Like a few other artists who reflect on these difficult pandemic times, new L.A.-based duo OYLS focus on the state of our mental health with “Netflix (Your Product Is Too Good)”. The video for the song, starring actor Danny Trejo, has the protagonist staying up late binging on Netflix shows while he vulnerably contemplates his own sanity. With lockdowns still in force in much of the world, we know how this feels as the days blur into each other, and we develop a complacent routine that could have an impact on many of us in the long run. The vocal for this alt.pop song is totally soaked in the quieter side of Prince’s “Purple Rain” era and the song is an unexpected earworm whose title is never mentioned. “Netflix” is OYLS’ third in a series of eight episodes which form a “pop opera” which will be released throughout 2021.
It reminds me of that Mel Gibson movie, “Forever Young”, in which he is a pilot who is cryogenically frozen in 1939 and wakes up in 1992. The latest Cosmic Wire release by new Spokane, Washington performer HEwas is a cover of Bob Seger’s “2+2=?”, originally released on Seger’s Ramblin’ Gamblin Man album in 1968. Despite today’s technology, it’s like the song has taken an intentional step forward in time as recorded by HEwas. Written as a protest song against sending young people off to the Vietnam War, it’s politically charged message is still extremely relevant today. The sound is unkempt raw rock ‘n roll, a nice tip of the hat to Seger’s original, the kind that you’d hear and dance to in a dive bar. Knowing that it’s all about the song and message, HEwas’ vocal blends seamlessly into the mix. Produced by BLAZAR, about whose own song “Enough” I recently wrote, “2+2=?” is an interesting and appropriate tonic for college and alternative rock stations.
Her songs can be mysterious and brooding, or bright and hopeful, as we get to know the many facets of Berlin-based singer/songwriter/filmmaker ANIQO (aka Anita Goβ), this time through the new single “Wonderland”. Following in a similar vein to a previous release, “LoveLife”, “Wonderland” is about love holding us together through everything, even at the darkest times. Its sparse arrangement, only featuring piano, harmonica and vocal, is taut and compelling, and as usual ANIQO can weave us through a lengthy song without it ever seeming so long. It was preceded over a year ago by a video release, above, which shows ANIQO’s ongoing artistry in that field. I’ve written about the music of ANIQO for over four years now, and those songs will eventually lead to her debut album called Birth, which is now slated for this year.
The vast amount of great music being released in 2021 is reflected on my chart. Songs can remain on the chart for a maximum of 10 appearances (20 weeks), but lately there have been less songs than usual which attain that feat. The fast pace frequently means 3, 4 or 5 debuts every two weeks, and this chart is no exception to that. So enjoy some of these favourites while they stick around!
“No More Looking Back” by Idris Elba and Inner City featuring the fierce voice of Steffanie Christi’an becomes the 6th song to reach #1 in the four months of this year. 90’s flavoured house is back big time thanks to the presence, after 30 years, of legends like Kevin Saunderson and his rebooted Inner City project. We need more of this!
He wowed us with a splendid online festival, capped by his own affecting performance. The festival is “Secret Sky” and the performer is Porter Robinson, whose second album after seven years (not counting his Grammy-nominated Virtual Self project) called Nurture was released on Friday. From that album, “Look At The Sky” (above) becomes his second Top 5 on this chart, after last year’s #1 “Get Your Wish” (also included in the album). Also check out the amazing track “Blossom”, below.
Victor Perry’s gentle ballad “Stories” (above) rises 6-5, in collaboration with German producers Cal1 and L’essay. I included Victor’s recent song “Slip Away” (with French producer Kislaw), but also check out his latest release with another French producer, KHEMIS called “Until You Call My Name” (below).
New to the Top 10 is the reigning party track called “Friday” by British producer Riton, who revived 90’s dance smash “Push The Feeling On” by Nightcrawlers as the basis for the song. It climbs 11-7.
Moving up 9-8 is NYC singer/songwriter Reigen’s pensive song for late at night in a quiet place, “blue”. It’s Reigen’s second highest placement on the chart, next only to “Come Back To Me” which reached #2.
Also new to the Top 10 is “When I Lost You”, the deep house banger from Norway’s Dunisco and NYC’s Robbie Rosen, which climbs 12-9. It’s the first Top 10 for both artists on my chart.
“Every Minute” is the latest release by Sweden’s Eric Saade, which came second in this year’s Melodifestivalen contest. It climbs 13-10, becoming Eric’s 8th Top 10 on my chart, and his first since 2015’s “Sting” (#4).
Victor Perry’s soaring voice is the star of “Myself In You”, his collaboration with Italy’s Lordnox, and it makes short work of the chart, climbing 17-12.
The Fastest Riser on the chart is from the producer whose “Not Watching Anymore” slips from #1 to #2. It’s L.A.’s Mahalo, whose rollicking “Got That Love” soars 23-15.
Independent Irish pop-rock artist Four Nights continues his rise up the chart with the infectious “Want You Always” moving 19-16.
You can now find Peter Wilson and Sean Smith’s duet on the Robert Miles classic “One And One” (25-19) on release as a single, including two delightful and very extended remixes by Matt Pop (above) and Pete Hammond.
France’s 2 Thunders climbs 26-20 with their thoughtful deep house track “Shine A Light”, featuring L.A.-based vocalist OMZ.
Sometimes it takes a remix to either give a song new life or to present an alternate vision of the the track. Such is the case with the Dzeko remix of Tyler Shaw’s “When You’re Home”, which in its darker but affecting remix rises 27-21.
Occasionally the big hits will land on this chart, too. And that’s what’s happened with “Leave The Door Open” by Silk Sonic, aka Bruno Mars and Anderson.Paak, which arrives as the Highest Debut at #23. It may be surprising to know that this is Bruno’s first appearance on this chart, and it’s also the first for Anderson.Paak too. It all started with this year’s Grammy Awards performance; watch for it to lead the way with nominations in 2022!
Next up at #25 is another first time appearance on this chart for L.A.-based dance producer Gryffin. I’m playing the Cat Dealers remix of “I Want Love” a whole lot. The combined talents allow “I Want Love” to be taken to the next level by Brazilian brothers Cat Dealers, who are among the worldwide favourite DJ’s for good reason. I’ve seen both Gryffin and Cat Dealers in virtual festivals this year and they both give their audiences exactly what they want.
The third debut at #27 is the chart debut for Knoxville, Tennessee based 2017 winner of “The Voice”, Chris Blue, with his infectious and adventurous independent release called “Moon”.
NEW!!Planet Radio Canadahas returned to the interwebs with ‘The Musicman’ James Rogers and his “3D Variety Show” each week for three hours of great music as well as a few features. Listen to my New Music Pick of the Week (usually featuring a song on the chart) in the second hour of the show. Tomorrow, the show will also spotlight none other than Elton John! Planet Radio Canada’s “3D Variety Show” is simulcast on http://www.classichits.caand http://www.radiogta.ca from 6 to 9 pm EST.
The music from this chart and blog are also featured regularly on the online radio station Radio GTA. You can hear their Big 20 on Wednesday evenings, also with ‘The Musicman’ James Rogers, and listen for songs from the chart too 🙂Scroll down the station’s main page to listen to lots of variety from across the decades! I’m the new music consultant for the station so you can expect even more 🙂 You can start by joining Radio GTA’s new interactiveFacebook group too!!
View the full BILLCS Top 30right here! Click on the hyperlink on the song titles to hear the songs or watch the videos!
Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify:BILLCS Top 30 Songs
My 10/10 feature returns with edition #17. I can’t believe it’s been six months since I wrote the last one. But the time has come where very good songs for consideration for this blog are overwhelming the weaker ones, so I want to make sure the good ones get their due. And as usual, the choices are a global cornucopia of releases.
For those not familiar with10/10, I write about 10 hot and fresh songs in no particular order, for your kind consideration and attention.
I continue to write individual blog posts about certain songs. That does not mean that songs in the 10/10 lists are any less than those featured individually, and they are not listed in any particular order.
Writing 10/10 posts means I can cover more songs in one shot. So you get to learn about more new music that I hear but don’t always get a chance to write about.
NUELA CHARLES, “Space”
Singer/songwriter Nuela Charles has been prominent in her native Canada, conquering the Adult Contemporary genre with Juno Awards nominations three years in a row for that category. “Space” is a welcome change of pace for her, showcasing her effortless classic R&B-influenced voice with a sassy and funky backdrop. While “Space” was written as a response to the pandemic, it’s clear that we all need space from each other, even those closest to it. “Space” sails away with that idea and Nuela flourishes in this setting.
KISLAW and VICTOR PERRY, “Slip Away”
NYC singer/songwriter Victor Perry continues to be one of the most prolific independent performers, releasing new music every week where possible and showcasing it with different collaborators. “Slip Away” is a unique partnership with new Africa-born French producer Kislaw, who embraces a sophisticated backdrop where you’ll hear the underutilized flute among other sounds. And a funky edge allows Victor’s brilliant vocal – which reminds me of when either Michael or Janet Jackson are at their most playful – to lilt through the story and soar in the ad libs too. Released by Bonfire Records, this one is very deserving of a follow up soon.
ANZANO and ROBBIE ROSEN, “Waves”
Like Victor Perry, “American Idol” Top 16 contestant Robbie Rosen is on a mission to release music every week right now (yes, it’s no surprise with similar ideals that the two collaborate as well). Robbie’s recent songs and performances are so consistently strong it’s hard to pick out what are the strongest ones. “Waves” finds Robbie working with Belgian producer Anzano for a chipper-sounding song that recognizes when you’ve lost a friend or partner to a better relationship or situation (“forever you’ll be one with the waves”). It’s a quick mix of classic pop and bright, friendly electropop that goes down easily.
CRASH ADAMS, “Symphony”
Your friendly neighbourhood Toronto pop/rock duo Crash Adams are back with another song to make you think while putting a smile on your face. “Symphony” is about that instant state of attraction when all of the vibes and conversation just seem oh so right. It’s another tight production with a winning vocal, and another cool video (above) to boot. Crash Adams continue to release quality songs, and their talent and flair for spot-on visuals will take them far.
THE PRIZM, “Darkness Is A Friend”
“Darkness Is A Friend” is the centerpiece song of L.A.-based producer The Prizm’s latest album New Beginnings. In fact the album is a third chapter to a complex story, but focuses on new beginnings for anyone who’s experienced recent hard times, whether they be through relationships, the pandemic, and more. The uplifting melody and vocal will help you realize that there is a way out of the darkness if you embrace it and move on. The album is a significant progressive stretch when looking back on last year’s catchy electronic dance single “I Don’t Wanna Go Home” (with ARTFCAL), but The Prizm (Gabriel Garcia) is taking his time to create stories and atmosphere that will have a deeper effect on the listener.
KEN BAUER, “Free”
Sweden’s Ken Bauer is hardly a new name to the electronic dance music scene, releasing regular music since 2016. Though he’s had support from big names like David Guetta, Sam Feldt, and Nicky Romero, all it takes is one song that could open more doors internationally. “Free” has that potential, with complex synths surrounding a basic but infectious hook. The uncredited vocal helps the song soar, and “Free” would go over very well indeed at festivals.
FEB & LEXIE, “Last Night A DJ Saved My Life”
Though it’s a far cry from the funky classic grooves of the 1982 Indeep classic, Italian producer Feb and British vocalist Lexie spin “Last Night A DJ Saved My Life” into a slick Eurohouse track. Lexie’s alluring vocal makes it perfectly pronounced that she’s moved on and looking for someone else who won’t break her heart. Feb’s production captures the essence of the song, making it a fitting surprise that works well.
DEGA, “Bad Burn”
Italy’s Dega brings us some dreamy, trance-soaked Europop with “Bad Burn”. The song effectively mixes in thoughtful vocals, an underlying and very catchy melody, and a build up to a swell drop for cohesive results. “Bad Burn” is definitely one of those songs where you might not know the artist, but the song solidly stands steadfast on its own and has festival anthem potential.
TOMMY NEWPORT and EARTHGANG, “Stargazer”
“Stargazer” is a cool slice of alternative rock that’s laced with hip hop that is out to challenge listeners while sublimely drawing them in with its warm hook. At only 20 years old, Manchester-born singer/guitarist Tommy Newport has already acquired fans through not only his music, but appearances on TV and internet shows as well as movies. His voice has a soulful undercurrent beneath a weary, journeyman kind of approach. His collaborators on “Stargazer” are recent Grammy Awards nominees for Best R&B Song, Atlanta’s EARTHGANG, who continue to show why hip hop and soul are so welcome in an alternative rock-oriented release, and how much more pliable the genre walls need to become.
CHRISTOPHER DAMAS, “Tekila”
Get that big plate of nachos ready because some “Tekila” is about to infiltrate the mix! It’s a tidy and spicy song that should easily fit into sets next to “Despacito” and “Mi Gente”, but there is a twist. The “k” in “Tekila” might give it away, but it’s brought to you by veteran Russian electronic dance producer Christopher Damas, which continues to prove that the boundaries within dance music itself are extremely limited. My only gripe about “Tekila” is that it’s way too short at only 2:10, making it a bit of a novelty. It flies by so quickly that listeners will be begging to know what that “Tekila” song is!
After leading the way with the gorgeous R&B/pop duet with England’s Mahalia on “No One But You” and the blissful and subtle “summer night 08”, Toronto’s Justin Nozuka arrives with his first EP since 2018’s album Run To Waters called then, now and again. Also featuring those songs, the EP includes three new ones, “Miami”, “Rains It Pours”, and the standout to me, “Break Me”, Justin really doesn’t crack any new ground with “Break Me”, but instead offers what he often does best, especially in concert. “Break Me” is a quiet, expressive song about heartbreak and loss, passionately sung by Justin recalling earlier songs like “Carried You” or “Oh Momma” with its deep-down soulful root. Fans will love it and “Break Me” is a great place to start for anyone new to the party too.
The last concert I saw before pandemic lockdown included a fun set by NYC’s Andy Suzuki, when he opened for Allen Stone in my city. The personable singer/songwriter/guitarist and his project The Method return with “Save Me”, their first new music since their third album, 2019’s Alibi. In “Save Me”, we hear Andy mostly in Prince-ly falsetto mode while the song is anchored in a classic R&B-rock arrangement featuring thundering drums and percussion as well as Andy’s wicked guitar work. If you enjoy music by Miguel, Anderson.Paak, Allen Stone and others who regularly straddle R&B and rock and turn those genres into one rich melting pot of style, then you can put “Save Me” near the top of your list. Check out the well-shot supernatural-themed video above which also features The Method’s drummer/percussionist Kozza.
The chart is shaken and stirred with a lot more vibrant activity than usual! The favourites of winter are now moving on and making way for the spring upstarts. In this chart, we have five debuts and a new #1 song. At the turn of the last decade, I was charting an awful lot of performers with multiple songs from their albums or EP’s. That time is returning… and unfortunately radio stays the same ol’ same ol’ – Olivia Rodrigo’s “drivers license” took weeks before it was a #1 radio hit. In any event, I think you’ll enjoy this chart in particular and be sure to check out the songs!!
L.A.-based electronic dance producer Mahalo obtains his second #1 song on the chart with “Not Watching Anymore” (above). Mahalo has been a mainstay on my chart for the last five years, and his first #1 occurred in 2017 with “Perfect” featuring Canadian singer/co-writer Cat Lewis. Mahalo has an even better chart week with his latest single “Got That Love” (below), which is the Highest Debut on the chart at #22. Both productions are in the deep house vein but still quite different from each other, “Watching” sung by a woman, and “Got” sung by a man (both uncredited).
It doesn’t happen too often, but the Fastest Riser on the chart moves up from 15-3, and it’s the absolutely smoking deep house anthem “No More Looking Back”. The song is brought to you by the partnership of actor/producer Idris Elba and Kevin Saunderson and his revamped Inner City, with a magnificent vocal by singer Steffanie Christi’an.
These past few weeks I have needed my regular dose of “Jealous” by French producer Wizzay”, which climbs 7-5 from his EP Who I Am?
While Victor Perry’s collaboration with German producers Cal1 and L’essay, his ballad called “Stories” (above), gets snug in the Top 10 moving up 8-6, his second entry with Italy’s Lordnox races toward the Top 10. The upbeat house track “Myself In You” (below) soars 24-17.
It’s still more than a week away, but Porter Robinson’s long-awaited Nurture album arrives on April 23, and from it, “Look At The Sky” becomes his second Top 10 on my chart, moving 13-8.
Robbie Rosen is a name you’ve been seeing often in my blog for the last 4 or 5 months, and you’ll have to get used to seeing it even more. The “American Idol” contestant is a rarity – turning out high quality music in huge quantities so far this year! So, expecting no less, his recent banger with Norway’s Dunisco called “When I Lost You” (above) glides 19-13, while his work with Canada’s MADA and German newcomer production duo inLU called “Habits” (below) bows at #28.
The return of Sweden’s Eric Saade is eyeing another Top 10 placement for him with the Melodifestivalen finalist “Every Minute” vaulting 21-13.
I’m digging how “American Cliché” by Finneas rocks out, definitely one for which you need to turn up your speakers, and it climbs 26-21.
Karen Harding’s latest with UK producer Shift K3Y, the zippy “Morning”, moves up 27-22.
Another brilliant debut this week is a welcome return of Australia’s Peter Wilson and England’s Sean Smith singing together. While last time it was on the marvelous original “Verona”, this time it’s on a worthy cover choice of the late Robert Miles’ “One And One”, which arrives at #25. Currently it appears on Peter’s new album Electricity, but will be available as a single with dance mixes later in the week!
Like Gareth Emery’s “You’ll Be OK” last year, “Shine A Light” by France’s 2 Thunders with L.A. based singer/songwriter OMZ combines a touching story about being close to dying with an upbeat 90’s house-flavoured melody. It debuts at #26.
The fifth debut is by British Columbia’s Tyler Shaw, following up last year’s “Remember”, which peaked at #9. Bowing at #27 is the Dzeko remix of “When You’re Home”, which totally suits this darker deep house mix from its original pensive ballad format.
NEW!!Planet Radio Canadahas returned to the interwebs with The Musicman James Rogers and his “3D Variety Show” each week for three hours of great music as well as a few features. Listen to my New Music Pick of the Week (usually featuring a song on the chart) in the second hour of the show. Tomorrow, the show will also spotlight 1960’s greats Lou Christie and Leslie Gore. Planet Radio Canada’s “3D Variety Show” is simulcast on http://www.classichits.caand http://www.radiogta.ca from 6 to 9 pm EST.
The music from this chart and blog are also featured regularly on the online radio station The New Radio GTA. You can hear their Big 20 on Wednesday evenings, also with ‘The Musicman’ James Rogers, and listen for songs from the chart too 🙂Scroll down the station’s main page to listen to lots of variety from across the decades! I’m the new music consultant for the station so you can expect even more 🙂 You can start by joining Radio GTA’s new interactiveFacebook group too!!
View the full BILLCS Top 30right here! Click on the hyperlink on the song titles to hear the songs or watch the videos!
Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify:BILLCS Top 30 Songs
Although Meara McIntyre Train is not a new name for those who have seen her perform on Broadway, The Today Show, or at Madison Square Garden. But unveiled as pop singer MEARA, she offers a commanding introduction with her debut single “Blackbird”. Co-written with producer Max Mostley and Norma Jean Martine, the song’s sweet introduction leads into a dark tale as the protagonist is led on an adventure of self-discovery by the title character. MEARA’s beautifully controlled voice is offset by a baroque-flavoured arrangement reminiscent of songs from Florence & The Machine’s first album. Though there are similarities to other gifted performers, MEARA makes this quasi-supernatural but uplifting style her own – a strange, almost whispered vocal later in the song will catch you off guard. “Blackbird” speeds by in its four minutes and that itself is a tribute to the fine songwriting and compelling performance.
The new chart is so chock with fun-filled activity, particularly for people like me who enjoy making and reading charts :D, so in these kinds of situations I feel bad about excluding any words about songs that are deserving for one reason or another. So where there might be an omission this week, I’ll try and make up for it in two weeks.
Amid all of the activity further down, the top two songs remain the same. Faithless and Nathan Ball keep control of #1 with the rhythmic and witty “Synthesizer” (above) from the album All Blessed. And Rina Sawayama’s enduring Lady Gaga-esque “Lucid” (below) holds tight at #2.
Zipping up the chart 9-3 to challenge for the top in two weeks is no stranger to this part of the chart – he’s reached the Top 5 six times now – L.A.-based electronic dance producer Mahalo with his Top 10 national dance radio hit “Not Watching Anymore”.
“Escape” is the awesome, beautifully sung electronic dance single by California producer Jay Bird and singer/songwriter Chrxstal Sarah, which glides into the Top 10, up 11-6.
Also new to the Top 10 is the gentle and knowing “Stories” (above), moving 12-8 for NYC-based singer/songwriter Victor Perry with German producers Cal1 and L’essay. It’s Victor’s 9th trip to the Top 10 as either solo or featured artist! Victor doubles the pleasure by debuting at #24 with the dance fest called “Myself In You” (below) in collaboration with Italian producer Lordnox.
The final new entry in the Top 10 has been making leaps and bounds these past few weeks after starting its chart journey at #30. It’s the huge feel-good R&B/pop of “Arms Around Me” by Toronto artist D!XON. Do check out its engaging video above.
The Faster Riser on the chart, soaring 25-15, is carried by the smoking house of “No More Looking Back” by actor/producer Idris Elba and house legends Inner City led by the amazing Kevin Saunderson. Its driven vocal by Steffanie Christi’an is icing on the cake!
“Pressure” by Martin Garrix and Tove Lo is is most distinct and decidedly different offering in quite some time, and it climbs 21-16.
Your pre-summer party treat comes in the form of “Friday” by British producer Riton, reviving The Nightcrawlers’ 90’s house classic “Push The Feeling On”, and featuring the antics of social media stars Mufasa and Hypeman. It’s just so much fun and moves up 26-17.
Equally fun and bringing the beach party to you wherever you are in the world is “Boys” by Florida’s Lauren Mayhew and NYC dance producer INViDA, which climbs 22-18.
Watch out, there is a new banger in our midst, and it’s “When I Lost You” (above) by Norwegian dance producer Dunisco and NYC singer/songwriter Robbie Rosen, which is making short work of the chart, bounding 27-19. Ever-prolific, you can also check out this new one featuring Robbie by Italian producer Sotschi called “When No One Is Watching” (below).
The Highest Debut on the chart comes from the song that finished 2nd in the recent Swedish music contest Melodifestivalen. But as strong as the winner (“Voices” by Tusse) might be, “Every Minute” by Eric Saade has the edge for me, and bows at #21. It’s Eric’s first chart appearance since 2016’s “Colors” and is his first English-language recording since 2017. Eric previously topped this chart in 2011/12 with “Popular”, “Hotter Than Fire”, and “Backseat”, and “Every Minute” marks his 12th appearance.
Ireland’s Four Nights is actually a recording name for singer/songwriter Tommy Buckley, whose simple but effective take on 80’s pop will take no time getting stuck in your head. “Want You Always” climbs 28-22.
The third debut on the chart is the first for multiple Grammy Award winner Finneas (and brother, of course, of Billie Eilish, who herself has yet to find her way onto this chart). Arriving at #26 is blues-tinged rock of “American Cliché” (above), and you can bet that his duet with California native Ashe called “Till Forever Falls Apart” (below) may indeed follow suit in the next few weeks.
The fourth debut is the third appearance on the chart for both UK singer/songwriter Karen Harding and UK producer/songwriter Shift K3Y. Quickly following up Karen’s #5 “Let’s Get Together” (now at #29) at #27 is “Morning” (above), which also has been released in a wicked club mix by UK dance producer Eli Brown (below). Karen also charted last year with “Undo My Heart”, which was #1 for a month, and Shift K3Y previously appeared with Becky Hill last year at this time with “Better Off Without You” (#16) and in 2015, also at this time, with “I Know” (#7).
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NEW!! Starting in the evenings on Tuesday March 30, Planet Radio Canadareturns to the interwebs with The Musicman James Rogers and his “3D Variety Show” each week for three hours of great music as well as a few features. When Planet Radio Canada was first broadcasting a few years back, I had a new music feature segment which I’m pleased to say is returning. Listen to my New Music Pick of the Week (usually featuring a song on the chart) in the second hour of the show. Tomorrow, the show will also spotlight The Rolling Stones through some lifelong fans’ perspectives!
The music from this chart and blog are also featured regularly on the online radio station The New Radio GTA. You can hear their Big 20 on Wednesday evenings, also with ‘The Musicman’ James Rogers, and listen for songs from the chart too 🙂Scroll down the station’s main page to listen to lots of variety from across the decades! I’m the new music consultant for the station so you can expect even more 🙂 You can start by joining Radio GTA’s new interactiveFacebook group too!!
View the full BILLCS Top 30right here! Click on the hyperlink on the song titles to hear the songs or watch the videos!
Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify:BILLCS Top 30 Songs
BILLCSMUSIC BLOG 