During the past four years or so, Philadelphia duo N i G H T S have released a series of sometimes intriguing singles that are often rooted in R&B and pop of yesteryear. 2018’s stunner “Eyes” recalled mid-90’s R&B ballads, while 2017’s “Party” had wry lyrics set to an alternately sultry and offbeat arrangement. Their latest single “Selfish” discovers out a lover who spends too much money and doesn’t care about anyone else. The ever-distinct vocal and some humorous lyrics make this one a real kiss-off at only 2:04. And finally, the mystery guys in N i G H T S unveil themselves, of sorts, coming out of the shadows of their photos in a basic, nicely silhouetted live performance above for you to watch and hear.
“Love Again” as sung by Las Vegas indie songwriter Sabriel (pronounced ‘shä brē el’) captures the essence of all-girl R&B groups of the 60’s (The Ronettes, The Shangri-Las, and of course The Supremes) and inserts it into the more contemporary, bolder world of Erykah Badu, Macy Gray, and H.E.R. Sabriel creates a dreamy, wondrous world of self-discovery as she comes to terms with healing herself in order to move forward into other relationships. Her voice is unique and touching, and by the end of the song you may sense that a butterfly is now taking flight. There’s plenty to enjoy in “Love Again” and I look forward to more new songs from Sabriel.
BINNY is a new Asian-American bedroom indie singer/songwriter from Maryland who pulls from contemporary pop and R&B influences to deliver a snappy sound that relies heavily on his vocal delivery. The production in “Prime” is pretty minimal, with beats that have been heard in countless other recordings. But BINNY makes the most of these basic trappings to showcase his smooth, clever vocals. Justin Timberlake is an obvious reference in this song, particularly from his “SexyBack” era, though BINNY has a richer, deeper tone. A brief sung/spoken interlude immediately brings BTS to mind, and some vocal effects are inserted to bring the song to a close. BINNY clearly intends to take you on a journey with his music and “Prime” is a great starting point.
Many of us are having to make the most of what’s going on in our municipalities. I can’t be more grateful that we have an overabundance of music to keep us company. I can’t imagine my life without it. There’s a lot of activity brewing in the new chart, with two additions joining in all the activity. I wish everyone a safe, restful and happy holiday and a Merry Christmas to those who celebrate it with me.
Closing out the year at the top is “Diamonds” by Sam Smith from their excellent third album Love Goes. Even the best singers have to admit that Sam’s performance here is pretty unbeatable. I think the public-at-large associates Sam with sad songs, which they also sing so well, and which make up most of the album.
Soaring from 9-2, in a tie as the Fastest Mover on the chart, is “Give It Back”, a new dancefloor banger that requires your attention! It’s brought to you by The Disco Fries and Giiants with vocals by Allison Park. It’s the highest that The Disco Fries and Giiants have reached on the chart, though two thirds of Giiants reached #1 three times as DATABOY in 2011-13.
Cover songs rarely appear on this chart, and I must say one by The Blue Nile is a great choice by producers Matt Mancid and Color Theory. It’s “Tinseltown In The Rain”, which originally appeared on The Blue Nile’s 1984 album A Walk Across The Rooftops. The “Big Rhythm” mix climbs 5-3, with vocals by Color Theory (Brian Hazard).
Climbing 7-4 is “Fantasy” by the dynamic collaboration of Saxity, Victor Perry and Robbie Rosen. It’s Saxity’s second Top 5 entry following #3 “Brothers”, and Victor’s fourth, most recently reaching #2 with “What I Deserve”.
Tying for the Fastest Riser is another danceable favourite, “Nobody” by Sweden’s NOTD with vocals by Catello, rising 14-7. “Nobody” also reached #1 this week on Mediabase’s national dance airplay chart.
Toronto’s Francesco Yates obtains his third Top 10 on this chart with the steamy “Late Night Love” (13-9) from his EP Bad Decisions. It’s been amazing to hear his growth as an artist on this enjoyable EP.
“Good At Goodbyes” by Bright Light Bright Light and Erasure’s Andy Bell closes in on the Top 10 as this multi-faceted track from the Fun City album moves up 18-12.
The fun and energetic “Too Hot To Touch” by Toronto’s Crash Adams rises 16-13 and gives you another reason to check out their ‘in office’ video.
L.A. quintet Why Don’t We have a new album coming in January called The Good Times & The Bad Ones, which will include their current rollicking pop hit “Fallin’ (Adrenaline)”, which moves up 21-16. The band also made available a hologram of sorts of themselves on Snapchat, where you can place them virtually in your room with you.
I’m fond of the messaging in “Fake” by Lauv and Conan Gray as much as I am of its cool music track and its colourful video. It climbs 25-19.
The highest debut belongs to Japanese-British singer/songwriter Rina Sawayama with her first entry, “Lucid” at #26. This Lady Gaga influenced track should be her big breakthrough. It’s the lead track from her recent album called Sawayama.
The second entry is the latest collaboration between NYC producers The Knocks and rock group Foster The People with “All About You” at #28. It’s The Knocks’ 8th song to appear on this chart (they reached #1 in 2016 with “Kiss The Sky” with Wyclef Jean), and it’s Foster The People’s fourth but first since 2012.
A reminder that the music from my chart and blog are featured regularly on the online radio station The New Radio GTA. You can hear their Big 20 on Wednesday evenings with ‘The Musicman’ James Rogers and listen for songs from the chart too 🙂 Scroll down the station’s main page to listen to lots of variety from across the decades! I’m the new music consultant for the station so you can expect even more in 2021 🙂 You can start by joining Radio GTA’s new interactiveFacebook group too!!
View the full BILLCS Top 30right here! Click on the hyperlink on the song titles to hear the songs or watch the videos!
Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify:BILLCS Top 30 Songs
Want to see what I’ve been listening to and charting for the past 22 years? Rummage through theBILLCS Top 30 Archive (where you can click on the link within) when you have a chance!!
Following up their EP Love & Suicide, from which came “Wild Love” which I wrote about in the Fall, is “Criminals” by UK alt.rockers The Trusted. The obvious comparison, because of their penchant for strong melodies, is The Killers, or perhaps more specifically Brandon Flowers. But that’s where the similarities end, and The Trusted carve out their own niche with ease. “Criminals” is definitely radio-worthy, with the melody-line being the highlight while Tom Cunningham’s anguished, sympathetic vocal provides the tough-love story. Fans of Cage The Elephant, The Strokes, and Billy Talent will enjoy songs by The Trusted.
He can rap and sing, and his style comes off as streetwise but fresh. Meet Boston’s Heath 240 and his new single “Chirp”, which follows up his full album release from last year called The Hometown Hero. The song looks on the brighter side of life when you need to move on to bigger, better surroundings, away from the haters, so you leave the nest and wash away that chirping to create your own path. This is clever, creative hip hop flavoured indie alt.rock, which contracts Heath 240’s gruffer tones with Daniel Price’s dreamier pop flavours that are offered later in the song. “Chirp” is instantly likeable and will appeal to fans of crossovers such as 24Goldn’s “Mood” and Gym Class Heroes/Travie McCoy.
“Airplane Mode” is the title track from the recent four-song EP by L.A.-based singer/songwriter Brandyn Burnette. As faithful readers of this blog already know, Brandyn records both under his own name and under EMAN8 – in fact he also almost concurrently released a bluesy, more hip-hop flavoured album under that moniker called Heaven On A Cloudy Day. “Airplane Mode” is more pop-oriented R&B, and I’m glad Brandyn has found that he can flesh out what he loves to do successfully under both identities. Like previous single “Rolling Papers”, also featured in the EP, this is the most fun Brandyn has sounded in quite some time. His verses couldn’t be better and always take you places you don’t expect, as he balances light-heartedness with some pointed messaging too. While “Airplane Mode” is the highlight of the EP, I also have to give props to “Luh U” for being so direct about relationships being a two-way street. But do make sure you spin all four songs, which play together like a top-notch mixtape.
It was only a few weeks back when I featured “Hope You’ll Be Here Soon” by UK singer/songwriter James Poole, about whom I’ve written much over the last six years or so. I called that song a return to the vocal pop style of his You Tube days. “Dust On The Wind” isn’t as light or cheery as “Hope”, not what you would expect as a follow up. In fact, it’s a song you can visualize being sung at a Broadway theatre, with James’ sublimely rich tenor being the star attraction here. It’s a commanding, chill-inducing, somewhat traditional pop performance that passes here as a variation of alt.pop, and the taut and sparse arrangement couldn’t be more fitting. I could listen to songs like this for hours on end. James is ever the musical chameleon, so he’ll keep us guessing for the next one. But I will definitely take a release like “Dust On The Wind” any time!!
“Lost In Your Light” is the kind of song that grabs your attention immediately as the fine sum of all of its parts. It’s brought to you by relative UK newcomer (and former ski instructor) Waiting For Smith (aka Harry Lloyd), whose name comes from a drummer named Smith who never showed up for rehearsal. Harry weaves a relatable story about finding someone with whom you can share your deepest secrets and fears, allowing you to bask in their glow and vice versa. His indelible songwriting, along with an infectious guitar hook, make “Lost In Your Light” a much easier listen than what may appear on the surface. Waiting For Smith was already known to me through songs that I didn’t think were a strong as this, and I’m glad I waited. “Lost In Your Light” is much more than the ‘eccentric songwriter’ stuff that can typecast a performer. Harry has the vocal prowess to match his writing skills, which should mean many more pleasurable releases to come.
It’s been a very strange and somewhat long 2020, yet here we are with my second last chart of the year. Like many others, I’m itching to see live performances again but only when safe to do so. I don’t know how social distancing will be maintained without strict enforcement. We currently have to look at places like Australia, New Zealand, and Taiwan to see what measures they are taking. Anyway, there’s a new #1 on deck along with three strong entries. There are also a few significant jumps, which shove other songs into making smaller moves, and push the debuts to the lower five of the chart.
It’s Sam Smith who claims #1 with “Diamonds” from their excellent album Love Goes. Sam had FOUR #1’s in 2014 on this chart – “Money On My Mind”, “Stay With Me”, and “I’m Not The Only One”, from their debut album In The Lonely Hour, and “Latch” with Disclosure – and “Diamonds” is their first #1 here in six years. I was fortunate to see Sam perform at a small club in Toronto in April 2014, because their next stop in my city was our stadium! Their club show actually was to be earlier in the year but ended up conflicting with their first appearance on Saturday Night Live.
One of the year’s most infectious songs belongs to Sweden’s Pawl and Discrete with the toe-tapper “Type Like That” (above), which climbs a notch to #2. And we have Swedes back-to-back with Agnes’ equally catchy “Fingers Crossed” (below) moving up 5-3.
Back in the Top 5 for the first time in seven years are Germany’s Matt Mancid with American producer (and here, singer) Color Theory with “Tinseltown In The Rain” rising 9-5. This is the “Big Rhythm” dance mix of this much revered song from the 80’s by Scottish group The Blue Nile.
Another one with a long gap between events is Justin Nozuka. The Toronto singer last appeared in the Top 10 in 2010 with “Unwoken Dream” (#6) from his second album You I Wind Land And Sea. His latest is “No One But You”, a duet with British singer and 2020 R&B Grammy nominee Mahalia, which moves up 11-8.
The fastest riser on the chart is the latest in a series of dance music bangers that created some of the brightest moments of 2020. It’s “Give It Back” by the pairing of The Disco Fries with Giiants and vocalist/co-writer Allison Park. It smashes into the Top 10, moving 20-9. It’s the third Top 10 on this chart for both Disco Fries and Giiants.
The third Top 10 entry is Illenium’s “Nightlight”, featuring the uncredited voice of Annika Wells. It climbs 13-10, and is Illenium’s 6th Top 10 entry.
Also soaring up the chart 24-14 is another new favourite deep house banger, “Nobody” by Sweden’s NOTD with vocalist Catello.
Watch for “Good At Goodbyes” (above) by Bright Light Bright Light and Erasure’s Andy Bell to move up more in the coming weeks. For now, this wondrous electronic ballad of sorts rises 21-18. Check out the latest single from Fun City, “Saying Goodbye Is Exhausting”, featuring Justin Vivian Bond, below.
I think I’ll need to get a T-shirt or create a meme that says “Sorry for All the Bangers”. “Chasing Feelings” by UK producer Jerome Price and singer/songwriter Cally Rhodes also fits into this category, and it climbs 23-20.
“Fake” is a fun song and video by Lauv and Conan Gray, which moves up 30-25.
The highest debut on the chart is the first entry for renown Dutch producer Oliver Heldens. Collaborating with Party Pupils with vocals by MAX, the exuberant “Set Me Free” arrives at #26. MAX is also sitting pretty at #17 with Suga of BTS with “Blueberry Eyes”. And arriving this past weekend was baby Edie Schneider for proud new parents MAX and Emily!
Also premiering is the darker deep house track “Like Gold” by my fellow Canadians Loud Luxury and Toronto’s Frank Walker with vocals by Stephen Puth at #27. Loud Luxury’s recent “Aftertaste” reached #8 a while back, while Stephen got to #5 last year with “Sexual Vibe”. It’s a first appearance on the chart for producer Frank Walker.
The third new entry makes a concurrent chart appearance for UK singer/songwriter Karen Harding. She’s currently at #12 with the former #1 “Undo My Heart”, and bows with Scotland-based production duo Illyus & Barrientos with the dreamy disco of “Let’s Get Together” at #29.
A reminder that the music from my chart and blog are featured regularly on the new online radio station Radio GTA. You can hear their Big 20 on Wednesday evenings with ‘The Musicman’ James Rogers and listen for songs from the chart too 🙂 Scroll down the station’s main page to listen to lots of variety from across the decades! I’m the new music consultant for the station so you can expect even more in 2021 🙂 You can start by joining Radio GTA’s new interactiveFacebook group too!!
View the full BILLCS Top 30right here! Click on the hyperlink on the song titles to hear the songs or watch the videos!
Listen to the BILLCS Top 30 Songs on Spotify! Click on this link to take you there, and follow me on Spotify:BILLCS Top 30 Songs
Want to see what I’ve been listening to and charting for the past 22 years? Rummage through theBILLCS Top 30 Archive (where you can click on the link within) when you have a chance!!
BILLCSMUSIC BLOG 