“Everyday” is @Trivectamusic’s new 4-song EP that helps reshape and refine dubstep and melodic bass

TRIVECTA, Everyday (EP)

After successful collaborations and tours with the likes of Seven Lions, Wooli and Excision, as well as well-received remixes for Illenium and Dabin which have garnered millions of streams, Tampa’s Trivecta (aka Sam Dobkin) helps refine and reshape dubstep and melodic bass in his new four song EP Everyday. 

There are elements of both sub-genres present, but not as heavy on record as in concert, where I’m sure the songs will be amped up to please fans and showcase Trivecta’s fluid guitar work.  Aside from the instrumental opener “The Feeling Of It All”, any of the songs in Everyday are well suited for big festival sets.  “Leave It All Behind” (featuring vocal by co-writer Fagin) may not strike you immediately until its chorus, but draws you into its message deeper with each listen.  “Wasteland” keeps you hanging on the edge with European-sounding intensity before its big emotional drop three quarters through.  And the title song, quieter and more melodic than the rest thanks to vocal and songwriting assists by Rico & Miella, could find favour with fans of The Chainsmokers or Martin Garrix. 

Everyday is a solid EP that will not only broaden Trivecta’s musical landscape, but will also bring newcomers further into the dubstep and melodic bass fold.

Published in: on May 18, 2020 at 10:14 pm  Comments (1)  
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California electronic producer @JayB1rdmusic dips into a heavier, rich electronic sound with “Silent”

JAY BIRD and DNAKM, “Silent”

After a few online chats late last year, I’ve been very anxious to hear where California electronic producer Jay Bird (aka Jason Brown) was headed after a number of pop-flavoured dance releases over the past few years as he gradually nails down his own brand.  “Silent” takes a positive turn for a heavier, dubstep-flavoured song with a set of bleaker lyrics than usual (“I don’t want show emotion / When I’m crying out I’m broken / Everyone in slow motion”) which Jay has co-written with singer DNAKM (Donna Kim).  Having previously sung on Jay’s “Alive”, DNAKM provides the knowing vulnerability that cuts through the music and some bigger beats and synths than in the past.  “Silent” definitely allows the music of Jay Bird to reach into a bigger audience within the electronic music genres, one that is there for the big synths and rhythms, but also for the songwriting.

Published in: on April 12, 2020 at 4:31 pm  Leave a Comment  
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“Run” by electronic producer @KaiWachimusic and singer/songwriter @itsDylanMatthew turns sadness into release

KAI WACHI and DYLAN MATTHEW, “Run”

Idaho-based electronic producer Kai Wachi is someone you may have encountered either performing at a big festival or supporting Black Tiger Sex Machine on tour.  His latest single, “Run”, mixes earnest sadness with aggressive release, culminating in a fierce synth breakdown at around the three-quarter mark.  He co-wrote the song with singer Dylan Matthew, whose name you will associate with songs particularly by Slander, but he’s also worked with Seven Lions, Crystal Skies, and Dabin among others.  “Run” is a pretty sad and angry breakup song that taps into a genuineness which the electronic dubstep genre of current artists seem to find inside a treasure trove of emotions for their fans.  “Run” is also pretty accessible for those not looking for anything too heavy, but there’s still lots for long-time fans to enjoy as well.

Published in: on April 12, 2020 at 4:31 pm  Leave a Comment  
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Inventive “Frequencies” pairs Montreal’s @OfficialBTSM with @ATLiensofficial

BLACK TIGER SEX MACHINE x ATLiens, “Frequencies”

I’ve got to give Montreal’s BTSM and Atlanta’s ATLiens lots of credit for combining forces and releasing the highly creative “Frequencies”.  You never lose interest in what’s happening within the song even from what sounds like an inauspicious start.  It takes its time to build, and it’s well worth the wait getting through some nifty effects, beats and chanting before one of those essential head-banging drops kicks in.  The rest of “Frequencies” is total progressive dubstep gravy, hardly making the song seem like it’s been 4:10 in length when it ends.  This style of music is slightly outside of my wheelhouse so it’s guaranteed to please fans of both acts and dubstep/electronic dance wizardry.

Published in: on February 22, 2020 at 11:40 pm  Leave a Comment  
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Canada’s @DrOziofficial takes you on a wild electronic ride with “Youth In Asia”

DR. OZI, “Youth In Asia”

India-born, Toronto-based electronic producer Dr. Ozi will push your limits with “Youth In Asia”.  It’s a colourful, herky-jerky track that will keep your attention and impress you with how deftly he moves between rhythms and styles, all in one song!  It’s more apt to please folks who like their electronic dance music on the heavy side, with lots of familiar dubstep moments to ride along the way.  It’s also incredibly melodic and detailed, so it’s no wonder he’s attracted attention from the likes of Zomboy (for whom he opened on a recent tour).  “Youth In Asia” is a feast for your ears if you like your dance music on the progressive side and your electronic music riddled with all kinds of sounds.

Electronic duo @itsCrystalSkies emphasize melody over beats in new EP “Constellations”

CRYSTAL SKIES, Constellations (EP)

Although it’s been in the making for about the last five years, I think 2019 will be remembered as the year when heavier dubstep/EDM started focusing heavily on melodies that immediately draw in their audience.  American electronic duo Crystal Skies (Aaron and Britian) are no exception to this and perhaps are leading the way with their recent EP Constellations.  Crystal Skies wraps up the EP with “One More Night” which fools you into thinking it’s more on the quiet side, only to bring in some heart-accelerating vibes in the last 1:30 or so.  The EP shifts gears with  “On My Own” (featuring Satellite Empire) and particularly “Release Me” (with another vocal by Gallie Fisher). Both are much softer, with music that weaves around poignant lyrics.  Fans of emotional bangers get treated at the end to “Feels Right” and “Never Change”, featuring amazing vocals by RUNN and Gallie Fisher respectively, who are both go-to’s in this sub-genre.  But both voices sear through you and the big beats don’t disappoint. Constellations is a consistent effort that successfully blends music for your heart and your feet.

Published in: on November 24, 2019 at 2:43 pm  Leave a Comment  
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Canada’s @itsVincent_ and Australia’s @itsNaderi are out to dazzle with progressive and dubsteppy “Wasted Time”

VINCENT and NADERI, “Wasted Time”

There is plenty of room for more progressive house sounds next to people like Illenium, ZHU, Dabin, Ekali and Said The Sky, and “Wasted Time” by Winnipeg’s Vincent and Sydney’s Naderi.  It’s an inspired collaboration, with pristine production. Once upon a time, Vincent was known as XVII, and since then has remixed the likes of Bazzi and Alessia Cara, while steadily releasing original songs over the past few years.  And you’ll remember that Naderi not only has numerous A-list remixes under his belt, but worked on the Grammy-winning Skin album by his countrymate Flume.  The song sometimes stays in one place too long with emphasis on an ear-ringing, echoey vocal.  But it more than makes the most of its 2:36 when it shifts gears and heads into some infectious dubstep territory.  “Wasted Time” is quite an earful for the progressive-oriented and will throw down well in the midst of a heavier set of songs.

Published in: on October 24, 2019 at 8:56 pm  Leave a Comment  
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Florida electronic music producer @Trivectamusic makes Toronto club debut, new song with @Woolimusic @Excision @JulianneHope “Oxygen”

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EXCISION, WOOLI, TRIVECTA and JULIANNE HOPE, “Oxygen”

Tampa, Florida electronic music producer Trivecta (aka Sam Dobkin) easily won over Toronto dubstep fans with his alternately hard hitting and melodic style at Revival Bar last night, where he opened for dubstep master Wooli.  His set slammed super-hard at times – in anticipation of the headliner of course – but transitioned quite well and often into more melodic tones that he has been known for through some of his originals as well as his remixes.  Trivecta, like many other producers in the genre these days, is also a musician, and whipped out his guitar a few times to the utter delight of the invested audience.  Among the highlights in his set were a remixes of songs by “his buddy Gavin” Dabin with “Alive”, “Without You My Love” by Seven Lions, and the song that easily received the best crowd reaction, “Fractures” by another of his pals, Illenium (listen below).  The club was also worked up when he played Above & Beyond’s “Sun & Moon”, and when he brought out his guitar again to his own “Break Me”.  All in all, Trivecta was definitely pumped up by the audience’s warm embrace and it was an entertaining set.

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Trivecta also is part of a new release on Excision and Wooli’s EP “Evolution”, which arrived yesterday.  “Oxygen” is a heartwarming slice of emotional electronica that definitely plays to the style of Illenium’s recent Ascend album.  Featuring a touching vocal by co-writer Julianne Hope, the song alternates dramatic synths with softer moments that will appeal to fans who enjoy Illenium’s “Crashing” and other similar songs.  Check it out above.

 

Australia’s @YvngJalapeno reinvents “Not At All” by @Jayceeoh @StaffordBros and @Waka_Flocka_F

JAYCEEOH, STAFFORD BROTHERS and WAKA FLOCKA FLAME, “Not At All” (Yvng Jalapeño remix)

Australian producer Yvng Jalapeño goes all out to impress this time with his reinvention of “Not At All” by veteran producers and fellow Aussies the Stafford Brothers and L.A.’s Jayceeoh, along with Atlanta rapper Waka Flocka Flame.  He takes a pretty slamming hip hop/electro track and turns it inside out and sideways.  Oh the song still goes really hard but in a Matrix kind of way 🙂 it’s kind of like anti-gravity trap and dubstep rolled all into one.  Waka Flocka Flame’s potent vocal in the original is now used as a startling and haunting effect.  “Not At All” is a busy track and not for everyone.  I have heard remixes before by Jvng Jalapeño but this one truly brings it and is meant to be played really loud.  Club DJ’s who want to keep their audience guessing will have fun with this one.  “Not At All” is also available in three other remixes should you wish to compare.

Weekend Dance Roundup Part 2: @DubVisionmusic & @SYZZmusic @PLSandTYbased & @GANZgvnz & #Nevve @TheHim & @Lootemusic @iamAlanWalker, @SabrinaAnnLynn, and @Farrukoofficial @Ekalimusic & @L-1788 @ArminvanBuuren & @BonnieMcKee @SultanShepard & #CarlaMonroe @Goldroom @Robokidmusic @Kremerkmusic

Following up yesterday’s Part 1, here’s the second part of my Weekend Dance Music Roundup, I’m featuring 10 more new dance music releases, in no particular order, some of whom are by performers you may see at Miami Music Week.

  • Dutch brothers DubVision and fellow Dutch production duo SYZZ positively sparkle with the high energy of “Enlighten Me”.  This is a zesty 2:37 dance track that will have you chanting the urgent chorus and feeling great afterwards.  It’s one of DubVision’s very best tracks and the partnership with Syzz is well worth repeating.  A festival fist pumper for sure.

During Miami Music Week, DubVision play at Firebeatz and Friends on Tuesday March 26 and at Ultra Music Festival on Saturday March 31.

  • One of my favourite songs last year was the Morgan Page extended mix of PLS&TY’s “Down For Me”.  The Florida producer returns in collaboration with Dutchman Ganz for “Motives”.  The song starts off rather unassumingly but gradually builds to a feverishly emotional state by the minute mark, thanks to the signature voice of go-to dance music singer Nevve.  This is one of her best and most committed vocals that rides the sometimes hard-hitting future bass production later in the song.  Sway away and enjoy!
  • Norway’s Alan Walker has crafted something totally unexpected with “On My Way”.  Harkening back to three years ago when “Faded” astounded everyone, Alan employs the sharp voice of star-on-the-rise Sabrina Carpenter (currently in the Billboard club chart Top 10 with “Sue Me”) for a song that’s totally suited to her.  It begins with R&B flavour that you might associate with Rihanna, then drifts off to the islands with a vocal break from Puerto Rico’s Farruko.  By the end you’ll feel like you’ve been on a bit of an adventure so check it out!
  • Also with tropical flavours but with a more relaxed, summery vibe is “Tell Your Friends”, the latest from blog favourites The Him.  Steven and J have brought aboard American duo Loote for effortless give ‘n take vocals which make the song simply breeze by with its appealing synth-peppered bounce.

The Him plays Spinnin’ Sessions at Spinnin’ Hotel on Wednesday March 27 and Klingande’s Playground Pool Party on Sunday March 31 during Miami Music Week.

  • A new and potent instrumental is brought to you courtesy of Mexican producers Kremerk called “Nowhere”.  Premiered recently by Nicky Romero, “Nowhere” doesn’t hold back any punches with its lively synths and creative, progressive production which sometimes recalls Afrojack.  Its relentless pace doesn’t give up for a second of its 2:46 length.
  • It’s been out for about a month, but “Ruin” by the one-of-a-kind collaboration of Ekali and 1788-L delivers in just about every way possible.  Highly inventive and drawing heavily from trap and dubstep, “Ruin” is one song that will neither tire you out with an overabundance of effects, nor will you tire of its frequent changes of pace.  There’s a beautiful, underlying melody amid the experimentation, and these guys just make it all sound even more fascinating as the song progresses.  While it might not be for everyone, “Ruin” should become a centerpiece in sets by both performers.

1788-L plays no less than four events during Miami Music Week on Thursday March 28 (twice, including Brownies & Lemonade Miami), Friday March 29 and Saturday March 30.

  • From his recent 8 song release RK1, Boston’s Robokid has a real grower with “Everything Around You”.  Co-produced by the enigmatic Kid Froopy – you’ll remember 2017’s “Drive Slow” – “Everything Around You” happily marries early-to-mid 2000’s alt.influences of bands like Blink 182 and All-American Rejects with simmering electronics and a taut vocal arrangement that helps make the chorus so memorable.  
  • L.A.’s Goldroom offers up a different kind of slice of life with “Cocaine Girl”.  Its lazy west coast vibe is the perfect foil for a story in which the subjects just seem content to live a dreamy, carefree life.  Its uncomplicated-sounding synth arrangement recalls 80’s Depeche Mode and there are some nice acoustic guitar touches as well.  
  • After dazzling us recently with their instrumental “American Beauty” (based up on the score of the movie of the same name), Sultan + Shepard continue but this time with a solid house banger in “Deeper”.  It packs even more of a wallop thanks to the presence of the killer voice of Carla Monroe – she of MK’s “17” fame.  “Deeper” has the potential to be yet another huge club smash for my Canadian brethren.

Sultan + Shepard play Mixmash Takeover on Thursday March 28 and Armada Invites Miami on Saturday March 30 during Miami Music Week.

  • And what would this year’s Miami Music Week be without a new song from the master who is Armin van Buuren?  Departing from the anthemic humour of “Blah Blah Blah”, Armin brings a delightful song full of longing, powered by the voice of none other than “American Girl” herself, Bonnie McKee.  You wouldn’t expect Bonnie in this setting and Armin weaves some intense synths and beats around her gracious presence.  Armin has a long history with me, going back to 2003’s haunting “Yet Another Day”, and 16 years later continues to deliver the heat amid many talented contemporaries. 

Armin van Buuren plays Ultra Music Festival on Saturday March 30 and Sunday March 31.