Tonight in London, the EQ Music Blog presents Simon Curtis, Ro Danishei, and Andrea Lewis in concert. What’s so special about this show? Well, fans demanded this show, and the performers, all from North America, obliged. All three are promoting records. Given the planning that’s gone into making this a very special show – and I hope it’s being recorded – I think it’s in some ways a historic feat for performers who have been promoting their music to fans for free, and then watching their respective fan bases respond more than enthusiastically. I’m hoping this will be only the beginning for shows like this to happen on a regular basis. Everyone wins.
Simon of course is coming off of his free ‘Net phenom 8bit Heart and is releasing a new single on iTunes from the forthcoming R∆ album, “Superhero”, on Monday (another new pic courtesy of Just Jared above). Ro released her free End Of The Rainbow album on January 1, giving her own unique take on raw pop/rock with help from Simon and his producer Jeff “Jadion” Wells. Andrea, who hails from Toronto (Simon and Ro are based in L.A.), released her free 54321 album last Fall to rave reviews for its gutsy pop and soul. It’s some of the best pop music around, free or not. Period.
My wish list for tonight, besides having the show recorded, is for Simon and Andrea to perform “Talk To Me” and Simon and Ro to perform “Michelle” again.
Towards the end of last week, a sudden surge of excitement began to brew on the InterWeb about Ballroom Remixed, a new project presented by dream choreographer Melanie LaPatin from TV’s So You Think You Can Dance.
And the pieces begin to come together. Little did I know,my feature a few weeks back on “The Lover’s Rumba” by Elouisewas the start, and I did not know the song was to be part of this project, though Miss Elouise did tip me off to a specific connection a while ago. Then I learned other performers very well known to this blog such as Simon Curtis, Kyle Brylin, and Nelson Clemente were also connected, along with Ninthwave Records – well, the eyebrows stayed arched throughout the entire weekend.
This could, singlehandedly, be the most important project to fuse the contemporary TV dance competition world and beyond back with even more contemporary music recorded in a style that could convert non-ballroom fans. Think of benefit albums, like the Red, Hot & Blue collection, along with the fine work of dance compilation labels like Ultra and Ministry of Sound; combine that approach with some of the finest artists on the rise, largely through endorsement from the BlogVerse; throw ace producers like Ricardo Autobahn and Richard Hymas into the mix along with in-demand lyricist Charlie Mason; and voila, 22 songs to tantalize you and get you movin’ 🙂
Well let’s hope so anyway. This melding of great minds reads so well on paper, and snippets in the above video showcasing clips of songs by Elouise, Neo, Kaya (with Nelson Clemente), and Simon Curtis sound, well, mahvelous!!
Ballroom Remixed is available on May 24 – just in time for the next season of So You Think You Can Dance.
PS – I’d just love to know how everyone kept this project such a secret 😉
Sitting atop the new Tuned-On! Top 30 of course is “Popular” by Eric Saade, an amazingly feel-good song that shows no sign of leaving the summit any time soon. There is competition below but it will have to wait!!
This leaves two songs by Adele to tread behind “Popular”, either of which could be number one if there was no “Popular”. Most interestingly, “Rolling In The Deep” has rebounded to the runner-up spot, which is also a new peak for that song. There is a dilemma however. “Rolling In The Deep” is in its 10th appearance (20th week) on my chart. On every occasion during the nearly 13 years that I’ve published this chart online, such a song leaves the chart as long as it’s in a holding position or descending. This helps keep the chart fresh and full of great songs that otherwise may not get as much attention. No song has been in an upward rise in its 10th appearance until now. If “Rolling In The Deep” continues to be in second place in two weeks – and I think it may – it will break a chart rule and have 11 consecutive appearances. It couldn’t happen to a nicer song. And “Someone Like You” is right behind to keep it company – an outstanding Top 3!
New to the Top 5, and still pretty fresh to my ears, is “Born This Way” by Lady GaGa, despite a new single being released tomorrow called “The Edge Of Glory”, in anticipation of the Born This Way album. Kyle Brylin’s “Everything I’m Missing” follows suit right up to #6, along with soulful dubstep vibe of Jamie Woon’s “Lady Luck” coincidentally at lucky #7. At #8, and the fastest riser on the chart, moving from #25 two weeks ago, is the first, and possibly definitive, summer jam of ’11 – “Do It In The A.M.” by Frankmusik featuring Far East Movement. After such great music this year with my #1 “The Fear Inside” and #2 “Hurt You Again”, I felt a little underwhelmed with this track on the first few listens… but after that it simply becomes a highly contagious summer driving song. You can view the video at the top of this page. Another seemingly ridiculous song but similarly irresistible is “Stupid” by Databoy, which soars into the Top 10 at #9.
The middle of the chart continues to be busy, with Bass Robbers & Matt Blue almost in Top TenLand with “Another Dimension”, and other big moves from songs by Britney Spears (looks to be my all time favourite from her), Nelson Clemente, Ro Danishei, and Richard Barone’s “Sanctified”, which you can hear at the bottom of the page in a video of a photoshoot of Richard.
The highest debut on the chart at #24 quite deservedly goes to “Tainted Love” by Elouise, the retooling of the song best known by Soft Cell,which you can hear in my previous entry a few weeks back. And the song sparked an entire investigation about cover songs on my chart, and that discussion will follow this paragraph. Then at #27 you’ll find “Cinema” by Benny Benassi featuring Gary Go,which was discussed in these pages last week. Finally, in anticipation of next week’s show in London, England with Simon Curtis and Ro Danishei, I go 4 songs deep into Andrea Lewis’ fine 54321 album with “Linda” bowing at #28. Her duet with Simon, “Talk To Me” got to #4, with “Voodoo” and “Robot” reaching #10 and #11 respectively. Before the last paragraph you can listen to her gorgeous live rendition from a show I attended in Toronto in January.
So with Elouise reaching my chart with no less than 3 cover versions in 6 months, and with me never being one enamoured with cover versions, I investigated how many cover songs have actually appeared in my chart since I began publishing it online in late 1997. Counting Elouise’s three winners, there is a grand total of 41 cover versions out of over 1,415 chart entries – a very small percentage indeed! I will publish a list of the entire 41 later in the week, but for now here are the Top 10 placing cover versions in my chart’s history.
MECK F/ LEO SAYER (2006)
Thunder In My Heart Again
MICHAEL BUBLE (2004)
Sway
TYLER HILTON & BETHANY JOY LENZ (2005)
When The Stars Go Blue
BLUE MAN GROUP featuring VENUS HUM (2003)
I Feel Love
ENUR F/ NATASJA (2007)
Calabria
RUFUS, MARTHA & LOUDON WAINWRIGHT III, AND KATE MCGARRIGLE (1998)
What’ll I Do
KATE RYAN (2003)
Desenchantee
ORGY (1998)
Blue Monday
FREEMASONS F/ SYLVIA MASON-JAMES (2006)
Nothing But A Heartache
LOST BROTHERS featuring G TOM MAC (2004)
Cry Little Sister
You can view the full chart using the link under ***BILL’S PERSONAL CHART*** to the right, or you can click right here. Be sure to leave any comments you might have, and thanks for reading
Popervescence is turning into a mighty strong force this Spring, for I have two terrific new albums and several fantastic singles to talk about.
April Smith & The Great Picture Show
“Songs For A Sinking Ship”
Though this record came out last year, I was fortunate enough to discover it in full on a recent trip to Nashville (more on that later), though I did know about it. This four piece band based out of Brooklyn NY is led by feisty and powerful singer New Jersey-born April Smith. Songs For A Sinking Ship is full of all kinds of character for its influences in music extend back nine decades. Yup – Tin Pan Alley, big bands, Broadway, blues, rock, pop, and soul – they’re all here.
That’s not at all to say that the record isn’t contemporary, for it is in spades. These are story-songs for a new generation. “Movie Loves A Screen” and “Terrible Things” (video below) are the opening songs immediately grabbing your ears with well-structured songs led by April’s commanding voice. After that the quirky-but-it-works mix starts happening with the 40’s inspired “Drop Dead Gorgeous” and almost southern kind of retro with “Dixie Boy”. The record is not without a ballad, but I would say “Beloved” is more of a direct descendant of Rufus Wainwright’s debut album than anything else. Other strong songs come in the form of “What’ll I Do”, “Colors”, and “The One That Got Away”, but all in all this is a tightly crafted, well-played and jubilantly sung album that breezes by like a sunny day.
When I was in Nashville on Record Store Day, I made plans to go to a local store called Grimey’s. Little did I know they were having bands play in their backyard until I arrived. While I was there, April and her band launched into a set that instantly caught my attention. And there’s a bit of a strange connection to all of this that I’ll share. My 10 year old daughter is a competitive dancer and singer also named April Smith. So I was able to chat with April after her set for a few minutes to tell her about this odd coincidence. I guess some things were just meant to happen 🙂
Jamie Woon “Mirrorwriting”
UK singer 27 year old Jamie Woon is a sensation in the making. Mirrorwriting is full of atmospheric, moody, and soulful songs that can strike you differently at any point in the day in which you play them. I’ve already been raving about first single “Night Air” with its haunting and sparse melody as well as Jamie’s striking voice. Second single “Lady Luck” has subtle dubstep rhythm set to an interesting story.
But beyond the singles there is so much more to Mirrorwriting. The album is carefully and deliberately produced and arranged. I love the composed pauses, the chunky bass, and the simplicity of the strumming of acoustic guitar in various songs. For music aficionados, you can go to town on the variety of inspirations because Mirrorwriting is deep and rich within the pop spectrum. Most noteworthy are “Waterfront” (watch the video below), “Shoulda”, and “tmrw”. I’ve often compared Jamie to my fellow countryman Justin Nozuka. They both have old-world qualities about their voices and songs. They both have ages-old wisdom about them in their lyrics. But whereas Justin’s music I feel draws more from gut-wrenching emotion and old-style blues, Jamie’s music speaks old school UK R&B and soul as well as more contemporary acts like Fine Young Cannibals, Jamiroquai, and perhaps even Terence Trent D’Arby. You cannot go wrong with Mirrorwriting.
Kyle Brylin “S&M”
I am nowhere near over the haunting and danceable “Everything I’m Missing” when our Kyle launches his own version of Rihanna’s “S&M”. Having enjoyed Rihanna’s version immensely (#2 posting on my chart), I was very dubious as I am with just about any cover version. But Kyle sends his version into hyper-velocity, strips the song of its campiness, making it an outright dancefloor assault. Definitely surpasses my expectations! Buy it on iTunes.
Elouise “The Lover’s Rumba”
(Ricardo Autobahn 12″ remix)
There’s nary a moment goes by that I can’t say enough nice things about ever-so-talented UK singer Elouise. Last week it was her stunning cover of “Tainted Love” (now available on iTunes US (but alas not in Canada!). This week, it’s something totally unexpected, given the singer’s dynamic flair for torch and show. So Elouise gives us a spicy contemporary rumba in remixed version from the wonderful Ricardo Autobahn, who has retooled recent efforts by Adam Tyler and Kyle Brylin among others. While keeping your booty plenty happy, Elouise extends her range by demolishing the dance floor with this effortless knockout. Download it for free from her website with a subscription to her newsletter.
Monsieur Adi “Chariot”
Regular readers of this blog know I love me a good danceable instrumental. In recent years I can name Russ Chimes “Never Look Back” and Tiesto’s “He’s A Pirate” as favourites within the dance realm. Outstanding producer/remixer Monsieur Adi (Ellie Goulding, Javi, Noah) is about to unleash his latest project, and to give us a taste in advance we have “Chariot” which was recently available as a free download. It’s a fun throwback to late 70’s disco (love the robotic voices) and has a real cinematic quality to it along with an infectious if militant beat. Can’t wait to hear more.
Native Underground “Night Vision”
And speaking of Javi, the New York singer along with house veteran Henry Maldonado as Native Underground follow up the effortless 80’s inspired “Till It Hurts” with “Night Vision”. The song seems to draw from early 80’s UK electro more this time with alternately restrained and punchy soulful vocals by Javi. And the keyboard hook that creeps in reminds me a lot of the strings from the classic “Papa Was A Rolling Stone” by the Temptations. Watch the video below.
Benny Benassi featuring Gary Go “Cinema”
You may know Benny Benassi’s name recently because he is featured in Chris Brown’s uncharacteristically electro hit “Beautiful People”. But he’s actually been a major dance force for most of the last 10 years, ultimately winning a Grammy in 2008 for his remix of Public Enemy’s “Bring The Noise”. The Italian producer/remixer is back and looking to follow in David Guetta’s steps with “Cinema”, a winning, sparkling effort from his upcoming album Electroman featuring the talents of UK singer Gary Go (whose “Wonderful” was one of my favourites of 2009). “Cinema” is going to turn into a summer singalong.
I’m going out on a limb, but I think “Popular” by Sweden’s Eric Saade could be the first worldwide smasheroo arising out of the Eurovision contest in years. The theme is so universal that I think it can conquer all shores in time. That having been said, of course it sits atop of my personal chart this week and looks to reside there for a long stay. And I love the “Beat It” inspired choreography in the video above! With all focus on the title track from his upcoming album Do It In The A.M., which debuts at #25 this week (and you can follow the promotion of it atCherrytree Records’ site), that leaves the previously free download of “Hurt You Again” at #2 – I’m hoping the song will appear on the album… it’s too good not to make the cut!
The Top 10 is just loaded with great songs. Adele’s “Someone Like You” rises to #4 while the 2011 anthem “Rolling In The Deep” slips to #6. That other anthem, “Born This Way” by Lady GaGa climbs to #7, while the simple spot-on alternate rendition by Elouise moves up 21-15. Kyle Brylin’s hypnotic “Everything I’m Missing” joins the Top 10 by moving 12-8, along with Mirrorwriting’s second single from Jamie Woon called “Lady Luck” (14-9), and “The City” by Patrick Wolf (#10) from the upcoming long-awaited Lupercalia.
Catchy, irresistible, infectious… there are so many songs out right now that fit that bill as we head into warmer weather where I live. You must get by at least two or three listens for “Stupid” by Databoy to sink in. This is what smart fun is all about, and the song is the fastest riser on the chart this week, soaring 25-16. Right below is Toronto-based Shawn Desman’s latest, “Electric”, which climbs 22-17. Nelson Clemente’s dark and sexy “No Protection” moves up 28-23 and makes a good mix with “Everything I’m Missing”. Nelson’s”You’re A Star” will also see release on iTunes within the next few weeks. And if you didn’t get to hear the Nicki Minaj/Kesha remix of Britney Spears’ “Till The World Ends”, you can find it below courtesy of Jon Ali’s blog. It becomes her biggest hit on my chart moving 30-22.
Our other two debuts include the #20 premiere for “Another Dimension” by Bass Robbers featuring Matt Blue, which I blogged about on the weekend. Matt’s voice is so powerful it goes right through you on this track! Our last debut comes from Ro Danishei, who will be performing at the Electroqueer showcase in London along with Andrea Lewis and Simon Curtis (with whom I hear she may have a duet on Simon’s upcoming R∆ release). This is another song from her release End of The Rainbow, which is available entirely as afree download right here. This one hasn’t had as much attention as Simon’s or Andrea’s albums, and is very deserving. Take a listen to “Drunk Txt” below.
You can view the full chart using the link under ***BILL’S PERSONAL CHART*** to the right, or you can click right here. Be sure to leave any comments you might have, and thanks for reading
There’s so much great new music to talk about that it’s difficult to know where to begin. So here goes…
“Another Dimension” by Bass Robbers featuring Matt Blue
Dutch producers Bass Robbers have released “Another Dimension”, a hooky but uncomplicated new house track that should be a delight for the dance floor. What makes this song special is the vocal from fellow Dutchman 18 year old Matt Blue, who was featured on this blog back in Februarywith his sparkling cover of Jason Derulo’s “What If”. The vocal not only has loads of personality but at the :54 mark, Matt’s powerful voice lifts the song way into orbit somewhere for 19 seconds, which is enough time to make my jaw drop to the floor and stay there for a while. Listen to the track below and be sure to purchase it on iTunes. This is only the beginning for Matt Blue, who is one to watch in 2011! Great work Bass Robbers 🙂
“Tainted Love” by Elouise
Elouise’s show “Little Belter” had its latest production in London on April 17. I had been dying to hear her rendition of “Tainted Love”, perhaps expecting something a little campy or slinky. But I should have known better – the songs in “Little Belter” are class acts, and what Elouise and producer Steve Anderson have done to “Tainted Love” is nothing short of phenomenal. Stripped away is the sleaze of the 80’s Soft Cell version. It’s been replaced by sultry and saucy at the start, and then some unexpected empowerment later in the song. You have to hear it to believe it. Do I foresee a North American tour of “Little Belter” in the future? I sure hope so!
“Do It In The AM” by Frankmusik
featuring Far East Movement
There it is, the cover art to Frankmusik’s upcoming single “Do It In The A.M.” from the album of the same name. And below you can hear this irresistible track, which features not only an amazing lyrical hook (the melody reminds me of another song whose title I have yet to place) but yet another fantastic vocal from Vince. I think the song will be a wake up track for many people in the months to come (it’ll make a great ringtone!)… I’m still adoring both “The Fear Inside” and “Hurt You Again” right now but my playlist will definitely make room so I can do it in the a.m. 🙂 You will have the single on iTunes on May 4. I’m also enjoying the Les Loups Funkstep remix.
“Body Moves” (Prince Vince remix) by Van Go Lion
Van Go Lion is a Portland, Oregon duo comprising co-songwriters Amy Paige (vocals) and Josh Loerzel, and they specialize in upbeat lyrical electropop. They’re brought to us by the same wonderful folks who have given us songs by Kyle Brylin and Adam Tyler – Ninthwave Records. “Body Moves” will keep you glued to some inspirational dancing while Amy’s vocal (which has Annie Lennox undertones) tantalizes you with ear candy. This is one dance track where the sum of all of its many influences creates a unique and contemporary experience. Hear the remix below and buy the original on iTunes.
“Atlantic” by The Midway State
Here’s your first taste of The Midway State’s upcoming album Paris or India called “Atlantic”. The Toronto-based quartet adds a more uptempo variation to their lyrical, emotional rock that won over many fans with “Never Again” and “Change For You” from their debut album Holes two years back. I’m definitely looking forward to the full album and more concert dates from these guys. You can purchase “Atlantic” on iTunes.
“Bad Girl” by Matt Webb
By day, Matt Webb is erstwhile guitarist for Canadian rock stars Marianas Trench, who are currently experiencing some success in the U.S. with their 2009 Masterpiece Theatre album. But by night he transforms into pop star Matt Webb, who has just released his debut solo single “Bad Girl”. This is one catchy piece of business that will introduce Matt to another audience within the pop/rock spectrum. It sounds like a throwback to a lot of early 80’s pop tunes like Matthew Wilder’s “Break My Stride” or other artists like Huey Lewis & The News. Get it on iTunes and hear it below.
“What I Want” by Jon McLaughlin
You know him from “Beautiful Disaster”, “Beating My Heart” (my very favourite song of 2008), and a featured part in the film “Enchanted”, which netted him an appearance on the Oscars singing the nominated song “So Close”. Two years or so later, and Indiana’s Jon McLaughlin is back with chipper anthemic piano-led pop/rock in the form of “What I Want” from his upcoming album. You can get this one through an email subscription to Jon’s newsletter at his website, but you can give a listen below.
I’m sure I’ve forgotten a song or two but will make up for that within the few days. Watch this space for my new personal chart and blogs about Jamie Woon’s Mirrorwriting and Songs For A Sinking Ship by April Smith & The Great Picture Show.
It’s not often that the chart is posted late, but between dealing with personal staff and getting ready to head to Grand Ol’ Opry land for five days then good things have to wait a bit.
“Love 2 Baby” triumphs for a second chart appearance at the top for the talented Christian TV. But that feat is pretty much fleeting as Eric Saade’s amazing triumph “Popular” soars 18-2, and looks ready for a hefty stay at the top. Frankmusik’s gorgeous ballad “Hurt You Again” has to settle for third place though in another chart year it would be a chart-topper. Adele’s “Rolling In The Deep” appears to have longer legs than I’d imagined but slips to #4, and Adam Tyler gets a second Top 5 hit on my chart with “I Won’t Let You Go”. You can hear one of Adam’s latest projects, “Time Bomb”, right here.
Adele mach #2 on this chart, “Someone Like You”, rises to #8 – slow but steady I promise you. New to the Top 10 besides “Popular” are Andy Grammer’s MTV O video award nominee “Keep Your Head Up” (see the chart for the link) and Lady GaGa’s now ubiquitous “Born This Way”… which has made an impact in another version….
Jumping straight to the debuts, I blogged about Elouise’s live version of “Born This Way” a week ago, and it’s such an impressive redux that it joins GaGa’s version on my chart at #21. Top 10 bound? I think so – which will make it 3/3 for Elouise as recent #6 hit “The Winner Takes It All” leaves the chart. Then at #25 is Databoy, who I enjoyed so much at the Superfraiche show in New York City 10 days ago. The free download of the Brad Walsh remix of “Stupid” bows on the chart. Aussie Nelson Clemente is such an underrated talent. He has a solid EP Love.Feel.Dangerous on release as a free download which I blogged about a while back. The dark but danceable “No Protection” arrives at #28. Richard Barone’s album Glow has been long-lasting on my iTouch in regular rotation since its release in September. An offbeat track “Sanctified” – which takes a cue from late 60’s early 70’s guitar rock despite an acoustic beginning – premieres at #29. The title track from Barone’s album got to #2 last year.
I’m saving an entire paragraph for the song at #30 because I honestly never thought it would appear in my chart. And the performer really does not need any extra promotion. But the song’s infectious club beat – yes I still think an audience for a soccer game will arrive on the scene at any minute – reminds me that performers that I’m not fond of often make good, fun records. So for the first time since 1999, Britney Spears appears in my chart with “Till The World Ends”. Her last song to chart? “(You Drive Me) Crazy” – and it got to #24. Only “And Then We Kiss” (not one of her biggest hits) and “Toxic” could have come close to charting in the intervening years. Looks like “Till The World” could pass that “Crazy”.
The middle of the chart is quite busy, so don’t overlook great songs by Patrick Wolf, Kyle Brylin, Jamie Woon (I look forward to Mirrorwriting’s arrival next week), Bright Light Bright Light, and Brandon Flowers.
You can view the full chart using the link under ***BILL’S PERSONAL CHART*** to the right, or you can click right here. Be sure to leave any comments you might have, and thanks for reading It’s 350 charts later after 13 years too!
So how does the music industry in fact support this ever-growing online music community?
Quite frankly, I don’t see support.
The goal of a performer used to be to get a record deal so that you can make lots of money. If signed and successful, the record company may make lots of money too. While everyone wants success and money, am I incorrect in suggesting that this is no longer necessarily the goal?
Record companies are signing less and less performers, probably to invest more money in those that provide them with success. Pop music radio stations by and large do not play songs by performers who have released their records independently, let alone free and online only. The industry feeds itself, and also invests in these performers for concert tours (though even some of those have fell by the wayside in recent years).
So given the VAST amount of talent online and in the public eyes and ears, wouldn’t the music industry want to invest in these performers? Wouldn’t a big investment of proven and popular unsigned online performers generate revenue, variety, and support for those performers? Am I just being naive about this?
The world’s music fans who go online every day to write about their favourite songs, albums, performers, and concerts, are the new A&R guys and gals, and that ‘R’ (for repertoire) now represents a city, province/state, country, or the world. It is no longer about someone’s vision of a catalogue of performers who get signed by a specific record label. Long gone are the days of the Motown Artist, the Stax Artist, the Atlantic Artist…
The ‘R’ in A&R should also signal something else that’s very much needed – Reinvention.
Your thoughts, please 🙂
To paraphrase the immortal Rocket J. Squirrel, and now onto some performers I know you’ll really like 😉
Elouise “Born This Way” (live)
That delightful UK singer , Elouise, is performing a new show called “Little Belter” with a new set of gorgeous interpretations of the likes of songs by Dusty Springfield, Judy Garland, Barbra Streisand and others through July at Madame JoJo’s in London. Available for a free download right here with email subscription is her simple, touching rendition of Lady GaGa’s “Born This Way”. The humble sparseness at the song’s beginning leads you through GaGa’s story of positivity and diversity in an almost fairytale kind of sung narrative, through to a powerful, resounding finale that is becoming trademark with Elouise’s records. A glorious treat.
Christian TV “Girl I Used To Know”
The above photo shows Christian TV trying to fix some leaks, unsuccessfully. Speaking of leaks, it’s been only a hot moment since my current #1 song “Love 2 Baby” got those dancing feet moving, and now a new song “Girl I Used To Know”, is made available to you for free right here. Every song that Christian releases shows the dimensions to his talents. This one is a mid-tempo urban ballad featuring a gorgeous falsetto. It’s not quite as engaging as “Love 2 Baby” or “When She Turns 18” but only whets your appetite for the singer’s upcoming album.
I’m a total sucker for the male blue-eyed soul singer voice: Boz Scaggs, Robin Thicke, Alex Chilton, Steve Winwood, George Michael (to a point), and the list goes on. Via Fly Guy Music Blogcomes a cover of Eric Benet’s “Sometimes I Cry” by Atlanta singer Nick Hagelin. I’ve heard a few of his songs but nothing like this.
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