Zac Poor – BILLCSMUSIC BLOG

#BILLCSNewMusicReport – May 25/23 spotlighting new songs by @MorginMadison & @RyanLucianmusic @ZacPoor @BJonesdj & @Rudeejay x @RobbieRosenlive @Airportsmusic

Thanks to the interactions on Twitter of many fans of BTS and member JIMIN, whose “Like Crazy” (English version) is #1 on the BILLCS Top 30, my blog received more than 1,000 unique visits, and I got over 60 new followers on Twitter, almost 74,000 views of my tweet when it went to #1 on Monday, over 4,500 likes and almost 1,700 retweets. It has been an amazing week. Thanks to the very kind BTS and JIMIN fans who tweeted back, and even made a point of checking out some of the other songs on my chart.

Among the features in the Report, you can check out my pick of the week, along with one from the host of “Top 40 Timeline”, “Big Daddy” Russ Horton, plus Hunter Wilbur’s “Bop of the Week”. “The Musicman” James Rogers has his Classic Five pop hits feature, featuring songs from 1970-71. I’ve also included my #1 song and the Fastest Riser on the BILLCS Top 30.

The BILLCS New Music Report is a work-in-progress and I welcome your suggestions so feel free to contact me @billcs on Twitter @thebillcs on Instagram or @BILLCSMusicProjects on Facebook.

REMINDER: Click the photo above the artist’s name and song title to hear the song or watch the video.

SPOTLIGHTING

MORGIN MADISON, RYAN LUCIAN, “Stimulate”

If the intention of “Stimulate” is to keep dancers going through to late into the night, then it’s mission accomplished! Morgin Madison hails from Boise, Idaho, and after a career change to producing a few years ago, his music caught the attention of Deadmau5’s label, which released his album Living The Phantasm in 2021. His bold and anthemic remix of Tritonal’s “Out Of The Dark” resonated with me and got to #7 on the BILLCS Top 30 that year. With “Stimulate” he’s teamed up with Australian producer Ryan Lucian for a second time – their other collaboration “From The Start” is currently charting at dance music radio. “Stimulate” though is a trippy trance/techno-infused deep house track for clubs featuring infrequent male and female vocals largely used for effect. It could easily light a fire in a late night deep house set and help ignite one of those nights when dancers just won’t want to leave.

ZAC POOR, “Catapult”

L.A. based singer/songwriter Zac Poor follows up “Pink House” and the heart-wrenching “Ghost Boy” (which reached #4 at the top of the year on the BILLCS Top 30) with “Catapult”. All three singles offer up varied emotions and interesting topics, with “Catapult” about finding oneself in another potential relationship because it seems the right thing at the right time. With minimal electronic backdrop, “Catapult” showcases Zac’s formidable power and range, which I remember so well from when he covered Demi Lovato’s “Skyscraper” years ago – as good as if not better than the original. Many people will relate to this song who find them bouncing from relationship to relationship seemingly without the ability to stay with one partner. Despite all of our ups and downs, “Catapult” offers some hope when there’s an idyllic situation upon which we can build.

B. JONES, RUDEEJAY, ROBBIE ROSEN, “Face Your Fears”

“Face Your Fears” is slick eurohouse with a twist, brought to you by Spanish producer B. Jones, Italian producer Rudeejay, and frequent blog visitor, NYC singer/songwriter Robbie Rosen. The song starts off like a folk song with a classic Robbie Rosen vocal and a stunning melody that could have been forged a long, long time ago. The powerhouse synths kick in with a techno-tinged vibe, and meshing the two together, you have a potential singalong that will work just as well on the dance floor. There’s a lot of talent here too. Former “American Idol” contestant Robbie has had 11 BILLCS Top 30 chart entries including two #1’s among his prolific and vast repertoire. B. Jones is not only one of Spain’s top producers, but she is also well known throughout the world. And Rudeejay has been pleasing European audiences with memorable songs for over 20 years.

AIRPORTS, “Need U Here”

Australian multi-instrumental, producer and vocalist Aaron Lee is the force behind Airports and his latest release “Need U Here”. The song is a frenzied fireball fueled by emotion, in particular various forms of loss which Aaron has experienced himself. His fresh pop-punk style fuses with the wild energy inspired by drum ‘n bass electronic music, and shows off some impressive guitar work too. He does bring the energy level down briefly for a caring, human moment. “Need U Here” will stay with you long after it’s over thanks to an earnest vocal and lyrics that cut to the chase. Hopefully “Need U Here” will help lead Airports for a place on the international pop map.

FEATURING

FAMBA, OLIVIA SEBASTIANELLI, “40 Days and 40 Nights”

Canadian dance producer Famba continues with songs mainly geared for dance clubs with the techno-infused “40 Days and 40 Nights”, featuring Italian-English vocalist Olivia Sebastianelli, who has also recorded recently with such notables as Sunnery James & Ryan Luciano and Andrew Rayel. “40 Days” will appeal to those dance music radio curators too, who took Famba’s “Storm” to #1 a few years back. Musically, this one is a throwback to that song in some ways, which is not a bad thing, and the techno touches are appealing. Famba continues to evolve as a producer and Olivia’s voice is a solid match in “40 Days”.

MR! MOURAY, “Who’s Paying Now”

Laden with some great guitar riffs, “Who’s Paying Now” takes us three songs deep into Toronto quartet Mr! Mouray’s album What’s The Stouray, after previous singles “Cats Can’t Fly” and “Pretty In Ink”. The energetic “Who’s Paying Now” draws on the pop and punk roots of the band’s key members, veteran local musicians Simon Bedford-James and my long time friend and fellow music historian Jaimie Vernon (author of the indispensable The Canadian Pop Music Encyclopedia). Simon’s vocals give a nod to early Elvis Costello while the song’s vibrant, edgy melody transports us through the 90’s, reminiscent of bands like Toad The Wet Sprocket and the Gin Blossoms. I was pleased to see Mr! Mouray acquit themselves quite well in concert recently at a small downtown venue in Toronto, so if you have a chance to see their show do check them out.

ROWAN FLACK, “Tipsy on the Tongue”

“Tipsy on the Tongue” is another way of looking at how words get in the way when lovers have their differences. Rowan Flack is a British singer professionally trained and educated in jazz, but “Tipsy” is a pop/soul/jazz effort that will curry favour with fans of Norah Jones and Jessie Ware. It’s sophisticated but earthy, rooted in the realities of relationships. The mellow backdrop makes the topic go down easy, and allows Rowan’s style and personality to move up front. “Tipsy on the Tongue” is only Rowan’s third release following an EP and a single, but I’m sure we’ll be hearing more of her cool and appealing talent in ’23.

BILL’S NEW MUSIC PICK OF THE WEEK

My New Music Pick of the Week is a 5-7 minute radio segment that airs more than 20 times/week on online radio stations around the world.

Norway’s Matoma returns with American vocalist James Droll for the banger “Won’t Follow You Home”.

“BIG DADDY” RUSS HORTON’S PICK OF THE WEEK

“Big Daddy” Russ Horton is the host of the “Top 40 Timeline” radio program and owner of online stations Radio GTA, Halton Hills Radio Online, & FM108.ca.

Added to the “Complete” version of the Dance Fever album is “Mermaids” by Florence & The Machine.

HUNTER J. WILBUR’S BOP OF THE WEEK

Hunter J. Wilbur is the host of the online radio shows “Modern Hype” and “Addictive Energy” which can be heard on several online stations including Classic Hits Canada.

“My City” is the collaboration between 24KGoldn, Kane Brown and G. Herbo from the film “Fast X”.

“THE MUSICMAN” JAMES ROGERS’ CLASSIC FIVE

“The Musicman” James Rogers is the owner and host of The 3D Variety Show heard Tuesdays on Planet Radio Canada. The Classic Five is “pop music 101” of the post-Beatles era – classics you need to know! Each title is linked to a Spotify stream of the song.

Neil Diamond – Cracklin’ Rosie
Three Dog Night – Joy To The World
Temptations – Just My Imagination
Smokey Robinson & The Miracles – The Tears Of A Clown
The Honey Cone – Want Ads

BILLCS Top 30 #1 SONG

“Like Crazy” (English version) by JIMIN

BILLCS Top 30 FASTEST RISER

EuroVision winner “Tattoo” by Loreen (14-4)

#BILLCSTop30 #660 – February 27/23

Martin Garrix above, and Afrojack below, from recent sets at Omnia in Las Vegas.

As I mentioned in earlier blog posts, I was in Las Vegas for an extra long weekend, where I caught both Martin Garrix and Afrojack in concert. As I don’t attend festivals, it’s unlikely I would see them in a big club setting anywhere else, so I wore myself out by experiencing the Vegas nightlife again. Equally energetic sets, Martin Garrix focused on his popular releases which caused many singalongs in the crowd, while Afrojack’s set was more of an all out party, and he even tried to share a bottled beverage by pouring a shot or so into the mouths of some audience members near the front. I wish Martin had spoken to the crowd more, but I got to hear a lot of my favourites by him including the early “Animals” and “Tremor”. And both artists are in my Top 10 this week.

The best places to communicate with me continue to be Twitter @billcs or Instagram @thebillcs or Facebook @BILLCSMusicProjects. Follow this blog using the “Follow” button at the bottom of the home page.

Check out my ONLINE RADIO SHOWS below too as they are increasingly tied in with this blog.

And so Martin Garrix and JVKE hold on to #1 for a second appearance with “Hero”, which I didn’t hear in his Vegas set though it could have been played after I left at 3 a.m. JVKE is coming to my city in August, and I managed to snag a decently-priced resale ticket. “Golden Hour”, a former BILLCS Top 30 #1 which departed the chart this week, reached #10 on the Billboard Hot 100, and we’ll be hearing a lot more from JVKE in the months to come.

Although it has fierce competition above it, “Wish On An Eyelash, Pt. 2” by Australia’s Mallrat and The Chainsmokers glided up the chart 9-3. I’m not sure why more people haven’t latched on to this gorgeous and thoughtful feel good release. It’s The Chainsmokers’ 8th trip to my Top 5.

Although it’s one of the oldest songs on the chart, Zac Poor’s “Ghost Boy” still inches up a notch to another new peak, 5-4.

“Wings (I Won’t Let You Down)” by Armand Van Helden and Karen Harding climbs 7-5, becoming both artists’ 3rd Top 5 on my chart and Armand’s first since 2005’s #1 “My My My”.

It’s convenient timing due to his Vegas show that Afrojack acquires his biggest release on my chart to date as “Lose You”, with British vocalist James Arthur, soars 15-7. Judging from some recent social media posts, it appears that Afrojack and Martin Garrix may have a collaboration in the works, so we’ll see if that unfolds anytime soon.

Also nestling into the Top 10 this week are Benedict Cork’s poignant “Dream Of You” (12-9, above), which becomes his third song to reach my Top 10, and Timmy Trumpet & Tungevaag’s “La Danse”(below), which rises 13-10.

Toronto-based producer Famba is headed for the Top 10 in two weeks with his techno house track “No Sleep” (above), with Glasgow KI$$, which climbs 17-12. You can also check out Famba’s latest release, “Estar conmigo”, below.

“The Only One” by Cerrone and Mercer with vocalist Brendan Reilly, makes its presence better known on the chart by leaping 21-13. This one is a dance floor filler, so club DJ’s should get on it!

The Fastest Riser on the chart is a pop and dance delight by Canada’s Frank Walker with UK vocalist Ella Henderson, “I Go Dancing”, which vaults 29-17.

The Highest Debut of five on this chart is a surefire dance hit that could cross over to Top 40 called “Enchanté” by British producer Lewis Thompson and vocalist/songwriter Clementine Douglas. It’s Clementine’s third appearance on the chart following her work with Sonny Fodero on “Angel” (#4, 2021) and her unbilled appearance on Matoma’s “The Power” (#3), which just departed the chart. Lewis previously appeared on the chart in 2019 as one half of Just Kiddin with Cedric Gervais on “Good Things” (#2).

Kx5 get their first appearance on the chart with “Sacrifice” at #23 in collaboration with Sofi Tukker. Kaskade appeared on the chart in 2010 with his remix of Crystal Method’s “Come Back Clean” (#5), while Deadmau5 was on the chart two years ago with “Bridged By A Lightwave” (#15) with Kiesza. It’s Sofi Tukker’s 5th appearance on the chart following 2021’s #2 “Mon Cheri” with Amadou & Mariam.

At #27 is the chart debut for L.A. indie alt.pop artist Party Nails and Austin producer/vocalist Boy Sim with the pop-punk flavours of “Like U”.

Returning to the chart for the first time since 2018 is enigmatic Philadelphia alt.pop/soul duo N i G H T S, emerging from the shadows at last, with “Boyband” at #28. The song has actually been rebooted from its 2018 original release thanks to an intriguing new black and white video, above. It’s the third appearance on the chart for the duo, both of whose previous entries have reached the Top 5.

And bowing on the chart at #29 is Toronto duo Boy Aries with the hypnotic “Drive”. Boy Aries consists of singer Jordan Radics and producer/instrumentalist Turbo Bobbi. Jordan was previously part of the indie band BLAJK, which charted two songs on the BILLCS Top 30 including the #6 “Lethal” in 2017.

View the full BILLCS Top 30 right here! Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! You can also follow me on Spotify at the following link: BILLCS Top 30 Songs.

ONLINE RADIO SHOWS

You can hear me and many of my blog choices on this growing list of online radio stations and features!

Radio GTA

Listen to The Big 20 from 10pm to Midnight EST on Wednesdays as “The Musicman” James Rogers and I bring you the latest in new songs. The show also repeats on Saturday mornings at 10 a.m. EST and Sunday mornings at 2:00 AM EST. You can hear past episodes of The Big 20 at this link.

On Saturdays and Sundays from Noon to 6pm EST I bring you “Your Weekend New Music Mix” six hours of commercial-free music from the 2000’s including many song choices from this blog.

At Midnight EST on Saturdays, you can also hear my new “Retro Pick of the Week” on Russ Horton’s amazing “Top 40 Timeline” oldies show.

Halton Hills Online

“Your Weekend Music Mix” has a second home on Saturday and Sunday evenings from 8pm to Midnight EST! It’s a different mix from Radio GTA’s show, and like that one it is also commercial free.

“The Big 20” also airs on this station at 6pm EST Saturdays, and my “Retro Pick of the Week” plays on Russ Horton’s “Top 40 Timeline” at 4pm EST.

The 3D Variety Show by Planet Radio Canada

I’m featured Tuesdays between 7 and 7:30 pm EST with my New Music Pick of the Week which debuts every week on “The 3D Variety Show” with “The Musicman” James Rogers, and I also join occasionally for looks at music from our past through some live segments. A repeat of “The 3D Variety Show” airs on Wednesdays at 7pm EST on Radio GTA. My pick of the week airs 20 times during the week and you can view its schedule by clicking here. You can hear past episodes of The 3D Variety Show at this link.

Addictive Energy

This is a weekly show hosted by Hunter Wilbur that airs on several online stations but is anchored at Mix88.ca on Saturdays beginning at 8pm EST. You can hear past episodes of Addictive Energy at this link.

For other details about the shows, such as dates and times of broadcasts, go to my home page and scroll down to the bottom right side! The schedules have been updated.

FM 108

You can also listen to my “Retro Pick of the Week” on Russ Horton’s “Top 40 Timeline” on this station at 6pm EST. The segment is also broadcast on UK National Radio at Noon EST.

#BILLCSTop30 #659 – February 13/23

All of a sudden, there is a spate of really good songs out there, which is making it difficult for me every two weeks to add new songs to my chart! Just so that you all know, besides my Top 30, I have a personal playlist in my iTunes that contains more than double those songs – yes I still buy mp3’s too 🙂 Every week, I shortlist songs for the BILLCS New Music Report on Wednesdays mainly using a private Spotify playlist, and the songs that get added to my iTunes playlist are in the running for the BILLCS Top 30 – the best of the best. And I’m always listening for songs that grab me on first listen. It’s a strategy I’ve used for years with some modifications along the way. So hopefully that gives you some insight into how the blog comes to be and what a rabid music fan that I still am.

I’m pleased to announce my latest online radio segment that has in fact been airing since November called My Retro Pick of the Week! It’s featured on “Big Daddy” Russ Horton’s massive Top 40 Timeline show at the top of the second hour, and currently airs on Saturdays on a variety of online radio stations including UK National Radio (Noon EST), Halton Hills Radio Online (4 PM EST), FM 108 (6 PM EST), and Radio GTA (Midnight EST)! The segment tells the backstory behind some of my favourite songs of the past as well as some tidbits about the artists. Some of the songs I’ve featured so far have included “Wicked Game” by Chris Isaak, “River Deep-Mountain High” by Ike & Tina Turner, “Love Hangover” by Diana Ross, “The Letter” by The Box Tops, “(I Just) Died In Your Arms” by Cutting Crew, “Endless Sleep” by Jody Reynolds, and “Reach Out, I’ll Be There” by The 4 Tops!! I may put the segments online for you to hear in the future.

Check out my ONLINE RADIO SHOWS below too as they are increasingly tied in with this blog.

While JVKE’s former #1 and Billboard Top 10 hit “Golden Hour” slides to #4 in its 10th and final appearance (20 weeks) on the chart, this fresh new talent is back on top, this time with Martin Garrix with their collaboration “Hero”. In an interesting coincidence, Martin’s first two songs to reach my chart, “Animals” and “Proxy” were both #1 in 2014. They, along with other talents like Daniel Bedingfield, Sam Smith, Rufus Wainwright and Matthew Koma have all achieved this feat. “Hero” has plenty of competition so let’s see how long it can hold fort at the top!

Trying to close the gap again in the coming weeks is “Black Mascara”, the haunting song by Greyson Chance from his album Palladium, which rises 5-2, becoming his third song to reach the runner-up spot, after “Dancing Next To Me” and “My Dying Spirit”, which just departed the chart after 9 appearances (18 weeks).

I always root for a good underdog, and “Ghost Boy” by L.A.-based singer/songwriter Zac Poor is just that. It moves up 7-5, and please check out the thoughtful video above, and don’t be surprised if you shed a few tears.

Also new to the Top 10 are former national Dance Radio #1 “Spiral” by NYC’s Lena Leon (11-8, above), and “Wish On An Eyelash Pt. 2” by Australia’s Mallrat in collaboration with The Chainsmokers (12-9, below). It’s The Chainsmokers’ 12th time in the Top 10!!

The Fastest Riser on the chart is “Lose You” (above) by the dynamic team of Afrojack and James Arthur, which soars 22-15. And good news for James Arthur fans. Despite him never before appearing on my chart, his collaboration with Brazil’s Alok is also the Highest Debut at #27 called “Work With My Love” (below). Both feature compelling vocals by James, and to me he has a huge future in dance music if he wishes!

I was pleased to check out Famba’s live set locally last week, and we finally got to meet up after me writing about him for the last six years! His latest and techno-inspired release is a gem called “No Sleep” featuring Glasgow KI$$, which climbs 23-17.

Arriving at #28 is “Hollow” by the terrific trio of Dabin, Kai Wachi and singer/screamer Lø Spirit. Everything about this release is next level, the producers have outdone themselves and Lø Spirit is one helluva vocalist. It’s Dabin’s second appearance on the chart. He previously appeared on best bud Illenium’s “Hearts On Fire” with Lights (#5, 2021).

At #29 is one of those songs that felled me on first listen and I would say is a ‘cousin’ of Robyn’s “Dancing On My Own”. It’s “I Go Dancing” by Toronto dance producer Frank Walker featuring British sensation Ella Henderson. It’s Frank’s second appearance on the chart – his first, with Loud Luxury and Stephen Puth called “Like Gold”, went to #1 two years ago. And Stephen (aka Puth the Younger) co-produced and co-wrote “I Go Dancing” too.

Rounding out the list at #30 is “Fever Dreamer” by British producer SG Lewis and featuring Toronto singer/songwriter Charlotte Day Wilson and L.A. rapper Channel Tres. It’s a compelling listen that is heavily influenced by classic disco, with a soulful vocal by Charlotte, and the results are tantalizing. It’s culled from SG’s latest album AudioLust and Higher Love.

View the full BILLCS Top 30 right here! Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! You can also follow me on Spotify at the following link: BILLCS Top 30 Songs.

ONLINE RADIO SHOWS

You can hear me and many of my blog choices on this growing list of online radio stations and features!

Radio GTA

On Saturdays and Sundays from Noon to 6pm EST I bring you “Your Weekend New Music Mix” six hours of commercial-free music from the 2000’s including many song choices from this blog.

Halton Hills Online

“Your Weekend Music Mix” has a second home on Saturday and Sunday evenings from 8pm to Midnight EST! It’s a different mix from Radio GTA’s show, and like that one it is also commercial free. “The Big 20” also airs on this station at 6pm EST Saturdays.

The 3D Variety Show by Planet Radio Canada

Addictive Energy

For other details about the shows, such as dates and times of broadcasts, go to my home page and scroll down to the bottom right side! The schedules have been updated.

#BILLCSTop30 #657 – January 16/23

It’s here! I can finally post it officially! Yes, the chart first published in January 1998, initially as the Tuned-On! Top 10 until August that year, when it increased to a Top 30. The chart has always been open to having both albums and singles appear, and in 2003, I began allowing any song from around the world to chart. In the 2000’s, I also allowed free downloads to chart, and one eventually reached #1 in 2009 (it was “Pink Cadillac” by 100 Akres and Roz Bell). Artists have never been restricted to having one song appear on the chart. And there are only two rules: A song can only remain on the chart for 10 appearances (20 weeks), unless it is in an upward moving position, and that only happened once (“Rolling In The Deep” by Adele peaked at #2 in its 11th appearance, then left the chart). I have been tempted at times to increase the chart to a Top 40 but my original preference has always held through those moments.

Check out my ONLINE RADIO SHOWS below too as they are increasingly tied in with this blog.

To start off this 25th anniversary celebration, I have a new #1, and it’s a song I didn’t think would initially get there, after Conan Gray’s “Yours” leapt over it, having debuted the chart after. I’m talking about JVKE’s “Golden Hour” (above), which succeeds “Yours” and gets to the top in its 8th appearance. And even better yet for the 19 year old talented pianist and songwriter, his collaboration with Martin Garrix for “Hero” (below) is the Fastest Riser, soaring 22-8. It becomes Martin’s 9th Top 10 entry too.

“Satisfaction” (above) by Darin is right behind “Golden Hour”, moving up 3-2, from his EP My Purple Clouds. And it hasn’t happened for a while, but Darin now has three songs on the chart. His standalone single “What’s The Point” bumps up 15-14, while “Memories” (below), another track from My Purple Clouds, arrives at #29.

Matoma’s energetic anthem “The Power” (above) rises another notch, 4-3, while Joel Corry’s song with Tom Grennan, “Lionheart (Fearless)” (below) climbs 7-4.

Also new to the Top 10 are Zac Poor’s emotional delight “Ghost Boy” (11-9, above, in its new black and white video), and the teaming of Illenium and MAX for “Worst Day” (13-10, below). It’s Illenium’s 9th trip to the Top 10, while MAX has accumulated 10 Top 10’s!

Immediately outside of the Top 10, recent upstarts “Black Mascara” by Greyson Chance (16-11, above) and “Wings (I Won’t Let You Down)” by Armand Van Helden & Karen Harding (18-12, below) await their placements in two weeks. Karen’s also been a regular presence in this blog recently due to a slew of top calibre new releases!

I’m skipping through the middle of the chart because in addition to Darin’s “Memories”, there are five debuts, after a number of long-lasting favourites departed the chart. And put on those dancing shoes…

One of the most creative and memorable new releases around is “La Danse” by Australia’s Timmy Trumpet and Norway’s Tungevaag, which arrives at #24. It’s Timmy’s second appearance on the chart following 2019’s #2 “World At Our Feet”. And Tungevaag is the second Norwegian producer on the chart, along with Matoma.

At #25 is a stunning cover of Talking Heads’ “Slippery People” (above) by UK producer The Shapeshifters and vocalists Ramona Renea and Fiorious from the album Let Loose. The original version is included in the Heads’ album Speaking In Tongues, but this version more closely resembles the more obscure 1984 cover version by The Staple Singers (below). Otherwise known as Simon Marlin, The Shapeshifters has previously charted twice before, last in 2006, but more importantly, with the #1 “Lola’s Theme” in 2004. The vocalists deliver excellent performances and clearly had a good time making this one.

“Lose You” by Afrojack and James Arthur bows at #27. It’s the fourth appearance on the chart for Afrojack, but a first time for James, who usually does not record dance releases but whose voice is suited immensely well for them, lending an emotional depth and vulnerable quality to “Lose You” that another vocalist likely couldn’t provide.

The fifth debut at #28 is “No Sleep” by Toronto-based producer Famba and vocalist GLASGOW KI$$. It’s Famba’s 6th entry on the chart, following last year’s “Forever”, and continues in a similar clubby vein, a few steps removed from his more pop flavoured releases which have landed him in Canada’s Top 10. Check out the original above, and the new Silver Panda remix below, which plays even more on some of the techno influences in the song.

Famba plays Club Noir (inside Rebel) in Toronto on February 4.

View the full BILLCS Top 30 right here! Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! You can also follow me on Spotify at the following link: BILLCS Top 30 Songs.

ONLINE RADIO SHOWS

You can hear me and many of my blog choices on this growing list of online radio stations and features!

Radio GTA

On Saturdays and Sundays from Noon to 6pm EST I bring you “Your Weekend New Music Mix” six hours of commercial-free music from the 2000’s including many song choices from this blog.

Halton Hills Online

The 3D Variety Show by Planet Radio Canada

Addictive Energy

For other details about the shows, such as dates and times of broadcasts, go to my home page and scroll down to the bottom right side! There have been some changes and they will be updated soon.

#BILLCSTop30 #655 – December 19/22

This edition of the new chart is my last one for 2022. The next edition will kick off 2023 on January 2, 2022. I’ll have one more edition of the BILLCS New Music Report in two days, but the report will not publish next week as I will be preparing my Top 100 of 2022. I expect to count down the list on Twitter in three parts starting Thursday December 29. The full list will be published on December 31, and that evening an online radio broadcast of my Top 30 of 2022 will happen first on Radio GTA and then on Mix88.ca. So there’s lots more coming to put a wrap on an interesting year in music!

Check out my ONLINE RADIO SHOWS below too as they are increasingly tied in with this blog.

For the final chart of the year, “Yours” by Conan Gray is locked in at #1 for a second appearance at the top. But also, where will the song finish on my year end list next week?

Both “Golden Hour” by JVKE (above) and “Until I Found You” by Stephen Sanchez (also above) have been bookends making a deliberate pace up the chart. “Golden Hour” however moves 6-3, and “Until I Found You” inches up 5-4, which will also allow them to finish off well on my year end list. JVKE also has a new song which you shouldn’t miss. It was a surprise for me to f,ind out that “Hero” was recorded with Martin Garrix and it’s definitely turning into a new favourite. Check it out below with its cool animated video.

Charlie Puth’s short but thoughtful “Charlie Be Quiet” moves up 8-5 and becomes his third Top 5 song on this chart. The other two were “Attention” (#1) and “We Don’t Talk Anymore” (with Selena Gomez, #5).

The top of the chart is heavy with action as Darin’s “Satisfaction” (above) climbs 14-6 and is the Fastest Riser on the chart for a second chart in a row. His other entry, “What’s The Point” (below), jumps 25-20.

“The Power” is looking to become Matoma’s personal best on the chart. The rollicking sports anthem moves up 10-7, one position behind the peak of his 2016 release “False Alarm” with Becky Hill.

I’ve really had a sweet spot all year for ballads or softer songs recorded by new male singers. You can add Toronto’s Shawn Molko to that list as his lovely “I Will Wait” climbs 11-8.

Continuing to rev up the dance charts is “Lionheart (Fearless)” by Joel Corry and Tom Grennan which rises 13-9.

Toronto duo Crash Adams get their first Top 10 placement on the chart with “Give Me A Kiss”, which jumps 12-10.

Zac Poor’s poignant bop “Ghost Boy” kicks into high gear and moves up 22-16.

The Highest Debut on the chart belongs to Greyson Chance with “Black Mascara” at #25, another stunning track from his Palladium album. His beautiful performance of the song from his December 1 show in Toronto sticks in my memory and compelled me to revisit it, now one of my favourites from the album. As his song “Athena” departs the chart this week after peaking at #6, Greyson continues to have to songs on the chart as “My Dying Spirit” holds at #2.

At #26 is the unanticipated collaboration of dance music legend Armand Van Helden and British house music queen Karen Harding. The song is “Wings (I Won’t Let You Down)”, an Armand release from 2016 built around the refrain of Ph.D.’s 1981 Top 5 UK hit “I Won’t Let You Down”, which has been revamped to include original lyrics and vocals from Karen. Even better, the song keeps the late Jim Diamond’s vocal intact in the chorus. It’s an upbeat song made into something euphoric thanks to the talented team. While “Wings” is Armand’s first appearance under his own name on this chart since 2007 (since he’s also a member of Duck Sauce), it’s also his sixth entry, which includes two #1’s, the house classic and UK #1 “U Don’t Know Me” (with Duane Harden, 1999) and “My My My” (2005). “My My My” in fact is an early example of a dance producer building a new song around an old one, which in that case was Gary Wright’s “Comin’ Apart”. Karen has also worked on other tracks like this, for example ALTÉGO’s “I Wanna Know”, which I wrote about recently, is a similarly styled reboot of CHIC’s “Soup For One”. “Wings” is Karen’s 7th entry on the chart.

The last new entry at #27 is the dance music radio firecracker “Spiral” by NYC’s Lena Leon at #27. This song has quickly moved up into the Top 10 of the national dance music radio charts. It’s well-deserved, with an excellent vocal driving a unique house music release. It’s Lena’s second entry on the chart, her first being earlier this year with Mahalo and Milkwish on “Careless” (#3).

View the full BILLCS Top 30 right here! Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! You can also follow me on Spotify at the following link: BILLCS Top 30 Songs.

ONLINE RADIO SHOWS

You can hear me and many of my blog choices on this growing list of online radio stations and features!

Radio GTA

On Saturdays and Sundays from Noon to 6pm EST I bring you “Your Weekend New Music Mix” six hours of commercial-free music from the 2000’s including many song choices from this blog.

Halton Hills Online

The 3D Variety Show by Planet Radio Canada

Addictive Energy (currently on hiatus until January)

For other details about the shows, such as dates and times of broadcasts, go to my home page and scroll down to the bottom right side!

#BILLCSTop30 #654 – December 5/22

My chart is three days early as I will be going on my first week-long cruise on Saturday, and plan to take a break from my regular routines to enjoy everything that it has to offer. With this kind of trip, vacation means vacation! A reminder too that there will be no BILLCS New Music Report until Wednesday, December 14.

Check out my ONLINE RADIO SHOWS below too as they are increasingly tied in with this blog.

The new chart is my second last for 2022 and marks another shakeup, including another new #1. Conan Gray’s stunning ballad “Yours” makes the big leap 6-1 for his first chart topper which is culled from his album Superache. It’s also an early Happy Birthday for Conan, who turns 24 on Monday!!

Remaining at #2 is “My Dying Spirit” by Greyson Chance from the Palladium album. It’s kind of odd to have two songs that aren’t from the electronic dance world at the top, but these ones are very deserving. And Greyson performed one of my favourite concerts of the year last night in Toronto. Though he said he was nervous he was deeply committed and I felt that the concert was the equivalent of a musical group hug.

“Golden Hour” (above) by JVKE rises 10-6, as a new duet of the song, featuring British singer Cat Burns (below), is released, to try and capitalize on the Top 40 success of “Golden Hour” in the UK. As much as I enjoyed Cat’s duet with Sam Smith on “Go” earlier this year, I think that “Golden Hour” is just fine with JVKE solo, though do listen for yourself to decide. And have you noticed that most of the song is pretty much a waltz?

Charlie Puth gets a 31st birthday present today as “Charlie Be Quiet” climbs 14-8, becoming his fourth Top 10 on my chart, from his album Charlie.

L.A. based singer/songwriter Lily Lane’s dynamic and dramatic “Bad” climbs 12-9 from her EP Queen of Hearts. I enjoy how the singer borrows stylistically from some singers and their songs – in the chorus I clearly hear Adele’s “Rumour Has It”.

Norway’s Matoma gets his 3rd Top 10 and first in 4 years with new sports anthem “The Power” soaring 19-10. He previously reached #6 in 2016 with “False Alarm” (with Becky Hill) and #10 in 2018 with “Lonely” (with MAX).

Toronto’s Crash Adams has been picked up by Warner Records and their fun and breezy single “Give Me A Kiss” climbs 18-12.

I’m hoping that Joel Corry & Tom Grennan’s “Lionheart (Fearless)” becomes a huge North American hit outside of dance radio and clubs. This potent anthem bolts 21-13.

The Fastest Riser on the chart – to no surprise to regular readers – is “Satisfaction” (above) by Darin, which vaults 26-14. It looks like the Swedish star is destined for a fourth Top 10 in a row. And might there be a fifth? His pop cover of Johnossi’s “What’s The Point” (below) debuts at #25.

I’ve been enjoying how Martin Garrix has been tapping into more alternative electronica rather than focusing on dance pop or festival bangers. His collaboration with DallasK and vocalist Sasha Alex Sloan, “Loop”, rises 22-17.

The rest of the previous chart’s debuts also make headway. “100% Pure Love” (above), the Crystal Waters classic redone by Years & Years, climbs 27-19. Then there’s the winning collaboration of Tiësto and Tate McRae for “10:35” (also above), which moves up 28-21. And right behind is Zac Poor’s beautiful indie release “Ghost Boy” (below), up 29-22. Although “Ghost Boy” ultimately confronts homophobic behaviour, if you listen closely to the lyrics you may also relate if you have ever been bullied or have been made deliberately to feel out of place.

The Highest Debut belongs to two of my faves, Illenium and MAX, two artists I would never have thought would work together, but here they are with “Worst Day” at #24. The song to me could have even been an outtake from Illenium’s Ascend album. It’s a heavenly match and more on the pop side than usual for Illenium, and introduces MAX to yet another audience. “Worst Day” is Illenium’s 10th chart entry, following last year’s #1 “Sideways”, and it’s MAX’s 12th and first in almost two years!

At #28, Canadian dance producer DLMT makes his chart debut along with Australia-based duo Party Shirt with the immensely fun “Goin’ Down”. This one is tailored for New Year’s Eve parties and just try to resist moving around to it.

And at #29, New York City-based but Israel-born dance producer GATTÜSO returns with his second chart entry, “I’ll Be There”, which is graced with the voice of go-to dance singer/songwriter Zak Abel. GATTÜSO reached #8 earlier this year with “Afterglow” in collaboration with Nicky Romero and singer/songwriter Jared Lee.

View the full BILLCS Top 30 right here! Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! You can also follow me on Spotify at the following link: BILLCS Top 30 Songs.

ONLINE RADIO SHOWS

You can hear me and many of my blog choices on this growing list of online radio stations and features!

Radio GTA

On Saturdays and Sundays from Noon to 6pm EST I bring you “Your Weekend New Music Mix” six hours of commercial-free music from the 2000’s including many song choices from this blog.

Halton Hills Online

The 3D Variety Show by Planet Radio Canada

Addictive Energy (currently on hiatus until January)

For other details about the shows, such as dates and times of broadcasts, go to my home page and scroll down to the bottom right side!

#BILLCSTop30 #653 – November 21/22

There’s a lot of big moves on the new edition of the chart, so I’ll be focusing on writing about those. But there’s a change-up at #1 too and four steaming hot debuts.

My chart continues to be posted bi-weekly below with an accompanying blog post. The regular blog posts under the new name The BILLCS New Music Report now appear weekly on Wednesdays.

Check out my ONLINE RADIO SHOWS below too as they will become increasingly tied in with the BILLCS New Music Report. This week I am on air LIVE on Tuesday November 22 at 8pm EST counting down Toronto’s Top 10 from this week in 1969 on the 3D Variety Show.

ANNOUNCEMENT

I would normally publish the next chart blog post on Monday December 5. However I will be away on vacation from December 3 to 10, so it will appear three days early, on Friday December 2!

I always look forward to this song coming up on my personal playlists, so there is absolutely no reason why it shouldn’t be the new #1 song on the BILLCS Top 30. Up 2-1 it’s the crazy infectious “The Boss” by French producers Coopex and Charles B with NYC singer/songwriter Robbie Rosen. It’s the first #1 for both producers, but the second for Robbie, following last year’s glorious “Sanctuary” which he made with Dutch producer Howen.

Coming up close behind and looking to succeed it in two weeks is “My Dying Spirit” by Greyson Chance, which soars 7-2 and ties “Dancing Next To Me”, which also reached #2 in 2020. “My Dying Spirit” comes from Greyson’s fascinating album Palladium, and I am so looking forward to seeing him perform in concert in Toronto on Thursday December 1!!

The Fastest Riser on the chart is one that I simply cannot get enough of – it draws me in and makes me sing along every time. From his album Superache, Conan Gray’s “Yours” vaults 22-6 to follow “Memories” (which peaked at #4) into the Top 10. Conan is currently touring in eastern Asia.

Also making an impressive move is Stephen Sanchez, whose “Until I Found You” sails 16-7. The production and its layered harmonies sounds to me like The Everly Brothers (specifically Phil Everly) in a contemporary setting!

Amid all of the movement, two more songs land in the Top 10. Two Friends and Mod Sun climb 11-9 with the crowd-pleaser “Timebomb” (above), while Rhode Island native JVKE’s impressive “Golden Hour” (below) moves up 18-10!

“Charlie Be Quiet” by Charlie Puth moves up 20-14. It’s short and sweet but packs a big punch!

Toronto singer Shawn Molko rises 28-16 with the absolutely beautiful ballad “I Will Wait”. He’s definitely a new talent to keep your eyes and ears on.

Also from Toronto, pop/rock duo Crash Adams knows how to package up a lot of fun in just under three minutes with “Give Me A Kiss” (26-18), which is their third chart entry to date. Watch the video too above too, which is shot in Southern California.

Then soaring 29-19 is “The Power” by Matoma, sure to be a New Year’s Eve anthem this year!

It’s not going to take long for a commanding song like “Lionheart (Fearless)” by Joel Corry and Tom Grennan to get out of the lower reaches of this chart. This week it’s up 30-21.

The Highest Debut belongs to Sweden’s Darin as “Satisfaction” bows at #26. The fun and flirty single follows one of my summer faves, “Superstar” (which peaked at #2), and two #1’s, the ballad “Holding Me More” and last year’s “Can’t Stay Away”. In total it’s Darin’s 8th chart entry, going back to 2008.

Years & Years surprised us a few weeks back with a reverent cover of Crystal Waters’ “100% Pure Love”. Yes folks, it’s THAT good, and arrives at #27. It’s Y&Y’s 12th entry on the chart, and 4th this year, and follows the immensely appealing Night Call album, from which three songs (including #2 “Sweet Talker” with Galantis) reached my Top 10. Olly Alexander’s vocal is especially playful on this release!

After watching his sensational set in Las Vegas this past summer, it’s no surprise to me that Tiësto gets his first chart entry in three years with “10:35” featuring Calgary’s Tate McRae at #28 from his upcoming album Drive. This is exquisite ear candy for radio, clubs and festivals, and Tiësto’s 6th chart entry, though he also has 4 entries as a remixer which begin as early as 2003! It’s also Tate’s 2nd entry after last year’s “You” with Regard and Troye Sivan.

The fourth debut is the brilliant release by Montana-born, L.A.-based singer/songwriter Zac Poor, a heartbreaking but hopeful track called “Ghost Boy” at #29. Although almost anyone can relate to its story, it’s the LGBTQ2S+ community to whom the song will mean a lot. Zac’s been a prolific songwriter for others like Tori Kelly, Backstreet Boys and Tate McRae – total coincidence their songs debut back to back! – over the past 10 years, along with releasing his own music periodically (and appearing in this blog), but this is his chart debut. Be sure to watch its lovely video above – tears or a big lump in your throat are likely, so keep a tissue handy.

View the full BILLCS Top 30 right here! Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! You can also follow me on Spotify at the following link: BILLCS Top 30 Songs.

ONLINE RADIO SHOWS

You can hear me and many of my blog choices on this growing list of online radio stations and features!

Radio GTA

On Saturdays and Sundays from Noon to 6pm EST I bring you “Your Weekend New Music Mix” six hours of commercial-free music from the 2000’s including many song choices from this blog.

Halton Hills Online

The 3D Variety Show by Planet Radio Canada

Addictive Energy

This is a weekly show hosted by Hunter Wilbur that airs on several online stations but is anchored at Mix88.ca on Saturdays beginning at 8pm EST. Be sure to listen to Hunter’s special Thanksgiving show starting at 11 a.m. EST on Thursday November 24! You can hear past episodes of Addictive Energy at this link.

For other details about the shows, such as dates and times of broadcasts, go to my home page and scroll down to the bottom right side!

#BILLCSNewMusicReport – November 2/22 spotlighting songs by @ShawnMolko, Shawn Desman @DaRealSD, @ZacPoor, @CraigDavid & @MuniLong, and Lilly Wood & The Prick @LWATP

Check out my posts about 12 new songs below, along with picks of the week from online radio buddies “Big Daddy” Russ Horton and Hunter Wilbur, and myself. “The Musicman” James Rogers takes his Classic Five to the 80’s, and I look back at #1’s on the BILLCS Top 30 from this week over the previous 23 years, from Rufus Wainwright through to Justin Timberlake through to Karen Harding.

The BILLCS New Music Report is a work-in-progress and I welcome your suggestions so feel free to contact me @billcs on Twitter @thebillcs on Instagram or @BILLCSMusicProjects on Facebook.

SPOTLIGHTING

SHAWN MOLKO, “I Will Wait”

There’s a new Shawn from Canada in town, and Toronto’s Shawn Molko has a voice that you won’t soon forget. Witness his new single “I Will Wait” – he has the gorgeous finesse of a Michael Bublé or Matt Dusk, but in a higher key with a light falsetto, so it’s no wonder that a cappella group Pentatonix has caught their attention – he could be a crooner like either gents, or stand alongside someone like Sam Smith. It also helps that “I Will Wait” is a beautiful piano-led song with a classic structure. Shawn recently sang the national anthems at Madison Square Garden for a Rangers/Flames game and stunned the arena. So if we’re just at the start for Shawn Molko, then I’m here for what’s next. Pop radio is playing similar new male vocalists like JVKE and Stephen Sanchez, and so would be missing out by not adding “I Will Wait”.

SHAWN DESMAN, “Maniac”

There’s another Shawn in Canada making an auspicious return. Toronto’s Shawn Desman is one of Canada’s most successful domestic pop stories of the 2000’s, yet despite often R&B-inflected pop smashes like “Get Ready” (reaching #5 on the BILLCS Top 30), “Shook”, “Nobody Does It Like You” and “Electric”, has not released any new solo material since 2015 when his record label deal ended. After taking some time to raise a family, he came back recently as one half of electronic production duo Radioclub with a couple of recent singles. But the soulful dance/pop of “Maniac” should put him back in the fore, with a solid vocal and production as well as some nice choppy guitar riffs that help it stand out. Fans who saw him perform at Drake’s OVO fest in Toronto gave Shawn a warm welcome back, so following it up with a strong single like “Maniac” – which has just landed in Canada’s Top 40 at radio – completely makes sense.

ZAC POOR, “Ghost Boy”

It’s been a while since I’ve heard or written about L.A.-based singer/songwriter Zac Poor, but over the years he’s been busiest as a songwriter as part of tunes recorded by the likes of Tori Kelly, Backstreet Boys, Nick Jonas, and many others. His new solo release “Ghost Boy” is one that strikes all the feels as the protagonist relates recalling younger versions of himself. And while some memories are painful, “Ghost Boy” will always be a part of him through good and bad, including one of the worst – discrimination. As usual, it’s beautifully sung, and set to a contrasting carefree, danceable rhythm, but the poignant narrative is what hits the home run.

CRAIG DAVID and MUNI LONG, “Obvious”

British R&B/pop singer/songwriter Craig David has released a new album in his 22 year chart career called – well, 22! “Obvious”, which is included in the album, is a more pop companion to his classic “7 Days” than his other recent releases, and it features Tik Tok breakthrough artist Muni Long, who leaves a potent vocal stamp on this song that you’ll remember. Craig sounds as smooth as ever and “Obvious” is refreshing and fluid ear candy.

LILLY WOOD & THE PRICK, “You Want My Money (Quieres Mi Plata)”

You will remember the French duo Lilly Wood & The Prick, comprising Israel-born vocalist Nili Hadida and guitarist Benjamin Cotto from their inescapable 2014 worldwide smash, the Robin Schulz remix of “Prayer In C”. Last year, the pair released their first album in 7 years called Most Anything, which included the initial English-language version of “You Want My Money” (below). Now re-recorded in Spanish as “Quieres Mi Plata” (above), the song will capture Latin music fans as well as appeal to those of you who enjoy another talented electronic duo, Sofi Tukker. I’m enjoying both versions of the song with its chugga-chugga house rhythm and edgy vocal, so pick your favourite!

FEATURING

AASH MEHTA, “I Just Wanna Love You”

Following up his personal and atmospheric electronic pop album The Moments In-Between, Chicago producer Aash Mehta dishes out some contemporary house this time with “I Just Wanna Love You”. It’s also a successor to one of my faves from last year, the deep house rave-up “Back To You” (reaching #5 on the BILLCS Top 30). What the song might lack in terms of lyrical punch is completely compensated by on-point production, which stirs up the vibe a bit before reprising the drive of its melodic hook.

LOST BOY, “Ready2Go”

It’s been a while since I wrote about Bay Area multi-talent Lost Boy. Otherwise known as Dillon Deskin and now based in L.A., “Ready2Go” is a strong release waiting to be discovered, and caught my attention with its vibrant vocal and playful production. Lost Boy seems to be headed more in a pop direction than in past, and I think the cheery flavours in this song will draw in fans of Justin Bieber and Shawn Mendes, while the rich backdrop will continue to appeal to Zedd or Alesso enthusiasts.

AFROJACK presents NLW x PHLEGMATIC DOGS, “Get It”

Afrojack steps away from the melodic dance that gave him one of his biggest hits last year with David Guetta with “Hero”, and back into the bass house realm with a new banger called “Get It”. And this one is strictly for the clubs and festivals, once again under the name “Afrojack presents NLW”. With its irresistible rhythm and deadpan vocal, plus additional production by Russian duo Phlegmatic Dogs, “Get It” is sure to please Afrojack’s hardcore house fans.

CRISTÓVAM, “Ferris Wheel”

An award-winning star in his native Portugal, singer/songwriter Cristóvam brings you “Ferris Wheel” from his new album Songs On A Wire. It’s a provocative slice of folk-flavoured alt.pop that covets looking after your own problems before you try and help someone who has perhaps even more complex matters at hand. With a voice that’s a hybrid of Bob Dylan and Paul Simon, and simple but crisp production and some nifty guitar work, the lyrics in “Ferris Wheel” aren’t judgmental and choose to guide rather than criticize. Let’s hope anyone having some difficulties will recognize and enjoy Cristóvam’s intrinsic perspective, while many others will have no problem connecting with it.

BROOKS, VLUARR, and JAY MASON, “Sober”

There’s a lot of European dance music that receives so much success at home that it often doesn’t get as much notice or praise outside of Europe. Brooks is a talented Dutch producer who is a protégé of Martin Garrix who has recorded numerous singles with his superstar buddy such as “Byte” (reaching #5 on the BILLCS Top 30) among Brooks’ earliest releases. Teaming up this time with two newer Dutch artists, producer/DJ/cellist Vluarr and vocalist Jay Mason, “Sober” is a punchy and gritty slice of deep house which is recognizably Brooks from its bounce, but spearheads other elements such as Vluarr’s supurb cello work. Jay Mason has released a few fistfuls of singles these last two years and has an earthy, compelling voice for a convincing delivery in “Sober”.

ROSEBURG, “Alice”

Utah-based alt.rock quartet Roseburg follow up their debut 2020 album Righteous Punk with a straight forward ode to life, love and having a purpose called “Alice”. The group deliberately stripped back their rocking sound for “Alice”, which is a more pop-oriented song that singer/guitarist Zack Knell wrote when he was 16. The production incorporates some winning harmonies alongside a tight arrangement. The band are originally from Roseburg, Oregon and can continue to happily represent the proud name of that town. Fans of early 2000’s alt.rock will be the first to love it, and you can watch for social media stars Dylan Jordan and Summer McKeen in the video for “Alice” above.

KINGA, “Sexy Boy” (Champain remix)

In the music biz, everything that’s been done before can be reinvented, remixed and rebooted into something that can fit into whatever is contemporary today. “Sexy Boy” has a timeless, easy-going electronic pop mystique that can fit into the fun and flirty part of dance music that is giving artists like L.A.’s Michael Medrano and even Sweden’s Darin a niche that was begun long ago by Brits Boy George, Marilyn, Pet Shop Boys, and Dead Or Alive. So what’s new to you, isn’t to me – Canada’s KINGA originally released long out of print indie “Sexy Boy” back in 1989 (you can listen to it at the link below), when it obtained a modicum of success on some adventurous pop and college radio stations, which gave the androgenous KINGA a chance to shine in local performances. The fast-paced synthpop Champain remix of “Sexy Boy” brings him back with an alluring, smoother Boy George-ish vocal that sounds fresh all over again.

BILL’S NEW MUSIC PICK OF THE WEEK

My New Music Pick of the Week is a 5-7 minute radio segment that airs more than 20 times/week on online radio stations around the world.

“Yours” by Conan Gray from his album Superache

BIG DADDY” RUSS HORTON’S PICK OF THE WEEK

“Big Daddy” Russ Horton is the owner of online stations Radio GTA, Halton Hills Radio Online, & FM108.ca.

“Red and Gold” by new Manchester rockers Gathering Of Strangers

HUNTER J. WILBUR’S PICK OF THE WEEK

Hunter J. Wilbur is the host of the online radio shows “Modern Hype” and “Addictive Energy” which can be heard on several online stations including Classic Hits Canada.

“What You Got” by Oryon featuring Woodz

“THE MUSICMAN” JAMES ROGERS’ CLASSIC FIVE

Michael Jackson – Billie Jean
John Cougar – Jack and Diane
Kim Carnes – Bette Davis Eyes
Rick Springfield – Jessie’s Girl
Christopher Cross – Arthur’s Theme (Best That You Can Do)

23 YEARS OF BILLCS TOP 30 #1’s

Songs that rocked my personal chart at this time during the last 23 years.

“Pink Cadillac”, in 2009, was the first song available as a free download to top my chart.

1998 APRIL FOOLS Rufus Wainwright
1999 THE FUTURE OF THE FUTURE (STAY GOLD) Everything But The Girl with Deep Dish
2000 TWISTED TENDERNESS Electronic
2001 BLACK BLACK HEART David Usher
2002 JAMES DEAN (I WANNA KNOW) Daniel Bedingfield
2003 SUPERFABULOUS BT featuring Rose McGowan
2004 THEY MIGHT SAY Mitchell Hunter
2005 PRETTY VEGAS INXS
2006 FUTURE SEX/LOVE SOUND Justin Timberlake
2007 APOLOGIZE Timbaland featuring One Republic
2008 RELAPSE Jesse McCartney
2009 PINK CADILLAC 100 Akres featuring Roz Bell
2010 RESURRECTION (Penguin Prison remix) The Temper Trap
2011 NO I.D. Frankmusik featuring Colette Carr
2012 MUSIC MAKES YOU LOSE CONTROL Carlos Nobrega
2013 ADORN Miguel (also featuring Jessie Ware)
2014 SMILE Mikky Ekko
2015 LET YOU GO River Tiber
2016 NATIVE SON PREQUEL (Jenaux remix) Gramatik featuring Leo Napier
2017 PERFECT Mahalo featuring Cat Lewis
2018 PHANTOM OF THE DANCE FLOOR Kiesza featuring Philippe Roy
2019 DREAMER Throttle
2020 UNDO MY HEART Karen Harding x Digital Farm Animals
2021 SANCTUARY Howen & Robbie Rosen

Soul-tinged, intense new pop/dance from Copenhagen’s @FabianMazur “Settle”, with L.A. singer/songwriter @ZacPoor

FABIAN MAZUR and ZAC POOR, “Settle”

Copenhagen’s Fabian Mazur, very well known in Europe these past 8 years, opts for more pop/dance/soul flavours with “Settle”, a release for The Music Elk. It’s an intense, deliberately-paced dance song featuring the welcome return of L.A. singer/songwriter Zac Poor, who I’ve written about several times in these pages. Zac sings and co-wrote the song. His vocal has a gritty, soulful quality here that usually doesn’t appear on European dance songs, thereby making it seem like something hailing from the UK when it’s not. And I have definitely missed hearing his power and range! In fact, “Settle” recalls the soulful dance of 90’s groups like Stereo MC’s but wrapped up with a lot of contemporary finesse. Fabian definitely knows how to swing a few hooks, and the electronic elements of the song keep it brewing steadily. “Settle” may not be instantly memorable by title but chances are you’ll be adding it to a playlist or three of your own.

It’s finally time for a gorgeous new song by @ZacPoor, “The Way It Feels”

https://soundcloud.com/zacpoor/the-way-it-feels

ZAC POOR, “The Way It Feels”

I’ve had really good feelings about the music of singer/songwriter Zac Poor since I first heard and wrote about him around five years ago. It looked like something was about to blow up in 2012 when he sang a cover of “Skyscraper” that totally floored me, and I wrote about him again at year’s end that year as one of the most promising new talents going into 2013. Well it’s taken more time but new music from Zac, who relocated to Australia, is finally here. And he’s kept a collaboration with the extremely talented producer/songwriter MdL for “The Way It Feels” from the upcoming EP The Crossroads Sessions. Zac’s vocal is such a highlight in this song that you almost forget what a gorgeous and gentle song it is! Zac has this ability to hover a full-sounding voice in this almost-whisper zone (which first appears after around the 40 second mark) which helps make “The Way It Feels” so unique and appealing. His voice doesn’t soar like in “Skyscraper” but I’m sure he’s saving that for other songs. For now, it’s time to (re)introduce yourself to Zac Poor. If “The Way It Feels” is just the start a new beginning, I’ll be along for the rest of the ride! Listen from his Soundcloud link above.