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BILLCS New Music Report – June 13/24 with songs by JENNA Nation, Sharon’SISTER (@LeesonMaureen and Jaimie Vernon @bullseyecanada), @JerinJamesmusic, Benjamin Russell @mtl_bar & Greg Fraser, @Aiobahn & @DanSoleilmusic, @MRKOmusic, @SocialAnimals and @callmeJavi

One thing about constantly discovering new music every day in establishing my criteria after more than 40 years of listening critically to music is that I enjoy the element of surprise. It’s vitally important when listening to so many releases in a week that I can distinguish between songs and allow what’s memorable to stand out. Some songs surely stand out for all the wrong reasons, usually if they have too many effects or a poor vocal. But others dazzle because the creators have decided to make their songs unique. Whether it’s a simple production focusing on the vocal, highlighting a song with a set of different or special effects, or accentuating an emotional side through melody or vocal that gets under your skin, the songs that stand out ultimately attempt to make a difference to those who listen to them. If your songs make me smile or sad, quietly go “wow”, admire the quality of work that’s gone in to them, or have got me singing along to their choruses after one listen, then you’ve probably won me over.

In the Report, you can also check out my pick of the week, along with a record of the week from the host of online radio’s “Top 40 Timeline”, “Big Daddy” Russ Horton, plus “Modern Hype” online radio host DJ Hunter’s “Bop of the Week”. “The Musicman” James Rogers from online radio’s “3D Variety Show” has his memorable Classic Five picks from the late 60’s. You’ll also find out what the BILLCS Top 30 looked like this week in 2008!!

The BILLCS New Music Report is always a work-in-progress and I welcome your suggestions so feel free to contact me at through my social media links right here.

Reminder: Click on the photo to watch the video or listen to the song.

JENNA Nation, “Bittersweet”

Last Fall I introduced you to the Berklee School of Music-educated, Ottawa-based singer JENNA Nation, who released her first new music in a few years with the jazzy R&B pop track “All I Need”. “Bittersweet” is her latest release, and once again the showcase is on her stunning voice, which at times recalls other current singers like Christina Aguilera and Gwen Stefani, as well as voices of the past like Peggy Lee or Julie London, though the singer indicates specific inspiration from talent like Jill Scott and Jazmine Sullivan Her taut and deliberate phrasing sets the place for a lovely song about being there in the moment for someone, whether it’s a bitter or sweet one. “Bittersweet” is warm and inviting and should easily draw in more fans for JENNA Nation.

Sharon’SISTER, MAUREEN LEESON, JAIMIE VERNON, “Running To Stand Still”

I’m writing about this track in celebration of it appearing on streaming services for the first time in hopes that more people get to hear one of the best covers of a U2 song available. Sharon’SISTER was a pseudonymous project for the Durham, Ontario-based quartet Spare Parts, fronted by Maureen Leeson and including her brother-in-law, pop music guru Jaimie Vernon, on bass and harmonies, which toured the southern Ontario bar circuit and continues to pop up for reunions now and then. Maureen has a tireless, powerful voice that should really be heard by more people, and fortunately she is a highly regarded music teacher who shares her numerous skills with her students. “Running To Stand Still” is a U2 song from The Joshua Tree album that was recorded by Sharon’SISTER on their 1996 8 song release of otherwise original songs called Steeped. It’s one of those songs, when sung by the right person, that can make you stop in your tracks to listen, and U2 fans will love this rendition of the song. The potent vocal by Maureen with lovely harmonies from Jaimie drive it home, and you’ll want to put “Running To Stand Still” on repeat. If a 2024 revival is due for a rather obscure cover of a song, then this is it.

JERIN JAMES, “Blue Night”

As a part of his recent EP The Wanderers Pt. 2, southern California-based dance producer Jerin James has included one of his best songs, the atmospheric “Blue Night”. Set to a deep house backdrop and led by some ideal string-synth effects, “Blue Night” is rich and sultry with a compelling uncredited male vocal which adds the personality needed to grab club-goers’ ears as well as their feet. “Blue Night” should find its way easily into club DJ’s sets and it’s also quite radio friendly for dance radio to consider. As much as I enjoy this version, I think some remixes could help lift Jerin’s opportunity for more success with “Blue Night”.

BENJAMIN RUSSELL, GREG FRASER, “Sirens Calling”

“Sirens Calling” is part of a four song tribute to the well-remembered Toronto songwriter and musician, Rude Van Steenes (Arson, GLAMATRON!, Vis-A-Vis – who recorded an 80’s dance music fave of mine “Shadow Play”), who passed away in 2021. The project was started by Toronto synthesizer player Greg Fraser with Rude, based on Rude’s poems, but sadly he died before it was completed. Greg and Rude’s wife Michele O’Neail, recruited the prolific Montreal artist Benjamin Russell to finish the project, which as a fond remembrance is called Ghost Particles (messages from Rude Van Steenes). “Sirens Calling” is the outstanding lead off track from the EP, with Benjamin’s forthright vocal embracing the song’s theme of control, almost a cautionary tale that tells us to be careful what we wish for. The song is augmented by delightful saxophone sounds in an overall tight and memorable production. “Sirens Calling” will be much appreciated by alternative and college radio stations, who were also big champions of the music of Rude Van Steenes during his lifetime.

AIOBAHN, DAN SOLEIL, “On Repeat”

“On Repeat” is warm and dreamy electronic pop from South Korean producer Aiobahn and Dutch vocalist Dan Soleil. The song aims to transport you back to the peak ’10’s era of electronic music. And while the emotional side of the song does that, it’s set against a subtle and carefully crafted melody, and inviting but uplifting vocals by Dan. I’d pitch “On Repeat” to fans of producers like Chet Porter and Helloworld, wanting something familiar and pretty but a little more off the mainstream.

MRKO, “Fall”

Rising L.A.-based dance producer MRKO returns with a captivating ode to love called “Fall”. Since I wrote about his music a few years back, MRKO has already supported Benny Benassi and Robin Schulz in concert and has released music on labels helmed by Austin Kramer and The Disco Fries. With a stellar, ages-old-sounding vocal by an uncredited male vocalist, “Fall” takes you through the self-doubts and other thoughts that occur when you might be falling in love, often forgetting to just let it all happen organically. The deep house rhythm and MRKO’s fluid synth work all compliment “Fall”, making it a standout keeper that club DJ’s should invest in, and there are extended remixes Simon Sinfield and Gilbert Lezana & Shemsu to help take care of that.

SOCIAL ANIMALS, “Blacking Out”

Social Animals are a Nashville-based quartet originally from Duluth, Minnesota led by vocalist/songwriter Dedric Clark. Although I see releases in Spotify back to 2021, they seem to have been around longer, perhaps as a touring band. They are also faced with the challenge that many other rock bands have in bringing back guitar-oriented rock to the current genre of listeners. “Blacking Out” is full of solid guitar work in a tight mix with an affecting vocal by Dedric, who ruminates to a former lover after crashing his car about trying to put everything behind him by “staying in and blacking out”. The overall sound mixes classic Bruce Springsteen and John Mellencamp vibes with 90’s flavours represented by bands like Live and Collective Soul. Fans of Cage The Elephant and The Black Keys would be sure to embrace a Social Animals song like “Blacking Out”.

JAVI, “Only Lover”

Javi is an American singer/songwriter of Puerto Rican and Latin heritage, who doesn’t release music too often, but when he does it certainly stands out from the crowd. He’s a gifted interpreter too, as witnessed by his recent covers of Steve Lacy’s “Bad Habit” and especially Sade’s “Cherish The Day”, which reached #6 on the BILLCS Top 30 in 2022. “Only Lover” marks the return of producer Patrick Breen as a collaborator, and it’s a slick and soulful original that exudes George Michael vibes. Javi’s vocal comes from a natural place with warm and sophisticated tones that completely suit the song. “Only Lover” is provided to you on a three song EP, where you can check out the Steak Frites mix, which amps up the playful groove, and the Palgz demo, tearing a few pages out of the Parliament/Funkadelic songbook, which slows down the pace and emphasizes the funk.

BILL’S NEW MUSIC PICK OF THE WEEK

My New Music Pick of the Week is a 5-7 minute radio segment that airs on several online radio stations around the world, and debuts each Tuesday at 6pm EST on The 3D Variety Show on Xstreamrockradio and also now on Lil Rawkers out of California!

Greyson Chance has returned with new music and his indie release is the poignant “Rearview Mirror”

“BIG DADDY” RUSS HORTON’S RECORD OF THE WEEK

“Big Daddy” Russ Horton is the host of the “Top 40 Timeline” radio program and owner of online station Halton Hills Radio Online. You can hear my Retro Pick of the Week every week on the “Top 40 Timeline”. Russ’ record of the week can also be heard each week on “The Big 20”.

Ohio’s Michael Marcagi has his first big hit with “Scared to Start”

DJ HUNTER’S BOP OF THE WEEK

DJ Hunter is the host of the online radio shows “Modern Hype”, which can be heard on several online stations, and “Pyjama Party”, with both shows anchored at Energy 885. Hunter can also be heard weekdays at 2pm EST on Party Dog Radio. Hunter’s bop of the week can now be heard each week on “The Big 20” and will soon be in sync with these blog posts.

Vancouver’s Marianas Trench are finally back with new music including “Lightning and Thunder”

“THE MUSICMAN” JAMES ROGERS’ CLASSIC FIVE

“The Musicman” James Rogers is the owner and host of The 3D Variety Show heard Tuesdays at 6pm EST. The Classic Five is “pop music 101” usually of the post-Beatles era – classics you need to know! Each title is linked to a Spotify stream of the song.

Joe South – Walk A Mile In My Shoes (1970)
Glen Campbell -Wichita Lineman (1969)
Bobby Darin – If I Were A Carpenter (1966)
Young Rascals – Groovin’ (1967)
The Box Tops – The Letter (1967)

BILLCS Top 30 FLASHBACK CHART – 2008

It’s hard for some people to believe that 2008 is 16 years ago, until you start to bask into some of the nostalgia that some of these songs offer. The highlight for me is a 20 year old Justin Nozuka with his biggest song to date, “After Tonight”. It’s also cool seeing Canadian producer John Nathaniel back to back on the chart with One Republic, since he later went on to produce that group!

03 01 GOING WRONG Armin Van Buuren featuring Chris Jones
01 02 AMERICAN BOY Estelle featuring Kanye West
02 03 MERCY Duffy
09 04 LET GO (Vandit remix) Paul Van Dyk featuring Rea Garvey
20 05 AFTER TONIGHT Justin Nozuka
07 06 ALL OVER YOU The Spill Canvas
05 07 LEAVIN’ Jesse McCartney
06 08 CALI CRY Roz Bell
04 09 4 MINUTES Madonna & Justin Timberlake featuring Timbaland
10 10 POCKETFUL OF SUNSHINE Natasha Bedingfield
13 11 CLOSER Ne-Yo
15 12 DANGEROUS (remix) Kardinal Offishall featuring Akon & Sean Paul
11 13 COLD SHOULDER Adele
16 14 ONLY FOOLING MYSELF Kate Voegele
19 15 YOU ME US WE Nelson Clemente
22 16 WARWICK AVENUE Duffy
12 17 NO AIR Jordin Sparks featuring Chris Brown
08 18 YOU WANT ME DON’T YOU Nelson Clemente
New 19 BLACK AND GOLD Sam Sparro
24 20 IF I NEVER SEE YOUR FACE AGAIN Maroon 5 featuring Rihanna
26 21 ANTHEM Filo & Peri featuring Eric Lumiere
14 22 SILVER LINING Rilo Kiley
New 23 WHAT YOU GOT Colby O’Donis featuring Akon
30 24 TIME OF MY LIFE David Cook
25 25 SAY (ALL I NEED) One Republic
New 26 REALIZE John Nathaniel
New 27 FOREVER Chris Brown
17 28 SUPERNATURAL SUPERSERIOUS R.E.M.
21 29 WITH YOU Chris Brown
23 30 LAST TRAIN HOME Ryan Star

BILLCS New Music Report – June 5/24 with new songs by @TheThe, @RiverTiber & @JustinNozuka, @AndyxSuzuki @AndTheMethod, @bandAutopilot and @RumJungleband

Yep, it’s one of those weeks where a bit of writer’s block sets in and makes it difficult and frustrating to write about just about anything. Anyone who knows it knows you can’t make words appear when they’re not there. But I still wracked my brain to convey my thoughts about six new songs this week to dazzle your ears, and what I’ve come up with I think has turned out well. Fortunately writer’s block is short lived and I should have more for you next week!

In the Report, you can also check out my pick of the week, along with a record of the week from the host of online radio’s “Top 40 Timeline”, “Big Daddy” Russ Horton, plus “Modern Hype” online radio host DJ Hunter’s “Bop of the Week”. “The Musicman” James Rogers from online radio’s “3D Variety Show” has his Classic Five take us back to a handful of hits from 1970. And in case you missed them on Monday, you’ll find out what songs are #1 and the Fastest Riser on the BILLCS Top 30.

The BILLCS New Music Report is always a work-in-progress and I welcome your suggestions so feel free to contact me at through my social media links right here.

Reminder: Click on the photo to watch the video or listen to the song.

THE THE, “Cognitive Dissident”

Back in 2017, the legendary 80’s UK rock group The The – really singer/songwriter Matt Johnson and his collective musicians of the day – released a documentary and a single, “We Can’t Stop What’s Coming”, and toured for the first time in many years. Anything that came next got put quickly on hold due to some life threating health issues that Matt was facing. In the interim, fans got a live album of concert favourites called The Comeback Special, whose title envisioned more to come. A few more years later, Matt has recovered and surfaced with the new single “Cognitive Dissident” along with a series of worldwide concert dates, and with the first new The The album since 2000’s Naked Self called Ensoulment coming in September. It’s a testament to perseverance in the craft you cherish, and “Cognitive Dissident” is classic The The, containing sharply worded lines and verses that want you to question everything, and understand that the decisions being made around us are reminiscent of a “1984” kind of society that we all hoped would never happen. With his deep, memorable voice sounding not too much different from The The’s halcyon years in “Cognitive Dissident”, it’s great to have Matt Johnson back. The The’s unique music has also acquired a number of new fans over the years, which has led to multi-millions of streams, and Ensoulment will be of particular interest to them.

RIVER TIBER, JUSTIN NOZUKA, “Tell Her” and “Stranger”

During the last decade, I was pleased to attend a number of Justin Nozuka shows in Toronto where he was supported on guitar and vocal harmonies by River Tiber, aka Tommy Paxton-Beesley, who was also developing his own following and sound that even got Drake’s attention when the River Tiber track “No Talk” was sampled by the rapper. Some of those were intimate shows at smaller venues, and then there were River Tiber’s own shows too, playing a number of the same venues, with Tommy eventually supporting Justin as part of his band on at least one worldwide tour. The two talents have natural chemistry together in achieving beautiful, sometimes experimental sounds, and a few years later their collaborative work has come full circle on two new songs, “Tell Her” (above) and “Stranger”. Both songs are pretty soulful and mellow, with “Tell Her” pondering life and existence which in the lyrics seems to be weighted on something that is being held back and unsaid, while “Stranger” is two short verses with one word changed in the second verse. Some songs by both artists have often been left vague for the listener to interpret and experience. If this is the start of a new project to follow up River Tiber’s 2022 album Dreaming Eyes and Justin Nozuka’s 2023 album Daydreams & Endless Nights, which were both more artistic departures than previous releases, then these two new songs have sufficiently whet our curiosity for more.

ANDY SUZUKI & THE METHOD, “Hardly Human”

It’s hard to believe that I’ve been writing about the music of NYC’s Andy Suzuki & The Method for more than a decade. Time and time again they deliver great songs which often sound even better in concert. They’ve only released a handful of songs since their last album, 2019’s Alibi, since both Andy and drummer/percussionist Kozza became dads, and the hard-rocking “Hardly Human” kicks off whatever is coming next. Andy Suzuki & The Method have continued performing though, as I witnessed last summer in NYC, which keeps them sounding tight. Andy could be another Dan Reynolds with the power in his eminent vocal on “Hardly Human”, which is full of luminous guitar work and appropriately thunderous beats and percussion by Kozza.

AUTOPILOT, “Yesterday”

Saskatchewan rock trio Autopilot return with another edgy single, “Yesterday”. This one is about embracing some memories, while knowing what ones you need to leave in the past. Autopilot has a solid live-off-the-floor sound led by Marlon Harder’s gritty but friendly vocal. “Yesterday” has enough bounce to pick you up and get you ready for your night out. Autopilot is known for its live shows both at home and in the US, and are playing a few shows during Canadian Music Week in Toronto, including at The Cave on Thursday June 6. Hopefully “Yesterday” is a sign of what’s to come on Autopilot’s next album too.

RUM JUNGLE, “Did The Morning Let You Down”

Australian indie quartet Rum Jungle give us some pause for thought as we begin our days with “Did The Morning Let You Down”. The song’s brimming with a great melody, some ferocious guitar work and a crisp vocal that gets showcased in the way that you would hear Keane’s Tom Chaplin or even fellow Aussie indie band Moonwood’s Jake McCullough. “Did The Morning Let You Down” understands that there are just some mornings that we all look forward to, and the resulting day usually flies by, but that there are also some that we dread, and sometimes the day doesn’t go by too badly anyway. Rum Jungle has recently finished a tour of the UK and Germany to sell out dates, and are about to embark on a winter tour of Australia (i.e. in the western world’s summer). “Did The Morning Let You Down” is the kind of song that would resonate with alternative and college radio stations.

BILL’S NEW MUSIC PICK OF THE WEEK

“Myself & I” is by German electronic producer TheFatRat and Canadian singer RIELL

“BIG DADDY” RUSS HORTON’S RECORD OF THE WEEK

The Chainsmokers team up with Canadian singer ELIO for “Bad Advice”

DJ HUNTER’S BOP OF THE WEEK

Spain’s The Boy From The South’s latest release is the infectious “Space Party”

“THE MUSICMAN” JAMES ROGERS’ CLASSIC FIVE

Badfinger – Come and Get It
Kenny Rogers & The First Edition – Something’s Burning
Chicago – Make Me Smile
Ray Stevens – Everything Is Beautiful
Diana Ross – Ain’t No Mountain High Enough

BILLCS Top 30 #1 SONG

Darin’s “Electric” becomes his 4th number one on the chart

BILLCS Top 30 FASTEST RISER

Phoenix dance producer Ekonovah’s infectious “Find My Flow” (28-18)

#BILLCSTop30 #693 – June 3/24

It looks like it’s time to fight for our Canadian identities in music again. Singer Bryan Adams – long a favourite of mine, I’ve seen him three or four times in concert – has long been outspoken about how music by Canadian artists is identified by our government in terms of radio play and about our antiquated copyright laws. He posted a video message, to which our Heritage Minister replied, and to which Bryan added a post on X below. And he’s absolutely right. He fought 30 years ago for a change in the Canadian Content (Cancon) rules, as his huge song “Everything I Do (I Do it For You)” was not considered to qualify as Canadian Content because the only criteria that it met was that Bryan, as the artist, was a Canadian! Now frankly it’s even worse, with multiple collaborations between Canadians and others, but often not enough to satisfy the four criteria which were revamped in 1991 and you can find at the following link: Cancon. So let’s keep an eye on this and see if Bryan can continue to champion our Canadian music scene.

Here’s the link to the online version of the chart: BILLCS Top 30

Here’s the link to my Spotify playlist of the chart: BILLCS Top 30 Chart Playlist

The BILLCS Top 30 Archive: BILLCS Top 30 Archive

Check out my ONLINE RADIO SHOWS below as they are increasingly tied in with this blog. As most of you know, I host 3 online radio shows – The Big 20 and two iterations of Your Weekend New Music Mix – and produce 2 online radio segments – my new music and retro picks of the week – that are all pre-recorded. The Big 20 and the picks of the week are happily being syndicated and you can find the current schedule for all at the bottom of the home page of this blog.

He’s now in a rather elite class in terms of my chart’s history, and Darin gets his 4th #1 with the propulsive summery pop jam “Electric”, which climbs 5-1 in a sudden takeover from two months of “Shiver”. Darin joins Justin Timberlake and Sam Smith, who also have 4 #1’s, Darren Hayes who has 5, Simon Curtis who has 6 plus another one as a featured vocalist, and Bright Light Bright Light who has 7! Darin has also followed up “Electric” with a new one, “Moonlight”, which you can check out below.

I still can’t get enough of the Euphoric Alternative remix of David Archuleta’s “Afraid To Love” (above), which also became a collaboration with keyboardist/producer Willy Beaman, and climbs 4-3. David’s latest is the quite different “Hell Together”, which you can hear below.

Making a splash in the Top 10 is the stunning live string version of “feel less” by Felix Cartal and Lights (11-6), recorded at The Warehouse in Vancouver. It becomes the 4th Top 10 entry for both artists. Felix just released a new “double A” single, which these days is being called an EP, called “i”, which includes “dive/stay/” and “cuz of you”, and you can check out at the following Spotify link: Felix Cartal EP.

Getting her second Top 10 entry just over 8 years after the last one is dance music queen Rozalla with her timeless take on Nicolette Larson’s hit version of “Lotta Love”, which climbs 14-10.

I’m looking forward to seeing her again perform, this time in my city in September, as she opens for Kygo and Sam Feldt. Hayla rises 19-12 with her smashing solo release “Embers” (above). And about Kygo – well he and Hayla just released their own collaboration “Without You”, which you can check out below.

Never underestimate the power of a fantastic hook, which will have you singing Washington-based artist Dreamer Boy’s “Heartbreaker” long after it’s over. The song jumps 23-16.

L.A.’s TELYKast seems to have no shortage of great songs up their sleeves lately, and their collaboration with fellow producer Deorro and vocalist Catello, “Without Your Love”, rises 25-17.

The Fastest Riser on the chart belongs to one of the catchiest songs around. It’s “Find My Flow” by Phoenix dance producer Ekonovah, which soars 28-18.

Right behind is the bonafide national dance radio hit for Kiesza called “I Go Dance”, which moves up 29-20 from her newly released EP which you can listen to at the following Spotify link: Dancing And Crying Vol. 1.

For those of you who are tired of “Lose Control”, you can enjoy Teddy Swims’ top-notch Motown-flavoured follow-up “The Door”, which rises 30-23.

The Highest Debut belongs to an artist who would have appeared on my chart had there been one before 1998. Vanessa Williams sparkles on “Legs (Keep Dancing)” having just turned 61, an independent release very deserving of your attention, which arrives at #26. It’s her first release in 15 years. Other artists on the chart age 60+ are Rozalla and Pet Shop Boys.

Debuting on the chart after more than 10 years as an electronic dance producer is TheFatRat, who has a huge following on You Tube thanks to his involvement with the gaming world, and “Myself & I”, featuring Canadian singer RIELL at #27. It’s chapter six of a series of story-songs, full of layered top-notch production and an excellent vocal by RIELL.

The third debut belongs to Swiss EuroVision winner Nemo with the fascinating and riveting “The Code”, which arrives at #28.

ONLINE RADIO SHOWS

You can hear me and many of my blog choices on this growing list of online radio stations and features!

Halton Hills Radio Online

Listen to The Big 20 from 10pm to Midnight EST on Wednesdays as “The Musicman” James Rogers and I bring you the latest in new songs. The show also repeats on Saturday evening at 6 pm EST. You can hear recent episodes of The Big 20 at this link.

On Saturdays and Sundays from 8pm to Midnight EST I bring you “Your Weekend New Music Mix”, four hours of commercial-free music from the 2000’s including many song choices from this blog.

My Retro Pick of the Week plays on Russ Horton’s “Top 40 Timeline” which airs Saturdays at 4pm EST.

The 3D Variety Show by Planet Radio Canada

I’m featured Tuesdays between 7 and 7:30 pm EST with my New Music Pick of the Week which debuts every week on “The 3D Variety Show” at www.planetradio.ca, now powered by www.xstreamrockradio.com with “The Musicman” James Rogers, and I also join occasionally for looks at music from our past through some live segments. My pick of the week airs more than 25 times during the week and you can view its schedule by clicking here. You can hear recent episodes of The 3D Variety Show at the following link: 3D Variety Show. The show repeats on Alberta’s www.katpowerhit.ca on Wednesdays at 6pm EST.

Energy885

Energy885 in Miramichi, New Brunswick’s Energy885 now anchors Hunter Wilbur’s “Modern Hype” on Fridays at 6pm EST, and his new show “Pyjama Party” on Saturdays at 5pm EST, which both air my New Music Pick of the Week. Energy885 is also airing my Retro Pick Of The Week as well on Wednesday and Friday mornings at 9:30 AM EST. You can hear past episodes of “Modern Hype” and “Pyjama Party” at the following link: DJ Hunter.

For other details about all of the shows, such as dates and times of broadcasts, go to my home page and scroll down to the bottom right side!

BILLCS New Music Report – May 29/24 with new songs by @JayB1rdmusic & TEGI, DE FACTO!! & DJ Fruit Salad, @TELYKast & @x_o_anne, @NatalieShay_, Ben Ellis, @TylerGarrettusa, @ColinMansn, and Ryan Wright @rywrightmusic

The variety of music in this week’s Report speaks for itself, from pop/folk through to electronic dance music, with two picks of the week from the country genre.

In the Report, you can also check out my pick of the week, along with one from the host of online radio’s “Top 40 Timeline”, “Big Daddy” Russ Horton, plus “Modern Hype” online radio host DJ Hunter’s “Bop of the Week”. “The Musicman” James Rogers from online radio’s “3D Variety Show” has his Classic Five take us back to a handful of pop ballads released between 1981 and 1986. Plus, you’ll find out what songs sat atop the BILLCS Top 30 during the last 26 years! And there are at least six artists with songs currently on the BILLCS Top 30 who were NOT born when my chart began!!

The BILLCS New Music Report is always a work-in-progress and I welcome your suggestions so feel free to contact me at through my social media links right here.

Reminder: Click on the photo to watch the video or listen to the song.

JAY BIRD, TEGI, “Dancing”

“Dancing” is a fresh sounding, fast-paced new house track by San Jose’s Jay Bird, frequently featured in this blog, along with newcomer TEGI, and it’s the first release on Jay’s label The Birdhouse Recordings. The label is intended to showcase music from Jay’s collective of new producers and artists also called The Birdhouse. “Dancing” has a clean sound which is quite European in nature, with a quirky rhythm that takes the basics from Daft Punk’s melodies and revs them up a bit. “Dancing” is a calling card for DJ’s to get their evening started with something clever, and Jay Bird and TEGI deliver the goods and more.

DE FACTO!!, DJ FRUIT SALAD, “Ur So Good (Everything I Need)”

Out of Australia, two producer/DJ’s, De Facto!! and DJ Fruit Salad, will give your day a lift with the relentlessly perky “Ur So Good (Everything I Need)”. It’s a catchy and not overly complicated pop-house mix. I normally wouldn’t care for this kind of track because of its altered vocal, but it’s an almost-cheesy dance floor filler with a contagious, happy vibe. De Facto!! and DJ Fruit Salad seem to be keeping themselves off of the major social media platforms while “Ur So Good” – which sounds like it’s based on a sample that I can’t place – has been given major props on Tik Tok by Australian radio station TripleJ. “Ur So Good” is too good not to be at least a worldwide dance hit, reminiscent in some ways of LF System’s “Afraid To Feel”, so perhaps the talent behind the record will come out of hiding to promote it. The songwriting credit is given to Harvey Miller, who is half of Australian duo Client Liaison, so that may be part of the puzzle too.

TELYKast, x.o.anne, “Free”

L.A. dance producers TELYKast keep the hits flowing with “Free” which features London-based, California-born singer/songwriter x.o.anne (aka Anne Tello), who has written for Dillon Francis among others. TELYKast frequently mixes it up with their releases, sometimes with progressive deep house flavours and at other times more on the pop/dance tip. “Free” is one for the latter category, featuring a brisk rhythm and a vocal by Anne that will appeal to fans of Florence Welch and Annie Lennox and that you can put next to rising star Hayla. “Free” is relatable ear candy that should have no problem pleasing club and festival goers.

NATALIE SHAY, “Love Me Too”

For the last few years, UK singer/songwriter Natalie Shay has covered a lot of ground in her songs, largely based on personal experiences with others, often sitting comfortably on that pop-country line that Taylor Swift decided to cross many years ago. With songs on Natalie’s new EP Champagne now making that transition, its lone previously unreleased track “Love Me Too” is one of her best to date. With lyrics full of conviction and confidence, the song is about understanding that you must love yourself completely before you decide to share your love with someone else. Natalie’s expressive vocal is bubbly and sincere while the arrangement and melody flow naturally. Other songs on the EP like “The Edge” and “Love You Boy” have received some worthy attention, but “Love Me Too” is one song that Natalie Shay’s fans as well as those of Taylor Swift, Kacey Musgraves or Kelsea Ballerini will wholeheartedly enjoy.

BEN ELLIS, “No One Sleeps In Hollywood”

Indie Welsh singer/songwriter Ben Ellis seems to have a lot of gems up his sleeve, and one of them is “No One Sleeps In Hollywood”, which follows up his fine EP from last year, Ed’s House, whose title track and “Guys That Look Like Me” both landed on the BILLCS Top 30, with “Ed’s House” reaching #8. “No One Sleeps In Hollywood” has a steady, ear-catching and unpretentious melody set against lyrics which seem to second-guess the kind of success that might be in store for indie artists like Ben, with the fear that a bigger taste of success might not be all that it’s cut out to be. Ben’s earthy guy-next-door approach goes a long way, and while there might be a modicum of truth to the lyrics in terms of the social media attention that Ben gets these days, let’s hope that Ben might be able to look back upon the thoughts expressed in “No One Sleeps In Hollywood” someday and say that they never actually happened.

TYLER GARRETT, “Lean On Me”

For once, a song called “Lean On Me” has nothing to do with Bill Withers’ 70’s pop classic, and L.A.-based singer/songwriter/producer Tyler Garrett has released a compelling follow-up to the gorgeous “Holding On” from earlier this year. The production is very layered, with a riveting bass synth line throughout, and lots going on to draw you in to unleash a veritable sea of emotions. Like with “Holding On”, Tyler’s vocal performance here is a passionate one, which you can see in his in-studio take of “Lean On Me”, which you can watch by clicking the cover art above. And like a lot of Tyler’s songs, it’s a bit longer than the usual pop/dance confection at just over 5 minutes, but “Lean On Me” is sure to hold your interest.

COLIN MANSON, “Sea Son”

If the music of Scottish singer Colin Manson sounds more like Irish folk than anything else, it’s because Colin was raised on the west coast of Scotland, hence the strong Gaelic influence that you hear in “Sea Son”. It’s a dreamy, easy-going slice of folk pop that I would describe as early Hozier meets Duncan Sheik, but the soft and deliberate tone of the song makes me think other influences could come from as far back as Nick Drake, as well as of course Irish and Scottish traditional folk. Colin’s vocal goes down easily and helps tease you into listening, and you’ll hear sounds of stand up bass and violin to flesh out the melody as well as ethereal female vocal harmonies. The theme of “Sea Son” is that there is the whole world waiting out there for you, but he doesn’t try to persuade you to act on that opportunity, leaving it up to the individual to take everything in before making a decision.

RYAN WRIGHT, “Quarter Life Crisis”

Ryan Wright is an indie artist from Virginia who shifts gears into edgier, punk-influenced pop/rock on her new single “Quarter Life Crisis”. Having heard some of her previous work, but not writing about it, I think this is a solid and positive new direction for her. “Quarter Life Crisis” is about rationalizing those moments in your 20’s where you’re leaving behind youth and faced with 30’s adulthood. Her vocal puts her alongside Olivia Rodrigo, Mitski, and Blondshell, with a dash of Chrissie Hynde, and there’s some deft guitar work that happily pervades the sometimes tongue-in-cheek song. “Quarter Life Crisis” is a great introduction to Ryan and moves along at a nice clip given its five minutes + length too.

BILL’S NEW MUSIC PICK OF THE WEEK

Calgary’s Kiesza is back and dance music’s got her again with the fun and wacky “I Go Dance”

“BIG DADDY” RUSS HORTON’S PICK OF THE WEEK

“Big Daddy” Russ Horton is the host of the “Top 40 Timeline” radio program and owner of online station Halton Hills Radio Online. You can hear my Retro Pick of the Week every week on the “Top 40 Timeline”. Russ’ pick of the week can also be heard each week on “The Big 20”.

“Rockstar” is by award-winning Nashville-based country singer/songwriter HARDY.

DJ HUNTER’S BOP OF THE WEEK

DJ Hunter is the host of the online radio shows “Modern Hype”, which can be heard on several online stations, and “Pyjama Party”, with both shows anchored at Energy 885. Hunter can also be heard weekdays at 2pm EST on Party Dog Radio. Hunter also has a Bop of The Week which can now be heard each week on “The Big 20”, but for now it may not necessarily be the same one featured below.

It’s Nashville-based country rockers Eddie & The Getaway with “Wake Up Without Me”

“THE MUSICMAN” JAMES ROGERS’ CLASSIC FIVE

Partland Brothers – Soul City (1986)
Dan Fogelberg – Make Love Stay (1983)
Jim Photoglo – Fool In Love With You (1981)
Bertie Higgins – Key Largo (1982)
Chicago – You’re The Inspiration (1985)

26 YEARS OF BILLCS TOP 30 #1’s

Songs that rocked my personal chart at this time during the last 26 years. All of the following artists currently with songs on the BILLCS Top 30 were NOT yet born when my chart began: Conan Gray (two #1’s so far), Diamond Cafe (1 #1 previously as Tristan Thompson), Benson Boone (2 #1’s so far), JVKE (2 #1’s so far), Will Swinton and Marcus & Martinus!!

2023 LIKE CRAZY (English version), JIMIN

2022 ARETHA, Mercer

2021 NO MORE LOOKING BACK, Idris Elba, Inner City, Steffanie Christi’an

2020 GET YOUR WISH, Porter Robinson

2019 WHITE LIES, M-22

2018 SATISFY, Mercer, Ron Carroll

2017 FILL ME IN (SOMETHING TO SAY), Loud Luxury, Ryan Shepherd

2016 LOST (Young Bombs remix), Connor Phillips

2015 CHASING STARS, Corey Niles, Alex Lacasse

2014 STAY WITH ME, Sam Smith

2013 BLUE ELECTRIC ROSES, Travis Garland

2012 WAITING FOR THE FEELING, Bright Light Bright Light

2011 POPULAR, Eric Saade

2010 THE WORSE IT GETS, Penguin Prison

2009 YOU FOUND ME (Lenny B mix), The Fray

2008 AMERICAN BOY, Estelle, Kanye West

2007 MAKES ME WONDER, Maroon 5

2006 OVER MY HEAD (CABLE CAR), The Fray

2005 JERK IT OUT, The Caesars

2004 AMAZING, George Michael

2003 BRING ME TO LIFE, Evanescence, Paul McCoy

2002 THE MIDDLE, Jimmy Eat World

2001 DREAM ON, Depeche Mode

2000 BENT, Matchbox Twenty

1999 LIVIN’ LA VIDA LOCA, Ricky Martin

1998 TOO CLOSE, Next

BILLCS New Music Report – May 22/24 with new songs by @GreysonChance, Nemo, @thefatrat & RIELL, The Boy From The South, Baby Lasagna, Eric Rivero & @RobbieRosenlive, @TravisGarland and Peter Wilson

While I was glad to get away on a wonderful New England cruise, I wasn’t happy about coming down with the flu a few days after my return, which has kept me sidelined with next to no voice up till a few days ago. But I’ve still been listening to the new songs, though I admit to being a tad behind with some submissions. Nevertheless, I’ve cobbled together my thoughts about 10 new songs for you this week, including the top two songs at EuroVision. One of those songs is even “Big Daddy” Russ Horton’s pick of the week, and both will be played on this week’s edition of my online radio show “The Big 20”. So there’s plenty to check out – enjoy!

In the Report, you can also check out my pick of the week, along with one from the host of online radio’s “Top 40 Timeline”, “Big Daddy” Russ Horton, plus “Modern Hype” online radio host DJ Hunter’s “Bop of the Week”. “The Musicman” James Rogers from online radio’s “3D Variety Show” has his Classic Five take us back to songs from 1982-85, including two written by Canadian favourite Ian Thomas. If you missed them on Monday, you’ll find out what song are #1 and the Fastest Riser on the BILLCS Top 30!

The BILLCS New Music Report is always a work-in-progress and I welcome your suggestions so feel free to contact me at through my social media links right here.

Reminder: Click on the photo to watch the video or listen to the song.

GREYSON CHANCE, “Rearview Mirror”

Greyson Chance’s first new music of 2024 is an indie release that ponders the ages old question – “What if I had the power to go back in time?” That’s an elusive and emotional ask, and one that he tackles in his usual sincere and thoughtful way in “Rearview Mirror”. It’s an awful question to wrestle with because it leads to so many other ‘what if’s’ that would have happened had things been different. A more mature Greyson knows the answer to the question and doesn’t want to drag the listener through his and their painful memories. “Rearview Mirror” deserves attention from college and alternative radio as an indie release, and I think it will become a crowd singalong favourite in concert. It also starts an intriguing path for what’s to come from Greyson in the next while.

NEMO, “The Code”

I was travelling this year when EuroVision happened, and though I haven’t hear the breadth of entries like usual, “The Code” by non-binary contestant Nemo is a deserving winner for Switzerland. The 24 year old singer, who also plays violin, piano and drums, dominates an aggressive electronic production that stands out when pitted against the riveting visuals of the EuroVision performance (click on the photo above). One moment they sound like Mika, and in the next they’re rapping a smooth flow that fits so well in the song. EuroVision audiences seem to like flamboyance that comes from an earnest place, and “The Code” and Nemo have all that and more. Even better, Nemo co-wrote and co-produced the record – we’ll be hearing more from them.

TheFatRat, RIELL, “Myself and I”

TheFatRat is a German progressive electronic producer whose recent songs of “chapters” look like they are leading to a new album, which would be his first since 2021. Tied directly into gaming, his works are shining examples of how to meld electronic music with the gaming and video mediums. “Myself and I” is the sixth chapter, featuring go-to dance music vocalist RIELL, whose voice is stunningly showcased. The song features many familiar elements that align traditional classical music with progressive electronics, and its pacing and transitions are enticing. TheFatRat is one producer who is at the top of his game with what he is uniquely achieving and it will be intriguing to hear all of his chapters together when they’re all ready.

THE BOY FROM THE SOUTH, “Space Party”

Spain’s The Boy From The South returns with “Space Party”, an exceptional and melodic pop track about a voyage into outer space. The boy is aimable vocalist and guitarist Pedro Balañá, whose descriptive songwriting is delivered in his British accent with a rap-like flow that here immediately reminds me of Will Smith’s “Gettin’ Jiggy With It” with a dash of Eminem and Beatles-esque whimsy aboard. The catchy keyboard hook gets immediately stuck in your head, but to get the full impact of the song, be sure to check out its video by clicking the photo above. Let’s just say the outcome of the voyage isn’t as much of a party as you might think. The Boy From The South has already appeared twice on the BILLCS Top 30 with the light-hearted tracks “Amazing-Man” (#3) and “Man Down” (#6), and “Space Party” is another unique showcase of his talents. Folks who were in Times Square in NYC in early May got to see a sneak preview of the video in Times Square! Big things are coming for The Boy From The South.

BABY LASAGNA, “Rim Tim Tagi Dim”

Baby Lasagna is a Croatian rock singer whose real name is Marko Purišić, and his song “Rim Tim Tagi Dim” (which has no English translation) finished second in EuroVision this year. Even in recent years, EuroVision audiences have a taste for rock on the harder side, such as Maneskin, and Baby Lasagna delivers an infectious track with a powerful vocal against a backdrop of turmoil and stress in his home country. Again, the strong performance (click on the photo above) on the EuroVision stage had a lot to do with the high finish for “Rim Tim Tagi Dim”. European rock isn’t straight forward like North American rock, there are always surprises, and Baby Lasagna has delivered a strong release to make him someone worth watching.

STEVIE HOWIE, “vampiress”

Stevie Howie is a rising L.A.-based indie singer/songwriter originally from Tennessee who only emerged a few years back on social media, and has already won a dedicated following with his originals as well as covers of “Seven Nation Army” and “Smells Like Teen Spirit”, which have ultimately led to live shows in the US and the UK. He’s got one of those brash Eddie Vedder-esque voices which can stand out among the noise, and “vampiress” is an impressive and fun original for you to get to know his edgy sound better. In the song, the singer has fallen under the spell of the title persona so much that he doesn’t come out till after midnight and can no longer see himself in the mirror. Those are great ideas of course that allude to finding the right person for yourself, except you don’t have to become undead in the process. But it will make you want to watch for the next Stevie Howie release.

CAROL MEDINA, “Rules”

It’s a big welcome back to Toronto-based, Australia-born R&B/pop singer Carol Medina, who was all over Canadian pop radio in the 90’s with the Juno Award-nominated “And The Song Goes”, “Secret Fantasy”, “You Don’t Know (Where My Lips Have Been)” and “Tell Me You Love Me”. “Rules” is her first new music in about 10 years, and it’s a slice of elegant jazz pop that will appeal to fans of Sade, Norah Jones, and Toni Braxton. The production is silky-smooth and laid back, and Carol’s vocal is warm and assured. Canadian AC radio stations looking for something new and inviting should look no further than “Rules”.

ERIC RIVERO, ROBBIE ROSEN, “The Other Side”

Chicago-born, L.A.-based dance producer Eric Rivero and NYC singer/songwriter Robbie Rosen team up once again after the beautiful, recent “Lost In Love” for the deep house track “The Other Side”. It’s a reassuring song about looking for hope and possibility before giving up. There have been many songs written about ‘the other side’ but Eric and Robbie commit to it with zest and polish, and it will be a happy find for dance music fans looking for substance and sparkle. I hope Eric and Robbie continue to collaborate because these kinds of repeat performances are worth the wait.

TRAVIS GARLAND, “Tumbleweeds”

L.A.’s Travis Garland recently promised on social media to be releasing more music more frequently after a protracted absence, and that began with “Playing With Fire” a few weeks back. “Tumbleweeds” is a sultry and atmospheric track accompanied by some nice electric rock guitar. And while Travis’ invested vocal and the ear-catching production linger with me more than the actual song and subject matter, those of us who were wondering about what was next for Travis will be getting sated by these new songs. It’s great to have Travis back.

PETER WILSON, “Heard It In A Heartbeat”

Australian singer Peter Wilson, about whom you’ve read several times in this blog, is a reliable source for effortless 80’s flavoured electropop, for which there continues to be demand throughout the world. “Heard It In A Heartbeat” reminds me particularly of early 80’s Eurohouse, so fans of songs by Erasure, Alphaville and Modern Talking will be right at home. “Heard It” also benefits from a dramatic arrangement that allows Peter’s vocal power to be unleashed. Sometimes diving into new Eurohouse can be refreshing, and “Heard It In A Heartbeat” will appeal to even casual fans of the genre.

BILL’S NEW MUSIC PICK OF THE WEEK

My New Music Pick of the Week is a 5-7 minute radio segment that airs on several online radio stations around the world.

Phoenix dance producer Ekonovah brings you his catchy house track “Find My Flow”

“BIG DADDY” RUSS HORTON’S PICK OF THE WEEK

It’s “Rim Tim Tagi Dim” by Baby Lasagna in its official video!

DJ HUNTER’S BOP OF THE WEEK

DJ Hunter is the host of the online radio shows “Modern Hype”, which can be heard on several online stations, and “Pyjama Party”, with both shows anchored at Energy 885.

“Secret” by Australian singer/songwriter Peach PRC

“THE MUSICMAN” JAMES ROGERS’ CLASSIC FIVE

“The Musicman” James Rogers is the owner and host of The 3D Variety Show heard Tuesdays on Planet Radio Canada. The Classic Five is “pop music 101” usually of the post-Beatles era – classics you need to know! Each title is linked to a Spotify stream of the song.

Frankie Goes To Hollywood -Relax (1984)
Nik Kershaw – I Won’t Let The Sun Go Down On Me (1984)
Prince – Raspberry Beret (1985)
Manfred Mann’s Earth Band – Runner (1984)
Santana – Hold On (1982)

BILLCS Top 30 #1 SONG

It hasn’t changed yet! John Summit and Hayla are #1 again with “Shiver”

BILLCS Top 30 FASTEST RISER

Marcus & Martinus make the most of their 9th place Eurovision finish with “Unforgettable” (13-7)

#BILLCSTop30 #692 – May 20/24

Here we are again with a new chart, some 17 days after I left on vacation. Of course I didn’t expect to become ill after my cruise, with a bug that has left my voice in the gutter for the last few days – you’ll hear how I sound on my New Music Pick of the Week segment – and likely a few days more. So Wednesday will be catch up time for the BILLCS New Music Report. In the meantime, one of THE dance songs of the summer of ’24 holds on top for a fourth appearance (eighth week), while three fresh and new songs debut.

Here’s the link to the online version of the chart: BILLCS Top 30

Here’s the link to my Spotify playlist of the chart: BILLCS Top 30 Chart Playlist

The BILLCS Top 30 Archive: BILLCS Top 30 Archive

John Summit and Hayla still command the chart with the irrepressible “Shiver” (above), a song that will make dance club and festival goers stop in their tracks to enjoy. What will follow it at #1 in two weeks remains to be seen, but there are a number of worthy choices right below. Hayla’s subsequent single, the fierce “Embers” (below), moves up solidly 24-19.

“Harmless”, the unique alternative rock track by New Zealand’s Will Swinton, rises a notch to #2. To follow up such a great single, I’d love to know more of what’s in store for this young talent. I mean I may be missing out by not having a Tik Tok account, but let’s hope to hear more soon.

“Last Of Us” is one of those big, heartfelt dance tracks that doesn’t come around too often, this time by Gryffin and Rita Ora, and it climbs 4-3.

Like many electronic dance music lovers, David Archuleta’s IG feed shows him at EDC Las Vegas this past weekend, and I’m looking forward to what’s coming next after his euphoric alternative mix of “Afraid To Love” with collaborator Willy Beaman, which moves up 6-4. A big EDM collab might just be the ticket! Happy to start that rumour…

Sweden’s Darin is already set to release a new single, “Moonlight”, on Friday May 24, as his latest “Electric” continues to climb, moving up 7-5. “Electric” is his 7th Top 5 entry. Here’s some Darin/Pet Shop Boys trivia: The artists have a producer in common, though not for their most recent releases, and that is the amazing Stuart Price. Stuart co-produced Darin’s 2022 single “Superstar”, and has produced the PSB albums Super, Hotspot, as well as their 2013 album, which was called Electric!!

Pet Shop Boys’ latest album is Nonetheless, but have just released an EP which you can listen to at the following Spotify link called Furthermore, which includes re-recordings of their classics “It’s A Sin”, “Heart”, “Being Boring”, and “Always On My Mind”. The lead single from Nonetheless, “Loneliness”, continues to climb and moves up 9-6.

After a successful EuroVision weekend, which found their entry in 9th place overall for Sweden, Marcus & Martinus’ “Unforgettable” is the Fastest Riser of the week, soaring 13-7. Click the photo above to watch their EuroVision performance. I’ll have some words about the winning and runner-up entries on Wednesday in the New Music Report.

Philadelphia lo-fi hip hop duo N i G H T S obtain their fourth Top 10 entry as the intriguing and seething breakup song, “Hopeless”, rises 12-10.

“feel less” is a perfect example of how to turn your latest dance single in to a masterful pop release. Recorded live at The Warehouse in Vancouver, Felix Cartal and Lights’ latest collaboration becomes an emotional pop song with a brilliant vocal and sublime arrangement, rising 16-11.

I know a lot of Years & Years fans felt bad for Olly Alexander’s 18th place finish in EuroVision with “Dizzy”. To me it had nothing to do with the song itself or his vocal, which some people have been way too critical about on social media. It was more about its polarizing visuals, which to me only spoke to a small portion of the worldwide audience, though there were no technical issues that I could see. You can judge for yourself by clicking on the photo above but it was kind of a hard lesson learned. Olly’s an adventurous performer, this just wasn’t the time or place for it. Nonetheless, “Dizzy” moves up 18-13.

Rozalla’s solid rendition of Nicolette Larson’s version of “Lotta Love” continues to move up the chart briskly, rising 19-14. It’s still not too late for a Canadian AC radio campaign, just sayin’…

While I’m starting to see more love for the second single release from Fireworks and Rollerblades, “Slow It Down”, I’m still stuck on the album track “Cry”, which has also been doing well, and climbs 22-16.

As you know from many blog posts, I’m a sucker for a vocal performance that leaves me in awe of some of today’s best talents. JVKE is one of them and his latest single, “This Is What Slow Dancing Feels Like”, though highly reminiscent of Stephen Sanchez’s “Until I Found You” stylistically, nails the pre-Beatles American male pop vocalist sound of the day. “Slow Dancing” rises 25-20.

Arriving as the Highest Debut at #28 is “Find My Flow” by rising Phoenix dance producer Ekonovah (pronounced “echo-nova”). It’s one catchy slice of house music that could be a creeper in dance music sets by some of your favourite DJ’s this summer.

Calgary’s Kiesza makes her fourth appearance on the chart with the delightfully wacky and infectious “I Go Dance” at #29. The Juno Award winner got to #1 back in late 2018 with the equally fun “Phantom of the Dance Floor” accompanied by Quebec opera singer Philippe Sly.

Rounding out the chart and the new entries at #30 is “The Door” by Georgia-born Teddy Swims, which follows up his worldwide #1 “Lose Control”, which I got burned out on quickly. Teddy didn’t just come out of nowhere though. He was a You Tuber whose viral covers led to memorable appearances on “The Kelly Clarkson Show”, “The Late Late Show with James Corden”, and “America’s Got Talent”. His big and versatile, soulful voice has allowed him to cross genres, working in everything from country to EDM, leading to his debut album I’ve Tried Everything But Therapy Part 1. “The Door” is seamless, 60’s flavoured pop soul that’s refreshing for today’s pop audiences.

ONLINE RADIO SHOWS

You can hear me and many of my blog choices on this growing list of online radio stations and features!

Halton Hills Radio Online

On Saturdays and Sundays from 8pm to Midnight EST I bring you “Your Weekend New Music Mix”, four hours of commercial-free music from the 2000’s including many song choices from this blog.

My Retro Pick of the Week plays on Russ Horton’s “Top 40 Timeline” which airs Saturdays at 4pm EST.

The 3D Variety Show by Planet Radio Canada (on hiatus until June 4)

Energy885

For other details about all of the shows, such as dates and times of broadcasts, go to my home page and scroll down to the bottom right side!

BILLCS Top 30 – May 6/23 (early edition!)

This is a quick post before I go on vacation for eight days to capture the key songs of note on this week’s chart, plus the five new additions, and of course to publish the chart! The next chart will be published on Monday, May 20, back on its usual schedule.

Here’s the link to the online version of the chart: BILLCS Top 30

Here’s the link to my Spotify playlist of the chart: BILLCS Top 30 Chart Playlist

The BILLCS Top 30 Archive: BILLCS Top 30 Archive

John Summit and Hayla are once again atop of the chart with “Shiver” (above), making it three consecutive appearances, or six weeks, at #1. Will it get a fourth? And Hayla bows on the chart for the first time as a solo artist with her magnificent “Embers” (below) as the Highest Debut at #24. Definitely watch this one fire up through the summer! It’s unclear to me what song just below “Shiver” might eventually succeed it at #1.

The Top 5 is pretty steady, but just below, David Archuleta and Willy Beaman’s euphoric alternative mix of “Afraid To Love” jumps 8-6. It was great to see David’s glorious return on “American Idol” recently. Very deserving!!

New to the Top 10 are “Electric” by Darin (12-7, above), becoming his 10th Top 10 entry, as well as “Loneliness” by Pet Shop Boys (13-9, below) with their 9th, and Nothing But Thieves gets their first with “Oh No :: He Said What?” (11-10, also below).

It’s Eurovision weekend! I may miss it because I’ll be on a boat. Will it be Marcus & Martinus who succeed with “Unforgettable” (18-13, above)? Or Olly Alexander with “Dizzy” (21-18, below)? Or something else? Olly released a compilation of Years & Years hits and deeper cuts today called “Odyssey”, and it’s a fine selection so check it out if you have missed out during the last nine years.

The Fastest Riser on the chart is the live string edition of “feel less” by Felix Cartal and Lights, which soars 25-16.

Returning to the chart #25 is Rhode Island’s greatest recent musical treasure, JVKE. Hey, I’ll be in RI on Sunday, maybe I’ll see him 😛 Anyway, his stunning new song “This Is What Slow Dancing Feels Like” is his best recent one so be sure to check it out. It’s already his 5th appearance on the chart.

Making his chart debut at #27 is Washington’s Dreamer Boy with “Heartbreaker”. Don’t. Go Around. Breaking Hearts. Into Two. What an anthemic chorus!! You’ll have it stuck in your head in no time. Dreamer Boy is the performing name for a guy with a presidential name, Zach Taylor.

“Without Your Love” is the infectious deep house track by L.A. producers Deorro and TELYKast with vocals by Catello, and it arrives at #28. It’s Deorro’s first entry on the chart, and it makes it three for TELYKast and two for Catello (who was the vocalist on NOTD’s #1 “Nobody”).

Wrapping up the debuts at #29 is “Carry On” by Canadian singer Daniel Richter with German producers The Twinz. This is one you can listen to over and over and bask in Daniel’s beautiful vocal. Daniel was previously the singer for the band Eleven Past One and this is his second solo entry to chart, following last year’s “Forget You” (#11).

ONLINE RADIO SHOWS

You can hear me and many of my blog choices on this growing list of online radio stations and features!

Halton Hills Online

On Saturdays and Sundays from 8pm to Midnight EST I bring you “Your Weekend New Music Mix”, four hours of commercial-free music from the 2000’s including many song choices from this blog.

My Retro Pick of the Week plays on Russ Horton’s “Top 40 Timeline” which airs Saturdays at 4pm EST.

The 3D Variety Show by Planet Radio Canada

Energy885

For other details about all of the shows, such as dates and times of broadcasts, go to my home page and scroll down to the bottom right side!

BILLCS New Music Report – April 24/24 with new songs by @Haylasings, @Helloworldbeats, @BenedictCork, @ChurchofTrees, @JerinJamesmusic, @AlfieTempleman, @Ekonovah, and BeatMartHz & DJ Mirko B

I have some basic tips for artists who feel they are getting lost in the current oversaturation of music. But before I get on with those, I want to say: Don’t give up! There are many ways to get your songs heard and noticed without having to play the algorithm game to start. Not that this isn’t important, but maybe not for your first few song releases, and certainly not until you’re ready to tackle it. Be strategic!!

If you find yourself doing everything and not having the time to do anything else, get help. People in your life who are truly interested in some way will help you.
Do some research in terms of eventually getting paid help from publicists or others in the industry, which will help you determine how much you want to invest initially.
Seize opportunities to get your music heard by following others on social media in your genre(s) who look to help artists with demo reviews and such.
Develop relationships with people in your genre(s) you meet online who are like-minded. It’s always good to surround yourself with people who are supportive.
Find the right distributor for you. Many have different packages available to suit a variety of different needs. The more they can do for you for less, the better chances for getting exposure on streaming playlists and by tastemakers.
Don’t dismiss the online print medium, such as blogs 🙂 Articles and reviews become searchable and will be online for as long as the author or service provider allows.
You will know when you’re ready to go to the next level. Don’t force it or it will backfire.

In the Report, you can also check out my pick of the week, along with one from the host of online radio’s “Top 40 Timeline”, “Big Daddy” Russ Horton, plus “Modern Hype” online radio host DJ Hunter’s “Bop of the Week”. “The Musicman” James Rogers from online radio’s “3D Variety Show” has his Classic Five all from the early 80’s. In case you missed them, you’ll also find out what songs are #1 and the Fastest Riser on the BILLCS Top 30.

The BILLCS New Music Report is always a work-in-progress and I welcome your suggestions so feel free to contact me at through my social media links right here.

Reminder: Click on the photo to watch the video or listen to the song.

HAYLA, “Embers”

Even if you don’t pay attention to credits or vocalists on dance music releases, you’ll immediately recognize the voice of British singer/songwriter Hayla from her appearances on three massive dance hits – Kx5’s “Escape”, and John Summit’s “Where You Are” and the current “Shiver” (the current BILLCS Top 30 chart-topper). Because of the overwhelming success of those songs, “Embers” is the first new solo music in two years for Hayla. I was lucky to see her perform it live last month at Miami Music Week, and I said at the time that she could be the next Annie Lennox with a voice as potent as hers. “Embers” is, naturally, much more produced with an intense flow. The producers take a few liberties with her voice but that doesn’t detract from such a compelling song. Don’t miss “Embers”, it’s only going to get even better for Hayla going forward!

HELLOWORLD, “Heartpiece”

With each successive release, L.A. electronic producer Helloworld unveils an unanticipated and positive new identity as Everyguy Indie Electronic Artist. He’s coming off of recent releases like “Planes”, a breakup song where two people are together on a plane but would rather be elsewhere, and “Weightless Feeling”, his collaboration with Throttle, about those rare times that you feel that nothing else matters in the world. “Heartpiece” is in stark contrast to “Planes”, a giddy and romantic, beautifully written love song that hits all the right strings in your heart. Employing similar production techniques to recent releases brings us to recognizable Helloworld territory, but I must say the effects near the end are not only cute but touching. I wasn’t expecting any of this from Helloworld which makes “Heartpiece” all the more worth your listening pleasure.

BENEDICT CORK, “Beauty Queen”

Hertfordshire-born Benedict Cork is on a roll with some fantastic storytelling, which started recently with songs as varied as “Reasons I Loved You (I Can’t Think of One)” and “Nice Guy”. With an album on the way next month called Notes On A Hopeless Romance, Benedict may have saved one of his best for us with “Beauty Queen”. It’s a song where he puts himself in the shoes of a beauty contest queen, who we imagine in typical style standing on stage looking proud and beautiful – and wanting to be loved. Any performer will relate to this song because, as Lady Gaga sang 10 years ago, “I live for the applause”. And any performer wants more and more applause, and more and more love from their fans and listeners. Benedict’s vocal is in dreamy-mode and by the time you’re listened to all of “Beauty Queen” you’ll be sated, smiling with contentment.

JERIN JAMES, “Dance Again”

Following up the imaginative “Broken Dreamers” and taking a few steps away from the romanticism of the songs in his EP The Wanderers, Southern California dance producer Jerin James offers up the bold and dashing sounds of “Dance Again”. It’s an elegant track with huge beats created by a variety of drum and percussion sounds, one to which you can visualize a complex choreographed dance routine. The spot-on, pleading uncredited female vocal is well chosen and doesn’t get lost in the maze of melodies and beats. Like with “Broken Dreamers”, “Dance Again” will appeal to fans of Odesza, Illenium, Seven Lions, Manila Killa, Timmy Trumpet, and other risk-takers on the more progressive side of dance music, and is a confident step forward for Jerin with his releases.

CHURCH OF TREES, “Lost In The Ether”

“Lost In The Ether” is a heavily 80’s influenced rock track by Canadian synth group Church of Trees. While the topic of watching a loved one pass away is never an easy one, Church of Trees’ vocalist/songwriter Bernard Frazer arrived at a unique lyrical approach that works, accompanied by his luminous synths, which transport us back to 80’s new wave, and a rock rhythm peppered with gripping guitar work by co-producer Jordan Zadorozny (Blinker The Star, Courtney Love, Lindsey Buckingham, Chris Cornell). While it’s as dark-sounding as some songs by the likes of Sisters of Mercy and Images In Vogue, you see rays of hope shine through thanks to an effective mix of harmonies by Heather Brazeau (who fronted the band’s recent unconventional take on The Ramones’ “Pet Sematary”) and Bernard. Add a myriad of new wave influences which could include A Flock of Seagulls, Spandau Ballet, Spoons and ABC, and you’ll find “Lost In The Ether” to be a sophisticated effort that you’ll be returning to for repeated plays. “Lost In The Ether” arrives ahead of Church of Trees’ 7th album called Transience.

ALFIE TEMPLEMAN, “Hello Lonely”

British singer/songwriter Alfie Templeman is growing with leaps and bounds with each of his releases. Singing in his higher register, “Hello Lonely” is a playful and uptempo track despite the theme of loneliness, something that Pet Shop Boys also decided to do with their same-named recent track. The production is busy and bubbly, and Alfie has a Jamiroquai-meets-Charlie Puth kind of vibe brewing that might just put him in his own lane for a while. As much as I enjoyed the Bedfordshire-born artist’s indie bedroom pop when he first arrived on the scene, it’s refreshing to hear Alfie’s music developing into something more intricate. His second album, Radiosoul, arrives in June.

EKONOVAH, “Need You Tonight”

Following up the ridiculously catchy “Find My Flow”, Phoenix dance producer Ekonovah (pronounced “echo-nova”) tackles a more straight-forward house track with “Need You Tonight”. It’s an original track albeit with similar intentions that Michael Hutchence sang about in INXS’ biggest same-named hit of their career. Sometimes less is more as the bouncy, echoey hook is delightfully infectious and will keep club-goers on the dance floor.

BEATMARTHz, DJ MIRKO B, “Ask me again”

“Ask me again” is the most recent collaboration between Italian producers BeatMartHz (aka Martino Tatalo) and DJ Mirko B (aka Mirko Boroni), whose releases have appeared regularly in this blog post over the years. “Ask me again” launches with an auspicious and direct synth melody, but quickly becomes a riveting slice of Eurohouse, thanks to the inclusion of soaring uncredited male vocal. It’s accompanied by a brisk rhythm and unintrusive but well-placed synth effects that make the song flow beautifully, wrapping up in just under three minutes and leaving you wanting more.

BILL’S NEW MUSIC PICK OF THE WEEK

My New Music Pick of the Week is a 5-7 minute radio segment that airs on several online radio stations around the world.

It’s Rozalla with her cover of Nicolette Larson’s version of Neil Young’s “Lotta Love”

“BIG DADDY” RUSS HORTON’S PICK OF THE WEEK

DJ HUNTER’S BOP OF THE WEEK

DJ Hunter is the host of the online radio shows “Modern Hype”, which can be heard on several online stations, and “Pyjama Party”, with both shows anchored at Energy 885.

Virginia-based artist Nic D with “Atmosphere”

“THE MUSICMAN” JAMES ROGERS’ CLASSIC FIVE

Donald Fagen – I.G.Y (What A Beautiful World) (1982)
Jim Diamond – I Should Have Known Better (1984, You Tube link)
Human League – Don’t You Want Me (1982)
John Mellencamp – Jack and Diane (1982)
J. Geils Band – Centerfold (1982)

BILLCS Top 30 #1 SONG

John Summit and Hayla are locked in at #1 again with “Shiver”

BILLCS Top 30 FASTEST RISER

“Loneliness” by Pet Shop Boys (24-13) from their upcoming 15th album Nonetheless

#BILLCSTop30 #690 – April 22/24

It might be too early to say it, but I’m enjoying so many songs on this chart, that several of them may turn out to be big favourites by year’s end. But there are still eight more months to go and it’s always a tall order for songs from earlier in the year to hold their ground against ones later in the year.

NOTE: I will be on vacation in two weeks, with limited internet resources, so the May 6/24 chart will likely be published on Friday May 3.

Here’s the link to the online version of the chart: BILLCS Top 30

Here’s the link to my Spotify playlist of the chart: BILLCS Top 30 Chart Playlist

The BILLCS Top 30 Archive: BILLCS Top 30 Archive

Right now “Shiver” by John Summit and Hayla (above) has a lock on #1 and I have no idea yet as to what song will succeed it. John apparently had a great Coachella set, and has released a new festival banger called “Eat The Bass”, which you can check out below.

Jonas Blue gets a personal chart best with his Endless Summer collaboration with Sam Feldt and Sadie Rose Van as “Rest of My Life” (above) climbs to #2. Jonas previously got to #3 back in 2016 with “Fast Car” (with Dakota). And you should also listen to Sam’s recent collaboration with YouNotUs, Martin Jensen and Sam Graycalled “24K Heart Of Gold” (below).

Gryffin and Rita Ora both land in the Top 5 for the first time with the entrancing “Last Of Us”, which climbs 9-5.

Also cutting through the Top 10 quickly is “When You Can’t Resist”, the guitar-filled slice of alternative soul by Vancouver’s Diamond Café.

The Top 10 has two new highly danceable entries with David Archuleta and Willy Beaman’s “Afraid To Love” (Euphoric alternative mix, above) climbing 11-8, and Martin Garrix’s “Carry You” (below) rises 13-9 in collaboration with Third Party, Oaks (aka Winona Oak) and Declan J. Donovan. It becomes Martin’s 11th Top 10 entry.

Sweden’s Darin is in line for yet another Top 10 entry as his latest release “Electric” jumps 17-12.

Leave it to long-time faves to have this week’s Fastest Riser. Pet Shop Boys’ “Loneliness” soars 24-13 in advance of the release of their 15th studio album Nonetheless, due Friday April 26. It’s their first studio album since 2020’s Hotspot.

The two EuroVision entries on the chart are off to smooth starts. Sweden’s Marcus & Martinus climb 25-18 with “Unforgettable (above). And Olly Alexander, no stranger to this chart with his many Years & Years songs, rises 26-21 with “Dizzy” (below) for the UK. I’ll be on a cruise at sea on May 11 when EuroVision is broadcast, so I’m hoping to still watch all or part of it – maybe the ship will even broadcast it, who knows?

Jared Lee’s solo entry “Love No More” moves up 27-22 to keep pass with the two EuroVision songs.

It’s hard not to like such a faithful cover version as Rozalla’s “Lotta Love”, which rises 29-23. I’d like to start a campaign for Canadian AC and AC Top 40 stations to play the song, which happens to be 50% Canadian Content. Who’s with me??

The Highest Debut of the week is the stunning live string version of “feel less” by Juno Award winners Felix Cartal and Lights, which arrives at #25. It’s Felix’s sixth chart entry and Lights’ 4th.

Right now I can’t get enough of Benson Boone’s debut album Fireworks and Rollerblades. And while his label is pushing “Slow It Down” to follow “Beautiful Things”, I think “Slow” is getting lost in the shadows of the success of the latter. So I’m opting for the emotional and triumphant rocker “Cry”, which bows at #26.

ONLINE RADIO SHOWS

You can hear me and many of my blog choices on this growing list of online radio stations and features!

Halton Hills Online

On Saturdays and Sundays from 8pm to Midnight EST I bring you “Your Weekend New Music Mix”, four hours of commercial-free music from the 2000’s including many song choices from this blog.

My Retro Pick of the Week plays on Russ Horton’s “Top 40 Timeline” which airs Saturdays at 4pm EST.

The 3D Variety Show by Planet Radio Canada

Energy885

For other details about all of the shows, such as dates and times of broadcasts, go to my home page and scroll down to the bottom right side!

BILLCS New Music Report – April 17/24 with new songs by @FelixCartal & @Lights, @iamDanielRichter & The Twinz, @KarenHarding, @Kiesza, @thisisLyra, MELØ, @EMMinreallife, and @iamwesmills

In this week’s edition of the Report, there are several beautifully sung new tracks, and a couple with 90’s nostalgia in mind. As always it’s a diverse bunch of songs that you should check out!

In the Report, you can also check out my pick of the week, along with one from the host of online radio’s “Top 40 Timeline”, “Big Daddy” Russ Horton, plus “Modern Hype” online radio host DJ Hunter’s “Bop of the Week”. “The Musicman” James Rogers from online radio’s “3D Variety Show” has his Classic Five all from 1973-74. You’ll also revisit the BILLCS Top 30 from this week in 2010, when there were a wealth of free downloads available.

The BILLCS New Music Report is always a work-in-progress and I welcome your suggestions so feel free to contact me at through my social media links right here.

Reminder: Click on the photo to watch the video or listen to the song.

FELIX CARTAL, LIGHTS, “feel less (String Version Recorded Live at The Warehouse)”

If you loved the studio version of “feel less” by Juno Award winners Felix Cartal and Lights, then I can see jaws dropping with this live performance. Honestly, has Lights sounded better on another song? I certainly can’t think of one, and her work with Manila Killa on “Dusk” a few years back comes close. The production here is taut, sending the synths to the background to allow the strings to flourish. This all brings out emotion in “feel less” which I didn’t sense in the original. And my next thought is – maybe this live version of “feel less” is the radio hit that didn’t happen with the studio version? Play it next to Olivia Rodrigo and Benson Boone and tell me that it’s NOT. Big thumbs up to Felix and Lights for going with your guts and making even more of “leel less”.

DANIEL RICHTER, THE TWINZ, “Carry On”

Last year, Daniel Richter started recording under his own name after his time as lead singer of successful Canadian band Eleven Past One and a brief post-band solo jaunt under another name. His first single, “Forget You”, a song about breaking away from a cigarette habit, smashed it out of the gate and reached #11 on the BILLCS Top 30, and Daniel won Songwriter of the Year at the Oshawa Music Awards. Daniel’s vocal in “Carry On” is precise and effortless, set against an uplifting arrangement and a brief synth hook in a reflective, post breakup song. It’s collaboration with Germany’s The Twinz – aka brothers Tim and Lukas Wehrle, working outside of their usual house music genre – with Lukas co-producing and co-writing “Carry On”. AC and AC Top 40 stations in Canada should make room for “Carry On” in their playlists and anticipate the positive audience reaction.

KAREN HARDING, “Say Something” (chill out version)

To celebrate its tenth anniversary as well as the upcoming vinyl and CD release of Karen Harding’s debut album Take Me Somewhere, we have been bestowed with a treat, a chill out version of “Say Something”. The original is included on the album and reached #7 in the UK in early 2015. Dialing back the arrangement unveils a glorious vocal, one of the big reasons why Karen’s voice has domnated dance music, particularly in the UK. It’s always been a fine song but hearing it expressed to a minimal backdrop makes it all the more powerful. If a revival is warranted for “Say Something” in the UK, then this is the way to go, as well as creating a fitting introduction for folks around the world not familiar with the song.

KIESZA, “I Go Dance”

It’s great to see Kiesza back full force in the dance groove with “I Go Dance”. It’s one of a trio of recent releases from the Calgary-born three-time Juno Award winner best known for her 2013 international smash “Hideaway”, though my long-time favourite is her wacked-out fun treat “Phantom of the Dance Floor”, a previous BILLCS Top 30 #1. “I Go Dance”, with its slinky 90’s-inspired house rhythms, will immediately draw you into bopping along with the talented singer, an infectious piece of business that deserves club DJ support and would benefit from remixes. Kiesza’s back in clubland and dance music fans are guaranteed to show up.

LYRA, “Falling”

The audience that might have already been familiar with Lyra is in her native Ireland. The County Cork-raised singer/songwriter turned heads back in 2019 with a major label release, “Falling” – and then it went on to win the North Vision Song Contest in Switzerland. As time moved on, things obviously did not work out with the label, which caused Lyra to do a rethink and take a pause in releasing music. Her debut self-titled album has now been unveiled as an independent release. “Falling” is easily the best place to start with its infectious chorus, and immediate comparisons you’ll hear with Lyra’s brilliant vocal to stars like Florence Welch and Pink. There is no reason why the timeless sound of “Falling” can’t be relaunched, it just needs the right platform, and perhaps a sync placement in a video game or short film could do the trick.

MELØ, “Glitter”

“Glitter” is the latest single release from Windsor, Ontario talent MELØ, as culled from his album Songs From The Spirit Box. It’s another consistent rocker which fits like a glove on the album next to previous singles that I’ve written about such as “King of Nothing”, “Gone Forever” and his recent take on R.E.M.’s “The One I Love”. While the theme of the song – the Hollywood life, after the glitter fades – is not a new one, MELØ and his band provide a tight performance which is on display in the accompanying video for “Glitter”. MELØ has a well-rounded sound thanks to the collective experience of those with whom he makes his music, and “Glitter” should easily find its way on to college and alternative radio playlists.

EMM, “Julia Fox.”

Following up her potent, edgy strutter “Superfreak”, L.A.-based multi-talent EMM offers up “Julia Fox.”. It’s not a diss song about the actress and social media star, but more of a brief rumination about why women are portrayed the way they are in the media, and why audiences have a fascination with these stars. EMM refers to her as “The Creature” in the song, and perhaps that’s not far off the mark, since who we see in the media is often a different character from who we would expect to meet in person. Like “Superfreak”, “Julia Fox.” has a punchy rhythm and an assured vocal by EMM. I appreciate the boldness of the song hand-in-hand with instilling some pause for thought in the listener when fandom goes those few steps too far.

wes mills, “They Can’t Hang”

Orange County-based electronic dance producer wes mills has a catchy winner with his latest single, “They Can’t Hang”. I enjoy songs where, as he says “nostalgia and house music meet”. wes injects a familiar UK garage sound into the proceedings along with a bare-bones piano house rhythm, which makes “They Can’t Hang” sound busy with its Beastie Boys-like vocal but still allows us to catch our breath. wes recently opened for San Holo on his recent US tour, which opened the door for fans of creative dance music to get to know his music more. “They Can’t Hang” is a quick but imaginative ride that leaves you wanting to hear more from wes.

BILL’S NEW MUSIC PICK OF THE WEEK

My New Music Pick of the Week is a 5-7 minute radio segment that airs on several online radio stations around the world.

A recent solo effort from Massachusetts’ Jared Lee is “Love No More”

“BIG DADDY” RUSS HORTON’S PICK OF THE WEEK

Russ’ pick of the week will return.

DJ HUNTER’S BOP OF THE WEEK

DJ Hunter is the host of the online radio shows “Modern Hype”, which can be heard on several online stations, and “Pyjama Party”, with both shows anchored at Energy 885.

It’s by 19 year old New Jersey native Kiley Baxter called “While Everyone Sleeps”

“THE MUSICMAN” JAMES ROGERS’ CLASSIC FIVE

Chicago – Just You N’ Me (1973)
Carpenters – Top Of The World (1973)
Carly Simon – Haven’t Got Time For The Pain (1974)
Edgar Winter Group – Frankenstein (1973)
Billy Preston – Will It Go Round In Circles (1973)

BILLCS Top 30 FLASHBACK CHART – 2010

It’s hard to believe that it’s been 14 years when there were several great songs available as free downloads. Such is the case with #1 and #3, from one of my all-time favourite releases, 8bit Heart, as well as, #8, the remixes of #5 and #6, and #11 (a mashup). And since those many years have passed, sadly you won’t find any of those aforementioned releases plus song #20 on streaming services either.

NOTE: Songs from Simon Curtis’ 8bit Heart is now available on streaming services!

01 01 BEAT DROP Simon Curtis
02 02 SOMETHING I’M NOT Penguin Prison
04 03 JOYSTICK Simon Curtis
06 04 HEARTBREAK ON VINYL (L.A. Riots radio edit) Blake Lewis
03 05 TEETH (KING5CAT remix) Lady Gaga
16 06 SITUATION (Monsieur Adi remix) Javi
08 07 IN MY HEAD Jason Derulo
10 08 STARBUCKS GIRL Evan Taubenfeld
09 09 HALLELUJAH Justin Timberlake, Matt Morris, Charlie Sexton
12 10 MY HEART IS YOURS Justin Nozuka
11 11 PASS THAT HEAD NOIZE Dan Black
14 12 WON’T GO QUIETLY Example
15 13 SUDDENLY BT
05 14 90 DAYS Nelson Clemente
07 15 RAIN Mika
20 16 COUSINS Vampire Weekend
New 17 THE WORSE IT GETS Penguin Prison
19 18 STARRY EYED Ellie Goulding
21 19 GIRL I LOVE YOU Massive Attack, Horace Andy
22 20 WONDERLAND Clayton Senne
27 21 HAD ENOUGH Lifehouse, Chris Daughtry
24 22 DON’T LET GO The Envy
13 23 DON’T STOP Annie
18 24 SPEECHLESS Lady Gaga
28 25 DON’T YOU DARE Matt Morris
30 26 DOG DAYS ARE OVER Florence & The Machine
17 27 GLITTER IN THE AIR (Live) Pink
New 28 KICK ASS Mika, Red One
23 29 COME BACK CLEAN (Kaskade mix) Crystal Method, Emily Haines
25 30 PICK UP THE PHONE Dragonette