#BILLCSTop30 #597 – September 28/20

This week, the BILLCS Music Blog turns 11! And this week I will be working on a new project that will support the blog and chart, and a great deal of new music and artists, if it all works out. So watch for more news on that front.

In the meantime, the new chart had four new entries while the upper region continues to look similar to the past four weeks of music.

What will Joel Corry do next for dance music, following the success of “Lonely” and “Head & Heart”, which continues at #1 on my chart for a third appearance (six weeks). Collaborating with co-writer and singer MNEK was definitely a blessing, and I hope they will reteam in the future. In the meantime, who will be next?

“Dancing Next To Me” by Greyson Chance is a dance anthem for anyone who’s been cheated or denied their opportunity to be with someone of mutual attraction. It moves up 3-2.

Greyson or the song at #3 seem poised to challenge “Head & Heart” in two weeks. And that song is “Undo My Heart” by Karen Harding & Digital Farm Animals, climbing 4-3. This one can go side-by-side with the likes of “Nobody’s Supposed To Be There” or “Un-break My Heart” in my books!

Also moving up from 6-5 is “Naked” by another dream team, which is British producer Jonas Blue and NYC singer/songwriter MAX. Both artists had huge events this past week. Jonas performed the virtual show Electronic World this past weekend; long-time fave and chart veteran MAX released his new album Colour Vision, and performed all of the songs virtually (and solo, where there are usually collaborators). Check out MAX’s amazing song with BTS’ Suga called “Blueberry Eyes” below.

UK indie singer/songwriter Benedict Cork has more new music this week just ahead of the release of his new EP Piano Tapes Vol. II. “One Last Song” continues its upward movement, rising 10-8. Watch for “Wild One” on Wednesday!

Giiants obtain their second Top 10 on my chart with their latest single “Waiting For You”, which climbs 13-9. They previously reached #3 with “Small Talk”. And of course two of the members, Cam and Adam, also recorded as DATABOY, who had three #1’s here in the last decade.

The Fastest Riser on the chart, for the second time in a row, is a blazing instrumental that will make you get out of your seat and move! That is mission accomplished for “House Is Happiness” by Germany’s Stan Sax, which soars 18-10!

L.A.-based trio Fames have a catchy winner with “scared of the dark”, which moves up 25-20.

“We Are Home” by Florida-based singer/songwriter Lauren Mayhew and Moroccan producer Mariline moves up a brisk 27-22. It’s also the second entry on the chart for indie dance label Tipsy Records!

The Highest Debut on the chart is the first entry for Sweden’s Pawl & Discrete with the irresistibly infectious, snappy house track “Type Like That”, which arrives at #24. It’s also the first release on the chart for dance label LoudKult.

Returning for the first time to the chart as a solo artist since 2011 is Sweden’s Agnes Carlsson with “Fingers Crossed” at #26. She of course was part of Avicii’s belated but amazing “Tough Love” last year, which got to #3. Agnes’ “Don’t Go Breaking My Heart” was her last solo entry, which reached #7, but her first entry in 2009, “Release Me”, went to #1.

Debuting on the chart are the brothers Lynch, Ross and Rocky, aka The Driver Era, with the beautiful “Take Me Away” at #27. When she was a pre-teen, my daughter was a big fan of Ross’ TV show from early last decade, “Austin & Ally”, and I became acquainted with his music and additional talent by taking her to a couple of shows by his family band R5. Since then Ross has developed quite a resumé as an actor – I watch him in episodes of “The Chilling Adventures Of Sabrina” – and as a singer, even recording with the likes of dance producers Tritonal a few years ago. The Driver Era is a cool alternative pop/rock project that deserves to flourish.

The fourth new entry is by another one of my chart veterans, Bright Light Bright Light, who has been going strong in my music world since 2010! With the recent release of his fourth album Fun City, there is so much great music from which to choose, but the unbridled anthemic joy of “It’s Alright, It’s OK” resonates with me and it arrives at #28. It’s a collaboration with a trio of talented women from Montreal called Caveboy. The first single from Fun City, “This Was My House”, peaked at #5 this past summer.

A reminder that the music from my chart and blog are featured regularly on the new online radio station Radio GTA. You can hear their Big 20 on Wednesday evenings with ‘The Musicman’ James Rogers and listen for songs from the chart too 🙂 Scroll down the station’s main page to listen to lots of variety from across the decades!  I’m the new music consultant for the station so you can expect even more in 2020 🙂  You can start by joining Radio GTA’s new interactive Facebook group too!!

View the full BILLCS Top 30 right here!  Click on the hyperlink on the song titles to hear the songs or watch the videos!

Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify: BILLCS Top 30 Songs

Check out and ‘like’ the BILLCS Music Projects Facebook page 🙂

Want to see what I’ve been listening to and charting for the past 22 years?  Rummage through the BILLCS Top 30 Archive (where you can click on the link within) when you have a chance!! 

“Tinseltown In The Rain” is a gorgeous, wistful #BlueNile cover by pop/electronic producers @MattMancid and @ColorTheory

MATT MANCID and COLOR THEORY, “Tinseltown In The Rain” (original and Big Rhythm mixes)

One doesn’t come along very often, but “Tinseltown In The Rain” is a classic example of a song that combines delightful synth work and rhythms with a wistful melody, courtesy of two pop/electronic producers, Germany’s Matt Mancid and California-based Color Theory (aka Brian Hazard). The song also conjures up images of Hollywood besieged by rain pouring down on all of the glamourous folks we associate with its yesteryear. It’s no surprise that it’s a bit reminiscent of an 80’s Alan Parsons-kind of release, but it’s actually an inspired cover of a track by Scotland’s acclaimed The Blue Nile from their 1984 album A Walk Across The Rooftops, and Color Theory’s engaged and passionate vocal totally nails it. “Tinseltown In The Rain” therefore is not to be overlooked, either in its original slower version or the powerful Big Rhythm mix, both designed for dancing. Matt Mancid and Color Theory last appeared together on my personal chart with “Headphones” back in late 2013, which quickly shot to #1. Could “Tinseltown” do the same?

Among the treasures in @BrightLightx2’s new album Fun City is “Good At Goodbyes”, a potent duet with @Erasureinfo’s Andy Bell

BRIGHT LIGHT BRIGHT LIGHT and ANDY BELL, “Good At Goodbyes”

A week ago, Bright Light Bright Light’s fourth album Fun City was released, and today it ranked as the #1 album on the UK Dance Chart. Despite its title, and while the album has ‘fun’ at its core, with several upbeat dance tracks, there are also a number of learned-life stories, as one can often expect from the unique perspectives of Rod Thomas. Having toured with Erasure in the past few years, it’s still incredible to hear the amazing Andy Bell in duet with Rod on “Good At Goodbyes”. Whether his voice is intended to be that of a past lover or an inner-conscience, Andy’s vocal offsets Rod’s lead story-teller just beautifully. The song keeps you on edge about a guy who’s trying to be strong after a relationship has ended, while resigning himself to his memories and sadness with lack of closure. Fun City has many other glorious collaborations including those with Sam Sparro, Brendan Maclean, Jake Shears, KAYE and several others who you should get to know. It also includes the previous diverse singles “This Was My House” (which reached #5 on my personal chart), “Sensation”, “I Used To Be Cool”, and “It’s Alright, It’s OK”.

Check out @BretSears’ minimalist hip hop flavours in “Breaks My Heart” from his EP Imperfections

BRET SEARS, “Breaks My Heart”

Baltimore’s Bret Sears has shifted back and forth between electronic dance pop and hip hop in past releases which I’ve written about in the last few years. He recently released an EP called Imperfections, which almost anecdotally touches on a number of relationships in five very short songs. “Breaks My Heart” is the standout, drawing from influences from the likes of Justin Timberlake, Bryson Tiller, Party Next Door, and others, in a sheer, minimalist production that captures the isolation which takes place when a relationship is ending. Though the song sometimes seems more like stream of consciousness without a centre, it still works well and demonstrates Bret’s ongoing close attention to his craft.

“Late Night Love” allows @FrancescoYates to stretch his talents to the max

FRANCESCO YATES, “Late Night Love”

To say that I’ve been impressed by my fellow Toronto native Francesco’s 2020 releases is an understatement. To me, the singer/songwriter/guitarist is putting out the best music of his career right now independently. No longer the teen pop talent who broke out in 2014 with “Better To Be Loved”, Francesco tapped into deeper songwriting on his EP Superbad with songs like “Queen Street Blues” and the title track in particular. “Late Night Love” really allows his talents to be stretched to the max. It’s a sexy and risqué track that’s going to make a difference, featuring a blistering performance that could go entirely over the top if he let it. Instead it’s bound to make you turn your head and pay close attention. Check it out up top.

Germany’s @Saxity reteams with NYC’s Victor Perry @wallflowerperry along with #AmericanIdol alumnus @RobbieRosenlive for “Fantasy”

SAXITY, VICTOR PERRY and ROBBIE ROSEN, “Fantasy”

“Fantasy” is one fine slice of soulful pop that brings together the best of the three talents involved: German production duo Saxity and NYC-based singer/songwriter Victor Perry, both written about numerous times in these blog pages and on my Top 30 chart, and singer/songwriter Robbie Rosen, who competed on American Idol in the season in which Scotty McCreery took home the title. What’s even better is that a social distancing video has been created to give you visuals of all three (well, at least Mr. Stan Sax, one half of Saxity anyway) in performance. The voices of Victor and Robbie meld seamlessly together while the saxophone creates a beautiful bridge in the song besides the chorus. “Fantasy” is a wonderful sweet treat, so give the video some love up top.

“Heaven In The Heartbreak” is an impressive, emotional dance club track by Norway’s @Dunisco and British singer/songwriter Richard Judge @RJudgeofficial

DUNISCO and RICHARD JUDGE, “Heaven In The Heartbreak”

Primarily known as a remixer, Norway’s Dunisco (aka Mats Gulbrandsen) returns with his first new music in two years with the guitar-flavoured house track “Heaven In The Heartbreak”. Its vibrancy is carried by a classic song structure and melody, and the song was co-written by its singer, England’s Richard Judge. You’ll recognize his voice immediately from Robin Schulz’s huge European hit “Show Me Love”, and since then he’s been a go-to for dance records by Sam Feldt, Kungs, Benny Benassi, among others. The tight production, the winning story and vocals make “Heaven In The Heartbreak” a must for dance music fans who will only imagine how powerful the song will sound in clubs once they reopen.

“Chasing Feelings” by UK dance producer @JeromePriceuk and singer @CallyRhodes continues the recent flurry of major dance club bangers

JEROME PRICE and CALLY RHODES, “Chasing Feelings”

I don’t like to overuse terminology, but I know a huge club banger when I hear one. To follow up songs like “Rain On Me” by Lady Gaga and Ariana Grande, “Head & Heart” by Joel Corry and MNEK, and “Undo My Heart” by Karen Harding and Digital Farm Animals (all currently on my personal chart), is “Chasing Feelings”. Although Jerome Price is already well-established in his native UK and Europe thanks to remixes of Tim Berg’s “Seek Bromance” and Justin Bieber’s “Where Are You Now”, as well as “Now You’re Gone” (featuring Zara Larsson) and other remixes for Jonas Blue and Troye Sivan, the pandemic put a pause on his (and others) transition to the rest of the world. So the Perfect Havoc label wisely follows Joel Corry’s smashes with “Chasing Feelings”, a co-write with fellow Brit, singer Cally Rhodes. It’s a warm and fuzzy deep house track that recalls other similarly flavoured songs by Mahalo and Alesso. But yes, it is also a slamming banger that will immediately call your attention.

Party at the office? Call on @CrashAdamsmusic who bring on the fun with “Too Hot To Touch”

CRASH ADAMS, “Too Hot To Touch”

I’m not sure how I missed out on the release of this single and its totally engaging video this past Spring, but there’s no time like the present to catch up, and you need check out “Too Hot To Touch” by Toronto rock duo Crash Adams. Though the guys have had a red couch surface as the constant in video and public appearances, the couch takes a pandemic break while Crash Adams (expanded to a four piece unit) rocks out in an empty office in the video up top. The well-directed video captures the ribald good-timey spirit of the band, who should be a club draw by the time things reopen if they keep on releasing records like this. “Too Hot To Touch” is also extremely radio friendly – highly recommended for college and alt.rock radio stations.

“Getaway” is tight, emotional pop/dance from Halifax’s @djDezza and vocalist EMME

DEZZA and EMME, “Getaway”

“Getaway” is the title song from the 6-track EP by Halifax producer Dezza. The EP also contains “Carry Me”, a current favourite of mine featuring singer/songwriter Mike Schmid that resides at #7 on my personal chart. Dezza’s songs seem to need a listen or two to grab you, but he has the winning ability to concoct tight ear-grabbers with his co-writers. Such is the case with “Getaway”, co-written with singer EMME, whose vocal brings both fragility and desperation to the lyrics. Like with “Carry Me”, the melody of “Getaway” is more geared towards pop than a heavier deep house track, which I’m sure will continue to open doors for Dezza, who is currently signed to Tritonal’s Enhanced label. The 6 tracks include extended versions of the EP’s three songs, which also include the more progressive “Tilt Shift”.