New Dutch producers @Oomloudmusic impress with EP Pyramids/Yummy Funk

OOMLOUD, Pyramids/Yummy Funk (EP)

Could there be any more room in the dance music world for yet another fine pair of Dutch producers?  The answer is a resounding YES, as Oomloud make their case with a two song EP Pyramids/Yummy Funk, which follows up a debut single that featured none other than Bingo Players.  The guys in Oomloud – their name is a fun play on the word ‘umlaut’, the diacritic symbol ¨ usually representing a ’rounding’ sound change in some languages, but also often used for unofficial effect, such as by Rüfüs Du Sol, your linguistic lesson for the day 😛 – know their way around a deep house groove, and in both songs they don’t hesitate to get both dirty and playful, with full intention on blowing up club speakers to the max.  The drops in “Pyramids” are resounding, while “Yummy Funk” messes with you like a good European mix should.  The songs are already getting support from the biggest in the biz – David Guetta, Robin Schulz, Afrojack – so you can expect these songs to last long into the Fall months.  

Australian producer @DJAlexPreston has your “Friday Night” off and grooving

ALEX PRESTON, Friday Night (EP)

Following up his well-received house party EP Get It Started, Australia’s Alex Preston is back with another deft set of songs designed with your “Friday Night” in mind.  He doesn’t stray too far from the classic 90’s influenced house songs from Get It Started, making Friday Night almost like a second chapter.  The songs are full of fun vocal samples which make them stand outs in clubs, so no wonder that DJ’s like Richie Hawtin, Mahalo, TOCADISCO, and others are supporting them.  There’s the title track, “Hip Shakin’ Mumma”, and in particular “Don’t You Mind”, which should get your weekend off to an impressive start!

“Complicated” by newcomer #Benjmn marries clever rhythms and vocal with passionate, real-life words

BENJMN, “Complicated”

While newcomer 22 year old R&B/hip hop/electronic artist Benjmn has his face out there in the artwork of his single “Complicated”, he keeps a discreet social media profile, lending a bit of mystery to this genre for the first time since say The Weeknd arrived.  While he’s done some remixing already for King Arthur and Loud Luxury, “Complicated” is going to attract attention from fans of Kanye West, Bryson Tiller, and in particular Kid Cudi, whose voice has a similar tone.  It puts his own troubles with anxiety right out there in simple, memorable terms:  Demons they come out at night / I’m losing control / The worst kinda ride / I hate how it goes.  Anyone can relate even though it paints a bleaker picture than your straight-forward everyday problem.  So not only does Benjmn have the voice and the lyrical power and passion, he has the ability to put a compelling rhythm and a variety of sounds underneath, and out of it all I can hear influences perhaps more from gritty 80’s R&B than anything else.  Remember the name though – Benjmn’s EP will be dropping soon.

“Life Of The Party” fuels anxiety through straight up dance pop from @CallMeKarizma

CALL ME KARIZMA, “Life Of The Party”

Although he’s veered away before from the edgier rap and hip hop that has become a signature sound for him, knowingly or not, Minnesota’s Call Me Karizma has landed square in the dance pop realm with “Life Of The Party”.  Thinking back to my own younger years, I can totally relate to the anxieties of peer pressure to go to parties and be more social when you really don’t want to be – or need to be, for that matter.  It’s an entirely personal choice, regardless of what anyone says, something to this day by which I abide!  “Life Of The Party” is a theme song for us introverts.  It has a gentle pop melody with electronic flourishes, and marks a return to the sung/spoken voice of ‘Riz which has worked before on past songs.  If like me you very much enjoyed The Chainsmokers’ recent “Sick Boy” and “Everybody Hates Me” – and no wonder the guys themselves playlisted “Life Of The Party” this week, something they don’t do lightly – then “Life Of The Party” is a fine companion piece to them and a worthy song for the end of summer months.  

Escape and dance to “Take Me Away”, courtesy of Chicago’s CHO @petechosen with singer Brittany Foster

https://soundcloud.com/petecho/take-me-away-ft-brittany-foster

CHO and Brittany Foster, “Take Me Away” (free DL)

Following last year’s slice of pre-Hallowe’en fun with “Howlin'”, Chicago’s CHO is back with a more pop-oriented dance sound with “Take Me Away”.  Despite a rather uncharacteristic start, “Take Me Away” builds into an uplifting anthem of sorts for putting aside the troubles of today and getting away, to somewhere, anywhere, maybe a dance club, to recharge and live your life another way for a while.  Brittany Foster has nice touches of soul and grit in her vocal to make the song real and honest.  CHO’s production and synth work is on point, just the song itself to me could have been about 30 seconds shorter.  Nonetheless, with those extra few choruses you’ll be humming “Take Me Away” long after it’s over.  Download it for free while you can at the link above.

Toronto area alt.rock quartet @InMyComa returns with uplifting video for “We Are One”

IN MY COMA, “We Are One”

The timing couldn’t be more perfect for an uplifting video which is the visual equivalent of a big, warm hug for everyone, regardless of who you may be.  “We Are One” is the latest alt.rock single from Toronto area quartet In My Coma from their recent album release Next Life.  Taking an inspired cue from Godley & Creme’s seminal 80’s video for “Cry”, the video for “We Are One” (directed by singer/songwriter/guitarist Jasper James and the band) moves through the four faces of the band – Jasper (and his reappearing and disappearing beard), bassist LauraDoll, drummer Mike, and keyboardist/vocalist Linz – amid the smiling and content faces of men, women, young, old, multi-racial and multicultural, all uniquely different but all US.  As much as their previous video for “Beautiful Mind” was noted for its humour, “We Are One” rocks out in anthemic style and definitely commands even more attention for a straight-forward take on its message in a very caring, delightful video.

You can find In My Coma playing a variety of events this summer, including at Toronto’s Canadian National Exhibition on August 29 at the Bandshell as they once again open for classic Canadian rockers Moist.  

NYC’s @Jenauxmusic is back in fine funky form with his take on “Ain’t No Sunshine” featuring Andy Cooper of @Knitesofficial

JENAUX and ANDY COOPER, “Ain’t No Sunshine” (free DL)

It’s been so often covered, one wonders how a pop/R&B classic like Bill Withers’ 1971 smash “Ain’t No Sunshine” could be done as differently as NYC’s Jenaux had in mind for it!  After his fresh flights of funk in 2016, including recording with Tritonal and remixing for the diverse likes of The Chainsmokers, 3Lau, Gramatik and Saint Motel, all well documented in these blog pages 🙂 Jenaux is back and about to take charge of the funkier end of the dance music spectrum once again.  It’s somewhat ironic that he chooses British vocalist Andy Cooper of the band KNITES to sing the song, but he leaves a mark on the song that recalls the vocals of Jamiroquai’s Jay Kay, even if you didn’t know Andy was British.  It’s an edgy, passionate performance, as was Bill Withers’, but in a much different way.  Jenaux’s playful synth work really mixes it up in the background while some fine guitar work also shines through.  There’s a lot to enjoy in Jenaux’s interpretation of such a timeless song, and it prepares us – maybe a little bit – for what’s about to be unleashed from his repertoire, so be prepared!  Get it for free at the link above while you can.

“Take Your Place” is dirty, compelling Brazilian bass-influenced house from @CIDmusic and @Vinneofficial

CID and VINNE, “Take Your Place”

Brazilian bass is one of the latest dance music sub-genres to start to find its way into the mass public ear, and one producer who can certainly help keep it there is Grammy-winner (for his work on Cedric Gervais’ remix of Lana Del Rey’s “Summertime Sadness”)  CID.  The NYC producer is partnered with teenage Brazilian producer Vinne for “Take Your Place”.  From the get-go, it’s definitely an adventurous slice of deep house that gets deep and dirty very quickly, recalling what might be some dubstep influences.  But it’s the anthemic bounce of “Take Your Place” that will keep you going, definitely one of the more interesting and unpredictable releases of late.

Get to know new Toronto production duo @djWavesofficial with “Blinded” featuring James Delaney @jdelaneymusic

WAVES and JAMES DELANEY, “Blinded”

The latest release from Toronto production duo Waves (aka Frankie and Spencer) is “Blinded”.  It’s a good song that is made even bigger and better by what’s all inside.  The production is well-balanced with many highlights, such as some vivid flute playing, as well as a few solid, well-placed drops.  Boston-bred, L.A.-based singer James Delaney has graced a number of fine dance songs – notably Two Friends’ “Emily” – with his expressive and far-reaching voice, and in “Blinded” it’s definitely at its best.  The overall result is a memorable, well-assembled song that will have you swaying till the end.  

#BILLCSTop30 #540 – July 23/18

The story of the new chart is its five debuts, all but one being independent releases!  This chart has always been a champion for independent releases as so many major label releases are tailored for radio or follow a formula.  Usually only about 30% of the songs on the chart are major label releases, although some indie labels have distribution deals with them.  The Top 10 stays steady but with a switch over at the top!

The Top 10

  • Steven and Jeroen, aka Dutch producers The Him, get their first #1 this week in collaboration with singer/songwriter Parson James for the summer ballad of 2018, “Broken Love”.  I’m very happy for these super down-to-earth guys, who just played a career high at Tomorrowland this weekend.  It’s also the second #1 of 2018 for the Spinnin’ label.

  • Brandyn Burnette’s autobiographical “Run” reaches a new peak of #4 in advance of his debut album Emanate, due next month.
  • Australia’s Rüfüs Du Sol definitely have their eye on the top of the chart with “No Place”, which advances 9 to 5.
  • Adam Foster’s “Time” also gets a new peak of #6 as his redux of Marvin Gaye’s “Too Busy Thinkin’ Bout My Baby” (without the original’s chorus) holds through the summer months!
  • The only new entry to the Top 10 this week is the sublime silliness in less than 3 minutes of “Back The Funk” by Estonia’s Madison Mars, which climbs 11-9.  It’s one of the most fun songs of 2018 so far.

Movin’ On Up

  • Equally silly as “Back The Funk” and just as endearing is “Jackie Chan”, becoming a pop hit all over the world courtesy of Tiësto and Toronto’s Dzeko, with great vocal power from Preme and Post Malone.  It rises 16-11.
  • Bobby Nourmand’s EP Subterranean slipped to #2 this week, but his latest release is wasting no time getting up the chart.  With Blonde’s Adam Engle on vocals, the compelling “The Sun” climbs 23-16.
  • Canada’s Felix Cartal released a high quality album called Next Season recently, and one of my very favourites from it is up 21-17.  “Worry” is super-catchy and sung by Victoria Zaro.

  • The fastest riser on the chart belongs to the superstar collaboration of Tony Moran and Jason Walker, together for a third time with “I’m In Love With You”.  In its Victor Dinaire and Bissen remix, it soars 26-18.  Their previous entries of “So Happy” and “Say Yes” both got to #3.

Five Debuts

  • Keiynan Lonsdale should now be on your radar as someone to watch over the next few years as the “Love, Simon” and “The Flash” actor develops his singing and songwriting talents.  His latest single “Preach” is outstanding, an incredibly honest and joyful record which deserves to be a big hit.  He’s released it independently but who knows if a major label might come knocking for it.  “Preach” bows at #23.
  • NYC’s Squired, aka Sean Squires, delivers a compelling hip hop influenced dance record with his indie release “Peace Out”, which arrives at #24.  “Peace Out” leaps out as being very different but engaging from a lot of what’s out there, and that will be its calling card, along with a really strong vocal performance.
  • L.A.’s Caden Jester arrives at #26 with the ultra-infectious “Vacant Love”, which features a winning vocal by singer Blake Rose.
  • After the #10 placing of “Sanctify”, Years & Years are back on the chart with their second entry from their second album Palo Santo, which is the pop-inflected “All For You” at #28.
  • The final debut is a soul ballad meant for quiet late summer evenings.  Philadelphia duo NiGHTS return to the chart after last year’s #3 fun and slightly wonky               “P A R T Y” with the beautiful “Eyes” at #29.

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

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