Australia’s @Parralox gets it oh so right with reverent cover of Propaganda’s 1985 electronic classic “Duel”

PARRALOX, “Duel”

When not creating innovative original music, Australia’s John von Ahlen and his project Parralox can also create cover versions of classics and lesser known songs from the 80’s and 90’s that come within a few steps of the originals.  On Parralox’s latest album Holiday ’19, along with especially faithful covers of The Human League’s hits “Human” (a #1 in 1986) and “Heart Like A Wheel” (Top 30 in 1988), Parralox tackles “Duel”.  It’s much respected (and often thought to be untouchable) electronic classic from 1985 by the German duo Propaganda and their album A Secret Wish, still heralded to this day, and originally released by Trevor Horn’s ZTT label, which also brought us Frankie Goes To Hollywood.  The vocal for the song by Louise Love is spot-on, and John and team keep the utter essence of the song intact, down to the Fairlight synths and harmonies.  There are a few friendly digressions, and hearing “Duel” receive such a delightful update is simply a treat. 

Published in: on January 12, 2020 at 11:55 pm  Leave a Comment  
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“Hello” is the first taste of the new progressive electronic project by L.A. producer @Prizmofficial with vocals by @McEwenofficial

THE PRIZM and McEWEN, “Hello”

Last year I previewed some songs by L.A. mystery electronic producer The Prizm which showed a lot of interesting potential while he figured out where this new project was heading.  So I’m now pleased to introduce you to the first single from his upcoming untitled release, which is “Hello”.  It’s a rather uncomplicated first taste of what’s to come, with a straight forward melody which finds its way through some complex synths and heavier beats.  The pitched up, unrecognizable vocal belongs to McEwen, otherwise known as Adam Tyler, a long-time favourite in these blog pages.  The Prizm uses McEwen’s appearance to unlock the door to the rest of his release, which fans of Illenium or Seven Lions will want to hear.  So say “Hello” to The Prizm, with much more to come in 2020.

Published in: on January 12, 2020 at 11:55 pm  Leave a Comment  
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Canada’s @DrOziofficial takes you on a wild electronic ride with “Youth In Asia”

DR. OZI, “Youth In Asia”

India-born, Toronto-based electronic producer Dr. Ozi will push your limits with “Youth In Asia”.  It’s a colourful, herky-jerky track that will keep your attention and impress you with how deftly he moves between rhythms and styles, all in one song!  It’s more apt to please folks who like their electronic dance music on the heavy side, with lots of familiar dubstep moments to ride along the way.  It’s also incredibly melodic and detailed, so it’s no wonder he’s attracted attention from the likes of Zomboy (for whom he opened on a recent tour).  “Youth In Asia” is a feast for your ears if you like your dance music on the progressive side and your electronic music riddled with all kinds of sounds.

“Another Dimension” mixes old school trance with contemporary progressive house, courtesy of German’s @MartenHorger

MARTEN HØRGER, “Another Dimension”

If you’re looking for music mixed with old school trance by the likes of The Chemical Brothers or early BT, but mixed with contemporary progressive house that you’d hear on a Fisher release, then Marten Hørger’s “Another Dimension’ will have no problem winning you over.  It’s familiar but incredibly playful, as you’ll find when you reach the halfway mark and this remarkable, attention-grabbing pause occurs and then rebuilds over 40 seconds, reminding me a lot actually of the mid-section of “Setting Sun”.  Club DJ’s will enjoy how the song will keep their crowd on the dance floor not knowing what to expect next.  “Another Dimension” is the kind of song that will gain traction over the coming months and into winter festival season.

Published in: on January 3, 2020 at 10:17 pm  Leave a Comment  
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Canada’s @itsVincent_ and Australia’s @itsNaderi are out to dazzle with progressive and dubsteppy “Wasted Time”

VINCENT and NADERI, “Wasted Time”

There is plenty of room for more progressive house sounds next to people like Illenium, ZHU, Dabin, Ekali and Said The Sky, and “Wasted Time” by Winnipeg’s Vincent and Sydney’s Naderi.  It’s an inspired collaboration, with pristine production. Once upon a time, Vincent was known as XVII, and since then has remixed the likes of Bazzi and Alessia Cara, while steadily releasing original songs over the past few years.  And you’ll remember that Naderi not only has numerous A-list remixes under his belt, but worked on the Grammy-winning Skin album by his countrymate Flume.  The song sometimes stays in one place too long with emphasis on an ear-ringing, echoey vocal.  But it more than makes the most of its 2:36 when it shifts gears and heads into some infectious dubstep territory.  “Wasted Time” is quite an earful for the progressive-oriented and will throw down well in the midst of a heavier set of songs.

Published in: on October 24, 2019 at 8:56 pm  Leave a Comment  
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Atlanta’s @Popeska goes for simple, positive vibes with “Got It All”

POPESKA, “Got It All”

After taking an extended break, Ralf Popescu is back not only solo as Popeska, but branched out in a duo called Vedado, whose debut single called “Messing Around” I wrote about not long ago.  But solo-wise, Popeska keeps his dance/pop a touch on the progressive side with “Got It All”.  It’s one of those songs out of which the golden light just pours bountifully, and therefore one that will keep dance club goers glued to the music and the dance floor.  It’s extremely straight-forward with a pitched-up vocal that will grow on you.  “Got It All” maybe could have been about 30 seconds shorter, but the other part of me now wants an amped up extended remix.  Anyway, with songs like “Got It All”, Popeska isn’t going anywhere except to build on his repertoire… so his story continues!

Published in: on October 24, 2019 at 8:56 pm  Leave a Comment  
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When @ChetPorter drops a new song you pay attention, and “The Longest Day Ever” sounds like nothing else out there

CHET PORTER, “The Longest Day Ever”

Aside from remixes, an original Chet Porter release is becoming an event in the electronic and dance music genres.  So a few weeks back, social media was all abuzz about “The Longest Day Ever”, the talented Canadian producer’s first release in about three years.  Like when you first heard the music of Porter Robinson and Illenium, you’ll find that Chet’s music is both innovative and challenging.  He seems to find that place in-between genres and fills a void that you didn’t even know was there.  “The Longest Day Ever” is progressive electronica, essentially an instrumental with a classical-styled melody.  When not basking in that melody, Chet fuels some big beats with powerful synth rhythms which will be head-turners at festivals and in clubs.  Set your emotions to ‘open’ because “The Longest Day Ever” takes you on a 5 minute ride that you will hope will continue in some shape or form.  I don’t think it will be another three years, so let’s listen for what Chet will bring us next.

Published in: on September 28, 2019 at 5:46 pm  Leave a Comment  
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New pop flavours mix with the progressive sounds of electronic producer @iamtheElephante with “Diamond Days”

ELEPHANTE, “Diamond Days”

After touring the hell out of North America for more than the last year, US progressive electronic producer Elephante (aka Tim Wu) has still found time to make more new music.  To follow up his 2018 release Glass Mansion, Elephante brings us “Diamond Days”.  And with this release, he has offered up his own quite pleasing voice to sing the song.  It’s a downright lovely and reflective song, much more personal-sounding than some of his other recent songs which have been sung by powerhouse singers which took them to another level, especially the dance music radio hit “The In-Between”.  “Diamond Days” brings the intensity down a few notches in the vocal department, but it’s compensated by some big beats and rich electronics that transform the song after its chorus.  It’s quite refreshing and will make you recall when you first heard one of his very best known songs, “Closer”, more than three years ago.  Elephante continues to surprise with each of his releases, but I’ll take a few more like “Diamond Days”, thank you.

Published in: on September 24, 2019 at 11:20 pm  Leave a Comment  
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#BILLCSTop30 #570 – September 16/19

Right now I have so many favourites out there.  Just a little insider information – I have a new music playlist of about 60-70 that includes these 30, which I play regularly during the week.  To keep track of my submissions and new songs I want to hear, I have a Spotify playlist – at least for those songs on Spotify.  So I’m usually always checking something out that’s new in the week when I’m not writing!  

The new chart has a lot of smaller moves and songs holding steady that I enjoy, but in two weeks that’s likely all to change, with so many new faves waiting in the wings.

Ukrainian dance group Kazaky hold tight at #1 with the Depeche Mode-influenced “Push”.  The song doesn’t sound like much out there right now, which makes its 80’s and 90’s influences all the more refreshing.

So what is wrong with US radio?  “Higher Love” by Kygo and Whitney Houston should be one of the year’s biggest hits, as it is worldwide, particularly in England, where, like on this chart, it has reached #2.  The dance music crowd loves it though and it is topping dance charts everywhere.  Check out the recent video for the song above.

The cool synths of “Monday Blues” by Eric Sharp and Zhao allow it to continue to move up a notch to #3.

“Tough Love” by Avicii, Agnes and Vargas & Lagola climbs 9-5.  It’s both Avicii and Agnes’ second Top 5 on this chart.  Avicii got to #3 in 2013 with “Addicted To You”, while Agnes reached #1 back in 2009 with “Release Me”.

Canadians Loud Luxury lands in the Top 10 for the 4th time with “I’m Not Alright” (12-8, above) with US vocalist Bryce Vine, while Australian producer Throttle gets his first – outside of his #1 remix of Troye Sivan’s “My! My! My!”  – with the thoughtful “Dreamer” rising 13-9 (below).  Also below, you can check out Throttle’s latest release “Japan”.

 

The fastest riser on the chart belongs to US production duo Midnight Kids with “Those Were The Days”, which soars 18-10.  In the past few weeks, vocalist of the song, Jared Lee, posted a video of him singing the song live in the studio accompanied simply by piano, always a true test to find the great singers behind the complex production of many songs.  Check out the original above, and the acoustic version below.

The deep bass beats of “Give Me Love” continue to climb the chart for producers Ken Summit and Eric Kupper with vocalist Amy Douglas.  The throwback to late 90’s club music rises 16-12.

Another thoughtful song with a really terrific vocal and honest lyrics is “Graduate” by singer/songwriter/author Simon Curtis.  It moves up 17-13.  I can’t tell you how I love that Simon is back making great music after a protracted absence.

All of the previous five debuts move up steadily, and are still led by the fun OKJAMES remix of “Like Like” by UK indie singer/songwriter Lostchild.  It moves up 23-19.

Right behind it is the song that uses a Finnish acapella performance to sample and form its key hook.  It’s called “Run Wild” by L.A.-based producer PLS&TY, and it rises 24-20.

The chart had room for three debuts, and they changed a number of times when creating the chart.  While there are a slew of fantastic new songs that will help last out the year, the three that premiere have all actually been on release for a number of weeks.

First up at #27 is British singer/songwriter Benedict Cork with “Breaking Hearts”, which I have been playing for months and richly deserves more attention as the highest debut.  Benedict has one of those instantly likeable, pristine voices that can make short work of just about any song.  And this original quickly gets stuck in your head.

Next up is the first entry by TheKnocks in 2019, the fun charmer that is “Awa Ni”, featuring singer Kah-Lo, which arrives at #28.  “Awa Ni” appears to be an expression of praise in Kah-Lo’s native Nigerian.  The song’s lyrics have an interesting disconnected train of thought about them, but it all comes together as summery, festive, and joyous. It’s also The Knocks’ 7th entry since 2012.  The prolific duo have released another four singles since “Awa Ni” first appeared in July.

The last debut is a dark and progressive song for late nights that club DJ’s will totally dig.  It’s “Flicker” by NYC-based producers (and brothers) Anden at #29.  Pete and Tom previously appeared on the chart back almost three years ago as remixers of Satchmode’s “Undertow” (#12).

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

 

 

 

Denmark’s @TobyGreendj heats up the summer with fun banger “Smoke”

TOBY GREEN, “Smoke”

In the same vein as Don Diablo and CiD’s “Fever” comes “Smoke” by Danish producer Toby Green.  It’s a fast, fun progressive future house song that will definitely turn heads with its pauses punctuated by one word “okay”.  The repeated, trappy melody line is infectious and this is the kind of songs that keep patrons up dancing in a club.  Definitely one to listen for both in clubs and at festivals.  Toby Green continues to leave his mark in the competitive electronic music world with songs like “Smoke”.  Okay – out.

Published in: on June 30, 2019 at 11:01 pm  Leave a Comment  
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