of Illenium, Crystal Skies, Said The Sky, etc. more than many of his previous songs. The song is sung from the perspective of a lost lover who knows that her special someone will be out there for her whether or not she makes it through her “storm”. Its hopeful message will definitely resonate with listeners and the music is solid and restrained.

  • MOLLY., “Paradise”

“Paradise” serves as a song of reassurance for many people whose mental health has taken its toll during the pandemic. Molly. is a new singer/songwriter and guitarist from Lancaster, England whose vocal tones are reminiscent of Florence Welch and Sigrid, while taking cues from classic songs by the likes of Fleetwood Mac. “Paradise” is a refreshing earworm which should bring the singer attention thanks to tight songwriting bridged by her spot-on vocal.

  • THE TRUSTED, “Wild Love”

The Trusted are a new four piece outfit from Southend-On-Sea, England who have a lot going on in their new EP Love And Suicide. All of the songs go by quickly with boundless energy and charismatic vocals by Tom Cunningham. The Trusted reminds me more of bands from the American alt.rock scene than from the UK. Nevertheless, I’m drawn to “Wild Love”, the song that concludes the EP, which stands out as the sum of all its best parts along with its relateable escapist theme. The Trusted are definitely one band to watch and I’m sure will deliver the goods in concert.

  • TYSON KELLY, “Am I Ever Gonna See You Again”

Tyson Kelly is a California-based indie singer/songwriter to watch with his new EP Plastic Rockstar. Taking cues from music of The Beatles and Talking Heads and spilling it into translation to the 2020’s is a challenge, which makes the EP fun to hear. “Am I Ever Gonna See You Again” tells the familiar road story of a fan falling for a rock star while on tour – which means, essentially, a one-nighter. The saga is in stark contrast to the upbeat, sometimes soulful vibe of the music, which even has Beach Boys qualities about it. Tyson is the son of renown songwriter Tom Kelly (Madonna’s “Like A Virgin”, Whitney Houston’s “So Emotional”), so his evident talents are in his blood, and he has appeared as John Lennon in Broadway’s “Let It Be”. His solo songs do break away from a Beatles-ish sound and, while some of the songs in the EP sometimes sound over-exaggerated and perhaps try too hard, he comes off as an affable original performer.

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