#BILLCSTop30 #581, February 17/20

While former One Direction members don’t have three songs again in the new chart, they are back-to-back in the pole positions.

Zayn’s featured vocal totally makes “Flames” by producers R3HAB and Jungleboi (above) , and it holds at #1 for a second appearance at the top.  But right behind at #2 is “Adore You” by Harry Styles  (below) from Fine Line, so the two songs will battle it out for #1 in two weeks.  And Harry’s “Watermelon Sugar” rises a notch 8-7 too.

Awolnation’s catchy electronic rocker “The Best” (above) climbs 4-3, while Chicago production duo Autograf move up 10-5 with “Ain’t Deep Enough” (below).  That matches featured vocalist Jared Lee’s previous peak appearance on the Midnight Kids’ “Those Were The Days” last year.

Not surprisingly, Famba’s “Storm” (above), featuring fellow Canadian Kyra Mastro, becomes his third Top 10 hit on this chart, advancing 11-9, while yet another Canadian, Ekali acquires his first one in collaboration with Illenium and vocalist Chloe Angelides on “Hard To Say Goodbye” (12-10, below) from the album A World Away.

More Canadians have the fastest riser on the chart.  It belongs to Vancouver producers Young Bombs for their original featuring Aloe Blacc called “Better Day”.  It zips up the chart 22-14 and is on its way to becoming their second Top 20 radio hit in Canada, following last year’s “Starry Eyes”.  It’s also a Top 30 dance radio hit in the U.S.

The debuts from two weeks ago are already making inroads on the chart.  Arty’s “Daydreams” featuring Cimo Fränkel (above) climbs 24-18 in its Sultan + Shepard “echoes of life” remix.  The Russian producer has immediately followed it up with another thoughtful anthem, “You’re Not Alone” with vocalist Griff Clawson, below.

Louis Tomlinson’s touching “Don’t Let It Break Your Heart”, from his debut album Walls, is well on its way up the chart, rising 27-20.

“Better Off Without You” by Becky Hill and Shift K3Y has leapt into the Top 25 in their native UK, and it’s done the same thing on this chart, climbing 28-23.

The highest debut on the chart is the first appearance for Italian producer Gianmaria Sanna, otherwise known as Deep Chills, with a charming pop-flavoured slice of tropical-tinged electronica called “Backfire” featuring L.A. vocalist Not Famous.  It arrives on the chart at #21.  Check out the lyric video featuring both performers above.

Arriving at #24 and continuing his mighty comeback is British producer Gareth Emery with newcomer Nash for “Yesterday”.  The song has a classic 80’s feel which reminds me particularly of Mike Oldfield’s songs with Maggie Reilly, such as “Family Man” or “Moonlight Shadow”.  So thanks to L.A.’s Linney for capturing that vocal style, intentionally or not, which gives the song the gentle, reflective feels that it needs.  Check out the video from Gareth’s recent “Laserface” show in Minneapolis, above.

Following up last year’s snappy and infectious “Don’t Think Twice” (#2) is “Fall-Out” by Netherlands-based Emirati producers Revelries, this time in collaboration with fellow producers Boyboyboy and UK-based German vocalist Will Church.  It bows at #25.

The fourth debut is “Look Into My Eyes” by L.A. singer/songwriter Brando, who you know from his memorable vocal on Loud Luxury’s massive hit “Body”.  He returns to the chart at #27 with this original which also reworks Charles & Eddie’s 1992 hit “Would I Lie To You” into the hook of the song.

A reminder that the music from my chart and blog are featured regularly on the new online radio station Radio GTA. You can hear their Big 20 on Wednesday evenings with ‘The Musicman’ James Rogers and listen for songs from the chart too 🙂 Scroll down the station’s main page to listen to lots of variety from across the decades!  I’m the new music consultant for the station so you can expect even more in 2020 🙂  You can start by joining our new interactive Facebook group too!!

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

 

#BILLCSTop30 #580, February 3/20

When One Direction last recorded about 5 years back – and they never appeared on this chart – no one could have told me that three of the members would be on this chart years later at the same time!  And for a second chart in a row, there are three Harry Styles songs in the Top 10.  And there’s a long line up of songs waiting to get into both the Top 10 and the Top 30!

So the second 1D member to reach #1 on this chart after Harry is… Zayn!  I didn’t care for his first solo album at all, but the second, the overlooked Icarus Falls, is really quite intriguing.  I was happy for him to spread his wings and work with a dance dynamo like R3HAB in partnership with fellow producer Jungleboi.  So it’s the stunning “Flames” that is on top, just in time for the arrival of its official video (above)! Although we can pretend that the mystery man in black is Zayn, alas he is not in the video.

And speaking again of Harry, and his supurb Fine Line album, “Adore You” advances 7-3 and seems like it might be the logical choice to succeed “Flames” at the top, fanciful video and all.

And right behind is L.A. alt.rockers Awolnation who climb 8-4 with their latest, with an incredibly infectious hook, “The Best”.

The Weeknd’s retrotastic “Blinding Lights” (above) becomes his 4th Top 10 hit on this chart, moving 11-9, while Autograf’s classy deep house track “Ain’t Deep Enough” (below), featuring singer Jared Lee, climbs 12-10.  It’s Jared’s second recent appearance in the Top 10 after last year’s #5 with Midnight Kids, “Those Were The Days”.

“Storm” by Famba and Kyra Mastro climbs 14-11 and is the current #1 dance song in the USA.  Check out his new EP Wishes Vol. 1, which features his other two big Canadian radio hits “Swear To God” and “Wish You Well”, plus three more new songs.

Ekali is only playing one Canadian date on his upcoming tour, but I’m sure more will follow as the producer has a flair for remembering to make up previously cancelled shows (like in Toronto).  From his new album A World Away comes his collaboration with Illenium, “Hard To Say Goodbye”, featuring the voice of Chloe Angelides, which moves up 17-12.

“Starlight” is a quiet, sweetly soulful winner for producer ZEROBADDAYS and singer/songwriter Victor Perry, as it glides up the chart from 19-14.

The Fastest Riser is the previous chart’s highest debut, “Mirage (Don’t Stop)” by the immensely talented Jessie Ware, which advances 23-17.  Don’t this silky slice of UK soul slip through the cracks!  And if some of the melody sounds slight familiar, and perhaps may have been an unintended source of inspiration, you might catch yourself singing parts of Shannon’s “Let The Music Play”…

Also holding its own amid a busy chart featuring a lot of power players is Toronto area duo Homestead, from their debut EP Beacon, with the danceable rocker “Lifeline” climbing 28-23.  Joël and Liam will be performing the entire EP and some new songs this coming Thursday in Toronto at the Northern Maverick Brewing Company, and I’ll be there to check it out!

The Highest Debut at #24 belongs to Russian producer Arty with vocalist Cimo Fränkel on the delightful “Daydreams”, soon to be a festival favourite in its Sultan + Shepard Echoes of Life remix, which sounds like a Coldplay song that’s taken a dive into melodic house.  It follows Arty’s 2018 instrumental tribute to Avicii called “Tim” which got to #3.  Official video of “Daydreams” is above, the Sultan + Shepard remix is below.

A third One Directioner arrives on the chart for the first time – it’s Louis Tomlinson with his captivating and incredibly sincere ballad “Don’t Let It Break Your Heart” at #27. He co-wrote it with the likes of James Newman, singer Wrabel, producer Stuart Crichton, and Cole Citrenbaum from the duo Opia, so lots of fine hands were in the mix.  It’s also from Louis’ debut album Walls, after over 3 years of singles-only releases.  And the 1D fans are incredibly happy about that.  Watch the video for a rather unbelievable ending!

The third debut is “Better Off Without You” by chart returnees Becky Hill and Shift K3Y at #28.  These Brits have both been in the Top 10 before.  Becky was the voice on Matoma’s “False Alarm” which got to #6 in 2016, while producer Shift K3Y got to #7 in 2015 with one of his early releases, “I Know”.  A bit of trivia for you: Shift K3Y’s real name is Louis Jankel, and he is the son of singer, songwriter and producer Chaz Jankel, who not only was a key member/songwriter with Ian Dury & The Blockheads (“Hit Me With Your Rhythm Stick”) but also was prominent on the US dance charts in the early 80’s with the funky “Glad to Know You” and “Ai No Corrida” (later covered by Quincy Jones).

A reminder that the music from my chart and blog are featured regularly on the new online radio station Radio GTA. You can hear their Big 20 on Wednesday evenings with ‘The Musicman’ James Rogers and listen for songs from the chart too 🙂 Scroll down the station’s main page to listen to lots of variety from across the decades!  I’m the new music consultant for the station so you can expect even more in 2020 🙂  You can start by joining our new interactive Facebook group too!!

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

 

 

 

It’s 10/10 #07: @Hunternoneon @saxity @francescoyates @revelriesmusic @mahalo_dj @shuhandz @brendanreilly @mattfaxmusic @listentoTrove @spencerbarnett @deepchillsmusic @wearefury @micahthezealot @garethemery @nashmakesmusic @linneyofficial

10/10 #07

The 10/10 feature is back!! In 10/10 (or tenoutoften) ,  I write about 10 hot and fresh songs in no particular order, for your kind consideration and attention.

I continue to write individual blog posts about certain songs.  That does not mean that songs in the 10/10 lists are any less than those featured individually. 

Writing 10/10 features means I can cover more songs in one shot.  So you get to learn about more new music that I hear but don’t always get a chance to write about. 

tenoutoften

tenoutoften 07

  • HUNTER and ROSHIN, “I Don’t Forget” (extended mix)

Toronto’s Hunter Siegel is known for his many No Neon club shows and for being a respected producer, DJ and remixer.    2020 brings us his latest EP I Might Forgive, I Don’t Forget, and its lead track “I Don’t Forget”, in partnership with newcomer and fellow Canadian Roshin, is a memorable, pounding, gritty deep house club banger.  It’s dark and haunting and is an easy centrepiece around which club DJ’s can build a set.  If you like music by Faithless, The Chemical Brothers, and Bobby Nourmand then “I Don’t Forget” is for you, particularly in its extended mix above.

  • SAXITY, “Forget Me Nots”

The German production duo Saxity returns and brings some long lost Patrice Rushen back to “Forget Me Nots”.  That’s because the melody of the song is long associated with its smash sample in Will Smith’s “Men In Black”.  But that was 1997 and 23 years later an uncredited female vocal in classic R&B style gives this great song new life amid the usual classy Saxity production including the requisite spiffy sax solo.  “Forget Me Nots” is a great and overdue cover choice!

  • FRANCESCO YATES, “I Got You”

My fellow Scarborough, Ontario native singer/songwriter/guitarist Francesco Yates offers a silky smooth retro-flavoured ballad in “I Got You”.  As I’ve seen several times in concert, Francesco can rock it out with the best of them but also kills it with a soft, romantic song, which we haven’t really heard since his 2014 debut on “Honey I’m Home”. And there’s a brilliant soulful falsetto as well that brings shades of Justin Timberlake at his best.  Like “Honey”, “I Got You” is tender and sincere and may be a welcome throwback to the Francesco Yates sound that most people got acquainted with in the first place.  Don’t let this one slip through the cracks.

  • REVELRIES, BOYBOYBOY and WILL CHURCH, “Fall-Out”

2019 brought us my favourite Revelries release thus far with the infectious “Don’t Think Twice” (featuring Oktavian) reaching #2 on my chart and finishing at #11 for the year.  Spicing it up with some funky touches and a staccato kind of rhythm, “Fall-Out” is a bit softer but a grower alongside other songs by the Netherlands-based Emirati production duo like “Naked” or “Handle”.  “Fall-Out” is a collaboration with production trio Boyboyboy and England-based German-born singer Will Church.  There’s a lot of instrumentation in the mix and with the mystique of Will’s vocal and a compelling melody, it all gels together nicely.

  • MAHALO & SHUHANDZ and BRENDAN REILLY, “Sweet Spot”

Coming off of his biggest record to date last year called “So Cold”, L.A.-based producer Mahalo continues to be busy making great music like his new one “Sweet Spot”.  Never one to get fixed with similar melodies and beats, “Sweet Spot” has an airy, jazzy quality about it in partnership with fellow L.A. based producer Shuhandz and a dreamy vocal by England-based American singer Brendan Reilly.  If you recognize Brendan’s voice then you’re a fan of Disclosure’s Grammy-nominated Caracal album, where he was featured in “Moving Mountains”.  “Sweet Spot” is a tidy mix that ends before you know it in just under three minutes.  Club DJ’s with a soft spot for jazzy vibes will take to this one.

  • MATT FAX and TROVE, “Animal”

“Animal” is an atmospheric release by French producer Matt Fax with vocals by one of Australia’s favourite go-to voices for dance music, Trove, known most recently for his work on Famba’s Canadian radio hit “Wish You Well”.  “Animal” has seductive, dark qualities about it, that keep getting richer until Trove’s vocal stops entirely.  And that’s when an extended coda takes over, which DJ’s will absolutely love for mixing purposes.  Though only just into his 20’s, Matt Fax has been working with all of the best labels for European house so 2020 could be the year where we hear much more original music from him.  “Animal” definitely amps up the intrigue and Trove’s vocal glides beautifully through it all.

  • SPENCER BARNETT, “I’m Fine”

Spencer Barnett is a talented L.A. teen with massive pop appeal if his latest single “I’m Fine” is any indication.  It’s the title track of his latest EP in which Spencer sings to justify why he’s okay, whereas the sullen melody may convince you otherwise.  Its moodiness captures the complex sentiments of today’s teens who were too young when One Direction peaked about 6 years ago, which makes him an instant draw for the lovelorn and heartsick among them.  His indie charm is proving successful so far though with a club date coming up in February in NYC.  So I think we’ll be hearing more from young Mr. Barnett in the coming year.

  • DEEP CHILLS and NOT FAMOUS, “Backfire”

Italy’s Deep Chills spreads his tropical vibes into the winter months for us with the savvy mix of pop and dance genres in “Backfire”.  The song features a delightful vocal by L.A. singer/songwriter Not Famous and a memorable bridge and chorus that will waste no time turning into a singalong.  Deep Chills doesn’t make you forget that the song at its production roots is a dance record so you can waste no time busting a few moves as well.  “Backfire” is a playful and bright release that deserves your attention.

  • WE ARE FURY and MICAH MARTIN, “Echoes”

“Echoes” is the hard-hitting recent single from Vancouver production duo We Are Fury from their two-song EP called Dusk, which also features the compelling instrumental, “Resistance”.  Taking cues from Illenium and Seven Lions and other progressive-minded producers, Stuart and Joachim bring Iowa singer Micah Martin on board for alt.rock atmospherics that will transport you back to the mid-2000’s heydays of My Chemical Romance and Linkin Park.  “Echoes” will be a force unto itself in a live set in the same way that Illenium’s “Blood” (from Ascend) leaves audiences spellbound.  We Are Fury definitely brings all of the goods with “Echoes”.

  • GARETH EMERY & NASH and LINNEY, “Yesterday”

Melodic dance music has a fascinating way to draw you in, and through its various iterations in the sub-genres of dance music, I hope that it will always be present.  After his return with Ashley Wallbridge for last year’s album Kingdom United, UK producer Gareth Emery continues in 2020 with the beautiful “Yesterday”.  Working with newcomer and fellow UK denizen NASH, they take a few cues from early 80’s electronic music by employing the lovely voice of American singer Linney, who is no stranger to dance music and recalls vocalists like Maggie Reilly and Annie Haslam.  “Yesterday” flows and pours out a positive message about leaving behind what should stay in the past.  It keeps you locked in for its just over 3 minutes, and then of course wanting more. 

Colorado-based producer/DJ Disco Lines has an earworm in store for you with “Alive” with vocals by @LillyCorsi

DISCO LINES and LILLY CORSI, “Alive”

“Alive” is guaranteed to get stuck in your head while your swaying and making your best moves on the dance floor.  It’s brought to you by Colorado-based producer/DJ Disco Lines, who has frequently appeared on the American festival circuit over the past few years.  Accompanied by an unflappable and sultry vocal by Lilly Corsi, you’ll be wanting to add “Alive” to your regular dance workout playlists.  To me it’s about 30 seconds too long but I’d also like to see how some clever remixes might add to the song’s versatile, timeless appeal.

Published in: on January 12, 2020 at 11:55 pm  Leave a Comment  
Tags: , , , , , , , ,

#BILLCSTop30 #578 – January 6, 2020

The new chart is in the end of the year/decade shake down mode, time for old favourites to depart and for new ones to find their way into the chart.  The past few weeks have been relatively quiet new music-wise, given that most people were compiling end of the year/decade lists.  Oh, and if you missed my BILLCS Top 89 of 2019, feel free to check it out as well as other previous years’ lists back to 2009 using the bottom tabs (it’s a Google spreadsheet).  You can also listen to the songs on my Spotify playlist.

So, let’s get back to the music of 2020!  The year and decade kick off with a brand new #1, and a unique one it is!  Austin production duo Tritonal and Australian producer Henry Dark climb to the top with “Shivohum”.  It’s sung in Sanskrit as an empowering mantra, one that deserves to get crowds reeling at festivals this winter.

Another unconventional song that soars 12-3 this week is “Flames” by R3HAB and Jungleboi featuring a potent vocal by Zayn.  Could it follow “Shivohum” to #1?

L.A. singer/songwriter Brandon Colbein’s emotional gem called “Mad” becomes his second Top 5 hit, following 2016’s #1 “So Bad”, moving up 9-4.

Canadian singer/songwriter Peter Foldy may be a veteran of the music business but his contemporary, danceable fable of today called “Toxic World” fits right in the mix, climbing 11-8.

It should be no surprise to you that the Fastest Riser on the chart is by the performer who just finished three appearances (six weeks) at #1.  It’s Harry Styles of course, from his startlingly good Fine Line album, with “Adore You” making short work of the chart by rising 21-9.

Rounding out the busy Top 10 is the first appearance on the chart for L.A. rockers Awolnation, whose majestic-sounding and danceable release “The Best” moves up 16-10.

Scotland’s Ben Davidson and England’s Sean Smith make a compelling duo as their joint, energetic effort “Dirty Mirrors” (in a Matt Pop edit) climbs 25-19.

“Ain’t Deep Enough” is satiny smooth deep house from Chicago duo Autograf featuring a stellar vocal by Jared Lee, and rises 26-20.

Leading the pair of new songs on the chart at #26 is “Starlight”, the delightful, gentle R&B/pop ballad by Germany’s ZEROBADDAYS and NYC-based singer/songwriter Victor Perry.  After a few releases together, this is their best collaboration to date.  ZEROBADDAYS is one-half of production duo Saxity (aka Mr. Stan Sax) who worked with Victor on the #8 “You Found Me”, which was on the chart exactly two years ago (the second of three chart entries for Saxity).  It’s also Victor’s sixth appearance on the chart overall (which includes his side project Labrose).

The second new entry picks up where former #1 “Dreamer” leaves off, as it departs the chart this week.  Australian producer Throttle continues with songs from his EP Where U Are with the introspective and melodic “Japan” at #27.

A reminder that the music from my chart and blog are featured regularly on the new online radio station Radio GTA. You can hear their Big 20 on Wednesday evenings with ‘The Musicman’ James Rogers and listen for songs from the chart too 🙂 Scroll down the station’s main page to listen to lots of variety from across the decades!  I’m the new music consultant for the station so you can expect even more in 2020 🙂  You can start by joining our new interactive Facebook group too!!

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

 

 

Miami-based producer @Ebaniez works the dance floor with sturdy house rhythms of “Here For Me” featuring vocals by Naomi V

EBANIEZ and NAOMI V, “Here For Me”

It’s always cool when an artist works hard to confidently release music that will appeal to their target audience.  Such is the case with Miami-based newcomer Ebaniez, who has carefully been honing his craft for the last few years.  He has resurfaced with “Here For Me”, a sturdy house track that will immediately draw you in with an infectious first two minutes and a crystalline, wistful vocal by Naomi V.  “Here For Me” pleads with club goers to stay on the dance floor to share in the story.  Ultimately the song is a tad too long with little more to say beyond three and a half minutes to warrant its length.  But more conciseness will come in time and Ebaniez delivers a solid song for your listening and dancing pleasure.

Published in: on January 5, 2020 at 6:48 pm  Leave a Comment  
Tags: , , , , , , , , ,

“A Night That’s Never-Ending” has retro early 90’s dance appeal by UK belter Sonia @soniaevanssonia in a @MattPopofficial radio edit

SONIA, “A Night That’s Never-Ending” (Matt Pop radio edit)

For the 5 years between 1989 and 1994, the voice of Sonia on UK radio was a fierce and unmistakable one, starting with the classic #1 “You’ll Never Stop Me From Loving You” when she was just a teen.  Sonia acquired 10 more Top 40 UK hits, and to appease her many fans has released some new music over the past few years.  “A Night That’s Never-Ending” is too good to resist, a classic slice of songwriting by Gordon Pagoda (known for his work with Steps) and Joe Faraci that is given even more buoyance and pizzazz in the hands of producer Matt Pop.  Sonia’s voice soars gloriously and suddenly it’s 1989 again with 2020 bells and whistles, and it all does not disappoint.  You can also check out the holiday edition of the song, appropriately called “A (Christmas) Night That’s Never-Ending”.

Published in: on January 3, 2020 at 10:17 pm  Leave a Comment  
Tags: , , , , , , , ,

“Another Dimension” mixes old school trance with contemporary progressive house, courtesy of German’s @MartenHorger

MARTEN HØRGER, “Another Dimension”

If you’re looking for music mixed with old school trance by the likes of The Chemical Brothers or early BT, but mixed with contemporary progressive house that you’d hear on a Fisher release, then Marten Hørger’s “Another Dimension’ will have no problem winning you over.  It’s familiar but incredibly playful, as you’ll find when you reach the halfway mark and this remarkable, attention-grabbing pause occurs and then rebuilds over 40 seconds, reminding me a lot actually of the mid-section of “Setting Sun”.  Club DJ’s will enjoy how the song will keep their crowd on the dance floor not knowing what to expect next.  “Another Dimension” is the kind of song that will gain traction over the coming months and into winter festival season.

Published in: on January 3, 2020 at 10:17 pm  Leave a Comment  
Tags: , , , , , , , ,

Atlanta’s @Popeska saves his best one for the end of 2019 with “Like This”

POPESKA, “Like This”

While I’ve been somewhat critical of his latest ‘comeback’ songs, Atlanta house producer Popeska’s “Like This” is easily his best release of the year.  It’s carried by an engaging uncredited female vocal, a chorus that could easily become a sing-a-long, and a synth hook that will have heads bobbing on the dance floor.  When I’m not writing about songs I love outright, I’m always looking for potential.  Popeska has the pedigree from the early part of the decade, which needed to be translated into music that will last beyond 2019.  “Like This” is even quite radio friendly, with a big, effortless sound that will pull in listeners, and will appeal to fans of Zedd, Kygo and Kaskade.

Published in: on December 28, 2019 at 2:38 pm  Leave a Comment  
Tags: , , , , , , ,

“Collusion” is the diverse new progressive/future bass EP from veteran Russian producer @Proxxxy

PROXY, Collusion (EP)

With his new EP Collusion, veteran Russian dance producer Proxy brings you four songs with fellow conspirators DZA, Armadine, The Paxmen, and the world renown A.C. Slater for a variety of dance music flavours in the progressive and future bass genres.  And I’ve gotta say that the joint experiences between Proxy and A.C. Slater are in full bloom on “Have Some Fun”, which is a no-brainer for clubs.  It’s one rollicking progressive house track that doesn’t want to let up, reminding me of some songs by Australian duo The Presets.  Proxy and The Paxmen also create a fun dance floor trip with “Fitness”, which offers up the humour you’d find in a Showtek track carried by infectious an infectious rhythm and a quirky female vocal that says the title as “feet-ness”.  Proxy’s collaboration with Armadine, “No More”, is slick UK-influenced house, but “Poltora” with DZA misses with being a bit too obtuse for me.  Proxy has proven himself over the years at many of the biggest worldwide festivals and although he’s never really been away from the scene, there’s no doubt that this EP will re-establish him with club DJ’s and attract many new fans.